Ocean Swift Releases Myth Rhythm - A Deep Versatile NKS Percussion & Avant-garde FX Cell for Kontakt

Playlist:

1. Myth Rhythm - Versatile Percussion & Avant-garde FX Engine | 16 Cells, +4800 Sounds, Deep Synthesis
2. Myth Rhythm - Versatile Percussion & Avant-garde FX Engine | Snapshot Sound Example Demos 01
3. Myth Rhythm - Versatile NKS Percussion & Avant-garde FX Engine | Deep Dive Overview Presentation

Press release follows:


Ocean Swift Releases Myth Rhythm
An Avant-Garde FX & Percussion Powerhouse with 4,800+ Sounds for Free Kontakt Player

Intro offer - 33% off just €40 until August 10 2025:
https://oceanswift.net/product/myth-rhythm/

Myth Rhythm combines deep modulation, powerful effects, and avant-garde sound design in a seamless, NKS2-integrated multi-cell percussion and sound FX instrument.

Myth Rhythm is a versatile cell based instrument featuring 16 individual cells, each capable of holding one of over 4,800 included samples or a user-loaded sample.
Each cell offers extensive editing capabilities, including filters, envelopes, LFOs, dynamics effects, and send levels. Cells can be easily copied, pasted, and customized with key color settings.

Additionally, each cell supports extensive external modulation, utilizing velocity, polyphonic aftertouch, and pitch bend for dynamic performance control.
The instrument's main effects section provides a range of creative and modulation effects, along with various delay and reverb options for send returns.

Myth Rhythm also offers a unique seamless NKS2 experience, even allowing users to effortlessly program and customize their own NKS2 performance mode mappings directly through the interface.

The included sounds library offers a diverse array of avant-garde one-shot sounds, encompassing everything from classic drum sounds and vintage drum machines to spoken word, sound effects, and an eclectic mix of unconventional noises. This collection features a broad spectrum of unique elements, including tings, bleeps, blops, bells, whistles, animal sounds, cars, household items, synth stabs, modular effects, and much more.

Highlights:
Versatile Cell based Instrument - 16 individual cells
Massive One-Shot Library - Open library of over 4,800 sounds
Free Kontakt Player Compatibility
Instantly Playable, Infinitely Tweakable - Quickly play or dive deep
Genre-Defying Sound Design - Hundreds of presets
Deep Editing Power - Designed for creative flow
Seamless revolutionary NKS2 Integration - Streamlined workflow
Unprecedented control with MK3 Keyboards
Polyphonic Aftertouch Support - Subtle nuances and articulations
Perfect for Pad-Based Workflows - Finger drumming fun

LPZW Elster 909-Style Cymbal Module Sound Demo

video upload by kay k

"Sounds from the LPZW.MODULES ELSTER 909 cymbals eurorsack module. No EQ or other treatment applied.
All other sounds are from the superb Elektron Model:Cycles.

00:00 intro jam
01:11 demo
01:21 Ride Cymbal with pitch, decay & Mojo
01:43 Crash Cymbal with pitch, decay & Mojo
01:58 Reverse
02:19 extended pitch range
03:20 Hihats with decay, accent & Mojo
03:50 Hihat trigger swap (reverse button in HH mode)
04:24 with context again
05:10 sequencing Ride reversed playback
05:41 Ride pitch CV
06:00 Hihat decay CV
06:22 Crash decay CV
06:50 Crash pitch CV in extended range"

Check wih dealers on the right for availability.

"Elster from LPZW is an all-in-one cymbal section in 4HP, based on the circuitry and ROMs of the classic 909 drum machine. It provides three different cymbal sounds, including Ride, Crash, and both open and closed Hihats. It contains a number of creative and performance based controls, such as the dedicated Accent CV input, giving you access to the same kind of expression found on the original machine. The Decay slider allows you to dial in the perfect sound for your cymbals, along with the bipolar CV input for extra expression potential. The Pitch slider gives you access to the classic Pitch/Speed sound from modulating the speed of samples, along with the Range switch, which emulates a similar pitch range as the original 909, or expands the range even further for more experimental results.

The Reverse Playback button gives you instant access to reversed version of each cymbal, apart from the Hihat mode, which when engaged allows the REV CV input to become a trigger for the Open Hihat. The LPZW also comes with a Mojo switch, which when active adds subtle drive and coloration to your cymbals, allowing them to sit better in a full mix. If you're looking for a well-rounded cymbal module, the Elster from LPZW provides excellent sound and performance capabilities, all in only 4HP.

ELSTER FEATURES

ROMs and circuitry based on the classic 909
Ride, Crash and Hihats sounds
Trigger Open and Closed hihat sounds independently
Accent gate input
Pitch/Speed slider with bipolar CV input
Decay slider with bipolar CV input
Reverse Playback button and CV input
Mojo switch adds drive to samples"

Casio VZ-1 EXTERNAL PHASE mode

video upload by Collector Current

"The Casio VZ-1 lets you combine oscillators into complex sound generators using "EXTERNAL PHASE" mode. There are many possible combinations; in this video we only look at 4 oscillators and combinations of MIX and PHASE mode.

Read more about the VZ-1 at https://blog.jacobvosmaer.nl/tags/vz-..."

Soundcloud: / collector-current
Bandcamp: https://collectorcurrent.bandcamp.com
Blog: https://blog.jacobvosmaer.nl/

Roland Jupiter 8 8-voice DCB Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.


via this eBay listing

CLICK FOR MORE »

Behringer Introduces Behringer BM-13 PHASER

video upload by Behringer

"Step into a new dimension of sound as Adam guides you through Behringer BM-13 PHASER – a true analog beast brought back to life. With a powerful 12-stage phasing circuit that can be switched down to 6 stages, this unit offers a massive range of sonic textures." ⏱️ Chapters:
00:00 It’s a Phase
00:14 The story of BM-13 Phaser
01:07 What’s a 12-stage Phase?
01:55 BM-13 demo
02:20 Features
03:14 The controls + demo’s
05:50 IO connectivity + demo’s
07:01 BM-13 in stereo
08:00 Phased drum demo

The Behringer BM-13 PHASER is your new go-to box of swirling, sweeping, analog goodness. Whether you’re chasing subtle vintage shimmer or deep resonant sweeps, BM-13 delivers timeless phaser tones with powerful controls for shaping the waveform the way you want.

A Control Freak’s Dream
With hands-on control over sweep, resonance, LFO rate and amount, BM-13 is as tweakable as it is musical. Want to slow things down to a hypnotic pulse? Crank that LFO down to a lazy 0.01 Hz. Feeling spicy? Flip it into high gear for warbly, out-there textures at up to 250 Hz. Add a little grit with the Drive knob, fine-tune your output level and explore either 6-stage or 12-stage phasing – each delivering its own flavor dimension and character.

Plug In and Lose Yourself
From funked-out guitar riffs to synth pads that melt into space, BM-13 is built for exploration. Guitarists and bassists will love how it adds motion without washing out your tone, while keyboardists and synth wizards can drench their patches in analog swirl. Even in the studio, it’s a secret weapon – run vocals, drums, or entire mixes through it for instant vibe and warmth. And with stereo output capability, your sound can stretch wide across the stage or mix.

Built to Play Modulation doesn’t stop at the stomp switch. BM-13 comes equipped with expression pedal inputs, giving you full control over key parameters from modular gear or performance pedals. Whether you’re a traditional player or an experimental sound-shaper, the Behringer BM-13 PHASER invites you to dive in and make it your own.

Grab one from your nearest distributor today!

Candy castle. a mini glass synthesizer by Pal Tan of Errorinstruments

video upload by errorinstruments paul tas

"From each or different form and shape and color, not even one is the same with the sound engine of Cloud busting only available on error instruments"

via Errorinstruments

"We are making a small designer collection of candy castle there are all unique and not one is the same . It’s a mix of glass. Pcb metal. Really high fructose sweetness for the Kawai But there is more it has the beautiful sound engine of the cloud busting to patch around interest in this device don’t be too late because everything is unique and everything is rare it comes included patch cable alligator clips it comes included USB power cable More information about the sounds see the videos

made design by Paul Tas

Cloudbusting is a full Modular experimental synthesiser .It has 12 points that can be patched . 6 modes .Modulation points but also Audio with experimental sounds . Most famous sounds that are used for experimental purposes. as deep Drones .And also the Inspired sound of the plum . The sound of ciat lonbarde plumbutter / Rolls5 Also some weird frequency modulation . And a lot more ."

CLICK FOR MORE »

Industrial dark modular synth performance by Stephen McCaul

video upload by Noise Engineering

"Here's an industrial dark modular synth performance by Chief Noisemaker Stephen McCaul.

The bottom case is a six voice case with Incus Iteritas Alia (2), Debel Iteritas Alia, Tymp Legio, Manis Iteritas Alia, Virt Iter Legio + Ampla Legio.

There is a Librae Legio for the percussion submix (paralleling the main mix) and an Electus Versio on a send. The rhythm sequencing is from an experimental prototype that isn't really product worthy.

Pitch sequencing comes from Opp Ned. And the Xer Mixa mixer ties it all together.

The top case is an effects rig for another project but i used a Fala Versio and a Yester Versio in that case for some additional effects.

Join us on Discord! Invite link: / discord"

http://www.noiseengineering.us
Noise Engineering | Get Out Of The Box

Roto-Control Motorized MIDI Controller 2.0 firmware update overview Melbourne Instruments

video upload by Melbourne Instruments

"Melbourne Instruments is excited to release Roto-Control Firmware 2.0 — the next evolution of their groundbreaking motorized MIDI controller. Following the success of their acclaimed motorized synths, NINA and DELIA, Roto-Control brings the same tactile precision to software and hardware control, redefining hands-on workflow for modern music creators.

New 2.0 firmware features include:
Send MIDI Notes via Roto-Control buttons in MIDI Mode.
Send Program Change with Bank Select via Roto-Control buttons in MIDI Mode.
Group tracks with fold/unfold actions via Roto-Control supported in Ableton Live and Bitwig Studio.
Manual mapping and customization of Ableton Live racks and macros now possible.
Roto-Control knobs now have a centre indent haptic option in MIDI Mode.
Roto-Control Setup App now compatible with both Ableton Live and Bitwig Studio.
Roto-Control now compatible with Linux for use with Bitwig Studio.
Please see release notes for more info.

Grab Roto-Control Firmware 2.0 here: https://www.melbourneinstruments.com/...
More info on Roto-Control here: https://www.melbourneinstruments.com/...

_____________________________________________________

ABOUT ROTO-CONTROL

Designed for a fast, intuitive workflow, Roto-Control features three powerful modes: MIX, PLUGIN, and MIDI with Motion Recorder.

In MIX Mode, Roto-Control syncs automatically with Ableton Live and Bitwig Studio, instantly displaying track names and colors pulled live from the session—no need to manually label anything. Track updates happen in real time with zero setup.

In PLUGIN Mode, parameters are learned once and saved locally, making recall instant across any system. One-touch setup and direct label mapping from Ableton Live and Bitwig Studio ensures a seamless experience every time.

With thousands of assignable parameters stored internally, Roto-Control is the only motorized MIDI controller that offers this level of portability, flexibility, and precision."

Follow-up to this post.

Tour De France/Kraftwerk - (Circuit Tracks & Rhythm Version)

video upload by Guinan

"I was listening to the 50th Anniversary version of the album, ‘Autobahn’ by Kraftwerk and it occurred to me to have a try at one of their tracks.

By far the most danceable of theirs is the 1983 song ‘Tour De France’ with the 2003 Francois Kevorkian mix the best fit for the Circuit Tracks treatment. It also should be noted that the band were complete cycling fanatics even hosting some of their concerts in velodromes!

With the real Tour De France just about to kick off (5th July in Lille) I couldn’t think of a more suitable track, and I want to dedicate this with love to my cycling-loving father-in-law, Bernard.

Having influenced early 80’s electro music such as Afrika Bambaataa’s ‘Planet Rock’ the influences went in the other direction for this track. Hiring the famous New York electro producer Kevorkian to do the remix made for a fantastic combination. Francois was responsible for many of the greatest New York electro productions and remixes.

(a big shout out too to anyone who's here because they love the broom scene from the movie, 'Breakdance' !)

This era of Kraftwerk was notable in introducing sampling to the normally analogue instrumentation they used. For this reason, I’ve drafted in my Circuit Rhythm again in the same way as my recent version of Robert Mile’s ‘Children’. See here;

• Children/Robert Miles - (Novation Circuits... [posted here]

Everything you hear is coming from just these two machines (Circuit Tracks & Rhythm). The Tracks is programmed with the musical parts and is playing the Rhythm on two tracks. There are in addition some rhythm tracks playing on this machine to thicken out the sound. No other synths were used (apart from the sampled instruments mentioned below) and you’re hearing the straight audio direct out from the machines.

I loved the challenge of putting this together (see below for details!)
I hope you enjoy it too and check in soon for more tunes.

CLICK FOR MORE »

Sequential Introduces the Take 5 Desktop Module

video upload by Sequential

"Take Your Music to the Next Level

The Sequential Take 5 desktop module brings the legendary Prophet-5 sound to your mix, featuring the analog oscillators and filter that transformed electronic music. Compact and powerful, it fits seamlessly into any studio and is easy to transport for live performances. Modern effects and a powerful modulation matrix deliver sounds to transport you.

Soundtrack exclusively by Take 5. Yes, even the drums! Composed by Peter Dyer.

For more information on Take 5 visit Sequential at: https://sequential.com/hybrid-analog/..."

Sequential Take 5 Module Demo (no talking) - Presets for Ambient, Melodic Techno and Electronica

video upload by Limbic Bits

0:00 Pads
13:09 Bass
16:25 Leads and Arpeggios
20:57 Misc, SFX and Percussion

Sequential Take 5 Module Demo (no talking)

video upload by Bonedo Synthesizers

Hurray... Take 5 and TEO 5 Desktop Units

video upload by Starsky Carr

TEO 5 announced here

"The Take 5 and Teo-5 from Sequential and Oberheim make fantastic desktop units. They feel like they were made for this form factor - no compromises, simply great sounding synths in a high quality enclosure. The keyboard versions may have felt lacking in keys (even though they have a great keybed) - just a bit too short for some. I found it was quite handy having one that could fit on my rack! But with these the only decision you have to make is which one is best for you.

Luckily I'm here to confuse you further (they both sound great)! The decision will be whether you prefer the Oberheim or Sequential style of VCO programming, the filters, and the X-Mod/FM. And these just so happen to be the bits I look at in this :)"

0:00 Whoo Hoo!!
2:36 The Hardware
4:37 Quick Overview - What Are They?
6:58 Oscillators
10:20 Sync
12:31 Filters
21:08 X-Mod/FM



Press release follows:

Take Your Music to the Next Level with the Sequential Take 5 Desktop Module

San Francisco, CA – [July 1, 2025] – Sequential, a leading innovator in synthesizer technology, today announced the release of the Take 5 Desktop Module, bringing their legendary analog sound to a more compact and accessible form-factor.

Building on the success of the Take 5 keyboard, the desktop module offers the same powerful analog oscillators and filters that capture the iconic warmth and depth of the Prophet-5, enhanced with modern modulation and digital effects. The module delivers this sought-after sound in a space-saving design, perfect for studio setups and live performances where portability and efficiency are paramount.

"Ever since we launched the Take 5 keyboard, we’ve gotten repeated requests for a desktop module version, " says CEO David Gibbons. "And more recently, it seems that modules have really shot up in popularity. So, we're very excited to offer the Take 5 sound in a format that everyone seems to want."

The Take 5 Desktop Module provides the same hands-on, knob-based experience as its keyboard counterpart, allowing for intuitive sound design and real-time parameter adjustments. Users can delve deep into sound creation with controls that are simple and direct, making it fast and easy to polish your sound.

This synth fits perfectly in smaller studio or bedroom setups, and is easy to transport for live gigs, positioning The Take 5 desktop module to bring its signature Sequential sound to a wider audience than ever before. It's an instrument designed to make life easier and streamline the journey to making music and having fun.

The Take 5 desktop module is available now, with a US MAP price of $1,399.

CLICK FOR MORE »

Native Instruments Introduces MR1 Valve Data

MR1 Valve Data walkthrough video upload by Native Instruments

"Product expert Reuben Cornell takes you through the innovative features of this new kind of drum machine from cult developer 10 Phantom Rooms. MR1 Valve Data is a new approach to creative drums. Hear its raw analog tube beats and see how its drum sequencer and innovative controls quickly shift, warp, and shape to create compelling beats."

Chapters:
00:00 - Introduction
01:44 - Snapshot Examples
07:25 - Interface Overview
08:09 - Source Sounds Examples
09:19 - Sample Start Examples
10:30 - Randomization
10:44 - ABC Variations
10:58 - Mod Wheel Macro Control
11:18 - Creating Variations
11:43 - Quick Edit Overview
13:07 - Cutoff / Tune / Decay / Burn Dials
13:35 - Burn Processing
14:27 - Cut Macro
14:39 - Time Macro
15:00 - Pump Processing
15:35 - Sequencing Control
17:10 - Pan / Cutoff / Sample Start Sequencing
17:45 - Mutate
18:12 - Global Sequencing Options
19:18 - Mix / Edit / FM Page Summary
19:40 - Conclusion"



via Native Instruments

"Modular tube drum machine

A new kind of drum machine – fun and easy to use with special real-time features
155 presets based on over 300 creative samples, designed with modular tube gear
Morph, shift, and transform beats like never before with intuitive performance controls

Raw analog tube beats transformed

From 10 Phantom Rooms’ new Modular Rhythm series, MR1 Valve Data leads the way in a new approach to creative drums. The real-time features let you morph parameters with just one control, for totally fresh sounds.

And that’s not all. Get dirty, deep tube-processed drums with the satisfying analog grit of sampled oscillators, filters, and granular effects. Create distinctive beats fast with intuitive sequencer, randomizer, and mutator features. Then, warp and shape them with "burning" distortion effects, tuning, plus reverb and delay including new sidechaining controls.

Created by 10 Phantom Rooms exclusively for NI

MR1 Valve Data is the first in the new Modular Rhythm series created by 10 Phantom Rooms. Specializing in next-generation Kontakt instruments for film and media composers, the company was founded by sound and instrument designer Tobias Menguser, alongside Paul Haslinger (ex-Tangerine Dream, Underworld). With a career spanning three decades, Tobias has created sounds and instruments for many of the industry’s biggest names, including sounds for more than 600 movie trailers.

At a glance

Product type: Kontakt instrument

For use with: Free Kontakt Player or Kontakt

Sound category: Hybrid modular plugin

Number of snapshots: 155 with 3 variations each

Download size: 300 MB

System requirements: Free Kontakt Player or Kontakt (version 8.4.1 or higher). Please also see the Kontakt Player system requirements and the Kontakt Player FAQ.

User Manual PDF

You can install this instrument with Native Access – just as you would with any Native Instruments product."

Radical Percussion with the SSF Ultra Perc

video upload by Metamyther

"In this video, we explore how to create radical, distorted, and industrial-strength percussion using a killer combo of Eurorack modules: the Steady State Fate Ultra Perc, Bastl Dark Matter, and some Noise Engineering favorites – namely, the Desmodus, Lacrima and Toros Iteritas Alia. Perfect for electronic music producers pushing the limits of rhythm and sound design, we’ll dive into patching techniques that blend analog aggression, feedback saturation, and digital chaos, ideal for industrial techno, experimental beats, and modular percussion that cuts through any mix. This video will give you the inspiration to create truly unique drum textures and rhythms."

Additional Steady State Fate Ultra Perc posts

Yamaha Motif-Rack ES w/ Original Box SN JAMN01038

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"You need lots of sonic choices from authentic to innovative, that's why there are 1152 voices [patches] and 65 different drum kits in the new Yamaha MOTIF Rack ES. With the most advanced synthesis on the market, ES Rack's 128-note polyphony, 16 part Mix architecture and 32 multi libraries insure you have the all the flexibility you need.

Massive collection of studio sounds More effects than any other rack module Flexible synth architecture for creating your own sounds Studio Connections software provides plug-in-like operation Expandable with Yamaha PLG cards Digital I/O plus six analog outputs"

CLICK FOR MORE »

Dr. Endo explores LIVEN Evoke: DAWN

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

DAWN

As light slowly breaks through the darkness of night—
a hopeful morning quietly begins to rise.
I jammed this piece on the LIVEN Evoke, imagining it as a scene from a film.

The drone is built on a cello, layered with a SAW PAD waveform using the Harmonic Wave parameter,
moving gently to support the space with a quiet, understated presence.

Chords are softly played on an oboe, while the violin uses a string ensemble-style waveform pitched one octave down,
adding a grounded presence that stands out quietly in the mix.

The piano plays a repeating phrase sent through GRAIN FX.
The FX is set to fifth-aligned mode, allowing grains to extend up to two octaves above.
These small, rounded grains roll and shimmer through the space—like scattered particles of morning light.

Yu Endo

---
夜の暗闇の中に、少しずつ光が差し込み、やがて希望の朝を迎えつつある。
そんな映画のワンシーンをイメージして、LIVEN EvokeでJamってみました。

ドローンはチェロにHarmonic WaveパラメータでSAW PAD波形を重ねて、
ゆっくりとした動きで空間を静か目に支えています。

コードはオーボエで柔らかく重ね、バイオリンにはストリングスアンサンブル系の波形を使用し、1オクターブ下で鳴らすことで、静かな中にも芯のある存在感を持たせました。

ピアノはリフレインしながらGRAIN FXにSENDしてます。GRAIN FXは5度アラインで、2オクターブ上までのグレインが発生する設定にしており、コロコロと細かく丸みのある粒が、まるで朝の光の粒のように空間に散っていく感じを狙っております。

遠藤　祐

6/24-27/25 .com Q173 Gate Math + Metasonix D-2000 + ZI 6550-99 + TR-606 + (more in description)

video upload by Cfpp0

"6/24-27/25 Synthesizers.com Q173 Gate Math + Metasonix D-2000 + Zerosum Inertia 6550-99 + Roland TR-606 + STG muSonics Vanilla Envelope + MFB dual ADSR + Intellijel LPG + Birdkids Unicorn Boom + Peavey 1300 + CorSynth C102 VC LFO + Synthetic Sound Labs 1660 + Alesis MIDIVERB II + Ace Tone MP-4 + Oakley Modular ADSR/VCA + MXR 136 dual limiter

Sort of reminds me of 'Goodbye Horses' by Q Lazzarus. The Synthesizers.com Q173 Gate Math has been very underutilized, so it’s been moved, and this was the first time I used it on the Metasonix D-2000. ALM Pamela’s New Workout is driving the Q173, which is triggering the D-2000. The D-2000 mix output runs through the Intellijel Passive LPG, which is controlled by the MFB dual ADSR, which is driven by Pamela’s. A copy of the Intellijel LPG runs through the Peavey 1300 delay, panned left, with gates reverb from the Alesis MIDIVERB II. The bass drum is from the Birdkids Unicorn Boom, triggered by Pamela’s, and limited by the MXR 136. The high pitched 16th note claves that sound like crickets are from the DSP 808, modulated by the MFB dual ADSR. The snare is from the Roland TR-606, processed by the Ace Tone MP-4 spring reverb. The hi hat is also from the TR-606, processed by a reversed reverb from the MIDIVERB II. The synth line is the Synthetic Sound Labs 1660 audio out through two Zerosum Inertia 6550-99 oscillators through the STG muSonics Vanilla Envelope and the Oakley ADSR/VCA, with additional modulation from the CorSynth C102 VC LFO."

kNoB technology ηCarinae 2 Eurorack VCO Full Review and Demonstration

video upload by kNoB Technology

"kNoB technology presents an updated and improved Eurorack VCO module ηCarinae 2
Our second ray of light during a dark time

The ηCarinae 2 is a fully analog tzfm oscillator (tri-based).
The concept behind the creation of ηCarinae was to develop a generator with multi-level wave shaping and transformation, allowing not only smooth selection of the base waveform but also modification of the waveform itself in order to expand the available timbres.
7-level waveforming= simple form + form shaping + sub osc + "sine+" + FM + selfpatching + Ring mod
5 basic waves (Tri, Sine, Saw, Double saw, Square PWM) and white noise with vactrol LP filter
Wave folding for sine and triangle waves
SAW and Double SAW, both with Smooth saw ramp shaper (Rise to Fall)
Two SUB OSC f/2 + f/4 with CV level control in main mix
Hard and Soft sync
2x LFO modes
SINE+ mode for mixing simple waveforms with a folding sine wave
Pure analog design in every part of the module
LIN, EXP, TZFM, TZPM, RING modulation possibilities

Time sections:
00:00​ Hello
00:09​ Bla Bla
01:08​ Small demo
03:22 Review of controls
05:40 Review of connectors
07:41 Review of touchpads
08:01​ WAVE and PWM|S + waveshaping
09:49​ WAVE and PWM|S and Sine+ mod
10:50​ WAVE and PWM|S + modulations
11:49 SUB OSCs
12:43​ Synchronization
13:37 FM modulations
14:27 TZFM modulation
16:09 TZPM modulation
18:01 Exponential FM modulation
19:01 7th lvl of waveshaping RING MOD
20:54 RING MOD + TZFM
21:57 VCO to LFO: How to drop the frequency lower than the octave selector allows?
22:32 Demonstrations: Simple to Complex timbres
27:20 Organ-like patch (5oct)
31:44 Drone and Noise"

Dr. Endo explores LIVEN Evoke: Ashen

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Ashen

Today I just jammed with the arpeggiator function on the LIVEN Evoke.
The piano part combines the chord function with the arpeggiator to create a simple loop.
Using the HarmonicWave parameter, I subtly added upper harmonics with a shimmer-like effect that catches nicely in the reverb.
In the middle section, I layered a Peruvian flute to bring some organic texture to the chordal atmosphere, using breathy tones rich in fine noise.
For the low end, I used an electric guitar waveform—slightly wah-like and a bit distorted—adding a unique, wavering texture to the mix.

Yu Endo

---
今日は、LIVEN Evokeのアルペジエーター機能を使ってJamってみました。
ピアノはコード機能とアルペジエーターを併用し、シンプルなループを構築。
そこにHarmonicWaveパラメータで、シマー系の効果が得られる高域の倍音をほんの少しだけ重ね、リバーブに心地よく引っかかるようにしています。
中盤からはペルーフルートを重ね、微細なノイズを含む息遣いでコード感に有機的な陰影をプラス。
低域にはエレキギター波形を使用し、少しワウっぽく、歪んだようなユニークな質感で、独特のうねりを添えました。

遠藤　祐
---

CLICK FOR MORE »

Ambient w/ Roland RS-09 & GAME BOY | Rose Water 2025-06-25 by atnr

video upload by atnr

"A piece built with an RS-09 and a Game Boy—ambient layers of drones and lo-fi sequencing.

RS-09: Runs through NIGHTSKY for reverb and filtering; the dry signal is muted so only the wet reverb is heard, and the unit’s inherent noise is left in the mix.

Game Boy: An LSDj sequence loops while LOSSY degrades the sound and a DD-6 adds delay, with feedback tweaked in real time."

Mood Machine | Sonicware Liven Evoke | New Set of 14 Songs

video upload by Sonic Cartography

"Track list and lots of notes below:

0:00 - 1. Dream Machine - With the Sonicware Liven Evoke, I’ve often been playing songs live, without using the sequencer, which I used for almost all of my songs with the Liven Ambient Ø (the two sequencers are very similar). With this song, I use the hold feature to hold some notes of textural sound in a couple of layers, while playing the piano layer live. The piano sound morphs between an acoustic and electronic sound a little bit after I play each note. Around the halfway point, with the chromatic pitch shifting, everything starts to turn into a granular storm (there are no granular effects prior to this), which is helped by the fact that you can cut the dry signal of each track and have a 100% wet mix of the reverb and/or granular sound. Oh, also, I want to give a thank you/shoutout to this video by @BenLevin because I started messing around with the chords that led to this song after watching it: • The secret to EMOTIONAL chords . His channel is one of my favorite music education channels on YouTube, so do check it out!

CLICK FOR MORE »

Bend Space, Time & Pitch with BOPP & STEVE // Deconstructed Reverb from This Is Not Rocket Science

video upload by DivKid

"With origins in 2000s reverb designs, through the Fenix IV dual delay engine and collaboration with Error Instruments on Brinta … This Is Not Rocket Science present their approach to deconstructed reverb, exploring the manipulation of space, time and pitch with BOPP & STEVE. It’s a 24HP Eurorack module with multiple DSP FX splitting apart diffusion, delays, reverbs, granular and pitch shifting. Impressive stuff, lots to explore, skip around with the timing index below."

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