"BROOKLYN, NY — The Brooklyn Synth & Pedal Expo, perhaps the biggest East Coast event dedicated to electric and electronic gear for musicians with over 100 brands on display, returns to Greenpoint on October 17–18, transforming a 7,000-square-foot warehouse into an immersive playground for music creators.
Presented in partnership with the legendary synth store Three Wave Music and local up-and-coming guitar shop Tonewolf, the Expo offers a strictly in-the-headphones experience — letting attendees demo the latest synthesizers, effects pedals, and modular gear from over 100 brands in a noise-friendly environment.
Nestled in one of Brooklyn's most vibrant musical corridors, the show is expected to draw more about 2,000 visitors, a mix of musicians, producers, and gear enthusiasts.
"Intro to Synthesis" Workshops This year, the Expo expands beyond its large exhibition floor with a new lineup of educational workshops focused on synthesis — from hands-on patch-building sessions to deep dives into modular workflows, led by working artists and builders. A schedule of the workshops will be announced soon.
BROOKLYN, NY — The Brooklyn Synth & Pedal Expo returns October 17–18, transforming a 7,000-square-foot Greenpoint warehouse into an immersive playground for electronic music creators.
Presented in partnership with the legendary Three Wave Music, the Expo offers a strictly in-the-headphones experience — letting attendees demo the latest synthesizers, effects pedals, and modular gear from over 100 brands in a noise-friendly environment.
Nestled in one of Brooklyn's most vibrant musical corridors, the show is expected to draw more about 2,000 visitors, a mix of musicians, producers, and gear enthusiasts.
"Intro to Synthesis" Workshops This year, the Expo expands beyond its large exhibition floor with a new lineup of educational workshops focused on synthesis — from hands-on patch-building sessions to deep dives into modular workflows, led by working artists and builders. A schedule of the workshops will be announced soon.
"The folks at @synidotech asked me to help launch their latest MIDI controller, the TempoKey K32. It's unique in that it's not just a MIDI controller but also includes a synth engine. In this video, I take a look at a pre-release model."
Intro - 0:00
Unboxing & Overview - 1:26
Internal Synth Engine - 3:31
Using the Editor - 5:24
Direct Audio - 6:47
Using with Soft Synth - 8:15
Using the Arpeggiator - 10:08
Additional Features - 11:30
Using with Hardware Synth - 12:45
Final Thoughts - 14:24
And one from 2-Minute Warning:
The Key - 4-Minute Jam (TempoKEY K32 Play + Taiga + DFAM)
"This video is a little different for two reasons!
First, it's the first time I'm featuring an instrument kindly provided by a manufacturer. Synido sent me the TempoKEY K32 Play to explore in my own workflow and share my honest impressions.
They didn't ask for a scripted review, so I simply approached it the same way I approach every other instrument on this channel: by making music with it.
Secondly... this is exceptionally a 4-minute jam!
Think of it as two consecutive 2-minute performances before I take a short summer break. 😊
Rather than trying to showcase every feature of the K32 as a MIDI controller (Bluetooth MIDI, battery power, USB/MIDI connectivity, pads, knobs, etc.), I wanted to focus on what intrigued me the most: its built-in General MIDI sound engine.
For this performance, the Hapax sequences the entire setup. The Taiga handles the bass, the DFAM takes care of the analog drums (synchronized by the Hapax), while the K32 Play provides everything else: guitars, strings, bells, plucks, additional drum sounds… and occasionally runs through the Eventide H90 for a bit of extra space and texture.
As always, the musical performance itself was recorded in a single take. Mixing/mastering was done afterwards in Ableton Live, but the performance you hear is exactly as it happened.
A sincere thank you to Synido. Without their message, this musical experiment probably wouldn't have happened."
✅ PLAY THE MOMENT INSPIRATION HITS
Most MIDI keyboards need a computer and software to make a sound. K32 doesn't. Built-in sounds and speakers let you play instantly--couch,classroom, anywhere.
✅ 32 KEYS, MORE ROOM
25 keys feel cramped for chords and melody together. The K32's 32-key layout gives your hands space to play naturally.
✅ WIRELESS, GO ANYWHERE
BLE MIDI + Battery. Create from the couch, backstage, in class, or on a plane.
✅ GROWS WITH YOU
Connect another MIDI controller and use the K32 as a standalone sound module. Compact setup, maximum flexibility.
✅ INSTANT SOUND SWITCHING
Save favorite instruments to the KEY Sound buttons. Jump from piano to synth to bass with one press. No menu-diving.
✅ HANDS-ON CONTROL
8 assignable knobs, 8 drum pads, and a clear OLED display. Adjust, beat, and perform in real time—no mouse needed.
✅ FOR EVERY STAGE OF YOUR JOURNEY
From first beat to live performance, K32 adapts to your workflow. Start simple. Grow into it. Create without limits.
This session features the Sequential Take 5 playing live chord progressions in real time through the Eventide H90:
First section = Tape effect
Second section = + Aggravate distortion for a more industrial impact 😎🤘
The Ableton Move handles the Drums, Bass and Plucks.
There’s no MIDI sync or sequencing between the devices here as the Take 5 chords are performed live throughout the jam.
Future Sound Systems ENV1 CFG Percussion Demo
video upload by Future Sound Systems
Additional demos below.
"What happens if we pair an ENV1 Cyclical Function Generator module with our FIL4 Timbral Sculptor, the super-flexible Westlicht Performer sequencer and a slinky Eventide Space reverb? Watch this video and find out - it's a ton of fun.
2:17 - a basic kick
4:13 - using the Loop input
5:30 - extra modulation from the CFG
6:22 - modulating the modulation
7:48 - wavefolding the kick
8:54 - more sequencing
"This album presents ten extended ambient soundscapes (approx. 150 minutes total), composed and recorded using the Modern Sounds Pluto semimodular synthesizer as the sole sound source. Pluto’s architecture—featuring five primary modulation engines named after Pluto’s moons (Charon, Styx, Nix, Kerberos and Hydra)—served as both a structural and conceptual framework during production. Each track explores different interactions between these modulators, ranging from FM-based timbral shifts to complex CV-driven rhythmic deviations and slow-evolving modulation cycles.
Across the sessions, the wider effects chain underwent several iterations, incorporating various pedals for filtering, spatial processing, and granular-style textural shaping. However, two components remained consistent throughout:
Modern Sounds Pluto (core synthesis + modulation)
Eventide Space (primary reverb stage, used for long-tail ambient diffusion, shimmer variants, and modulated plate algorithms)
All material was captured as real-time, single-track, one-take recordings, with no overdubs or post-layering. Performance control relied heavily on Pluto’s internal modulation matrix, manual parameter riding, and dynamic interaction between the... more credits released March 7, 2025
Many thanks to the brilliant creators of synthesizers and effects pedals - especially the teams at Modern Sounds, Chase Bliss, Old Blood Noise Endeavors, and Eventide Audio. Without their innovations, this album would not have been possible.
All sounds and noises by: The Pedalboard Orchestra Recording and mastering by: The Pedalboard Orchestra Photo and album cover design by: The Pedalboard Orchestra"
"I had chance to have Kodamo EssenceFM MK1 for while. After I played this one, I noticed a bit annoying shimmer fx, so couldn’t remove it and re-record. Didn’t record the MIDI notes, just straight to audio. A bit Eventide Space for additional reverb."
These are my first "ten minutes" (okay, the video turned out a few minutes longer 😉) with the Modern Sounds Pluto semimodular synthesizer. 🎧Headphones recommended for the full sonic experience.
In this small setup Pluto is accompanied by three pedals, the Strymon El Capistan v1, the Chase Bliss/Goodhertz Lossy and the Eventide Space in ModEchoVerb algorithm, all in stereo. Pluto, this tiny little box, is such a fascinating and inspiring instrument. You can get a million and more of sounds out of it. I love how the filter of Lossy changes the overall mood of the sounds.
All sounds and video footage by The Pedalboard Orchestra.
(Disclaimer: This is a non sponsored video. All equipment is self-purchased.)
"A compact show for you this month but still full of exciting happenings and quirky bits of gear. I'll have a full report on Synth East next week all being well and do come along to the Live Stream on Sunday night at 8pm."
Index - 0:00
Intro - 0:12
Synth East - 0:31
Look Mum No Computer Eurovision 2026 - 5:55
FlatSix Modular Shroud of Turing - 9:35
Musical Beings Tembo - 11:10
GRM Tools Atelier - 14:29
Eventide Music Mouse - 16:35
NOMN FOAM - 18:12
Gooey Audio Next - 20:03
Safari Audio Superkeys Cubby - 21:!5
Cherry Audio SH-MAX - 22:28
Waldorf Protein - 24:13
Infinite Digits Ezeptocore - 25:32
Otter Mods - 26:50
Tembra Modules - 28:49
York Modular - 30:24
Sonic RetroCast - 33:15
Synth South West - 35:03
Synth Picnic - 37:46
Coming up - 39:53
"The London Synth & Pedal Expo Returns to Hackney Wick
A Celebratory Gear Showcase for the Community of Music Makers and Sound Explorers
LONDON, UK — Delicious Audio Events, in collaboration with KMR Audio and guitarguitar, proudly unveil the London Synth & Pedal Expo 2026, a weekend-long gathering dedicated to synthesizers, stompboxes, modular systems, and all electric and electronic creative sonic devices.
Taking place March 21–22, 2026, at Number 90, 90–94 Wallis Rd, London E9 5LN, this event invites musicians, producers, and gear aficionados to touch, try, and talk about the latest innovations in sound technology.
What Is the London Synth & Pedal Expo?
More than a typical trade show, the Expo is a gear party where the London community of musicians and tone chasers can explore an expansive, strictly-in-the-headphones playground of synths and pedals. Hosted in a 5,000 sq ft canal-side venue in Hackney marshes, the event blends hands-on demo rooms with a heated terrace featuring workshops, talks, and performances.
Dates + Hours
Saturday, March 21: 12:00–18:00
Sunday, March 22: 10:30–17:00
Tickets
Affordable ticketing tiers starting at £5 + fees, with free entry for attendees under 18.
Why Attend?
Try a massive selection of synths and pedals, all playable with headphones.
Save big with 10–30% off most gear on display.
Dive into DIY soldering workshops and creative talks on the terrace.
Discover new sounds and technologies directly from builders and brands.
Take home gear through giveaways, discounts, and promotions.
Confirmed Participants
The Expo brings together an exciting lineup of exhibitors spanning partner stores like guitarguitar and KMR Audio, top synth and pedal brands including Arturia, Elektron, Erica Synths, BOSS, Chase Bliss Audio, Walrus Audio, Eventide, Source Audio, and many more.
Community + Culture
Hosted by organisers rooted in the global Synth & Pedal Expo family—with events from Brooklyn to Montreal—the London edition continues a tradition of fostering hands-on interaction and creative collaboration within the musical instrument community.
Media + Partnerships
Supported by media outlets such as Syntopia, MATRIXSYNTH, and SonicState, the Expo is poised to be a highlight of the 2026 gear calendar.
Contact
For press inquiries, interviews, or exhibitor information:
Paolo De Gregorio — paolo.dg@thedelimag.com"
"In this 1987 episode of Midnight Muse, composer and programmer Laurie Spiegel discusses Music Mouse [demoed with a Yamaha TX816], her groundbreaking interactive music software, and answers live call-in questions from viewers.
Laurie explains how Music Mouse works, why it was designed as an intelligent musical partner rather than a traditional instrument, and how algorithmic systems can support creativity without replacing human expression.
This archival footage has been shared in collaboration with Laurie Spiegel.
Matthias Fuchs has released the extended 2nd edition of his book titled Vintage FX featuring a selection of 75 classic studio effects devices. You can find it along with audio demos at https://vintagefx-thebook.com.
Excerpt for the archives:
"Close encounters with 75 classic studio effects devices from the days of yore
A selection of 75 studio effects devices from legendary manufacturers such as Eventide, Lexicon, Roland, AMS, EMT, Publison, Dynacord, AKG, MXR, Ursa Major and many more on 328 full-colour pages with 400 illustrations.
The Book:
In a truly unique fashion, this coffee-table book showcases 75 vintage studio effects devices from more than five decades of music production: Beautifully packaged, it presents legendary studio standards, technical milestones, and exquisitely rare odd birds. Terrific photographs and comprehensive documentation deliver a plethora of facts you need to know about history, technology, and sonic potential of the devices presented.
a selection of 75 studio effects devices from legendary manufacturers such as Eventide, Lexicon, Roland, AMS, EMT, Publison, Dynacord, AKG, MXR, Ursa Major and many more..."
Jupiter-8 SN 100744
KMS-30 SN 007257
MD-8 SN 391534
"This Roland Jupiter-8 (JP-8) is being sold by the original owner.
[Innermuze, LLC.] was hired to make sure that there are no issues with the unit and take care of the listing for him.
- The power supply has been recapped.
- various IC's (logic chips and op amps), as well as other components,were replaced in various sections to ensure that all functions are fully working.
- all sliders were removed and internally cleaned.
- the material between the controls and the face plate has been replaced.
- the memory battery has been replaced.
- it has been fully calibrated, and the factory patches are presently loaded.
- This JP-8 is an early version, and it was configured to use MIDI via the additional units that are included. The configuration was performed by someone in the Roland Corporation by request of the original owner.
- The serial number of this Jupiter-8 is 100744 and is factory set for 117vac."
"ABOUT ME -
I am the owner and operator of Innermuze, LLC.
I have over 30 years of experience with electronic music equipment repairs, restorations, and modifications.
I have worked for such people and studios such as Hanz Zimmers Remote Control Productions; Green Days Jingletown Studios; Sound Farm; Joseph LoDuca; Neil Young; Beastie Boys; and many more.
I have experience with many manufacturers such as Moog, SSL, Neve, Roland, Korg, Eventide, Yamaha, Gates, Technics, Alesis, Sequential Circuits, E-Mu, Peavey, Pioneer, and many more.
I repair analog and digital gear alike, including such items as synthesizers/keyboards, drum machines, amplifiers (solid state and tube), mixing consoles/boards, effects units and processors, turntables, dj controllers, audio monitors, and much more."
"'Mercury Calling' is a song that I composed using @CherryAudiovst Mercury-8 software synthesizer. All presets used in this song are included in the released instrument.
Addition effects processing was using on some tracks including Eventide's Blackhole Immersive.
Soundtoys Users Donate $61,000 to Médecins Sans Frontières
Up Next: Supporting World Central Kitchen’s Global Relief Efforts
November 18, 2025 (BURLINGTON, VT): Renowned audio effects creator Soundtoys announced a $61,000 donation to Médecins Sans Frontières / Doctors Without Borders, raised entirely through donations made through purchases of its Radiator plug-in.
Médecins Sans Frontières (MSF) provides emergency medical care in more than 70 countries, providing life-saving treatment to people caught in wars, natural disasters, epidemics, and exclusion from medical services. In recent months, Médecins Sans Frontières has been working tirelessly in conflict and crisis zones, including Gaza, Haiti, the Democratic Republic of the Congo, Ethiopia, and Afghanistan, amid extreme violence and humanitarian collapse.
This gift continues Soundtoys’ ongoing pledge to direct 100% of proceeds from Radiator to organizations on the front lines of humanitarian and environmental crises. Originally inspired by the warmth and grit of vintage tube gear, Radiator has become one of Soundtoys’ most beloved plug-ins – and a lasting vehicle for giving back. All Radiator sales made at soundtoys.com after November 1, 2025, will benefit World Central Kitchen (WCK). Founded by Spanish chef José Andrés, WCK delivers fresh meals to communities affected by natural disasters, conflict, and climate crises. WCK teams are currently providing immediate relief in Jamaica, Gaza, Haiti, and other areas with urgent needs.
“At Soundtoys, we believe in the power of music to help make the world a better place. And in that spirit, we're committed to raising awareness and supporting human rights, the environment, and people in need,” said Ken Bogdanowicz, CEO and founder of Soundtoys.
“I can't say it any better than Chef Andres: 'When people are hungry, send cooks. Not tomorrow, today.”
Soundtoys is committed to philanthropy and activism. Over the years Soundtoys has raised more than $870,000 for
humanitarian and civil rights organizations, including support for the International Rescue Committee, Médecins Sans Frontières/Doctors Without Borders, World Central Kitchen, the Red Cross Society of Ukraine, the American Civil Liberties Union (ACLU), Migrant Offshore Aid Station (MOAS), National Association for the Advancement of Colored People (NAACP) Legal Defense Fund, Team Rubicon, and the Gulf Restoration Network.
About Soundtoys: Based in Burlington, VT, Soundtoys was founded in 1996 by Ken Bogdanowicz, the DSP effects designer behind the legendary H3000 Ultra-Harmonizer and the DSP4000 line of hardware signal processors from Eventide. Soundtoys develops world-class, creative signal-processing software for audio production, mixing, and sound design. Soundtoys users include Mike Dean, Greg Wells, Kenny Beats, Jack Antonoff, Finneas O'Connell, Disclosure, Jamie Lidell, Dave Pensado, Tony Maserati, and Tim Kelley.
Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19
An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."
Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).
Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.
Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.
Rack Mount Sennheiser VSM-201 Vocoder
Starting Bid
$5,000
Estimate
$20,000 - $40,000 USD
A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.
Dimensions: 19 x 9 x 9 inches
Category: Kraftwerk, Equipment
Provenance: PROVENANCE From the Estate of Florian Schneider
"Made this beat before the weekend, recorded it yesterday. Hope you enjoy.
Later this week I'll try to get the comparison video between the Alpha Base and the TR-1000 done!
I'm just as hyped as everyone for the new Roland TR-1000, so I got one today and hooked it up to my regular rig. Just been playing around with it for an hour, but wanted to get a video out for everyone to hear what the thing sounds like in a full mix. The thing friggin smacks like crazy.
Remember this is just a little first test, didn't prepare much, it's just here for you all to hear it in action.
Equipment used:
Roland TR-1000 (for drums) Moog Slim Phatty (for bass) Oberheim OB-X8 (for chords and melodies) Majella Implexus (for leads) Sequential Take 5 (for extras) Elektron Octatrack mk2 (for midi sequencing)
API The Box mk1 (for clout and summing) Eventide H90 (for reverb) Source Audio Nemesis Delay (for delay) Prism Titan (for conversion)"
