Gary Numan's First Exposure To Synths & The Minimoog

via Under the Radar where you'll find the full interview.

"It was a very happy accident. I was in a band called Tubeway Army and we were a three-piece punk band. We went into a studio to make a record and we had three days to go and make it, which was the punk songs we were playing live. I went to the studio, never having seen a synthesizer before, and round the corner was a thing called a Minimoog which was quite a famous synthesizer. It was supposed to be collected by a hire company because somebody had rented it the day before and they’d forgotten about it. They never turned up so I started using it all day for this first day and I just loved it; I didn’t know much about them but I was having fun working it out and thought these amazing noises were coming out of this thing. I just thought it was the best thing I had ever heard.
I went to the record company and told them I’d found this synthesizer thing which was amazing and this was what I wanted to use for the future and so all those punk songs are going to be electronic punk songs, and I don’t want to be in a band anymore, I want to be a solo artist. I thought I had found something really special! The record company were really unhappy to be honest, they didn’t get it at all, they wanted a punk band and that’s it. Luckily for me they didn’t have any money so they couldn’t afford to send me back into the studio because I’d blown the budget. So they released it and it did a lot better than they expected, so they let me go back into the studio and make another album. So I went back into the studio and made another album. And then we had a single from this album that went to number one, so I went from having never seen a synthesizer before to becoming the ‘number one expert on synthesizers’ in the UK. I had a number one electronic album and people were talking about me being an electronic expert and all that, and I’d only spent about eight hours with a synthesizer because I couldn’t afford to buy one. I had the one that was left behind in the studio that first day, and we could only afford to rent one again for one more day when I made the second album, so I didn’t know much about it at all. In those early days people would ask me questions about synthesizers and programming and I didn’t know what they were talking about, and yet I was supposed to be a champion of this sound."

New Rytmik Studio Seeks Funding on Indiegogo

2049 by Martin Linda (Rytmik Studio Demo Song) Published on Oct 9, 2017 Rytmik Studio

"A demo song created in the upcoming Rytmik Studio. Rytmik Studio is in development for quite long time. The new version of Rytmik is now at a point where we can accelerate development, and we need your support to achieve this. Support us at Indiegogo."

This one was spotted and sent in via Soviet Space Child.

You might be familiar with previous incarnations of Rytmik, including Rytmik Ultimate for iPad, Rytmik World Music for Nintendo DSi & 3DS, and Rytmik Original Edition (and here), and Rytmik Rock Edition. The Rytmik DSIWare teaser was first posted here on MATRIXSYNTH back in 2010.

The are now running on Indigogo campaign for Rytmik Studio. The following are some details including the updates to previous incarnations you can expect.

"Third Generation (2017)
Rytmik Studio. That's what we are working on, and you can now support it. The jump between the second and the third generation is huge. For more specific information, please see the list of features and the description of the internal architecture of our sound engine. We are currently developing this version for PC and Mac. It will be available on Steam in Early Access later this year. The final version of Rytmik Studio will be available in 2018."


"What is Rytmik Studio?

Simply put, it's a music creation software based around a beautifully simple, yet wonderfully powerful concept. It’s flexible, instant and fun. Create a basic melody in a few steps, compose a great song in a few minutes, and show your musical flare with a whole range of instruments and effects. Rytmik Studio combines a step sequencer and a wavetable synthesizer. All this is supported by a built-in library with over 1200 samples, hundreds of instrument presets and dozens of sample songs. The results of your production can be instantly shared online, or exported to more traditional audio file formats. Rytmik Studio allows you to set different permissions and save songs to the Rytmik Cloud for users to enjoy, from simple playback and rating to remixing and collaborations. Take a song and watch how it evolves as it passes through the hands of more composers and their creative input.

Why IndieGoGo?
We have been developing games and applications for over 19 years. In 2010, we started developing the music application Rytmik for Nintendo DSi. Over time, we added new features and improved existing ones. As Rytmik grew, so did technology, and we took advantage of the more powerful hardware that became available. The latest version, Rytmik Ultimate, is available for Windows, MacOS, Nintendo 3DS, and iPad. We are now currently developing the third generation of Rytmik: Rytmik Studio.

The community behind Rytmik is growing, and we have two clear objectives. Firstly, we would like to complete Rytmik Studio sooner. Secondly, we want to involve the community in shaping the development itself. In today‘s digital age, a togetherness of development and community is essential for everybody. The new version of Rytmik Studio is now at a point where we can accelerate development, and we need your support to achieve this.

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MATRIXSYNTH Swag & Hall of Fame!!!

MATRISYNTH Ts are $20 in the US and $25 outside the US. This includes the shipping cost, three MATRIXSYNTH cards and one magnet.  A set of three cards and one magnet, minus the T, is $5.

The T-Shirts are from Gorilla Screen Printing - highly recommended. If you get Ts done by them, let them know you found out about them here.

Paypal any amount to matrixsynth *at* gmail.com. Be sure to include the shipping address, size and whether you'd like long or short sleeves.

Below are some MATRIXSYNTH Ts and cards spotted in the wild. If you have them, send them in!

CLICK FOR MORE »

Introducing String Studio VS-2

Published on Jun 17, 2014 Applied Acoustics Systems

"Thiago Pinheiro introduces AAS' string modeling synthesizer plug-in...

String Studio VS-2 -- String Modeling Synthesizer
https://www.applied-acoustics.com/str..."

"MONTREAL, QUEBEC, CANADA: physical modelling plug-in specialist Applied Acoustics Systems (AAS) is proud to announce availability of String Studio VS-2 for Mac OS X (10.6 or later) and Windows (XP, Vista, 7, or 8) — an updated 64-bit (AAX-, AU-, and VST-compatible) version of its original String Studio VS-1 string modelling synthesizer plug-in released to critical acclaim almost a decade ago, dispensing with the traditional synthesizer audio pathway of oscillator, filter, and envelope elements in favour of real-life string instrument components — as of June 17...

String Studio VS-2 is so much more than a routine update of its predecessor, however. Here AAS has successfully streamlined the String Studio concept and brought it kicking and screaming to a whole new level — one that will forever change both listener and player’s perspective on strings. Who better, then, to introduce that streamlined String Studio concept than Applied Acoustics Systems President and Chief Executive Officer Marc-Pierre Verge: “Strings are the basis of so many musical instruments. They can be plucked, bowed, or hit, and interact with fingers, frets, dampers, and soundboards to produce a huge range of sounds. With String Studio VS-2, we have expanded these possibilities with filters, effects, and other regular synth features. You will be amazed how far you can get with a string!”

So what’s new, exactly? Well, why don’t we start on the surface before digging deeper? Redesigned from the ground up, the new interface now divides String Studio VS-2 into three panels: Play presents shortcuts to the performance and effects parameters, including bypass switches for quick edits, as well as a genuinely apt Arpeggiator — offering various synchronisation resolutions, playing algorithms, and rhythmic patterns that will spruce up any chord progressions into percolating melodies or pulsing sequences; Edit lets users tweak and create sounds by cleverly combining innovative acoustic modelling parameters and classic synth features in a unique way — be inspired by the new sonic possibilities while feeling at ease with the familiar approach to sound design; while FX adds all-new Equalizer and Compressor modules — perfect for adding punch and definition to any sound so it cuts through any dense mix or stage setup, as well as an overhauled, reinvigorated and polished multi-effects processor featuring AAS’ best-sounding chorus, delay, phaser, flanger, distortion, notch filter, wah-wah, and reverb to date — perfect for adding a final polished, professional- sounding sheen to whatever physically modelled string sounds you can come up with!

But beyond those three attractive and user-friendly front panels awaits an array of other new features. For starters, structured organisation, backup, and sharing of sounds has never been easier, thanks to String Studio VS-2’s Bank and Program management system! Speaking of sounds, the totally refreshed factory library has well over 600 production-ready sounds already classified across 11 categories — everything needed to create all the parts of any electronic production, including a collection of 50 inspiring signature presets by producer Sean Divine — for fast and intuitive investigation prior to digging deeper when moving on to solo sonic excursions. Seasoned String Studio VS-1 users, of course, can simply drop exported presets into String Studio VS-2’s Bank folder to convert them for continued usage — no need to leave anything behind, while the more adventurous sound designers out there will welcome Scala scale file format support for microtonal music-making — why stick to the chromatic scale if you don’t have to? And speaking of experimenting with the synth’s supremely powerful parameters, a new output limiter prudently protects ears and monitors and also ensures distortion-free dynamics at all times — thoughtful touch, surely?

For sure, String Studio VS-2 is packed with premium performance features, including realtime control over any parameters via MIDI controller knobs, faders, and switches; MIDI clock, tap, and host tempo synchronisation for effects and modulations; and relaxed editing with unlimited undo/redo capability. Combine these with the benefits of physical modelling — super-smooth dynamics with no velocity layers, sound manipulation at the source core, extremely fast preset loading times, and small memory footprint, for example — and what have you got? A new breed of synthesizer, that’s what!

Just ask Brazilian keyboard virtuoso Thiago Pinheiro: “Strings can be played in so many different ways. They can be played with a finger or a pick for plucked sounds, bowed for sustained sounds, or even hammered for a percussion- or keyboard-like sound. Strings can be thick or thin, and even the position you play them makes a huge difference in terms of sound. String Studio uses physical modelling to recreate the interaction of strings, and adds to that with filter, LFO, arpeggiator, full set of effects, and more. It is very expressive to the touch and feels more like an acoustic instrument — perfect for studio and stage. String Studio can take your creativity to the next level. It can create a vast number of different sounds, so, now I can only ask you: how crazy can you go with the sound of a string?”

So what are you waiting for? Why not take your creativity to the next level with String Studio VS-2? With its unique blend of acoustic modelling and regular synth features, only you can answer the question: how crazy can you go with a string?


String Studio VS-2 is available to buy for instant download delivery directly from Applied Acoustics Systems for an introductory discounted price of $99.00 USD (rising to $199.00 USD on July 1, 2014) from here: https://www.applied-acoustics.com/string-studio-vs-2/buy/ (Note that this time-limited offer also includes the new Frontier String Studio VS-2 and AAS Player sound bank by artist and sound designer Daniel Stawczyk.)

String Studio VS-1 users can upgrade to String Studio VS-2 for $39.00 USD."

MATRIXSYNTH Lounge Studio Pics

Studio pics from readers of MATRIXSYNTH via the MATRIXSYNTH Lounge.

Facebook gallery where you can find follow-up comments for each here.  Also keep an eye out for new studio pics there.

Featured in order:

CLICK FOR MORE »

Torso Electronics T-1 update 2.0

video uploads by torso electronics

Playlist:

1. Torso Electronics T-1 update 2.0

"We’re excited to announce the biggest update to the T-1 firmware yet!

Important features in the new update 2.0 include an extension of the sequencer engine with per-step editing (parameter locks), FX tracks, and many more.

Find a detailed changelog and updated user manual via the link below.

Update your device via the T-1 config tool. Happy sequencing!⁠

https://torsoelectronics.com/resources"

2. T-1 - performing is composing

"The T-1 is an instrument designed to be played in the here and now. Whether you are working in a studio or on stage, the path between musical inspiration and performance has never been shorter. Make relative parameter changes on one or multiple tracks simultaneously, save the changes or return to the starting point. With the T-1, your music-making process is a constantly evolving flow."

3. T-1 - not your average sequencer

"T-1 is a 16 track algorithmic sequencer at the center of your studio. The T-1 offers a generative workflow with focus on immediacy and playful exploration. Whether on stage or in the studio, the T-1 will inspire you with fresh ideas and help you push the boundaries of your music.

In short, this is a fundamental rethinking of the sequencer as a modern, fun, and inspiring instrument."

Native Instruments releases MASCHINE STUDIO and MASCHINE 2.0 Software

Published on Oct 31, 2013 Native Instruments ·321 videos

Update: Additional videos below!

"Native Instruments releases MASCHINE STUDIO and MASCHINE 2.0 Software

Berlin, October 31, 2013 – Native Instruments today released MASCHINE STUDIO and MASCHINE 2.0 – the new flagship groove production studio and next generation of MASCHINE software. MASCHINE STUDIO joins the acclaimed family of MASCHINE products with expanded tactile control and two hi-resolution color displays. Powerful new MASCHINE 2.0 delivers a new mixer page, new audio engine, dynamic drum synth plug-ins, and much more to all three MASCHINE hardware versions. MASCHINE STUDIO is available now at the NI Online Shop and at retailers worldwide. MASCHINE 2.0 is included with MASCHINE STUDIO and all MASCHINE and MASCHINE MIKRO products shipped on or after November 1, 2013. Current MASCHINE 1.8 users can also upgrade to MASCHINE 2.0 for $99 / 99€ / ¥ 9,800.

MASCHINE STUDIO features the same highly-responsive, multi-color backlit pads as MASCHINE and MASCHINE MIKRO, a new Edit Section with jog wheel, and a dedicated Level Section. The unit's two hi-resolution color displays enable producers to focus on MASCHINE's tactile workflow with detailed visual feedback of software functions directly on the hardware. When editing, slicing, and composing, the displays show an overview of the full selection on the left screen while the right screen allows for detailed fine-tuning. Projects, groups, sounds, samples, effects, and instruments with KOMPLETE Instruments and Effects product icons are easily browseable directly from the hardware.

MASCHINE STUDIO's new Edit Section provides dedicated buttons and a jog wheel with LED indicators. The jog wheel allows quick adjustments to volume, tempo, and swing settings, and accelerates browsing and editing. The Level Section provides a convenient volume knob and a multi-purpose meter display for master, group, sound, and cue levels plus monitoring for up to four selectable input sources when a multi-channel audio interface is connected. MASCHINE STUDIO's dedicated sampler, arranger, mixer, and browser buttons allow fast switching between different stages of production. A highly sturdy, built-in collapsible stand provides the optimal angle for working with MASCHINE STUDIO.

MASCHINE 2.0 delivers powerful new features to MASCHINE STUDIO, and both generations of MASCHINE, and MASCHINE MIKRO. A tag-based attribute browser makes samples and presets easy to find while the new plug-in strip displays MASCHINE's internal plug-ins by their individual user interfaces – a faster, more accessible way to select and process sound. A brand-new mixer page provides detailed level adjustment and flexible routing of MASCHINE 2.0's aux sends, plug-ins, and unlimited groups and insert effects. A new audio engine with multi-core technology adds sidechaining and allows higher instrument, effect, and plug-in counts, faster load times, the latest advancements in professional sound quality, and more.

Also new and exclusive to MASCHINE 2.0 are five drum synth plug-ins capable of a wide range of sounds – from crisp and digital, to warm and analog, featuring accurate acoustic-sounding drums. Delivering a signature sound and a refined level of control, these plug-ins are fully-adjustable and automatable directly from MASCHINE STUDIO's hardware.

MASCHINE 2.0 comes with an 8+ GB sound library of professional, production-ready sounds and can host any VST or Audio Units plug-in. Also included are full versions of Native Instrument's acclaimed MASSIVE synthesizer, the unique synthesizer for percussive and mallet sounds PRISM, the powerful compressor SOLID BUS COMP, and the meticulously sampled vintage electric piano SCARBEE MARK I, providing a versatile setup ready for any production task. MASCHINE can be used as a standalone on either MAC or PC systems, but also loads as a VST, Audio Units or AAX plug-in in all major DAWs for seamless integration with existing production environments.

MASCHINE STUDIO is available for purchase at retailers worldwide and at the NI Online Shop for $999 / 999 € / ¥ 104,800. MASCHINE 2.0 is included with MASCHINE STUDIO and all MASCHINE and MASCHINE MIKRO products shipped on or after November 1, 2013. Current MASCHINE users can purchase MASCHINE 2.0 on the NI Online Shop for $99 / 99 € / ¥ 9,800. Customers who purchased MASCHINE or MASCHINE MIKRO between October 1, 2013 and November 1, 2013 will receive a free download for MASCHINE 2.0 on November 1, 2013."

Additional information on MASCHINE STUDIO is available at:
www.native-instruments.com/maschinestudio

A dedicated micro site showcasing the features of MASCHINE STUDIO
and MASCHINE 2.0 is available at: www.beat-these.com

Maschine Studio and V2.0 Software In Depth Review

Published on Oct 31, 2013 sonicstate·570 videos

"With two new AMOLED screens and a more integrated control surface, Maschine Studio is now the flagship hardware in the range, with a major software upgrade in V 2.0 which also is compatible with the existing Maschine Hardware, there's a lot to digest. Gaz Williams takes us for a deep appraisal of the two new components."

Maschine 2.0 Software Overivew

Published on Oct 31, 2013 SoundsAndGear·554 videos


Don't miss the preview tutorial videos by FluxWithIt previously posted here (scroll down to get to them).

KORG Introduces New Wireless Nano Series Controllers

Nano Series - Take Control Further Published on Jan 14, 2016 Korg

nanoKEY Studio and nanoKONTROL Studio

"Korg’s nanoKONTROL and nanoKEY are light-weight and compact mobile MIDI controller and keyboard, respectively, that let you create music more intuitively than ever. Both are easy to travel with, allowing ease of use! The nanoKONTROL Studio provides transport keys and a mixer section, giving you stress-free control of your DAW or DJ software. It is battery operated and can connect wirelessly with your iPhone/iPad or Mac/Windows. The nanoKEY Studio provides a keyboard, knobs, trigger pads, and touch pad that lets you instantly convert your inspiration into sound. It is battery operated and can connect wirelessly to iPhone/iPad or Mac/Windows."

"The nanoKEY Studio provides a keyboard, knobs, trigger pads, and touch pad that lets you instantly convert your inspiration into sound. It is battery operated and can connect wirelessly to iPhone/iPad or Mac/Windows. It’s a compact, mobile MIDI keyboard that is easy to travel with, allowing ease of use anytime, anywhere.

Step-record as easily as typing. A keyboard with 25 backlit keys that illuminate.

Even if you’re not the most skilled keyboardist, the 25 velocity-sensitive keys allows you to step-record easily. The Scale Guide function illuminates the keys to show recommended notes in the scale, making it easier to play. This is a smart keyboard with a variety of performance modes, such as the Easy Scale function, that lets you produce musical phrases using any keys.

More freedom to produce music, via USB or wirelessly.

The nanoKEY Studio can connect not only via USB but also wirelessly. It’s easy to connect to an iPad/iPhone music app such as KORG Gadget or Apple GarageBand, or to your Mac/Windows music production software. Liberated from annoying cables, you’ll be free to set up your system much easier than some other products. Thanks to careful tuning, you’ll enjoy low latency and high stability

Lightweight and compact design can be placed anywhere and easily transported.

Smaller than a sheet of letter-sized paper, you can put the nanoKEY Studio in your bag and take it anywhere. With a simple, refined, and stylish design, along with beautiful lighting with white LEDs, you won’t get tired of using it every day. With its modern design, the nanoKEY Studio is ideal for use with new devices such as your laptop, tablet, or smartphone.

Create the ultimate mobile music production system with your iPad/iPhone and the nanoKEY Studio.

The combination of the nanoKEY Studio with KORG Gadget is the ultimate combination for mobile performance. With the nanoKEY Studio that supports wireless connection via Bluetooth MIDI, your iPhone can instantly transform into a music production tool. In your room, in a coffee shop, in transit, or outdoors, you can immerse yourself in music with minimal requirements of space and time."

"The nanoKONTROL Studio provides transport keys and a mixer section, giving you stress-free control of your DAW or DJ software. It is battery operated and can connect wirelessly with your iPhone/iPad or Mac/Windows. It’s a light-weight, compact mobile MIDI controller that lets you create music more intuitively than ever.

A compact physical MIDI controller that’s ideal for mobile or desktop uses.

Smaller than a letter-sized sheet of paper, the nanoKONTROL Studio is designed for thinness. It’s the perfect size to easily carry in a bag and use with your computer. In spite of its compact size, its controllers provide generous power and a solid feel, making it a convenient and versatile MIDI controller.

USB and wireless for more music production freedom.

The nanoKONTROL Studio can connect not only via USB but also wirelessly. It can easily connect to iPad/iPhone music apps such as KORG Gadget and Apple GarageBand, or to your Mac/Windows music production software. Freed from annoying cables, you can set up your equipment easily and efficiently. Due to careful tuning, you can enjoy low latency and high stability.

Refined and stylish design

The simple, refined, and stylish design features illumination with beautiful white LEDs. The design has been modernized to use alongside new devices such as your laptop, tablet, or smartphone.

A full array of controllers that cover everything from DAW control to DJ performance.

You have the all controllers you need to operate your DAW: sliders that feature generous spacing and stroke, plus a convenient jog wheel. Whether you’re controlling your DAW and plug-ins, or putting on a performance, the nanoKONTROL Studio provides everything you need in any situation.

Supported software
The nanoKONTROL is compatible with any software that supports MIDI input, including KORG Gadget, Logic, GarageBand, Live, Reason, Cubase, Studio One, FL Studio, Sonar, Pro Tools, Digital Performer, and Traktor."

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Barry Schrader, Morton Subotnick and John Payne - CalArts studio B-304

"The following flickr stream was from CalArts studio B-304 taken in the fall of 1976 featuring Barry Schrader, Morton Subotnick and John Payne and a whole lotta Buchla 500. John as you may remember came up a couple of months ago on Matrixsynth in the posting regarding Mort's use of the 300 at Ircam [link]. He went on in later years to become the Assistant Dean of the CIA School of Music and founder of it's Music Tech department. Photo b_304.2 has a good view of the entire studio, save the three other JBL's which are out of frame (it was a quad studio - there was one in each corner)."

b_304.1 pictured.
"Barry Schrader, Morton Subotnick and John Payne stand in front of the Buchla 500 in CalArts' sudio B-304 in the fall of 1976."

via Peter Grenader. 


Posts featuring Barry Schrader
Posts featuring Morton Subotnic
Posts featuring John Payne

Update: As always check the comments for more info.

via Peter:

"There are two more 500's that I know off - at Evergreen and another somewhere in Europe (pardon the senior moment, i don't remember where exactly). This is not to say there aren't others...I'm just not aware of any. The one in the photo here was the first - the development system Don constructed while on staff at CalArts. I do know the 500 was adondoned quickly and resurfaced as the 300 series which included direct routing of computer control the various modules (259 VCO and 292C Gate for example) -and- the digital VCOs."

"the box screwed into the side of the main cabinet is a speaker selector which i f i remember correctly wasn't on line. Another bit of trivia - this was taken about the time of Mort's Game Room project that Gary Chang, Jill Frazer, Darrell Johansen, Sue Harvey and I worked on. The room next to 304 (other side of the wall which is shown behind the Buchla) was 305. It had a large 100 system (three cabinets) and for the Game Room we cut a hole in the base of that wall to run audio cables out from the tape machines to play quad audio snippets into the game area. This also took signals directly from the game board in 305 where signals were decoded and sent to the various controllers (audio, film, Buchla-controlled OCR light dimmers, etc.).

Against the other wall - opposite the one behind the 500 - was studi oB-303, which was pretty much a duplicate of this one sans the computer control - so it was a 200 studio, not a 500 studio. It also had the huge JBL monitors which were hung form the ceiling on metal brackets made by Chas Smith (which are still in place today). There's a photo of 303 at Barry's Schrader's website: link

Most people preferred working in 303, mainly because the 258's were easier to get to. On the 500 system they were all on the top row, which was a pain for most. The upside - studio time was easy to book in 304 for this reason I spent a lot of the early mornings here - tarting usually at 4AM and going until classes began around 9."

via an anonymous comment:
"Evergreen has/had an early 300 its computer is non functional. There were 3 500s from what i understand, 1 went to Norway, 1 to a campus studio in NY and the 3rd was of course at CalArts..

the Norway one was moved around a lot as it was purchased by 2 or 3 studios/organizations and because of its fragile nature it didnt survive.. it was apparently parted out after it became nonfunctional.

The CalARTs system was also disassembled and parts were sold to various buyers around the US in the famouse 90's sale ..nobody is too sure what happened to the digial components..

the 3rd that was in NY was sold to a collector in the 90's, tho it should be noted that that system was returned to Buchla for upgrading/overhaul in the late 70's and was reassembled with 300 series components, so it is more of a 300 now then 500... I don't believe it has been tested or turned on in over a decade.

another note, there were 2 versions of the 300.. the early system used tech from the 500 (the gating matrix for example - which controlled early versions of the 281 and 292B gates - the remote function on later 281s and 292Cs was never implemented) the later 300s were more of a self contained system ( with 200 modules for processing ) which eventually became the Touché and the 400."

Anthony Rother - Up To You - CYBERSPACE REALITY (Studio Session)

video upload by Anthony Rother

"This track is available at https://anthonyrother.bandcamp.com/al...

'Up To You' is a track from the digital album “CYBERSPACE REALITY“ by Anthony Rother released on the 31st October 2020 on the label PSI49NET

...IN 3L3C7RO WE TRUST...

ANTHONY ROTHER
'UP TO YOU'

IT’S BUSINESS THAT WE DO
YES YOU CAN’T DENY
IT’S ALWAYS WHAT WE DO
YES YOU CAN’T DENY
THE WORLD WE PUT IT TO
THIS YOU CAN’T DENY
WE’RE LIVING IN A TUBE
THIS YOU CAN’T DENY

HUMANS DO DESTROY
THIS YOU CAN’T DENY

CLICK FOR MORE »

Announcing Bitwig Studio 2

Published on Jan 12, 2017 bitwig

"Today Bitwig GmbH is proud to announce Bitwig Studio 2 - the new version of the highly acclaimed music creation software for Windows, macOS and Linux."

I almost skipped this announcement as Bitwig of course is a DAW, not a synth. However, it does include a few synth features and they added VST3 support. As you can see in the video above, the current release has a big focus on the modulation capabilities of Bitwig. Below is an excerpt from their site.

As for specific soft synths included in Bitwig, they list the following 11 Devices: Drum Machine, E-Clap, E-Cowbell, E-Hat, E-Kick, E-Snare, E-Tom, FM-4, Organ, Polysynth, Sampler.

"A WORD ON MODULARITY

From the beginning, the idea of modularity has been central to Bitwig Studio. While digital audio workstations (DAWs) aren’t known for taking a modular approach, creating Bitwig Studio from the ground up allowed us to rethink previous assumptions. This led us to focus not just on individual devices but on strengthening the ways they interact with and support one another. And this ideal has born interesting, user-friendly fruit.

BITWIG STUDIO 1

Nested Device Chains

The first outcome was nested device chains, which allow you to house devices within other devices. A seemingly simple benefit of this is that device presets can now contain multiple devices, but this also opened up novel signal routing possibilities. For example, what if any device or plug-in could be used in a multiband configuration? Or if it was easy to add effects to just the wet signal? Or if devices could be added to a feedback loop..?
A core principle of modularity is that different users with different wants and needs can use the same tools in equally accessible and unique ways. Nested device chains allow newcomers to focus on richer sounds while initiated users can use additional devices as a way of extending their sonic palette. Win, win.

Modulation Sources

Another powerful outcome of modular thinking in a DAW was modulation sources. First, we created an elegant, efficient way for modulation signals to be assigned — simply clicking an arrow to go into routing mode, and then using parameter knobs themselves as attenuators. With a clean interface, it became possible to create and manage an unlimited number of modulations, all operating at audio rate.

And from there, all nested devices can be modulated as well. So instead of putting an LFO on our synth’s cutoff filter and then spending a lot of time trying to rebuild a synced LFO-effect on the distortion amount, we just assign the synth’s LFO to both the cutoff and the distortion amount. Additionally, Bitwig Studio 1 had devices made just for modulating other devices (like a standalone LFO, or a routable audio sidechain effect). A lot of freedom was provided by these early modulator devices, but at the cost of having to nest any devices you might want connect to each other.

BITWIG STUDIO 2

Modulators

The idea of modulators has been reclaimed in Bitwig Studio 2. Instead of using a standalone “modulator” device to modulate a single device, each device now has slots that can house true modulators. This means any device (or plug-in) you are using can now have an envelope added to some of its parameters. Or a stepper, or audio sidechain effect. Or 12 LFOs. As modularity dictates, how you use the tools is completely up to you.
This also serves to make things more efficient for both CPU cycles and screen real estate. Instead of building an arbitrary number of control devices onto each instrument — say, two LFOs — the user can now add and subtract these options as they see fit. And again, presets from Bitwig Studio 1 and 2 will load properly, with modulators added as needed.
We don’t add a chorus to every instrument just in case the user wants it. Instead, we create a good chorus device that you can add when you want it. We are just applying this concept to modulations now, and we look forward to what you will do with this extra flexibility.

LOOKING AHEAD

Modularity will continue to play a key role in our upcoming releases, both for users and under-the-hood. Additional devices are always under development, including some which will bring modular concepts more directly to the user. And a little bit down the road, our internal development tool for programming Bitwig Devices will be available to anyone who wants to go down that road. (You’ve probably seen some older screenshots of that environment; new paint and programming languages are coming.) We look forward to inviting you in for these enhancements and much more…
Thank you for having read this far. If you don't own Bitwig Studio yet, then come join us on our journey. We’d love to welcome you as part of the Bitwig community.

Best wishes,
The Bitwig Team"

Musikmesse: Cakewalk® Announces VS-700C V-Studio Console for SONAR 8 Producer

"Cakewalk® Announces VS-700C V-Studio Console for SONAR 8 Producer

—In response to customer demand, the VS-700C V-Studio Console, centerpiece of SONAR V-Studio 700 production system, will be made available separately as control surface for SONAR—

Frankfurt, Germany, Musikmesse (Hall 5.1, Walkway B, Stand 56) (1 April, 2009) - Cakewalk, the world's leading developer of powerful and easy to use products for music creation and recording, announces the VS-700C V-Studio Console as a standalone control surface for SONAR 8 Producer.

For over two decades, much of Cakewalk's product innovation has been driven by spirited customer dialogue. Since the initial announcement of the SONAR V-Studio 700, there has been a groundswell of requests from the SONAR community for the VS-700C to be made available as a stand-alone control surface.

The VS-700C V-Studio Console matched with SONAR 8 Producer provides the deepest hardware/software integration of any control surface available today. The VS-700C was designed jointly by Cakewalk and Roland, offers fluid control over all aspects of SONAR 8 Producer's creative, editing, and mixing capabilities, maximizing workflow and productivity. The VS-700C's dedicated implementation of ACT (Active Controller Technology) further sets it apart from all other hardware control surfaces. ACT dynamically remaps controls based on how the user is working in SONAR. Also, with the press of a button, the VS-700C provides instant control over any V-Link compatible video and imaging hardware, including the Edirol DV-7 line of direct linear video editing systems.

VS-700C Highlights:
Channel Section

* Nine 100mm touch sensitive, motorized faders arranged in a bank of eight channel strips with a master channel
* Users can tab between fader banks and lock/unlock tracks and buses to faders for maximum efficiency when mixing large projects
* Channel Branch Mode is an innovative new mixing mode, where channel strip 1 will control the volume of a selected track while the remaining channels control the associated sends for that track
* One-level undo for all faders and encoders, using the "Revert to" feature
* Total control over SONAR 8 mute and solo functionality including Dim Solo, Exclusive Solo, and Layer Mute/Solo

EQ, Send, ACT Section

* Dedicated section of 12 continuous push-button rotary encoders which can be used for EQ, Sends, or ACT control
* When controlling EQ, the rotary encoders edit four stages of parametric EQ gain, frequency, and Q for whichever channel has the focus
* In ACT mode, encoders automatically remap to control effect, instrument, or mix parameters of whatever view or plug-in has focus within SONAR

Surround and Video Implementation

* Full surround implementation with Joystick Panner, F/R Balance, LFE Send, and Width controls
* Multifunction T-bar for surround F/R balance and video hardware control
* Automate multiple surround parameters simultaneously
* Control video mixers/editors/presenters that support V-LINK protocol

Access, Project Navigation, Editing

* Control plug-in for SONAR provides user-definable presets that change the functionality of the VS-700C depending on tasks or workflow preferences
* Access Panel provides one-button functionality to call up different views and utilities; allows custom assignments from over 45 SONAR commands
* Joystick can move plug-in windows around your screen
* In addition to F/R balance and Video hardware control, the T-Bar offers: X-Ray option to fade plug-in windows in/out to allow access to the views below and the T-Bar can also be used as a dedicated ACT controller
* Complete SONAR transport functionality not available from any other control surface, including Audition, Rewind, Fast Forward, RTZ/GTE, and Pause
* Jog and shuttle wheels and Free Edit cursors for project navigation, scrubbing and zoom; provides c omplete scroll and zoom functionality, including flyover mode which lets you navigate around a project
* Use jog wheel to move, crop and fade clip(s), as well as time-stretch
* Select clips and time ranges, even across tracks and layers
* Split and mute clips with the touch of a button
* Insert, delete, bypass and control any VST effect from the control surface
* Mackie Control protocol support, provides basic compatibility (transport, faders, jog/shuttle, etc.) with other Windows DAWs

Display

* A 2x13 LCD display for track names, parameter values, and markers
* 7 Segment LCD display for time code and now time position
* Responsive metering for each channel



SONAR V-Studio 700 and the VS-700C

The release of the SONAR V-Studio 700 system marked a new era of inspired, Cakewalk branded hardware and software music production solutions. SONAR V-Studio 700 addresses the gap between under-powered "budget" solutions and over-priced competitive solutions by offering a compelling, feature-rich music production system that is accessible to a broad range of users. SONAR customers who purchase the VS-700C can later purchase the VS-700R I/O to experience the full benefits offered by the complete SONAR V-Studio 700 system, which includes hardware control of the VS-700R from the VS-700C, 19 input channels, 8 digitally-controlled mic pres with compression on each channel, and onboard Fantom VS synthesizer featuring 1,400 patches with ARX expansion board capability, among many other features.

Pricing and availability
VS-700C console for SONAR 8 Producer will be available Summer, 2009 through Roland and Edirol distribution partners and select retailers worldwide. Local prices may vary, please check with your local Roland or Edirol distributor, or to find availability in your area using the dealer locator, please visit www.sonarvstudio.com."

FL Studio Mobile | Instruments Tab

YouTube Uploaded by imageline on Jul 4, 2011
Image Line Software
iPads on eBay
iPod Touch on eBay

"FL Studio Mobile - http://www.flstudiomobile.com

Video tutorial playlist - http://www.youtube.com/playlist?p=PL60A6ABB92691D0FF

FL Studio Mobile for the iPod Touch, iPhone and iPad. Tutorial on getting started.

If you want, load mobile projects into FL Studio and take them to the next level.

FL Studio Mobile available from the App store.

More info - http://support.image-line.com/knowledgebase/base.php?id=85

Yes the hand is inside the iPad. With proper training and diet it is possible to fit the FL Studio Guru INSIDE an iPad.

FL STUDIO MOBILE FAQ

What about Android OS? It's on the roadmap, stop nagging! We have a development team working on a low-latency Android audio-engine and there are many screen resolutions and device specifications to consider, it's not as simple as you may think :)

Does this mean FL Studio on Mac OSX soon? FL Studio Mobile is not a port of the Windows version of FL Studio. It is the product of a completely separate development team, and code, so FL Studio Mobile, while compatible with FL Studio has no impact on FL Studio development and vice versa.

Can I load my own samples? Not in version 1.0. We plan to enable user uploads in a future update.

Can I use VSTs? No, iOS does not support VSTs and frankly the devices it runs on don't have the CPU power to perform the synthesis you are used to on a desktop. FL Studio Mobile uses high quality sample based instruments made from Image-Line plugins and sample packs.

Image-Line"

FL Studio Mobile | Drum Pads

YouTube Uploaded by imageline on Jun 23, 2011
Image Line Software - iTunes
iPads on eBay
iPod Touch on eBay

"FL Studio Mobile - http://www.image-line.com/documents/flstudiomobile.html

FL Studio Mobile for the iPod Touch, iPhone and iPad. Tutorial on getting started.

If you want, load mobile projects into FL Studio and take them to the next level.

FL Studio Mobile is coming soon! - FAQ - http://support.image-line.com/knowledgebase/base.php?id=85&ans=200

Yes the hand is inside the iPad. With proper training and diet it is possible to fit the FL Studio Guru INSIDE an iPad.

FL STUDIO MOBILE FAQ

What about Android OS? It's on the roadmap, stop nagging! We have a development team working on a low-latency Android audio-engine and there are many screen resolutions and device specifications to consider, it's not as simple as you may think :)

Does this mean FL Studio on Mac OSX soon? FL Studio Mobile is not a port of the Windows version of FL Studio. It is the product of a completely separate development team, and code, so FL Studio Mobile, while compatible with FL Studio has no impact on FL Studio development and vice versa.

Can I load my own samples? Not in version 1.0. We plan to enable user uploads in a future update.

Can I use VSTs? No, iOS does not support VSTs and frankly the devices it runs on don't have the CPU power to perform the synthesis you are used to on a desktop. FL Studio Mobile uses high quality sample based instruments made from Image-Line plugins and sample packs.

Image-Line"

FL Studio Mobile | Keyboards Tab

YouTube Uploaded by imageline on Jun 26, 2011
Image Line Software - iTunes
iPads on eBay
iPod Touch on eBay

"FL Studio Mobile for the iPod Touch, iPhone and iPad. Keyboard Tab tutorial.

FL Studio Mobile Tutorial Playlist - http://www.youtube.com/playlist?p=PL60A6ABB92691D0FF

If you want, load mobile projects into FL Studio and take them to the next level.

FL Studio Mobile available from the App store.

More info - http://support.image-line.com/knowledgebase/base.php?id=85

Yes the hand is inside the iPad. With proper training and diet it is possible to fit the FL Studio Guru INSIDE an iPad.

FL STUDIO MOBILE FAQ

What about Android OS? It's on the roadmap, stop nagging! We have a development team working on a low-latency Android audio-engine and there are many screen resolutions and device specifications to consider, it's not as simple as you may think :)

Does this mean FL Studio on Mac OSX soon? FL Studio Mobile is not a port of the Windows version of FL Studio. It is the product of a completely separate development team, and code, so FL Studio Mobile, while compatible with FL Studio has no impact on FL Studio development and vice versa.

Can I load my own samples? Not in version 1.0. We plan to enable user uploads in a future update.

Can I use VSTs? No, iOS does not support VSTs and frankly the devices it runs on don't have the CPU power to perform the synthesis you are used to on a desktop. FL Studio Mobile uses high quality sample based instruments made from Image-Line plugins and sample packs."

Image Line Software - iTunes
iPads on eBay
iPod Touch on eBay

FL Studio Mobile | Akai SynthStation25 Compatible

YouTube Uploaded by imageline on Jun 29, 2011

"FL Studio Mobile Tutorial Playlist - http://www.youtube.com/playlist?p=PL60A6ABB92691D0FF

If you want, load mobile projects into FL Studio and take them to the next level.

FL Studio Mobile available from the App store.

More info - http://support.image-line.com/knowledgebase/base.php?id=85

Yes the hand is inside the iPad. With proper training and diet it is possible to fit the FL Studio Guru INSIDE an iPad.

FL STUDIO MOBILE FAQ

What about Android OS? It's on the roadmap, stop nagging! We have a development team working on a low-latency Android audio-engine and there are many screen resolutions and device specifications to consider, it's not as simple as you may think :)

Does this mean FL Studio on Mac OSX soon? FL Studio Mobile is not a port of the Windows version of FL Studio. It is the product of a completely separate development team, and code, so FL Studio Mobile, while compatible with FL Studio has no impact on FL Studio development and vice versa.

Can I load my own samples? Not in version 1.0. We plan to enable user uploads in a future update.

Can I use VSTs? No, iOS does not support VSTs and frankly the devices it runs on don't have the CPU power to perform the synthesis you are used to on a desktop. FL Studio Mobile uses high quality sample based instruments made from Image-Line plugins and sample packs."

Image Line Software - iTunes
iPads on eBay

Rythm Studio for iOS Now Available

iTunes: Rhythm Studio - Pulse Code, Inc.

Update: I should note this app is currently only .99 cents. It's a no brainer if you have an iOS device.

"!!!ON SALE FOR A LIMITED TIME!!! [Promo Codes Below!]

Rhythm Studio is a a must have app for musicians! It is a premier universal electronic music making app, boasting richly detailed graphics and incredible sound, with impeccable recreations of classic synths and drum machines along with other amazing studio hardware.

====================

"Dance Music has been riding a heavy old-school wave, of which the 303's resurgence is part... The 303 sound is also finding its way into a lot of pockets, thanks to Pulse Code..." - Michaelangelo Matos, SPIN Magazine, August 2011 print issue.

====================

What makes Rhythm Studio stand out?

Rhythm Studio balances advanced music making features by using an easy to understand interface resembling real instruments. This means that one button does one thing just like it would with real hardware. Knobs turn, switches slide, and buttons press. You won't get lost in abstract interfaces, menus, or design.

Imagine having a studio of rare vintage synths and drum machines in the palm of your hand. Beautifully rendered synthesizers make seeing the app as enjoyable as hearing it. Rhythm Studio is the next best thing to having the real hardware.

Rhythm Studio allows you to make music the way you want to by giving you three different ways to create your song.

1. Use the step sequencer like the real hardware.
2. Use the Control Pad to play the synths live.
3. Instantly create a random pattern.

====================

FEATURES

- Dynamic workspace full of awesome audio gear
- Intuitive pinch, double tap navigation
- Robust pattern and song sequencer
- 3 easy methods to making your songs
- Recreation of a classic drum machine
- Recreation of classic synthesizers
- Mixer
- FX
- X/Y style control pad

====================

COMMUNITY

- news: http://www.pulsecodeinc.com/rhythm-studio/

- website: http://www.pulsecodeinc.com/rhythm-studio/

- youtube: http://www.youtube.com/user/PulseCodeInc

====================

This is just the beginning for Rhythm Studio. Future updates will include more unique synths and drum machines, along with the feature requests you want...ALL FREE! No in-app purchases!

Contact us at pulsecodeinc.com and let us know what you want!

Thank you for your interest in our app. We hope you enjoy it and we would love to hear from you!"

CLICK FOR MORE »

Sequential OB-6 | Inside (ambient demo)

video upload by MIDERA

MIDERA OB-6 posts

"I have honestly stared at this synth more than any other synth for the last three years, online that is. I watched videos upon videos and thought "it sounds good... but what is it that people *love* about it?" I wasn't going to spend $2000+ on a synth without testing it. No, I only do that with everything else (like the Prophet 10 and Prophet 12). Ok, so I do do that.

I managed to play one locally. Twice. The desktop version. I walked away from my first experience thinking "Wow, their Virus TI2 sounds amazing." I own the TI1, so obviously I didn't need that. But the point was, I didn't really think the OB-6 was that great.

Then, I managed to go back, this time with my own headphones. My opinion didn't change. However, this time they had an Oberheim OB-Xa, which sounded incredible, I could hardly believe my ears. I left, again, disappointed by the OB-6.

Fast-forward, I was going to do a trade, my JX-3P + cash for a friend's OB-6 keyboard. Well, they took the JX-3P but needed the OB-6 for a show, so I let them bring that later. In the process, they decided not to keep the JX-3P, but did let me borrow their OB-6, for a few hours, just to sit and play, which was awfully kind of them. What you hear is my time with it. Or rather, the first half of that time with it. I knew nothing about it, but I *DID* tune it prior to starting recording - and it managed to get out of tune by the end.

CLICK FOR MORE »

Keith Emerson's 'Split' Minimoog Up for Auction

via this auction where you'll find a few more pics while up. The seller is Tony (Aviator) Wride. This one in via Senso.

"A unique opportunity to own a piece of Rock history! This Minimoog was one of the earliest ones owned by Keith Emerson (26 June 1973 date on keyboard) and he had the keyboard and electronics separated so that it could be used in his stage setup. Basically the keyboard was set up to slide into place when required while the electronics section remained out of the way. Please read the details below about how I ended up getting it in 1992 and look at the pictures. I have included some pictures taken in 1992 when I got the synth as well as some archive pictures of Keith and the Minimoog on stage.

THE STORY
In the early 90s I did a lot of work on analogue synths working for a number of well known bands as well as building my own analogue synth called “The Aviator”. It was basically a hobby for me. Please Google Tony Wride and Exclusively Analogue to find out more. You can ignore all the flying related stuff associated with my job!

In 1992 I was doing some work for Vince Clarke of Erasure prior to their Abbaesque tour and went to a rehearsal studio at Brent Cross in North London. Next door to the Erasure studio was another band rehearsing for their tour and it turned out to be ELP preparing for the “Black Moon” Tour! Keith had been one of my keyboard heroes and I never ever thought I would get the chance to meet him let alone see him rehearsing. I met Will Alexander, who was Keith's technician, and got talking about the famous big Moog which they planned to take on tour. "We would like to get it fitted with MIDI" said Will and I then suggested fitting a Kenton MIDI retrofit for a MiniMoog which is what I ended up doing! (See the pictures). Whilst working on the Modular I talked to Keith and Will about the gear they were going to use on tour and Will said "We need another SE1 (Basically a Minimoog in a rack with MIDI) to go in the rack but the dealer said they can't get one in time". It just so happened that I had just traded a mint condition Minimoog for an SE1 with a studio in London so sitting in the back of my car was an SE1! When I said to Will that I could get them an SE1 for the tour he asked "How soon?" "How does 3 minutes sound?" I said. Talk about coincidence!!

Keith ended up with my SE1 for the tour but I was now Minimoogless. Fortunately sitting in amongst a collection of unused ELP gear was the electronics section of a Minimoog looking in a very sorry state. I asked Will what had happened and what was happening to the remains of the Minimoog. "It's one of Keith's early MiniMoogs that had the keyboard separated from it so that it could be mounted on the Hammond. It doesn't work and the keyboard is in storage." We ended up agreeing to me having the non working "split" Minimoog as part of the deal for the SE1 on an understanding that they would send me the keyboard in the future.

CLICK FOR MORE »

Roland System-8 FM tones and melodies

video by MIDERA

"The first thing I did - wasn't this video. I first compared my JX3P to my System-8. I came to realize they are just so dissimilar. I can't tell if my JX3P is out of balance or the System 8 just doesn't do it justice, but anyway, I didn't like what I had done for a demo, so I dropped it and went to this, something I had been thinking about doing.

I spent the first few nights with the System 8 trying to see if it could replace my SY77. I learned very quickly that, no, it can't. The SY77 is the Prophet 5 of the FM world, in my opinion. Just super powerful, sounds beefy/sharp/thick, any of those adjectives. I just don't really get that feeling from the System 8. I think it's one of those things where it's a Jack of all trades, master of none. I haven't really been able to feel how the S8 will fit in to my studio/setup. Because of the first paragraph (comparison of JX3P and S8) I don't even think I could replace my JX3P either, so now I've got 3 devices where I previously had two.

I've stopped caring about how the S8 looks, and it DOES sound phenomenal, it just doesn't warrant me replacing anything else and that's a problem for me. It does have a ton of hands on controls, but I never feel like using them with FM anyway, so that doesn't really matter. Plus, the knobs just don't feel classy. But that's obviously a matter of taste. I have a lot to say on this matter - but honestly, I'll save that for the JX3P v S8 demo (that is, in no way, a very good demo/comparison).

So what do we have here? A bunch of FM-ish patches like pads and bells. So - hopefully you enjoy everything I did here. I messed up occasionally. Sorry about that.

Used Eventide Blackhole VST for reverb."