ARP Educational Modular Lab (Noise), DotCom Modular, EDP Gnat, Pearl SY-1 and Friends playing D/B

YouTube Published on Jun 6, 2012 by djessay101

"ARTISTS: DotCom Modular + Roland RE-201, Roland TR-606, Roland Juno-60, Minimoog, Elka Synthex, Pearl Syncussion SY-1, EDP Gnat + EH Holy Grail, OSCar Synthesizer, Oberheim SEM ........
Just for Fun:-)) NEW SOUND NOW!!!!!!

ENJOY :-))"

ElectroComp Synthesizer model 101 Electronic Music Labs Inc.

Published on Mar 4, 2018 Vykaar Tones

"Twiddling knobs on this great American vintage analog synthesizer half way through restoration and repairs. Very well built hard wired to tag strips like an amp inside and sealed AB pots like minimoog ( a pain to open and clean) some of the caps have died and oxidation on all metal parts... The lack of connectors inside is a blessing as in my opinion most Moog synthesizers for example suffered from far too many unreliable connectors which constantly oxidised and caused random faults.

Some info from vintagesynthcom:
The ElectroComp 101 was the successor to the rare ElectroComp 100 from Electronic Music Laboratories (EML), a small synthesizer company based out of Connecticut in the USA. Like the ARP 2600, the 101 was a patchable (1/4'' patch cords) semi-modular synth with a pre-wired voice path that could be over-ridden via patching. But unlike the ARP (or Minimoog for that matter), the 101 had as many as four oscillators (two of which could go sub-sonic, for use as LFOs) with multiple waveforms that you could sweep between using its rotary knobs. The 101 was also Duophonic so you could play up to two notes at once. Another major distinction was that unlike Moog and ARP, who used transistors that would tend to drift out of tune under various operating temperatures, EML used op amps which proved to be far more stable and reliable.

Other onboard features included a voltage controlled 12 dB/oct multi-mode filter with resonance, two envelope generators, ring/amplitude modulator, noise, and sample-and-hold (they call this the "Sampler"). In addition, the 101 makes no distinction between control voltage and audio paths allowing just about any source to be patched to any control or audio input in any order. The 101 could easily be closed, secured and carried inside its wood casing.

In its day, the 101, as most of EMLs instruments, were marketed and sold to universities and other educational markets. But with the 4-oscillator architecture, multi-mode filter, and elaborate patch control, the EML-101 was undoubtedly one of the most flexible of all of the portable patch-synthesizers available at its time of manufacture. So it did not take long for it to find its way into mainstream music. It has been used by Skinny Puppy, Tommy Mars, Download, Weezer, Foreigner, and Ohm."

MUSONICS ACQUIRES STG SOUNDLABS, SHIPS 902 VCA REVISION

muSonics is back.

First a little background from Wikipedia:

"1971–1977: Moog Musonics, Moog Music, Inc.

In November 1971, rival company muSonics bought R. A. Moog, Inc. and relocated the company to Williamsville, New York. An old factory at the north end of Academy Street was purchased. The company was renamed Moog Musonics, then Moog Music, Inc.[3]

In 1972, former televangelist and successful salesman David VanKouvering joined the company as VP of Marketing, creating a network of retail stores throughout the United States and then the entire world.[5] Despite the increased commercial success the company saw with the introduction of the Minimoog than with previous products, competition with contemporary manufacturers such as ARP Instruments, Oberheim Electronics, and Electronic Music Studios drove the company steadily deeper into debt.[6][7] Moog Music, Inc. was ultimately sold to Norlin Industries in 1973. At this point, rival companies such as the aforementioned ARP Instruments were producing both monophonic and polyphonic synthesizers that rapidly outpaced the Moog in popularity. By 1975, ARP owned 40% of the synthesizer market share, effectively boxing out Moog Music, Inc.[8]

In 1976, Norlin moved the company to a facility on Walden Avenue in Cheektowaga. In 1977, once his contract with Norlin expired, Robert Moog officially left the company to pursue his own ventures, founding the firm Big Briar.[9]"

---

And the press release for the new muSonics:

For Immediate Release

January 23, 2023

Chillicothe, Illinois - muSonics has acquired very failed Eurorack manufacturer STG Soundlabs in a private equity trade valued at 6 million Dogecoin. Based in the greater Buffalo area, muSonics is America's oldest synthesizer company whose first instrument, the Sonic V educational synthesizer, is highly-regarded as one of the most reliable analogue instruments of the 1970s.

Suit & Tie Guy, former STG Soundlabs president and newly appointed CEO of the merged company, STG muSonics, was quoted as saying “I’m excited to be an important part of a history-rich American brand such as muSonics, which exists in a unique category alongside names like Abercrombie & Fitch, Montgomery Ward, and Radio Shack."

The first STG muSonics product, the Voltage Controlled Amplifier in the American modular synthesizer format, is currently available at Noisebug of Pomona, California. It is the final revision of the Voltage Controlled Amplifier made by muSonics in the early 1970s as part of their very famous and well-regarded modular synthesizers. Updates and improvements include 15 volt power support, selectable AC coupling, and a new shallow profile of less than 2 inches behind the front panel.

Pending the completion of the acquisition, muSonics will be moving from their current office, a vintage dumpster located behind the Wegman’s grocery store in Williamsville, New York, to downtown Chillicothe, Illinois, making it possibly the only company moving to the state this year.

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How To Make Electronic Music - 1975

via this auction
"How To Make Electronic Music
by Russell Drake, Ronald Herder, and Anne D. Monugno
USA 1975 Educational Audio Visual Inc.
EX condition, approximately 6 x9 inches, 108 pages

Vintage instruction book explaining how to make electronic music. The 'Synthesizer' chapter includes pictures of all the synthesizers of the day: Moog satellite , Moog Sonic Six , Moog 15 , ARP Pro Soloist , ARP Odyssey , ARP 2600 , ElectroComp 101 , ElectroComp 200 , and the RMI Keyboard Computer .Chapters in the book include:

sound transformations
equipment requirements
recording experiments
collecting sounds
tape techniques
tape experiments
acoustics
the synthesizer
synthesizer experiments
composing projects
technical information
glossary
discography
bibliography"

This one added to the Synth Books page.

GForce Intros RE STRINGS for Reason w/ Billy Currie Interview & Freeman String Symphonizer Overview

Published on Apr 11, 2017 GForce Software

"RE-STRINGS is our Rack Extension version of the award winning VSM and contains a selection of its most popular and iconic String Ensembles including: ARP Quadra, Crumar Multiman, Elka Rhapsody, Eminent 310, Freeman String Symphonizer, Godwin String Orchestra, Hohner K4, Junost 21, Korg Lambda, Korg PE2000, Logan String Melody II, Mellotron Violins, Moog Opus III, Roland VP330, ARP Solina, Technics KN200, Yamaha CE-25 & Yamaha SS-30.

With it's dual layer capability, it's possible to load the classic string ensemble sounds from years gone by or create your own hybrid ensembles.

Legal Notice
All musical instrument manufacturer and product names are trademarks of their respective owners and in no way associated or affiliated with GForce Software Ltd. The trademarks of other manufacturers are used solely to identify the products of those manufacturers whose sounds and technical data were studied for this instrument. All names of instrument inventors have been included for illustrative and educational purposes only and do not suggest any affiliation or endorsement of GForce Software Ltd."

Billy Currie talks String Synths, VSM & RE-STRINGS

Published on Apr 11, 2017 GForce Software

"During the process of creating patches for RE-STRINGS Rack Extension, we talked with Billy Currie about his use of String Ensemble keyboards over the years and how the Elka Rhapsody and Yamaha SS-30 contributed to some of Ultravox's classic tracks.

Billy also talks about how valuable the VSM and RE-STRINGS libraries are to him and how they've been used in his latest album, Doppel."

Freeman String Symphonizer

Published on Apr 11, 2017 GForce Software

"A brief walkthrough of the Freeman String Symphonizer, invented by Ken Freeman, sounds from which are in both VSM and RE-STRINGS.

The Further Adventures of K.FREEMAN and his Incredible Machine of a Thousand Strings courtesy of I Monster - BRIGHT SPARKS album. www.imonstermusic.com

Ken Freeman footage courtesy of BRIGHT SPARKS Documentary
http://brightsparks.movie"

via Propellerhead

"50% OFF Release Offer! 2 weeks.

The modern, polyphonic string synthesiser was invented in 1970 by Ken Freeman, a British keyboard player and engineer who discovered that if you layered two notes then detuned and slightly modulated one a pleasant ‘chorused’ sound resulted. Over the next 10+ years Ken’s initial discovery spawned an industry that saw the manufacture of more than one hundred ‘string machines’ and multi-keyboards.

Although viewed by some as a one-trick-pony or a poor man’s polysynth, string machines had so much character they’ve graced tracks by artists as diverse as; Lonnie Liston Smith, Air, Pink Floyd, The Cure, Parliament, Herbie Hancock, Camel, Joy Division, Jean-Michel Jarre, Thomas Dolby, Tonto’s Expanding Head Band, Genesis, Toni Tone Tony and countless others.

Product details
Based on our award winning Virtual String Machine (VSM), RE-STRINGS comprises 67 individual sample sets from a plethora of classic analogue string ensembles including the ultra rare (and first) Freeman String Symphonizer, the highly coveted Solina, the eminently desirable Eminent 310, the highly-lauded Logan String Ensemble, plus several other classic (and not so classic) string machines.

Each sample set spans 49 notes (4 octaves), each individually sampled and looped, plus RE-STRINGS contains a 700+ patch library created by respected patch designers including legendary string machine user and keyboard maestro, Billy Currie.

With Dual Layer capabilities - each layer comprising of a Lowpass, Bandpass & Highpass Resonant Filter Section, Two Envelope Generators, Pitch or Filter LFO, Dynamic control including filter aftertouch - if you want to create your own hitherto unrealised hybrid combinations of classic and evocative string ensembles, it’s a cinch. Finally, global vintage style Ensemble & Phaser effects are provided, allowing you to hone your sound to evocative, retro, string ensemble perfection.

RE-STRINGS includes string tones from the following classic instruments ARP Quadra (1978) Crumar Multiman (1975) Elka Rhapsody (1975) Eminent 310 (1972) Freeman String Symphonizer (1973) Godwin Model 749 String Concert (1980) Hohner K4 (1977) Junost 21 (c 1986) Korg Lambda (1979) Korg PE2000 (1976) Logan String Melody II (1977) Mellotron (1963) Moog Opus III (1980) Roland VP330 (1979) Solina String Ensemble (1974) Technics KN200 (1982) Yamaha CE-25 (1983) Yamaha SS30 (1977)"

Live annotated eurorack emotional cinematic synthwave, ARP-2600, Moog, OB-6 Tangerine Dream inspired

video upload by EthanJamesMusic

"This is a live cinematic synthwave electronic music performance inspired by later Tangerine Dream music, where I wanted to setup a more meditative environment and create a slow musical progression by interweaving layers with the Eurorack, using the electric bass as a guitar type of instrument, providing bass from the Moog Grandmother, chords from the DSI OB-6, and texture from the ARP-2600, and more texture from the Buchla 208c Easel Command. This is an entirely live and unrehearsed improvised performance, and I included annotations to show some of what I'm thinking about and also to demonstrate the different musical themes weaving in and out of the texture Since I'm a film composer by trade, this came out relatively cinematic and would work in certain movie score settings. This is a very simple setup to make a big sound. I hope this is educational for you as well, in terms of how I put these performances together. Hopefully this camera angle also helps you learn something!

Patch Notes:
Eurorack:
Stillson Hammer running at x6 multiply but using 1:1 gate from 0-ctrl to make bass. Two envelopes, one to VCA, one to filter.
Tempi clock divider running two channels of Make Noise René. First channel is to Dixie II oscillator to Jove filter to Erberverb. Second is to Serge NTO to Serge VQVCF to Echophon. I'm using a x4 clock divider to the Y channel, which is 1:1 to the VCA gate, but I'm using the C channel gate to the filter, which creates an interesting rhythm.

Moog Grandmother:
Normalled patch

ARP-2600:
3 oscillators tuned in octaves.

DFAM:
Pitch to Noise volume to create snare.

OB-6:
Polysaw chord setting"

Arp Synth Lab Model 1503 Noise Source

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"A very rare synth module produced in 1975.

Was basically the modular, educational version of the arp 2600. This module is the noise source offering both white and pink noise. The module runs using two 9vdc rectangular batteries. The outputs are mini jack euro rack sized

This unit would work nicely as an expander for anyone who owns an arp 2600."

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EML Electronic Music Lab Synthesizer Modules SUPER RARE

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Super rare EML synth modules. These can be used to run any instruments through them. Great filter sound as well!"

They remind me of the ARP educational modules. I don't believe these have ever been featured on MATRIXSYNTH before.

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EML Electronic Music Lab

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"I.W. Turner Inc. Electronic Music Lab Modules. Includes Mixer, Electronic Switch, Triangle Wave Generator, Square Wave Generator, and White Noise Generator. All models except the Mixer require a 9V battery (not included). All items work, except for triangle wave generator (9V battery plug is missing). Someone cut the 9V battery plug from the triangle wave generator and I don't know where the black wire goes. The back cover is also missing from the Triangle Wave Generator. The sound seems weak on all the units but the mixer and the controls are scratchy, so I am selling it all AS IS. The circuit boards look hand lettered, but they may be printed I can't tell. From what I've seen online, these were made in the 70's."

Reminiscent of the ARP Educational modules. You can find a few more EML modules in prevoius posts here.

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EML ElectroComp 101 – Vintage Duophonic Semi-Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing, also on eBay

"A rare and revered classic, the ElectroComp 101 was Electronic Music Laboratories’ evolution of the original ElectroComp 100—crafted by the Connecticut-based company known for its educational and experimental instruments. Released as a flexible alternative to the ARP 2600 and Minimoog, the EML-101 brought serious innovation to semi-modular design.

Unlike its contemporaries, the 101 featured four voltage-controlled oscillators—two of which operate sub-sonically for LFO duties—with morphable waveforms accessible via rotary selectors. It’s duophonic, allowing up to two-note polyphony, and provides a unique modulation architecture where control voltage and audio signals are treated interchangeably, offering highly creative patching possibilities.

A 12dB/oct multimode filter (low-pass, band-pass, and high-pass) with resonance adds tonal versatility, and the onboard ring/amplitude modulation, sample-and-hold (“Sampler”), and dual envelope generators give the 101 deep sound-shaping power. Thanks to its use of op-amps instead of temperature-sensitive transistors, the 101 also boasts impressive tuning stability compared to Moog or ARP synths of the era.

Designed with portability in mind, the unit folds neatly into its own wooden case, making it ideal for studio or stage use.

Originally marketed to universities and educational institutions, the EML-101’s modular flexibility, rich analog tone, and rock-solid build quickly caught the attention of professional musicians and sound designers, cementing its place as one of the most powerful portable synthesizers of the 1970s.

Features:

Polyphony: Duophonic

Oscillators: 4 VCOs (2 with sub-audio range; variable waveforms + noise)

Filter: Multimode 12dB/oct filter (low-pass, band-pass, high-pass) with resonance

Envelopes: 2 ADS generators

Effects: Ring/Amplitude Modulator, Sample-and-Hold

Modulation: Any CV or audio signal can be patched freely

Keyboard: 44-note

Control: CV/Gate compatible

A previously used item that shows signs of cosmetic wear but is fully operational and functions as intended—a vintage gem ready to inspire."

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Help Fund the The Alan R. Pearlman Foundation & Support a Trip to NAMM

Published on Nov 18, 2019 Alan R. Pearlman Foundation


It looks like we have another foundation dedicated to one of the greats of synthesizer history. The Alan R. Pearlman Foundation is currently seeking funding for a trip to NAMM on Indiegogo. Above is a video from Alan R. Pearlman's daughter Dina Pearlman.

"About the Alan R. Pearlman Foundation & ARPchives

My name is Dina Pearlman. I'm the daughter of the late Alan R. Pearlman, inventor of ARP Synthesizers - groundbreaking electronic synthesizers that changed the face of music forever.

Why It's Important

Since the death of my father in early January, I have seen overwhelming evidence that there needs to be a thoroughly reexamined history of his work because his story and that of ARP Synthesizers is relevant to the history and understanding of modern music.

Even more importantly, because of the high cost of education and vintage electronic music instruments, we want to offer opportunities for musicians, particularly young and underfunded musicians to have educational and artistic opportunities - something that Alan was passionate about.

This is why the Alan R. Pearlman Foundation was formed - to honor his legacy as an inventor, a musician, an entrepreneur, an engineer and a mentor... to make his innovative inventions publicly accessible, and help inspire future generations to imagine and create through charitable projects.

Getting Started

Before we can start our projects, we need to get the word out about our Foundation and our Mission.

We have been given an opportunity to introduce the Foundation to the music instrument industry at the hugely popular NAMM (National Association of Music Merchants) show this January. This is a once-in-a-lifetime opportunity for us. At NAMM, the foundation board members will promote the Foundation, its mission and its charitable projects to electronic musicians, engineers, potential donors and the press.


How You Can Make a Difference

As the Foundation is in its infancy, we are seeking funding to cover some of our costs of attending the show: that includes tradeshow booth expenses, marketing materials, and travel expenses for three of our board members. We need help from people like you! Music lovers, synth lovers, creators and believers in perpetuating educational and creative opportunities. As the Foundation is still applying for 501(c)(3) status, we cannot guarantee a tax-deductible contribution.* However, we can offer some fabulous incentives!"

Find them on Indiegogo here.

KORG NTS-2 Oscilloscope Kit w/ PATCH & TWEAK

NTS-2 + PATCH & TWEAK with KORG: A message from Kim Bjorn video upload by Korg

"KORG, in collaboration with noted publisher Bjooks, ('PUSH TURN MOVE', 'PATCH & TWEAK' series...) is proud to present a fascinating KORG and ARP synth exploration experience in the form of this special, limited edition Bundle.

This bundle combines the NTS-2, a powerful new tool optimized for a variety of studio tasks, and the “PATCH & TWEAK with KORG” book, a comprehensive look at semi-modular synthesis through the lens of KORG and ARP’s iconic synthesizers. Along with a multitude of artist interviews, patch tips, tutorials, historical explorations, and more, this book will teach you how to put the NTS-2’s power to work in your studio as a companion to your synthesizers and audio gear.

Synth beginners and seasoned musicians alike will find the journey not just educational, but also inspirational and full of new discoveries."

Nu:Tekt NTS-2 Oscilloscope Kit - Assembly Tutorial

video upload by Korg

"Easily build the NTS-2, analyze sounds, and create—it's fun, and functional!

The NTS-2 offers a four-channel input oscilloscope to monitor and analyze audio and CV signals, a flexible dual wave generator, an FFT spectrum analyzer, as well as a tuner.

*All parts and tools are included; no soldering.

More Information here:

https://www.korg.com/products/dj/nts_..."

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BRIGHT SPARKS: New Synth Documentary Ignites Funding for Bob Moog Foundation

Follow-up to the Something's Coming teaser.

"Help Bright Sparks Synth Documentary Ignite Funding for Bob Moog Foundation Projects

'An engrossing and fascinating documentary that pays tribute to the modest but amazing innovators who changed the face of electronic music' - Vince Clarke

Last week Bright Sparks, a film project which documents the stories of a number of iconic electronic music pioneers and companies, was released in conjunction with the I Monster album of the same name.

Featuring eight of the most influential companies, Moog, Buchla, ARP, Chamberlin, Mellotron, EMS, EDP, and Freeman, the feature length documentary includes interviews with many of the legendary personnel involved in the development of the instruments including Peter Zinovieff (EMS), Ken Freeman (Freeman), Herb Deutsch (Moog), Alan Robert Pearlman (ARP), John Bradley (Mellotron).

The film is available via download only.

The creators of Bright Sparks, recognizing Bob Moog's seminal contribution to modern synthesis, are generously supporting the Bob Moog Foundation with 100 downloads of their movie as a means of raising funding for our educational project, Dr. Bob's SoundSchool, and our Archive Preservation Initiative.

Make a $25 (or more) donation to the Bob Moog Foundation by December 31, 2015 and receive a download code for Bright Sparks as a thank you for your support!

Exploring the human stories of success and adversity behind these early companies and instruments, the film captures the passion of these engineers who were driven to design something in much the same way as any artist or musician is driven to create.

You can see a trailer to the movie here. [embed above]

Join Bright Sparks in supporting our important work and get rare insights into the world of synthesizer and keyboard innovators that won't get anywhere else. Donate $25 or more here. We will send you a download code with simple instructions when you make your donation.

Many thanks to Dave Spiers, Chris McLeod, and I Monster, the team behind the Bright Sparks project, for your wonderful support of our projects and for your excellent documentation of electronic music history.

'Electronic music has been around for long enough to deserve its own historians and archaeologists. Dave Spiers is right at the top of the list: this loving and exhaustive study sets a new standard in instrument research, unravelling the tangled webs that lead to innovations' - Brian Eno"

ARP-2600, Moog Grandmother live cinematic Tangerine Dream inspired synthwave annotated performance

video upload by EthanJamesMusic

"I wanted to do a live synthwave performance with annotations that show what I'm thinking as I create these. Almost everything on my channel is an improvisation, so I'm thinking on both music theory and technical levels at all times. This starts with static arpeggios and utilizes modal shifting to create the chord progressions. I'm using a fairly simple setup of just the Moog Grandmother and the ARP-2600, so that the text can follow the music. The arpeggios are inspired by new Tangerine Dream electronic music. Since I'm a film composer by trade, this came out relatively cinematic and would work in certain movie score settings. I hope this is educational for you as well, in terms of how I put these performances together."

Live annotated eurorack Tangerine Dream inspired cinematic synthwave, ARP-2600, Moog, OB-6

video upload by EthanJamesMusic

"This is a live cinematic synthwave electronic music performance inspired by later Tangerine Dream music, where I wanted to setup a more meditative environment and create a slow musical progression by interweaving layers with the Eurorack, providing bass from the Moog Grandmother, chords from the DSI OB-6, and melody from the ARP-2600. This is an entirely live and unrehearsed improvised performance, and I included annotations to show some of what I'm thinking about and also to demonstrate the different musical themes weaving in and out of the texture Since I'm a film composer by trade, this came out relatively cinematic and would work in certain movie score settings. This is a very simple setup to make a big sound. I hope this is educational for you as well, in terms of how I put these performances together. Hopefully this camera angle also helps you learn something!"

Electronic Dream Plant WASP synth, Kim Wilde, Nick Rhodes... in memory of Chris Huggett,

Electric Cafe

"This video demonstrates the sound of the Electronic Dream Plant WASP synthesizer, Kim Wilde used it for her hit single Kids In America, and Duran Duran keyboard player Nick Rhodes used it early in with the band.

Sadly Chris Huggett passed away on October 22nd 2020 but leaves behind a legacy of synth production that in a British way rivals that of Moog, Oberheim, ARP, and other synthesizer manufacturers. Today there are companies who recognise the popularity of the EDP WASP and have cloned them, Behringer and the Jasper are just two who have released their version of this classic vintage sounding synthesizer which rivals some Moog, Oberheim, ARP, Yamaha, and other famous synthesizer company products since the late 1970's.

This video contains images that do not belong to the uploader of Electric Cafe but are being used for education purposes. The music created is all original apart from Kim Wilde Kids In America:
Artist
Kim Wilde
Album
Kim Wilde
Licensed to YouTube by
[Merlin] Absolute Label Services; ASCAP, EMI Music Publishing, UNIAO BRASILEIRA DE EDITORAS DE MUSICA - UBEM, PEDL, SOLAR Music Rights Management, LatinAutorPerf, Kobalt Music Publishing, and 16 Music Rights Societies
All synths programmed were: Electronic Dream Plant WASP, and that's all!

Copyright Disclaimer under Section 107 of the copyright act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favour of fair use."

Also see: Legendary Synth Designer Chris Hugget of EDP, OSC, and Novation has Passed Away

Bob Moog Fondation 2022 - 2023 18 Month Calendar

via Signal Sounds, available here

The Bob Moog Fondation is a charitable organisation, based in Anaheim, North Carolina, just a few streets away from the current Moog factory. It acts both as a archive for Bob's work over the years, a museum to show the timeline of his inventions (and more general synth developement) and an educational resource for schools providing hands on experience for children and adults.

Imgaine you had to do all those things? It's pretty certain you'd quickly lose track of what day it is, what week it is or even what month it is (signs of recognition and enthusiastic ndoding from fellow COVID brain fog peepz at the back of the crowd)?

What you would need in that case is.....a calendar! Obviously you can get calendars with amazing inspritation quotes, beautifull sunsets and cute animals but what if you could get an unbelievalbe nerdy synth related calander featuring 18 of the world's most influential synth designers? That would be pretty freakin' cool, no?

"We are proud to announce the release of our epic 2022 Synthesizer Pioneers 18-month calendar, which honors 18 innovators in the field of synthesis from the past 60 years. This is the fifth calendar released by the Foundation focusing on the rich history of Bob Moog’s legacy and the web of innovation in synthesis to which he was connected.

This calendar is the first to bring to the fore the historic achievements of synthesizer pioneers from all over the world. It features:

Harry Olsen and Herbert Belar (RCA)
Harald Bode
Raymond Scott
Bob Moog
Don Buchla
Peter Zinovieff (EMS)
Alan R. Pearlman (ARP)
Ikutaro Kakehashi (Roland)
Fumio Mieda (KORG)
Tom Oberheim
Dave Smith
Roger Linn
Wolfgang Palm (PPG)
Dave Rossum
Peter Vogel and Kim Ryrie (Fairlight)
Ray Kurzweil
Felix Visser (Synton)
Makoto Fukuda (Casio)
Many of the pioneers have contributed historic photos of themselves, with their hallmark inventions from their private archives. Also included within the calendar are scores of dates of particular historic importance provided by the pioneers. A brief narrative is included with each photo.

The 18-month calendar also weaves together connections between Bob Moog and many of the featured pioneers. His relationships with them ranged from inspiration to friends to colleagues to business associates. Secondary photos on many of the pages highlight that connection, showing Bob with his fellow pioneers.

The 18-month calendar is printed on #80 stock paper, making the images suitable for framing after the year is over!

This is the first time any of the Moog Foundation's products have been availabe outside of the USA so we're pretty happy to be able to bring it to you, and a portion of the profits are re-invested in the Bob Moog Foundation so it's a win/win situation.

The calander runs from Jan 2022 until May 2023 (and before you ask, we have no idea why it's an 18 month calendar...maybe they're just relaly indecisive and couldn't cut the list of synth pioneers down from 18 to 12?) and is available right now, right here.

EML 101 Classic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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EML ElectroComp 101 Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Rare to find an EML 101 in such good condition, they were often owned by educational institutions and were commonly played hard by students. This ElectroComp 101 was used for 18 years in a sound design studio in Hollywood and has been sampled/played extensively on many film soundtracks and TV commercials. A real workhorse that is often described as a poor-man's Arp 2600 but that's not really fair; it has a very unique sound that some describe as harsh, metallic, alien, machine-like, I think this comes from the fact that it has no onboard dynamics and really responds well to reverb, delay and other sweeteners."

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Digitone 2 tutorial: Firmware 1.10 made arpeggiators more interesting!

video upload by Sineway

"Arpeggiators don't need to be boring with the Digitone 2!

Elektron just released a new 1.10 firmware update for the Digitone 2. This tutorial showcases some small but useful new arp features that help make your arps less repetitive and also let you discover new sections of a song. This is part of a series of tutorials for the Digitone 2, so please subscribe if you're interested in more educational content like this.

The pattern used for this tutorial can be downloaded from Patreon: / 125477153"