Mutant Drums, System-1m, Mother 32 jam.

Published on Nov 14, 2017 The Mad Music Machine

"Caitlin finally let daddy have a play with the Mad Music Machine and he fed it notes from a well know Black Sabbath tune."

Horsham Piazza Italia 2018

Published on Mar 30, 2018 The Mad Music Machine

"We have been invited to take the Mad Music Machine to Horsham Piazza Italia - Caitlin is set up and ready to go!"

Mother-32, Mutant Drums, Sonic Pi and a simple 'White Stripes' sequence

The Mad Music Machine
Published on Aug 8, 2017

More: The Mad Music Machine

Happy Birthday Commodore Amiga!

The Amiga Demoscene Mixtape Vol. 1 - mixed by DJ Arvy (The Old-School Classics Edition)

Published on Jun 11, 2013 DJ Arvy

The Commodore Amiga turns 30 today! via Boing Boing

Playlist:

1. The Amiga Demoscene Mixtape Vol. 1 - mixed by DJ Arvy (The Old-School Classics Edition)
"A non-stop DJ Continous Mix featuring some of the greatest and most popular Soundtracks from the early 90s Old School Amiga Demos.

Playlist:
0:05 "Deep Space" by Greg (from "Odyssey" by Alcatraz, 1992)
0:45 "Stardust Memories" by Jester (from "World of Commodore" by Sanity, 1992)
4:15 "Part6" by Greg (from "Odyssey" by Alcatraz, 1992)
6:35 "Hyperbased" by Firefox & Tip (from "Enigma" by Phenomena, 1991)
11:19 "Checknobankh" by Laxity (from "Desert Dream" by Kefrens, 1993)
14:25 "Elysium" by Jester (from "Elysium" by Sanity, 1991)
17:50 "Vite and Plack" by Virgill (from "Interference" by Sanity, 1993)
21:41 "Part3" by Greg (from "Odyssey" by Alcatraz, 1992)
23:21 "Overload" by Firefox & Tip (from "Voyage" by Razor 1911, 1991)
29:30 "Nagual Dance" by Jugi (from "Paradigma" by Complex, 1993)
33:35 "Demomodul#3" by Laxity (from "Desert Dream" by Kefrens, 1993)
37:55 "Cyberride" by Jester (from "Extension" by Pygmy Projects, 1993)
42:16 "A nice Day for a Walk" by Julius / Mad Freak (from "3D Demo II" by Anarchy, 1992)

Free MP3-Download at soundcloud:
https://soundcloud.com/deejay-arvy/th..."

2. The Amiga Demoscene Mixtape Vol. 2 - mixed by DJ Arvy (Old Skool) ft. Mods by Moby, Laxity and more

CLICK FOR MORE »

E352 Morph + Detune Mode with Quadruple Theremin Jam

Published on Nov 3, 2018 The Mad Music Machine

"Here we test the latest E352 firmware which (among other things) adds a 'Morph + Detune' mode.

We detuned the 2nd output to be an octave higher than the first. One theremin modulated the E352 FM input, The second theremin modulated the 'Crush CV' on the Erica Synths Black Hole DPS2, theremins 3 & 4 were connected to the crossfade on the Morgasmatron to allow modulation between 'dry' and 'distorted' waveforms.

Caitlin then jammed using the Mother-32 sequencer and mixer to control the E352.

Other than the Mutant Bass Drum and Snare, all sounds in this video are from the E352"

E370 & E352 Jam

Published on Feb 25, 2018 The Mad Music Machine

"Caitlin's first full jam with the Synthesis Technology E370 & E352.

The E370 has oscillator one connected to the Roland System-1m which is being used as a filter. Oscillators 2 ,3 & 4 form chords outputted via the E370's onboard mixer.

The E352's 2 outputs are fed to the Mother-32's filer and envelope.

The Mother-32 (along with a Pico Seq) provide the sequencing. MATHS and the Quadra/Quad VCAs the envelopers.

We also use the Hexinverter drums triggered by the 4MS Rotating Clock divider."

Rebel Technology Introduces the Magus, Wizard, & Alchemist on Kickstarter

Magus Modular Synthesizer Toolkit 2018 Published on Apr 5, 2018

"Algorithms are modern day magic spells. Add magic to your music with the Magus, a patchable, programmable synthesizer toolkit."


Magus KickBox Demo Published on Apr 4, 2018 Rebel Technology

"KickBox is a groovebox patch running on the Magus synthesizer toolkit. It makes a beat with hats and a kick, and adds a virtual analogue subtractive synth voice with a killer 8-pole resonant low pass filter.

Realtime parameter tweaking and 24 analogue patch points give you complete creative control over how the sound is produced."


Wizard PolySub Demo Published on Apr 4, 2018 Rebel Technology

"PolySub is a polyphonic subtractive synth patch running on the Wizard. PolySub has 8 voices true polyphony with virtual analogue oscillators, waveshape and PWM morph, 8-pole resonant filter and ADSR envelopes.
In this demo it is sequenced with the CV and gate outputs of a Korg SQ-1 but it can also be played by connecting a MIDI device."


Alchemist Ping Pong Delay Demo Published on Apr 4, 2018 Rebel Technology

"Ping Pong Delay running on Alchemist, synchronised to the trigger output of a TR808 drum machine. The trigger keeps all the beats tight and allows the delay to bounce anything from 16th notes and triplets to full bars around the stereo space."

Check out the KickStarter here: https://www.kickstarter.com/projects/...

"The Magus, Wizard and Alchemist are all built on the Rebel Technology OpenWare firmware and can run the same patch programs as two of our existing products: the OWL Pedal and OWL Modular. This means that our entire library of more than 200 patch programs is ready to use right now!"

Magus Synthesizer Toolkit Prototype

"Algorithms are the magic potions and spells of the modern day. In electronic music, they make the wooshes, booms, squeals, screams and bops that might have us contemplate the universe, reach personal insight, or dance like mad for days on end. Join us on a journey to create ever more powerful algorithms, and to make them open and available to everyone. We already have a community of hundreds of talented synthesists sharing their work. Let's make it bigger, let's make it better, let's do it together!

The Magus is like having a compact modular synthesizer without being limited by the modules you've got in it.

Unlike traditional synthesizers, the Magus doesn't confine itself to a fixed function or paradigm. Whether you want granular, additive, FM, subtractive, spectral, chaotic or stochastic synthesis, Magus gives you the freedom to pick the right algorithm for the job and then lets you loose to patch up a storm.

Enjoy the creative power of a hardware synthesizer with the flexibility of audio plugins.

If our existing library of algorithms doesn't do it for you, you can even create your own, for truly unbounded creative freedom. And you can use any one of more than two hundred patches from our library as a starting point. Patches can be authored in Max Gen, Pure data, FAUST or C++, giving you an impressive range of powerful musical programming tools to choose from."

Wizard Minisynth Prototype

"The Magus' little brother is the Wizard. It runs the same patches and is also patchable as well as programmable. This means that you can change the signal flow on the fly and connect it to other kit. It is incredibly compact but still sports five assignable control knobs and four buttons, and a total of six patch points. Like the Magus it has both USB MIDI device and host connections so that you can plug your favourite controller straight in - be it keyboard, drum pads, sequencer, grid, or multidimensional controller. It makes an excellent stand-alone synth or effects unit and has huge integration capabilities."

Alchemist Microsynth Prototype

"The Alchemist is the baby of the family, but it packs a powerful punch. With four knobs, two trigger buttons, one mode button and trigger and CV inputs it amazingly still fits in your hand.

All three devices have a USB socket and can be powered by USB or by an external DC supply."

New Metasonix D-2000 Drum Machine

"This is the raw unprocessed output of a D-2000 being sequenced by a Delptronics Triggerman. First bass, then adding other drums, then cymbals, then changing to different rates and sequences. Yes, this is exactly what it sounds like. No, there are no effects or EQ added."

This one in via brian comnes.

Details via Metasonix:

"NOTE: the D-2000 will be exclusively sold only by Big City Music for the first year of availability. Please contact them to order.

It will blow your ass off. The D-2000 is an all-new design, based on our previous drum-sound simulation circuits. Unlike the previous D-1000, everything in the D-2000 has been tweaked and maximized and pushed. It is NOT intended for fast-and-dirty bland, conventional backing tracks, it is for the mad experimenter and the risk-taker and the experienced studio musician who wants extreme analog.

Each of the three tunable drums ("PITCHED DRUM") is made from a vacuum tube ringing bandpass filter, and can be tuned to sound from below 20 Hz to over 2 kHz using a "vactrol" photoresistor. They are also tunable with external control voltages (varying 0-5v), allowing complex patterns to be built up with external CV or pulse sources. Resonance of each PITCHED DRUM circuit is set by front-panel controls. Each circuit also has a "Drive" control, allowing the pulse input to be varied from complete shutoff (silence) to full sounding to overdrive. The PITCHED DRUMs are very similar to the R-54 module.

The two "cymbal" sound channels ("GATED NOISE") are based on an extremely primitive circuit, with white noise gated by a pentode tube. The "cymbal" attack and decay are knob-variable and the decay time is also CV variable, controlled by a slow-response "vactrol" photoresistor. Each GATED NOISE channel also has a treble rolloff tone control.

A "Link" switch connects the trigger inputs of the second GATED NOISE and first PITCHED DRUM channels, so they sound together. This allows simulation of a "snare" drum, if you can call it that.

Recessed buttons may be used to manually trigger each channel, in parallel with any trigger input pulses.

All five channel outputs mix to a single tube preamp that allows for severe overdriving via the mix-level controls. The preamp has an optional CV input that can be used to mute the output if desired (it must vary from -2v or less to totally mute the output to +5v or more for full volume). The distortion is either mild or brutal.

Because there are now far better trigger sequencers available on the modular-synth market than we can make, we chose to equip this rackmount device with no sequencer. Instead there is an 8HP space for a Eurorack sequencer or trigger generator. A power cable provides +12v and -5v and should power any trigger or gate generator that will fit in 8HP (most only need +12v power). We recommend either the Delptronics Triggerman or the ALM Pamela's Workout, both have been tested and are known to work very well. Trigger sequencers and generators from other modular synth equipment may also be used. The D-2000 trigger inputs will accept any pulse source: 0 to +5v, 0 to +10v, 0 to +15v, it doesn't matter. You can also run strong audio signals into the trigger inputs, they will mix with the noise in the GATED NOISE channels and convert the PITCHED DRUM channels into tunable bandpass filters. Try that with a digital sampled drumbox.

Ample inputs and outputs: mix output (with overdriveable tube preamp), separate outputs for each drum sound channel, external trigger inputs for each drum sound channel, and CV inputs for each drum sound channel. Use any pulse generator to drive the trigger inputs. Very short pulses are recommended for the pitched-drum triggers, and longer pulses for the cymbal triggers. The Triggerman and the Pamela's Workout are both capable of producing different pulse lengths on their separate outputs. They have very different user interfaces, so choose the one you prefer.

It's rude and immoral. It's not completely dead-silent and distortionless, and cannot be made so. No, it does not sound like a TR-606. The owner's manual is full of warnings for the idiots who often purchase our products, and claim they're "broken" when they're working perfectly. If you're one of those idiots, buy a nice Machinedrum or something and go away. We do not want you as a customer. Our products are for people with guts and raw talent in reserve, not for bar bands and chronic masturbators.

Specifications: Inputs and outputs 1/8" jacks, except main mix output on 1/4" jack. 3U high rackmount enclosure, protrudes behind panel less than 1.5" (not including Euro sequencer if one is installed) and tubes protrude above panel less than 1.75", weight (minus AC adapter) approx 5 lbs (3.7 kg). Power: 12 volts DC only, 2 amps. Power inlet: 2.1mm or 2.5mm coaxial jack. The D-2000 includes a "universal" AC-DC switching power supply accepting 100v to 240v mains, that may be used anywhere on earth, provided the correct AC power plug is attached (we can only supply North American power cords, adapters are available anyplace where travel supplies are sold). Tubes used: 2 x 6CB6/6CF6, 3 x 5U8 or 5GH8, 1 x 3AU6."

Double Disting Theremin Jam!

Published on Sep 6, 2018 The Mad Music Machine

"This one's a bit experimental! We use the CV and gates of the Theremins to control E352 and E370 audio envelopes connected to the inputs of the Distings. The Theremin CVs also control the feedback to the B4 algorithm which is configured to output only the delayed signal.

We are planning to build another of these 'Double Disiting Theremin Instruments' to allow groups of children to jam together at our events.

Caitlin has had some great fun jamming with this and along the way has invented the 'crossed- theremin' technique :)"

---
Xymox's "A Day" meets Kraftwerk at 1:54.

Caitlin creates wavetables for the E352 using data recorded on the ISS

Published on Jan 14, 2018 The Mad Music Machine

"The Code Club that Caitlin attends has entered the Astro Pi competition. As part of their research we have been looking at historic data collected on board the ISS. Here Caitlin explains how she extracted cyclic data from it and used it to create wavetables for the E352 Cloud Terrarium.

Once she had created the .wav file she imported into the Synthesis Technology Waveedit program to create the wavetables (see one of her previews videos for details on how to use this program).

She then explains how she modulates the wavetables with MATHS before having a quick jam with her newly created wavetables!"

Upcoming Event: Cables of Love - A Live Modular Party

This is in via Todd Barton.

Full details via https://www.residentadvisor.net...

"This is a 100% modular synthesizer party.
All live sets.

Cables of Love

From subtle minimal and classic Techno, House & Acid, roaring noise and gently massaging subs to laser light shows & live visual projections of sound, Cables Of Love with the Humboldthain bring together a diverse range of local, pan-European and international talent for an extravaganza of ear-pleasing and booty shaking pleasure.

2 Stagess: 1 for Techno / House / Acid Party Dancing, 1 for Experimental, lots of live acts with their various Modular and DIY Synths.

Further additions to the Line Up TBA in due time but for now, here's some of the acts and their bios can be found below:

Laser Bros (AT/CZ)
Laser Bros creates a synesthetic experience of beauty by connecting 2D-laser projections and body shaking electric sound waves generated in real time by an analog modular synthesizer. Changing the visual will modify the audible and vice versa.
Laser Bros is a collaboration of Bernhard Rasinger (a.k.a. BR Laser) and Václav Peloušek (a synthesizer inventor at Bastl Instruments).

http://www.br-laser.com/

CLICK FOR MORE »

Theremin & Disting triggered E352 & E370 Bongos and Chords

Published on Aug 22, 2018 The Mad Music Machine

"Caitlin uses the Doepfer Theremin (via the Expert Sleepers Disting) to trigger the E352 and E370 to produce 'Bongo' sounds and Chords.

She ends with a little jam on the Roland System-1m.

The Moog Mother-32 & Hexinverter Mutant Drums help with the rhythms.

Bitwig Studio provides the sequencing via the Sixty Four Pixels Banana Split"

Synthesis Technology e370 Chord Mode

Published on Feb 17, 2018 The Mad Music Machine

"A quick experiment with the Synthesis Technology e370 Chord Mode.

The only sound source is the e370 with one oscillator playing a simple bass line, and the remaining oscillators forming Major chords.

We are using our Moog Mother-32 (as a clock only), two Erica Synth Pico Sequencers, the Roland System-1m (as a filter only). Since our last video we have also added an Intellijel Quadra and a Quad VCA to partner the e370.

We next plan to step through the chord table to form progressions using different chord types (rather than just sticking to the Major Chords as we have done here)."

RS042 M-Audio Venom: The Bad Guy

video upload by rejected synths

"It one of storytelling's oldest tricks, the bad guy that turn out to be the good guy. From Dickens’ Ebeneezer Scrooge to Jane Austen‘s Mr Darcy, from J.K Rowling‘s Snape to (who ever came up with him!?) Jonny Lawrence from Corbra Kai, the tough guys aren‘t as tough in the end and often the bad reputation they carry isn‘t really their own fault.

So, will a synth that is both notorious for being little more than a dub step noise machine and a cheaply built and quickly abandoned piece of glossy white plastic actually turn out to be the hero of the story?

It very much depends on who tells the story here, as M-Audio‘s Venom clearly has it‘s strengths if you can overlook the questionable design decisions made during it‘s inception. Like the hard to read grey on grey lettering or the fact that M-Audio thinks it totally ok for a stand alone hardware synth to heavily rely on a software editor that requires a PCor Mac to be able to utilize most of its extensive set synth engine features. Even the Virtual Analog Synthesizer claim that is prominently featured on the synth itself, it a bit of a hoax, as the Venom basically is just a souped up Rompler running on Amtel‘s Dream series ICs that were also found in PC sound cards and Karaoke Machines in the late 90s and early 2000s.

If you ignore these shortcomings and manage to get the editor running, you might be surprised of what the Venom can actually do. Apart from all the obvious dirty and distorted stuff, a lot can be achieved with the synth engine. Also as it was designed as an all in one solution for music beginners, you can even use it to record and process other instruments and even your own voice (vocoder anyone?).

Last but not least, the Venom might be pretty much the only synth whose price tag doesn‘t seem to have skyrocketed during the pandemic, here in Europe, you can still regularity find one for around 100€!

Curious? Then go ahead and press play!"

0:00 Intro
0:46 Introduction
1:29 The ugly parts
2:10 The bad parts
3:12 The good parts
4:35 Controls and connectivity
6:07 'Sick and Nasty' Patches
8:40 'Mad FX' Patches
9:29 'Whirling Pad' Patches
13:19 'Clean Keys' Patches
14:54 'Stained Keys' Patches
18:12 'Amazing Arp' Patches
20:46 'Traditional' Patch
21:13 Some Drumkits
22:39 Multi Mode Demo
25:31 Conclusion
26:10 Outro

RS042.1 M-Audio Venom: 'No Talking Edition'


"This is a shorter 'No Talking' edit of my video about the M-Audio Venom for those who prefer 'pure' demos without comments."

Using the External input of the Mutant Clap to generate another 'guitar' voice.

Published on Dec 3, 2017 The Mad Music Machine

"We fed the MIDI of Status Quo's 'Caroline' to the Mother-32 and our Roland System-1m, but wanted to have Quo's 'dual' guitar sound - so we took the output of the Mother-32s filter and fed it in to the Mutant Clap and triggered it on 1/8th notes and generated a very crude version on Rick Parfitt :)"

We shortened the note lengths on our Sonic Pi random music algorithm.

Published on Aug 26, 2017 The Mad Music Machine

"We tweaked our random music algorithm and left Sonic Pi and the Mother-32 playing together.."

See the Sonic Pi label below for more.

Experimenting with the O'Tool Plus Oscilloscope Module

Published on Sep 21, 2017 The Mad Music Machine

"Caitlin has been learning about sound waves at school so we added an oscilloscope module to help her understand sound design.

Here we compare the triangle and sawtooth waves on the Mother-32 with the sine wave on the System-1m.

We then use the cutoff on the Mother-32 to approximate a sine wave."

Synth Kid Caitlin back with TONTO

Published on Aug 1, 2019 The Mad Music Machine

"Caitlin was invited to a special backstage tour at the National Music Centre in Calgary.

This included the chance to try out some unique and historic instruments, the highlight for her was undoubtedly creating and playing a simple patch on TONTO."

You can find previous posts featuring Caitlin here. See the label below for more posts featuring TONTO.

Rob Papen Explorer-5 Introduction

Published on Oct 16, 2018 Rob Papen
Update: New Video Published on Jun 20, 2019

"This inspirational bundle holds 20 RP products if you include the amazing Prisma! which you can request after registering your bundle.

Go2: The power of limitations.
RAW-Kick: Edgy Kicks for comtemporary music.
MasterMagic: Adds a touch of magic for your Mix or Master.
SubBoomBass 2: Ultimate bass synthesizer.
Predator 2: The Synth that hunts your tracks!
BLUE-II: Cross-fusion synthesis at its finest.
RG: Electric and acoustic guitar grooves.
RP-Verb 2: Most intriguing in RP-VERB 2 – alongside the to a great sound – is the new ‘Reverser’ section!
RP-EQ: Silky smooth sounding channel and mastering EQ.
Blade: The cutting edge of today's synthesizers!
Punch: Speaker busting and body rattling drum machine.
Punch-BD: Based around the BD module of the multi award winning Punch virtual drum synth,
RP-Delay: Delay insanity. Reverser, 6 lines, 8 filters, 4 LFOs and more.
RP-Distort: Wicked FX unit that will distort or alter your tracks.
RP-Amod: Spice up your vocal track, liven an instrument and even beef up your drums.
RAW: Cutting edge EDM synthesizer with the focus on 'distorted sounds'
SubBoomBass: Ultra-deep groove bass synth with built-in step sequencer.
Predator: Phat analogue style synth with killer presets and first class features.
PredatorFX: Filter, modulation, vocoder and effects plug-in.
Prisma: Get creative using Rob Papen's take on instrument layering."

Update: and the press release:

"ECHT, THE NETHERLANDS: virtual instrument and effect plug-in developer Rob Papen Inspiration Soundware is proud to announce availability of eXplorer 5 — furthering the creative scope of its inspirational plug-in bundle by adding Go2, MasterMagic, and RAW-Kick to the all-encompassing musical mix — as of October 16…

Now numbering no fewer than 20 highly-versatile virtual instruments and extraordinary effects, eXplorer 5 pushes Rob Papen’s plug-in bundle beyond belief by including three new additions that more than live up to its Inspiration Soundware slogan.

MasterMagic is an aptly-named effect plug-in with which to improve mixes or final masters alike. Anyone placing MasterMagic at the very end of their virtual master effects chain can easily experience how much it can help improve their tracks. The MONO/STEREO SPLIT FILTER section will make the low end much tighter while the AIR function — even applied at a liberal level — is sheer magic. Make no mistake: there’s no mystery about this magical musical tool!

The name maybe gives the game away, as RAW-Kick represents Rob Papen’s cutting-edge kick drum-creation tool! The perfect weapon of choice for those hard-sounding electronic dance music styles — such as Hardcore, Hardstyle (mixing influences from Techno and Hardcore), and Industrial — and also EDM and House. Here RAW-Kick creatively enables the use of three layers, each of which can be either modelled or sample-based at source. Rob Papen being Rob Papen, RAW-Kick has some refreshingly resourceful features with which to create unique-sounding kicks up its virtual sleeve! Still better, RAW-Kick comes complete with a varied selection of original presets from a long list of respected DnB, Hardcore, and Hardstyle producers, including Caine, DJ Mad Dog, DJ Promo, Orphidian, Sinister Souls, Tha Playah, The Outside Agency, and Wavolizer, to name but a notable few.

Finally, Go2 is an appropriately-named, go-to synthesizer, set apart from its award-winning software siblings by virtue of all its controls and features always being in plain sight and always available to access onscreen, so simplifying usage for the average user. Ultimately, though, this is far from being a simple-sounding virtual instrument. Its Morph feature and XY section serve to make for a powerful software synthesizer, one with which users — average or otherwise — can create unique sounds speedily and easily! End game? Go2 surely shows that there is power to be had in the ‘less is more' maxim... and all without sacrificing audio quality!

Quality, of course, shines brightly through all 20 of eXplorer 5’s highly-versatile virtual instruments and extraordinary effects. Established Rob Papen classics such as Blade (quite literally a cutting-edge software synthesizer), BLUE-II (self-styled ‘Crossfusion Synthesis’), Predator2 (software synthesizer to die for), Punch (speaker-busting, body-rattling virtual drum synth), Punch-BD (Punch- based bass drum module), RAW (software synthesizer specialising in ‘distorted’ sounds specifically suited to EDM and beyond), RG (unique electric and acoustic guitar groove virtual instrument), and SubBoomBass 2 (groove bass software synthesizer) — not forgetting an array of effects, including RP-AMOD (uses modulators to alter audio in different ways), RP-Delay (six delay lines, eight filters, four LFOs, a reverser, and more), RP-Distort (designed to destroy, distort, or more subtly alter any audio), RP-EQ (silky smooth- sounding channel and mastering EQ), and RP-VERB 2 (advanced, transparent, and musical-sounding algorithmic reverb) — sit comfortably and creatively alongside those three additions to collectively push Rob Papen’s prized plug-in bundle beyond belief.

But hearing is believing; best put this way, eXplorer 5 is the all-encompassing best that you can get from Rob Papen — all the more so since it also includes PRISMA, easily enabling users to layer multiple Rob Papen virtual instruments into a creatively stacked sound like no other!


eXplorer 5 can be purchased in a boxed edition — featuring 20 AAX (32-/64-bit), AU (32-/64-bit), VST (32-/64-bit) compatible audio software plug-ins for Mac OS X (10.6 or higher) and Windows (Vista, 7, 8, and 10) — from authorised Rob Papen dealers worldwide or as a download directly from Rob Papen for €499.00 EUR/$499.00 USD from here: http://www.robpapen.com/eXplorer5-buy.html

Several options to upgrade to eXplorer 5 are also available, attractively priced as follows: €299.00 EUR/$299.00 USD (available to owners of one purchased Rob Papen product); €199.00 EUR/$199.00 USD (available to owners of two purchased Rob Papen products); €149.00 EUR/ $149.00 USD (available to owners of three purchased Rob Papen products); €99.00 EUR/$99.00 USD (available to owners of eXplorer4); €49.00 EUR/$49.00 USD (available to owners of eXplorer4 + Go2); and €149.00 EUR/$149.00 USD (available to owners of eXplorer III)."

Caitlin's explains her team's Astro Pi Code and jams with waveforms created from historic ISS data.

Published on Jan 28, 2018 The Mad Music Machine

"Team STEAMCademy's Astro Pi code is almost complete and here Caitlin demonstrates how it will (hopefully!) be used to collect data on board the International Space Station.

In a previous video she demonstrated how she can use the data to generate waveforms using the Synthesis Technology Waveedit program, and if successful in the Astro Pi competition she will use it to generate wavetables from this code.

Caitlin then has a quick jam with the Moog Mother-32, Roland System-1m and the e352 Cloud Terrarium using wavetables she has previously generated from historic ISS data."