iConnectivity Introduces PlayAUDIO1U Revolutionary Audio and MIDI Interface

video upload by iConnectivity

"iConnectivity's PlayAUDIO1U is designed to support live performances at the professional level. It is a deeply-thought-out, bulletproof, fail-proof, and made-to-tour interface that provides pristine audio output as well as comprehensive MIDI connectivity to your whole stage. It’s perfect for control and playback of backing tracks, virtual instruments, or almost anything else you can think of that requires computers in a live environment."

Press Release follows:

Calgary, Alberta, September 12, 2023 – iConnectivity announced PlayAUDIO1U, a revolutionary audio and MIDI interface designed specifically for live musicians. PlayAUDIO1U builds on iConnectivity’s reputation for developing bullet-proof, fail-proof solutions for live music performance. Much like its direct predecessor PlayAUDIO12, PlayAUDIO1U integrates numerous redundancy fail-safes for control and playback of backing tracks, virtual instruments, and MIDI devices.

Imagine never having to worry about your computer playback failing, ever again. Imagine an interface where not just the big things, but even all of the little things that are important to your performance were thought of… Things like seamless failover protection of audio and MIDI, XLR outs you can just plug into without direct boxes, control ports that allow you to control all of your connected computers and other hardware, onboard power that works in any part of the world with standard IEC connection, and it all fits in a tiny 1U rack! Imagine no longer…

PlayAUDIO1U by iConnectivity is here!

PlayAUDIO1U allows every working musician access to an easy, seamless, simple & straightforward failover solution.

PlayAUDIO1U fuses iConnectivity’s vast engineering knowledge of the live arena, passion for performance, and decades of experience into one product. PlayAUDIO1U ensures working musicians never suffer the embarrassment of a silent show, ever again.

PlayAUDIO1U’s secret in part is integrating two computers connected directly to the interface, forming an incredible redundancy / failover protection system. Should your main computer fail, PlayAUDIO1U switches to the backup computer in a heartbeat; so fast that you and your audience won’t even notice. Backing tracks keep playing in time and your MIDI gear stays connected. It does this all in a package that is completely designed from the ground up made-to-tour.

PlayAUDIO1U also ships with iConnectivity’s new and improved Auracle 2.0. Auracle 2.0 is fast, flexible and intelligent, allowing performers to create a sophisticated live integration of all audio and MIDI connections, inputs and outputs; Auracle lets you do it in minutes, not hours. 'PlayAUDIO1U builds on everything we learned in creating and then supporting users of our PlayAUDIO12, an interface that quickly became the industry standard,” says Al Joelson, VP of Sales and Marketing. 'This interface is designed to be an even more ready-to-gig, comprehensive solution. It’s a crazy powerhouse of audio and MIDI capability for live performance.

Key Features:

12 Balanced panel reinforced XLR outputs
Integrated +48v phantom power protection on outputs protects your interface from accidental damage when plugging directly into consoles or stage boxes
1x 1/4” TRS stereo headphone output with dedicated control for convenient headphone monitoring
2x USB C type ports for connecting computing devices
Automatic and manual computer switching modes, for lightning-fast switching between connected computers
2x two-button “Control” footswitch selectable input/outputs can be mapped to MIDI functions, control over numerous functions on the interface and/or sending control messages to compatible devices
Audio Protection helps stop unwanted noise from corrupt audio sources/files from making it into the audience
USB MIDI host port, offering up to 8 ports worth of USB MIDI for Class Compliant controllers and/or modules
DIN-MIDI port built-in (1 in 1 out)
Ethernet MIDI with 22 ports of connectivity for rugged long-distance MIDI connections
Auracle 2.0 software enables you to tailor the PlayAUDIO1U’s settings to your exact needs
“MIDI learn” from external MIDI devices to control key functions on the interface
High-resolution audio - Studio sound quality for the live arena - up to 24-bit/96kHz AD/DA conversion
Comprehensive audio mixing and routing between connected USB computing devices and analog outputs
Easy-to-use capacitive touch control and 2 rotary encoders provide software-less control over PlayAUDIO1U’s key features from the front panel
OLED screen for instantaneous status information and precise control
100-240v switching power built-in with Industry-Standard IEC Power Connection
1U ready-to-tour rack-mountable chassis


PlayAUDIO1U™ US MSRP $1399.99 Estimated street price $1199.99, and will be available for pre-order immediately and shipping immediately from www.iConnectivity.com and iConnectivity resellers worldwide. Full product information can be found at iConnectivity.com/playaudio1u

NAMM: iConnectivity Unveils iConnectMIDI

Winter NAMM 2011: iConnectivity Unveils iConnectMIDI, a sophisticated MIDI Interface that integrates computers and MIDI devices like keyboards, drum pads, and synthesizers with the iPad, iPhone, and iPod touch products.
Calgary, Alberta, Canada - January 13, 2011- iConnectivity, a leading innovator of modern MIDI interfaces, introduces the first professional grade, high-speed MIDI interface designed specifically to have plug and play capability between any MIDI controller type device while connected to iPad, iPhone, and iPod touch iOS devices using CoreMIDI.

iConnectMidi users will be able to take advantage of a myriad of music apps that enable a user to play, record, and jam. Simply plug in iConnectMIDI into the iOS device like an iPad, iPhone, and iPod touch. You can use this versatile connectivity device with your personal computer in the loop and run your favorite MIDI program there.

'We believe the success of the control surface in the iPad and iPod will create a new generation of music makers. We wanted to be the first to open the door to the other wise closed system to get your music out of the iPad. Both beginners and professionals will be at ease with the complete plug and play strategy and the negligible latency.” says iConnectivity CEO Michael Loh. Further, Mr. Loh states, “In opening up the platforms of MIDI and iPads and computers though one device, we want to engage developers to think even more broadly about what their applications can do in the future, the exponentially growing number of music apps is exciting. That being said we had some requests to add lighting control so opened the door for DMX lighting control with the use of small accessory dongle. All of this and more is possible because we are in full support of the new CoreMIDI framework introduced in iOS 4.2.'

Connectivity
2 x mini-USB Device Ports Supports iPad, iPhone or iPod touch Supports computers with Mac OS X or Windows XP or greater
2 x 2 MIDI DIN Ports
Standard MIDI DIN at 31250 bits per second 2 In ports 2 Out ports
1 x USB Host Port
Standard Full Speed USB Type A Host port Hub capable - supports up to 8 devices
Supports USB MIDI Class compliant devices

Power Connector
5 V DC, 1A

Performance / Features
Compliant to iOS 4.2 CoreMIDI framework - compatible with any CoreMIDI application Handles tens of thousands MIDI events each second Capable of extremely low latency MIDI data routing and management Fully configurable MIDI routing engine
Standalone operation, capable of bridging between MIDI devices including DIN and USB Configurable MIDI data filtering on either In or Out ports Non-volatile configuration storage

Supported iOS Devices
iPad WiFi, iPad 3G iPhone 3Gs, iPhone 4 iPod touch 3G, iPod touch 4G

Dimensions
Width: 11.0 cm (4.3 inches) Depth: 7.0 cm (2.75 inches) Height: 3.5 cm (1.4 inches) Weight: 320 grams (0.7 lbs)
Durable Construction
Rugged steel body Black powder coat finish

ABOUT
iConnectivity is a Calgary, Alberta, Canada based design and manufacturer of consumer electronics. iConnectivity introduces iConnectMIDI, the high performance way to connect your iOS device (iPad, iPhone and iPod touch) to digital musical instruments. Professional and amateur musicians with iConnectMIDI and an iOS device can load up an app and start jamming. Enhance your creativity with this state of the art music interface for computers, MIDI Keyboards, guitar controllers, drums, control surfaces and iOS. Now, they can all play together.
For more information about our services or products, visit www.iConnectivity.com or email info@iConnectivity.com"

iPad prices on eBay

Update:

NAMM 2013: iConnectivity Announces iConnectMIDI4+

"Hybrid networkable multi-host MIDI interface with audio support

Anaheim, CA., Winter NAMM Show, Booth 1774, January 24, 2013 – iConnectivity, developer of innovative interfaces for musicians, unveiled iConnectMIDI4+, their flagship next generation MIDI interface for MAC, PC, and iOS.

iConnectMIDI4+ is a multi-host MIDI interface for Mac, PC, and iOS that bridges MIDI and audio between multiple computing devices, instruments, and the network by introducing four new technologies into its design.

The first of these technologies is multi-hosting. iConnectMIDI4+’s multi-hosting capability allows for up to 3 computing devices to share the same interface as well as access and share MIDI resources over its 4 pairs of MIDI DINs and its 60 additional user configurable ports.

As a part of its multi-hosting capabilities iConnectMIDI4+ also features audio pass-through. This technology enables multiple computing devices (Mac, PC, and iOS) to not only pass MIDI data but also act as an audio interface between them, seamlessly bridging each computing device into each other’s audio and MIDI environments.

iConnectMIDI4+ also accommodates for USB MIDI devices such as controllers, synthesizers, drum machines, etc. that have USB ports by including a USB host port that supports, via powered hub, up to 8 USB MIDI synths, drum machines, controllers, etc.

Furthering its connectivity iConnectMIDI4+ also has an Ethernet port. Users can connect iConnectMIDI4+ to a wireless router, Ethernet hub/router, or any Ethernet enabled device via its dedicated Ethernet port. It is network discoverable, allowing for musicians to control any of the devices connected to iConnectMIDI4+ over a network connection via MIDI.

Controlling its expanded connectivity iConnectMIDI4+ includes iConnectivity’s Port Manager software for Mac, PC, and iOS allowing the user complete control over how MIDI is routed, remapped and filtered to and from all devices connected to it, eliminating the need for additional interfaces, extra cables, signal degradation, analog to digital conversion, and added complexity.
iConnectMIDI4+ Features:

· 4 In & 4 Out pairs of MIDI DIN Connectivity

· Connect 8 additional MIDI devices via USB Host Port + Powered USB Hub

· Over 64 user configurable ports of 16 Channels of MIDI per port

· Audio Pass-Through Between Up to 3 Computing Devices

· Multi-Host Capability - Connect 3 Computing Devices Directly & More via Network

· Network Connectivity

· Integrated MIDI Manager With Snapshot Preset Storage - For MIDI Thru, MIDI Merge, Filtering, and Advanced Routing Control

· Supports MAC, PC, and iOS Computing Devices

· USB MIDI Class Compliant

· Plug and Play - No Drivers Needed

· Charge iOS Devices

The features of iConnectMIDI4+ are patent pending.

iConnectMIDI4+ will be available for purchase in Late Q1 or Early Q2 2013 with an expected MSRP of $249.99 and street price of $199.99 from iConnectivity.com and iConnectivity resellers world wide. For more information please visit www.iConnectivity.com"

iConnectivity Releases iConfig for AUDIO for iPad

iTunes: iConfig for AUDIO - iConnectivity

"iConnectivity iConfig for AUDIO is a companion app to iConnectivity's audio interfaces. iConnectivity iConfig for AUDIO provides access to the highly flexible MIDI and AUDIO features of the iConnectivity Audio interfaces connected to your system.

Note: There is a known issue with iPad Air2 which is being investigated. Unfortunately the app will not function properly with iPad Air2."

Previously you had to use your PC to configure the iConnectAUDIO4+.

CLICK FOR MORE »

iConnectivity Announces iConnectAUDIO2+:

Published on Jan 20, 2016 iConnectivity

Note a synth, but I'm using the original iConnectAUDIO4+ and love it. Their audio and MIDI routing can't be beat.

"iConnectAUDIO2+ by iConnectivity puts flexible audio and MIDI connectivity for the stage, studio, and club into a portable, bus-powered package. Its versatile features and configuration make it ideal for musicians, DJs, and producers.

iConnectAUDIO2+ will be on display at Booth #6806, Hall A at the 2016 NAMM Show in Anaheim, CA, from January 21-24, 2016.

For more information visit: http://bit.ly/iCA2Plus"

"Ultra-Versatile 2-in 6-out Audio & MIDI Interface for Musicians & DJs

In the studio, on stage, or on the go, iConnectAUDIO2+ lets your music go wherever it takes you.

2 high-quality combination mic/line/instrument inputs assure that every nuance of your musical creations is captured faithfully.

3 pairs of independent stereo outputs are perfect for DJ and electronic music applications.

Configurable audio paths let you route, combine, and monitor signals the way you need.

Advanced MIDI connectivity, routing, and management solve the connection challenges between you, your MIDI gear, and computing devices.

Full compatibility with Mac, PC and iOS devices, and the ability to pass audio and MIDI from one to another unleashes new solutions for your creative process.

With its powerful features and affordable price, iConnectAUDIO2+ is unbeatable."

Update:

NAMM2016: iConnectivity iConnect 2+ Audio Interface

Published on Jan 21, 2016 sonicstate

"NAMM2016: iConnectivity iConnect 2+ Audio Interface New USB audio interface from iConnectivity"

iConnectivity Introduces mioXC - Worlds First USB C MIDI Interface

via iConnectivity

"We're proud to bring you our latest MIDI interface, the mioXC. mioXC is the world's first USB Type-C MIDI interface.

We designed mioXC around the latest connectivity standards demanded by modern musicians; all in a pocket-sized, super affordable package.

A Pocket Powerhouse
Tiny in size and price, yet big on connectivity, mioXC is a pocket-sized powerhouse!

mioXC is a fuss-free and simple 1 in 1 out, 16 channel USB-MIDI interface you can use to connect your MIDI compatible gear.

Whether you have a controller keyboard, synthesizer, drum machine or whatever; mioXC lets you connect them to your Mac, PC, iOS, or Android computing device.

What Makes mioXC Unique?

Even the most basic tasks need to be done right; it’s surprising how many of our competitors interfaces get it wrong. We engineered mioXC, from the ground up to, to be the interface we’d want to use ourselves.

Modern USB Connectivity - Equipped with both USB Type-C and USB Type-A connectivity, mioXC lets you enjoy easy connectivity with most modern computing devices.

Driver Compatibility - Interfaces that use their own drivers have to be updated all the time, or they stop working properly. Likewise some designs were USB Class-Compliant years ago, but today they aren't anymore. We engineer our drivers to today's strict guidelines, and keep them updated, to ensure compatibility for years to come.

MIDI Management - Our interfaces deliver MIDI reliably no matter what. When the MIDI data-stream gets heavy, our interfaces plough on where other interfaces choke.

Rock-Solid Electrical Design - Some MIDI interfaces introduce noise, or worse, crash your system. You’ll never get that from an iConnectivity interface.

Performance Optimized - A MIDI interface that works too slowly is useless. mioXC uses a powerful 32-bit ARM Cortex processor, ensuring dense MIDI and SysEx streams are managed with ease.

The iConnectivity Advantage: iConnectivity’s name on your interface means we took the time to do it right, whether it's our simple 1 x 1 models to our uniquely sophisticated high-end interfaces."

https://www.iconnectivity.com/mioxc

New iConnectivity mio™ Advanced MIDI Interfaces

via iConnectivity

"Give your MIDI a big upgrade!

New line of ultra-versatile MIDI problem solvers offering support for 0 to 2 computers simultaneously, plus built-in MIDI merging, filtering, remapping, and routing

The mio™ Advanced MIDI interfaces are here! It’s a new line of MIDI problem-solvers from iConnectivity. Just plug in to connect and collaborate, in the studio or on stage. These are reinvented MIDI interfaces that work standalone or with up to six Macs/PCs at the same time.

They all feature built-in MIDI merging, filtering, remapping, and routing functions so you don’t need extra hardware units. mio10 has 10x10 5-pin MIDI, the mio4 has 4x4, and both support everything: USB MIDI, Ethernet MIDI, and more.

The affordable mio2 (2x2 5-pin MIDI) supports two Macs/PCs at the same time.

iConnectivity now has a comprehensive line of innovative MIDI and audio interfaces to handle modern setups of all sizes.

The mio™ line handles everything from essential up to extreme MIDI setups, in the studio and on stage. They're all USB MIDI Class-Compliant, so they plug-'n-play - no drivers become outdated, and other musicians only have to plug in to collaborate.

Famed musician/sound designer/MIDI wizard Richard Devine has been working with a pre-production unit: "iConnectivity's new mio10 is the dream MIDI system I've been waiting for! Its routing system is very flexible, and it's a breeze to use. Absolute class all the way. The Rolls Royce of MIDI interfaces!"

CLICK FOR MORE »

How to Setup iConnectivity's iConnectAUDIO4+ with an iPad as a Looper

I recently picked up an iConnectivity iConnectAUDIO4+ as an all-in-one audio and MIDI interface for my iPad in the studio. It was initially a bit tricky setting it up for my specific needs, so I thought a post might help others looking to do the same or similar. I had four primary goals:

1. I wanted to be able to use the interface in stand-alone mode without the need to hook up an iPad or computer.

2. I wanted a good audio interface for the iPad in the studio for playing synths on it.

3. I wanted to use the iPad as a dedicated looper running Loopy HD (and the option to use the iPad as an effects processor for my external hardware synths).

4. I wanted a solid MIDI interface for the iPad so I could control and sync apps with external gear.

All of this was possible separately with my Line 6 Sonic Port and a MIDI USB cable, but I got tired of swapping things out and I decided to dedicate the Sonic Port for video capture only. I wanted an all-in-one solution that allowed me to configure things once, and just have it work for most scenarios I might need in the studio. Size was also a consideration. You can see my Moog Minitaur sitting on top of the iConnectAUDIO4+. It's a perfect fit!

The iConnectAUDIO4+ is an extremely flexible device, but with that flexibility comes a bit of complexity. The device is pre-configured out of the box to work with a DAW setup, and to even get audio out of the box you have to have a DAW or USB device like the iPad connected to route the audio out. You also need to adjust audio levels on the device itself which can be a little tricky. See the using the touch panel tutorial here.

Here's how I wanted things configured (you can find my adjusted template/s here but be sure to back yours up first!):

1. Main mixer AUX out to effects to iConnectAUDIO4+ then back into my main mixer AUX in.
2. iPad connected to iConnectAUDIO4+ via USB audio in the middle of the chain.
3. iPad connected to iConnectAUDIO4+ via USB MIDI to receive MIDI clock and notes via iConnectAUDIO4+ MIDI DIN In for internal apps.
4. iPad connected to iConnectAUDIO4+ via USB MIDI to send MIDI clock and notes via iConnectAUDIO4+ MIDI DIN Out for external gear.

Aside from watching out for MIDI loops, MIDI routing out of the box worked as expected. Audio, however, was a bit tricky.

If you look at the image to the left from iConnectivity's website you will see a row of input sections on the top (USB1, USB2, Analog, and Analog Mixer), each with their individual audio ins underneath. On the far right you will see a column of matching sections. These are your audio outs. The points you see are the patch points between the two. You can essentially configure any input to go to any output, but there is one caveat - you cannot have more than one input going to one output. You can, however, have an individual input in going into multiple outputs as you can see. Note that none of the analog ins are routed to the analog outs. Instead they are routed to USB outs only. What that means is you have to have a USB device connected and turned on to hear anything. Out of the box iConnectAUDIO4+ will not work in stand-alone mode.

To the left is a screenshot of how I configured the routing to meet my needs. You can see I patched iCA4 USB D1 (my iPad) into iCA4 Analog I/O Mixer channels 1 and 2. I then have my Analog inputs 3 and 4 (as pictured in the top image of this post) patched into both iCA4 USB D1 (iPad) channels 1 & 2 as well as iCA4 Analog I/O Mixer channels 3 and 4. I left all channels of iCA4 Analog I/O Mixer going to the analog outs. Simple, but believe me, along with setting the the audio mixer levels and forgetting to save to the device, it took a bit of trial and error.

For the mix levels be sure to watch the "Using iconfig Mix Buses" video here. Also, I found that double clicking the bottom level slider "cap" for each bus brought the level to 0 db which seemed to work fine for me. Just remember, you have to adjust the levels via the using the touch panel tutorial here as well. The tricky part is you can set the level for each line in, followed by each line out, followed by overall level in and overall level out. At first it seems overly complex but then when you realize the level of control you have you can appreciate it.

The most important thing to remember is that once you have everything set, you have to save your settings on the device itself or they will be lost the next time you turn it on! You'll want to save both via File / Save Preset and via Device / Save Current Settings. Again, you can find my templates here. Note there are two files, a 1.ica4 file and a 1.ica4.aux file. You load the 1.ica4 file from within iConnectivity iConfig, Open / File Preset. Remember to back up your settings first and remember to adjust the levels after.

Also, I found my iPad would sometimes not recognize the iConnectAUDIO4+. I'm not sure why that was, but unplugging and replugging the iConnectAUDIO4+ power cable seemed to solve the problem. I would disconnect the iPad first just to be safe. I don't want to risk blowing out my iPad with an inadvertent power surge. Regarding MIDI, I found certain apps seemed to sync better than others for whatever reason. Loopy HD synced like a champ and was my go to app for testing sync on the iPad.

Anyway, I hope this post helps others looking to do the same. Note my template is a minimal configuration specifically set for using the iPad as described in this post. There are patch points for USB D2 for the laptop or second iOS device as well, but they are there for future use. My template can be seen as a starting point. The levels are configured for my studio, so they might need adjustment in yours.

iConnectAUDIO4+s on eBay

Synthfest 2018: iConnectivity Shows Network MIDI Integration

Published on Oct 8, 2018 sonicstate

"iConnectivity have been offering this as part of their MIDI interfaces since the iConnectivity 4+, at least on a basic level. But now they've written it into their own software, and added GUI to it via their recently redesigned iConfig control panel."

Ambient jam: Volca Bass + Ventris + Keystep + nanoKONTROL2 (2018-10-14)

Published on Oct 15, 2018 Slenterende Beer

"I've bought the Source Audio Ventris, an effects pedal that features two reverb / delay engines that can be combined, either in parallel or serial mode. This gear experiment is a deep dive into the features of the Ventris, in combination with the Volca Bass. Headphones recommended!

The basics of this setup are pretty simple: I program some slow arpeggios on the Keystep, which is played by the Volca Bass. The Bass has a slow and intense LFO on the cut-off, which produces the volume swells. The output of the Bass is then sent to the Ventris, and that's where the interesting stuff starts.

The Ventris has two effect engines running in serial mode. The first effect is called "offspring" and that's the cascading, modulated delay at the start of the video. This sound is then fed into the "shimmer" effect, which I introduce by increasing the "control 1" and "time" knob. The "time" knob also increases the delay feedback of the 'offspring' effect.

Each reverb / delay engine on the Ventris has its own set of parameters, but only part of them can be controlled from the pedal's interface. It becomes more restricted when using both reverb engines at the same time, because two of the knobs are then dedicated to controlling the dry/wet mix of the two engines. Live control of the other parameters, and for both engines at the same time, can be done using MIDI CC messages. I've configured the nanoKONTROL so that the first 4 sliders and knobs control parameters of effect A, and the second 4 control parameters of effect B. For example, the fifth knob controls the amount of shimmer of effect B, which is a parameter I tweak quite a lot in this video.

One hardware problem I had to solve: the nanoKONTROL only has a USB MIDI connector, but the Ventris requires a 5-pin MIDI plug. I don't currently own a hardware USB MIDI host (I'm considering the Retrokits RK-005), so I used my MacBook to achieve the MIDI routing. The nanoKONTROL is connected to my laptop, and so is the iConnectivity mio, which is in turn connected to the Ventris. By default MacOS does not support MIDI routing from one device to another, so I used the open source "MIDIrouter" app to achieve this (see link below).

The reason I decided to try the Ventris is because I'd like to see if it can replace my GFI System Specular Reverb V2. I love the sound of my Specular, but it only really does one sound (beautiful lush ambient epicness) and misses features that I'd like (e.g. 100% wet, control over pre-delay and modulation, MIDI clock sync for delay timings). I'm happy to say I can create a sound with the Ventris that is just as lush as the Specular, but with a lot more control and whole lot more extra features due to the possibility to use two reverb engines. (You can even use the Ventris' stereo inputs to feed it two different instruments, give them each their own reverb engine, and then configure it so that it is 'summed' into stereo again!) I feel like there's a lot more to discover with this device, even more so since you can download patches other people have created using its Neuro app.

Korg Volca Bass
Source Audio Ventris
Korg nanoKONTROL2
Arturia Keystep
iConnectivity mio

MIDIrouter: https://github.com/icaroferre/MIDIRouter

Video recorded with iPhone 7. Audio recorded with UFX1204 in "standalone" mode, recording directly to USB HDD.

You can stream our music from Spotify, Apple Music, Google Play and other streaming services, or download our music from Bandcamp: https://slenterendebeer.bandcamp.com"

you might need this for your synthesizer setup

Published on Sep 19, 2018

"I just got a new cool gadget to use with your synthesizer and midi controllers/keyboards. Check it out here: http://bit.ly/mumidi

BE AWESOME and become a Patron: https://www.patreon.com/bobeats

There are obviously alternatives to this product: HobbyTronics MIDI HOST, iConnect Mio 10, Bomebox, and many many DIY solutions in the description of this video I have many more suggestions" [below]

"MuMidi HubLink provides a means for Musicians to connect USB-MIDI devices together. Typically, this might be a sound generator device (such as a synth) and a controller, such as a keyboard or similar. Its rugged yet stylish design makes it suitable for desktop, studio and stage use.
​
By also providing power over USB to bus-powered USB-MIDI Devices, MuMidi HubLink can remove the need for copious power connections in a MIDI setup."



USB MIDI INTERFACE vs MIDI USB HOST – What is the difference? A Beginner Friendly Overview

Published on Sep 21, 2017

"My video where I recommended a midi usb host for your dawless setup got a few confused comments so I thought I would try and explain the difference between a usb midi interface and a midi usb host. While it is a very basic topic I felt that some of you might enjoy hearing about it. USEFUL LINKS DOWN BELOW!

CLICK FOR MORE »

Synthfest 2017 Videos by Sonistate

Published on Oct 9, 2017 sonicstate

Playlist:

1. Synthfest 2017: Tasty Chips GR-1 Granular Synth

First outing for the much anticipated Tasty Chips GR-1 Granular synth. In the flesh it certainly looks tasty, the design of the GUI really makes a lot of sense and has a wonderful ease of use.

Check our Awesome MAX4Live Synth: http://bit.ly/wavejunction

2. Synthfest 2017: Reon Driftboxes Coming To The UK

Small Japanese manufacturer Reon hada range of Driftboxes on show at the Koirg booth, Korg are looking to bring in the units for distribution early next year. With three analogue synth voices, a mixer and a CV sequencer, they have a unique take.

3. Synthfest 2017: iConnectivity PlayAudio12 Disaster Proof Live Production

We have a look at the new iConnectivity PlayAudio12 - the system which had redundant audio and MID switching for live production. One computer fails - no problem.

4. SynthFest 2017: Expert Sleepers General CV

The new Expert Sleepers General CV offers a way to harness the power of a well specified General MIDI chip into your Eurorack modular setup, with 5 dedicated controls, numerous CV, clock and trigger inputs, you can add multiple voices, sequences and other GM sounds.
Synthfest was the first official release of the new Expert Sleepers General CV - a Eurorack module which brings the General MIDI sounds into your Eurorack.

5. Synthfest 2017: Abstrakt Data

New Modules from Eurorack manufacturer Abstrakt Data - AD50 Triple VCA, AD51 Envelope Generator, AD60 4x4 mixer, plus a quick look at a new prototypes of the AD31 Event Boss - pattern manipulator and the AD40 analog VCO with waveshaping.

6. Synthfest 2017: Analogue Solutions SynthBoxes

Synthblocks from Analogue Solutions, Mr Hyde - analogue filter and audio rate LFO, and Strangelove- ring mod with LFO and on board delay. Both feature patchability for integration into modular world. Also on show was Treadstone - a complete analogue synth voice in a pedal size package.

7. Synthfest 2017: iSotonik Studios Max For Live Devices

A selection of Max For Live devices from various developers associated with iSotonik Studios - some interesting applications for integrating MAX For Live with your setup.

New mioX and mioXM MIDI Interfaces from iConnectivity

via iConnectivity

"Today's a big day for us; it's the day we launch what we humbly believe are our best MIDI interfaces to date, the mioX series.

mioXL and mioXM offer super-charged network connectivity. Now you can use the power of the network to connect piles of computers (Mac, PC, and mobile devices). Additionally, there's more USB ports for peripherals and onboard presets.

If you are in need of MIDI connectivity, these interfaces are incomparable.

mioXL is our all-new flagship MIDI interface.

Taking the form of a 1U rackmount unit, mioXL features vast DIN-MIDI, USB-MIDI, and RTP/Network-MIDI connectivity. mioXL is an ideal choice for studio installations or MIDI intensive live rigs requiring huge amounts of connectivity.

What you'll notice straight away about the mioXL is its new, high-resolution OLED display and encoder, alongside obscene amounts of physical connectivity. 8-in 12-out DIN-MIDI ports, 10xUSB-MIDI ports and also 22 virtual RTP/Network-MIDI ports.

Brand new to the mioXL is also the ability to save and recall presets directly from the front panel of the interface. Perfect for DAW-less rigs or complex live setups.

It's XL by name and XL by nature; it's impossible to pack any more MIDI connectivity inside a 1U rackmount interface. Believe us, we tried!

mioXL makes you the master of your own MIDI domain

mioXM takes the fundamental architecture of the flagship mioXL and places it within a compact, half unit space enclosure.

Like its big brother, the mioXL, mioXM has unprecedented RTP/Network-MIDI connectivity. 12 virtual network ports, per mioXM, lets you assign an RTP/Network-MIDI port(s) for each of your connected peripherals and/or computing devices, and access them from virtually anywhere.

4 user-definable presets can be saved to the mioXM and recalled from the capacitive touch panel on the front of the interface. These allow you to quickly toggle between your four favourite configurations with a single tap.

Ideal for moderate-sized MIDI setups operating without a computer or any systems that require switching between multiple configurations on-the-fly.
mioXM is an ideal choice for compact, portable MIDI applications, or multiple placements throughout a studio, stage, or venue."

Moogfest Eigenharp Gear

Published on Apr 21, 2014 Geert Bevin·210 videos

"Traveling from Europe to the US with self-sufficient electronic music gear is always tedious, here's an overview of my latest collection that I combined for Moogfest. It's very portable, polyvalent and super quick to set up. Everything fragile comes with me as carry-on in the plane, and all the rest fits easily into my checked luggage without making it too heavy.

This is the list for those that are interested:

* Eigenharp Tau + breath pipe & cello spike
* Eigenharp standard base station + power adapter & USB cable
* Eigenharp instrument cable
* Eigenharp leather shoulder strap
* iConnectMIDI4+ + power adapter & USB cable
* MacBook Pro + power adapter
* iPad 3 + iConnectivity USB cable
* iPad Retina + iConnectivity USB cable & 30-pin to lightning adapter
* Belkin 4-port USB hub P-F5U234 + USB cable
* Apogee ONE for iPad + USB cable & breakout cable
* Feisol Traveler Tripod CT-3441SB + Triad-Orbit IO-R coupler
* K&M 19724 iPad Air Holder
* K&M 19722 iPad 2/3/4 Holder
* Triad-Orbit Orbit 1 boom with counter-weight removed
* Triad-Orbit Micro 1 + camera adapter
* Heil PR 35 microphone + Triad-Orbit IO-H head
* Microphone XLR cable
* Power strip"

Update: Gert's talk at Moogfest:

Mobile Synthesis & Future Forward Controllers (Moogfest 2014)

Published on Apr 29, 2014

"This is the complete lecture I gave at Moogfest 2014 about Mobile Synthesis & Future Forward Controllers"

iConnectMIDI with two iOS Devices (incl iPhone)

YouTube Uploaded by iconnectivity on Jul 8, 2011

"iConnectMIDI can hard wire connect two iOS devices together. Full MIDI Event communication between the devices. iPhone, iPod touch and iPad - all possible with iConnectMIDI.

Man this device can do a lot - to find out more, visit www.iConnectMIDI.com."

iConnectMIDI - DIN Controller with Multitrack DAW

Uploaded by iconnectivity on Jul 8, 2011

"iConnectMIDI as a MIDI DIN Controller interface. Video shows iConnectMIDI connecting a DIN controller to an iPad running Music Studio as a multi-track DAW. Latency is kept to a minimum in this Ultra High Speed MIDI Interface.

Just one of the many capabilities of iConnectMIDI - Find out more at www.iConnectMIDI.com."

iConnectDMX - iPad, iPhone, iPod touch DMX connectivity through iConnectMIDI

YouTube via iconnectivity | December 06, 2010 | 1 likes, 0 dislikes

"iConnectDMX accessory turns your iConnectMIDI box into a DMX (stage lighting, motions lights, effects, etc) controller. Extremely low latency, MIDI translation - use a MIDI controller or even iOS MIDI applications.

Accessory scheduled to be available from iConnectivity in Q2, 2011. See it in action at CES and NAMM, 2011."

Rheyne - Live Jam #135

Published on Sep 27, 2015 Rheyne

Live looping with Ableton Live. Recorded in one take with no pre-recorded loops or samples.

Equipment:
2x Novation Launchpads
2x iPads running Lemur
NI Komplete Kontrol 25 (drums)
NI Komplete Kontrol 61 (piano)
DSI MoPho
Fender Rhodes w/ MXR Wylde Overdrive
KMI 12-Step
KMI QuNexus
Ploytec PL2
Roland System-1
Roland TR-8
DJ TechTools MIDI Fighter 3D
DJ TechTools MIDI Fighter Twister
iConnectivity iConnectMIDI 4+

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Exploring The Gristleizer Eurorack Module

Published on May 12, 2016 Bimini Road

http://www.endangeredaudioresearch.com/
http://www.biminiroadelectronics.com

"Here are a few clips of The Gristleizer working with some other modules. The Expert Sleepers FH-1 is acting as a bridge for my KMI QuNexus (off screen). The Disting mk3 is the oscillator, which is feeding into the L-1 Tube VCA, which itself is triggered by the gate from the FH-1 (I don't have an envelope module at the moment). The output of the VCA is then fed through the Gristleizer and sent through my Universal Audio Apollo, where a Cooper Time Cube provides the stereo delay. It is also running through the Neve 1073 Preamp plugin, the Studer A800, and the Ampex ATR-102.

0:00 - Output A of the Disting is multed using a Tiptop stackable cable to the Mod input of the Gristleizer in VCF mode. This means that the speed of the scanning Bandpass Filter within the Gristleizer is moving at the same rate as the pitch of the oscillator. Doing this, the Bias, Filter Mix, and Depth Controls all allow you to dial in amazing tones.

0:46 - This is the same setting as above, but the internal triangle wave of The Gristleizer is modulating now. I call this effect a phase ring mod. Although it does not use diodes in a ring configuration to achieve the ring mod effect, the effect of the scanning BPF creates another oscillating tone that, especially when dialed into the tonic or the dominant note of the scale you're using. In this case, I am dialing it in so that it crashes against the pitch of the Disting's oscillator, creating some truly growling tones.

1:46 - Here, I'm adjusting the drive of the VCA to create some feedback overtones in order to highlight the range that the Bias knob sweeps through. The Bias controls the center frequency that the Gristleizer sweeps through. Only with the Endangered Audio Research Gristleizer filter do you get this wide range - the original design was focused way down in the bass range which, for most instruments, was completely unusable. The redesigned filter is dirty enough to be at home within The Gristleizer, but is without a doubt much more musical. In this example, I have patched the Saw LFO output to the Mod input (breaking the normalized connection to the Triangle wave).

2:17 - This is The Gristleizer in VCA mode. Notice towards the end of this clip how much the Bias changes the tone of the input. The added Filter Mix control also doubles as a presence control in VCA mode. The Square LFO is patched into The Gristleizer's Mod input.

2:59 - Another example of the phase ring modulation effect."

Exploring The Gristleizer Eurorack Module - Part 2

Published on May 14, 2016 Bimini Road

http://www.endangeredaudioresearch.com
http://www.biminiroadelectronics.com

"Ableton Live is controlling the oscillator and the L-1 Tube VCA through the iConnectivity Box and the Expert Sleepers FH-1, and I'm scanning through different sounds and modes of The Gristleizer to show what a versatile tone box it is. Few modules can radically alter their input this much!"

Sombrensemble (Lo-FI Live Jam with OT/OP-1/JU-06/JP-08/VM/Delly)

Published on Sep 1, 2018 Rephazer

The beginning of this one reminded me of Forbidden Colors.

"Little jam/remake of the song 'Sombre Ensemble' taken from my 'Winter Piano Tape'

Gear used:

Teenage Engineering OP-1: Arps/Beat/Organ/Bass
Elektron Octatrack: Sequencer/Beats/Background Choir
Sm Pro Audio V-Machine: Piano /FX
Roland JP-08: Bass
Roland JU-06: Arp
Synthstrom Audible Deluge: Strings
Behringer XR-12: Recording/Mixing
iConnectivity iConnect Midi2+ and Audio4+: All Midi and Audio routing."

NAMM & NOT NAMM - New Products on the Synth Front

Well, it's that time of year again. Keep an eye out on the NAMM label (added to top right menu) for everything NAMM and more. More in that anything new will get the label whether it's shown at NAMM or not. It's about new gear. Updates in this post will be preceded in red. Some already in below. See "The NAMM List!" link under the Twitter, Facebook, and RSS labels on top of the right to get back to this post later.

(A note on the top site menus: I removed the iPhone and iPad labels as they go up in posts every day now so you can find them there. eBay links are on the right, so I removed it as well.)

That said, the following are some of the things to look out for. If you have any NAMM info feel free to comment and/or send it in. If I missed anything, let me know! If you are going to NAMM, feel free to send pics and video in.

On the list:

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