Moog Vocoder 16 Channel Model MBVO 327

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via this Reverb listing

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Wendy Carlos: Electronic Music's Transformative Pioneer

video upload by Resident Advisor

"'The word "pioneer' gets thrown around too liberally these days. But in the case of Wendy Carlos, the glove fits. The face of electronic music would look immeasurably different in 2025 without the American trans composer's groundbreaking achievements. Before she came along, electronic music was barely considered music at all—just "funny sounds," as Bob Moog once said.

That all changed in 1968. Produced in collaboration with Rachel Elkind, Carlos's debut album, Switched-On Bach wielded machines to produce sounds that could compete with the symphonic pop and rock of the era. The landmark LP won multiple GRAMMYs, played a key role in popularising the use of synths and became only the second classical music record to sell a million copies.

In our latest video essay, written by Sasha Geffen, we trace Carlos's story from her early experiments with Moog through to her impact on key electronic acts of the past 50 years, including Brian Eno, DJ Sprinkles and Octo Octa.

00:00 - Intro
00:54 - Switched-on Bach
01:57 - Carlos and Bob Moog
03:07 Contribution to synth development
04:36 - A Clockwork Orange Score & The Vocoder
07:20 - Personal Life
08:20 - Musical Development

Producer - Sophie Misrahi
Writer - Sasha Geffen
Editors - Sergey Poltorakov, Guy Clarke
Motion Graphics - Sergey Poltorakov, Dan Derham

Music in order of appearance:

 1.⁠ ⁠Wendy Carlos - Toccata Fugue In D Minor - Switched-On Bach 2000
 2.⁠ ⁠Wendy Carlos - Air On A G String - Switched-On Bach
 3.⁠ ⁠Delia Derbyshire - Quest - Electrosonic
 4.⁠ ⁠Wendy Carlos - Moog 900 series Demonstration
 5.⁠ ⁠The RCA Electronic Music Synthesizer - The Well-Tempered Clavier Fugue No. 2
 6.⁠ ⁠Wendy Carlos - Prelude And Fugue #2 In C Minor - Switched-On Bach
 7.⁠ ⁠Wendy Carlos - Title Music From A Clockwork Orange (From Purcell's Music For The Funeral Of Queen Mary - A Clockwork Orange Complete Original Score
 8.⁠ ⁠Wendy Carlos - Country Lane - A Clockwork Orange Complete Original Score
 9.⁠ ⁠Cybotron - Clear
10.⁠ ⁠Wendy Carlos - Genesis - Digital Moonscapes

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Moog 16 Channel Vocoder Bode Reissue w/ Original Box

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via this listing

"Moog 16 Channel Vocoder.

2020 Reissue of original Harald Bode design.

Studio use only. Mint condition.

Includes cables, PSU, paperback manual and sheets, warranty card, and original box and packaging."

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Maria durch ein Dornwald ging ⭐ Moog Synthesizer

video upload by RetroSound

"(c)2007-24 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

Maria durch ein Dornwald ging ⭐
Maria durch ein Dornwald ging is a german-language advent carol from Eichsfeld, which was first published in 1850 and whose melody probably dates back to the 16th century.

played with the Moog Minimoog Synthesizer
Moog Taurus, Roland VP330 Vocoder Plus and PPG wave 2.2 🎹

The video sequences are made by me too. ✨

This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.

My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers."

Bob Moog Foundation Raffles Off One-of-a-Kind $20,000 Eurorack Synthesizer

via the Bob Moog Foundation

Winter 2024 Fundraising Raffle: One-of-a-Kind $20,000 Eurorack Synthesizer

We are excited to announce our final fundraising raffle of 2024 featuring a one-of-a-kind Eurorack synthesizer comprised of 52 modules from over 30 Eurorack manufacturers located in 10 different countries. The system, curated by modular synthesis educator Chris Meyer, was inspired by Bob Moog's legendary Moog modular synthesizers in mind. It has a retail value of $20,000.

The system features:

3 Analog Oscillators | 2 Digital Oscillators | 8 Filters | 3 Percussion Voices | Spring Reverb | Analog Phase Shifter | Vocoder/Filter Bank | Frequency Shifter | Digital Multi-Effects | Moog-style Analog Sequencers | Wood Encased Keyboard with MIDI Interface and Arpeggiator | Custom Black American Walnut Cabinet with Chromaesthetic Lighting |

All modules and other components were donated by the manufacturer to make this raffle possible.

Tickets for the raffle are $20 each, 6 for $100, 14 for $200, and 40 for $500

The raffle ends on Friday, December 20th, and is open internationally.

Proceeds from the raffle benefit our important work in science education, archive preservation, and the operation of the Moogseum in downtown Asheville, NC. The Moogseum continues to be challenged by the long-term financial effects of Hurricane Helene, making this year-end fundraiser critically important.

Read more about the system, including the full list of modules,
and purchase your tickets HERE.

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Luke Million - Time Extension (Studio Video)

video upload by Luke Million

"‘Time Extension’ is the 2nd track on my ‘Late Night Tails’ EP.

It’s about making the most of a second chance and constantly trying to evolve.

I drew influences from Kano, Gino Soccio and Giorgio Moroder and just had fun with my synthesizers and some cheeky vocoder 😁

Listen to my Late Night Tails EP here: https://lukemillion.etcetc.to/latenig...

Equipment used in order of appearance;

Oberheim DX Drum Machine
Roland Jupiter 8
Roland VP330 Vocoder Plus
Oberheim OB8
Roland SH2
Roland Jupiter 4
Moog Grandmother"

Styx Mr. Roboto ~ Vintage Synthesizer Recreation ~ RetroSound ~ Oberheim

video upload by RetroSound

"(c)2007-24 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

One of my favorite tracks from the early 80s
Mr. Roboto by Styx from the album Kilroy Was Here (1983)
Written by Dennis DeYoung

Featured the Oberheim OB-X, the Oberheim OB-Xa, the Roland VP330 Vocoder and the Moog Source

This cover song series contains my own recreations of my favourite songs from the last 50 years. The original music from which I take inspiration belong to their respective owners. I recreate tracks only for personal passion and to pay homage to these tracks.
My intention is not to create covers that sound exactly like the original (if you want to hear identical sounds, please listen the original). It's more of an inspiration with my sounds from the old synthesizers from the past and of course the great appreciation for the original performers and producers."

MOOG 16 CHANNEL VOCODER /w BOX CABLES MANUAL ACCESSORIES SN 116

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

08-26-2020 on the Certificate of Authenticity.

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Moog Spectravox // Vocoding will be the last thing I do with it

video upload by Starsky Carr

"The Moog Spectravox is so much more than a vocoder. Once you get to grips with it you start to get the feeling that vocoding is almost an after thought - it's almost a byproduct of having 2 filter banks in a single unit."

0:00 some 'lil Spectravox demos
1:51 Techy filter band info
3:51 Using as a standalone filter effect
7:14 As A standalone Phaser/comb filter
8:57 It's a Subtractive Synth
11:21 Spectral Resonating Synth
12:31 Using as a Drum Machine
15:19 MoogerFooger MuRF emulation
18:16 Pitch control of filter bands
21:20 Finally... the vocoder
25:08 whatdayathink
28:00 sounds only demos from intro

Bad Gear - Moog Spectravox

video upload by AudioPilz

"Today we are going to talk about Spectravox and as I might be the only synth person on the internet who didn’t get either their CS-80 for suburban dads or totally AI-free music generating Buchla ripoff, I have to resort to the strange one that seems like a more expensive version of that FX pedal they released 20 years ago.

Bad Gear - The Strange One

Chapters:
00:00 Intro tune
00:49 Overview Moog Spectravox
01:03 Oscillator
01:23 Ways of triggering the Synth
01:42 FilterBank
02:00 Classic Synth Tones (High- & Lowpass)
02:18 Resonance, Spectral Shift
02:40 LFO
02:50 Buzz/Hiss
02:58 Vocoder
03:18 Analysis Filter Bank
03:34 VCA (Drone Mode)
03:47 External Modulators/Carriers (Polyphonic Tones, Rhythmic Patterns)
04:05 Ping Filters ( Moog Marimbas )
04:11 Moogfest Version, Limitations, Pricing
04:39 Hate
05:05 Jam 1 ( Techno )
06:00 Jam 2 ( Elektro )
07:03 Finale ( GOA Psytrance )
07:31 Verdict"

Moog Spectravox: Modular Patches & Ideas. Vocoder Synth Demo

video upload by Anton Anru

"Modular Voices is a soundset for the semi-modular synth and analog processor Moog Spectravox.
It is a collection of 50 presets: 24 Synths, 13 Plucks, 6 Percs, 7 Drones.
There is a wide range of timbres inside the pack: simple and complex, dark and bright, vintage and modern, noisy/distorted and soft, musical and experimental, harmonic and inharmonic.

Some patches are in 'synth mode' and can be played with a keyboard, while others are in 'processing mode' — they process incoming audio and modulate it. Some patches combine the two modes: they process audio and can also be played with a keyboard.

📗 Get the soundset: https://bit.ly/4d7XUHW

Synths and plucks are excellent for use with arpeggiators or sequencers. Drones produce dark, distorted tones with heavy modulations, FM, noise, etc. They can be used as pads in genres like techno, industrial, or ambient to create a certain inharmonic atmosphere. Perc patches are perfect if you are looking for unusual and unique rhythmic additions to your performance or track.

Tones using external audio require playing a sample attached to the patch. You will find all samples with the patch name, as well as its role (PROGRAM or CARRIER), in the Audio Content folder. Load the samples into your workstation, set up Spectravox according to the image, and play the sample(s). Adjust the PROGRAM GAIN LEVEL yourself. It may not match the image if you have changed the sample's volume level. PROGRAM GAIN LEVEL can affect the tone, for example, causing distortion at high values, as well as the envelope of the entire patch if PROG TRIG - EG is used.

In most cases, I use synthesized chords for CARRIER and rhythmic sounds for PROGRAM. Be sure to try using your unique content. For CARRIER, you can create a sequence of chords or pads using a VST synthesizer. For PROGRAM, you can use vocal samples. There are many options.

For tones in the PLUCK and SYNTH categories, I usually use external arpeggiators or sequencers. This allows you to keep your hands free to work with the synthesizer parameters.

The patches are suitable for many genres: Techno, Ambient, House, Deep, Progressive, Trance, Minimal, IDM, Downtempo, Synthwave, Retrowave, Electronica, Dark/Noise, Industrial, Breakbeat, Drum and Bass, and others.

The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

Each patch has an audio example, it helps to understand how the timbre is supposed to sound.

To recreate these patches, you will need up to 8 patch cables. You will also need a stackable cable or a splitter/multiplier. The document includes detailed information about using an external keyboard with CV/Gate outputs.

Moog Spectravox is a versatile device that can be used in various ways:
- It can generate a complete signal without additional devices and audio input.
- It can produce musical tones that can be played from a keyboard or used with external sequencers and DAWs.
- It can process external audio signals, passing them through the Filter Bank and modulations.
- It can operate in Vocoder mode.
- It also supports combinations of these different scenarios. For example, using the Vocoder with an external audio signal, plus playing notes from a keyboard or sequencer.

All of this requires connecting various sources to Spectravox. In the PDF document, I will detail the routing scenarios I used. You can either fully replicate them or use them as a starting point for your own scenarios."

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Moog 16 Channel Vocoder

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via this listing

A Moog Spectravox Vocoder Demo (Turn on Subtitles!)

video upload by mylarmelodies

"Today I'm giving the Moog Spectravox vocoder/filterbank a test drive. I'll vocode, use it as a filterbank, as synth voice, process and modulate it with some Eurorack at the end!!"

00:00 Sneak preview of examples
00:45 Explaining How Spectravox Works
02:04 Spectravox as a Filterbank
04:14 Vocoding a DFAM
05:11 Spectravox as a Synth Voice
07:17 LFO to Spectrally Shift my Voice
07:41 Turning Drum Sounds into Hellscapes
09:35 Completely Remapping My Voice
11:09 Turning my voice into a bassline & snare
12:59 Integrating Eurorack

L-1 Discrete 16-channel Vocoder. Distorted waves.

video upload by Aleksei Laman

"I used two distorted saw waves as carrier."

You can find additional demos in previous posts here.

Pic and details via http://l-1.su/DiscreteVocoder.html

"The module is 28HP. 3 stacked boards deep. Control board, odd channels filterbank board, even channels filterbank board.

I used my Discrete Blacksea VCAs everywhere - in channels, input compressor, output mixers. So 23 VCAs total. Microphone preamp is THAT1512 based.

Modulator has two inputs. First from a microphone with Gain knob. Second for other sources with level attenuator knob. There is an output after mic preamp to send a voice to external processing then return into MOD input.

Then modulator signal goes to compressor. Attack, release and ratio setting are fixed. Threshold sets with a knob.

After the compressor it goes to 16-channel filterbank.

Carrier has two inputs with attenuator knobs. Also it has Gain knob which can add up to x6 gain to both inputs together. It's for using quiet line level signals.

LEDs show when compression applied, when modulator and carrier inputs overloaded, when Noise Gate closed and open.

Filterbank has separate outputs for odd and even channels. Filterbank VCAs have semi-exponential response. This easy to trim but I think semi-expo is ok. Every filterbank channel has level trimpot. Normally trimming is not needed. But if someone wants to make some channels quieter or louder - it's possible.

Two switches set normal or alternate order for odd and even channels. Normal order when 1st madulator channel drives 1st carrier channel, 2nd-2nd, etc. Alternate order sets with jumpers at the board. Every channel at the board has a jumper which sets which carrier channel drives this modulator channel. So possible to make unusual combinations. It what was realized with patchcables at Moog Vocoder.

Noise Gate mutes filterbank output when no signal. Because 16 channels mixed can create noticeable background noise.

At the output 3 stereo mixers are installed. First for clean voice coming from mic amp and MOD input. Second for odd channels, third for even channels. All mixers with VC level and panorama.

Also there stereo send-return in/outs for adding effects. The idea was to make some spatial effects. For example - clean voice at the center, odd channels at the left, even channels at the right. And vocoder channels rotate modulated from external LFO. Even channels panorama CV input is normalled to odd pan CV input through an invertor. So this rotating effect is possible to make with single LFO."

SUPERBOOTH 2024: Moog - Spectravox

video upload by sonicstate

"At Superbooth 2024 we met with Chris from Moog who gave us a look at their new Spectravox*. Originating from the Moogfest workshop in 2019, *Spectravox *is a semi-modular analog spectral processor and vocoder that offers dynamic sound sculpting capabilities through its 10-band filter bank, based on the *Moog 907 filterbank from the 60s, adjustable resonance, and extensive integration features. It's a tool for creating lively drones and colorful tonal sweeps, and can be used as a standalone unit or integrated with other instruments and sound sources.

Watch to the end of the video for a surprise appearance from *Jamie Lidell*, who has had his hands on a *Spectravox *for quite a while, and he tells us about his experiences with this box of tricks.

Spectravox Price: 599 USD"

Spectravox | Traditional Vocoding & Vocoder Processing

video upload by Moog Music

"In this video we explore how to use Spectravox in Vocoder mode to process vocals.
We begin by hooking up a dynamic microphone (in this case the Shure SM58) to the program input and adjusting the preamplifier gain to an appropriate level. This allows us to create classic analog vocoder sounds with our voice and Spectravox’s internal carrier oscillator and white noise generator. We next look at how to use the program envelope follower and an attenuator to increase the intelligibility of Spectravox and capture the dynamics of our voice. Finally, we connect Matriarch to the carrier input of Spectravox to be able to vocode chords and polyphonic material with our voice."

Spectravox | Vocoder Processing

video upload by Moog Music

"In this video we explore how to use Spectravox in Vocoder mode to vocode a drum machine.

By using a drum machine (in this video the Roland TR-606) in place of a microphone as the program input to a vocoder, we can map the rhythmic and tonal information of that drum machine on to Spectravox’s carrier oscillator and white noise generator. Spectravox’s Spectral Shift function allows you to move all of the filters up and down while resonance will impart more colorful and metallic tones. In this video we look further at how to use the filter bank patch bay to rearrange the envelope follower outputs and control voltage inputs of the two filter banks inside Spectravox to scramble the frequency spectrum. We also look at how all those inputs and outputs can be combined with the additional patch points on Spectravox for creative and interesting modulation."

Moog - Spectravox - Sound Demos

video upload by NOISEBUG

https://www.noisebug.net

See the announcement post here.

"The long wait is finally over. The Moog Spectravox has finally been released and we couldn't be more excited!

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound."

New Moog Spectravox - Semi-Modular Analog Spectral Processor

Moog Spectravox | Jamie Lidell | Awake & Alive video upload by Moog Music

Follow-up to the previous version.

"Experience a captivating musical performance featuring Jamie Lidell's "Awake and Alive," an original composition showcasing the Moog Spectravox. The performance features Aaron Steele on percussion and Luke Schneider on pedal steel.

The Spectravox, Moog's latest semi-modular addition, is a groundbreaking tool for shaping sound. This analog spectral processor, built around a 10-band filter bank, generates lively drones and colorful tonal sweeps, enhancing external sounds with resonant depth and psychedelic spectral movement. With a microphone connected, Spectravox transforms into a 10-band analog vocoder, featuring innovative integrated modulation across all filters. Pushing the boundaries of vocoder and filter bank technology, Spectravox offers immense flexibility as an instrument and signal processor, complete with a comprehensive patch bay for seamless integration into studios of any size."



Playlist:
The Moog Spectravox is a Vocoder, a Spectral Processor and Much More - Reverb
Moog Spectravox is in production! // Review, tutorial and 10 patch ideas - loopop
Moog Spectravox: Overview + Explorations - Sarah Belle Reid
Spectravox x Subharmonicon - A Brief Explainer - Noir Et Blanc Vie
Moog Spectravox - Accidental Arpeggios feat. Moog Subharmonicon - Noir Et Blanc Vie
Moog Spectravox Sound Demo (Machine Talking) - Limbic Bits
Moog Spectravox Sound Demo (no human talking) - Bonedo Synthesizers



The Newest Member of the Moog Family

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

A Groundbreaking Tool for Scultpting Sound

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

10-Band Analog Vocoder

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Electronic Instruments for the Musician

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the Frequency Spectrum

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound.

Moog 16 Channel Vocoder w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

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Unlocking Greystoke: The Ultimate Keyboard Collection Revealed!

video upload by Andy Whitmore

"Greystoke Studio boasts an impressive collection of 48 keyboards, including a diverse array of analog synthesizers, digital synthesizers, and vintage keyboards.

Massive Analog & Digital Keyboard Collection
Greystoke Studio Tour Update - The Complete Keyboard Collection!
Mar-24
48 Keyboards Including:
30 Analog Synthesisers
13 Digital Synthesisers
5 Vintage keyboards

Greystoke Studio in London, is a high-spec London recording studio.

0:00 - Introducing Greystoke's Analog & Digital Synthesiser Collection
0:07 - Yamaha CS80 - 1976
0:11 - Roland Jupiter 8 - 1981
0:12 - Roland Jupiter 8 - 1981
0:15 - Roland SH1000 - 1973 [chrome]
0:20 - Roland SH1000 - 1973
0:26 - Yamaha CS40M - 1979
0:30 - Roland SH1000 - 1973 TTSH Two Thousand Six Hundred Mini Meanie Arp 2600 Clone 2023
0:34 - Yamaha CS50
0:38 - Mini Moog Model D – 2017
0:44 - Roland Vocoder VP330 MK I – 1979
0:48 - Oberheim OB-1 – 1978
0:52 - Prophet 5 Rev 3.2 MIDI – 1981
1:03 - Prophet 5 Rev 3.0 MIDI – 1980
1:14 - Oberheim Xpander – 1984
1:20 - Oberheim OB-8 – 1982
1:33 - Roland Jupiter 4 MIDI – 1979
1:36 - Logan String Machine – 1975
1:41 - Hammond C3 + Leslie Speaker - 1968 + 1963
1:43 - Mini Moog Model D – 1976
1:50 - Wurlitzer 200A Electric Piano - 1976 (bought from 10CC's Eric Stewart!)
1:52 - Fender Rhodes Piano Stage 73 – 1979
2:03 - Roland Juno106 – 1984
2:09 - Roland Vocoder VP330 MK II MIDI – 1980
2:16 - Korg M1 - 1990
2:18 - Nord Electro 3 - 2008
2:24 - Roland JD800 - 1991
2:35 - Korg Trinity - 1995
2:41 - Roland D50 - 1987
2:51 - Korg Poly 800 – 1983
2:52 - Roland SH101 – 1983
2:56 - Roland MC 202 – 1984
3:03 - Hohner Clavinet D6 - 1979
3:10 - Korg Z1 - 1997
3:17 - ARP Odyssey – 1979
3:21 - Prophet VS – 1986
3:31 - Roland MKS80 with MPG-80 programmer – 1986
3:41 - Yamaha TX816 - 1984
3:47 - Yamaha TX802 - 1987
3:50 - Studio Electronics SE1X – 1994
3:56 - Roland JP-8080 - 1998
4:00 - Roland JV1080 - 1994
4:07 - Nord Rack 2 - 1997
4:14 - Roland P330 - 1988
4:20 - Akai S3000XL 32 Meg - 1996
4:29 - Novation Supernova - 1998
4:43 - Novation Bass Station – 1994
4:59 - Steinway Model O – 1908
6:10 - EMS AKS Synthi VCS3 – 1972"