KORG Introduces the KingKORG NEO!

video uploads by Korg

"KingKORG NEO packs the power from the legendary virtual analog synth KingKORG into a compact 37-full size key synth, with new sounds, a 16-band vocoder, effects, and virtual patching.

At your fingertips is deep sonic exploration with the intuitive front panel equipped with dedicated knobs and screens, 3 oscillators with 138 different oscillators types to choose from, and 18 classic synth filters, including iconic models such as MS-20, TB303, SEM, Minimoog, and Prophet 5, faithfully recreated through KORG's advanced XMT engine."

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Rob Papen Introduces BIT-2 Analogue Synthesis-Modelled Virtual Instrument

video upload by Rob Papen

Update:

Rob Papen Live Stream 27 April 2023 BIT-2 & how the introduction video was created


Press release follows:

Rob Papen takes trip back in time to boost BIT-2 beyond namesake plug-in predecessor as analogue synthesis-modelled virtual instrument

ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of BIT-2 as an analogue synthesis-modelled virtual instrument — with which it takes another trip back in time to take its namesake plug-in predecessor (released in 2019 to widespread critical acclaim with outstanding audio quality) to the next level with numerous new and creative features — as of April 27…

As an apt acronym if ever there was one, BIT stands for ‘Back In Time’. This alludes to the fact that the BIT-2 virtual instrument plug- in — like its namesake predecessor — mainly focuses on modelling analogue synthesis from a pre-digital era that has a still-sought- after charm of its own, one which had not been covered before BIT by the Rob Papen brand, whose virtual instrument products previously combined the best of analogue modelling with hybrid synthesis so successfully. Since self-confessed synth freak and world- renowned sound designer Rob Papen himself had started working with synthesizers at the tender age of 15 when purchasing an analogue Korg MS-20 semi-modular monosynth and accompanying analogue SQ-10 sequencer way back when, taking this trip back in time — and now a second time — makes perfect sense, both business-wise and otherwise.

On the face of it, BIT-2 has no (virtual) patch cables, but make no mistake: it is modular in nature. Indeed, its MOD (modulation) MATRIX is used for patching, though several connections — such as LFO (Low Frequency Oscillator) and ENV (envelope) to the OSC 1 and OSC 2 parameters — can quickly be made when switching on the smart ADV (advanced) panel below the oscillators.

Oscillators are actually where boosting BIT-2 begins, with additional Super Saw (1/2/3) and Super Square (1/2/3) waveforms generating a three-oscillator sound within one oscillator to provide even more flexibility for sound creation. Conversely, though, it made sense to leave BIT’s ability to modulate OSC 2 with OSC 1 in several ways — expanding the sound palette profusely with PM (Phase Modulation), FM (Frequency Modulation), and RING (modulation) — as before. But boosting BIT-2 further still are its two top- notch analogue-modelled filters — FILTER 1 and FILTER 2 — expanded to include new types and modes for further enhancing its sound-shaping capabilities, while its AMP (amplifier) section has also been expanded to include multiple distortion types that are all at a ‘per voice’ level to make them much more usable — avoiding any ‘ugliness’ if playing chords, for instance.

Additions are also to be found in BIT-2’s ARP (arpeggiator)/sequencer section, including an ability to dynamically change the start STEP and end STEP number, resulting in interesting patterns that can be changed in real time, as well as the MAGIC MODE parameter that adds musical variation to the active ARP or sequencer. Saying that, the ARP/sequencer can now also work as a modulator, thanks to an additional FREE row that can be used to modulate other parts of BIT-2 in conjunction with the MOD MATRIX.

BIT-2 benefits from the addition of the RIBBON CONTROLLER section located at the bottom of its GUI (Graphical User Interface). It allows users to control several parameters at once using a mouse or external MIDI (Musical Instrument Digital Interface) controller, and — unlike a hardware ribbon controller — also has a tempo-based SPRING BACK feature with QUANTIZE and BIPOLAR mode. Performance-wise, PLAY MODE now features a LOCK PLAY function — helpful if using an MPE (MIDI Polyphonic Expression) keyboard.

Expanded effects really represent the finishing touch to BIT-2 with some superb-sounding additions alongside other improvements, including Rob Papen’s proprietary REVERB that sounds superb, so no need — necessarily — to add reverb externally.

Ending where we began, BIT stands for ‘Back In Time’ but when working with the boosted BIT-2 it could just as well be taken to mean ‘Be Inspired Today’ — thanks to the analogue synthesis-modelled virtual instrument’s improvements and additions. As Rob Papen proudly points out by way of ending on a hands-on high note, “We now have animated dials in BIT-2, more modulation slots and modulation options, and last, but not least, many new presets by both myself and others have been included in this update... enjoy!”


BIT-2 is available as a 64-bit AAX-, AU-, VST- and VST3-compatible virtual instrument plug-in for Mac (OS X 10.13 or higher) and as a 32- and 64-bit VST- and VST3-compatible virtual instrument plug-in for PC (Windows 7 or higher) — with 64-bit AAX compatibility available for PT 12 or higher (PC) — at an introductory promo price of €74.00 EUR/$74.00 USD until June 1, 2023 — rising thereafter to its regular price of €99.00 EUR/$99.00 USD — from authorised Rob Papen resellers worldwide or as a download directly from Rob Papen itself for the same pricing from here: https://www.robpapen.com/bit2.html (Owners of BIT can upgrade to BIT-2 at an introductory promo price of €26.00 EUR/$26.00 USD until June 1, 2023, rising thereafter to its regular price of €35.00 EUR/$35.00 USD.)

BIT-2 is included in the latest version of Rob Papen’s all-encompassing eXplorer-8 bundle (https://www.robpapen.com/explorer-8.html) at no additional cost, so existing owners only have to download the latest installer and run it to add BIT-2 to their Rob Papen virtual instrument and effect plug-in collection.

For more in-depth info, including some superb-sounding audio demos, please visit the dedicated BIT-2 webpage here: https://www.robpapen.com/bit2.html

Introducing drumlogue, the first hybrid drum machine from Korg

video upload by Korg

Update: two new user videos by Honeysmack and Marcus Schmahl added below.

"Combining the rich power of analog with the flexibility of digital, drumlogue provides the ultimate analog sound for your beats.

Featuring newly developed analog circuitry, drumlogue builds a solid foundation for your track; it also helps you stand out with an elevated harmonic richness and thick low end.

Important parameters for each part have dedicated controls on the front panel for quick and intuitive changes – without diving into menus. For even more creative potential, each part has a wealth of further parameters accessible through a powerful onboard editing suite. Even mixing is simple, with dedicated volume controls for the analogue and digital parts.

The track you hear in this video is by Dean Forrest"

Korg Drumlogue: New Hybrid Drum Machine - First Look- Just Sounds video upload by Korg Australia


New Korg Hybrid Drum Machine Drumlogue - Honeysmack's first encounter video upload by Honeysmack



"Get ready for a super nerd session, no talking just me tinkering with the Korg drumlogue for the very first time. Korg Australia were kind enough to give me a play with a sneak preview pre-production model of the drumlogue. Unfortunately I had no manual at the time, so please excuse me in advance. Hopefully this video provides some context to its sound. I feel this will be a winner for Korg, well done! Great sound, neat size, this could be a monster of a machine.

All the sounds and effects in this video are from the drumlogue, there are no external sounds or effects. Simple stereo output from the drum machine. No other drum machines were hurt in the making of this video.

0:00 Does this suit me? Oh what does this do?
2:23 Omph omph omph, ah I see, me likey the kick drum
5:59 Electro ratchets - why not take your time and build a track
9:30 Start with speed carnivale - exploring more latin percussion then I try to break the machine!"

Korg drumlogue drum machine & synthesizer demo - no talking - video upload by Marcus Schmahl

00:00 building drum sounds & a pattern
06:13 switching through preset patterns & sounds

Korg Drumlogue Sound Demo (no talking) video upload by Bonedo Synthesizers


Korg Drumlogue Sound Demo No Talking - no external effects or processing video upload by Limbic Bits


Korg DRUMLOGUE Review // Top Pros & Cons and All 64 Factory Patterns // Full Tutorial video upload by loopop


TIMELINE:
0:00 Intro
1:20 Overview
6:15 Connectivity
7:15 Sample parts
11:40 Analog parts
14:25 Multi engine
15:05 VPM
17:15 Noise
17:55 Nano
21:30 Sequencing
22:10 Live rec
22:50 Motion rec
24:45 Step seq
25:10 Groove
26:10 Probability
27:10 Ratchets
28:00 Ties
28:30 Motion seq
30:20 Shift buttons
31:00 Polymeters
31:35 Send FX
33:35 Master FX
34:45 Sidechain
36:25 Loop
37:10 Select
38:25 Randomize
39:00 Chains
39:35 Audio in and out
41:50 Misc settings
43:45 Pros & cons
49:10 All 64 patterns



Details and pics:

A paradigm shift in drum machines.

drumlogue marks a paradigm shift in drum machines. It offers the raw power and rich sounds of Analog, the flexibility of Digital voices, and drumlogue’s SDK for fully customizable User Custom Synthesizers.

On top of that, its heavy-duty, dynamic sequencer, customizable effects, and intuitive controls will make drumlogue a must-have in your studio to create music for any genre or style.

It’s time to take your beats and entire musical process to a whole new creative level with incredible sounds, effects, customization, and sequencing. Let drumlogue support your craft on your musical journey!

Raw Analog Power

drumlogue was conceived to provide the ultimate analog sound for your beats, and delivers fantastically; featuring completely newly developed analog circuits by legendary Korg analog synth team engineer Junichi Ikeuchi (ARP 2600 M, MS-20 mini, ARP Odyssey…) , the depth and richness of its sound is on a whole new level.

These new analog circuits - (Bass Drum, Snare Drum, Low Tom and High Tom) - will not just provide a solid foundation for your track, but make it stand out with an elevated harmonic richness and a thick low end.

Blending simplicity and ease of use, the most important controls for each of these parts have dedicated knobs on the front panel that can be tweaked at any time without any menu diving necessary, so you can quickly and intuitively fine tune your sound on the fly.
For further sound exploration, each part provides many more parameters accessible through the powerful onboard sound editing system.

Last but not least, each part on drumlogue - analog or digital - has a dedicated volume knob that will make your mixing process incredibly smooth and easy.

Digital Flexibility

As the perfect partner for its analog section, drumlogue provides 7 digital parts; 6 sample based and 1 synthesis based (Multi-Engine). The sample based parts can play any of the preloaded PCM banks on drumlogue. You can also import your own User Samples to its memory, making drumlogue an extremely versatile machine with virtually limitless sonic possibilities.

To start with, the 64 preloaded drum kits of drumlogue will provide you with a wide variety of sounds spanning several genres so you can easily kick-start your tracks.

For additional sounds, samples can easily be easily loaded into the drumlogue just by connecting your drumlogue to your computer via USB and simply drag-dropping your samples onto the main memory.

Multi-Engine and logue SDK

The popular Multi Engine from prologue and minilogue xd is now more powerful than ever. In addition to the Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine features a new User Custom slot that can play full-fledged synth voices that provide vast sonic possibilities, never before heard on a drum machine.

Custom Synths

drumlogue’s synth voices are not simply static waveforms. Custom synths can be built to not only generate sound, even implementing built in filters, LFOs, MIDI controlled polyphony or other parameters is now possible The only restriction for third party developers is their creativity (and CPU usage!), giving you unbound sound exploration.

Exclusive Sinevibes Synth Plugin “Nano”

Korg has collaborated with popular logueSDK plugin developer “Sinevibes” to include a brand new synth plugin “Nano” as a factory preset on drumlogue. This exclusive plugin explores the power behind the expanded Multi Engine and will give all drumlogue users a taste of this new platform.

“Nano” is a full-fledged virtual analog synth with a wide array of features and plenty of customizable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Leads, basses, percussive sounds or cinematic effects, you decide how to use this incredible sonic potential!

A True Sequencing Powerhouse

drumlogue harnesses all of its sonic power to an extremely powerful internal sequencer that is flexible and easy to use.

Tired of the same old beats? drumlogue's heavy duty 64 step sequencer makes it easy and intuitive to create complex rhythm patterns and polyrhythms that elevate your music creation process with innovative features such as per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more.

Thanks to its clear OLED display, it is also very easy to visually follow and edit your sequences.

drumlogue is both great in the studio and playing live. With its Chain mode, creating long and interesting patterns is straightforward and clearly displayed. In Loop mode you can switch between several variations to play your sequence in new and interesting ways. The Motion and Accent recording functions are intuitive and fast and if you want to try new things on your track, the Randomization function is there to help you. These functions and many more on the drumlogue will support and spice up your live performances!

Effects and customization

drumlogue includes several high-quality effects across three categories that can be used simultaneously: Delay, Reverb and Master effects.

The send amounts for delay and reverb effects can be set independently for each part, and multiple return points are available.
The master effects allow you to add that final polish to your sound and bring it all together. Master effects can be bypassed on a per-part basis, making it possible to send the effect to specific audio parts. A sidechain bus is also available to master effects which can make use of it.

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Behringer w/ KORG's Hiroaki Nishijima Introduce the Hirotribe Soul

Details:

"In 2019, Hiroaki Nishijima, the legendary synthesizer engineer, who designed the famous Korg MS-20, joined us in our mission to create amazing synthesizers everyone can afford. Hiroaki is watching this space, so please send him some love:-)

Listen to Hiroaki himself:

"The 'Hirotribe' is one of the analog synthesizers I always wanted to achieve. 'Hiro' of 'Hirotribe' was taken from my first name ‘Hiroaki'.

I designed and developed the 'Korg Monotribe', but I really wanted to make an evolved version of it. Fortunately, Uli Behringer kindly agreed to my proposal.

I devised the panel design, specifications and the first schematic. Various specifications were added or changed during the development process, and each time the project members had a hard time. However, looking at the 'Hirotribe' that was completed in this way, the hardships seem to be a nostalgic story. Thank you to all the project members, you did a very good job and I am very happy.
Now that the product is completed, I would be honored if you could all enjoy this 'Hirotribe' with my heart." - Hiroaki Nashijima.

The Hirotribe is an incredible Groove Synthesizer, which is now fully completed. Once we receive the semiconductors, this beauty is on the way to you. Suggested price is US$ 99. We have planned for many more synths under Hiro’s leadership.

What’s under the hood of the Hirotribe?

Portable Analog Groove Synthesizer with 2 DCOs, Drum Machine and Sequencer
- Analog groove synthesizer with built-in drum machine and sequencer
- Pure analog signal path based on authentic DCO, VCF and VCA designs
- 2 individual oscillators with saw, triangle and square waveforms
- Noise generator dramatically expands waveform generation
- LFO with 3 wave shapes for modulating both pitch and filter cutoff
- Single knob envelope generator with 3 continuous parameters Attack, Decay and Sustain
- Analog drum machine with bass drum, snare, closed hi-hat and open hi-hat
- 16-step motion sequencer with and memory slots
- 27 touch-sensitive keys for great playability with non-scale notes function
- Sync Input and Output to synchronize with your other synthesizers or drum machines
- USB Micro connector allows powering via smartphone, power bank or computer
- Comprehensive MIDI implementation (including NRPN/CC control of all parameters and bulk load/save)"

See the Behringer label for more.

Ultimate Synth Selection for NAUTILUS

Playlist:
Ultimate Synth Selection - KORG NAUTILUS

The Ultimate Synth Selection utilises the Set List feature in NAUTILUS and gives the user the ability to search for sounds from legacy instruments through to the world-class sound engines of the NAUTILUS.

Imagine walking into a room containing an MS20, a Polysix, WAVESTATION, M1, TRITON, Concert pianos, CX-3 drawbar organs, Electric Pianos with an array of FX pedals, supercharged FM synths and more…

The Ultimate Synth Selection lets you do that within the NAUTILUS by giving the user 11 custom setlists created by KORG UK. Full details at https://www.korg.com/uk/news/2021/090...

Ultimate Synth Selection for NAUTILUS - SGX-2

The SGX-2 Premium Piano sound engine offers three distinctive pianos - the rich German D piano, a Japanese upright model and a small Japanese C grand. Each uses superb, un-looped stereo samples, with 12 velocity levels. Thoughtful attention to detail preserves the realism and warmth of the piano sound, even to the extent of sampling and reproducing the sounds of the body resonances and the mechanical key, damper pedal noises, string resonance, varied microphone placements and even prepared piano samples.

Ultimate Synth Selection for NAUTILUS - EP-1

Our EP-1 sound engine is dedicated to faithfully recreating six of the most popular classic electric pianos which provide realistic simulations of the period amp, cabinet, speaker and even the hard-to-find vintage effects that gave the original instruments their distinctive sound. The MDS modelling technology eliminates the transitions between velocity-switched samples and provides the user with unique control over the tines, reeds and noise elements.

Ultimate Synth Selection for NAUTILUS - CX-3

The original KORG CX-3 combo organ went on sale in 1980. The CX-3 engine precisely models this classic tonewheel instrument. Proprietary KORG technology has been used to perfectly reproduce the vacuum tube amp and effects, such as Vibrato/Chorus and the must-have rotary speaker - even the instability, fold-back, leakage and noise of the tonewheels have been obsessively analysed to recreate this much sought-after classic organ.

Ultimate Synth Selection for NAUTILUS - MS-20EX

Debuting in 1978, the MS-20 unified a 37-note keyboard with a vertically oriented control panel. It had a thick and solid sound, aggressive filters and patching that opened up limitless potential for creating sounds. Using KORG's CMT (Component Modeling Technology), the MS-20EX faithfully reproduces the MS-20, whilst dramatically expanding its patch panel functionality. Its signature filters provide a unique sound, a great contrast to the AL-1 and PolysixEX.

Ultimate Synth Selection for NAUTILUS - PolysixEX

The original Polysix from 1981 offered six-voice polyphony, program memory and a surprisingly competitive price tag. With its self-oscillating four-pole filter, smooth analogue oscillator and sub-oscillator, plus a lush Chorus/Ensemble effect, the PolysixEX extends the abilities of the original in many creative ways, The Polysix arpeggiator is included and you can modulate every control on the front panel to make new sounds that were impossible on the original keyboard.

Ultimate Synth Selection for NAUTILUS - WAVESTATION

The WAVESTATION synthesizer appeared in 1990 with an advanced vector synthesis system that combined and shifted between multiple complex waveforms. Using the HD-1 Engine in the NAUTILUS, KORG have included most of the original wave sequences, as well as a full wave sequence edit mode. The patterns can also be manipulated with the on-screen vector joystick, just like on the original!

Ultimate Synth Selection for NAUTILUS - TRITON

The KORG TRITON series of workstations was first released in 1999. Countless top musicians and producers from around the world loved the newly developed expressive PCM sounds that helped shape the sound of the 2000s in the studio and on stage. This collection of 128 original TRITON programs uses the HD-1 engine to faithfully recreate the HI (Hyper Integrated) synthesis system that was at the core of the legendary TRITON series.

Ultimate Synth Selection for NAUTILUS - MOD-7

Combine Variable Phase Modulation (VPM), wave-shaping, ring modulation, samples and subtractive synthesis, plus a modular patch-panel system and you end up with the MOD-7. Exceptionally versatile, it offers everything from classic FM keyboards, bells and basses (including the ability to import sounds from vintage DX synths), to rhythmic soundscapes and sparkling, epic pads.

Ultimate Synth Selection for NAUTILUS - AL-1

The AL-1 is the same premium feature-packed analogue modelling sound engine that was first featured on the KORG OASYS, the Open Architecture Synthesis Studio back in 2005. Its patented ultra-low-aliasing oscillators smoothly recreate all the power and glory of true analogue synthesis-without the artifacts that can plague lesser instruments.

Ultimate Synth Selection for NAUTILUS - STR-1

Based on the physical modelling DNA that KORG developed in products such as the WAVEDRUM, Prophecy and Z1, this struck/plucked-string physical modelling sound engine takes advantage of cutting-edge technology. The STR-1 engine is packed full of highly playable sounds, whose tone responds to your touch in ways that are difficult for a PCM sound engine to replicate, including acoustic and electric guitars, harpsichords, clavinets, harps, bells and ethnic instruments.

Exploring Sample Builder for wavestate 2.0 Update

video upload by Korg

"Sample Builder lets you load up to 4GB of your own samples into the wavestate (4,000 mono samples or 2,000 stereo)! Sample Builder also includes basic tools for editing start points and loops. Arrange the samples across the keyboard to create Multisamples for the wavestate. Group Multisamples into Banks.
Sample Builder is available as a free download for MacOS and Windows here:

https://www.korg.com/us/support/downl...


0:00 Introduction
0:30 Prepare .wav Samples
0:58 Import .wav Samples Into Multisample
1:12 Edit Mutisamples
1:36 One Shot vs. Loop
2:36 Key Zone
3:21 Save Multisample
4:19 Bank
5:12 Save Bank
4:48 Transfer Samples to wavestate (Save Bank first)
5:32 User Samples in wavestate
6:19 User Category Shortcut
6:52 Playing Demo
7:47 Closing"



wavestate 2.0 Updates:

Support for User Samples
Express yourself in your own unique voice. Import up to 4 GB of your own Multi-samples into the wavestate via the new Sample Builder application for Mac and Windows. Use your samples in Wave Sequences or as single Multi-samples, just like the factory Multi-samples.

Editor/Librarian
Get the big picture. The Editor/Librarian acts as a second front panel for the wavestate. Realtime display of modulated parameter values and Wave Sequences gives you instant feedback on your creations. Copy and paste sounds, envelopes, LFOs, filter settings, and more. Dive deep into Effects with access to all internal parameters and create your own Effects Presets.

User-requested improvements
You asked, we listened. The new Performance-level Hold feature (via SHIFT-ARP) keeps notes or chords playing, leaving your hands free for moving knobs or playing other instruments. Fit to Scale lets you constrain the Pitch Lane’s output to a specific scale and key—especially useful when playing polyphonically.

Get to your sounds faster. Select Categories for Performances, Programs, Multi-samples, Wave Sequences, and Lanes directly from buttons 1-16. The new “User” Category lets you mark your own sounds, and dual Categories mean that a sound can be assigned to both “User” and “Strings” (for example).

Explore Vector Synthesis
The new Curve parameter lets you control the way that Vector Volume crossfades between points. For maximum volume, use Loud (the original wavestate behavior); for more gentle crossfades, use Smooth (the original Wavestation behavior).

Even more refinements
New gain-scaling options bring out the tonal range of the MS-20 and Polysix filters, and user interface improvements streamline your sound design.

wavestate software 2.0, the Editor/Librarian, and Sample Builder are available to all current wavestate owners as free downloads from korg.com.

Custom Racked Korg MS-20 MINI Synthesizer SN 013269

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This is a customized Korg MS-20 MINI Synthesizer.

2 years ago I traded for this Korg and right away decided that despite it being like new, I hated the keyboard and the control panel graphics were so dimly printed that I couldn't read it in the dimmed lights of the studio. What to do?

Well, I ripped the keyboard and end cheeks out and threw them away. Then I built a pretty Red Oak box for it to live in and bought a brightly colored overlay for the control panel. It is now an attractive, great little desktop midi synth sans keyboard and I have no place to put it in my rig. So it needs a new home.

Please note that the patch bay is missing most of the plastic little fake hex nuts around the jacks. They are flimsy, tend to fall out, get lost or stepped on, and are purely cosmetic imitations of the 1/4" metal hex nuts that the old MS-20 had. I broke a couple cleaning the synth and so I just got rid of them.

So. If you want that great MS-20 sound with an improved appearance and without the crappy keyboard Korg slapped on it, this is your baby."

Panel overly by oversynth.com.

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New Korg modwave - an edgy, expansive, and easy to use wavetable synthesizer based on the DW-8000

Korg

"In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today.

modwave builds upon the DW legacy with incredibly deep wavetable oscillators, gorgeous filters, first-ever Kaoss Physics-based modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases."

KORG · modwave Demo Sounds

Update: pics and details via KORG:

"Synthesis powerhouse with distinctive wavetable timbres, Kaoss Physics, and Motion Sequencing 2.0.

In 1985, Korg's DW-8000 combined digital wavetables with rich analog filters to give users sounds which were impossible to create with analog oscillators. It's still a cult favorite today.

modwave builds on the DW legacy and transforms it into a modern monster synth, featuring incredibly deep wavetable oscillators, gorgeous filters, wildly flexible modulation, unmatched polyphony, comprehensive pattern sequencing, and immediately satisfying hands-on control to deliver unique, powerful, and easily customizable sounds and phrases.

modwave also introduces two unique new tools for creating dynamic motion: Kaoss Physics and Motion Sequencing 2.0. Kaoss Physics combines an x/y Kaoss pad with modulatable game physics to create a responsive, interactive controller that is—besides being powerful— a lot of fun to explore. Motion Sequencing 2.0 brings the organic, continuously evolving patterns of the wavestate's Wave Sequencing 2.0 into the world of motion sequencing, including multiple lanes and real-time recording to help you create complex and evolving phrases that other step sequeners cannot.

Like Wave Sequencing 2.0 (wavestate) and altered FM (opsix), modwave’s evolved wavetable synthesis delivers its own brand of completely unique sounds and a knob-per-function layout that makes customizing those sounds fast and easy. To start, there are hundreds of preset sounds empowered by this new architecture, organized by front-panel category buttons, and all instantly customizable via the four Modulation Knobs. modwave's distinctive wavetable timbres start with aggressive basses & leads, and lush ambient pads which will add a new dimension to your tracks. But that is just the start. Those who want to dig deeper will find an endless source of discovery; you'll be finding new things in this synth for a long, long time because of the unique synth architecture. Once you have started finding new sounds - aave as many as you like; there's room for thousands more."

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Korg Introduces the opsix "Altered FM" Synthesizer

Own FM with Korg’s opsix Altered FM Synthesizer

Update: Kraft Musik video added to the playlist below.

The KORG opsix is here. It appears KORG went with the smaller Wavestate-like body. You might remember the full size keyboard teasers from previous posts. That said, details:

"The legendary sound of FM synthesis had graced hundreds of albums, from its introduction in the 80’s to today. Korg’s opsix puts the power of expanded six-operator FM synthesis in your hands, with instant on-panel controls that help you create custom FM sounds with unparalleled ease.

'Altered FM' takes you light years beyond classic FM with 32 voices of polyphony, five modulation types, a user algorithm mode, multiple filter models 1 “logue”-style 16-step note and motion sequencing, effects for days, a 12-point modulation matrix, and much more."

User videos:

Use the player controls at the bottom left of the player once started to skip around. Some are long.
See the dealer links in the playlist below and the banners on the right for availability.

Playlist:
1. KORG opsix Altered FM Synthesizer - First Look! with Tom Butcher of Patchwerks Seattle - video by Matthew Piecora (aka EZBOT)
2. KORG OPSIX - All Playing, No Talking - Kraft Music
3. Korg opsix Sound Demo (no talking) - Bonedo Synthesizers
4. Korg OPSIX Review, tutorial and 10 patch tips // All 250 Presets played - loopop
5. Korg OPsix FM synthesizer // Hands-on Easy to Use FM Synth! - BoBeats
6. Korg Opsix Sound Design - Kinda Tutorial - True Cuckoo

"Rethink everything you know about FM synthesis.

The opsix represents a new and expansive reimagination of classic digital synthesis. Much like Korg did when bringing wave sequencing back in a more powerful, more musical, and more immediately accessible way with wavestate, so was the approach to FM sound generation of the opsix, resulting in another incredibly flexible and unique synth.

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New Korg Wavestate Wave Sequencing Synthesizer Revealed

Published on Jan 6, 2020 Korg

Update: Details are in... Playlist with the first user videos added below.

"Legendary synthesis, radically re-imagined. Organic, inspirational, and mind-blowingly powerful.

KORG’s legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup."

Korg Wavestate User Videos

New Korg Wavestate Vector & Wave Sequencing Synthesizer - Perfect Circuit
Korg Wavestate - All Playing, No Talking! - Kraft Music
Korg Wavestate - Overview with Nick Kwas - Kraft Music
Korg Wavestate - New Keyboard! - sonicstate
KORG WAVESTATE FIRST IMPRESSIONS - BoBeats
Korg WAVESTATE // Review and full tutorial // Wave sequencing and Vector synthesis explained - loopop
Korg Wavestate Wave Sequencing Synthesizer | Reverb Demo
First Look: Korg Wavestate Synthesiser with Wave Sequencing 2.0 - Noisegate
First jam with the Korg Wavestate - Honeysmack
Korg Wavestate - Sound Design Tutorial 1 - True Cuckoo



Highlights:

"With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns–but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a “Lane,” and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane’s start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities."

"KORG R&D created the original Wavestation, co-created the OASYS and Kronos, and has developed fundamental technologies behind many other KORG instruments. The wavestate reflects their unique aesthetic, delivering stunning sound and deep flexibility via cutting-edge technologies.

Three of the key sound designers from the original Wavestation, John Bowen [of John Bowen Synth Design & the Solaris], John “Skippy” Lehmkuhl (Plugin Guru), and Peter “Ski” Schwartz, joined Belgian artist Airwave and the renowned KORG voicing team to create the incredible wavestate sound library."

"Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics–filter, envelopes, LFOs, effects–are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you’ll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more."

"Randomization that inspires.

Looking for even more inspiration? A dedicated front-panel button, marked by a “dice” icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.
An arsenal of effects.

The wavestate’s superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you’ll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals."

"Choose your filter.

Add vintage character to your sounds with the aggressive MS-20 Lowpass or Highpass filters, or the strong, sweet Polysix Lowpass. Shape and refine with a full collection of resonant 2-pole and 4-pole Lowpass, Highpass, Bandpass, and Band Reject filters. Or, step outside the box with KORG’s unique Multi Filter, which creates modulatable blends of multiple modes simultaneously.
Ample samples. 64 stereo voices.

Totaling in the gigabytes, the wavestate’s sample library is more than a thousand times larger than that of the original Wavestation. That’s a lot of great-sounding raw material for Wave Sequences. There’s a bank of samples from Plugin Guru, brand-new samples from KORG, and a selection from the Kronos and Krome libraries. Of course, KORG also provides all of the Wavestation’s samples (including all options), plus a huge library of Wavestation Wave Sequences. Play up to 64 stereo voices with pristine clarity, using KORG’s proprietary anti-aliasing sample playback technology."

"Multiply by four.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance–each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters."

"Set Lists and Smooth Sound Transitions.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
Plays well with others.

Balanced stereo outputs connect to any recording or monitoring system, and a stereo headphone output is provided for private playing or onstage cueing. Din-style MIDI jacks ensure connection to other MIDI-equipped instruments and audio gear. The wavestate supports class-compliant USB MIDI connections to Windows and Mac computers, and the wavestate librarian program is available as free download from KORG."

via https://www.korg.com/us/products/synthesizers/wavestate/

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New G-Storm Electro KVP MS-20 to Euro Pitch CV + Gate Voltage Processor Demo

Published on Oct 3, 2019 gstormelectro

Available exclusively here

Audio and Video by G-Storm Electro c. 2019

Today I am introducing my new module - the KVP.
KVP is a pitch and gate CV processor that makes the MS-20 compatable w/ Eurorack (v/oct).
It works for the vintage MS-20, the MS-20 Mini reissue as well as the Behringer K-2.
And any manufacturer synth using the Hz/v standard.

Percussion: Basimilus Iteritas Alter
Sequencing: Arturia Beatstep Pro
Delay: Timefactor
Reverb: Big Sky

Recorded direct to Tascam DR-05.

---

Module description:

So you want to control your vintage MS-20 / MS-20 Mini / Behringer K-2 (and more!) from Euro modules.
But when you do, it sounds weird – the pitch is wayyy not right.
And the gate triggers… forget-about-it. KVP can help with that.

KVP can take Euro pitch voltages (v/oct), and process them to standards used by Korg.
Pretty much any manufacturer that uses the Hz/v standard.
It can also do the other way around so you can control your v/oct synths and Euro modules pitch from the MS-20.
Dialing in the frequency and tracking width is a breeze using multi-turn trim pots accessible from the front panel.
KVP will generate about 3 octaves of tracking (C1 to C4) - same as the MS-20 keybed.

KVP also has 2 processors for handling gate signals as well.
Slide the TYPE switch to the right (convert) and it can convert Korg to Euro gates or the other way around.
Slide the type switch to the left (no conversion) and the same gate that goes in is what comes out.

ST Modular - EFI (4HP Analog Filter)

Published on May 4, 2019 Stefan Tretau

"Dual-Mode Analog Filter

EFI is an analog multi-mode filter that is loosely based on the KORG MS-20 filter, but has been improved to fit into a 4 HP module.

It has a Low Pass and High Pass Mode which you may choose via Switch on the front panel. Additionally there are two CV inputs with an attenuator each.

Resonance can self-oscillate and there is a third mode that you may choose via jumper on the back. In this mode Resonance will be overdiven very quickly in Low Pass Mode and you will get some nice liquid sounding overtones.

This module is very easy to build and only needs 24 different components that are quite easy to source.

Details:
• Analog Dual-Mode-Filter
• Filter Modes: LP, HP (+ LP Overdrive via Jumper)
• Resonance Control
• Two CV Inputs
• Two CV Attenuators
• Wrong Polarity Protection
• 3U Eurorack module, 4 HP wide

The module consists of two boards:

• Front PCB Panel
• Main PCB

http://www.st-modular.com

26 mA +12V
24 mA -12V
0 mA 5V
25 mm deep
Module is available as a DIY project only."

Meet the New KORG volca modular - Details & Demos

Published on Jan 14, 2019 Korg

It's real. Looks like a mini Buchla Music Easel with the red on blue touch panel "keys".

Updates: Reverb video, audio demos, hi-res pics & additional details added below.

"KORG volca modular is a semi-modular analog synthesizer in the KORG volca format that makes modular synthesis more accessible and understandable than ever before. Featuring 50 patch points for using the 20 included patch cables to connect the eight onboard modules in any way imaginable, volca modular was created with 'West Coast Style' synthesis in mind, to offer a unique sound and design that deviates from traditional synthesis norms."

Korg Volca Modular - Demo with Nick Kwas

Published on Jan 14, 2019 Kraft Music

"Find exclusive Korg Volca Modular BUNDLES at Kraft Music.

Nick Kwas Demos and jams out on the Korg Volca Modular at Kraft Music.

The Korg Volca Modular is a semi-modular analog synthesizer with eight independent internally-connected modules, 50 patch points, and digital effects. Although focused on the complex and experimental sounds of the West Coast school of modular synthesis, the Volca Modular is equipped with the familiar 16-step Volca sequencer with parameter automation capabilities, as well as flexible scale and key settings. Sync and CV in jacks allow for connection to other Volca units, select Korg synths and sequencers, and modular systems. Like other Volcas, the Volca Modular features a built-in speaker and battery operation.

Get more for your money with an exclusive Korg Volca Modular bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new micro modular synth, all for one low price. If you have any questions, please give us a call. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"

Korg Volca Modular - Clock Divider

Published on Jan 14, 2019 Rishabh Rajan

"Tutorial on creating a multi-voice pattern using the clock divider."

Korg Volca Modular - Step Sequencer

Published on Jan 14, 2019 Rishabh Rajan

"A tutorial on some of the functionality of the step sequencer on the Korg Volca Modular."

Korg Volca Modular Micro Modular Synthesizer | Reverb Demo Video

Published on Jan 14, 2019 Reverb

"The synth masters at Korg just announced the Volca Modular, Minilogue XD, and Volca Drum. Starting with the Volca Modular micro modular synth, check out this video demo (as well as those linked below) to learn more about the features in this trio of new offerings from the dream team that created so many of the top-selling synths on Reverb in the past couple years.
Read More on Reverb"

"An analog synth composed of modules

Eight modules

The volca modular is a semi-modular synthesizer consisting of independent analog synth modules, digital effects, and a sequencer. Each of the modules has been carefully selected for its stand-alone completeness. The modules are internally connected so that sound can be produced even before connecting the included pin cables, and the routing is shown by white lines on the panel. Module connections via a pin cable take priority over the internal connections, bypassing them.

SOURCE：

This consists of a triangle VCO carrier and a modulator. The complex overtones generated by FM modulation are sent through a wave folder circuit to add additional overtones, producing a distinctive sound. This module is important in determining the basic character of the sound of volca modular.

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Endorphin.es Life is a trip: DATACHROME interview

Published on Jun 26, 2018 TheEndorphines

"Isn't it interesting to know how various people use same instrument? That's why we asked all our participants some simple questions and got different answers.

Check the interview with our last, 5th participant - Johatan from DATACHROME: https://www.youtube.com/user/leChatAutomatique

- How did you come to use synthesis in your music?
Well, I have some kind of a strange relationship with music and more particularly sound. When I was around 20 years old I used to go to a lot of gigs. At that time I was very much into circuit bending and DIY as I could not afford a synth and loved industrial and post punk music. One night I came back from a concert with ringing ears. The next morning I woke up and could not hear any sound not even talk with someone without feeling huge pain in my ears. I was soon diagnosed with severe hyperacusis, a condition that lowers the tolerance to usual environmental sound. With experimentation I soon discovered that some frequencies where more harmful than others and I integrated multiples crude analog filters to some of my builds and bent machines. More than sculpting sounds it was making it more bearable. Building filters made me aware of some classic analog synths and designs and soon enough I craved for one. Checking adds every day for a while, I got lucky. One night, around midnight, I saw an ad for a Korg MS-20 totally beaten up and untested for a very very cheap price. Problem, it was also on the other side of the country. Anyway, next morning a 5am I was in the train, and after 14H hours of travel I was back home with the precious MS-20. Still it was rusty and needed some fixing but it was here, my first proper analog synth.

- How did you use the SHUTTLE SYSTEM in your track for the "Life is a trip“ contest?
I’m a modular user and make bleeps and bloops in my living room for fun and experimentation. I rarely use computers to arrange tracks, I like to embrace the chaos and randomness offered by the modular approach. From loss of some control, sometimes emerge a pure and raw connection between your mind, your heart, and the machines you use to express yourself. I tried to integrate the Shuttle in this context because I think this is where it may shine and really show a bit of its hidden self. Also, it was an indispensable process dedicated to bond with the machine. The challenge was to create as much different voices and sounds as possible with the Shuttle, so self generative felt like the path to go.

In that track, all the self generated sounds and glitches are from the Furthrrrr Generator under modulation and then processed by a very fast delay for a Karplus-Strong effect. It resulted in various textures, from vocoder like, laser drum sounds, bleeps, bloops, insects scritches, crazy warp holes, bongos and hi-hats. Airplane A and B from the Grand Terminal are used as oscillators. One goes through the transistor ladder filter of the Grand Terminal and is playing the semi random and dueling melody you can hear in the beginning and end. The second was also fed through the Grand Terminal, filtered and processed afterwards with the shimmer reverb effect. It’s used to create pads on the second part of the track. I used the noise generator on the Furthrrrr for some additional hats you hear sometimes in the mix. Snare is also the white noise tweaked, sampled and sometimes bit crushed or pitch altered. The cockpit was used for some premix during the monitoring and creation of the patches and was very handy. In the end not much of the track is not from or processed by the Shuttle in a way.

- What part of working with the endorphin.es SHUTTLE SYSTEM did you like best?
I really love the Furthrrrr Generator and particularly the Thru Zero Core Oscillator. That thing can make sweet but also very angry and thick sounds. Add the waveshaper, sprinkle a bit of chaos from a sample and hold and you got a killer self generative patch!

- How do you think the SHUTTLE SYSTEM can improve your music making in the future?
The Shuttle System is a very compact and smartly featured system. It’s a modern take on a classic design with a lot of updates and tweaks. The use of digital modules make them updatable, meaning the Shuttle will evolve and pretty much always surprise. On top of that you have the Buchla inspired architecture that always sounds sweet, a very fun panel design and the fact that it’s fully modular. I think this cocktail makes it into something you wanna play with and wich is very inspiring, and from inspiration always comes new and better ideas ;)"

Korg Poly-61, with extensive modifications and MIDI

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Sold for $675

"One-of-a-kind Poly-61 that has knobs installed for almost every parameter and also MIDI.

The knobs provide much greater control over the parameters than you could achive on a stock unit, both in terms of range and resolution. There are effectively two separate LFOs now (instead of the one + joystick/performance LFO)--the second one can be switched on directly or controlled by the joystick (as on the stock model). A triangle and square wave LFO are now also available. The programmable LFO has an extremely wide speed range (not sure how much greater than stock, but seems capable of being slower/faster).

Lastly, the second oddball digital oscillator now has individual octave switches broken out, so you have a basic additive square wave oscillator here that resembles a sawtooth wave when all switches are engaged. Oscillator 1 (a DCO) retains the original waveshapes, but now has better control over PW/PWM).

The caveat with these knobs is that the knobs override the internal parameters, so saving as before is not before. Non-knob parameters are saved; broken out parameters are not (think of it as being permanently in "manual" mode).

The Poly-61 in general has been pretty overlooked in favor of the Junos/Poly-6, but is a very unique instrument in its own right. The filter is a discrete 2-pole/12dB filter that is much closer to the Korg MS-20 series filter than than the Polysix SSM or DW-8000 Korg 4-pole filter. The envelopes are also extremely snappy, and the knob controls allow much better control over envelope shape. There are schematics out there to also add a separate release control to the VCA, which would make this even more powerful.

The side panels suffer from the usual edge and corner dings, but overall both the unit and front panel are in very good condition."

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Korg MS-50 Expander Module SN 190330

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Korg MS-50 Expander Module is fully-patchable, keyboard-less, single VCO monophonic analog synthesizer. It uses Korg's Hz/V type of CV & Gate for control with other synths like the MS-20. It has lots of knobs and offers more patchability & power than any other MS synth. Other features include a ring modulator, voltmeter and Sample & Hold. It was also designed to complement the SQ-10 sequencer. It has been used by The Chemical Brothers, among others. The MS-50 is a rare model within the MS series. It has internal circuits such as a divider and integrator not found on the MS-10/20, which supported even more complex ways of creating sound. The voltmeter on the upper right-hand side of the panel captured the hearts of many synth players. Of course, it could also be played on its own by using CV/Gate signals..."

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MATRIXSYNTH Review and Overview of the Novation UltraNova

Hi everyone, you might remember, back in July I posted some pics of my newly acquired UltraNova, and mentioned that review posts would eventually follow. Well, I’m happy to tell you the first post is here. The UltraNova is one powerful synth, so to make the overall review a bit more consumable, it will be broken up over time. This first section includes an Overview, the Oscillators, and the Mixer sections. When new sections go up, I will be sure to let you know via a new post.

As with most of my reviews, I will say this one goes pretty deep into the synth engine and all editable parameters. If you are the type of person that likes to dissect and explore all of the available parameters on a synth, then this post is for you. I will touch on what each parameter does and will call out any interesting features and limitations as I do so. There are some pretty special parameters on the UltraNova that give you control beyond most other synths. Hopefully this review will give you some insight into what makes the UltraNova special.

Overview & Quick Comparison to Previous Nova Synths

The Novation UltraNova, released back in 2010, is a 20 voice virtual analog & wavetable synth with three oscillators, two ring modulators and one noise source per voice. The UltraNova also features two audio ins that can be assigned to the oscillator section and/or a 12-band vocoder. It’s worth noting that the Novation Nova from 1999 featured a 40-band vocoder, while the Supernova II from 2000 featured a 42-band vocoder. The UltraNova is a monotimbral synth while the 12 voice Nova was six part multitimbral and the Supernova II (24, 36, or 48 voice) was eight part multitimbral. The UltraNova supports up to 5 simultaneous effects per patch. The Nova supported 42 simultaneous effects, while the Supernova II supported up to 56. The Supernova II also supported FM synthesis while the Nova and UltraNova omit it.

The UltraNova, however, is the first Nova synth to feature wavetable synthesis. An interesting side note is that all of the oscillators on the UltraNova are actually stored as wavetables, including the standard waveforms. According to Novation, “The wavetables in the Supernova series are all calculated. The wavetables in the UltraNova, even the standard analogue waves are wavetable oscillators. This change in oscillator generation was first used on the A-Station and K-Station and subsequently in the KS series, X-Station and Xio.” This allows the UltraNova to have some advanced tricks when it comes to the oscillator section, which will be covered in detail below.

I asked Novation about the lack of FM synthesis and they told me, “FM would have been a lovely addition to the UltraNova, but it would have been asking too much of the DSP to be able to run everything the UltraNova can do and also add in FM. The wavetables were a really good way to introduce a new (to Novation) type of synthesis that is able to cater for some of the synth sounds that FM is known for and also to be able to create lush evolving pads.”

The UltraNova features two routable filters per voice with a total of 14 filter types to chose from including 6dB (no resonance), 12dB, 18dB, and 24dB with Lowpass, Bandpass and Hi-pass modes. The Nova and Supernova II lacked a 6dB mode.

As for hardware, although the UltraNova may have fewer knobs per function than its predecessors, it is extremely well laid out and super intuitive to use. Along with both keyboard velocity and aftertouch, the UltraNova has touch sensitive knobs. They literally respond to touch and can be assigned to various parameters. Worth noting, velocity is configurable, however, aftertouch is not. I found the aftertouch to be good, but it does require a little extra force than I prefer; it’s good for not accidentally triggering it, but not so good for subtle, natural performance.

Please note the above comparisons with the Nova and Supernova II were only for quick reference. The UltraNova of course is its own synth with a few tricks up its sleeves that are lacking in the original Nova line, including a level of control over the synth engine often only found in the modular realm. It sounds incredible, and for the price, currently only $599 new, it is an extremely flexible and powerful synth. You get the current top-of-the-line Novation Nova synth engine with new wavetables and more. The UltraNova is both a performance oriented synth as well as a synth programmers dream. It can be configured for easy access to specific parameters for a live situation, or you can dig as deep as you want with a clearly well thought out interface.

That said, let’s dig in.

The following review and overview will essentially go over the signal flow of the UltraNova followed by performance controls including the arpeggiator and the hardware interface. I’ll go into a little detail on what each feature can and cannot do in an attempt to give you a detailed idea of what the synth is capable of. Because my reviews tend to be a bit on the longer side, I will be posting the sections in chunks over time to make it easier on you to consume and for me to compose.

First we start with…

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Korg MS-20 Retro Expansion by Yew Tree Magic's Martin Walker

This one in via Martin Walker of Sound on Sound, who brought us the Yew Tree Magic's Steampunk Shruthi Sound Designer Edition.

"With additional top-mounted panel controls and handsome cherry hardwood side panels, the Retro Expansion is a heavily modded version of the Korg MS-20 Mini by Martin Walker that includes the following additional features:

1. MULTI-OUTPUTS: separate TRI, SAW and PULSE output sockets, all available simultaneously, plus a separate output for OSC2.

2. PWM: an additional input for OSC1 variable pulse width modulation, using the existing pulse width knob to control PWM level.

3. SYNC: An OSC2 Sync toggle switch, to lock it with OSC1 for those screaming lead sync FX.

4. FM: An FM input added to OSC2 with its own rotary level control, so it could be modulated at audio rates by OSC1 among other options.

5. VCO MIXER: expansion for the existing mixer section, adding two extra input sockets, each with its own level control knob.

6. DIODE RING MOD: a more traditional transformer/schottky diode ring modulator circuit to achieve far more mellow ring mod options than the integral (XOR) option.

7. Final casework mods include a new top-mounting panel for all the new controls, a 1/4-inch jack output, and cherry hardwood side panels from Dolmage Designs.

If you're interested in adding any or all of these Retro Expansion mods to your own MS-20 Mini, all details of the circuit changes and more photos are available at www.yewtreemagic.co.uk. They should also work on the original MS-20 and more recent kit versions."

omsoinc VCF-1 12db low pass filter eurorack module

Published on Apr 11, 2015 omsonic

via this auction

"This low pass resonant filter has been designed and a hand assembled in Devon. its essentially an OTA based sallen key type filter similar to the one found in the Korg MS-20 but with the edition of a selectable clipping stage.
the edition of a selectable clipping stage gives you 2 different filters sounds.
the hand etched copper front panel has been varnished to prevent corrosion.
Features ~

hand made copper front panel
filter cutoff knob
filter resonance knob
cutoff control voltage amount knob
clipping type selection switch
audio in / out
cutoff CV input
Red led back lit Om sine !

module info ~
17 mA +12V
10 mA -12V
0 mA 5V
58 mm Depth
6HP"

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Korg MS-20m Monophonic Synthesizer Kit and SQ-1 Step Sequencer Video & MS-20m Details

Uploaded on Jan 15, 2015 Korg

"The new MS-20m and SQ-1 open a whole world of analog experimentation. Connect, sync, and sequence all your gear with the flexible SQ-1 Step Sequencer, and take the famous MS-20 sound to new levels with the FM and sync features of the tabletop MS-20m"

Note the SQ-1 comes included with the MS-20m kit. The MS-20m has a selectable filter switch on the front panel while the original MS-20 kit had to be set internally. There are number of additional improvements outlined directly below. [Details on the SQ-1 just posted here]. Fun little bit of trivia is you can see SN 000001 on the back image below. Often there is no serial number in promo shots. Thought it was kind of neat and adds to the history of whomever this particular unit ends up with.  Also note it's lower case "m".

First, the enhancements over the original:

"Carrying on the distinctive synthesis of the MS-20, the MS-20M features additional improvements in both looks and functionality. Extending to detailed aspects of the design, the sound-creating possibilities have been dramatically boosted, making this sound module even more attractive and raising it to an even higher state of completion.

SYNC ON/OFF switch allows oscillator sync
Oscillator sync forcibly synchronizes the phase of VCO1 to the phase of VCO2, producing a powerful sound with complex overtones.

FM ON/OFF switch allows frequency modulation
The VCO1 waveform can be used to frequency-modulate the VCO2 waveform (FM or cross modulation), creating vibrato effects or extreme metallic sounds.

FILTER TYPE switch lets you select two types of filter
The original MS-20 used two different VCF circuits depending on the date of production, and now you can choose either of these with a single switch. The earlier model (REV.1) has an aggressive character with distinctive distortion and self-oscillation, while the later model (REV.2) has minimal noise and a sweet, mellow sound.

PWM IN jack allows pulse width modulation
The PWM provided on the MS-10 of the past is now possible on the MS-20. By cyclically modulating the pulse width of the VCO1 square wave, you can obtain a distinctively fat sound.

EG2 NORMAL OUT jack expands your sound-creating potential
In addition to the previous EG2 REV OUT, we've provided a normal EG2 OUT that varies in the range of 0V--+5V.

TRIG SW button lets you conveniently audition the sound
Even on this keyboardless unit, the trigger switch lets you smoothly audition the sound while you edit the parameters.

Numerous jacks have been added to the MS-20M, letting you connect it with any type of device.

All CV/GATE specifications are supported: Hz/V and V/Oct, S-Trig and V-Trig
From the time when it was originally produced, the CV standard used by the MS-20 was not the commonly used V/Oct standard, but rather the Hz/V standard that provided superior pitch stability. However, like the MS-50 of that time, the MS-20M Kit provides CV IN jacks for both the Hz/V standard and the V/Oct standard.

For the TRIG IN jack that receives gate signals, jacks are provided not only for the S-Trig standard as on the original MS-20, but also for the widely used V-Trig standard. The MS-20M Kit supports any sequencer or controller that's equipped with CV/GATE output.

Three JUNCTION jacks
Three sets of the junction jacks once provided by the MS-50 are also provided. Output signals from the SQ-1 step sequencer or similar device can be converted from a mini-phone plug to a 1/4" phone plug, or those signals can be distributed to multiple destinations for a variety of possibilities.

MIDI IN connector and USB connector
There's a MIDI IN connector that can receive note messages, and a USB-MIDI connector that can transmit and receive note messages. You can perform using a taktile or other MIDI keyboard, or perform sequences that you've recorded on your DAW.

And the general description for the archives:

"The evolution of the MS-20, delivering even more powerful synthesis.
A module that you assemble, with a step sequencer included.
The classic MS-20 analog synthesizer that appeared in 1978 has been reborn as a perfect reproduction of the original circuit, first in 2013 as the mini-sized MS-20 mini, and now in 2014 as the MS-20 Kit that you can assemble yourself.

The MS-20 Mini and the Kit were designed by the engineers who developed the original MS-20. At its introduction, the designers of the MS-20 wanted to create an interesting product quickly; the result was an enormous hit, but the designers felt there were actually a few things left undone. Now, after 37 years, the user-assembled MS-20M Kit has been completed.

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