New Module: Making Sound Machines - Stolperbeats. Shuffled Beats in Eurorack!

video upload by Making Sound Machines

"Happy Easter everyone!

What started out as a tiny little seedling of a project, our secret pattern generator, has grown into its own and hatched as a full-grown Eurorack module! Stolperbeats, roughly translating to "beats tripping over themselves", is a drum trigger sequencer designed to create shuffled beats influenced by artists like FlyingLotus, HiatusKaiyote and JDilla. We've always been fascinated by taking our beats offgrid to give them more fluidity and life. This module allows you to easily dial in and seamlessly switch between all the shuffle, feeling and groove we would, in the past, painstakingly nudge together in a DAW.

Stolperbeats is heard here triggering Eurorack drum modules, including the fantastic Prok Drum available as a DIY kit from Thonk doing the obiwankenobi dragon call, Tiptopaudio’s One playing the @beatsbykabuki STRIKE audio card through @rocket_not FenixIV phaser and an unreleased Making Sound Machines prototype called PercussiveMaintenance, played through @serge_by_random_source 's wavemultiplier and with added oomph from @tomwhitwell's MusicThing Minidrive. The performance showcases switching from a nonuplet groove to a quintuplet shuffle in the blink of an eye.

Stolperbeats features CV and MIDI control over trigger patterns for Kick, Snare, open and closed Hihat and 2x Percussion, as well as control over the depth of shuffle applied. It outputs trigger signals for use with Eurorack drum modules, and MIDI suitable for drum machines and synthesizers.

The module is not in stores quite yet but you will be able to play it at @superbooth_berlin 2022. And you might have noticed a sneaky little peak of it in a @divkidvideo already : D"

Making Sound Machines - Farbshaper

video upload by John Schussler

"I covered the Making Sound Machines Farbfolder in a previous vid: [below]

The Farbshaper is similar, but not such a standard wavefolder design. It has a gain circuit that's unusually responsive to the amplitude of the input signal, giving it a very organic sound and variety of timbres you don't get on other folders.

The input signal is all sine wave from the Befaco Pony VCO.

00:00 Intro
00:20 Source audio
00:45 Sweeps
02:50 Sequence"

Making Sound Machines Farbfolder vs. Joranalogue Fold 6


"Just got the new Farbfolder in from thonk.co.uk and put it together (it's an easy build, just knobs and jacks). I must admit the sexy color LEDs at the top caught my eye. They've 3D printed a light guide and used a transparent panel, so it gives you an excellent show of das blinkenlights. (Die? Das? I've forgotten what little German I had.)

But of course there's always the real question, how does it sound? And how does it compare to others at its size? I figured I'd pair it against the Fold 6 from Joranalogue, which is also 4hp, for a head-to-head.

Source audio is a Befaco Pony VCO sine wave. Envelope from Zadar.

00:00 Intro
00:20 Farbfolder
08:19 Fold 6"

Making Sound Machines Coming to Dutch Modular Fest

Dreamy Shuffle, Lush Pads: Stolperbeats and Digitone
video upload by Making Sound Machines

"We're off to Berlin - excited to be hosting a workshop at Schneidersladen, tonight at 7:30 pm.

We will be playing a short modular live set, spill the beans on our setup and share our deepest and darkest secrets about deliciously bad timing in #Eurorack. You're invited to swing by, and we look forward to hanging out and chatting afterwards. You will have to sign up via mail - info@schneidersladen.de

We recorded this dreamy little sketch during the search for our live set - a very simple setup using the Elektron Digitone as a sound module for its lush synth pads and slick drum tones, sequenced and shuffled by our #Stolperbeats drum trigger sequencer via MIDI notes. The module in turn receives MIDI from the super portable OMX27 keyboard by Denki Oto (with backlit linear Cherry keys - love it!)

Stolperbeats, roughly translating to 'beats tripping over themselves', is our drum trigger sequencer designed to create shuffled beats influenced by the gritty push-and-pull grooves from the golden age of Hiphop. We've always been fascinated by taking our beats offgrid to give them more fluidity and life. This module allows you to easily dial in and seamlessly switch between all the shuffle, feeling and groove we would, in the past, painstakingly nudge together in a DAW.

Stolperbeats is used here in its 'MIDI Rec' mode, originally envisioned as a quick way to map pitch, channel and velocity from drum machines onto the modules instrument channels by matching the selected instrument to the incoming MIDI data. Turns out this is really fun to use as a transpose with an external keyboard to provide shuffled melodies to the Elektron #Digitone.

If you are in the Netherlands, come see us at Dutch Modular Fest 2022 in Utrecht on Saturday Sept 3rd - we'll have a booth there next to the lovely This is Not Rocket Science (TiNRS) and Vaski, who will both show amazing new stuff."

Taking our MIDI gear offgrid: Stolperbeats and Digitone

video upload by Making Sound Machines

"Finished a chilled weekend with a nice Sunday evening jam! Stolperbeats is heard here MIDI sequencing Elektron's Digitone 4 voice FM synth, a secret Making Sound Machines Eurorack prototype called Percussive Maintenance as well as Fred's Lab's cheeky little paraphonic voice called Zekit. If you haven't already, go check out the DIY workshops at Superbooth 2022 - where you can actually build a Zekit yourself!

Stolperbeats, roughly translating to 'beats tripping over themselves', is a drum trigger sequencer designed to create shuffled beats influenced by artists like Flying Lotus, Hiatus Kaiyote and J Dilla. We've always been fascinated by taking our beats offgrid to give them more fluidity and life. This module allows you to easily dial in and seamlessly switch between all the shuffle, feeling and groove we would, in the past, painstakingly nudge together in a DAW.

Stolperbeats' timing is set to Clave, a special mode where the accents in a 3:3:2 rhythm are fixed "on time" and the rest of the notes shuffle around that. The idea came when we chopped up some Modeselektor beats and started to add swing to them.

The Elektron Digitone acts as a sound module here, receiving Stolperbeats' triggers as MIDI notes - channel, pitch, velocity and note length can be adjusted per track to map to any MIDI capable drum machine or synth. The MIDI is split using the incredibly handy Meeblip cubit to target an extra bass voice on Fred's Lab Zekit. Of course, you can still patch the triggers into Eurorack at the same time, so we whipped out our Percussive Maintenance drum voice to add a kick and some hihats.

While Digitone's internal sequencer is not running in this sketch, Stolperbeats still sends a MIDI clock signal so the tempo synchronizes across the two machines. Enrica uses the built-in keys to live-transpose one of the tracks and play a shuffled melody on top of the sketch. We're very excited about Elektron 's new Syntakt by the way, that looks like a perfect match for Stolperbeats."

New Module: Making Sound Machines - Farbshaper. Classic Analog Waveshaper in 4HP

video upload by Making Sound Machines

"Getting ready for #superbooth 2023! Really excited to see all our friends and fellow makers again!

This year, we will be introducing our brand new Farbfilter series, and the best thing is, we have a small batch of DIY kits packed! If you join our workshop at @superboothberlin, you can solder the DIY version with our lead engineer Enrica and be the first to get your hands on one of these modules!

In this video, Enrica is playing the #Farbshaper - a classic westcoast analog #waveshaper for Eurorack, designed to add overtones with two CV controlled stages. This module is a non-linear shaper, and it's perfect for electronic and acoustic sounds, ranging from gentle timbral transformation to colourful wavefolding in 4HP.

In this patch, we're sending a MIDI sequence from Stolperbeats to the @WeAreElektron Model:Cycles, with the audio from Model:Cycles processed through the left Farbshaper. The module gets some extra CV modulation from Stolperbeats' envelope out, generating velocity curves from the drum pattern.

The bassline is a pulse wave from @apolloview9305's fabulous Allscillator complex VCO (kits available from @ThonkSynthDIY ), its pitch sequenced with This is Not Rocket Science's @thisisnotrocketscience3942 Tuesday procedural sequencer - a fantastic module that keeps on cropping up in @DivKid clips. The pulse wave is folded using the righthand Farbshaper, with CV input from TiNRS Tuesday's velocity and accent out.

Enrica is tweaking Farbshaper's Gain, Fold and Pleat parameters. With CV patched, Farbshapers knobs become attenuators for the incoming voltage. The little oscilloscope is the awesome battery-driven Korg NTS-2, which came with a lovely book by @BJOOKS on @KorgOfficial synthesizers.

The Model:Cycles sounds are derived from a factory patch, so shout out to @sm0hm and the Elektron team for the lovely and inspiring FM synth they created and also check out Ess' awesome new max4live stuff at @ForsFM!

Find out more about the modules here: https://makingsoundmachines.com/farbf...

More info on the workshop:

Saturday 13.05.2023,
11:00 am – 3:00 pm
Superbooth DIY Area
Berlin

https://www.superbooth.com/en/events/

Or join us on Sunday for the DIY afterparty:

Sunday 14.05.2023,
ca 5:00 pm
DIY Kit Day
Klunkerkranich
Berlin"

Farbfilter is a classic analog transistor ladder lowpass filter for Eurorack. It is a staple of subtractive synthesis and famous for its rich warm sound. We enhanced its palette with a colourful drive and CV controlled resonance.

CLICK FOR MORE »

An intro to Stolperbeats by Making Sound Machines // Dilla style humanised beat sequencing (+ more!)

video upload by DivKidVideo

"Hello and welcome to this video on Stolperbeats from Making Sound Machines. This is a quick introductory overview to the module, some of the features and me making some beats and having fun with the module.

Stolper is German for ‘stumble’ with Stolperbeats meaning stumbling beats that cover the grooves and musical feels of drunk, wonky, lazy, off kilter hip hop rhythms with humanised timings, flams and custom shuffle and swing settings. With modes for DILLA, SHAKE, PUSH and CLAVE you can dial in the general musical feel and timings you’re going for then alter the amount of shuffle. At its core the module is a drum sequencer, offering both step sequencing and patterns for kick snare, 2 hi hats and 2 percussion lines as well as various sync and clock division outputs. So there’s plenty to go at for modular sequencing (and MIDI if that floats your boat).

A full demo video will come around the launch of the module, so ask questions in the comments and let chat about what you’d like to see from the module in the main demo video.

If you’d like to join my amazing community, gain access to exclusive videos, PDF booklets and more check out my Patreon at https://bit.ly/DK-patreon"

Ashun Sound Machines (ASM) Introduces Hydrasynth 1.5 Update

Press release below. First, some videos followed by a sound demo for some new patches from MajorOSC, also below.

Playlist / New Features:
1. Hydrasynth Firmware 1.5 – Part 1 Introduction
2. Hydrasynth Firmware 1.5 – Part 2 New Filter Types
3. Hydrasynth Firmware 1.5 – Part 3 Microtuning
4. Hydrasynth Firmware 1.5 – Part 4 Envelope Trigger Sources
5. Hydrasynth Firmware 1.5 – Part 5 Expanded LFO Steps & SemiLock
6. Hydrasynth Firmware 1.5 – Part 6 Direct Parameter Modulation Assignment
7. Hydrasynth Firmware 1.5 – Part 7 Modulating Macros & Voice Parameters
8. Hydrasynth Firmware 1.5 – Part 8 Random Percentage & Randomize from Patches
9. Hydrasynth Firmware 1.5 – Part 9 Distortion Effect
10. Hydrasynth Firmware 1.5 – Part 10 Latch Enhancement
11. Hydrasynth Firmware 1.5 – Part 11 MIDI CC Mode and Ribbon Output
12. Hydrasynth Firmware 1.5 – Part 12 Save State


ASM Hydrasynth 1.5 Update info and exploration Ken Flux Pierce Fluxwithit


Demo of a new sound set featuring the 1.5 update to be released today from MajorOSC:

James MajorOSC High · Ignition 2 Showcase

"Because of the new features, MajorOSC was able to completely reapproach the design process for sequencing and expressive interaction while playing a sequence. The results speak for themselves on this short demo"

And the official press release:

Ashun Sound Machines makes major strides in advancing Hydrasynth sensation with Version 1.5 feature-heavy firmware update

LOS ANGELES, CA, USA/HONG KONG, CHINA: musician-empowering musical instruments creator Ashun Sound Machines (ASM) is proud to make major strides in advancing its innovative Hydrasynth digital wave morphing synthesizer — launched late last year to widespread critical acclaim as its inaugural hardware product, produced as a keyboard variant (featuring a proprietary PolytouchTM 49-note polyphonic aftertouch keybed and a user- assignable ribbon controller) and desktop variant (with 24 velocity- and polyphonic aftertouch-sensitive pads, plus an included 19-inch rack-mount kit) — with a feature-heavy firmware update, as of August 6…

New arrivals Ashun Sound Machines made a huge splash when diving deep into the synthesizer world with the introduction of its Hydrasynth sensation in both keyboard and desktop variants late last year. Ultimately, users appreciated an unprecedented combination of sound generation methods and processing power — anchored around a unique digital wave morphing synthesis engine as an eight-voice polysynth whose three oscillators can all make use of any one of the 219 single-cycle waveforms available, while flexibly facilitating defining eight waveforms into a list and then morphing from one to the next using extensive movement-inducing modulation sources with Wave Scan mode (for OSC 1 and OSC 2 only) — potently coupled with hardware that is perfectly tailored for live interaction and real-time tweaking, all at a very affordable price. Perhaps best of all, a new generation of synth users were introduced to an amazingly expressive way to shape individual notes, thanks to that proprietary PolytouchTM 49-note polyphonic aftertouch keybed and a user-assignable ribbon controller.

Today, the release of the Version 1.5 firmware update for the Hydrasynth brings an amazing array of new features and behaviours to an already sensational synthesizer, starting with advancing its unique-sounding synthesis engine several steps further forward. Firstly, five new filter models are available in FILTER 1 — namely, LP Stn12, ASM’s version of a popular 12dB low-pass filter; LP 1 Pole, a gentle 6dB low-pass filter; and LP 8 Pole, a steep 48dB low-pass filter; alongside BP Stn12, a popular 12dB band-pass filter with dual 6dB slopes; and HP Stn12, a popular 12dB high-pass filter — expanding its total to 16 filter models. Meanwhile, that Version 1.5 firmware update also adds a second multi-mode filter type to FILTER 2, with an ability to switch between LP/BP/HP (low-pass/band-pass/high-pass) or LP/NOTCH/HP (low-pass/notch/high-pass) filter modes. Thereafter, the Hydrasynth now benefits from microtonal scale support, opening up a brave new world of musical expression beyond the 12 tones most prevalent in Western music to allow composition and performances from any culture or harmonic discipline with 32 custom scales loadable using MIDI (Musical Instrument Digital Interface) Tuning Standard files. Furthermore, envelopes can now be triggered from as many as four sources, including LFOs (Low Frequency Oscillators), keyboard, ribbon, CV (Control Voltage) INPUTS, and PEDAL — EXPRESSION — input, whereas previously they were all triggered by the keyboard only. On top of that, the LFOs themselves have been upgraded to allow up to 64 steps when set to Step mode, with a new SemiLock feature to quantise those steps for pitch control of the oscillators.

MOD MATRIX improvements in the Version 1.5 firmware update makes creating modulation routings one step easier by allowing users to choose a specific parameter in a MODULE to be the modulation destination via direct selection, thereby creating a link between the source and destination in the fewest number of possible steps. Since the MOD MATRIX itself has been expanded to allow new modulation destinations with many more VOICE parameters and macros being added to the destinations, there are now many more sound design options available.

ASM has also updated the RANDOM page so users can set a percentage of how much randomisation takes place in each MODULE. Many more usable patches result from an added second patch randomisation option that generates a new patch by pulling in a random selection of values from other patches, which themselves are selected at random from every bank by combining various aspects of patches that are already known to be useful.

The PRE-FX and POST-FX modules both benefit from the addition of a new stereo Distortion effect, with controls for Drive, Tone, Asymmetry, and the Overdrive curve, as well as Output level.

LATCH mode moves things onwards and upwards, allowing users to press a key and have that key stay holding for as long as the LATCH button itself is enabled — ideal for ambient and generative patches.

System setup changes courtesy of the Version 1.5 firmware update include a Save System state, allowing users to boot up their Hydrasynth with a patch of choice; shorter timing options in Vegas mode; additional (Buchla®) 1.2V per octave support via the CV OUTPUTS; an option of selecting MIDI CC mode or NRPN (Non-Registered Parameter Number) modes, making automation in DAWs (Digital Audio Workstations) that do not support NRPNs possible, while that all-important user-assignable ribbon controller can now send NRPN or pitchbend data — all aiding ASM in making major strides in advancing its Hydrasynth sensation... dive deeper than ever before!

SUPERBOOTH 2022 Stolper Beats - Wonky Shuffled Clocks

video upload by sonicstate

"Stolper means stumble in German and this module we featured on a Sonic TALK prior to the show - it was one of Robin Vincent's picks. Its a six track sequencer with a penchent for applying different degrees and algorithms of shuffle to a pattern. As well at the triggered voice outputs, you can also send the wonky clock on to other devices.

Available Mid June €400 inc VAT"

Also see: An intro to Stolperbeats by Making Sound Machines // Dilla style humanised beat sequencing (+ more!)

via Making Sound Machines

"Stolperbeats is a drum trigger sequencer designed to create shuffled beats influenced by the gritty push-and pull grooves from the golden age of Hiphop."

"Drum trigger sequencer designed to create shuffled offgrid beats

Stolperbeats, roughly translating to 'beats tripping over themselves', is a drum trigger sequencer designed to create shuffled beats influenced by the gritty push-and-pull grooves from the golden age of Hiphop.

We've always been fascinated by taking our beats offgrid to give them more fluidity and life. This module allows you to easily dial in and seamlessly switch between all the shuffle, feeling and groove you would, in the past, painstakingly nudge together in a DAW.

We will be introducing Stolperbeats at Superbooth in Berlin, 12-14 May 22.
The module will be be available mid June in select modular stores and directly from us."

Taste the Analog Rainbow! // An intro to the Farbfilters from Making Sound Machines

video upload by DivKid

"READ THE RAINBOW //

Anyone ever wish their bright coloured teeth rotting treats were actually lovely characterful analog flavours of audio processing for you Eurorack system? Just me?

Here we have the Farbfilter series of modules from Making Sound Machines. The range includes the Farbfilter (Moog LPF + overdrive), Farbfolder (west coast classic wavefolding), Farbshaper (an absolute character machine) and the Farb Highpass (Moog style HPF + tilt EQ).

This video is an introduction to the range with a patch on each modules and some good fun bum wiggling patching with them create a thick and animated stereo image at the end.

As this is an introduction to the modules and we have plans for a future in depth demo (in my usual styley) you have the chance to ask questions, make requests and comments to say what you’d like to see and hear in the demo. Leave a comment below to get involved.

LINKS //
Manuals, info and less rainbow ramble // https://bit.ly/MakingSoundMachines"

Upcoming Sound Labs at Amsterdam Dance Event Oct 14 - 18

Workshops at this years' Amsterdam Dance Event currently include Moog, STEIM, Ginko Synthese, and Falafular Synths. Details follow.

ADE Sound Lab: a modular synth heaven

"The modular synthesizer has always been an integral part of dance music, and ADE Sound Lab will shed a light on its heritage during a three day modular synth bonanza.
If you're planning on visiting ADE Sound Lab make sure to grab the annual ADE Card, which allows you to access MusicTalks and live performances.

Modular synths have been on the rise of late. Their new found popularity boosted the modular market in unforeseen ways. The market has spiked like never before, and there are ever more and more musicians, artists and producers making their own modular set up in search of unique sounds and machinery.

ADE Sound Lab focuses on the history and heritage of synths by inviting sound designers, inventors and even some legends of the modular world to inspire you with talks, workshops, performances and a Modular Market. By exhibiting the latest inventions in (modular) synthesis ADE explores the realm of the development of new electronic instruments, (modules for) modular synthesizer systems and audio installations, as well as innovations in the field of image and visualisations of sound. Amongst other work, ADE Sound Lab introduces the Modular Expo.

Do It Yourself Synth Building Workshops
You can not only play around with existing modules and modular systems, but you can also build your own synthesizer. ADE Sound Lab offers several Do It Yourself workshops, some free of charge, others for a fee. The latter will ensure you can take your brand new, playable synth back to your home studio.

Moog’s Chris Howe will head the workshops on Thursday and Friday. Friday will see a workshop that will be led by STEIM - Hypothetical Instruments, which will focus on the future of electronic music, what instruments will be needed and how we will correspond with those yet-to-be-invented modules. On Saturday, the DIY Workshop will be hosted by Ginko Synthese who will let you build your own synth with their very own DIY kits. They’ll even let you make a case to harness the instruments. Falafular will host on Saturday. If you like to learn more about prices and workshop registration, keep a close eye on our website and the respective event pages.

Workshops
Moog Werkstatt by Chris Howe (Moog Music Inc, US)
Werkstatt Workshop provides a way for synth experts and novices alike to explore subtractive synthesizers. Through hands-on instrument modifications, participants will learn the fundamentals of subtractive analog synthesis and the control voltage paradigm. Analog synthesizers have long had their own maker culture born of curious engineers, physicists and hobbyists who have created and crafted their sounds through electronic experimentation. It is our goal to share our love for learning, music, and electronics by encouraging everyone to create the world they want to hear, one mod at a time.

STEIM - Hypothetical Instruments
In this workshop you can design machines for creative expression. Working with low and no-tech, you’ll build non-functional instruments aimed at inventing the music machine of the future. By taking as a starting point how an individual imagines the experience of playing electronic music, we will spend the afternoon making the perfect machine or instrument for that person. This process is directly informed by the designers and researchers from Native Instruments, Johannes Kepler Universität and STEIM, with the goal of making instruments that are positioned on the bleeding edge of technology.

Ginko Synthese
Ginko Synthese, the braindchild of Jan Willem Hagenbeek, aims to close the gap between the stage and the studio. At ADE Sound Lab they will be presenting easy to build cheap DIY kits. The components are available at a reasonable price. The popularity of these kits is currently spreading across the world fast, meaning that a lot of new user codes are becoming available almost weekly. You can use these modules as granular oscillators, wavetable oscillators, drum synths and even as clock sources just by uploading a different code.

Falafular Synths
Falafular is the SDIY brand that enabled Falafelbiels (Niels Kloet) to build himself a fabulous modular synthesizer. The ’S’ in SDIY stands for soldering, and Niels Kloet will show you the nit and grit of Do It Yourself synth building.

ADE Sound Lab is organised by ADE, in cooperation with Creative Industries Fund NL, the Dutch fund that offers sound pioneers and innovators an opportunity to demonstrate what they are working on, as well as helping them to develop their talents further in a 'hot house' environment.

ADE Sound Lab
Dates: Thursday Oct. 15 - Saturday Oct. 17
Time: program starts at noon
Venue: Compagnietheater
ADE Sound Lab is a free program (except for the ADE MusicTalks series and live performances, free for ADE Card holders, also accessible for 1 & 5 Day conference ticket holders)."

Arturia Releases iMINI Polyphonic Minimoog for iPad

iMini Tutorial Video

Uploaded on Feb 25, 2013 Arturiaweb·80 videos

"Mike Hosker presents to you a tutorial video of the iMini, Arturia's first application for Ipad.
iMini is an application recreating the classic Minimoog™ synthesizer that is based on the TAE™ technology found in Arturia award winning Mini V software.
iMini is designed to allow users the classic sound, look and feel of this iconic synthesizer.

iMini endorsers include Stephan Bodzin, Richard Devine, Banco de Gaia"

iTunes:
iMini - Arturia

"COMPATIBILITY
iMini is compatible with iPAD 2, iPAD 3 and IPAD Mini

DESCRIPTION
iMini is a recreation of the classic 1971 Minimoog™ synthesizer, one of most iconic synthesizers of all time.

Based on the TAE® technology found in our award winning Mini V software, iMini offers a level of sound quality never before found on the iPAD as well as over 500 sounds by leading sound designers.

We have also partnered with the Bob Moog Foundation so that a portion of each sale goes to support their work in music education via the Dr. Bob Sound school program, making available the archives of Dr. Bob Moog and funding the dream to build the Moogseum.

The Minimoog™ synthesizer was made famous by artists and bands such as Stevie Wonder, Depeche Mode, Kraftwerk, Keith Emerson, Devo, Jean Michel Jarre and more. We now bring the features and sound of this classic to the iOS platform.

The iMini not only recreates the look and feel of the most legendary synthesizer, it does it with unparalleled sound quality. iMini is based on the award winning Arturia Mini V software that was created in partnership with Dr. Robert Moog himself, back in 2003. Thanks to this heritage, continuous research and refinements over the years, iMini comes with amazing sound quality and a large collection of preset sounds created by top sound designers such as Klaus Schulze (Tangerine Dream) and Geoff Downes (Asia).

What will you do with it?
First you can play the iMini’s numerous sounds from the iPad keyboard. You can create your own sounds and start building your personal sound palette.
If you are an owner of the Arturia Mini V software on your Mac or PC, you can import and export sounds between your laptop or desktop Mini V and iMini.

You can also control iMini from a MIDI keyboard via CoreMIDI and integrate it into your studio or live performances.

But this is not all; iMini is ‘Tabletop Ready’. Tabletop is a free iPad application that allows you to integrate iMini into a full studio of devices. With Tabletop you can build an entire song, with drum machines, FX's, sequencers... and of course the inimitable Minimoog™ sound.

Tabletop Ready™
The connect page is also your avenue to open up a whole new world of possibilities with iMini via Retronyms Tabletop application.
Tabletop™ is a free app for your iPAD that allows you to integrate iMini into a complete studio environment. In Tabletop you can use multiple instances of iMini; record your performance into a real-time sequencer; automate any of the parameters; add effects; process other modules through the iMini filters, etc. Tabletop also features number of in app purchase options to add more effects and instruments from other 3rd party companies.

Features include
Classic Minimoog™ sound.
3 Oscillators
24db per octave filter.
Simulated headphone jack/external input feedback.
2 Assignable XY pads
Chromatic or tuned scale keyboard modes
Polyphonic mode
Full featured arpeggiator
Repeat
HOLD and MEMORY latch modes
Octave span
5 note order modes
Speed and sync controls
Virtual Analog Chorus
Virtual Analog Delay
Owners of both the iMini and Mini V software apps can transfer sounds from one platform to the other via iTunes.
Full user MIDI mapping of panel controls.
Supports WIST sync with other iOS devices.
‘Tabletop Ready’
Soundcloud seeder (via Tabletop)
Render to .wav file (via Tabletop)
‘Audiocopy’ to paste your audio into another iPAD application. (via Tabletop)

The Minimoog™ name used here is a trademark of the respective owners, which are in no way associated or affiliated with Arturia. These trademarks are used solely to identify the products whose sound and features were modeled during the development process."

iTunes:
iMini - Arturia
Tabletop - Retronyms
iOS Devices on eBay - Daily Tech Deals

Update: new video and the press release:


Published on Feb 26, 2013 Arturiaweb·80 videos

And the press release:

"Arturia advances history-making Minimoog to iPad musical masses!

"The iMini turned my iPad into an ‘old skool’ analogue bass monster! Its sound is irresistibly ‘phat’ and very close to the original. If you want that typical dirty Moog sound then the iMini is all you’ll ever need. It’s by far the most powerful and hypnotising synth app on the market.”
- Stefan Bodzin, 2013 (DJ/producer, remixer of Depeche Mode, Booka Shade, and more)


GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of iMini, an authentic recreation of the all-time classic Minimoog monosynth for Apple’s all-conquering iPad, as of February 27...

iMini is based on the TAE® (True Analog Emulation) synthesis technology found in Arturia’s award-winning Mini V soft synth, meticulously modelling the distinctive tones and analogue nuances of the legendary Seventies-vintage Minimoog Model D monosynth. Moog changed the musical world with the Minimoog and Arturia helped change the music software world with the Mini V.

Arturia now brings the still-sought-after classic Minimoog sound to the musical masses, transforming any iPad mini, iPad 2, or iPad with Retina display into the ultimate analogue synth emulation! Those timeless three oscillators and that 24dB per octave fabled filter are all present and accounted for in iMini. It also successfully sports the look and feel of Dr Bob Moog’s namesake iconic synthesizer for all to see (and hear). But being a game-changing iPad app for 2013 and not an analogue synth design dating back to 1970 means there’s a whole lot more to iMini than first meets the eye...

Any serious synthesizer connoisseur will instantly recognise the MAIN mode screen as an eye-catching rendering of the Minimoog Model D front panel, albeit with welcome additional ‘analogue’ CHORUS AMT. and DELAY AMT. level controls, as well as a POLY switch for playing polyphonically — impossible in 1970, obviously! Other subtle supplements include a gearwheel icon above the keyboard — press to reveal GLIDE, DECAY, LEGATO, and SCROLL switches for performance keyboard control, plus a SCALE function to choose from no fewer than 26 different scales and modes. Meanwhile, iMini comes complete with hundreds of superb sounds showcasing its supreme sonic versatility; press LOAD from the menu bar and choose from sound designer or category — couldn’t be simpler!

But ‘behind’ that familiar-looking MAIN screen lies a wealth of truly 21st Century audio action: the PERFORMANCE page accesses an arpeggiator with two latch modes and two assignable XY pads for creating all kinds of patterns and real-time morphing sounds; the FX page provides iMini with the same wide-ranging CHORUS and accurate ANALOG DELAY models found in the above-mentioned Mini V software — subtle sound thickening to wildly modulated effects (chorus) and sync to external tempo (stereo delay) possibilities abound here! Handily, all onscreen knobs and switches in each iMini page can easily be assigned to MIDI CC allowing automation from any external MIDI source. The default MIDI map will automatically work with Arturia MiniLab or Analog Player 25 Universal MIDI Controller keyboards!

And that’s not all: the CONNECT page is the gateway to making iMini talk to the outside world (using the Apple iPad Camera Connection Kit) — use WIST (Wireless Sync Start Technology) to sync the arpeggiator and delay to other iPad or iPhone apps, and integrate iMini into a complete studio environment via Retronyms Tabletop. This free iPad app allows multiple iMini instances to be simultaneously run; real-time performance recording into a sequencer; parameter automation; processing of third-party, Tabletop-ready apps through the iMini filter, and more. “iMini is an ideal Tabletop-ready app,” says Retronyms Co-Founder John-Paul Walton. “It’s a fresh take on a legendary synth, and comes packed with a ton of amazing presets — everything from retro space sounds to contemporary bass noise.”

Thanks to iMini, today there’s really no excuse for not taking that history-making Minimoog sound anywhere anytime. And in recognition of the groundbreaking instrument to which it owes its very existence, for every iMini sold, Arturia will make a donation to The Bob Moog Foundation, whose Executive Director, Michelle Moog-Koussa, kindly adds: “We are grateful to Arturia and Retronyms for donating part of the proceeds from the iMini in support of our mission to ignite creativity at the intersection of music, science, history, and innovation. A portion of this funding will go to support our educational initiative, Dr Bob’s SoundSchool, which teaches children the science of sound through the magic of music.”

For Frédéric Brun, Arturia’s President, the feeling is mutual: “We are delighted to donate to The Bob Moog Foundation and acknowledge our gratitude to Robert Moog, who helped us when we released our first virtual instrument, the Modular Moog V, back in 2003. We are also thrilled to work with Retronyms, who are a great company and a force to be reckoned with when it comes to iOS. The iMini sets a new standard for what a virtual instrument should sound like on an iPad.”

So let’s make music and help history come alive with iMini in more ways than one, and also support the dream of building the Moogseum (Bob Moog Museum), the convergence of The Bob Moog Foundation’s goals of inspiring and educating people through electronic music.

Appropriate iPad owners can purchase iMini directly from Apple’s App Store during a three-week introductory launch pricing period for €8.99 EURO/$9.99 USD (rising to €19.99 EURO/$21.99 USD thereafter)."

KORG KRONOS Details

via Hispasonic, translated to Googlish from Spanish:

"We have the first data and images of Kronos, the new Korg workstation. The Japanese brand has pulled the house out the window, bringing to market a synth with more than 12 GB SSD hard disk samples, 9 synthesis engines together, 16 units of effects and KARMA technology.

Features in detail

There are 9 synthesis engines on a single workstation, available in 61, 76 and 88 keys. The engines are:

* SGX-1 Premium Piano: German piano with more than 4 GB in samples. 8 layers and the choice of opening angle of the tail of the piano.
* EP-1 MDS Electric Piano, electric pianos (with sound "signature" by George Duke, Herbie Hancock Rodan Rudess or others)
* CX-3 Organ Tonewheel: integrating technology famed CX-3 in the Kronos. Drawbars controllable from its faders. Leslie Posilibidad to adjust the joystick, from speed to the position you just rotate.
* MS20-EX Legacy Analog Collection: emulation of vintage Korg MS20 synth.
-EX * Polysix Legacy Analog Collection: Polysix emulation.
* AL-1 Analog Synthesizer
* NOD-7 Waveshaping VPM Synthesizer
* STR-1 Plucked String Synthesizer: a new generation of modeling. You can choose from the material of the rope, until the tension, the execution (if pick, rub with your finger ...)
* HD-1 High Definition Synthesizer: A portion of all types of samples.

Account with a set of 16 "sets" may be, from Programs, to vans, to sequences. What makes the live performance much easier and full of possibilities. One of the most exciting new features is that you can move from one set to another without interruption of sound (so if you keep notes of the previous set, still playing).

It eliminates the concept appears rompler and integration / provision of more than 12 GB of content hosted on a hard disk SSD.

Has integrated USB connection to your computer, not just save / edit, but also as a USB interface with 2 inputs and 2 outputs.

Section 16 effects available. 9-band equalizer general. Flexible Routing. Mastering tools. 16-track sequencer."



Update:

Korg KRONOS Music Workstation- Official Product Introduction video added below.

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Jamm Pro - Production and Live Performance App for iPad

Published on Feb 13, 2020 Ninja Tune

"Ninja Tune & Coldcut Release Music-Making App: Jamm Pro

The follow up to their widely acclaimed app Ninja Jamm, which racked up over 600,000 downloads

Jamm Pro includes users most requested feature: the ability to upload your own samples, as well as unrivalled performance, modulation and patching capabilities

Jamm Pro can be downloaded from the App Store here
official Jamm Pro forum here

13th February 2020, London: Leading independent record label Ninja Tune and electronic music pioneers Coldcut have unveiled their sequel to Ninja Jamm — Jamm Pro, a production and live performance app for iPad.

Designed by Coldcut’s Matt Black with the aim of creating their complete electronic music instrument and used by Coldcut live, the latest incarnation allows for full artistic control by enabling users to use their own sounds. These can be samples from downloaded Sound Sets, or recordings made via iPad microphone, other apps, and external sources such as guitar and keyboard. As users experiment and develop ideas, they can save them as their own patches, which can be used to quickly build up stages of a song, structure a live performance, or used as a sketchpad.

Many times more powerful than its predecessor, the app features extensive modulation and patching capabilities, similar to a modular synth. Equipped with four main channels, each with nine sequencers — six modulation sequencers, a slice sequencer, a pitch/reverse/drill sequencer and a gate sequencer — and up to 64 patches, Jamm Pro allows for a possible 2304 sequencers per Sound Set in the app.

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THE ABSOLUT MACHINES

via Christian:
"Hi Matrix!
Christian from Stockholm here. I'm working with the ABSOLUT MACHINES project that ABSOLUT VODKA is doing in collaboration with MIT Graduates Dan Paluska/Jeff Lieberman and Swedish studio Teenage Engineering. You might have heard of it already, but now we've got new images of the machines, new info and the New York gallery has opened.

Paluska/Lieberman have made a large-scale multi-instrumental installation that is quite spectacular. It is called ABSOLUT QUARTET and will be shown at a guerilla gallery on 186 Orchard Street in Manhattan, NYC during until the end of April.

Teenage Engineering’s machine is a robotic choir with an advanced speach synthesis function in the back end. ABSOLUT CHOIR is shown at Restaurant Publik in Stockholm until the end of April.

Both machines are really amazing and all about exploring artificial creativity and what happens when technology meet art, design and music. Online users from around the world can interact with the machines and create music with them at http://www.absolutmachines.com."

The press release:
"A TRULY PIONEERING TECHNOLOGY PROJECT FROM ABSOLUT
Interactive ins tallations let online visitors create mu sic with intelligent machines ABSOLUT is presenting a project that explores what happens when cutting-edge technology meets the creativity of art, music and design. To emphasize its deep commitment to the subject, ABSOLUT turned to some of the greatest technology visionary teams of our time, and asked them to create the ABSOLUT MACHINES. The result is two artificially creative and highly interactive music-making machines, as visually stunning as they are technologically pioneering.

The ABSOLUT MACHINES are shown in New York and Stockholm - and online user from around the world can interact with the machines at absolutmachines.com. This project marks the first collaboration between premium vodka brand ABSOLUT and cutting-edge visionaries from the world of technology. The ABSOLUT MACHINES are designed by Dan Paluska and Jeff Lieberman, both with a background from MIT in Boston, and Teenage Engineering, a Swedish studio in the fields of media, art and technology. “Technology is becoming an increasingly important part of our lives and is a key driver for
contemporary culture. With the ABSOLUT MACHINES, we explore how technology merges with creativity, and we are thrilled to have such fantastic visionaries with us on this journey”, says Ulrika Lövdahl, responsible for trend communications at V&S Absolut Spirits.

The ABSOLUT MACHINES will be launched globally in early February 2008. Users from around the world will be able to interact with the machines over the Internet. The input from online users will be processed by the machines, which will respond with a unique musical composition – co-created by man and machine. The machines will immediately perform the songs, and their performances will be live-streamed to a global audience at absolutmachines.com.

For the ABSOLUT MACHINES, Dan Paluska and Jeff Lieberman have created the “ABSOLUT QUARTET”, an automated multi-instrumental orchestral machine, which does not look like anything you have ever seen before. It is a large-scale electromechanical sculpture consisting of three instruments and thousands of parts, working together to create one piece of music. The main timbre is a marimba played by balls shot from a robotic cannon. Other components include a series of wineglasses played by little robotic fingers and an array of robotic percussive instruments. “ABSOLUT has collaborated with great artists such as Andy Warhol, Tom Ford and Louise Bourgeois. ABSOLUT has the tradition of the past masters as well as the vision to do something new.

Of course we were excited when they asked us if we wanted to be part of a project exploring artificial creativity”, says Dan Paluska.

Teenage Engineering has constructed the “ABSOLUT CHOIR”, a multi-channel robotic choir, made up by 22 singing characters of various shapes and sizes. It is an architectural installation with an advanced framework of speech synthesizers and artificial intelligence software at the back end."

Update: a video on the project
Absolut Machines Intro<
YouTube via GustavoZilles

And examples of how the results may sound made by users:

Stockholm machine:
Absolut Music Madness


New York machine:
absolut machine LES


http://www.absolutmachines.com/

SOMA Synths Terra - First Look at the Production Unit & Factory Tour

video upload by sonicstate

"We were invited to visit Soma Sound Machines at their Warsaw factory and while we were there were shown the pre production model of the Terra - the unique and very sensitive instrument . Terra features twelve extremely sensitive nodes (cant think of what else to call them!) for playing pitches, plus five for modifying the timbre, there are also 7 modifier knobs which globally effect the sound with two being dependent on the algorithm used.

Despite the wooden case, Terra is a digital sound source and has multiple models which are played rather like instruments, each model has 64 variations. As usual, its a rather off the wall concept, but thats what makes Soma the way it is. In practice, its incredibly sensitive and flexible - reminds us of the Eagan Matrix instruments found in the Haken Continuum or the Osmose.

The Terra will be in production very soon and making its way into the stores."

You can find additional Terra posts here.

VISIT: SOMA Sound Machines Factory in Warsaw

video upload by

"A couple of weeks back we were invited to visit the Soma Sound Machines factory in Warsaw, Poland. As well as a look at the first production models of the expressive Terra instrument, we got a look around their place.
PCBs and components are delivered here, the Through Hole hand soldered components are put onto the boards, any SMD (surface mount design) parts are sent off to the machine, units are tested put into the cases and shipped to distributors and customers. Lyra 8 , Kosmos, Pulsar-23 and Ether are made here and pretty soon the new Terra will be too.

Its actually a pretty cottage style industry, surprisingly small but also very efficient."

Hataken Interview

Back on March 31, I put up a post on Hataken, a Japanese DJ artist who primarily uses analog synths. At the time, Shane Chisolm, the manager of Don Juan Dracula mentioned Hataken was working on a remix version of DJD's "Take Me Home". Shane asked me if I'd be interested in doing an interview with Hataken, and I thought why not. It would be interesting to hear his perspective on the world of synths as a live DJ artist. The following is the result of that interview. Note, this is a long one. You will want to use page down to scroll through. If it is too long for you, I recommend reading one or two questions each time you visit the site. Each DIY item below would typically have been a separate post. There is a lot of interesting stuff here. That said, I start with an introduction followed by asking Hataken how it all started for him. Note the focus is primarily on synths as this site is about everything synth, and Hataken delivers. The gear he has both worked with and designed to meet his specific needs is overwhelming. There's also an interesting interlude on experimenting with frequency counters to produce specific frequencies of sound known to have healing properties, and of course there is a bit of the age old discussion of digital and analog.

Before we start the interview, I want to thank Hataken for taking the time out for this, and I want to thank Shane for suggesting it. It's a fascinating history of a DJ synth artist with interesting perspectives that I'm sure I will come back to over time. Be sure to check out the video and link to more at the end. And of course be sure to check out Hataken's website.

1. Can you tell us a little bit about yourself?

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New Batch of Synthfest UK 23 Videos

video uploads by sonicstate

Playlist: (you can use the player controls to skip around)

1. Synthfest UK 23: Sequential - Trigon 6 Desktop

At SynthFest UK 2023, we had the opportunity to chat with Chris from Sequential, a part of the Focusrite group. Chris introduced us to the Trigon 6 Desktop, the latest addition to Sequential's synthesizer lineup. This compact desktop version of the Trigon 6 packs a powerful punch, offering three oscillators and a distinctive Dave Smith ladder filter. Designed for those seeking a space-saving solution without compromising on sound quality, the Trigon 6 Desktop retains all the features of its larger sibling, including patch recall, a versatile effects section with various modulation possibilities, and the distinctive feedback control that allows you to sculpt sub-harmonic richness.

Trigon 6 Desktop Price: $2,499

https://www.sequential.com/

2. Synthfest UK 2023: Calc And the Prophet X

At Synthfest UK 2023, we caught up with Calc from Sequential, and he gave us the lowdown on the Prophet X. Now, you might be thinking, Prophet X? Haven't we seen that before? Well, you're right, but this hybrid instrument has been quietly making waves in the music world. It combines digital and analog elements, with digital oscillators and a unique twist in the form of multi-sample-based instruments. Yes, you heard that right, it's not just your run-of-the-mill synth; it's a full-on sampler too, boasting an impressive 50 gigabytes of memory for your custom samples. You can treat it like a rompler, a sample player, or even use those samples as oscillators, creating a whole new realm of sonic possibilities.

Plus, it's packed with stereo goodness, allowing you to explore a wide soundstage with ease. It's not your typical synth, and that's what makes its a favourute of Calc's

Looking for some more info on the Prophet X? Check out Sequential's official page: www.sequential.com/prophet-x/

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New KORG LittleBits Introduction & Demo Videos

Playlist:

littleBits Synth Kit - Published on Nov 8, 2013
"The littleBits synth kit is an incredibly powerful, easy to use modular synthesizer in the world. The Synth Kit enables amateur and professional musicians to easily explore the iconic synthesizer instrument, allowing you to build your own sound machines (with signal generators, modifiers, modulators and controllers) and put on your own performances - all with little to no engineering or musical knowledge.

Developed to inspire innovation in hardware, littleBits lets users create circuits in seconds, with no soldering, no programming and no wiring required. littleBits has been recognized as "LEGO for the iPad generation" and has been heralded as the most extensive, modular and accessible electronics platform in the world. The brand's Bits™ modules revolutionize the way people interact with technology by breaking down electronics into their very basic parts (lights, sounds, sensors, motors, programmable circuits), and making engineering fun and accessible to "non experts" of all ages including children , teachers, artists, designers, makers, hobbyists and tech-enthusiasts.

littleBits makes an open source library of electronic modules that snap together with magnets for prototyping, learning, and fun.
Find out more at littleBits.cc
Credit: Reggie Watts: youtube.com/reggiewattsjash"

Keytar - Published on Nov 8, 2013
"Create your own electronic instrument!"

Play a Song: Row Row Row Your Boat - Published on Nov 8, 2013
Serenade your friends! Go to littleBits.cc/synth for color coded instructions on how to play this song and others!

Pressure Sensitive Pitch Sweeps (Basic) - Published on Nov 8, 2013
Create a sound generator the responds to your applied pressure.

Pressure Sensitive Pitch Sweeps (Advanced) - Published on Nov 8, 2013
Create a sound generator that responds to your applied pressure.

Play A Song: Twinkle Twinkle Little Star - Published on Nov 8, 2013
Serenade your friends! Go to littleBits.cc/synth for color coded instructions on how to play this song and others!

Percussion Party - Published on Nov 8, 2013
Dance to the beat of your own drums!

Note: Noise is an un-pitched sound. It is often used as a way to create percussion sounds because most drums are un-pitched instruments.

Metal Music - Published on Nov 8, 2013
Recreate metallic sounds with the envelope!

Light Sensitive Sound - Published on Nov 8, 2013
Use a light sensor to change the pitch of the oscillator.

Spooky Sounds - Published on Nov 8, 2013
Create a supernatural soundtrack.

In this circuit, the peak knob has a large effect on what the cutoff knob does. It emphasizes certain frequencies and creates a "peak" at these frequencies. If the peak is turned all the way up, the emphasis can be strong enough to increase the loudness of the sound and in some cases create an oscillation.

Tuning - Published on Nov 8, 2013
Tuning is the relationship between the pitches in a musical instrument. Instruments need to be "tuned" and a synthesizer is no different. by tuning instruments, you can create "melodies" that are recognizable.
The tuning dial on the oscillator bits module will alter the relationship between pitches. This will be important when using the keyboard and micro sequencer.

Beats and Base - Published on Nov 8, 2013
Create a bass line with LFO filter sweeps and a drum beat.

8 Step Sequence - Published on Nov 8, 2013
Using additional modules from the littleBits library such as the latch and inverter, two micro sequencers can be used to create an 8 step sequence.

Filtering Noise: Create a unique sound using the filter module - Published on Nov 8, 2013
The filter is known as a low-pass filter. This means that frequencies higher than a certain point will be reduced or filtered out. When the peak is increased and the cutoff is adjusted the timbral effect can sounds like a person making vowel like sounds.

Key Player: Learn how to play notes on the keyboard - Published on Nov 8, 2013
A synthesizer is commonly controlled with a keyboard similar to a piano. Each key creates a voltage that represents a note. Since a synthesizer is electronic, it is not limited to the same notes a piano can play.

Frequency Modulation: Discover how two oscillators interact - Published on Nov 8, 2013
An oscillator can produce a frequency that is too low to be perceived as a pitch. In this case it is known as an LFO or low frequency oscillator. Because the oscillator in your kit can be both low frequency or audio range, you can turn up the frequency of one oscillator and feed it into another oscillator to create "frequency modulation".

Synthesizer with the works - Published on Nov 8, 2013
Create one monster synth with all of these modules!

Play a Song: When the saints go marching in - Published on Nov 8, 2013
Serenade your friends! Go to littleBits.cc/synth for color coded instructions on how to play this song and others!

White Noise: Experience the random module - Published on Nov 8, 2013
The random module has two modes and one of them is called "noise". Un-pitched sound is generally categorized as noise or a collection of many frequencies that are not distinguishable from one another. Unlike a waveform, noise has no repeating pattern.

Synth Band - Published on Nov 8, 2013
Learn how to play a melody with accompaniment.

Echo and Delay: Learn how to make infinite repeating sounds with the delay - Published on Nov 8, 2013
The delay affects the sound but unlike the filter, its primary function is not to add or subtract from the original sound but to reproduce it. Think of it as an echo in a large room or cave. You make a sound, and that sound gets repeated for some amount of time depending on how big the space is.

Shape Your Sounds: Experiment with the envelope - Published on Nov 8, 2013
The envelope of a sound has a big effect on the character of the sound. The controls on the envelope Bits module are "attack" and "decay".

ATTACK - Attack is how long it takes the sound to get to its loudest point
DECAY - Decay is how long it takes the sound to fade to silence.

NAMM 2024 - Sound-Machines - Arches - T Line Modules

video upload by sonicstate

"At NAMM 2024, Sonic State caught up with Davide from Sound Machines who introduced the firmware update for their universal tactile interface, Arches. Arches features numerous performance tools including sequencers, arpeggiators, customizable keyboards, and pressure-sensitive controls. The Arches can output via MIDI, Bluetooth MIDI, and CV, making it a powerful tool for musicians. Sound Machines has also introduced a new PC-based web browser programmer for Arches, allowing users to easily program and customize its functionalities.

Davide also introduced T-Line, a series of touch-based modules. The first four modules of the T-Line include a formant filter, a spectrum processor, an attenuverter and Generator - which is a complex oscillator, and all include the lightstrip capacitive interface for hands-on manipulation, but can also accept cv modulation inputs.

Arches Available now. Price: 750 Euros

T-Line Modules Available Spring 2024. Price: Around 200 Euros"

Check with dealers on the right for availability.

Introducing drumlogue, the first hybrid drum machine from Korg

video upload by Korg

Update: two new user videos by Honeysmack and Marcus Schmahl added below.

"Combining the rich power of analog with the flexibility of digital, drumlogue provides the ultimate analog sound for your beats.

Featuring newly developed analog circuitry, drumlogue builds a solid foundation for your track; it also helps you stand out with an elevated harmonic richness and thick low end.

Important parameters for each part have dedicated controls on the front panel for quick and intuitive changes – without diving into menus. For even more creative potential, each part has a wealth of further parameters accessible through a powerful onboard editing suite. Even mixing is simple, with dedicated volume controls for the analogue and digital parts.

The track you hear in this video is by Dean Forrest"

Korg Drumlogue: New Hybrid Drum Machine - First Look- Just Sounds video upload by Korg Australia


New Korg Hybrid Drum Machine Drumlogue - Honeysmack's first encounter video upload by Honeysmack



"Get ready for a super nerd session, no talking just me tinkering with the Korg drumlogue for the very first time. Korg Australia were kind enough to give me a play with a sneak preview pre-production model of the drumlogue. Unfortunately I had no manual at the time, so please excuse me in advance. Hopefully this video provides some context to its sound. I feel this will be a winner for Korg, well done! Great sound, neat size, this could be a monster of a machine.

All the sounds and effects in this video are from the drumlogue, there are no external sounds or effects. Simple stereo output from the drum machine. No other drum machines were hurt in the making of this video.

0:00 Does this suit me? Oh what does this do?
2:23 Omph omph omph, ah I see, me likey the kick drum
5:59 Electro ratchets - why not take your time and build a track
9:30 Start with speed carnivale - exploring more latin percussion then I try to break the machine!"

Korg drumlogue drum machine & synthesizer demo - no talking - video upload by Marcus Schmahl

00:00 building drum sounds & a pattern
06:13 switching through preset patterns & sounds

Korg Drumlogue Sound Demo (no talking) video upload by Bonedo Synthesizers


Korg Drumlogue Sound Demo No Talking - no external effects or processing video upload by Limbic Bits


Korg DRUMLOGUE Review // Top Pros & Cons and All 64 Factory Patterns // Full Tutorial video upload by loopop


TIMELINE:
0:00 Intro
1:20 Overview
6:15 Connectivity
7:15 Sample parts
11:40 Analog parts
14:25 Multi engine
15:05 VPM
17:15 Noise
17:55 Nano
21:30 Sequencing
22:10 Live rec
22:50 Motion rec
24:45 Step seq
25:10 Groove
26:10 Probability
27:10 Ratchets
28:00 Ties
28:30 Motion seq
30:20 Shift buttons
31:00 Polymeters
31:35 Send FX
33:35 Master FX
34:45 Sidechain
36:25 Loop
37:10 Select
38:25 Randomize
39:00 Chains
39:35 Audio in and out
41:50 Misc settings
43:45 Pros & cons
49:10 All 64 patterns



Details and pics:

A paradigm shift in drum machines.

drumlogue marks a paradigm shift in drum machines. It offers the raw power and rich sounds of Analog, the flexibility of Digital voices, and drumlogue’s SDK for fully customizable User Custom Synthesizers.

On top of that, its heavy-duty, dynamic sequencer, customizable effects, and intuitive controls will make drumlogue a must-have in your studio to create music for any genre or style.

It’s time to take your beats and entire musical process to a whole new creative level with incredible sounds, effects, customization, and sequencing. Let drumlogue support your craft on your musical journey!

Raw Analog Power

drumlogue was conceived to provide the ultimate analog sound for your beats, and delivers fantastically; featuring completely newly developed analog circuits by legendary Korg analog synth team engineer Junichi Ikeuchi (ARP 2600 M, MS-20 mini, ARP Odyssey…) , the depth and richness of its sound is on a whole new level.

These new analog circuits - (Bass Drum, Snare Drum, Low Tom and High Tom) - will not just provide a solid foundation for your track, but make it stand out with an elevated harmonic richness and a thick low end.

Blending simplicity and ease of use, the most important controls for each of these parts have dedicated knobs on the front panel that can be tweaked at any time without any menu diving necessary, so you can quickly and intuitively fine tune your sound on the fly.
For further sound exploration, each part provides many more parameters accessible through the powerful onboard sound editing system.

Last but not least, each part on drumlogue - analog or digital - has a dedicated volume knob that will make your mixing process incredibly smooth and easy.

Digital Flexibility

As the perfect partner for its analog section, drumlogue provides 7 digital parts; 6 sample based and 1 synthesis based (Multi-Engine). The sample based parts can play any of the preloaded PCM banks on drumlogue. You can also import your own User Samples to its memory, making drumlogue an extremely versatile machine with virtually limitless sonic possibilities.

To start with, the 64 preloaded drum kits of drumlogue will provide you with a wide variety of sounds spanning several genres so you can easily kick-start your tracks.

For additional sounds, samples can easily be easily loaded into the drumlogue just by connecting your drumlogue to your computer via USB and simply drag-dropping your samples onto the main memory.

Multi-Engine and logue SDK

The popular Multi Engine from prologue and minilogue xd is now more powerful than ever. In addition to the Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine features a new User Custom slot that can play full-fledged synth voices that provide vast sonic possibilities, never before heard on a drum machine.

Custom Synths

drumlogue’s synth voices are not simply static waveforms. Custom synths can be built to not only generate sound, even implementing built in filters, LFOs, MIDI controlled polyphony or other parameters is now possible The only restriction for third party developers is their creativity (and CPU usage!), giving you unbound sound exploration.

Exclusive Sinevibes Synth Plugin “Nano”

Korg has collaborated with popular logueSDK plugin developer “Sinevibes” to include a brand new synth plugin “Nano” as a factory preset on drumlogue. This exclusive plugin explores the power behind the expanded Multi Engine and will give all drumlogue users a taste of this new platform.

“Nano” is a full-fledged virtual analog synth with a wide array of features and plenty of customizable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Leads, basses, percussive sounds or cinematic effects, you decide how to use this incredible sonic potential!

A True Sequencing Powerhouse

drumlogue harnesses all of its sonic power to an extremely powerful internal sequencer that is flexible and easy to use.

Tired of the same old beats? drumlogue's heavy duty 64 step sequencer makes it easy and intuitive to create complex rhythm patterns and polyrhythms that elevate your music creation process with innovative features such as per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more.

Thanks to its clear OLED display, it is also very easy to visually follow and edit your sequences.

drumlogue is both great in the studio and playing live. With its Chain mode, creating long and interesting patterns is straightforward and clearly displayed. In Loop mode you can switch between several variations to play your sequence in new and interesting ways. The Motion and Accent recording functions are intuitive and fast and if you want to try new things on your track, the Randomization function is there to help you. These functions and many more on the drumlogue will support and spice up your live performances!

Effects and customization

drumlogue includes several high-quality effects across three categories that can be used simultaneously: Delay, Reverb and Master effects.

The send amounts for delay and reverb effects can be set independently for each part, and multiple return points are available.
The master effects allow you to add that final polish to your sound and bring it all together. Master effects can be bypassed on a per-part basis, making it possible to send the effect to specific audio parts. A sidechain bus is also available to master effects which can make use of it.

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