ARP Foundation NAMM & Buchla & Friends Pics

via The Alan R Pearlman Foundation newsletter:

"Our West Coast Whirlwind!

Still feeling the synthesizer love from last month’s California visit to NAMM / Buchla & Friends!

At NAMM:

Anthony Marinelli visited our booth
The Blue Meanie was at our booth for a whole day!

ARP 2600: Drew Schlesinger demonstrated patches using the 2600 software included in the Korg Collection VST 6. 2 Lucky folks won a signed CD and poster from Martin Gore

And Congratulations to Violet Burns who won the Korg Collection 6!

Then it was off to Buchla & Friends – January’s biggest two-day collection of hands-on synths on the West Coast!

Remember: The Most Creative Part of an ARP synthesizer is You!

NAMM 2026 would not have been possible without the help of the following people and companies:

Thank you to Korg, Inc for the Korg Collection Giveaway and helping us make NAMM possible.

Thank you to Sean Weizmann of Arturia for the midi controller

Thank you to Beyer Dynamics for the headphones

Thank you to Ryan Hawkins of Hawkins Restorations for use of his Blue Meanie, Tonus 2600, OMNI and Odyssey, and for being the best Booth volunteer along with his assistant Miles.

Thank you to Julie Lewis for volunteering at the booth and for her donation last year of a rare ARP Soloist that was owned and played wonderful late husband synth legend Don Lewis.

Thank you to our Board Member and booth volunteer Stephen DeJesus for selfless assistance at both NAMM and Buchla & Friends.

Thank you also to Chris Cardone, Joe Castronovo, Tom Cusimano, Deanna DelVino, Rich Formidoni, Martin Gore, Andy Joyce, Brian Kehew, Ruperto Ifil, Mary Lock, Anthony Marinelli, Mark Marshall, Mike Metlay, LaMar Mitchell, Tony Notron, Drew Schlesinger, James Terris and Brianna Tortino,

View our West Coast photo dump!"



Pictured:

Top: The great Stevie Wonder w/ ARP Foundation's Dina Pearlman-Ifil.

Middle: "Richard Devine giving the Blue Meanie a run for its money." Check out the video here.

Bottom: ?! :)

Fieldtone Weaver Eurorack // The Happy Accidents Module // Full walkthrough and patches

video upload by Lesjamusic

Pedal version previously featured here.

"The Fieldtone Weaver is a two-second sampler with a single knob, no undo, and no going back. Now it's in eurorack.

Weaver captures two seconds of audio - via the built-in microphone or audio input - and instantly randomises it into evolving loops, rhythms, and textures. Every turn of the knob generates a completely new variation. Nothing saves, nothing recalls. It's the ultimate happy accidents machine.
The modular version adds individual level control for three loop elements, trigger outputs that double as a random rhythm generator, a pitch switch, clock sync, and CV control - which works differently to what you might expect. I go into detail on all of this.

🔗 LINKS
Fieldtone Instruments: https://fieldtone.uk
Soundgas interview with Hugh Jones: • The Gas Club, Episode 1 - Hugh Jones, Fiel... [below]

⏱️ TIMESTAMPS
0:00 - Intro
01:56 - Panel walkthrough
15:27 - Synth patch
16:25 - Weaving my voice!
17:04 - Granular textures, duet with Bunker Archaeology
18:21 - While my guitar gently weaves
20:42 - Claps and finger clicks on the contact mic
22:30 - CV controlled synth washes
23:06 - Pacifica weaves
24:36 - FInal thoughts and a closing Plaits patch.

#eurorack #modularsynth #fieldtone #weaver #sampler #looper #modularsynthesizer

Disclaimer: Fieldtone sent me this module for the video. They did not pay for this video and had no editorial control over the content."

The Gas Club, Episode 1 - Hugh Jones, Fieldtone Instruments.

video upload by Soundgas

"Welcome to our new series, The Gas Club. Where we meet people who make things - be that music, recording devices, or instruments.

In the first episode Tony meets Hugh Jones of Fieldtone Instruments at the Soundgas HQ to explore the history of Fieldtone's celebration creations. They take a deep dive into Hugh's journey from musician/engineer to designer/builder of the Box of Uncertainty, The Weaver one knob handheld sampler and brand new Weaver Module plus a sneak peak at what to expect next from Fieldtone in 2026.

Tony and Hugh discuss the joy of sonic adventure and gear designed to produce happy accidents and the experiences of bringing new creations to the world."

A few pics and details on Weaver Eurorack:


Weaver Modular from Fieldtone is a Eurorack format version of the highly in demand Weaver handheld sampler that featured in music tech tastemaker Andrew Huang’s year round up as his Favourite Desktop FX module of 2024. The modular edition builds on the functionality of the original by adding a variety of additional control.

The Weaver is no ordinary audio sampler, it is a meditation on impermanence and chance. With a single, enigmatic knob, it embraces randomness as an artistic principle, reconfiguring two-second sound bites into hypnotic loops and evolving textures. There is no undo button, no way back once a sound is captured; the Weaver insists that you move forward, shaping the unpredictable into rhythm or texture with nothing more than a twist of the wrist or control voltage change.

New functionality on the device includes separate level controls of different elements of the loop, as well as 3 x trigger outputs which turns the device into a random rhythm generator for which you don't even need to be using the sampling capabilities. You can trigger the Recording start via CV, allowing you to keep replacing the sample whilst the loop continuously plays - something that works beautifully with acoustic sound sources such as guitar or voice, as well as electronics. A switch has also been added to select between Random or Root note sympathetic pitch playback.

Features:

Single-knob audio sampler focussed on randomness and exploration

Capture sound via built-in microphone or input jack

Fixed two-second sample time

No undo function, every knob movement generates a new loop

External sync via Clock input

Stereo output on separate L&R sockets with rich spatial movement

Separate level controls for 3 different elements of the loop

3 x gate outputs for triggering other sources

Toggle to switch between Texture and Rhythm modes

Toggle to switch between Root or Random pitch

Gate/trigger input to control Recording start

Gate/trigger input to control Weaver knob

Can be used as random rhythm generator without needing to use the sampler

Available Colours:

Forest Green (orange LED)

Dusty Pink (purple LED)

Black (pink LED)

Dimensions:

10hp

Ships by the end of March

Today Marks the 10th Anniversary of the Sequential Oberheim OB-6

Andrew McGowan, pictured here with Tom Oberheim, wrote in to let us know today is the 10th Anniversary of the Sequential OB-6. Andrew was a product designer at DSI/Sequential and worked with Tom Oberheim on the OB-6.

You can find a write-up on some the development of the OB-6 as well as the Prophet-6 on his website, https://www.smartbombdesign.com.

A couple of excerpts:

"I was sitting in my office at Seer Systems one day in 1997 or thereabouts when the phone on my desk rang. It was Dave Smith calling from his home. 'I’ve been talking to Tom Oberheim. He’s between jobs and wants to learn about software synths, so I asked him if he wanted to write the Reality operation manual. Can you get him set up and manage that?' I knew who Tom was, of course, but I had never met him, and now Dave was asking me to be his manager. I had no reason to believe that Tom was anything other than the warm, bright, and kind person that I now know he is, but the idea that I would be managing him made me deeply uncomfortable.

Seer Systems was in the process of developing Reality, which is generally considered to be the first 'professional' software synthesizer, though I’m not certain what makes one synthesizer professional and another not."

[Side note: Propellerheads Rebirth was also released in 1997, however the demo version was released in October 1996. A bit like The Damned vs. Sex Pistols for those in the know!]

And [thought this was funny]:

"Those Fucking Lines

Tom and I had talked about synths over the years and, on several occasions, he remarked how often people asked him to remake the OB-X, perhaps because not many were made. Or maybe Rush/Tom Sawyer? I don’t know. What little I did know about the OB-X was that it had a (low-pass only) SEM filter, and we had already made a synth with an SEM filter in it. And our hardware engineer Tony Karavidas had worked at Oberheim and owned multiple Oberheim synths. I also felt very strongly that if we were going to make two poly synths that were essentially the same except for the filter, the 2-pole, SEM state-variable filter would be complementary to the Prophet-6’s 4-pole, OTA low-pass filter.

Tom’s wish list was short. He didn’t want the Prophet-6’s analog distortion. And he wanted the OB-Xa’s blue lines."

Read the rest here

[P.S. I still own an OB-6 desktop and it's one of my most cherished synths. There is something organic about it. The demos I've heard of Sequential's new FOURM have that about them. I have enough synths as it is but the FOURM is very, very tempting for this particular reason.]

ARP Pro-DGX Monophonic Analog Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"This ARP Pro-DGX is a thirty preset monophonic analog synth with digital controls. The 37-note keybed has aftertouch for volume, brilliance, vibrato, wow, growl, and bend effects - and even all at once if you desire! A few basic filter, envelope and LFO controls allow some tweaking of the preset sounds. Get your classic Tony Banks sounds with this unique Arp - no other synth sounds quite like it."

CLICK FOR MORE »

The Alan R Pearlman Foundation's Year in Review

video upload by Alan R. Pearlman Foundation

"From a Compilation to a Concert Celebration, our year celebrating our namesake's Centenary has been amazing! Share our journey!

Music by Lisa Bella Donna & Shawn Johnson

Purchase Soul of the Machine at https://alanrpearlmanfoundation.bandc...

2025 Sponsors:
Korg, Cherry Audio, Moog Music, Manny Fernandez, Tom Rhea, Rosen Sound

2025 Partners:
Bell Tone Synth Works, CMS, CatSynth TV, EMEAP/MMT, Eric Crawley/Dan Gilbert, Interage MediaWorks, Knobcon, Korg, Anthony Marinelli Music, Antonus, Mashina Bristronica, NAMM Museum of Making Music, Vito Nandi, New England Synth Fest, Projekt Records, Steve Roach, Round & Wound, the SynthCave, SynthCube, Synthtopia, Synthetic Dreamscapes, The Record Co. (TRC), Sharon Wasko Designs

Thank you to all of our donors, volunteers, interns, friends and partners including (but not limited to) Alex Ball, Antonus, David Baron, Lisa Bella Donna, Chris Cardone, Jon Carin, Alison Cassidy, Nick Carlisle, Phil & Linda Cirocco, Mike Cushing, Tom Cusimano, Eric Crawley, Stephen DeJesus, Rich Formidoni, John Foxx, Dan Gilbert, Patrick Gleason, Herbie Hancock, Martin Gore, Rupert Greenall, Ryan Hawkins, Mary Lock, Mark Marshall, Machina Bristronica, David Mash, Steve McQuarry, Bill T. Miller, LaMar Mitchell, Chris Meyer, NE Synth Festival, Nicola Joss, Ruperto Ifil, Brian Kehew, Anthony Marinelli, Tom Piggot,TRC (The Record Co). EMEAPP/MMT, Mary Lock, David Mash, Matrix Synth, Michelle Moog-Koussa, Tony Norton, Jim Michmerhuizen, Mike Metlay, C. Carl Peters, Rob Puricelli, ProSynth Network, Drew Raison, Steve Roach, Sam Rosenthal, Drew Schlesinger, Don Slepian, Steve Smith, SynthTopia, the NAMM Museum, the MiDI Association, Real World Studios, Gerson Rosenbloom, Collin Russell, James Thirlwell, Pete Townshend, the Townshend Studio, and Andrew Ward"

The SpaceBass Polyphonic Guitar Shaped Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.
video upload by TronixSynth

"24 touch sensors. Polyphonic. Play in any key and octave. Includes FM synthesis, PWM, Ring Modulation, built-in effects and filters.
Can operate with 9V Battery or 9V power adapter.
*For Sale On Ebay"

via this eBay listing

"SpaceBass - Professional Polyphonic Touch Synthesizer

Handcrafted Electronic Musical Instrument by TronixSynth.com

Unique capacitive touch-controlled synthesizer with professional sound quality and studio-ready features.

---

KEY FEATURES:

Dual Touch Controller System:
- 24 capacitive touch pads
- Full synthesis with effects processing
- Bass PWM engine with punchy, clean output
- Guitar-style layout for intuitive playing
- Polyphonic - play multiple notes simultaneously

Four Synthesis Engines:
1. Analog Synthesis - Classic subtractive with three oscillators
2. FM Synthesis - Frequency modulation with adjustable ratio and index
3. PWM Synthesis - Dual pulse-width modulation with dynamic sweeping
4. Ring Modulation - Metallic, bell-like tones with carrier and modulator control

Professional Effects Suite:
- Reverb with room size, damping, and mix controls
- Chorus with adjustable rate and depth
- Flanger with feedback and mix parameters
- Dynamic filtering for expressive sound shaping

Musical Features:
- 7 musical scales: Major, Natural Minor, Dorian, Mixolydian, Lydian, Pentatonic Major, Pentatonic Minor
- Key transposition (+/- 11 semitones)
- Octave shifting
- Portamento/glide with adjustable time
- Detuning for thick, chorused sounds
- LFO modulation with rate and depth control

Sound Design Controls:
- ADSR envelope (Attack, Decay, Sustain, Release)
- Ladder filter with cutoff and resonance
- Multiple waveforms: Sine, Sawtooth, Square, Triangle, Pulse
- Independent sub-oscillator with level control
- Master volume control

Interface:
- 20x4 LCD display with clear parameter feedback
- Rotary encoder for parameter adjustment
- 8 preset slots with save/load functionality
- Visual feedback with progress bars and real-time values

Audio Outputs:
- Studio-quality 16-bit/44.1kHz audio
- 1/4" Audio Output Jack

---

SAVE SETTINGS:

- Audio Memory: Optimized for low-latency performance
- Display: I2C LCD 20x4 characters with backlight

---

PERFECT FOR:

- Electronic music producers and performers
- Bass players looking for unique synthesized tones
- Experimental musicians and sound designers
- Modular synth enthusiasts
- Studio production and live performance
- Chip music and retro-electronic artists
- Synthesizer collectors

---

ABOUT THE BUILDER:

Created by Tony of TronxSynth.com, inventor of the AxeSynth (2004) and numerous experimental instruments including the Space*Synth, Lunar Module, and Sonic DrumAxe. Instruments have been used by professional bands including Mutemath and Velva. Each unit is handcrafted with precision and attention to detail, combining craftsmanship with innovative musical design.

---

SOUND CHARACTER:

The SpaceBass excels at punchy bass tones, atmospheric pads, evolving textures, and experimental soundscapes.

*The fretboard is split into 2 sections, called Controller A & Controller B. Controller B provides immediate, unprocessed bass attack perfect for rhythmic playing, while Controller A offers lush, effect-laden sounds ideal for melodic content. The combination creates a powerful performance instrument with incredible sonic range."

Make Noise Shared System | Ambient

video upload by Akihiko Matsumoto

"The Unpredictable Logic of Sound: Inside the Make Noise Sample Pack

Every patch on a Make Noise system is a small act of discovery. It does not begin with a plan, but with curiosity. The machine invites you to think in voltages, to listen to circuits as if they were alive. Out of that dialogue between control and chance, something unmistakably organic emerges.

Product link:
https://akihikomatsumoto.sellfy.store...

The Make Noise Modular Synth Sample Pack ver.7.5 was recorded entirely with the Shared System, Strega, and 0-Coast. Every waveform was shaped by hand, without presets, without automation. Each modulation, cross-feedback, and timing drift was allowed to evolve freely until it found its own balance.

CLICK FOR MORE »

Liam and the Pro Soloist V4

video upload by Alan R. Pearlman Foundation

"Liam and the Pro Soloist

Presented by:
Liam Duggan
Lucky Winner of an ARP Pro Soloist
Signed by Tony Banks

Liam has been active in the UK music scene since the late 80’s. From playing in punk bands in his teens, djing in Bristol’s early acid house scene to working in the studio with Mr Scruff and DJ Krust, touring as keyboard player for the reknowned Bristol band Breakbeat Era, and working as a synth programmer for Bryan Ferry.

Liam has a deep love of music and synthesizers. ARP Synthesizers in particular. His email address ends in 2600.

This raffle was made possible by:
Andrew Ward, Tony Banks and Machina Bristronica

Thanks also to: Alex Ball, Alison Cassidy, Bell Tone Synth Works, the Board of the Alan R Pearlman Foundation, Cherry Audio, Gino Wong, Korg UK, Mike M. Martin, Moog Music, Nick Carlisle, Robbie Puricelli,
Robert Saint John, Rupert Greenall,
Sweet Discrete and Vito Nando"

https://alanrpearlmanfoundation.org/

Legendary ARP Pro Soloist Signed by Genesis Keyboardist Tony Banks: raffled at Machina Bristronica!

video upload by Alan R. Pearlman Foundation

"The Alan R. Pearlman Foundation is proud to announce a once-in-a-lifetime opportunity to own a meticulously restored vintage ARP Pro Soloist, personally signed by Tony Banks, legendary keyboardist of Genesis.

The raffle will be held at the electronic music festival Machina Bristonica in Bristol, UK September 27-28th. Raffle tickets are £ 20 GBP for a single ticket and bundled options will be available as well. The raffle winner will be announced one hour before the event closes (17:00). The Winner is responsible for shipping or pick it up and take it home.

This iconic synthesizer—famous for its expressive presets and aftertouch performance—was a favorite of Banks during the band's most groundbreaking era. Now, one lucky winner will take home this historic instrument, lovingly restored and authenticated, while supporting the foundation’s mission to preserve the legacy of synth pioneer Alan R. Pearlman and inspire future generations of musicians and engineers.

For the complete press release, please subscribe to our newsletter! https://alanrpearlmanfoundation.org/s..."

Make Noise Shared System | Atonal Drone

video upload by Akihiko Matsumoto

"Make Noise Modular Synth Sample Pack: https://akihikomatsumoto.sellfy.store...

Inside the pack:
498 DPO Bass Loops
81 0-Coast Bass Loops
36 XPO Bass Loops
100 Spectraphon Bass Loops
4 Bongo Loops
137 FX Loops
45 Acid Multi 303 Loops

CLICK FOR MORE »

SynthAxe Demo - Full Video #sythnaxe #guitar #synth #music

video upload by natr0n

via Wikipedia

"The SynthAxe is a fretted, guitar-like MIDI controller, created by Bill Aitken, Mike Dixon, and Tony Sedivy and manufactured in England in 1985. It is a musical instrument that uses electronic synthesizers to produce sound and is controlled through the use of an arm resembling the neck of a guitar in form and in use. Its name comes from the words synthesizer and axe, a slang term meaning a guitar in rock music. The system was developed as a joint venture funded by Richard Branson's Virgin Group.

The SynthAxe itself has no internal sound source; it is purely a controller and needs synthesizers to produce sound.[1] The neck of the instrument is angled upwards from the body, and there are two independent sets of strings.

The fretboard is continuously scanned and sends signals to synthesizers which produce the sound. The left set determine the pitch played, through contact with the frets on the neck and by sensing the side-to-side bending of the string. The right set of strings are velocity sensitive; these strings can be plucked, strummed or damped in the same manner as a guitar. A keyboard made up of nine keys can also be used to trigger notes instead of the strings.[2] Design of the key toggles was done by the late David Fowler, at the time trading under BJ Hopkins Injection and toolmaking, in Littleworth, Oxford.

An electronic tremolo bar (the 'electronic wang arm') can be used for standard whammy bar effects, or can be redefined to produce different MIDI output such as filter cutoffs or volume.[3]

When originally produced, the SynthAxe was priced at £10,000[4][5] (approximately $13,000) and eventually sold for about £6,000. The instrument was built from aerospace and military grade hardware, and was such a sophisticated and expensive piece of machinery that few were sold, making it difficult to keep the company afloat. In or around 1986, Virgin Games took over the distribution but let it go after a couple of years.

Fewer than 100 SynthAxes were made,[6] and it is difficult to locate used units. Most musicians who desire a MIDI guitar controller often use other alternatives, such as Roland or Axon systems that can convert a guitar's output to MIDI via 13-pin cables and outboard devices or older systems such as the Roland GR-500."

Sinewave Feedback FM | Make Noise Shared System

video upload by Akihiko Matsumoto

"Make Noise Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store...

Inside the pack:

CLICK FOR MORE »

VGM #220: A Cyber's World? // DELTARUNE (Synth Pop Cover)

video upload by Amie Waters

"I had such a magical experience finally playing through DELTARUNE Chapters 1-4 recently and I was genuinely inspired to get back at it, so look forward to more DELTARUNE covers soon! The reveal of Cyber Fields and the rhythmic elements in Chapter 2 were so much fun, and this track was just such a bop I knew it had to be my first cover upon coming back to the wacky world of Tricky Tony Fox."

◈ BANDCAMP: https://amiewaters.bandcamp.com

David Lynch's Synth Gear Up for Auction

Note: links to listings are affiliate links for which the site may be compensated.

Apprenlty JULIEN*S auction house is auctioning off David Lynch's belongings.

Among the items you will some of studio equipment including the synths pictured here. It's interesting to see the gear he used. The Roland MKS-70 (JX10/JX-8P) used on Twin Peaks is not listed as I believe it was owned and by Angelo Badalamenti, not Lynch. I included his portable audio recording equipment, not as a synth, but as a possible sample source. Unfortunately the listing does not mention if there are any recordings present in them so keep that in mind if you bid. It would be a shame if they were removed.

Most of the items mention they were "owned and used by David Lynch in his personal recording studio."

Images in this post were captured in the order listed for each listing.

E-Mu Systems E III Model 6083 SN 02200324

Korg microX SN 003322 & Yamaha Motif 7 SN 1001208

Korg KAOS Pad KP3 SN 057331 & Kaossilator SN 080602

"Dumbland" Boss VT-1 Voice Transformer with Box Set and Studio-Used Microphones

"A lot containing the BOSS VT-1 Voice Transformer owned and used by David Lynch for voicing the characters of his cartoon DumbLand (2002), a Dumbland DVD box set, and two microphones used by David Lynch in his home recording studio known as Asymmetrical Studio."

Tony Bassett No. 1 Electronics Theremin "Spacetrip Passport"

Stylophone Pocket Synthesizer

Lot of Three Synthesizers: Alesis Nanosynth, Gakken SX-150 Mark II, Roland JV-1010 SN BN26304

Roland SPD-20 Sampling Pad SN FV41503

Portable Audio Recording Equipment - not a synth, but you have to wonder what recordings, if any, may be preserved for sample sources.

CLICK FOR MORE »

Discovering Wildwood Soundworks at Superbooth 2025 | Handcrafted Innovation with Tony Stewart

video upload by Jonathan Knightsnare

"At Superbooth 2025, I stumbled upon one of the most refreshing and inspiring booths of the weekend: Wildwood Soundworks.

Created by Tony Stewart—truly one of the nicest, chillest geniuses you'll ever meet—Wildwood Soundworks is a boutique company based in Penn Valley, California, dedicated to making electronic music gear that’s as expressive as it is innovative.

Tony’s gear is built for playability, tactile creativity, and pure musical joy. His instruments feel like something between a synth, a sculpture, and a philosophy on music-making. Every detail has intention, and every interaction feels like a performance.

At the booth, Tony demoed his two latest inventions:

Wildwood Express – a beautifully handcrafted sampler/synth/sequencer with a capacitive touch interface and all-in-one design for real-time creation.

Wildwood Lightning – an equally expressive device that swaps the keyboard for a circular note wheel, bringing intuitive scale-based performance to your fingertips.

Both units are loaded with sample-based and FM synthesis, USB MIDI/audio, sequencing across 16 channels, and a super intuitive display and menu system. Even cooler? They update over the air, and yes—they’re just as fun as they look.

This was one of my favorite finds of the show—not only because of the gear, but because of Tony’s energy and vision."

Melbourne's Synthtemple - 160+ playable synths, two studios, Atmos enabled, and available to hire!

video upload by mutech.media.australia

"Tony Osmond's Synthtemple is the ultimate destination for electronic musicians. This globally significant collection of more than 160 both genre-defining and rare synths is all patched and playable, enabling instant creativity. Its two studios, designed by acoustic engineers, are Atmos enabled, with top-end Genelec monitoring. Patching is both analog and digital, and recording via Logic or ProTools.

Highlights in the collection include the world's largest Roland 700 system, early Moog synths, rarities like the Buchla 406, three Yamaha CS-80s (and a DX1!) and much, much more.

Set in the inner-eastern suburb of Kew in Melbourne, Australia, and opening in early 2025, Synthtemple is set to be become a major international drawcard.

mutech.media's Paul Frech interviews owner and synth collector Tony Osmond about the collection, the studio, the long path to its creation, and what people can do with all this raw synth power!"

See the Synthtemple label below for more.

ARP Quadra

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Rare ARP Quadra in near mint condition.Serviced and working perfectly. Runs on 240V power. Arp Quadras were famously used by Tony Banks Genesis and John Carpenter. Im based in Bristol and arrange delivery to UK and Internationally. Heres some info from about this classic synth on Vintage Synth explorer... The Quadra is pretty much a hybrid version of ARP's Omni II and Solus synths. It's a four-section synthesizer consisting of a Bass synth, Poly synth, Lead synth, and String synth. It is quite good at emulating each of these sounds and can function in any of its four modes at a time with the ability of layering the different sections! Sounds you create in any of the four sections are instantly recalled from memory by the push of a button! There are 16 program patches for storing your sounds. Other major features are the incredible phase shifter, tons of balanced audio outputs for each section, dual portamento controls and a superior arpeggiator...that's pretty good for 1978! On the downside, it has a fragile mylar front panel, very limited programability and a weird feature that autotunes the keys to play weird intervals. The Bass synth section is monophonic and can be programmed to occupy the lower two octaves of the Quadra's 5-octave 61-note keyboard. The bass sounds pretty good and has 16' and 8' presets each for Electric and String Bass sections. The string section is based on the Omni II String synth. It sounds excellent and implements a phase-shift effect that is sort-of like a chorusing effect that thickens its already great string sound. In Polyphonic synth mode there are more effects available such as sample-n-hold and the phase-shifter. String and Poly Synth sections have 8' and 4' Polyphonic Waveform Generators each along with a preset called Hollow Waveform. In Lead synth mode the Quadra becomes a two voice screamer with aftertouch sensitivity in the upper octaves of the keyboard! It's duophonic (like the Odyssey). Get a bass sequence going, switch over to another section and play along! The Quadra is a synthesizer well suited to live performance use and has been used by 808 State, ELO, Genesis, The Human League, Pink Floyd, New Order, Nick Rhodes (Duran Duran), Joe Zawinul, and film-maker John Carpenter."

New England Digital Synclavier PSMT 3200,V/PK, & II a/s

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

See the site's other listings for more. You can find listings by category here

"Not what I wanted to happen, but here is a garage sale of two classic NED Synclaviers. Both are sold as seen, but in generally very good cosmetic condition, and believed complete. They come with huge amounts of literature, disk drives, cabling and peripherals. The cabling will need a lot of sorting - and it's possible some of it doesn't belong to these machines, and that not all cables are present. 1.) Believed to be a PSMT 3200, with beautiful VP/K keyboard as used on the T8. Stacked full of circuit-boards, so believed to be a pretty high-spec version. Classic synth / sampler imported to the UK about 20 years ago from a west coast USA studio. It arrived safely (not cheaply) in its very solid flightcases, but then disaster struck. I plugged the keyboard in, and switched it on - not realising that the 110V box I had used was only a 110V extension, not a 240-110V transformer. Result: a damaged power supply. Two 550-mile round trips to Tony Allgood solved that and made the V/PK good again, but by that time the rest of the system was in storage. So the V/PK was put into its flightcase too, and left for all these years. 2.) Synclavier II, with ORK keyboard. This was serviced by Hideaway several years ago, and tested working with a donor board from another machine. I was given the task of ordering a replacement board, and have failed to do it. 3.) HOP box and DO-1 interface - a diagnostic tool originally for the Synclavier I but apparently should work with the Synclavier II and PSMT. Please see the photos for what you will receive (there are probably a lot more disks, manuals etc not photographed). Some manuals may have suffered a bit from damp storage. Most of the NED items have their original flightcases, and the other items - Macintosh, printer, cables, literature, disks - will all be packed very well. The whole lot will require packing on two pallets (150GBP) unless everything can be delivered or collected by hand."

CLICK FOR MORE »

Minimoog & Odyssey // A 70's Love Story

video upload by Starsky Carr

"If you could only have one? Odyssey vs Minimoog, Mac vs PC, there's always a rivalry and in the 70s it was these 2. Or was it more a case of unrequited love... or lovers from different sides of the track... Romeo and Juliette, Tony and Maria, Rose and Jack

The ARP Odyssey takes you to gritty howling sizzles, and the Moog Minimoog tends to lean towards smooth and warm fuzziness. Both amazing iconic monosynths, both limited in today's terms but both stunningly awesome!"

0:00 Synth P@rn to get the juices flowing
2:53 Comparison begins
3:27 they both do FM
7:20 Oddy Ring Mod is DIRTY
7:46 Waveshapes for range of tones
10:18 Moog hits back with tuning
11:31 YES!! PWM on the Minimoog
13:55 LFO from VCOs
14:44 Sync +1 for the Oddy
16:24 Envelopes aren’t just envelopes
20:05 S&H FTW
21:55 High Pass on the Oddy
22:29 Oddys came in different flavours not just Orange
23:41 Low Pass filters
30:17 ….and?
32:38 Binaural demo

FM MIDI Synth Photo-Theremin

video upload by TroniCraft Instruments

"An FM (Frequency Modulation) synthesizer with experimental sounds. Optional photo sensors for optical Theremin effects.
Made by Tony Amendolare of Lunakraft.com & Axetronic.com
Can be used with any external MIDI Transmitter, keyboard or software like Ableton or Pure Data."