Yamaha DX7IIFD MINT, serviced, with case, cartridge, accessories SN 16426

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

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Hacking the TIME-SHIFTER - Eurorack module

video upload by LARIX ELEKTRO

"A small addition to the TIME SHIFTER module:
Add a CV input to the MAIN-SHIFT parameter.
A CV input to this parameter hadn't been planned, as in the intended use, it wasn't relevant.
But actually, why not? That's the whole point of being modular: going where the manufacturer hadn't thought!

Ok, it's a bit makeshift, but it works…
More info on the site:
https://www.larix-elektro.com/PRODUCT...

Modules used:
LARIX ELEKTRO 4TOMS for the toms! obviously ;)
LARIX ELEKTRO Ritournelle CV Generator + Shift-R for the rhythm
LARIX ELEKTRO Ritournelle CV Generator (another one) for the CV controlling the MAIN SHIFT"

"WHAT'S THAT THING ?
The Time-Shifter is a delay for gate or trigger signales.
As all good time machines it can delay after and before (!).

The first idea is to find a way to build a swing or a groove.
So to decide which steps of which track is decayed, and how much.

To do this, it is necessary to be able to shift the events after and before. But before, we can't predict when an event will appear...

The solution is to decay everything, and then, decaying less than the others events.
So comparing to the new decaying events, it will sounds like it appear before.


The MAIN SHIFT defines this new reference.
So if you enter the main CLK signal into the input, the output of this circuit can be used as the new CLK reference.

The four circuits A B C and D works according to the value of the MAIN SHIFT reference:
- When the knob is centered, the time decay is the same.
- Left, means less time decay, so the event will appear before.
- Right, means more time, so the event will appear after.

Extend your module:
The module can be enriched by one expansion modules:
- The AttV-4 adds to the CV entries an adjustment of the CV value by an attenuverter.
The connectors on the back of the module save connectivity at the front.

Typical use:
- Groove (or swing, etc.) controlable by CV (!)
- Realignment of gates sequences.
(When using multiple sequencers with different latency)
- Signals sequencing adjustment.
(Be sur that a RST arrives at the right moment, for example)
(Be sur that a your S&H module sample after signal stabilization, for example)"

Elektron Officially Introduces Tonverk

video upload by Elektron

You might remember Tonverk mentioned in previous posts here.

"We are delighted to introduce Tonverk. A machine primed for adventure. An instrument to propel you towards extraordinary music-making and boundless sound exploration. It is packed with 16 varied tracks full of polyphony, multisampled instruments, auto sampling, never-ending routing possibilities, a mass of FX options to play with (including plenty of newcomers), deep modulation, an extended 256-step sequencer, and lots more fun features to get stuck into. All in one special box."

Check with dealers on the right for availability.

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Layered Drum Machine Hats by Goldbaby

video upload by GoldbabySamples

"Layered Drum Machine Hats. Available now: https://www.goldbaby.co.nz/ldmh.html

Another pack in my very popular Layered Drum Machine series. This time, hi-hats are getting some love.

Using over 50 drum machines layered in different combos with multiple layering techniques.

These hats are production-ready and can be used in a variety of genres.

Some of the drum machines used: 808, 909, 707, 626, 505, R50e, MFB-522, LXR-2, Machine Drum, Nord Drum 2, Model Cycles, DMX, PO-32, Microtonic, Metasonix D1, Tempest, MRX-185, PB-300, 4 In The Floor, Pulsar23, ADX1, XD5, Ritmo, RZ-1, RPM40, Syntakt, RX5, CrashPad, DDD-1, Tanzbar, Linn 1 and 2."

Deuxd - Stereo Cross-Modulation VCF for Eurorack

video upload by Mehr Music Machines

"Deuxd (DUDE) is a dual filter that encourages stereo audio-rate modulation, experimentation and can easily be configured in number of ways.

• 2 Completely Independent LP/HP VCFs
• True stereo VCF with global cutoff control + offset per channel
• Mono to stereo signal processor
• Stereo to mono signal processor
• Variable width bandpass filter with dual resonant peaks
• Freaky feedback machine with 2 flavors of overdrive and FM
• Stereo pingable-thing
• Dual FM Oscillator / Drone

Audio Input 1 (left side) is normalled to Audio input 2 (right side). This let's you easily process 1 signal with two separate filters. Audio 1 is also normalled to FM input 2. To break either connection, simply patch a cable into the respective input jacks. Similarly, Audio input 2 is normalled to FM input 1. This means that each signal input is ready to frequency modulation the opposite side's filter cutoff. (pre XFM)

The top Frequency controls (top right and top left) act as the primary cutoff for each side's filler. Use the global Cutoff (large knob top center) to offset the position of both filter's cutoff position at the same time. The global cutoff control can be used in one of two modes: SYNC - This will change the filter's cutoff of both sides in parallel with one another. OPPOSE: when switched to Oppose, the right side filter will receive inverted control voltage from both the large cutoff knob and signal patched into the Cutoff jack.

When using the Sum (mono) output, you can switch between two flavors of diode clipping (Dirty and Filthy) :)

For bandpass operation, switch one side to High-pass and the other side to Lowpass (results change depending on which side is LP/HP) patch a signal into either filter's audio input, then patch the output the starting filter to the input of the other filter. You can now pull your audio from either the 2nd filter’s output or the SUM output for added harmonics.

The X-mod knob is hardwired, this circuit isolates the output from each side, sends one signal to the cutoff of the opposite side, and visa versa. (post XFM)

For dual pinging fun, patch a slow moving square wave into the audio inputs. the resonance controls should be at about 10:00, just before self oscillation. You will get different results depending on how the internal FM circuits are set. also experiment with pinging while in dual resonant peak bandpass config."

WHY OPEN SOURCE IS KING: 3 New Kits for Our 8‑Bit Eurorack Drum Module

video upload by wgd modular

"In this video, we take another look at UTF-8 SAMPLIFIED – the fully open-source 8-bit Eurorack drum module I released with ASCII Synth. It’s made its way into racks all over the world, and even into DIY workshops like the one run by mzourack at Noise Kitchen in Prague.

Now it’s getting even better:

Thanks to a pull request by community member poetaster, three new kits have been added: 808, Jungle, and Beatbox – plus a handy wav2c.py script that lets you convert your own samples into custom kits!

Check out the GitHub Repository:

🔧 https://github.com/wgd-modular/utf-8-...
📚 Wiki and build instructions: https://github.com/wgd-modular/utf-8-...
🔌 Flash your module online: https://wgd-modular.github.io/ut-flas...

📖 Chapters:

0:00 – Intro
0:05 – Our drum module: The story so far
1:44 – PCBWay Advertisement
2:15 – Demo 1: Jungle kit
4:01 – Demo 2: 808 kit
6:20 – Ending words"

FREE OPEN SOURCE DRUM MACHINE DESIGN! DIY BUILD + DEMO

video upload by wgd modular

"In this video we are building a tiny - almost credit card sized - drum machine called UTF-9 SAMPLIFIED. It is based on the bleep drum. Check out my version on GitHub:

https://github.com/wgd-modular/utf-9-...

Original bleep drum design: https://bleeplabs.com/product/the-ble...
My eurorack footprints: https://github.com/wgd-modular/eurocad

00:00 - Hello!
00:06 - Tiny drum machines?
01:15 - PCBWay Sponsorship
01:31 - Building the Drum Machine
02:17 - Jam 1
03:31 - Jam 2 using MIDI"

Pacific State/808 State - (Circuit Tracks Version)

video upload by Guinan

"This week’s track is another favourite Hacienda club track. This time from 1989 by the group 808 State (thanks again to Yves Big City @bigcitymastering for inspiring this series).

The original was actually recorded in January 1988 as a reply to the emerging Chicago House scene ‘Pacific State’ has been released in a number of guises. Sometimes just called ‘Pacific,’ others times being labelled numerically after other Roland machines eg. 707, 202. This version is a bit of an amalgamation of a few versions.

Worth noting too that Gerald Simpson ('A Guy Called Gerald') was originally one of the founding members of 808 State before leaving to start his solo career with 'Voodoo Ray'.

I was inspired to cover this after recently acquiring a copy of the Emulator II library disks (to recreate the Kraftwerk track, 'Tour De France' [posted here].
Among these disks, Disk 22 is entitled ‘Loon Garden’. Cited by many as the original source of the ‘Loon’ bird sample we all know and love, it also features a ‘shakahuchi’ sample familiar to anyone who’s ever heard ‘Sledgehammer’ by Peter Gabriel and is a historic piece of sound design. Once you’ve heard these samples you can’t help but hear them across the whole spectrum of popular music. If anyone knows who originally recorded these original samples (also in the Akai S900 library) please leave a comment?

As I started piecing this together I found this excellent video by @CaptainPikant
• Analyzing PACIFIC STATE - How to make clas... [embedded below]
which elegantly detailed the rhythm patterns used. I simplified these somewhat to fit the drum tracks into just 2 tracks to allow room for Sax and Sound Effects tracks (see below).

There is a small snatch of sampled 'sax' played on Logic sampler to fill in for the original sax solo played by Graham Massey from the band but otherwise everything was programmed and played on the Circuit Tracks. No extra synths or FX were used and the audio is recorded straight out of the stereo outs.

I hope you enjoy this track as much as I did putting it together and check back soon for more.

More details for synth nerds.

The bass patch was programmed into Synth 1 to serve as both bass and melody line. The pad sound on Synth 2 is yet another detuned sawtooth pad with chorus, but rolled off with a 24dB low pass filter to create a sound a bit more like the original Juno (said to have been sampled as a chord into a Casio FZ1 sampler).

The drum sounds are a mixture of various 909,707 and 727 Roland drum machine samples from the Reverb Drum Machines collection (normalised and filtered where required).

The Sax sound was played using the sampler instrument in Logic (and is just a preset). The 3 edited phrases were placed onto Drum pad slots and triggered using Drum 3 when required.

Another sample was a ‘bell’ patch created on the Tracks but sampled as a ‘glissando’ to double up the glissando played on the pad on Synth 2, as a break between sections of the song.

Finally Drum 4 was reserved for water and ‘Loon’ sound effects (plus additional 727 rhythm). Did you know the Loon is actually a Canadian diving aquatic bird somewhat like a duck and not at all exotic!

The tracks were as follows;
125BPM, Swing 59%
Synth 1 – bass and melody
Synth 2 – chorused pad chords
Drum 1 – 707 bass drum
Drum 2 – Hihat, Open Hat, Clap and Ride samples.
Drum 3 – Sampled sax lines (and Tracks synth 'bell' glissando sample in break)
Drum 4 – Sound effects, alternating with 727 percussion sampled bongo and muted conga sounds."

Analyzing PACIFIC STATE - How to make classic 909 Ambient House beats | Drum Patterns Explained

video upload by Captain Pikant

"Join us as we analyze and rebuild the unique rhythm of 808 State's timeless Ambient House classic layer by layer."

0:00 Introduction
0:46 Pattern 1
2:54 Loon
4:27 Pattern 2
5:26 Percussion Layer
6:22 One-Shot Patterns
6:49 End Jam

Oberheim Perf/x COMPLETE SET OF 5 Cyclone Navigator Systemizer Strummer Drummer

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

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Teardrop/Massive Attack (Circuit Rhythm Version)

video upload by Guinan

"This week’s track is the ever wonderful ‘Teardrop’ by Massive Attack. Time to light a few candles, run a hot bath and get ready to chill out…..

I first attempted a version of this a couple of years ago in Logic after seeing the excellent breakdown by @GyuBeats . See his video here; • MASSIVE ATTACK - Teardrop - How Was It Mad...

Try as I might I still haven’t perfected this, but I thought it would be fun to do a ‘proper’ version using the Novation Circuit Rhythm. I’ve chopped and loaded as many phrases from the accappella version of the track as I could fit in the sample memory of the Rhythm. I think the Liz Fraser vocal is what makes 'Teardrop' so special. You can find the vocal track here (not sure how ‘official’ as it claims to be though)… • Massive Attack - Teardrop Official Acapell...

Everything you hear was programmed into the Circuit Rhythm and played live without any extra effects or synths.

I hope you enjoy my recreation (and on a Circuit Rhythm for a change). Check back soon for more tunes.

More details for synth nerds.

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Making Nuclear Music with Hainbach

video upload by Anthony Marinelli Music

"Join me for a rare opportunity to step into the incredible world of Hainbach at his studio in Berlin—filled with vintage nuclear test equipment he’s brilliantly turned into musical instruments… and plenty of other wild synthesizers!

Hainbach is known for making haunting, immersive soundscapes using everything from lab gear to tape loops to modular synths. His music feels like it's from another dimension—organic, rich, hypnotic and totally captivating. In this video, I explore his unique setup and we dive into a completely new palette of sounds together. It was inspiring to see how he breathes life into machines that were never meant to make music… and to try my hand at making "nuclear music" myself.

If you're into experimental sound design, synths, or just curious how scientific gear from the Cold War can become part of modern composition—this is something you’ve got to see (and hear)."

https://anthonymarinellimusic.com

Tour De France/Kraftwerk - (Circuit Tracks & Rhythm Version)

video upload by Guinan

"I was listening to the 50th Anniversary version of the album, ‘Autobahn’ by Kraftwerk and it occurred to me to have a try at one of their tracks.

By far the most danceable of theirs is the 1983 song ‘Tour De France’ with the 2003 Francois Kevorkian mix the best fit for the Circuit Tracks treatment. It also should be noted that the band were complete cycling fanatics even hosting some of their concerts in velodromes!

With the real Tour De France just about to kick off (5th July in Lille) I couldn’t think of a more suitable track, and I want to dedicate this with love to my cycling-loving father-in-law, Bernard.

Having influenced early 80’s electro music such as Afrika Bambaataa’s ‘Planet Rock’ the influences went in the other direction for this track. Hiring the famous New York electro producer Kevorkian to do the remix made for a fantastic combination. Francois was responsible for many of the greatest New York electro productions and remixes.

(a big shout out too to anyone who's here because they love the broom scene from the movie, 'Breakdance' !)

This era of Kraftwerk was notable in introducing sampling to the normally analogue instrumentation they used. For this reason, I’ve drafted in my Circuit Rhythm again in the same way as my recent version of Robert Mile’s ‘Children’. See here;

• Children/Robert Miles - (Novation Circuits... [posted here]

Everything you hear is coming from just these two machines (Circuit Tracks & Rhythm). The Tracks is programmed with the musical parts and is playing the Rhythm on two tracks. There are in addition some rhythm tracks playing on this machine to thicken out the sound. No other synths were used (apart from the sampled instruments mentioned below) and you’re hearing the straight audio direct out from the machines.

I loved the challenge of putting this together (see below for details!)
I hope you enjoy it too and check in soon for more tunes.

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Children/Robert Miles - (Novation Circuits Dream Version)

video upload by Guinan

"Huge thanks to @hansotto8563 for this suggestion. Thanks again to all subscribers for their support. I’ve always loved this track and it remains a favourite to this day.

First released in 1995 this song was originally composed by DJ Robert Miles (real name Roberto Concina) as a ‘wind-down’ track for the end of his DJ sets. Credited as starting the genre of ‘dream house’ it was conceived as a way of reducing the death toll for clubbers returning from Italian clubs and falling asleep at the wheel.

The whole track was programmed and played on just the two machines’ pictured, a Novation Circuit Tracks and Circuit Rhythm. No additional synth or effects were used and the track was recorded straight from the output of the Rhythm (which mixed in the audio input from the Tracks).

I hope you enjoy the end result and check back soon for more tunes.

More details for synth nerds;

I’ve been thinking for a while as to how to cover this. Very much of the 90’s, it used sampled instruments and this made it harder to keep this an all-Circuit track. So much of the track relies on the impact of the piano and guitar samples I needed to reproduce these convincingly. I used my Circuit Rhythm purely as an expander in this case and all the sequences are played from the Circuit Tracks.

The Circuit Rhythm is running purely as a MIDI slave device for channels 3 and 4 only. I plan to detail how to do this in another video – mainly because the title ‘Make Rhythm Your Slave’ popped into my head and seemed too good to waste!

The original piano sound was apparently played on a Kurzweil K2000 and I managed to find a sample of the same sound. The Rhythm is monophonic and the sample is not multisampled but I think (with lot’s of reverb and delay) I managed to get it sounding not too bad.

The patches are self-programmed and I had some fun putting together the thunder and rain ambience effects from free online sample libraries.

The tracks are as follows.
TRACKS
Synth 1 – M1 Organ bass-like patch
Synth 2 – phased detuned sawtooth pad
MIDI 1 – MIDI channel 3 to piano sample track on Rhythm
MIDI 2 – MIDI channel 4 to acoustic guitar sample on Rhythm
Drum 1 – bass drum, 909 sample
Drum 2 – 909 snare sample
Drum 3 – 909 hihat and closed hihat samples.
Drum 4 – ambient samples for thunder, rain etc. (from various free online sample libraries) edited via phaser effect as per original track.
RHYTHM
Track 3 (MIDI channel 3) Kurzweil K2000 sample.
Track 4 (MIDI channel 4) Kawai acoustic guitar sample.

The remaining sample tracks and sequencer on the Rhythm were not used (to reduce the complexity of the track). I based the track on the Dreams version of the song and had to simplify it somewhat to fit in the Tracks. Many of the patterns were played at quarter speed and the notes played unquantized to use micro-steps to squeeze longer squences in. Nonetheless I’ve had to simplify the arrangement but I hope I’ve captured the spirit of this classic.

Thanks once again for watching. Fire away with any questions in the comments and stay tuned"

06.06.2025 Radio Aktivitaet for fun - Take 1

video upload by batchas

"Can't of course beat the original masterpiece by Kraftwerk, but it won't stop me to have some fun playing with all these beautiful machines.
I record only one take, to not spend too much time on settings and fine tuning.
If I had to record a second time, I'd finish the track differently.
I'll prob. do next a video to show the different audio sources / MIDI tracks before moving forward to another tune. For now here's how the differents elements arrive:
00:00 Mellotron
00:12 TR-808
00:18 Minimoog
00:26 Waldorf Q
00:35 Mos-Lab 2500 (oscillator 2 on filter 1)
01:08 Mos-Lab 2500 (white noise on filter 2)
01:10 Roland Juno 60
Effect: Audiothingies Doctor A"

Lux 🔆 (Erica Synths LXR-02 + Oto Boum Compressor // Ableton Move 1.5 // Arturia Keystep Pro)

video upload by 2-Minute Warning

"2 minutes, no warning! 🥳
In this video, I really wanted to make use of the 1.5 new features of the Ableton Move like sequencing the different tracks of the Move from another sequencer (Keystep Pro here) and its new Auto Filter effect 🤩 (I was really waiting for these 2 updates!).

So the track starts with DRUMS played and sequenced by the LXR-02, through the Oto Machines Boum stereo analog compressor.
I then introduce the Move by opening the new Auto Filter effect.
The Move is playing some secondary percussions (Track 1), the BASS (Track 2, sequenced by Track 2 of the Keystep Pro), the ARP (Track 3 of the Move, sequenced by Track 3 of the Keystep Pro) and the CHORDS (Track 4 of the Move, sequenced by Track 4 of the Keystep Pro).

So with this setup, I was able to transpose in real-time the instruments played by the Move 😃

Hardware used *

// DRUMS
Erica Synths x Sonic Potions LXR-02 v1.7 (digital drum machine an integrated sequencer, 6 different instruments) + Oto Machines Boum (full analog stereo warming unit)

// BASS, CHORDS, ARP, secondary DRUMS
Ableton Move v1.5

// SEQUENCER
Arturia Keystep Pro"

Exploring the Roland TR77 / Roland Rhythm 77

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Vintage Audio Institute Italia

"We thought we'd make a video before shipping out this beautiful drum machine.

It's one of our very favourites: it holds lots under the hood, it's a joy to play around with and the variety of rhythms and poly-rhythms frankly seems kind of endless.

The 2 and 4 beat section, which is a matrix of independent patterns, is a a cool and unique add-on that Roland incorporated in a few of its very early drum machines.

The individual drum-sound volume-controls gives you just enough sound sculpting possibilities to not care that the machines is not programmable.

The drum sounds themselves are wonderful, woody and organic awhile at the same time analog and electronic."

SN 458139 via this Reverb listing

"A favorite : Roland Rhythm 77 or TR 77 or the poor man’s CR78 but in our opinion the TR77 sounds better.

It also has individual volume controls for kick, hi-hats, snare and the guiro, an adjustable Fade out function - plus a separate, independent second rhythm section on a dial - as well as the possibility to play multiple rhythms at the same time.

Please check video of another unit we had available.

The Roland 77 has more features, sounds and rhythms than the similar-looking Acetone-branded drum machine.

This unit is in excellent condition, front panel looks almost new - but it has a small peel damage on the side panel visible in one of the photos.

220 V with Italian 3 prong connector - easily changeable to any connector"

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12 synths, drum machines, FX & innovations you need to know from Superbooth 2025

video upload by MusicRadar Tech

"For a few years now, Berlin’s Superbooth show has been a focal point for music technology gear announcements, but the 2025 iteration took this to another level. The sheer volume and variety of new music making gear on display in and around the FEZ event space was beyond anything we’ve seen in previous years.

MusicRadar was on the ground to test everything we could get our hands on. As the show drew to a close Managing Editor Si Truss, Reviews Editor Simon Arblaster and Tech Channel Editor Matt Mullen found a quiet corner in the woods to sit down for a roundtable (sans table) discussion about their highlights from the 2025 Superbooth show floor."

In this video:
Frap Tools Magnolia – 02:03
Korg Berlin Phase8 – 05:40
Moog Messenger – 09:07
Erica Synths HexDrums – 12:16
1010music Bento – 14:58
Novation Launch Control XL 3 – 17:20
Neuzeit Instruments Drop – 19:12
Cre8audio Boom Chick – 20:51
Clank Uranograph – 22:38
Eternal Research Demon Box – 25:10
Polyend Mess – 27:20
Instruō Seashell – 29:52
Honourable mentions – 32:01

GLEEMAN PENTAPHONIC + TASCAM 38 DEMO

video upload by Synth Tailor Electronics

"Here's another Gleeman Pentaphonic that was restored by the shop. We decided to kill two birds and put in another repair item, the Tascam 38 Reel to Reel 1/2" 8 Track Tape Machine. The audio output is recorded directly to tape. (Tascam 38 is for adam remnant, check out his music/Instagram @adamremnant)

There are only around 50 units ever manufactured by the Gleeman Brothers Al and Bob. Such a truly amazing sounding 5 voice polyphonic synthesizer. This five voice polyphonic synthesizer sounds very large in such a small package and is a hybrid of both analog/digital. Featuring a 300 note Polyphonic Sequencer, "Presetter" preset control switches, X+Y Joystick Pitch and Mod controller, and 100 programmable presets.
Visit my website or email for repairs and restorations for vintage synthesizers, drum machines, outboard gear, and tape machines."

Resonance Studios Disrupts Industry Standards, Revives Vintage Gear with Bold Expansion

Press release follows:

Stockport, United Kingdom – April 28, 2025 – Resonance Studios, launched on 808 Day (August 8, 2024), is fearlessly challenging the music industry’s practice of abandoning vintage equipment. By committing to the preservation of these iconic instruments, the Stockport-based studio has curated one of the world’s largest collections of new and vintage musical equipment, earning its place among the top six global hubs for synthesizers, drum machines, and samplers. Guided by its principles of inclusivity and sustainability, Resonance Studios employs expert in-house technicians to sustain this legacy, empowering artists with unmatched access to historic gear.

Expansion Plans
In late 2024, Resonance Studios expanded its team with Producer Tom Sharkett (Pictured) and invested in the latest, state-of-the-art SSL Origin analogue mixing console, complemented by a premium array of outboard equipment, including Shadow Hills Mastering Compressor, Empirical Labs Distressors, Lexicon 224, and Neve Shelford Channel. In 2025, the studio will double its footprint by adding another floor to its premises which is located less than half a mile from the iconic Strawberry Studios. The expansion includes a dedicated repair workshop, a vocal recording booth, a drum recording area, a live room— Where Jimi Hendrix famously performed in 1967—and a sophisticated relaxation and listening lounge for guests.

Connecting Past And Present
The studio’s collection has been further enriched with the incredibly rare Yamaha DX1, Analogue Solutions Colossus, and a Yamaha CP80, previously owned by Strawberry Studios and used by the renowned band 10cc. These acquisitions underscore Resonance Studios’ dedication to merging musical heritage with modern innovation.

'We’ve been delighted with the reaction from the community to our unique studio. It’s a testament to the team how far we have come in less than 12 months,” said John Pilkington, Founder. “Our 2025 expansion, including the iconic Jimi Hendrix live room, an additional technician and enhanced vocal and drum recording reflects our mission to redefine music production and empower artists to create without boundaries.'

Social Responsibility
Resonance Studios reinvests 97% of its profits into maintaining and acquiring equipment, ensuring accessibility for artists of all backgrounds. The remaining 3% is donated to Shelter, a charity supporting the homeless, reflecting the studio’s social responsibility. Every three months, the studio also provides an unsigned artist with a complimentary full day of recording, mixing, and mastering to nurture emerging talent. In 2025, the studio will also be taking on an apprentice technician to learn and preserve the skills required to maintain this specialist equipment.

With its historic live room, expanded facilities, and resolute commitment to preserving musical heritage, Resonance Studios is setting a new global benchmark for music production.

resonancestudios.co.uk

Tech Talk: Vitalic (Electronic Beats TV)

video upload by Telekom Electronic Beats TV

"Electronic Beats returns with another Tech Talk, this time we took a trip to Paris to visit the studio of Pascal Arbez aka Vitalic / Dima. Pascal initially began his career on French Techno label Choice under his Dima alias, releasing a series of original works as well as remixing the likes of Daft Punk, Björk, Royksopp and Paul Kalkbrenner, a striking sign of his ability to craft greatness in the studio.

He went on to then launch his alter-ego Vitalic and released numerous albums and EP’s for Different/[PIAS] Recordings as well as material for Jennifer Cardini’s Correspondant, his ‘Poney’ EP on DJ Hell’s Gigolo Records and of course his own Citizen Records imprint.

Vitalic also forms the duo KOMPROMAT with Rebeka Warrior (ex Sexy Sushi), is currently celebrating twenty years of his career and the release of his fifth album DISSIDÆNCE. We took a trip to find out what keeps this powerhouse producer stirring after decades in the game and discover all of the machines and technologies that were used to create his impressive and extensive back catalogue and his new album 'Dissidaence'."

Moog Memorymoog Lintronics LAMM

Note: links to listings are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

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