Thursday, November 01, 2012
COTK C 958 Quantizing Sequence
Published on Nov 1, 2012 by AudioCentralMagazine
"The same (curvy) eight step of sequence are under quantizing laws of C 958 COTK module. Just a touch of analog delay on the audio output."
AELITA 3-VCO VINTAGE USSR SOVIET ANALOG SYNTHESIZER SN 603497
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
mechanical animals
via this auction
mechanical animals
Rhodes Chroma Polaris SN 300258
Vermona DRM-1 Mk3 Analog Drum Synthesizer
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The DRM1 MKIII is an analogue drum synthesizer.
It offers eight instruments, each with seven knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve - one knob, one function.
The instruments on the DRM1 MKII are as following:
KICK
Mainly but not only for making big and fat kick drums
DRUM1 and DRUM2
Very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU...
MULTI
Three oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping.
SNARE
What can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2
That's analogue (heavy- or soft-) metal.
CLAP
Classic analogue hand claps.
Control Features and Connections:
· MASTER: Sets the main output level of the DRM1 Mk III
· TRIG: Button for triggering the sound.
· TRIG LED: Flashes when the sound is triggered
· SOUND: Programming parameter controls
· PAN: Places the sound in the stereo field
· VOLUME: Individual volume control for each channel
· OUT: Individual output/insert jack
· PHONES: Jack for connecting a headphone
· OUT RIGHT/OUT LEFT: Master output right and left
· MIDI THRU/MIDI IN: MIDI jacks for connecting a MIDI source and for putting the MIDI signal through the DRM1 Mk III
· POWER IN: Power jack with integrated fuse
The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert."
via this auction
"The DRM1 MKIII is an analogue drum synthesizer.
It offers eight instruments, each with seven knobs for forming the sound plus a panorama- and a volume-controller. The user interface is absolutely clear and intutitve - one knob, one function.
The instruments on the DRM1 MKII are as following:
KICK
Mainly but not only for making big and fat kick drums
DRUM1 and DRUM2
Very flexible instruments that can generate kick- and tom sounds a s well as bongos. Anything from zapp to bling and fantastic PIUU...
MULTI
Three oscillators can be detuned and gives you nice cowbell-like sounds. If you like submarines you can create a nice sonar ping.
SNAREWhat can we say about that? Well, you get what you expect.
Hi Hat1 and Hi Hat2
That's analogue (heavy- or soft-) metal.
CLAP
Classic analogue hand claps.
Control Features and Connections:
· MASTER: Sets the main output level of the DRM1 Mk III
· TRIG: Button for triggering the sound.
· TRIG LED: Flashes when the sound is triggered
· SOUND: Programming parameter controls· PAN: Places the sound in the stereo field
· VOLUME: Individual volume control for each channel
· OUT: Individual output/insert jack
· PHONES: Jack for connecting a headphone
· OUT RIGHT/OUT LEFT: Master output right and left
· MIDI THRU/MIDI IN: MIDI jacks for connecting a MIDI source and for putting the MIDI signal through the DRM1 Mk III
· POWER IN: Power jack with integrated fuse
The instruments of the DRM1 MKIII can be triggered by MIDI (of course velocity-sensitive). Beside the main outputs each channel is equipped with an individual output that also can be used as an channel insert."
Synthrotek 16 Step Analog Sequencer Case & DIY Stompbox
"Made with hard plastic, this box comes with 4 screws and a removable bottom piece. The top is clear and bottom is black. This case has been laser cut to accommodate the Synthrotek 16 Step Analog Sequencer."
M-Z3R0 - diy midi controlled drum machine progress II.. (with pss30 drone synth)
Published on Nov 1, 2012 by manufacturedZ3R0
"Midi retrofit on a yamaha dd8 running through one of my circuit bent yamaha pss30 digital/analogue drone synths.
Made a fair bit of progress on the midi circuit. Added a hex inverter to get the note on messages to trigger the drums as opposed to the note off of the first try (a side effect of the dd8's own circuitry which meant having to use 64ths and shift everything back by 1/64 to sync it perfectly to the bpm click). Ironed out misfire/machinegun trigger flaws with dc blocking caps and tidied the whole thing up a bit. I'm moving surprisingly fast on this new path and so far the learning curve and progress made have been relatively painless."
M-Z3R0 on eBay (RSS)
Roland MC-505 / MC-303 Promo Video
Published on Nov 1, 2012 by Jordan Passmore
"Here is a video I created using segments of a Roland promo video they released sometime in the late 90's."
You might need some acid or extacy for this one...
MC-505 for pot, MC-303 for acid & extacy.
COTK C958 Dual Quantizer Settings
Published on Nov 1, 2012 by AudioCentralMagazine
"While using the same board developed by Dieter Doepfer for his Euro Rack Dual Quantizer, the COTK C958 is a nice addition to 5U modular format. On this video, a slow ramp LFO wave is quantized with the different quantizing options available in the module; gating of the envelope is on the quantized event, so the chromatic (all) quantizing is "fastest" than the more simple I - V quantization."
How to destroy angels: Keep it together
How to destroy angels: Keep it together from How To Destroy Angels on Vimeo.
"From An Omen EP_ out November 13th.
Directed/edited by How to destroy angels_
http://howtodestroyangels.com"
Synth spotting: Oberheim Xpander, DSI PEK, EMS VCS3 "The Putney", Serge modular, Buchla, Make Noise, Doepfer, Analogue Systems French Connection, Knas Ekdahl Moisturizer, ARP Oddyssey with CMS Lumina Upgrade, Native Instruments Maschine, Moog Voyager, Tom Oberheim SEM? & more.
Moog Minitaur Goes Up to C5, Not C4
If you recall from my Moog Minitaur review (now updated), I stated that the Minitaur could play up to middle C, or note 72 / C4. This is also noted in the Minitaur manual. Well, it turns out MIDI note 72 is actually C5, an octave higher than middle C4 which is note 60.
John Bowen of John Bowen Synth Design and the Solaris caught this.
"I was reading your review of the Minitaur, and wanted to comment about the statement that Middle C (C4) is note #72. I've always used 60 as the value for C4.
If you check the info here: http://home.roadrunner.com/~
There are 128 possible notes on a MIDI device, numbered 0 to 127 (where Middle C is note number 60)."
He did find the following in the Logic Pro 9 user manual site regarding differences between Yamaha and Roland:
"Display Middle C As pop-up menu: This pop-up menu affects the description of notes in the editors. The bottom C on a five-octave keyboard (note # 36) is labeled C1, and middle C (note # 60) is labeled C3. According to this standard, the lowest MIDI note (note # 0) is called C–2. This is the official standard used by most manufacturers. Use of the C3 (Yamaha) setting will set Logic Pro to this standard mode. If you select the C4 (Roland) setting, the bottom C on a five-octave keyboard is labeled C2, and middle C is labeled as C4. In this standard, the lowest MIDI note is C–1."
So in this case Yamaha sees middle C as C3 and Roland sees middle C as C4, but both see C4 as MIDI note 60. If the Minitaur goes up to MIDI note 72, then that would be C5 and not C4.
John checked with Amos Gaynes of Moog Music and he verified it was his understanding that Middle C is note 60 and is C4, making MIDI Note 72 C5.
So there you have it. The Minitaur actually goes up to C5, one octave past middle C.
John Bowen of John Bowen Synth Design and the Solaris caught this.
"I was reading your review of the Minitaur, and wanted to comment about the statement that Middle C (C4) is note #72. I've always used 60 as the value for C4.
If you check the info here: http://home.roadrunner.com/~
There are 128 possible notes on a MIDI device, numbered 0 to 127 (where Middle C is note number 60)."
He did find the following in the Logic Pro 9 user manual site regarding differences between Yamaha and Roland:
"Display Middle C As pop-up menu: This pop-up menu affects the description of notes in the editors. The bottom C on a five-octave keyboard (note # 36) is labeled C1, and middle C (note # 60) is labeled C3. According to this standard, the lowest MIDI note (note # 0) is called C–2. This is the official standard used by most manufacturers. Use of the C3 (Yamaha) setting will set Logic Pro to this standard mode. If you select the C4 (Roland) setting, the bottom C on a five-octave keyboard is labeled C2, and middle C is labeled as C4. In this standard, the lowest MIDI note is C–1."
So in this case Yamaha sees middle C as C3 and Roland sees middle C as C4, but both see C4 as MIDI note 60. If the Minitaur goes up to MIDI note 72, then that would be C5 and not C4.
John checked with Amos Gaynes of Moog Music and he verified it was his understanding that Middle C is note 60 and is C4, making MIDI Note 72 C5.
So there you have it. The Minitaur actually goes up to C5, one octave past middle C.
1980 Yamaha CS-15 Analog Monophonic Synthesizer SN 3348
make noise rené plays guitare pseudorandomnly and slowly
Published on Nov 1, 2012 by heodesalciphron
"je séquence, donc je suis
{rené, scm, optomix, e350 morphing terrarium, brain, pressure points, maths, echophon}"
Update:
«il n'y a rien au monde de certain.» - make noise rené plays guitar fast
Published on Nov 1, 2012 by heodesalciphron
"Je suppose donc que toutes les choses que je vois sont fausses ; je me persuade que rien n'a jamais été de tout ce que ma mémoire remplie de mensonges me représente ; je pense n'avoir aucun sens ; je crois que le corps, la figure, l'étendue, le mouvement et le lieu ne sont que des fictions de mon esprit. Qu'est-ce donc qui pourra être estimé véritable ? Peut-être rien autre chose, sinon qu'il n'y a rien au monde de certain.
{rené, scm, optomix, e350 morphing terrarium, brain, pressure points, maths, echophon}"
Googlish:
"So I guess all the things I see are false, I am convinced that nothing was ever all that my mind is filled with falsehoods me, I think I have no sense, I think the body the figure, extension, motion, and place are merely fictions of my mind. what is it that can be considered true? Perhaps nothing else, otherwise there is nothing world certain.
{rené, scm, optomix, e350 morphing terrarium, brain, pressure points, math, echophon} "
Mr.AcidMachine Agent C Semi-Modular Hardware Synth
via Mr.AcidMachine
"PRE-ORDER NOW ON THE SHOP PAGE!! $895 shipping included worldwide.
2 VCOs (syncable, VCO1 is saw, VCO2 is saw or square with Pulse Width)
1 VCF (Bandpass/Lowpass, V/OCT and can self-oscillate)
1 LFO (square, ramp, saw, triangle)
1 VCA
2 Attack Release Generators (loopable)
1 Sample and Hold
1/4-inch Jack Patchbay for modular fun.
1 Linear Gated Glide for the oscillators
MIDI to CV/GATE with note priority button (last, high, low) and channel button (1-16)
Mains IEC inlet with an internal switch for 115V/230V.
This synth will rock with you!"
Update: larger image to the left. Click it to read.
Steady State Fate PTGsoundcheck
Published on Nov 1, 2012 by SteadyStateFate
"Just a short (blurry) test video to check the recording levels of my new camera.
Features the Positronic Transient Gate (PTG) prototype in black. The PTG is working as a VCA with the Synchrodyne VCO as an input. The Left Side main input of the PTG is being triggered by the X-series SUB and the DAMP parameter is modulated by the X-series Sine.
The PTG VCA output is processed through the DMF-2.
The PTG Left Side main input is normaled to the Right Side main input, which is creating the envelope controlling the DMF-2 cutoff frequency. Finally, the PTG Right Side DAMP parameter is modulated by the X-series Triangle. Knobs are wiggled."
ArdCore NoiseRing
Published on Nov 1, 2012 by chisel316
"I programmed a simple emulation of the Wiard NoiseRing on my Snazzy FX ArdCore. It supports the chance and change controls and outputs an 8-bit shift register based on the specs here: http://mamonu.weebly.com/wiard-noisering.html. It's clocked by a square LFO from the Kraftzwerg. The output CV is sent into the VCO on the Kraftzwerg. The output trigger is sent into the envelope gate input on the Kraftzwerg. I don't have a real NoiseRing to compare it to, but it's fun to play with regardless. Hope you enjoy it!
Peace \/
chisel316"
via Dan Marder on The MATRIXSYNTH Lounge
Doepfer A155 Sequencer and 154 Sequential Controller Modulation Part Two
Published on Nov 1, 2012 by raulsworldofsynths
"Part Two of a demonstration of Modulation of the Doepfer A154 Sequential Controller when used with the Doepfer A155. Sound and Video by Raul Pena."
All parts here.
Drum Synth Ignition by Electronicaz
Drum Synth Ignition by Electronicaz by Electronicaz
"An electro-esque piece created entirely using only a Dave Smith Instruments "MoPho" analogue synth & Logic sequencer. A few of Logic's own effects were added to the samples."
via Paul Electronicaz Johnson on The MATRIXSYNTH Lounge
Sunbutler (Album Snips) - All DX7 Release
Sunbutler (Album Snips) by Ben Butler & Mousepad
All of the musical parts for the backing, using 5 basic sounds per track, are from one Yamaha DX7.
"Snips from the new record by Momus & Joe Howe (Sunbutler).
Released on American Patchwork / Darla.
The Sunbutler album is a collaboration between two Scots of different generations living on different continents. Joe Howe and Momus worked together before, making the Joemus album in Berlin in 2008. Whereas Joe’s main musical project back then was the itchy, glitchy Germlin, in 2012 he composes and performs as Ben Butler & Mousepad, making an infectious hand-played funk that references Max Tundra, Herbie Hancock and YMO. Restricting himself to just five basic sounds on an old FM synth, Joe made backing tracks in his Glasgow studio which Momus in Osaka then warped into disjointed funk songs, emphasising the genre’s sleaziness in an 80s-retro way that recalls Prince at his most dirty-minded, the glittering deconstructions of Scritti Politti, and Momus albums like 1989’s Don’t Stop The Night. The results are funny, catchy, and disturbingly infectious.
Released by: American Patchwork
Release/catalogue number: AMPATCH012-3 "
All of the musical parts for the backing, using 5 basic sounds per track, are from one Yamaha DX7.
"Snips from the new record by Momus & Joe Howe (Sunbutler).
Released on American Patchwork / Darla.
The Sunbutler album is a collaboration between two Scots of different generations living on different continents. Joe Howe and Momus worked together before, making the Joemus album in Berlin in 2008. Whereas Joe’s main musical project back then was the itchy, glitchy Germlin, in 2012 he composes and performs as Ben Butler & Mousepad, making an infectious hand-played funk that references Max Tundra, Herbie Hancock and YMO. Restricting himself to just five basic sounds on an old FM synth, Joe made backing tracks in his Glasgow studio which Momus in Osaka then warped into disjointed funk songs, emphasising the genre’s sleaziness in an 80s-retro way that recalls Prince at his most dirty-minded, the glittering deconstructions of Scritti Politti, and Momus albums like 1989’s Don’t Stop The Night. The results are funny, catchy, and disturbingly infectious.
Released by: American Patchwork
Release/catalogue number: AMPATCH012-3 "
"Poofster's Plunkers" (Instrumental)
Published on Nov 1, 2012 by TimeSynthis
"So what does it all add up to? "Poofster's Plunkers"
Slide show of the currencies of the Forex market. A few pleasant faces, many not so pleasant faces. Some old, some new.
All Ensoniq synths used, SQ-R+ percussion, ESQ-M bass, filter sweeps & solo voice in last section, SD-1 pads.
Artificial 6:7 rhythmic figures are written in places. A lot of changing time signatures, starts out with 3 measures of 6/8 (bass begins with playing dotted eighth notes) then a measure of 7/8, repeated four times... Also measures of 7/16 and 2/4 are used. Rhythm and Bass composed in Coda Finale 2012 in standard notation. The entire rhythmic percussion/bass score is written out in 36 measures.
Currencies pictured (not in this order) Australia, Canada, New Zealand, Japan, England, Euro Zone, Switzerland, Hong Kong, Singapore, Norway, Sweden, Turkey, Hungary, Czech Republic, Denmark, Russia, Poland, South Africa, Mexico, USA
Original Instrumental work by Jack Girouard (2012)"
SRGMO by Franz Schuier
2nd track on Franz Schuier's "a sucker for random" posted on MATRIXSYNTH-C.
SRGMO from Franz Schuier on Vimeo.
Video for the Track "SRGMO" from the E.P. "a sucker for random".
"Produced analog with a synchronator, hssji, korg entrancer and an old panasonic video mixer.
All tracks are based on underlying drumtracks programmed with analog drummachines. In contrast to the drumlines, the synths are driven by numerous random voltage techniques, using a Buchla Source of Uncertainty, Serge SSGs, Ciat Lombarde gear and a Serge TKB. More randomness was created by crossmodulating sources. E.g.: The SSG used the respective drum machine noise as source for the S&H.
Tracks were not arranged, but recorded as multitrack and then mixed/muted later on an analogue desk.
download the E.P. here:
http://franzschuier.bandcamp.com"
Cracking the WMD Gamma Wave Source
Published on Nov 1, 2012 by FSK1138
"here is the walk thru
on how i cracked the WMD Gamma wave source wave files
the fun starts at 03:34
The WMD Gamma Wave Source is a dual digital wavetable VCO
with 256 wave forms
1:
download and print
WMD gamma wave source Tables chart.
http://www.wmdevices.com/gwswavetablesweb.pdf
Giles Reaves: Space Music Improv on the Synapse Antidote Synthesizer
Published on Nov 1, 2012 by SeligVideos
"Giles Reaves: Space Music Improv on the Synapse Antidote Synthesizer. Testing my new Nikon D600, and the new Synthesizer from Synapse Audio: Antidote (for Reason 6.5). I created the patch from scratch in real time, as shown in the video. To keep in the "space music" theme, I used my night time time lapse footage from a recent trip through Southern Utah and Northern Arizona (including shots at Arcosanti, AZ)."
KORG Mono/Poly Vintage Analog Synthesizer SN 237991
1980s Clear Gleeman Pentaphonic Literature
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
" Double sided color original info on the Gleeman Pentaphonic Clear synthesizer system. Early 1980's, good condition, very rare."
See the seller's other items for more.
via this auction
" Double sided color original info on the Gleeman Pentaphonic Clear synthesizer system. Early 1980's, good condition, very rare."
See the seller's other items for more.
Sequential Circuits PRO-8 SN 12150
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
tokywax (RSS)
via this auction
tokywax (RSS)
ROLAND SH-101 Vintage Analog Synthesizer w/ Mod Grip MGS-1 SN 458991
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
tokywax (RSS)
via this auction
tokywax (RSS)
ROLAND SH-2000
iPulsaret
Published on Oct 24, 2012 by Apps4idevicesMusic
http://www.apps4idevices.com/read/ipulsaret
"iPulsaret is a granular synthesis. An awesome Granular Synthesizer able to generate a wide range of common and unusual effects: time/pitch shifting, time/pitch jittering, intricate textures, grain fountain/pulverizer, recording and manipulation of buffers, dynamic envelope shapes and many more. iPulsaret allows you to load from built-in sound samples, record audio directly with your iPad mic and/or add your own .WAV, .AIFF files via iTunes. A DropBox access is also available as the Sonoma AudioCopy / Paste feature. I really love the quality of the generated sound, the big x / y Pad which allows you to load 4 Snapshots (one for each corner). A must have for sound designers. A Killer App!"
iTunes:
iPulsaret - apeSoft
iPads on eBay, on Amazon
Also see: iPulsaret Microsound Granular Synth for iPad
iPad and Midi Fighter Drum Rack with BeatMaker2
Published on Oct 31, 2012 by Kyle Mohr
"With the most recent update of coreMidi to iOS 6.0, a All-in-one Camera Connection Kit for iPad ($3.00) from Amazon.com, an iPad2, the BeatMaker2 App ($19.99), a DJ Tech Tools Midi Fighter Classic controller and a Midi over USB cable you can now import and play Ableton Live drum racks or any samples using just a midi fighter and iPad.
You can now jam with friends on the go, or play sound packs with your midi fighter controller without the need of a laptop, Ableton Live, Traktor, etc.
Samples used in this Demo are From DJ Tech Tools' Mad Zach Soundpack 23 - Jazzy McFly and the Westside Riders"
iTunes:
BeatMaker 2 - INTUA
iPads on eBay, on Amazon
Midi Fighter on eBay
1978 ARP Omni-2 Ad
via Retro Synth Ads where you'll find the write-up.
"ARP Omni-2 'We're a rock and roll orchestra... / Kerry Livgren' black and white and orange full page advertisement from page five in the November 1978 issue of Contemporary Keyboard."
Speak of the Devil - Synths and The Head of The Church of Satan
via f * mass via Strange Flowers
"The 1995 documentary Speak of the Devil addresses the life and lore of Satanist Anton LaVey. The head of the Church of Satan, who died 15 years ago today [October 29, 1997], proves very difficult to dislike in this account as he jauntily fingers his calliope, evoking a vanished world of burlesque, circuses and comic book novelties. LaVey never denied, in fact readily conceded, the sideshow component of his world view, locating the origin of his attraction to occult practice in travelling carnivals."
Added to the Synths in TV & Film post.
New Endeavour Evo Videos
introducing the evo from endeavour on Vimeo.
"The evo is a pure keyboard controller that is connected to a computer via an Ethernet interface, and that communicates via Midi or OSC with synthesizers, sequencers or similar. The keys are the special feature here. Every single key is equipped with a sensor that allows evo to read the finger position on a certain area of the key surface. Thus, every key has, in addition to pitch and velocity, another level of the polyphonic data input that can be used for continuous control via cutoff, resonance, pitch other. And now. Think about a precise, continuous control of polyphone properties. Everything that previously affected notes equally using controllers and buttons can now be executed with simple moves of the finger on the keys for each individual note. In the future you will play chords and move one finger to emphasize one single note by changing the acoustic pattern, or to change the pitch regardless of the other notes."
Standard MIDI Synthesizers and The evo from endeavour on Vimeo.
"The evo is backward compatible to MIDI and other protocols. MIDI Synthesizers however sometimes do not feature things like Polyphonic Aftertouch. In general, they sometimes do not feature next to pitch and velocity any additional control over expression. Our evo2midi tool has some kind of special mode. The voice mode. Once activated every single note will be transmitted using a different MIDI Channel. In this video we are explaining how this affects your MIDI Synthesizers."
the evo - Native Max/MSP Support from endeavour on Vimeo.
"As a type of modular programming language, Max/MSP offers enormous potential for the development of audio software. In order to ensure the configuration-free and direct use of evo within the programming environment, we developed an “external” - which is written in “C” and handles the communication with evo in the background using its own threads."
See the Endeavour label below for more.
Keith McMillen QuNexus Smart Sensor Keyboard Controller
On Kickstarter - be sure to watch this video in full for some Synth Trivia: Keith McMillen was the man behind the Oberheim OB-Mx & Echoplex digital pro.
"QuNexus is a controller that everyone can have fun with. 25 vividly illuminated, touch-sensitive keys invite the beginner to explore, and provide valuable performance feedback for the professional.
Smart Sensor keys detect pressure, location, and velocity giving you unprecedented musical control.
Great for beginners and educators
Together with popular software apps, beginners can learn to play quickly and easily with QuNexus’ game-like blue and white glowing keys, creating a fun and interactive learning experience. Now anyone can play the piano.
Pro functionality
QuNexus is the first keyboard controller to unite four generations of synthesis: MIDI, Control Voltage, OSC and USB.
25 Smart Sensor Keys detect Pressure, Location, and Velocity
Polyphonic Aftertouch
7 Octave range
Pitch Bend Pad
2 CV/Gate Inputs
Gate and 3 CV Outputs (16-bit)
Blue and White LED Illumination with 16 levels of brightness
Portable: 14 oz, 3.5" x 10" x .5 "
Plug and Play: USB powered, no drivers needed
MacOS, Windows, iOS, Android, Linux
QuNexus is fully designed and prototyped. We are reaching out to you on Kickstarter to help us raise the funds for tooling and production.
Last year we successfully funded QuNeo on Kickstarter, raising more than $165,000 on our way to becoming the most funded music technology project in Kickstarter history at the time. In a poll taken after our project fulfillment, 94% of our backers said they would participate in another KMI Kickstarter project. Since the conclusion of our project QuNeo has continued its success, and we are very excited to launch our newest project, QuNexus..." Additional details on Kickstarter here.
LABELS/MORE:
Alternate Controllers,
Featured,
Keith McMillen,
kickstarter,
Synth Chicks,
Synth Trivia,
Video
Vintage Synthesizers I Moog Minimoog
Published on Nov 1, 2012 by MusicMarketingTV
"A voyage into the heart of the Moog Minimoog from the year 1970.
Exploration by Marko Ettlich (RetroSound)
monophonic analog synthesis 3 VCO I Saw, Square, Spaced Saw, Pulse,
Filter - 24dB lowpass
44 keys, single-trigger, low-note priority"
Vintage Synthesizers I Moog Source
Published on Nov 1, 2012 by MusicMarketingTV
"A voyage into the heart of the Moog Source from the year 1981.
Exploration by Marko Ettlich (RetroSound)
monophonic analog synthesis 2 VCO I Saw, Square, PWM,
Filter - 24dB lowpass
sample/hold
step sequencer, arpeggiator
and more"
Techno with Nanoloop + synchronized Monotron analog filter
Published on Nov 1, 2012 by KrassesZeug
"Both, a cuicuit-bent Korg Monotron and a Nanoloop (Synthesizer and Sequencer on Nintendo Gameboy) are synced by the trigger impulses sent by a Roland TR-626 drum computer.
This allows to filter the raw chiptune sound of Nanoloop by the analog filter of the Monotron. The retrigger of the Monotron LFO is the red wire. The sync mod is done like shown here: http://stevewoodward.posterous.com/lfo-reset-point-on-korg-monotron"
monotrons on eBay
Korg m1 ambient demo
Published on Nov 1, 2012 by vintagesynthlover
"some pad and fx sounds. recorded and mixed in logic. some effects used."
8 KOMA Kommander monster set-up!
Published on Nov 1, 2012 by KOMA Elektronik
"Winter is coming soon, we are all a bit down. How to keep the spirit up at the KOMA Elektronik office? Very simple! With a 8 piece KOMMANDER Eurorack freak out!"
More information:
http://www.koma-elektronik.com/products/kommander/
https://www.facebook.com/KOMAelektronik
SEM Pro + uScale 2 + etc = Basic Eurorack Patch Breakdown
Published on Nov 1, 2012 by n3bsvid
[ http://citizenpark.bandcamp.com ]
Demo of a basic patch featuring a few eurorack modules and a SEM Pro.
Hardware:
Make Noise Optomix
Make Noise Wogglebug
Make Noise Echophon
Intellijel uScale 2
Tom Oberheim SEM Pro
Vintage Synthesizers I Roland JD-800
Published on Nov 1, 2012 by MusicMarketingTV
"A voyage into the heart of the Roland JD-800 from the year 1991.
Exploration by Marko Ettlich (RetroSound)
rom sample based digital synth
24 voices
6 part multitimbral
multimode filter, lfo
61 keys with velocity and aftertouch"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
