Luke Million Studio Tour Update July 2025

video upload by Luke Million

"Following the Studio Tour Video I made last November, here is an update with recent acquisitions and changes to my workflow in my Studio.

Some highlights are the Moog Messenger, Arturia DrumBrute Impact 1984 Edition, Synido TempoPAD C16, Aly James Lab Vprom 3.0, Beyerdynamic DT1990 Pro, Modartt Pianoteq 8 and some Franklin Audio Devices.

The biggest change is in my 2nd Studio where the B Team is kept. I have connected those synths to a Franklin Audio SS-6 Switchable Input Stereo DI which then sends audio to my Universal Audio Volt 476 interface connected to a Macbook Pro Laptop.

You can view the original Studio Tour Video here -"

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Vintage Moog 16-channel Analog Vocoder

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Features:

'Program' input accepts line level or mic-level signal
Reversible rack ears for rack mounting or desktop use
16 frequency bands normaled input to output (i.e. without any patching, the input volume of a given frequency band in the "program" signal will control the output volume of that same frequency band). But input bands can be rewired to control different output bands via 1/4" patch cables (not included) on the front panel. This can be used to create "robot voice" and similar effects.
Sample & Hold
1/4" input for pedal (not included) to switch S&H on or off
Ditto to switch between the normaled patch and a custom patch
Ditto to bypass the vocoder entirely
Original circuit diagram on bottom of unit"

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Synths That Tanked! Top 15 Value Crashes You Won’t Believe!?

video upload by Andy Whitmore

You be the judge. Feel free to comment below.

"💥 The biggest synth value crashes of all time! These once-iconic instruments lost tens of thousands in value—from legendary analog giants to futuristic digital monsters.

You've seen the synths that became priceless icons… but what about the ones that didn’t?

In this countdown, we reveal 15 professional synthesizers that lost the most value from their original prices (adjusted for inflation). From boutique rarities to digital behemoths, these are the synths that hit the market hard—and hit resale even harder.

🎹 We cover:

Synth name + release year

Original price + adjusted inflation value

Current resale value

Total loss 💸

A fun or tragic fact per synth

Whether it's a Fairlight, Synclavier, or the ultra-rare GX-1, some of this gear once cost more than a house… and now? Let’s just say you could buy one for the price of a laptop.

🧠 Think you can guess the biggest loser?"

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Bad Gear - The Monster

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-h*ted audio tools. Arturia doesn’t get enough credit for creating what is probably THE most relevant analog poly of the 21st Century, the Arturia Polybrute .

Today, however, we are going to talk about its similarly oversized, far less universally acclaimed and much more archaic cousin, the 2017 Matrixbrute WHICH didn't age so well.

Chapters:
00:00 Intro tune
00:44 Overview Matrix Brute
01:17 Oscillator Section
01:57 Filter Section ( Steiner-Parker & Moog Filter )
02:47 Oscillator Bleed, additional Filter Features
03:17 Envelopes, LFOs
03:29 Analog FX Section
03:54 Modulation Matrix
04:46 Preset Selection, Sequencer, Arpeggiator
05:18 What else? (Connectivity, Pricing, MatrixBrute Noir , Thanks)
06:02 H*te Screen
06:25 Jam 1 ( Techno )
07:21 Jam 2 ( Industrial )
08:23 Finale ( Fast Techno )
08:51 Verdict
09:59 Bloopers
10:21 Patreon Vocoder Shoutout"

Moog Vocoder 16 Channel Model MBVO 327

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

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Wendy Carlos: Electronic Music's Transformative Pioneer

video upload by Resident Advisor

"'The word "pioneer' gets thrown around too liberally these days. But in the case of Wendy Carlos, the glove fits. The face of electronic music would look immeasurably different in 2025 without the American trans composer's groundbreaking achievements. Before she came along, electronic music was barely considered music at all—just "funny sounds," as Bob Moog once said.

That all changed in 1968. Produced in collaboration with Rachel Elkind, Carlos's debut album, Switched-On Bach wielded machines to produce sounds that could compete with the symphonic pop and rock of the era. The landmark LP won multiple GRAMMYs, played a key role in popularising the use of synths and became only the second classical music record to sell a million copies.

In our latest video essay, written by Sasha Geffen, we trace Carlos's story from her early experiments with Moog through to her impact on key electronic acts of the past 50 years, including Brian Eno, DJ Sprinkles and Octo Octa.

00:00 - Intro
00:54 - Switched-on Bach
01:57 - Carlos and Bob Moog
03:07 Contribution to synth development
04:36 - A Clockwork Orange Score & The Vocoder
07:20 - Personal Life
08:20 - Musical Development

Producer - Sophie Misrahi
Writer - Sasha Geffen
Editors - Sergey Poltorakov, Guy Clarke
Motion Graphics - Sergey Poltorakov, Dan Derham

Music in order of appearance:

 1.⁠ ⁠Wendy Carlos - Toccata Fugue In D Minor - Switched-On Bach 2000
 2.⁠ ⁠Wendy Carlos - Air On A G String - Switched-On Bach
 3.⁠ ⁠Delia Derbyshire - Quest - Electrosonic
 4.⁠ ⁠Wendy Carlos - Moog 900 series Demonstration
 5.⁠ ⁠The RCA Electronic Music Synthesizer - The Well-Tempered Clavier Fugue No. 2
 6.⁠ ⁠Wendy Carlos - Prelude And Fugue #2 In C Minor - Switched-On Bach
 7.⁠ ⁠Wendy Carlos - Title Music From A Clockwork Orange (From Purcell's Music For The Funeral Of Queen Mary - A Clockwork Orange Complete Original Score
 8.⁠ ⁠Wendy Carlos - Country Lane - A Clockwork Orange Complete Original Score
 9.⁠ ⁠Cybotron - Clear
10.⁠ ⁠Wendy Carlos - Genesis - Digital Moonscapes

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Moog 16 Channel Vocoder Bode Reissue w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Moog 16 Channel Vocoder.

2020 Reissue of original Harald Bode design.

Studio use only. Mint condition.

Includes cables, PSU, paperback manual and sheets, warranty card, and original box and packaging."

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Maria durch ein Dornwald ging ⭐ Moog Synthesizer

video upload by RetroSound

"(c)2007-24 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

Maria durch ein Dornwald ging ⭐
Maria durch ein Dornwald ging is a german-language advent carol from Eichsfeld, which was first published in 1850 and whose melody probably dates back to the 16th century.

played with the Moog Minimoog Synthesizer
Moog Taurus, Roland VP330 Vocoder Plus and PPG wave 2.2 🎹

The video sequences are made by me too. ✨

This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.

My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers."

Bob Moog Foundation Raffles Off One-of-a-Kind $20,000 Eurorack Synthesizer

via the Bob Moog Foundation

Winter 2024 Fundraising Raffle: One-of-a-Kind $20,000 Eurorack Synthesizer

We are excited to announce our final fundraising raffle of 2024 featuring a one-of-a-kind Eurorack synthesizer comprised of 52 modules from over 30 Eurorack manufacturers located in 10 different countries. The system, curated by modular synthesis educator Chris Meyer, was inspired by Bob Moog's legendary Moog modular synthesizers in mind. It has a retail value of $20,000.

The system features:

3 Analog Oscillators | 2 Digital Oscillators | 8 Filters | 3 Percussion Voices | Spring Reverb | Analog Phase Shifter | Vocoder/Filter Bank | Frequency Shifter | Digital Multi-Effects | Moog-style Analog Sequencers | Wood Encased Keyboard with MIDI Interface and Arpeggiator | Custom Black American Walnut Cabinet with Chromaesthetic Lighting |

All modules and other components were donated by the manufacturer to make this raffle possible.

Tickets for the raffle are $20 each, 6 for $100, 14 for $200, and 40 for $500

The raffle ends on Friday, December 20th, and is open internationally.

Proceeds from the raffle benefit our important work in science education, archive preservation, and the operation of the Moogseum in downtown Asheville, NC. The Moogseum continues to be challenged by the long-term financial effects of Hurricane Helene, making this year-end fundraiser critically important.

Read more about the system, including the full list of modules,
and purchase your tickets HERE.

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Luke Million - Time Extension (Studio Video)

video upload by Luke Million

"‘Time Extension’ is the 2nd track on my ‘Late Night Tails’ EP.

It’s about making the most of a second chance and constantly trying to evolve.

I drew influences from Kano, Gino Soccio and Giorgio Moroder and just had fun with my synthesizers and some cheeky vocoder 😁

Listen to my Late Night Tails EP here: https://lukemillion.etcetc.to/latenig...

Equipment used in order of appearance;

Oberheim DX Drum Machine
Roland Jupiter 8
Roland VP330 Vocoder Plus
Oberheim OB8
Roland SH2
Roland Jupiter 4
Moog Grandmother"

Styx Mr. Roboto ~ Vintage Synthesizer Recreation ~ RetroSound ~ Oberheim

video upload by RetroSound

"(c)2007-24 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

One of my favorite tracks from the early 80s
Mr. Roboto by Styx from the album Kilroy Was Here (1983)
Written by Dennis DeYoung

Featured the Oberheim OB-X, the Oberheim OB-Xa, the Roland VP330 Vocoder and the Moog Source

This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.
My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers."

MOOG 16 CHANNEL VOCODER /w BOX CABLES MANUAL ACCESSORIES SN 116

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

08-26-2020 on the Certificate of Authenticity.

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Moog Spectravox // Vocoding will be the last thing I do with it

video upload by Starsky Carr

"The Moog Spectravox is so much more than a vocoder. Once you get to grips with it you start to get the feeling that vocoding is almost an after thought - it's almost a byproduct of having 2 filter banks in a single unit."

0:00 some 'lil Spectravox demos
1:51 Techy filter band info
3:51 Using as a standalone filter effect
7:14 As A standalone Phaser/comb filter
8:57 It's a Subtractive Synth
11:21 Spectral Resonating Synth
12:31 Using as a Drum Machine
15:19 MoogerFooger MuRF emulation
18:16 Pitch control of filter bands
21:20 Finally... the vocoder
25:08 whatdayathink
28:00 sounds only demos from intro

Bad Gear - Moog Spectravox

video upload by AudioPilz

"Today we are going to talk about Spectravox and as I might be the only synth person on the internet who didn’t get either their CS-80 for suburban dads or totally AI-free music generating Buchla ripoff, I have to resort to the strange one that seems like a more expensive version of that FX pedal they released 20 years ago.

Bad Gear - The Strange One

Chapters:
00:00 Intro tune
00:49 Overview Moog Spectravox
01:03 Oscillator
01:23 Ways of triggering the Synth
01:42 FilterBank
02:00 Classic Synth Tones (High- & Lowpass)
02:18 Resonance, Spectral Shift
02:40 LFO
02:50 Buzz/Hiss
02:58 Vocoder
03:18 Analysis Filter Bank
03:34 VCA (Drone Mode)
03:47 External Modulators/Carriers (Polyphonic Tones, Rhythmic Patterns)
04:05 Ping Filters ( Moog Marimbas )
04:11 Moogfest Version, Limitations, Pricing
04:39 Hate
05:05 Jam 1 ( Techno )
06:00 Jam 2 ( Elektro )
07:03 Finale ( GOA Psytrance )
07:31 Verdict"

Moog Spectravox: Modular Patches & Ideas. Vocoder Synth Demo

video upload by Anton Anru

"Modular Voices is a soundset for the semi-modular synth and analog processor Moog Spectravox.
It is a collection of 50 presets: 24 Synths, 13 Plucks, 6 Percs, 7 Drones.
There is a wide range of timbres inside the pack: simple and complex, dark and bright, vintage and modern, noisy/distorted and soft, musical and experimental, harmonic and inharmonic.

Some patches are in 'synth mode' and can be played with a keyboard, while others are in 'processing mode' — they process incoming audio and modulate it. Some patches combine the two modes: they process audio and can also be played with a keyboard.

📗 Get the soundset: https://bit.ly/4d7XUHW

Synths and plucks are excellent for use with arpeggiators or sequencers. Drones produce dark, distorted tones with heavy modulations, FM, noise, etc. They can be used as pads in genres like techno, industrial, or ambient to create a certain inharmonic atmosphere. Perc patches are perfect if you are looking for unusual and unique rhythmic additions to your performance or track.

Tones using external audio require playing a sample attached to the patch. You will find all samples with the patch name, as well as its role (PROGRAM or CARRIER), in the Audio Content folder. Load the samples into your workstation, set up Spectravox according to the image, and play the sample(s). Adjust the PROGRAM GAIN LEVEL yourself. It may not match the image if you have changed the sample's volume level. PROGRAM GAIN LEVEL can affect the tone, for example, causing distortion at high values, as well as the envelope of the entire patch if PROG TRIG - EG is used.

In most cases, I use synthesized chords for CARRIER and rhythmic sounds for PROGRAM. Be sure to try using your unique content. For CARRIER, you can create a sequence of chords or pads using a VST synthesizer. For PROGRAM, you can use vocal samples. There are many options.

For tones in the PLUCK and SYNTH categories, I usually use external arpeggiators or sequencers. This allows you to keep your hands free to work with the synthesizer parameters.

The patches are suitable for many genres: Techno, Ambient, House, Deep, Progressive, Trance, Minimal, IDM, Downtempo, Synthwave, Retrowave, Electronica, Dark/Noise, Industrial, Breakbeat, Drum and Bass, and others.

The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

Each patch has an audio example, it helps to understand how the timbre is supposed to sound.

To recreate these patches, you will need up to 8 patch cables. You will also need a stackable cable or a splitter/multiplier. The document includes detailed information about using an external keyboard with CV/Gate outputs.

Moog Spectravox is a versatile device that can be used in various ways:
- It can generate a complete signal without additional devices and audio input.
- It can produce musical tones that can be played from a keyboard or used with external sequencers and DAWs.
- It can process external audio signals, passing them through the Filter Bank and modulations.
- It can operate in Vocoder mode.
- It also supports combinations of these different scenarios. For example, using the Vocoder with an external audio signal, plus playing notes from a keyboard or sequencer.

All of this requires connecting various sources to Spectravox. In the PDF document, I will detail the routing scenarios I used. You can either fully replicate them or use them as a starting point for your own scenarios."

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Moog 16 Channel Vocoder

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

A Moog Spectravox Vocoder Demo (Turn on Subtitles!)

video upload by mylarmelodies

"Today I'm giving the Moog Spectravox vocoder/filterbank a test drive. I'll vocode, use it as a filterbank, as synth voice, process and modulate it with some Eurorack at the end!!"

00:00 Sneak preview of examples
00:45 Explaining How Spectravox Works
02:04 Spectravox as a Filterbank
04:14 Vocoding a DFAM
05:11 Spectravox as a Synth Voice
07:17 LFO to Spectrally Shift my Voice
07:41 Turning Drum Sounds into Hellscapes
09:35 Completely Remapping My Voice
11:09 Turning my voice into a bassline & snare
12:59 Integrating Eurorack

L-1 Discrete 16-channel Vocoder. Distorted waves.

video upload by Aleksei Laman

"I used two distorted saw waves as carrier."

You can find additional demos in previous posts here.

Pic and details via http://l-1.su/DiscreteVocoder.html

"The module is 28HP. 3 stacked boards deep. Control board, odd channels filterbank board, even channels filterbank board.

I used my Discrete Blacksea VCAs everywhere - in channels, input compressor, output mixers. So 23 VCAs total. Microphone preamp is THAT1512 based.

Modulator has two inputs. First from a microphone with Gain knob. Second for other sources with level attenuator knob. There is an output after mic preamp to send a voice to external processing then return into MOD input.

Then modulator signal goes to compressor. Attack, release and ratio setting are fixed. Threshold sets with a knob.

After the compressor it goes to 16-channel filterbank.

Carrier has two inputs with attenuator knobs. Also it has Gain knob which can add up to x6 gain to both inputs together. It's for using quiet line level signals.

LEDs show when compression applied, when modulator and carrier inputs overloaded, when Noise Gate closed and open.

Filterbank has separate outputs for odd and even channels. Filterbank VCAs have semi-exponential response. This easy to trim but I think semi-expo is ok. Every filterbank channel has level trimpot. Normally trimming is not needed. But if someone wants to make some channels quieter or louder - it's possible.

Two switches set normal or alternate order for odd and even channels. Normal order when 1st madulator channel drives 1st carrier channel, 2nd-2nd, etc. Alternate order sets with jumpers at the board. Every channel at the board has a jumper which sets which carrier channel drives this modulator channel. So possible to make unusual combinations. It what was realized with patchcables at Moog Vocoder.

Noise Gate mutes filterbank output when no signal. Because 16 channels mixed can create noticeable background noise.

At the output 3 stereo mixers are installed. First for clean voice coming from mic amp and MOD input. Second for odd channels, third for even channels. All mixers with VC level and panorama.

Also there stereo send-return in/outs for adding effects. The idea was to make some spatial effects. For example - clean voice at the center, odd channels at the left, even channels at the right. And vocoder channels rotate modulated from external LFO. Even channels panorama CV input is normalled to odd pan CV input through an invertor. So this rotating effect is possible to make with single LFO."

SUPERBOOTH 2024: Moog - Spectravox

video upload by sonicstate

"At Superbooth 2024 we met with Chris from Moog who gave us a look at their new Spectravox*. Originating from the Moogfest workshop in 2019, *Spectravox *is a semi-modular analog spectral processor and vocoder that offers dynamic sound sculpting capabilities through its 10-band filter bank, based on the *Moog 907 filterbank from the 60s, adjustable resonance, and extensive integration features. It's a tool for creating lively drones and colorful tonal sweeps, and can be used as a standalone unit or integrated with other instruments and sound sources.

Watch to the end of the video for a surprise appearance from *Jamie Lidell*, who has had his hands on a *Spectravox *for quite a while, and he tells us about his experiences with this box of tricks.

Spectravox Price: 599 USD"

Spectravox | Traditional Vocoding & Vocoder Processing

video upload by Moog Music

"In this video we explore how to use Spectravox in Vocoder mode to process vocals.
We begin by hooking up a dynamic microphone (in this case the Shure SM58) to the program input and adjusting the preamplifier gain to an appropriate level. This allows us to create classic analog vocoder sounds with our voice and Spectravox’s internal carrier oscillator and white noise generator. We next look at how to use the program envelope follower and an attenuator to increase the intelligibility of Spectravox and capture the dynamics of our voice. Finally, we connect Matriarch to the carrier input of Spectravox to be able to vocode chords and polyphonic material with our voice."

Spectravox | Vocoder Processing

video upload by Moog Music

"In this video we explore how to use Spectravox in Vocoder mode to vocode a drum machine.

By using a drum machine (in this video the Roland TR-606) in place of a microphone as the program input to a vocoder, we can map the rhythmic and tonal information of that drum machine on to Spectravox’s carrier oscillator and white noise generator. Spectravox’s Spectral Shift function allows you to move all of the filters up and down while resonance will impart more colorful and metallic tones. In this video we look further at how to use the filter bank patch bay to rearrange the envelope follower outputs and control voltage inputs of the two filter banks inside Spectravox to scramble the frequency spectrum. We also look at how all those inputs and outputs can be combined with the additional patch points on Spectravox for creative and interesting modulation."