YouTube Published on Apr 21, 2012 by misadigital
"Here I connect the kitara to the cakewalk z3ta+ 2 software synthesizer. Basically, the kitara becomes an extension to the synth, as a new way to control it. If you have cakewalk z3ta+ 2, you can download this particular sound preset from here: http://www.misadigital.com/misa_monophony.fxp
The glide/portamento of a synth is a very overlooked aspect of synthesizers, especially from a guitar synth perspective. The idea behing this video is to show how you can get a more "sequencer" type sound using the kitara's onboard sustain functionality.
In this video the kitara is tuned to E3, A4, D5, G5, B5, E6 (notice bottom E is an extra octave lower). Also, tap mode is on, and the sustain function should be enabled.
Ps. I actually took this riff from one of the z3ta showcase sequences, because I thought it sounded awesome!"
Cakewalk Z3ta+ 2 Ping Delay example (using the Misa Kitara)
Published on Apr 21, 2012 by misadigital
"Playing in sync with a delay effect can really make the sound more interesting.
Here I connect the kitara to the cakewalk z3ta+ 2 software synthesizer. Basically, the kitara becomes an extension to the synth, as a new way to control it. If you have cakewalk z3ta+2, you can download this particular sound preset from here: http://www.misadigital.com/misa_delay.fxp
In this video the kitara is tuned to E3, A4, D5, G5, B5, E6 (notice bottom E is an extra octave lower)."
Trance chords with the Cakewalk Z3ta+ 2 Synth Filter and Misa Kitara digital guitar controller
Published on Apr 21, 2012 by misadigital
"Here I connect the kitara to the cakewalk z3ta+ 2 software synthesizer. Basically, the kitara becomes an extension to the synth, as a new way to control it. If you have cakewalk z3ta+ 2, you can download this particular sound preset from here: http://www.misadigital.com/misa_filter_chords.fxp
In this video the kitara is tuned to E3, A4, D5, G5, B5, E6 (notice bottom E is an extra octave lower). You also need to set the kitara's MIDI controls as follows:
1. BALL_X = CC16
2. BALL_Y = CC17
3. TOUCH_X = CC18
And on the z3ta synth, set filter cutoff to CC16 and filter resonance to CC17 (you do this by right clicking on the control knobs)."