YouTube via davevosh | December 09, 2010 | "improvised live performance by logan mitchell,sr. and dave vosh from sonic circuits @ artomatic in washington d.c. on 5/31/09. logan mitchell,sr. - modular synthesizer dave vosh - modular synthesizer and radio"
via Dave: "i used a mixed euro-rack, doepfer, mfb, etc.. logan used a doepfer."
You might recognize the name Logan Mitchell from the Baltimore SDIY group featured here.
dave and logan, live at sonic circuits@artomatic 5-31-2009, pt 2.wmv
YouTube via GruithuisenCityMan | December 09, 2010 | 0 likes, 0 dislikes
"My first album is now available at Ruralfaune (ruralfaune@gmail.com or http://www.myspace.com/disquesruralfa... SYNTH018 FREDERIC GERCHAMBEAU "3 Suites" CDR - limited 90 - file under : french avant-garde electronic, GRM music for theoretical minds
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Hello ! My name is Frederic Gerchambeau. I have made this movie. The music has been made in one take with Plogue Bidule (sequencer, granular synthesis, mixer and various delay effects), two Doepfer Dark Energy (one is sequenced and another one is played on keyboard) and a Moog CP-251. Enjoy ! http://www.myspace.com/fredericgercha..."
"This is a classic. It is INTENSELY musical and features things that not many other old vintage synths have; including resonant low AND high pass filters, expressive aftertouch options, a super-usable ribbon controller, a ring modulator (typically only monosynths have this), and glissando....
1 VCO with SUB OSC as well
2 ADSRs (one for filter, one for amp)
HPF and LPF, both resonant
1 LFO, plus an independent LFO for PWM (Best PWM I've heard on a synth so far)
8 voices Ringmod sections with various controls (This is how to achieve that Vangelis sound)
Ribbon pitch controller (Great for solos)
External input for LFO control (make it track to drum machines, etc)
Polyphonic portamento"
"This original 1970s ARP synthesizer setup and instruction manual is in excellent condition. 16 pages of patches and information. Hard to find and will add value to your vintage ARP synthesizer."
Googlish: "DETUNE Inc. is developing an electromagnetic Chief Sano, KORG iMS-20 talks about the appeal. The first "SoundCloud work with." "But You're the contents of your firm?" No, no. KORG iMS-20 fun and learn.
SoundCloud to register / upload / download for, online manual details iMS-20 (http://bit.ly/dVaGRf) please."
"This is my custom built x0xb0x with original parts, custom aluminum enclosure, and SOKKOS 1.9.1 operating system. I do build these on commission so feel free to contact me with any questions."
"The Rhizome: the groove machine with and for VST has just been released.
The dream to combine the power of a PC and the ergonomic of a real musical instrument is becoming reality.
Feeltune announces the release of the Rhizome; one of the highlights of the MusikMesse when it was first presented last March. Many sites and magazines rated it best of the 2010 trade show! The Rhizome is the future of groove machines.
What are the differences with the competition? The Rhizome is a hybrid in which you install virtual instruments and effects in a VST/VSTi format (For Pc). No more limitations in terms of sounds and effects; with the Rhizome you choose the style of sound and instruments you want to play. Once downloaded you can mix your plug-in with the mixing desk; create your sequences, patterns and tracks with the multi modes and multi tracks sequencer which is the brain working behind the scene.
What are the differences with the other hybrids already on the market? The Rhizome is not just a keyboard with a Pc or a Pc Rack; it is a real musical instrument which has been designed for the pleasure to play and compose music and is equipped with software running an innovative interface with numerous displays and controllers.
The Rhizome is a real-time instrument: programming, recording, sampling, adding instruments and effects, tuning; all you do is live! There is no interruption when you play on stage or record in a studio. The objective: to free up your inspiration and creativity.
The development of the Rhizome took several years of R&D; 50 engineers and the validation of around 10 user groups. Today the Rhizome is an aggregate of the best technology and know-how.
For the Audio it is RME that does the job; it has been chosen because of its stability and sound quality which is recognized by everybody.
For the display; forget the small monochrome displays; the Rhizome offers 4 large displays (24 bit colors)
For the controllers; the Rhizome has 102 controllers in which you find 16 dynamic pads and 32 endless knobs
You get the Windows XPE which is a version of Windows XP Pro that has been redesigned and compiled especially for Feeltune. It offers a better stability and a total compatibility with VSTs.
For the effects and instruments; some of them have been developed by Ohm Force, well know key player of the market.
A Design and solid ergonomic; a size and weight that allows bringing the Rhizome with you as hand luggage when you travel by plane.
For its embedded system; you get power and reliability: Intel processor and mother board, server AC, silent fans.
Software, proprietary electronic card and box: build, assemblage and control in France.
Connections: The several in/out allow you to connect and use screens, mousse, midi controllers; hard disk and/or additional audio card.
Communication: The Rhizome is the first instrument to totally implement CopperLan; a new protocol that above the Midi transcription really revolutionize the communication between audio-video machines.
Technical Specifications
Rhizome SE :
- Intel Core 2 Duo 2,93 GHz x 2
- RAM / HD : 2 Go / 250 Go
- Plugs : 1 FireWire, 6 USB, 1 DVI, 1 HDMI, network Gigabit 100/100
- Audio : 1 headset, 2 balanced analog inputs and 2 balanced analog outputs, 1 ADAT, 1 SPDIF/AES, 1 E/S MIDI
- Feeltune software :
o Multitrack sequencer
o Virtual mixing desk
o VST/VSTi Host
o Drum Sampler
o Program Sampler
o Effects: Vocoder, Reverb, EQ, Distorsion, Filter, Flanger, Chorus, Delay, Compressor, Limiter, Bit Crusher, Pitch shifter, Stereolizer, Auto Pan, Enveloper, Multiband distortion, Deeser
o Synths : AcidLiner, SimpleSynth, Napper, TR 8s8, TR 9s9, TR6s6, TR 7s7, TR 7s27, L1nn Drum, DrumLator
- Ohm Force Sympthom synth
- CopperPlug LE (over lan control)
Dimensions : 52,4 x 42,7 x 14,1 cm (20.63 x 16.81 x 5.55 in)
Poids : 12,5 kg (27,55 lb)
Rhizome XE :
The same than SE with :
- Intel Core 2 Duo 2,93 Ghz x 2
- RAM / HD : 2 Go / 250 Go
- 6 balanced analog inputs
- Gforce Oddity
- Gforce Minimonstra
- Tight VNC
- CopperPlug MAX (over lan control)
Rhizome UXE :
The same than XE with :
- Intel Core 2 Quad 2,5 Ghz x 4
- RAM / HD : 4 Go / 500 Go
- Gforce Oddity
- Gforce Minimonstra
- Tight VNC
- CopperPlug MAX (over lan control)
- Other software sequencers or VST host compatible
More informations, medias and customer forum at www.feeltune.com"
via MTV "Though the Black Eyed Peas' will.i.am has been touting the wonders of recording on an iPad, Albarn said he was keen to record the world's first iPad-only album."
There have been plenty of iPad only tracks, but an entire album? I forget if any have been made. If you know, feel free to comment or shoot me an email.
Update: We might have found one. iMatik previously posted here on March 15, 2010. Thanks goes to soh_la in the comments for the reminder. Note it obviously depends on how it's defined. iPad vs. iPhone, use of any external samples and/or mixing, etc...
Update on iMatik: "[We] did use an analog bus compressor and plugins on my iPhone album, my main rule was that all sounds originate from the phone, but that I could process them a little if needed..."
Update via UK in the comments: "The first iPad album is 'The iPad Album' released worldwide by Mark Jenkins in October 2010. This was pretty widely publicized at the time and the album performed live in Holland.
The CD has been available since then internationally through
Produced by Gorillaz and Stephen Sedgwick. Recorded by Stephen Sedgwick and Gorillaz, except track 11 with additional recording by Mike Smith. Mixed by Stephen Sedgwick at Studio 13. Mastered by Geoff Pesche at Abbey Road Studios. Published by Chrysalis Music Ltd / Copyright Control."
YouTube via gorillaz | December 22, 2010 |
"Phoner To Arizona the first track from 'The Fall' Head over to http://gorillaz.com from the 25th to hear all 15 tracks! Happy Crimbo! x"
"This is a demo showing our FunkBox drum machine iPad app synced up with an x0xb0x synth, using CoreMIDI and an iPad camera connection kit with an m-audio uno MIDI interface. This will be included as a bonus feature in the next FunkBox 2.0 update which is coming soon! FunkBox is available for iPad, iPhone and iPod Touch from the App Store"
"You Rock Guitar Midi Controller Midi Guitar with Logic Express Software All Synth Instruments Original Music: Midi Tracks Song Title: Trans4Mind 'Best listening through headphones'"
It is interesting to think how things might be different if the guitar was the de facto interface for synths. The technology obviously wasn't there at the time.
"Paul Hamar You Rock Guitar Midi Controller Micro Korg XL Midi Controller Korg Nano PAD Midi Controller Logic Express Software All Synth Instruments Original Music: Audio & Midi Tracks Song Title: Blue Sax Carpet Ride "Best listening through headphones""
See the Inspired Instruments for more posts on the You Rock Guitar MIID Controller.
"Very simple, straightforward analogue design VCO-Filter-Envelope. Pitch bend wheel & assignable Mod wheel for Vibrato or Wah effects. 4 wave shapes & a great & buzzy PWM setting!"
Update via Thatsnotmydad in the comments: "When Lionel Richie was the musical guest on SNL, his keyboard player used the CS01 with a breath controller for the opening synth solo. It was the coolest thing I'd seen.
Also, I owned a Casiotone 405 -- the keyboard upon which the Yamaha is displayed. So, these photos are a serious rush."
"On iTunes NOW! http://itunes.apple.com/us/album/its-... It's not Christmas, until it's a Keyboard Cat Christmas! E.P. Available now wherever fine records are sold!"
Update: another video in case you just can't get enough... This one does feature a Yamaha SHS-10 keytar.
Fly-Drums by Tekky Synths is a drum-machine to make drum patterns on the fly. With lots of random options (samples, pitch, pan, decay, pattern...), real-time midi control, an intuitive GUI, an efficient workflow, save/recall presets when closing/opening projects in host, an open architecture to load user drum-kits... Fly-Drums shows itself as one of the most powerful and creative drum-machine in the VST world... As Fly-Drums accepts all wav files (44100Hz-16bit Wav), you cannot only load your own sample-based drum-kits, but you can also load your vocal samples, drum loops or entire songs... Fly-Drums becomes then the perfect tool for stutter effects, glitchy sequences or sliced/reordered new creative patterns... Add a complete multi-pole filter section and a powerfull FX unit to that...
Fly-Drums will be available by the end of the year (2010)
"G-RAiN by Tekky Synths is granulizer sampler. It also features a stepLFO filter modulation as well as a gater. A complete FX section with stereo widener/boost, flanger, reverb and delay. A few random options help the user to create sounds."
"My 6 voice midi/modular nearly complete! Just the PSU and an LFO to do...
the blank module on the left is a polyphonic MIDI-CV converter, so splits the MIDI notes to 6 channels (it will also do mono MIDI-CV)...
it will exist soon. seems to work OK but I must do some thorough testing before releasing. It also does Hz/V and hpefully S-trig. You can assign any channel to be part of the poly 'group', so for example could have 3 voice poly, and 3 mono c...hannels. Each channel has a CV2 output (assigned to velocity) and an accent on/off output (goes high with velocity over 80)"
"Obsoletetechnology | December 08, 2010 | 0 likes, 0 dislikes
This is a demo of my Optical Scanner triggering a midi note each time a black object passes underneath.I mounted the scanning device on my turntable and use a white platter as a surface. In this demo I control a virtual drummachine with the midi output of the scanner. First part of the video shows the setup of the trigger threshold to the current ambient lighting conditions, then the usage with the black trigger dots. The whole project is realized on a PIC16F88 microcontroller and the full documentation as well as the code can be found at: www.obsoletetechnology.wordpress.com (for non-commercial use only)" [link to post for the archives]
"Here I tried getting a string patch and played with different waveforms, filter settings and octaves up and down the keyboard. There is a slight portamento added and a very slow mod to the oscillator pulse width."
Update:
Yamaha CS-70M ... modulation fun!
YouTube via noddyspuncture | December 09, 2010 |
"This time I am messing with the modulation parameters and routing destinations on my CS-70M. Sorry about the focus here and there - looks like a camera problem, but hey... you can still hear it. Actually, the accidental *visual effects* make it a little more interesting....?! My CS-80 also makes a cameo appearance - she was just itching to join in...;c)"
"Sequential Circuits Prophet-5 revision 3 corpse... What's included is the original walnut case, control panel, pot boards and knobs, mod wheel-box with original wheels, original and complete Pratt-Read j-wire keyboard with ribbon cable, chassis with serial number and warranty label, and the power supply with PCB-3 connector cable."
via this auction video at auction and posted here "The Techno-tari 2600 is an analog synthesizer that replicates a basic square wave synthesizer . It is a synth in its most basic form – but with a handful of controls, can provide anything from squelching Techno bass lines to glitchy arpeggios and droning bass notes. The Techno-tari 2600 provides thick analog synth sounds in a rehoused Atari 2600 console.
The core of the synth is from Forrest Mims' Stepped Tone Generator (STG), also known as an Atari Punk Console. I used this circuit to produce the square wave sound. The circuit has two PITCH knobs that control the frequency of each step in the waveform. So by having the VCO at its core, I added a circuit that emulated three more elements of an analog synth; a voltage controlled filter (VCF), a low frequency oscillator (LFO) and a voltage controlled amplifier (VCA).
The RATE knob is used to control the speed and can give anything to a throb to fast Techno-speed beating to a drone. Setting the control at maximum is like having the original sounds of the STG.
The FILTER knob acts a tone control or VCF. Swept to its minimum, it acts like a high pass filter i.e. all high frequencies above a fixed point are passed through, cutting out the lower frequencies below the threshold. At its maximum, it acts like a low pass filter. This is subtractive synthesis at its most simplest – subtracting frequencies away from the whole (VCO) to provide a synthesised sound.
A FREQ switch allows a shift in octave of the oscilltor so you can go from chirpy, glitchy sounds to rumbling deep drones with one switch. Due to the change in frequency, the PITCH knobs act in a different relationship than before so experimenting here will give you a different low end result. Switch to the left is low frequency, to the right is high frequency.
Finally, I added a bit of a fuzz boost to beef up the filtered pulse wave, The stock sound was thin but by adding this VCA-esque stage, a thick squelchy sound is sent from the Techno-tari straight to the mixer/amplifier. The LEVEL control is the large knob and controls the final output of the signal. The Techno-tari 2600 operates off 9V DC using a standard 2.5mm negative tip power supply commonly used to power effects pedals. It has an on/off power switch and OUTPUT jack for plugging into headphones, mixer, amplifier or effects pedals."