Alice-1387 (Алиса-1387) analog synthesizer from USSR (made in 1983)

Published on May 18, 2018 seek sound

"some photo & sounds"

Soviet VST Synthesizers

Published on Feb 20, 2018 seek sound

Playlist:
meet Rhytm-2 VST synthesizer
meet Alice-1377 VST synthesizer
Polyvox VST synthesizer - experimental playing (3)
Polyvox VST synthesizer - experimental playing (2) using Brigade Delay
meet Polyvox VST synthesizer
Alice-1377 VST synthesizer - experimental playing (2)

Analogue Solutions Leipzig-s SN 7885

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Analogue Solutions Leipzig-s synthesizer is a two-oscillator monophonic fully-analog MIDI synthesizer. Its signal path is not only analog, but so are its control functions... envelope, LFO, etc. Because it is a fully-analog synthesizer with circuit designs based on vintage analog synthesizers, it evinces the tone that is what you seek when you're looking for vintage analog sound.

In addition to amazing and fat tone, the Leipzig-s has a great set of functionality. The oscillators have independent glide and independent pulse-width modulation. There is a sub oscillator that can be generated by either oscillator. The filter is a 24db per octave low pass that seems like it was deeply inspired by Moog, and generates one of the thickest, richest filter tones in modern analog synthesizers. The filter can be controlled with either of the two envelopes. The modulation section is complex and allows each oscillator to be modulated by a number of sources, including different waveforms from the LFO, envelopes, the other oscillator, and MIDI. The filter can also be modulated by these sources, allowing a level of complexity that is very useful. Especially for creating drum sounds.

The Leipzig-s also has an analog sequencer that can be MIDI controlled. If you want true vintage analog sequencing sounds with an analog synthesizer, this is a quick and inexpensive way to get them! The sequencer is single-channel, but allows you to control the oscillators in independent amounts. The sequencer can also control the filter."

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Eurorack Modular Videos by rustyjaw

Dusk Published on Jun 12, 2017

Two videos recommended and sent my way via John L Rice. The second is further below.

"A simple ambient jam for the summer.

Some quick patch notes:

First (plucked string) voice:
Rings and STO sequenced by Copper Traces Seek

Bassline and "lead":
Pittsburgh Modular Synth Box (bassline) and Industrial Music Electronics Piston Honda MkII (slow lead) both sequenced by Stillson Hammer Mk II

Background melodies:
Synthesis Tehcnology E330 - sequenced by Stillson Hammer Mk II
Intellijel Dixie II (and multed copy of Dixie II melody recorded into Morphagene) sequenced by Make Noise Rene (Rene X input from Zularic Repetitor)

Fiters:
Three Sisters - plucked string voice and background melodies
AJH MiniMod VCF - bassline
AJH Sonic XV - lead

Effects:
Mutable Instruments Clouds x2 (looping delay mode on both)
Make Noise Erbe Verb (plucked strings sound, and background melodies)
Make Noise Echophon - background melodies
Dual Looping Delay (plucked strings)
Zvex Instant Lo-fi Junky (lead)"


Colloidal Flow

Published on Sep 3, 2017

"A reworking of the last patch I posted. This is a significantly different take, focusing on the ambient and drone with the sequenced parts blended in more.

PADS:
VCOs: E330 Multimode VCO (in Wavetable mode) into Clouds looping delay

PADS 2:
Direct outs from STO (sine) and Dixie II into clouds reverb

PLUCKY SYNTHS:
VCOs: STO and Dixie II
Sequencer: Turing Machine into uScale II, uScale A and B outs going to each VCO
Envelopes: Quadra
Envelope Triggers: Zularic Repetitor
Delay: Dual Looping Delay

16th NOTE SEQ:
VCO: Piston Honda MkII
Sequencer: Stillson Hammer Mk II
Filter: MiniMod VCF
Envelope (VCA and filter): Quadra

Variations in the bassline are from the Assignable A and B inputs on the SHMkII, they are being fed random S&H from the Ultra Random Analog, a multed copy of the S&H feeds into the shift input on the uScale, so both sets of sequences change at the same time.

KICK:
VCO: the sub bass out from STO into Pittsburgh Synth Box LPG in, triggered by output 4 from Zularic Repetitor"

Copper Traces Seek 64 Step Sequencer Demo

Published on Mar 14, 2017 Perfect Circuit Audio

"Using the Copper Traces Seek to sequence a synth sound that is a combination of the Make Noise Mysteron and an Erica Synths Black Wavetable VCO run through a MMG. The accent out of the Seek is used to sequence a drum sound on the SSF Entity. Some of the random functions on the Seek are used to change up the pattern while it is running.

Seek, from Copper Traces, is a complex yet compact 64-sequencer for Eurorack synthesizers. It contains all the classic features one would expect from a fully functional sequencer, including legato and accents, but also includes a ton of other features useful for pattern generation. Random sequences can be generated using complex algorithms, as well as randomly programmed sequences to remove tedious note input. One can internally quantize the sequence to any notes by selecting them with the mini keyboard. Complex gate length and shuffle patterns can still function with an external clock, and with 12 save slots, one can recall all these complex programs with just a few button presses. Seek is only 12HP, something rare for Eurorack synthesizers, and will leave plenty of space for sound sources and modulation.

Available here: https://www.perfectcircuitaudio.com/c..."

Moogfest Announces Protest Stage in Response to HB2/Travel Ban

via Moogfest

"Once again, we are stunned by discriminatory politics in our beloved home of North Carolina and across the U.S.

Last March, North Carolina state legislature passed House Bill 2, a law that enables discrimination across gender, sexual orientation, and class. Specifically, the law eliminated past protections against discrimination based on sexual orientation or gender identity, stripped local government control over minimum wage, removed the right to sue for discrimination at the state level, restricted city councils ability to protect local residents from discrimination based on gender identity or sexual orientation, and barred transgender people from using bathrooms that do not match the gender they were born with.

Moogfest 2016 .: Day 2

Published on May 21, 2016 Moogfest

Moogfest took an immediate stand against the law, reaffirmed our commitment to protest inequality, and offered a safe space for all artists, fans, and visitors who attended. This past December, despite the ongoing work of our community and our allies, lawmakers failed to repeal the law.

Now, as we prepare for the 2017 festival, we are faced with new and mounting concerns. Lawmakers in Texas and Kansas have taken steps toward enacting laws similar to HB2. And in his first few days in office, the 45th president has taken actions, such as the travel ban, that threaten our foundational beliefs and intimidate members of our diverse global network of thinkers and makers. But we are not afraid. We are not hateful. We are alive in our mission to bring the dream of a more equal society to all humans. We seek out facts, respect evidence-based science, and welcome a wide-open worldview. We believe this base of knowledge powers creativity, imagination, and innovation.

We stand with the millions who marched on January 21st in cities around the world for the rights of women. We fiercely support the march’s mission of standing “together, recognizing that defending the most marginalized among us is defending all of us.” We also stand with those who have been continuing to protest over the last few weeks. The intersectionality of those participating in these protests makes it clear that we cannot turn inwards, and we cannot exist solely for the individual. As said by Dr. Martin Luther King, Jr. while behind bars for protesting in Birmingham, AL, “Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.”

We are inspired by this movement and the spirit of those that came before it. The fight against inequality echoes our own mission to design radical instruments for change and reflects the legacy of Bob Moog, the inspiration behind Moog who believed that true innovation comes through collaboration, not exclusion. Moogfest is transformed, by the urgency of our times, and we invite you to keep marching with us into the future.

• Write to North Carolina politicians to share your love for the people of our state and your strong opposition to HB2 and other discriminatory laws. You can write your own or use this form from Equality NC or this form from Democracy.io.

• Support the work of our allies at the ACLU of North Carolina and in other states around the country.

• Join us at Moogfest 2017 and attend the Protest Stage, a dedicated space for resistance. As one of our key themes this year, Protest will also be brought to life through workshops, installations, conversations, and masterclasses. We will stand in full accord with artists from various communities to collectively celebrate inclusivity and elevate the fight against discrimination here in North Carolina and across the world.

Participating artists on the Protest Stage will be announced soon in our weekly newsletter, Future Thought Future Sound. Sign up here.

- Your friends at Moogfest"

Rhodes Chroma Polaris

Note: Auction links are affiliate links for which the site may be compensated.

Super nice pics via this auction

"If you are looking at this, wise viewer, you already know what awaits; one of the most incredible polyphonic analog synthesizers ever created since the dawn of man and music. It would, in fact, not be too bold to state that this Rhodes Chroma Polaris completely embodies the timeless, incredibly sought-after sound of the 80s and beyond. From lush pads to stabbing leads, ringing pulse-modulated keys and shimmering textures, the Chroma Polaris was the absolute cutting edge of analog synthesizer technology at the time of its release in 1984. Any musician, with the means at their disposal, would be considered naught but addlebrained fools, to neglect bringing every resource to bear in acquiring this incredible machine with all due haste.

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ADDAC102 VC FM Radio Demos

Published on Nov 6, 2016 ADDAC System

"With the ADDAC102 FM Radio you'll be able to tune-in FM radio. Besides the ability of station broadcasts as sound generators for your synthesis, you can also have a lot of fun with the fact that its a great noise generator. Static picks up all kinds of great electromagnetic interference!
It provides controls like tune, volume and seek (all of them controllable through CV input) and there's two outputs for stereo sound.

All about it here:
addacsystem.com/product/addac100-series/addac102-vc-fm-radio"

The Ondomo by Asaden - Ondes Martenot Redux

Uploaded on Jul 28, 2016 Adrien Duchemole

The above is a demonstration by Adrien Duchemole who is lucky enough to own one of the first Ondomos.

[Update: I found a few additional demos of the Ondomo on YouTube. Three, including the initial unveiling of the first version in 2014,  have been added to the bottom of this post.]

In October of 2012, a post here on MATRIXSYNTH featured the Asaden Eleki-Ribbon. It appears that project was just the start of something pretty magnificent. Asaden has painstakingly recreated his version of the Ondes Martenot. Details follow.



Pictured here is an image of two new Ondomos and an original Ondes Martenot (center) via Adrien. Note the wood on them is much darker than the one pictured below from the Asaden website. According to Adrien, Asaden did an initial run of 100 Ondomos.

The following are some details, Google translated from Japanese, via Asaden (forgive the translation):

"Ondomo - Legacy Of Love

More than 15 years, continues to study the Ondes Martenot, it can be more easily available, it is even more portable also easy, anywhere play as, from Japan made from the feeling that new Ondes Martenot.

Once the Ondes Martenot easy Mochiaruke ... Ondomo that has been produced in such a thought (Ondomo) has packed the hopes and dreams in only 64 cm of width.

If even plug it into an electrical outlet, because it is equipped with a built-in speaker, you can play anywhere at any time.

Instrument called Ondes Martenot, and Ondes Martenot unique sound is hoping the producer that the more spread in the world."

"1928, is an electronic musical instrument was born in France. Announcement initially referred to as the (meaning of the Buddha 'musical waves of Martenot') 'Ondes Martenot musical-Ondes Musicales Martenot', it will be later referred to as the 'Ondes Martenot' or simply 'Temperature ondes'."

"Morris Martenot (Maurice Martenot, 1898.10.14 - 1980.10.08) represents a musical talent from early childhood, early on cello, piano, musician learned the basics of music, also deeply involved with music education and thought, in his later years Mesodo of relaxation is also established. On the other hand, there is a deep knowledge in electronic and mechanical engineering, in the First World War in prison as a communication soldier. Ondes Martenot The impetus of production is, where you start from the sound clear the triode vacuum tube was in the ear. Repeat the research and trial along with the end of the war, Paris in 1928, it announced the musical instrument in the Opera, and caused a sensation. Then, playing to countries with Ginette Ginette of the Ondes Martenot player sister trip, in 1931 we came to Japan in Japan. Ondes Martenot for the Morris, and the desire of as a musician to continue to seek a sound of its own, desire as a thinker to practice the human way and way of life are fused, will he had a life's work would live ish myself. 1980, continue to seek the sound of his own until his death in an accident, improvement until the end instrument was overlaid."

"And a body part to play, set in a variety of speakers (Buddha di Few Suhl Diffuseur). Its kind, there is a regular speaker and similar principal principal, resonance resonnances to create a reverberation by spring, a built-in gong characteristic resonance of metallic metallique, Palm palme to leave a sound strings stretched wooden body. Ondes Martenot, the electricity, but it is often placed in the category of an electronic musical instrument for a musical instrument to be used, pitch, expression, the tone, in the player's hand, an instrument that can be intuitive to play with the feelings of the place some reason, there is a feature close to the acoustic instrument."

specifications

  4 octave
  W 64 x H 15 x D 17 (cm) ※ H (if fitted with a leg) state closed the lid: 77cm
If you made a music stand: 104cm
  Weight: approx 6kg
  Outputs: Speaker out / D-sub
DC 15V
  Accessories: Legs / D-sub cable / power adapter

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Robert Aiki Aubrey Lowe (Lichens) Uses MIDI Sprout

Published on May 8, 2016 MIDI Sprout

"Excerpt of an interview and performance with Robert Aiki Aubrey Lowe from his residency at the Exploratorium in San Francisco, California"

"DATA GARDEN RELEASES 60 MIDI Sprouts FOR SALE ON MAY 22nd AT NOON EST

The arts collective Data Garden is announcing another sale of their highly anticipated MIDI Sprout device that allows people to generate electronic music from their houseplants. Two years after their successful Kickstarter campaign, the collective is making 60 of these rare devices available for purchase to the general public on May 22nd at Noon EST.

'We’ve received a steady flow of interest from people who missed our Kickstarter and want to buy a MIDI Sprout,' says Joe Patitucci, artist and founder of Data Garden. 'While we are open to partnering with hardware manufacturers to make more, we currently have no plans to do so. With only 60 units available and more than 900 people on our waiting list, this is an important time to act in order to buy one as soon as the sale goes live.'

Interested people can go to www.MIDISprout.com to signup for email updates as the sale approaches. The collective will launch an internet pop-up shop at the end of the month during Moogfest in North Carolina, where they will be leading plant music meditation and composition workshops.

'This is a really exciting time for us,' muses Jon Shapiro, Data Garden performer and practitioner. 'I’ve met such wonderful people performing and doing installations with MIDI Sprout over the past two years. We would connect deeply on how this device can change people’s personal and artistic lives. I always felt a twinge of remorse when they would ask how to buy one and I didn’t have a concrete answer. Though the amount we can offer is disproportionate to the large demand, this is a wonderful step forward.'

The musical collaborations that Shapiro is referring to have included musicians like Laraaji, Greg Fox, Lichens, King Britt and Bryce Hackford. Meanwhile, Patitucci continues to exhibit his sound sculptures while leading group meditations and furthering his listening practice under guidance from Pauline Oliveros. Sam Cusumano, the engineering mind behind the MIDI Sprout is working on an upcoming collaboration with John Zorn.

About Data Garden
Data Garden creates experiences through music and technology. We seek to connect people and nature in new ways.

Begun as a record label releasing downloadable album codes printed on plantable seed paper, Data Garden has become a worldwide public art project building community and connection to living plants through art."

Update via Samuel Cusumano in the comments: "Get detailed information about the MIDI Sprout, code, schematics, board designs, and instruction at support.midisprout.com! I'm always happy to discuss the technology. Understand how your tools work!"

Madrona Labs Introduces Virta Sound Controlled Synthesis and Effects

We have a new synth app from Madrona Labs, the maker of the Buchla inspired Aalto. This one uses audio to synthesize new sounds. The synthesis and effect can be subtle or extreme as you can hear in the demos above.

Via the Madrona Labs website:

"Virta is a patchable toolbox for turning your voice or other instrument into wild new synth sounds."

And from the manual:

"Synthesizers and effects. In this crazy mixed-up world, what could be better? On and on, we tweak and twist, searching for something. Smiles creeping across our faces all the while. The roiling sea of knobs and buttons and lights are magnetic. We seek, pure of heart, to merge with the world of sound.

Alas, we sometimes find ourselves stopped short.

It can be a tall order to get the level of expression and immediacy that you crave with traditional synthesizers and processors. is goes double if you’ve got to work quickly, but want to maintain a satisfying amount of complexity and variance in your sound. Perhaps, in the heat of a creative moment, you have wished to simply dive into a synth or effect and command it by thought. There is no shame in that.

This, to a large degree, is why we’ve created Virta - a modular synthesizer and effects processor that responds directly to you.

When you route your voice (or any kind of audio) into Virta, the sound analysis engine precisely extracts information about its pitch, timbre, and dynamics over time. These new signals can control nearly any parameter in Virta, just the same as you can with MIDI or OSC.

Tis makes for an instrument that can easily follow your every twist and turn. Living the dream, really. Then again, Virta is modular, so audio-controlled synthesis is just one road you can travel. You can also make stuff like:

• Expressive vocal processing chains
• 4-voice MIDI-controlled pitch shi ers
• MIDI/OSC-controlled synths (with or without audio control)
• Drones for days
• First-ever faithful emulation of the mating call of the Space Pony

A Quick Overview
Virta’s interface has four main sections, from top to bottom:
• The header section, where you’ll nd the patch menu, along with the version and registration status of your copy of Virta.
• The signals and shapes section, where AUDIO and MIDI/OSC (KEY) signals ow into Virta, and where the oscillators (OSC1 and OSC2) and modulators (LFO, and ENVELOPE) reside.
• The patcher section, where connections between modules are made and unmade.
• The processing and output section, where the sounds you make are massaged and processed to perfection by the FORMANT, GATE, DE- LAY, and OUTPUT modules"

TIPTOP AUDIO RECORDS VARIOUS ARTISTS 0002 Double Vinyl and Digital Issue

Tiptop Audio Records - Various Artists 002 - Official Teaser from Tiptop Film on Vimeo.

ANGLE VS. JOAO CESER - Axolotl (Soundtrack free download)
soundcloud.com/tiptop-audio-records/angle-vs-joao-ceser-axolotl
tiptoprec.com
tiptopaudio.com

"Tiptop Audio was founded in 2009 when Gur Milstein started building his first electronic musical instruments in his laboratory in Hollywood, California.

His creations became popular immediately and the demand for the modular synthesizers produced by Tiptop Audio grew rapidly.

Today, in just over six years, many members of the international community of composers and electronic musicians create their own sounds and shape their own work by using Tiptop Audio’s equipment. In 2015, Tiptop Audio took a further step in its influential presence with the birth of Tiptop Audio Records. The label produces analog music manufactured from modular synthesizers with a dance-oriented vocation.

Tiptop Audio Records
The creation of the label consolidates a path that connects its instruments with the best electronic music composers of the moment. All projects that fit within the label are the result of direct experimentation of modules. The connection between the components creates sounds that are unique and unrepeatable.

'The modular synthesizer represents the possibility to build your own sound from a basic wave, up to the most complex chain of elements. The sound is alive. The sequence of loops are never identical as the approach to the machine is physical. Connections are visible and not obscured by a display. The user is preset free and is able to construct an original patch everytime.' Piero Fragola A&R Tiptop Audio Records

TTAR V.A. 002 (2016)
With: Matt Lange, Angle, Joao Ceser, Markus Fix, Black Shape, Drumcell & Luis Flores, Hubot, Florian Meindl, John Tejada, Scanner, M.O.T., Riemann.

The second issue of Tiptop Audio Records attests to the label’s attitude towards developing a nuanced sound set to become a standard for production. The line-up for Tiptop Records includes big names of a scene now described as ‘Modular Techno’, which consists of a fast growing group of artists interested in expanding their compositional techniques through modular synthesizer systems.

The vinyl format is a testimony to the label’s dedication to produce music in a physical form. The result is a four side, double LP packaged in original artwork (including a special poster) by Italian artist Matteo Giampaglia, with handmade lettering by Caterina Scardillo. It is an invitation to a territory of oscillations, and a trip of 10 (+ 2 extra digital) tracks that reconsiders the concept of sound design applied to electronic club music.

The teaser video samples the vibes of the new issue's inherent contagion. Videos for the individual tracks are set to follow by a fresh roster of new talent.

TIPTOP AUDIO RECORDS V.A. 2016

A side: Matt Lange - Qvcamx/ Angle - Time portraits
The first groove introduces Matt Lange’s track, an American producer who has joined up with DeadMau5 on Mau5trap. This intense 8 minute track is sustained by an immersion of rhythm full of atmosphere.
The Angle project is known for the development of audio-video combinations in their performance. They produced a club track rich in melodic sequences, perfectly balanced in a nonlinear fashion.

B side: Joao Ceser - System Failure/ Markus Fix - Texter
Joao Ceser is presently one of the leading figures in Italy of modular techno. His track, System Failure, builds an inevitable dance floor trap from which you can not escape.
The following track is Texter by Markus Fix of Sven Vath’s Cocoon. It takes us into a nocturnal atmosphere, reminiscent of ‘Blade Runner’.

C side: Black Shape - Doom Room/ Drumcell & Luis Flores - Submission of Thought/ Hubot - Riz 7
Black Shape makes its debut on Tiptop Audio Records with a track with an acid bass line featuring the dobro guitar played by Fabrizio Canale and vocals by Piero Fragola. The track exemplifies the theme and intentions of this project.

Drumcell (of Chris Liebing’s CLR) and Luis Flores pump out a distorted sound with an industrial flavour that drastically changes the atmosphere to a state of ecstatic proportions. Hubot takes us back to a club vibe with a groovy yet dark sound driven by a relentless sequence of beats.

D side: Florian Meindl - Operating Temperature/ John Tejada - Fourier Tranform/ Scanner - Valbor
Florian Meindl opens the last side of the release with a fast-paced rhythm and a syncopated sound texture defined by harmonic sequences.

John Tejada (artist of Germany’s Kompakt Records) turns the table with a melodic mind trip, keeping in focus the weaving of sounds and the bass line.
Lastly, Scanner closes the compilation with an avant-garde orchestration, endorsing the ambition of the label to seek new sonic territory.

The issue also includes 2 extra digital tracks:
M.O.T - Look inside/ Riemann - Riemann LIVE -1"

Roland Interview with the Developers of the Boutique Line of Synthesizers

The interview is currently on Roland's site here. The text is captured below for the archives.

"WHAT WAS THE STARTING POINT IN THE DEVELOPMENT OF THE ROLAND BOUTIQUE SERIES?

Tojo:Our starting point was that we wanted to create a full-fledged synth in a compact form factor; something that might look like a gadget at first glance, but was capable of producing amazing sounds. We wanted to create a synth that people could casually enjoy, came with a built-in speaker, and could also run on batteries. Since we had the ACB (Analog Circuit Behavior) modeling technology that was developed for AIRA and a mini keyboard that was first incorporated in the JD-Xi, we thought that we could make something interesting by combining these two. That was around the end of last year, and actual development began in around January this year.

WERE YOU PLAYING WITH THE IDEA OF BASING THIS SERIES ON SYNTH CLASSICS RIGHT FROM THE OUTSET?

Tojo:Yes, we were. We wanted to combine ACB and the mini keyboard to reproduce classics that everyone was familiar with. The JUPITER-8 and JUNO-106 were candidates right from the start, since these synths are still very popular today. We wanted to add another synth to the lineup, so we decided to go with the JX-3P, which produces different types of sounds from either the JUPITER or JUNO. We reached the decision to go with these three synths rather quickly, without much debate.

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Introducing TZM Creative Lab's Motus – Creative Motion Enhancer

Motus – Creative Motion Enhancer from TZM Creative Lab on Vimeo.

"Motus allows users to literally play music in the air. No keys, buttons or knobs. While holding Motus in hand, you can play the note and at the same time change its timbre by using different motion gestures."

See https://motusmotus.com for additional details including their crowdfunding campaign for the Motus.

The following is pulled from their press release where you'll find additional pics:

"Bow without strings, play synths without pressing the keys. An exciting and simple, yet intelligent wireless musical instrument converts motion gestures to sounds

TZM Creative Lab introduces their first product, Motus – Creative Motion Enhancer. A wireless device converting motion to sound, a creative tool for professional musicians, dancers and artists, an intelligent toy for kids and grown-ups. Available on crowdfunding campaign now, for less than $100.

Motus is a mobile wireless device that turns motion to sound. In human’s language, it allows users to literally play music in the air. No keys, buttons or knobs. While holding Motus in hand, user can play the note and at the same time change it’s timbre by using different motion gestures. Instead of defining single way to play Motus, we simply offer different interaction rules. While loading a different Motus instrument, you’re redefining what it will be – shaker, air drums, violin or something else. Use each instrument just as you would in reality. Motus technology tracks user’s free movements, extracts the most important motion features (e.g. velocity, dynamics, displacement) and maps them to different sounds. It can be a real-time generated sounds, prerecorded material or even sound and light effects. The size of Motus is optimal for easy handling and excellent control.

Motus technology tracks user’s free movements, extracts the most important motion features and maps them to different sounds.

New possibilities in music
Music

“By developing Motus we are keen to engage more people to explore new possibilities of being creative. It started as a tool that expands musical performance, however later we saw it has very broad use cases, e.g. dance, performing arts, or just having fun for people that have no connection with music at all. Anyone who is willing to experiment with digital sound is hindered by the process. Therefore, we did reverse the whole thing and made it approachable in a simple and exciting way, by using motion as a natural input into digital sound synthesis. The space around you becomes a touchless surface, a canvas you can interact with and explore. Motion with Motus turns the air into a keyboard, fret board, djembe skin, drum pads, violin bow, etc. The movement is a key to play and experiment with sound in real-time whether during casual time outdoors or on stage.” – said Mindaugas Badokas founder of TZM Creative Lab. “Motus is also, in part, about community. We seek to empower motion to open up more possibilities of creativity in sound exploration and gather the whole community which keeps that alive. Where anyone can take part from professional musicians to dancers, from grown-ups to kids (even 30 years-old kids).”

Motion with Motus turns the air into a keyboard, fret board, djembe skin, drum pads, violin bow, etc. The movement is a key to play and experiment with sound in real-time.

Three different Motus versions

Motus Classic is out-of-the-box device and can be explored instantly by anyone. It provides full Motus experience, however it should not be used for professional applications.

Motus Pro is made for professional performers, it comes with an external Bridg receiver and precision sensors, its connectivity rage is up to 30 meters and possibility to connect up to 12 devices simultaneously. It is a perfect fit for using on stage and demanding tasks of any performance.

Motus Hacker is offered for the adventurous DIY enthusiasts seeking to make their own customized device, it comes without usual body and each part has to be soldered together by the user. Depending on added elements it may be used on stage, however this is highly variable, therefore it is not recommended for professional application but more for the experimentalists.

Connectivity
Motus comes together with its software, where users are able to select Motus instruments and play them instantly. It as well can be used as a controller with any DAW of choice—it is compatible with MIDI, OSC and ReWire. Ableton Live users will be provided with M4L device to make the set-up easier. Max users will be offered a pack of externals and abstractions.

In contemporary dance scene for 2 years
Usually dancer follows the music and technicians follows the dancer to implement the image and audible atmosphere of the show. Motus enables dancers to directly control and improvise with sound, live visuals or lighting. Dance troupe Aura has been using Motus prototype for the past three seasons in the play “Make a Switch from me”, which was premiered in Italy, Lithuania and Poland. Composer found Motus being a versatile tool. “Motus helps to communicate message faster and gives an opportunity to expand your fantasy but still keep the audience in it.”, explained Antanas Jasenka, Composer.

Motus not only provided an immersive experience for the audience but as well for the dancers. Francesco Dalmasso, dancer at Aura Dance Theatre said “You have really close connection that you’re actually creating the choreography yourself and at the same time creating the music, sounds, so you’re both – choreographer and composer and a dancer. It’s very rich.”

Dance troupe Aura has been using Motus prototype for the past three seasons in the play “Make a Switch from me”

Coolgarden – the app store for Motus
TZM Creative Lab will be opening a standardized platform, Coolgarden – app store for Motus. Coolgarden is a place where Motus users will be able to find all Motus instruments and creative applications. Therefore, developers are invited to develop Motus instruments and offer them for Motus users through Coolgarden. Developers can offer everything from synths, audio effects, visual generators or interactive games which can be monetized or free for users.

Embedding latest technologies
In the last years scientific approaches to human-computer interfaces and interactions for musical performance gained increasing attention from scholars. Some of the reasons for this are computational speed progress and microcontrollers price drop, which have opened new possibilities in the realm of real-time musical interactions. Motus is an outcome of many experiments and scientific endeavors. We’re bringing cutting edge technologies straight to the user. By doing this we can exit alpha stage faster and implement exciting features found only in scientific papers and research facilities.

Available on crowdfunding
Motus was launched on a self-starter crowdfunding campaign on 21th of October. The company seeks to reach its crowdfunding goal of $28,000 in 30-day period until the 20th of November. During a campaign Motus devices are offered for an introductory price starting from $80. First supporters will be able to purchase a limited number of devices for even more discounted price. The collected funds will be used for securing first batch of production: finalizing the product, setting up manufacturing and future development."

New Cogito Cartesian Sequencer for Audulus

"Using Audulus for audio processing and pushing the iPhone to its ultimate limit, Audulus user Bimini Road has created Cogito, a Cartesian Sequencer. Building on the work of other talented Audulus users--JDRaoul, afta8, and jjthrash, --- the patch is worked out and explained in detail on the Audulus Forum.

The Cogito Sequener’s user interface is enabled by the Custom Nodes upgrade, an Audulus feature which allows custom-designed user interfaces.

Audulus is a minimalist modular software synthesizer and effects processor. With Audulus, users can build synthesizers, design new sounds, or process audio. All with low latency real-time processing suitable for live performance.

Audulus for iOS is available on the App Store for $14.99. An iPhone 4s or iPad 2 is required.

Audulus for Mac is available on the Mac App Store for $29.99. Mid 2010 or later Mac is required.

Audulus for Windows is available directly through audulus.com for $29.99. Buy now and receive ALL in-app upgrades FREE. That’s $45 worth of upgrades.

For more information, visit audulus.com."

The following are some details on the sequencer captured from the Audulus forum. Impressive.

"Ok, so here it is - the first (somewhat buggy) draft of Cogito, my Cartesian Sequencer - so called because...well, you'll see. I pushed the iPhone to its absolute limit with this one. It only takes up - ONLY, haha - 30% of the CPU, but I can *barely* get it to work with a synth beefier than 1 OSC node, 1 ADSR, 1 delay, and 1 reverb. It's official - I need to get a new Mac if I really want to pursue my Audulus dreams.

First, thanks are in order:

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noizevil Shooting Star, WMD Geiger Counter, Mooer Ana Echo, Arduino, LED Strip Light

Published on Jul 15, 2014 Akihiko Matsumoto

"noizevil Shooting Star, WMD Geiger Counter, Mooer Ana Echo, Arduino, LED Strip Light

noizevil
http://www.noizevil.com/"

This is the first noizevil post.

"Shooting Starは通常のエフェクターの域を超え、自己発振によりノイズシンセサイザーとしてツマミ演奏をも可能にしたファズです。ギターに限らず、ガジェットシンセやコンピューターからセンドリターンで使っても未知のサウンドが飛び出します。
5つのツマミのうちのTone、Spike、Chaos、Gainは密接に相互作用し、発振ノイズの音色をコントロールすることが可能です。発振させない通常時の音の太さもファズの中ではトップレベル！オルタナからノイズ、インダストリアルまでより過激な音色を求めるプレイヤーにおすすめです。
どこからが楽器でどこからがエフェクター？演奏or作曲？創作orレディメイド？楽音orノイズ？人間or機械？そんな芸術の境界線上にある問いをいくつも投げかける発振ノイズファズ。"

Googlish:
"Shooting Star is the fuzz that beyond the realm of normal effector, and also allows the knob synthesizer noise performance as the self-oscillation. Is not limited to guitar, the sound of the unknown will pop out even if I use the send return from computer gadgets and synth.
It is possible Tone of the knob of one 5, Spike, Chaos, Gain interact closely, to control the tone of the oscillation noise. Thickness of the sound of normal time that does not oscillate top level in the fuzz! It is recommended for players who seek a radical tone noise, than to industrial from Alterna.
Is from where and from where effector instruments? Performance or composition? Creation or ready-made? Musical sound or noise? Human or machine? Oscillation Noizufazu any number cast question that is on the border of such art."

Synthesizer System "Le Bart" - Patrick Mimran

flickr by Patrick Mimran

"Synthesizer System 'Le Bart' with a HP1000 Computer

Build for Patrick Mimran in 1980-1981"

No additional info at this point. I will post back if any comes in. You can find Patrick Mimran's YouTube Channel here.

Update: some info in via Frederic Gerchambeau who believes it was made in 1980 or 1981. (Google translated, original French further below):

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Zvex Super Seek Wah

Published on Mar 4, 2014 bigcitymusic·306 videos

"Zvex pedals are typically used by guitarists, but we decided to see what the Super Seek Wah would sound like with a synthesizer instead.

The Zvex Super Seek Wah pedal has MIDI In (and MIDI Thru) which bypasses the internal Tap Tempo and allows for tempo synchronization to an external MIDI Clock!

A Cwejman D-LFO sawtooth wave has been routed through the Super Seek Wah whose sequencer is clocked via MIDI from a computer. The Cwejman D-LFO module's pitch is tracked via MIDI to CV from a Vermona qMi.

A Mellotron M4000D can be heard in the background.
http://bigcitymusic.com"

New MOOG SUB 37 Paraphonic Polyphonic Synth Coming to NAMM?

Click the pic for the full size shot.

Some discussion on The MATRIXSYNTH Lounge and MATRIXSYNTH Facebook.

Update: [see Update4 below] for those not familiar with Paraphonic synths, a definition via wikipedia followed by a couple of notes:

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Emu Ultra e6400 Sampler with Compact Flash Mod

Note: Auction links are affiliate links for which the site may be compensated.
via this auction

"This is a very special Emu Ultra which has been upgraded with a internal compact flash slot (SCSI) which means you can 'hot-swap' compact flash cards to get your data into the Emu, fast. Also it has an internal IDE drive 80gb loaded with the entire Emu library. The Serial No. dates this to March 2001 so it was one of the last Emu samplers made...production probably stopped around 2002 when they had a close out on Emu samplers and parts.

This is the 2nd Emu sampler i have for sale and I purchased this a 3 years ago for the RFX32 card. I discovered the unit was barely used and this is proven by the buttons which have no rubbing/smoothing and are appear immaculate - they remain textured. I have not used the sampler all these years but have recently upgraded all my samplers with Scsi CF as I came across the necessary parts.
improve airflow.
All buttons work and there is no skipping with the controller dial.

To give you an idea of the costings for SCSI CF flash: to upgade to a SCSI CF flash drive will cost you are around £150. £70 for the SCSI/IDE converter and then another £40 for the flash slot itself. The SCSI/IDE converters are extremely rare and not easily found.

128mb Ram - again this is rare.

This EMU is running the last and latest version of EOS, which gives you realtime resonance on the filter instead of 'note-on' changes.

I will also include the EMu sound library on the hard drive plus lots and lots of samples. You will have to seek clearance if any of these samples find there way into a commerical release.

If you want to pick up one of these units to bring something new to your production - the Emu Filters - then this is the best way to do it."