Sonicware Introduces ELZ_1 core

video upload by SONICWARE

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Elektron Machinedrum & Monomachine Emulations Come to Software

Elektron MD + MM emulations playing 2008 Autechre Echoplex sysexes

video upload by Joe Landers

"Thank you to ios for the very detailed Reaper project with all the program changes and automations: https://watmm-archive.com/t/96054/2#c...

Thank you to The Usual Suspects for the gearmulator project.

For the Machinedrum and Monomachine emulations, see my fork of gearmulator here: https://github.com/joelanders/gearmul...

There's a Discord server here: / discord

Please note I'm not affiliated with TUS, so please don't ask for support on their Discord :)

Thank you to all of my tireless alpha testers on Discord :)

Thank you to Elektron for decades of cool gear :)
Thank you to Autechre for the music :)"

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Torso Live Session #8: Nene H

video upload by torso electronics and Nene H

"torso electronics presents a live session recorded at ikii, an intimate listening space for sound and art in Berlin.

In this episode, Nene H performs with the modular system at the centre of her current live and studio practice. The set moves through raw, buzzing, glassy textures, uneasy rhythmic patterns, and moments of melancholia.

Her live setup is entirely hardware-based, with no computer, timecode, or pre-recorded material. Its voices include a Make Noise DPO, Synthesis Technology Cloud Terrarium, Erica Synths Bass VCO, and Noise Engineering Basimilus, summed through an Intellijel Mixup.

Sequencing comes from the T1 and Make Noise René 2. René moves around a grid rather than following a conventional line from beginning to end, allowing patterns to appear in orders that would be difficult to write by hand.

Rather than following a fixed structure, Nene H records the system, samples it, and plays the material again. Sounds move continuously between synthesis, recording, sampling, and performance, allowing the set to find its shape in real time.

The result is raw, restless, and emotionally charged, shaped by Nene H’s close relationship with a system that has developed its own personality over time.

About Nene H
Nene H is a Turkish-Azerbaijani producer, DJ, and live artist based in Berlin. A conservatory-trained pianist, her work moves between club music, improvisation, composition, and collaborative performance.

Her catalog spans Standard Deviation, Intrepid Skin, Live From Earth, Incienso, and UMAY. Her albums include Ali علي and Second Skin. Her forthcoming EP, Seltsame Fabeln, arrives October 16, 2026 on UMAY."

Yamaha CS Series Chip Clones by Ando Pilve

This was shared by Ando Pilve on Facebook (Aug 22):

"If you know what this is, you know what these are. Coming soon!"

Note the PILVE iG00153AP and iG00156AP chips left.

Followed by (2nd board image with the the iG00158AP pictured in place from January 21):

"IG00158 waveshaper chip clones are now available on Reverb and eBay. They are drop-in replaceable into the original footprint or a DIP-16 socket."

and from March 2025:

"IG00151 VCA clones are now available on Reverb and eBay! They are drop-in replaceable and can coexist with original chips without modifications."

You can find them on Ando's Gear Shop on Reverb here, and eBay here.

You'll find additional details on each captured from the listings below.

Ando Pilve also brought us the Kijimi Stereo Output Mod as well as a few recordings featuring Black Corporation's Xerxes and Deckards Dream. Deckards Dream of course was based on the CS80.

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Introducing Thorus XT

video uploads by UVI

Playlist:

1. Introducing Thorus XT - Video credits: Anthony H. | Music credits: Théo G.
2. UVI Thorus XT | Overview - Video credits: Venus Theory
3. UVI Thorus XT | Showcase - Video credits: Théo G.

"Thorus XT - Extended Chorus Designer
https://www.uvi.net/thorus-xt

Discover Thorus XT, a state-of-the-art chorus effect offering the best of both digital and analog circuit-modeled techniques with up to 8 variable, fully continuous voices, and deeply shapable extended analog controls.

Also included in SonicPass ➡️ https://www.uvi.net/sonicpass"

A deep, flexible, state-of-the-art digital chorus, Thorus has long been one of UVI's best-selling effects. Thorus XT offers a brand new take, driven by advanced DSP and joined by a second engine that faithfully models the analog bucket-brigade circuits that chorus was born on. Two worlds, one plugin, from brilliant shimmer to grainy vintage modulation, and everywhere in-between.

Your Sound, Your Way

Both digital and analog engines run on the same morphable 8-voice architecture and the same set of controls. Set your modulation once, switch engines, and hear the identical movement through two very different paths, keep whichever one best suits the material.

Two Engines, Unified Control

Cutting-edge DSP drives a variable chorus architecture with continuous and morphable voice control; sweeping voices results in the last voice fading in and out smoothly, with no stepping. Speed and Depth shape the modulation, Shape sets its waveform as sine or triangle, Edge dials feedback and color, and Stereo Mode places the image. Fewer voices give pronounced, identifiable modulation; more voices blur the line into a thick, immersive wash.

Digital - Clean, Precise, Transparent

The digital engine is the Thorus chorus you know and love, refined. Clean, precise, prized for its clarity, now with a continuously variable voice count. Every voice reads a single shared delay line at interpolated positions, for a crystalline, detailed sound. When clean isn't the objective, Quality becomes a band-limited sample-rate reducer delivering a downsampled, lo-fi edge that stays musical where it counts.

Analog - Warm, Colored, Alive

The analog engine is a faithful bucket-brigade chip emulation, found in classic hardware units like the Dimension D, and Juno-6. Where the digital engine is clean by design, Thorus XT’s analog engine gives you the natural imperfections of hardware: aliasing, resonance, pumping compression, hiss, per-voice variation—all fully shapable through an extended control set.

This Eurorack filter has AUTO DYNAMICS! // Flow 3 from Joranalogue *MEGA DEMO*

video upload by DivKid and Joranalogue Audio Design

"As we'd expect from Joranalogue, they take inspiration from classic, seemingly simple functions and turn them into musical and technically impressive devices. Flow 3 is a compact filter that builds upon on the idea of an auto wah, it's a filter with 'auto dynamics'. There's on board modulation, that can modulate itself or your modular system, stave variable filter outputs, CV over everything and an easy to play with layout in 6HP."

Update: Press release follows:

Joranalogue Audio Design announces availability of Flow 3 auto-dynamic filter module for Eurorack that sounds bigger than it looks

STEKENE, BELGIUM: having made its impressive-sounding debut during a showcase at SUPERBOOTH26, May 7-9, FEZ-Berlin, Germany, high-quality Eurorack music synthesiser modules-maker Joranalogue Audio Design is proud to announce availability of Flow 3 — an auto-dynamic filter that sounds bigger than it looks, thanks to the novel variation on the classic state variable filter topology that lies behind its compact 6 HP panel — as of August 25…

Firstly, Flow 3’s core integrator saturation of its simultaneous — low-pass (LP2), attenuates frequencies above the filter frequency (or cutoff) at -12 dB/octave and self-oscillates at a phase of 180°; bandpass (BP2), selects a band of frequencies around the filter frequency (but below and above that the attenuation slope is -6 dB) and self-oscillates at a phase of 90°; and high-pass (HP2), attenuates frequencies below the filter frequency at -12 dB/octave and self-oscillates at a phase of 0° — outputs provide for a sound that is clean yet distinctive.

RESONANCE response is exceptionally smooth — it, too, can easily reach self-oscillation (at higher feedback levels), the temperature compensation and exact calibration effectively transforming Flow 3 into a reliable quadrature sine/cosine VCO (Voltage-Controlled Oscillator) with tight pitch tracking.

The ace up Flow 3’s sleeve, however, lies in its auto-dynamic nature — helpfully highlighted by the non-erasable AUTO DYNAMIC FILTER graphic positioned across that compact, clean-cut 6 HP panel. After all, it is a filter that can modulate itself, achieved by a combined DECAY generator/envelope follower circuit controlling the filter frequency over an adjustable range; either fire decay envelopes from external triggers, or flip it to AUTO mode to follow along with the incoming signal’s amplitude envelope (or both, simultaneously).

Saying all that, then, creating heavy-hitting analogue kick drum sounds becomes a breeze, but, with a bit of patching, Flow 3 can even be used as a spectrum splitter (or crossover), cleanly separating the full audio range into low and high portions, for dual-band signal processing — perfectly possible thanks to the Linkwitz-Riley filter response at minimum resonance.

Ultimately, users of Flow 3 can clearly get carried away as the Eurorack module concerned creatively takes the old auto-filter concept to new voltage-controlled heights, hearing for themselves exactly what the fuss was all about at that impressive-sounding SUPERBOOTH26 showcase!

Coming complete with a 16-to-10-pin Eurorack power cable, two black M3 x 6 mm hex screws, two black nylon washers, and a hex key, Flow 3 is available as a 6 HP module — measuring 128.5 mm (H) x 30 mm (W) x 52 mm (D) with a +12 V: 45 mA/-12 V: 45 mA maximum current draw, reverse polarity (MOSFET) power protection, 100 kΩ impedance inputs and 0 Ω (compensated) impedance outputs — through Joranalogue Audio Design’s growing global network of authorised dealers at a MSRP (Manufacturer’s Suggested Retail Price) of €215.00 EUR or $225.00 USD.

Check with dealers on the right.

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Bad Gear - Electribe ER-1

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. No, there is no episode about the Korg Electribe ER-1 out there yet - I had to look it up myself - and yes, the snares totally sound like sh*t!"

Chapters:
00:00 Intro tune
00:33 Overview Tempera
01:27 Percussion Synths
02:10 Low Boost
02:23 The Sample Situation
03:00 Master Delay, Ring Modulator
03:25 Audio Ins, Trance Gate
03:36 Accent Track, Motion Sequencer
03:58 Sequencer (Timing, Swing)
04:14 Quirks, Limitations, Versions, Pricing
05:10 H*te Screen
05:34 Jam 1 ( LoFi House )
06:25 Jam 2 ( Elektro )
07:30 Finale ( Retrofuturist Techno )
07:57 VERDICT

The LOST Bad Gear Episode

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. In a time like ours when material needs no longer exist in music production the accumulation of things seems to have become more important than ever.

Today we are going to talk about Novation Drumstation. While today’s synth clones are mostly used for home studio decoration this 1996 drum machine and shameless Roland TR-808 and 909 ripoff was more or less the only affordable way to actually tweak the iconic drum sounds. Simpler times."

Chapters:
00:00 I found the Lost Episode on an old Hard Disk
00:13 Intro tune
01:06 Overview Novation Drum Station V1
01:47 Limitations
02:02 Midi Control
02:24 Analog or Digital???
03:05 Workflow
03:32 Features
04:00 NoIsE iSsUeS
04:29 Audition/Auto-trigger
04:40 What else??? (More Features, Pricing, V2, D-Station ,...)
05:06 H*te Screen
05:35 Jam 1 ( Old School Techhouse )
06:25 Jam 2 ( Old School Trance )
07:28 Finale ( Old School Footwork/Juke )
08:02 VERDICT

Baloran The River in White SN 00026

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"This show piece is sure to take the cake when it comes to insane! With 8 Moog inspired voices and on board effects, this synth is going to blow your head off."

Specs From Baloran's Website:

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Bad Gear - It looks AWESOME on Social Media

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. There are electronic musical instruments that are designed to sound good and there are those that were made to look awesome on Instagram.

Today we are going to talk about Beetlecrab Audio Tempera and chances are that quite a few people bought it for reason number 2."

Chapters:
00:00 Intro tune
00:39 Overview Tempera
02:00 Hands-free use
02:11 The Emitters
02:29 The Samples
02:44 Emitter Deep Dive
04:23 Filters, FX
04:46 Modulators (Envelopes, LFOs,...)
04:58 Live Grain, Sampling, Resampling
05:07 Memory, Connectivity, Availability, Thanks
05:49 H*te Screen
06:15 Jam 1 ( Experimental Techno )
07:07 Jam 2 ( Post-Jungle )
08:09 Finale ( Future Psy )
08:36 VERDICT

Bad Gear - Massive X

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Today we are going to talk about Native Instrument’s Massive X.

This 2019 plugin is a cautionary tale for music technology brands about what NOT to do if they don’t want to end up as yet another pair of antlers in inMusic’s trophy room.

Chapters:
00:00 Intro tune
00:39 Overview NI Massive X
01:12 Why it's worse than OG Massive
01:38 OK, that's not soooo bad...
02:05 Oscillator Section (Yeah, it's a mixed bag)
02:32 Noise Section
02:39 Filter Section
02:59 Insert FX, Feedback, FX Section
03:32 Workflow (Envelopes, LFOs, Random)
03:56 The Dealbreaker
04:03 Trackers and yes, it can still do Dubstep
04:16 Animator, Massive X Player
04:40 Modular Environment, Presets, Pricing
05:09 H*te Screen
05:37 Jam 1 ( Massive X-only Psy )
06:31 Jam 2 ( Massive X vs. Analog Drums )
07:32 Finale ( Drum'n'Bass )
08:04 VERDICT"

Bad Gear - The BEST and WORST Synth EVER

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Today we are going to talk about the 1998 Yamaha FS1R which is simultaneously the best AND worst synth of all time."

Chapters:
00:00 Intro tune
00:34 Overview Yamaha FS1R
01:40 Filters, FX
02:18 Software Editor
02:36 Why it is complex, Engine Deep Dive
03:14 Operators, Envelopes, LFOs, More Filter Stuff
03:43 UI Pain, Macros
03:58 Formant Synthesis, FSeqs
04:23 Multitimbrality, Patches
04:58 Price, Thanks
05:26 H*te Screen
05:56 Jam 1 ( Techno )
06:43 Jam 2 ( Drum'n'Bass )
07:56 Finale ( Retrofuturist Elektro )
08:25 VERDICT

LepLoop 3D: Messing Around with the Capacitor Sequencer #leploop

video upload by LepLoop

"Diving back into the Leploop 3D! While we touched on LFO modulation in the last video, today I’m messing around with the unique capacitor sequencer.
A tactile way to build melody on the fly, this video explores how the S\H and LFO work together to drive the capacitor sequencer, creating evolving, organic textures driven by LFO modulation offset.
https://www.leploop.org/m/leploop/
#AnalogSequencer #modularsynth #ambienttechno #leploop"

Bad Gear - FORCE in 2026???

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. There are electronic musical instruments with a clear purpose: analog synths deliver classic tones and social media swag, plugins and workstations are great tools if you actually want to make money and Eurorack is still a healthier form of escapism than buying pills at a gas station.

Today, however, we are going to talk about The Force. The mission of this unholy 2019 lovechild of an MPC and Ableton incarnate was nebulous from the beginning and since then the machine was so profoundly transformed by a slow yet steady stream of updates that it is hard to tell whether it is still worth using it in 2026 - or if it ever was."

Chapters:
00:00 Intro tune
01:04 Overview Force
01:50 Differences to MPCs
02:33 Concept & Limitations
02:58 MPC & Ableton Compatibility, Connectivity
03:33 Touch Screen
03:49 Expandability
04:02 Rear Panel
04:25 What else? (Pricing, Thanks,...)
04:56 H*te Screen
05:20 Jam 1 ( 2010s Rave Music )
06:11 Jam 2 ( Downtempo )
07:13 Finale ( Micro House )
07:44 VERDICT
09:03 Patreon Vocoder Shoutout (Waldorf microQ)

Bad Gear - The 2000s are BACK!!!

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. After years of turning nostalgia into profit by bringing half-baked reissues to the market there is still one era mostly untouched by the profit maximization of music tech executives.

Today we are going to talk about Waldorf microQ. This virtual analog synth was spawned into existence during the dawn of the DAW revolution of the early 2000s, it was - in a way - itself a half-baked reissue, dated on release and yet there’s no one to take the disposable income of both, sentimental Gen-x ravers and trance revival-obsessed zoomers."

Chapters:
00:00 Intro tune
01:02 Overview micro Q
02:04 Oscillators, Wavetables, Sub OSC
02:25 FM, Sync, Ring Mod
02:49 Filter Section, Difference to Q
03:28 Modulators
03:48 Mod Matrix
04:00 Arpeggiator, FX, Vocoder
04:31 Multitimbrality, Outputs, Drums, Patches
05:00 Pricing, DSP Emulation
05:16 H*te Screen
05:39 Jam 1 ( PresetMaxxing )
06:33 Jam 2 ( Downtempo )
07:33 Finale ( Sleaze House Bass Line )
08:03 VERDICT

CRUM2 by NYSTRÖM #superbooth26

video upload by motobor

"generative percussive h#superbooth #superbooth26

Keep on mind that all of my videos done on superbooth are realy short indroduction. if it doesnt sound good or I make mistakes then its because I have only used it for 20min. This is my thing, I want to see how fast I can get along with the instrument.
videos are edited and uploaded on phone, so sorry for any mistakes or roughnes."

Additional CRUM2 posts

Bastl Introduces Kalimba - Physical Modelling & FM Kalimba Synth

video uploads by Bastl

Playlist:
1. Bastl Kalimba: An Expressive Instrument for Intuitive Electronic Music Exploration
2. Bastl Kalimba - Demo Overview
3. Bastl Kalimba is such a fever dream - HAINBACH
4. WTF did they make? Bastl Kalimba! - ANDREW HUANG


Press release follows:

Bastl Instruments are very proud to announce the release of their new instrument - Bastl Kalimba, a unique desktop instrument that combines microphones, touch sensors, and an accelerometer, with a user interface inspired by the traditional kalimba and its main interaction element: the tines.

We believe that this combination of features and physical interface leads to intuitive creativity and easy musical expression.

Just play it, you already know it.

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SONICWARE Introduces deconstruct MINIMAL | Hypnotic Groove Machine — LESS IS MORE

Playlist:

1. deconstruct MINIMAL | Hypnotic Groove Machine — LESS IS MORE - SONICWARE
2. deconstruct MINIMAL | Hypnotic Groove Machine [Official Demo Jam] - SONICWARE
3. Sonicware deconstruct MINIMAL - Factory Patterns (no talking) - Bonedo Synthesizers
4. SONICWARE deconstruct MINIMAL: Ambient Techno Jam - Freaky Tweaky
5. Sonicware deconstruct MINIMAL - Sound Demo (no talking) with custom patterns for Electronic Music - Limbic Bits




"The deconstruct series has arrived — redefining musical structure.
Limited introductory offer: $299 for the first 1,000 units. [see dealers on the right]

deconstruct MINIMAL is a groovebox combining a sampler-integrated drum machine and analog-modeling bass synthesizer, built for the hypnotic grooves of minimal techno and minimal house.

● Legendary Groove DNA
● Deep 10-Track Drum Machine
● Sonic Expansion Sampler
● Elastic Bass Synth
● Live-Boosting Effects

● Legendary Groove DNA

Built on the rhythmic and pitch drift of the legendary drum machines — designed to create hypnotic minimal grooves

● Deep 10-Track Drum Machine

Intuitive, deep groove editing with fully per-track accents, random velocity, swing, sub-steps, and phrase rotation

● Sonic Expansion Sampler

Drum machine–integrated 4-track sampler with a 4-bar loop track — beyond drums through textures and phrases

● Elastic Bass Synth

Fluid analog-modeling bass synth delivering acid bass lines and driving techno leads

● Live-Boosting Effects

Live-focused real-time effects for dynamic groove control and performance intensity

Specifications
Drum machine with sampler and bass synthesizer featuring 11-track construction

[Drum Machine]
• Recreates the distinctive groove of legendary drum machines, shaped by subtle rhythmic and pitch drift
• 9 tracks
• 16 drum kits
• Instruments: 10 banks - 130 sounds
• Sample-based engine with dedicated edit parameters for each bank
• BD1 and SD each feature dedicated synthesis engines
• HH recreates the characteristic sound variations of analog drum machines
• Diverse groove edits: Accent, random velocity, swing, sub-steps, etc. can be set per track
• Supports real-time recording via pads, alongside fast step input
• Equipped with an isolator for bold boosts/cuts and delicate tonal adjustment

[Sampler]
• Supports sample import/export and sampling via LINE IN or USB
• 4 tracks: sample selection on drum machine tracks 7–9, plus dedicated loop track 10
• Preset samples: 3 banks - 48 sounds
Track 7–9

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MadeOnEarth - LedRover Analog Stereo Distortion Pedal

MadeOnEarth - LedRover vs Dfam video upload by Isak Eliyahu

Press release follows:


LEDROVER: ANALOG STEREO DISTORTION

The LedRover is a 100% analog stereo diode-based distortion effect from MOE. It originated from our quest for the ultimate distortion effect for the TB-303, finalized after a year of experiments with various components including diodes,

LEDs, germanium, and custom potentiometers. The inspiration for the circuit came from a famous filter resonance design that we discovered uses diodes in the feedback loop, which creates a round sound with a distortion tone that can be aggressive while remaining musical and preserving the character of the original signal. Based on this, we designed two distortion modes for the LedRover using different diode placements. Following extensive calibration for synthesizers and drum machines, we have ensured the effect is suitable for a wide range of applications—from kicks and snares to cymbals, bass, and leads—offering everything from delicate warmth to extreme distortion.

The integrated Tilt filter was born from our understanding that filtering before overdrive is essential for emphasizing frequencies pleasant to the ear. Unlike standard Tilt filters that typically offer a 6dB/Octave slope, we designed the LedRover with a steeper 15dB/Octave slope for both low and high frequency ranges. This ensures the signal enters the distortion with high saturation, allowing the circuit to mangle the sound even further. We selected the reference point for the filter through trial and error across a variety of gear to emphasize mid-range frequencies rather than just extreme highs, providing a flattering response for the distortion circuit.

Additionally, we added an x10 Boost button to push instruments with weak outputs hard into the Tilt filter. This creates distortion right at the entrance of the filter, which can be controlled delicately with the input knob; as you attenuate the input volume, the action of the filter becomes significantly more pronounced, while higher values create a unique op-amp saturation that works in perfect synergy with the diode overdrive. We build the LedRover to the highest standards of reliability and feel, housed in a custom aluminum box with resilient UV-printing and custom potentiometers.

Feature List:

100% Analog Stereo Diode-Based Colorful Distortion Circuit.

Dual Distortion Modes: Two distinct distortion characters.

Custom 15dB/Octave Tilt Filter.

x10 Boost Switch: Push weak instrument signals and overdrive the Tilt filter op-amps for additional colorful harmonics.

Two-Mode VU Meter: Visual monitoring of the wet and dry signals.

Dedicated Input and Output Controls.

Buffered Bypass.

High Standard Build Quality: Custom aluminum box with resilient UV-printing and custom potentiometers.

Compact Form Factor: W: 12cm (4.7") x D: 10cm (3.9") x H: 5.5cm (2.2").

We are very excited to officially debut the LedRover and our beloved Analog Chorus 60 at Superbooth in Berlin, Booth B048. We will have a demo station equipped with two sets of headphones, but you are also welcome to connect your own.

www.moe-shop.net

Bad Gear - THIS is a JOKE!!!

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Today we are going to talk about Digitone Keys. This 2019 FM synth, Photoshop gag gone wrong and lost sibling of the original Digitone who seemed to have shown a little too much interest in the family medicine cabinet not only comes with more or less the same underwhelming spec sheet - other brands are already embracing the meme power of its design philosophy."

Chapters:
00:00 Intro tune
00:47 Overview Digitone Keys
01:48 Concept, Additional Features
02:48 Synth Engine
03:54 Filter Section, Envelopes, Overdrive, FX
04:25 LFOs
04:33 More Gimmicks
04:51 Pricing, Midi, Decksaver,...
05:18 H*te Screen
05:46 Jam 1 ( Lyrical Techno )
06:33 Jam 2 ( Multitrack Noodling )
07:35 Finale ( Contemporary Dance Floor Brutality )
08:04 VERDICT