"The gears used for this track are: Alesis Andromeda, Doepfer A100, MFB Urzwerg, MFB Kraftzwerg and Elektron Machinedrum. The facebook page for the project is [here]"
"Forbin Accenta Electronica is an entirely electronically-produced experimental composition using the KX-Synth X16software synthesizer. The KX-Synth X16 is a successful and extremely flexible software re-creation of the famous EMS VCS3 Putney or various Synthi models, using a virtual pin matrix to inter-connect the various oscillators, filters and modulation effects together. For this work, twin KX-Synth X16 synthesizers were connected in parallel within the VST host. Both synthesizers responded to playing, making the sounds truely bi-timbral, with both outputs able to be recorded by the host software for later integration into a multi-track environment. Various presets were used and modified to create etheral tones. Most of the patches employ ring modulation , or were configured by the virtual pin matrix to add ring modulation and extra feedback delay to create metallic and etheral melody lines. Those who every wanted to play an EMS VCS3 or Synthi synthesizer can have a feel for what it is like playing a KX-Synth X16 VST synthesizer on their own computer. The experience is extremely satisfying and open for much exploration and experimentation. The first mix comprised a reverberant tonal line with two tracks of a lone reverberant synthesizer line with heavy short feedback delay. These tracks were mixed down to one stereo track and slowed down significantly to create a more dreamy combination. Added to this was a metallic vibration tone with very short delay and heavy feedback. This was faded in and out as appropriate to the first mix. At the end are two time-shifted tracks of a sample of the ending, looped, then progressively slowed down until a very low frequency combination is heard receding into the distance. This then concluded the composition. The final mix was twice-compressed to level out the dynamics, then this version was used for the video. The visuals comprise vintage digital and analogue computers from the last 50 years - including UNIVAC, ORACLE and other systems, including SketchPad by Ivan Sutherland and various radar systems such as SAGE. These images were colourised with painting software, then keyed over modulating derivatives of a striped pattern, or motion-tracked versions of other images. The music reminded one of the feel of the music score in the film The Forbin Project; so the title of the work pays homage to this science fiction classic. The vintage computer images help to connect the music to previous generations when the technological landscape of computer science was of a different order."
YouTube Uploaded by bigcitymusic on Jun 10, 2011 Big City Music on eBay (RSS) "We just received the very first shipment of Pittsburgh Modular Analog Delay modules. This module is awesome!
We're running a simple sequence using the Analogue Systems rs200 Sequencer, Livewire AFG, Division 6 Filtaire, Analogue Systems rs60 Envelope Generator, A.S. rs85 LFO, and the Malekko VCA. We used the LFO's triangle output to modulate the delay time, then the feedback amount. This is a really well designed and beautiful sounding delay module and we are happy that it's available now. :-)"
"I just did this beatmaking video of the op-1 by teenage engineering today. I thought it showed off another side of the op-1 that has not been presented by any other video on the net so far. Yes it is unquantized and hiphop influenzend, BUT other than sampled (stock samples!) drums everthing else is pure op-1 synths."
via Haken Audio: "We are proud to announce that Version 4.20 firmware is now available for download for Continuum Fingerboards with built-in sounds.
Version 4.20 adds two new internal sounds, Four Point FM and Rosin Oscillator, and a new audio processor, Tuned Reverb. The firmware also includes optimizations to sensor scanning, improving performance with Midi and Internal Sounds. The Continuum Editor has a new look, and supports archiving and retrieving Continuum configuration data to and from disk files.
A series of demonstration movies are accessible through the Continuum Editor's Internal Sound Demo. These movies show playing technique using internal sounds of the Continuum Fingerboard. Configuration parameters on your continuum will be set to match the movie, allowing you to play the same sound that is used in the demonstration performance.
Version 4.20 integrates with the high-quality Kenton Mini Controller. The Kenton Mini Controller may be used in conjunction with the Editor, or in a computerless standalone mode in conjunction with the Kenton USB Midi Host.
For more information, see the press release available from the Haken Audio splash page [PDF].
All these developments are the latest results of our ongoing dedication and commitment to the Continuum Fingerboard. There will be more exciting things in the near future, as we always have more ideas than time!"
"June 10, 2011 - Maui Media Lab LLC- Maui, Hawaii: Play the best electronic drums and percussion you can get for your iPad, iPhone or iPod. Plug in your headphones to hear the incredible quality of sound. Plug into a stereo or soundboard to fill your room, or venue, with serious thunder beats. Perfect for practice. Great for Gigs.
Maui Media Lab's HitKit Features:
• Professional CD Quality Samples (16 bit, 44.1 khz) • Drums: Kick Drum, Snare Drum, TomTom Hi, TomTom Lo, HiHat Closed, HiHat Open, HiHat Open/Closed, Ride Cymbal, Crash Cymbal, Crash Bell, Cow Bell, Wind Chimes, Tamborine, Clave Hi, Clave Lo and Bass Slide (iPhone Bonus Sample.) • Triggers: Qboard, Proximity Sensor (iPhone only.) • Twenty-five Velocity Sensitive, Multi-Touch Pads. • Wave your hand above the top of your iPhone to hit the Bass Slide. • Low-latency, velocity sensitive, multi-touch, bilaterally symmetrical Qboard for realistic live performance by both left and right hand musicians.
Maui Media Lab LLC, a licensed Apple developer based out of Maui, Hawaii, has more than sixty applications available for sale in Apple's iTunes App Store for iPad, iPhone and the iPod Touch in more than eighty international markets. Maui Media Lab LLC applications for iPads, iPhones and iPod Touch devices include games, productivity tools, remote controls, musical instruments and much more.
Maui Media Lab LLC, licensed by Q Up Arts to produce an official line of iPad, iPhone and iPad Touch products, featuring the world class sound collections of Q Up Arts. Up Arts Inc. is the world recognized brand in audio content publishing & licensing. Q Up Arts Inc. audio content has been used in feature films, games, platinum selling records and CDs world wide since 1993. www.quparts.com
"The wonderful and flexible Oto Machines Biscuit is now here. Here is a photo of our recent delivery.
Using true 8-bit converters, digital processing and analog resonant filters, the Biscuit opens up a wide range of sounds from harsh distortion, digital and aliasing artifacts to warm and fat 8-bit sounds.
"The Flame C-3 Knob Recorder is now finished and entering the manufacturing stage. It will be ready to ship soon!
The Knob Recorder features 3 sections of recordable knob movements, perfect for using the module like a manual cv recorder with the output resembling an LFO, sequencer or other modulation source. Channel 1 has a CV input and also a reset is available.
The module is compact and very handy. Now with 102 seconds of record time!"
"Intellijel is always busy and here's the first results of his Spring work! New versions of the uScale, uStep and Mind Meld have just shipped to us from Canada. Details:
uStep- now very skiff friendly. The second pcb is parallel to the first and the whole module is about 1" deep. It uses the same buttons as uScale (more flush and easier to run fingers along to program quickly).
Mind Meld- new graphics, all SMT and uses the same kind of slide switches as on the newer Intellijel modules.
uScale- the PCB is about 1cm shorter than the first batch.
via this auction "Best for fat bass lines , leads and atmospheric sounds . Has a very nice filter resonance and an excellent slow to very fast LFO which goes right into the audio range. Doubles up as a CV/Midi convertor. Triples up as a nice external analog filter."
YouTube Uploaded by luchomolinarixxx on Jun 10, 2011
"The XYA Touch Surface controls the Moogerfoogers for a full analog FX. (X) controls MF-101 Filter Cutoff (Y) controls MF-102 Ring Mod Mix (A) controls MF-104Z Delay Amount (G) controls Voyager's LFO sync"
Minimoog Voyager Electric Blue + VX-351 (KBD outs modelates Moogerfoogers 101/107/104Z)
Uploaded by luchomolinarixxx on Jun 10, 2011
"The KBD outs of the VX-351 modulates Moogerfoogers MF-101, MF-107, MF-104Z (Pitch) to MF-101 Cutoff for classic keyboard tracking fx (VEL) to MF-104Z for a sweet velocity controlled delay. (Press) to MF-107 for a freaking distortion Fx controlled by aftertouch."
Justin McGrath of TRASH_AUDIO has a new release out under the moniker Polyfuse. The release is titled The Speed of Forever and was three years in the making. The following is a video for Dagger Hero, one of the tracks on the album, followed by more pics of Justin's studio. I've actually listened to the release in full and have to say it packs a punch. Great music to work out to, chill out to, or to get pumped up with heading out. You can listen to it in entirety here. Enjoy.
SnowKickDrumAndTheSeven303s (Friday Free D/L!) by highsage "A live demonstration of the Elektron OctaTrack, specifically Scene-Morphing and scene jamming using the cross fader. This is inspired by BOR spinning in Eindhoven at the Zodiak stage... probably the only audience I can think of that could handle the ending...
Track composed entirely of one kick drum sample from my modded TR-909 kick drum circuit, and then seven samples from my TB-303, including two from thebeast.co.uk tb-303. Is it still OK to call this minimal these days? What do you say, Mr. Hood?"
"We are a new band called "Loved by Ghosts" which uses almost entirely DIY synthesizers that we built ourselves.
In "Sonic Hysteria", you would certainly recognize the midibox SID while the bass is Monomachine.
In “Girl Go” the bass line is Avr-X Synthesizer, various FX is midibox FM and the lead Oberheim OB-12.
In the other songs - that we will be posting soon - we use: ASM-2, Mutable Instruments Shruthi-1, Pixie (Wasp clone), Monowave(X), MFOS Soundlab, SUB-COMMANDER Guitar Synth, Weird Sound Generator, Drone Lab V2, AVR synth, Gorf Sequencer.
For guitar and voice we use various filters from the web (wasp filter clone, steiner, lm13700 filter, ssm2044, polivoks), fx's built with boards from Jürgen Haible (Frequency Shifter FS-1A, Triple Chorus, Krautrock Phaser and 20-pole Phaser), many vintage Russian fx units, and many electro-Harmonix stompboxes.
All of them are sequenced from an Elektron Monomachine (we love it !!!) and an Electribe sampler is used for drums, created with the same synths.
You will recognize some of them in the pictures. More to come on our Facebook page.
We want to thank you… Thorsten Klose, Laurie Biddulph, Paul Maddox, Ray Wilson, Jürgen Haible, Johan Severinsson and Jonas Karlsson, Olivier Gillet, Peter Edwards, Jarek Ziembicki and to MATRIXSYNTH. Without your projects,our music would be empty.
And special thanks to our pet Speakjet, Wof, Wof.
If you enjoyed our music, follow us on Facebook, YouTube and SoundCloud, there's a lot more to come."
"Soundation Studio, the online music making application, has just added another tool to their growing arsenal, The Wub Machine. With oscillators, analog style filters, LFO, pitch, shape and glide functions plus the all important MSL (make *hit loud) knob, The Wub Machine is an excellent choice for those looking to make massive bass lines for Dubstep/DnB/Grime style electronica music.
“Soundation Studio has significantly raised the bar for making music online and The Wub Machine sets a whole new standard for virtual instruments in your browser”, says CEO Bil Bryant. “Now we have the quality, sound, functionality and look of a top notch VSTi directly available free in Soundation Studio” continues Bryant. “This is another step forward in the evolution of online music making, as we continue our mission to develop innovative tools and features for browser based music making,” continues Bryant.
Features:
The oscillator section has 2 oscillators with triangle, saw and square waves with Pitch, Gain, Glide and Shape knobs. Glide can be independently applied to each oscillator. There is a sub oscillator to add extra heft to the bass.
The LFO section includes 5 waveforms Depth, Phase and Speed knobs plus the option to retrigger on each new key hit and loop the LFO.
5 types of “analog style” filters including Lowpass, Highpass, Peak, Notch and Bandpass with knobs for Cutoff, Resonance and Drive .
Action Knobs: MSL for volume, Filth for nastiness and Unison to have more of everything.
"Here is a quick video of the MacBeth Mk1 'Majestic 12' System in operation. It's basically four Analogue Syntrhesizers in one! Each synth features 3 x VCOs/1 x Mixer/1 x 24dB/Octave Transistor Ladder Filter/1 x 12dB/Octave State Variable Filter and 2 x Dual Envelope Generators with built in output VCAs. This was recorded directly into the Canon 60D that I use- and on edit- as scene fades into scene- the sounds overlap a bit. The sequencer here is an ensoniq ASR-10- a fantastically easy sequencer to use. Also used is a four channel MIDI to CV converter- a Kenton Pro4. It's a short vid- shot in HD, hence the size! Hope you enjoy- Ken M"
"The Frisco School of Music presents "iBand". This is an advanced class taught by Gabriel Bautista with all of the instruments being iPad Apps. All of the students are taking music lessons at the school and were able transfer those skills to the various iPad applications.
The video is a compilation of the three performances they gave for the Star Power concerts at the school. They chose three Beatles tunes as a tribute to Apple (computers and records), 'All My Lovin" and a "Hey Jude-Come Together" medley.
The iBand performers are: Allison Ponthier, 15, Lowery Freshman Center, Vocalive; Cal Simpson, 13, Evans Middle School, Guitar-Garage Band; Colin Climie, 15, Clark High School, iJ Bass HD; Idrissa Ndiaye, 15, Jasper High School, Piano-Garage Band; Montana Brock, 13, McKinney Christian Academy, Drums-Garage Band; and Gabriel Bautista, Instructor, Pocket Organ.
The Frisco School of Music teaches exceptional private and group music lessons for all ages and levels on all instruments, plus Rock School Band, Jazz School Band and summer camps. The School is located on Preston Road at Main Street.
Check it out at http://www.FriscoSchoolofMusic.com or call 214.436.4058."
via Rozzer.net where you'll find additional details and an editor.
"Essentially the Suzuki SX500 is a rebadged Siel EX80 which in turn was a copy of the Korg EX800 [Poly-800].
Here’s what we know. There are two DCOs offering sawtooth and square waveforms (the square waveform can mix up to 4 octaves of square waves together). There is an analogue 24db Low Pass Filter (SSM Filter IC). Two amp envelopes (yes two!), filter envelope, two LFOs (hardwired to osc pitch and filter frequency), chorus effect and a basic record/playback sequencer."
"The K-Station is a whole new take on the original Bass Station Keyboard that put British synth makers Novation on the analog synth map! Essentially, the K-Station is an extremely well laid-out and superbly designed 2-octave keyboard version of their new A-Station rack module. It features 8 voices of analog modeled sounds with FM, 12-band vocoder, arpeggiator, reverb and delay effects, 400 user rewritable program memories, and more. Unlike the crowded interface and puny LCD display screen found on the A-Station, the K-Station has a beautiful layout with easy access to its knobs, sliders and buttons. And finally there's a large LCD display!
It has 25 knobs for real-time control, and all knobs transmit MIDI controller messages. The K-Station has three oscillators which provide sawtooth, triangle, sine, pulse width modulation and other waveforms. There's even a simple FM synth engine which can be dialed in for sharpening the sound. Oscillators may be set to Unison or Sync'd operation and a Noise source is also included in the waveform engine. There is a nice lowpass resonant filter with switchable 12 or 24dB/oct slopes and ADSR controls. A second ADSR envelope is available for the oscillators, as well as two LFOs with sample-and-hold and MIDI sync.
On-board effects include reverb and delay/chorus/flanger. Their send levels can be controlled by the Mod wheel which is a nice effect. A 12-band vocoder is also on-board for processing external mono sounds such as drum loops or vocals. The K-Station's pads sound great when vocoded with external sounds. External sounds can also be used as an oscillator, run through the filters, envelopes, etc. with much better results than were possible on the original Bass Stations. There's even a built-in Arpeggiator whose speed synchronization and sweep range can be stored with the program for instant recall. The K-Station is really an expressive, compact keyboard that's a hand-on joy to use and is just full of clean analog sounding synth bass, punchy leads, pads, filter sweeps and more! The K-Station is a great piece of kit for professionals and beginners alike!"
YouTube Uploaded by rouetproduction on Jun 10, 2011
"iBend Pro is a fantastic XY controller, you can set all midi controller and pitch bend! 4 axis are fully programmable.(min value, max value, action on release, inverse axis...) Two Mod of play are available: Fix Mod, fixed midi values on the screen. Free mod, interpreter your movement. It's very easy to use. iBend Pro is a universal app."