Automatic: In the Back Seat with Orchid

video upload by Telepathic Instruments

"The limo stops in Eagle Rock to pickup LA locals Automatic. Equipped with multiple synths, they perform a live version of 'Mercury' from their 2025 album Is It Now?

Listen here: https://ffm.to/isitnow

Join the Orchid waitlist: https://telepathicinstruments.com/

/ automatic_band"


video upload by Automatic

Roland SH-1 Monosynth & RS-202 String Synth

video upload by DreamsOfWires

"Simple melodic ditty. just dusting off some oldies. SH-1 sequenced by a Korg SQ-1 in random mode. Initial drone sound is SH-1 (overdubbed), then following drone is from a sustained note on the RS-202 using the Vintage Synth Automatic Key Sustainer (electricians tape). Some verb in the mix, and delay on the SH-1.

I love vintage analogue synths, they often have a lot of character, but they also have their practical drawbacks, such as maintenance! My SH-1's sliders need some love, but the keyboard tracking's gone haywire (or should that be J-wire?) and the unfortunately named 'Bender' has transformed itself into a 'random source of uncertainty''... or a garbled note generator.

The RS-202 is working well though... so far, but changes in circumstances mean it's probably destined for the great online auction in the sky... or 'cloud'... whatever. It's a lovely-sounding thing, but like most vintage string synths, it's huge and doesn't do a lot. But, what it does do, it does well, and that chorus... Roland have a great lineage there.

Support my music with your hard-earned cash by buying it here: https://tomorrowthecure.bandcamp.com"

Sequential Circuits Pro One SN 3974

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Great and powerfull analog synth from 70's This one is in excellent cosmetic conditions (I am the 2nd owner and always kept in free-smoked studio as the 1st owner too) the Pro-One can generate many of the same sounds as the Prophet-5 and Prophet-10, capable of supremely punchy bass lines and distinctly ripping leads, fueled by two VCOs, referred to as Oscillator A and Oscillator B. he Pro-One has extensive modulation provision with three modulation sources available, featuring Filter Envelope Generator, Oscillator B, and a separate LFO. Each can be mixed and routed for either Direct or Wheel-controlled modulation. On the back of the unit, there are Audio, Filter CV, Gate/CLK, and CV inputs. Other features include a 40-note sequencer, an arpeggiator, Pitch and Mod wheels, Repeat and Drone switch, Single and Multiple-triggering keyboard modes, and the unique Automatic Glide, enabling one-handed complex, 'tuned' pitch bending sounds."

CLICK FOR MORE »

Experimenting With Electronic Music by Robert Brown & Mark Olsen

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Published the very same year electro-industrial pioneers Kraftwerk released their breakthrough album 'Autobahn,' here's a wonderful, rare book covering virtually everything you ever wanted to know about music synthesis and reproduction. Within its pages is an overview of the history of electronic music, from RCA's tube-based Mark I to modern solid-state synthesizers, with photos of the Minimoog and the Moog Sonic Six, as well as the Tonus ARP 2500, 2600, and Soloist consoles. For you tinkerers out there, the book also contains numerous construction projects, including two (2) separate transistorized theremins complete with detailed alignment instructions. All projects come ready-to-build with full schematics and parts lists.

Small crease in corner of cover and first few pages are lightly dog-eared/chipped with tape repairs. Apart from some age-toning and a little cover wear, the book is in very good condition. Softcover, 180 pages. Copyright 1974. This item ships WORLDWIDE

Contents include:

Musical Electronics

History - Mechanical Tone Generation - Electronic Tone Generation - The Music Synthesizer

Sound and the Electronic Signal

Sound - Harmonic Motion - The Sine Wave - Additive Synthesis - Square Wave - Sawtooth Wave - Beat Notes - The Envelope - White Sound - Using the Complex Wave

The Instruments

Mechanical Tone Generators (string, wind, and percussive) - Experimenting

Microphone and Pickup Applications

Principles - Ceramic and Crystal Applications - Homemade Ceramic - Homemade Percussion - Dynamic Microphones - Magnetic Pickups - Homemade Magnetic Pickup - Condenser - Impedance

Building a Small Electric Organ

Tone Generation - General Construction - Tremolo Modulator - Mixer - Homemade Keyboards - Combining the Stages

The Electronic Modifiers

Tremolo Circuit - Envelope Control Circuit - Trigger Circuit - Attack Envelope Generator Circuit - Photoelectric Modulator - Reverberation - Chime Device - "Fuzz" Circuit - Sustain Circuit

Electronic Tone Generators

Multi-waveform Generator - Pink Noise Circuit - Two Theremin Projects - Automatic Percussion Circuit - The Almost Nightingale - Mini-Organ

Odds and Ends

Two-Channel Mixer - Three-Channel Mixer - Voice Selector - Variable Bandpass Amplifier - Active High-Pass Filter - Resonant Filter - Tube Filter - Tape and Echo"

CLICK FOR MORE »

03-The Crumar Orchestrator-Brass3nt

video upload by AutomaticGainsay

AutomaticGainsay Crumar Orchestrator posts

"Here is part three of a three-part demonstration of the sound and functionality of the Brass preset and the low-pass filter found on the Crumar Orchestrator.

The theme to this series was created entirely with the Crumar Orchestrator plus drums constructed from GarageBand loops.

This video was funded by the Patreon supporters of Automatic Gainsay. Support the creation of this video and all of the Automatic Gainsay videos that have helped you by becoming an Automatic Gainsay supporter on Patreon! / automaticgainsay

If you are interested in learning about the history of synthesizers and/or how to become a synthesist being taught by a synthesist and synthesizer historian, check out the OTHER Automatic Gainsay Patreon: / automaticgainsaythewavewrights"

02-The Crumar Orchestrator-Brass2nt

video upload by AutomaticGainsay

AutomaticGainsay Crumar Orchestrator posts

"Here is part two of a three-part demonstration of the sound and functionality of the Brass preset and the low-pass filter found on the Crumar Orchestrator.

The theme to this series was created entirely with the Crumar Orchestrator plus drums constructed from GarageBand loops.

This video was funded by the Patreon supporters of Automatic Gainsay. Support the creation of this video and all of the Automatic Gainsay videos that have helped you by becoming an Automatic Gainsay supporter on Patreon! / automaticgainsay

If you are interested in learning about the history of synthesizers and/or how to become a synthesist being taught by a synthesist and synthesizer historian, check out the OTHER Automatic Gainsay Patreon: / automaticgainsaythewavewrights "

01-The Crumar Orchestrator-Brass1-nt

video upload by AutomaticGainsay

AutomaticGainsay Crumar Orchestrator posts "Here is part one of a three-part demonstration of the sound and functionality of the Brass preset and the low-pass filter found on the Crumar Orchestrator.

The theme to this series was created entirely with the Crumar Orchestrator plus drums constructed from GarageBand loops.

This video was funded by the Patreon supporters of Automatic Gainsay. Support the creation of this video and all of the Automatic Gainsay videos that have helped you by becoming an Automatic Gainsay supporter on Patreon! / automaticgainsay

If you are interested in learning about the history of synthesizers and/or how to become a synthesist being taught by a synthesist and synthesizer historian, check out the OTHER Automatic Gainsay Patreon: / automaticgainsaythewavewrights"

Discovery Pro 8.14 - New Features Demo

video upload by discoDSP

"Explore the latest updates in Discovery Pro 8.14, our most significant release featuring major sound design enhancements and workflow improvements.

🎛️ What's New in 8.14:
Factory I Preset Bank Overhaul
128 professionally crafted presets by Kulshan Studios
Complete refresh of the Factory bank with modern, production-ready sounds

New Filter Models
Moog Ladder Filter - State-of-the-art analog modeling
Oberheim SEM Filter - Authentic multimode filter with two variants:

Classic mode for vintage warmth
Raw mode for increased resonance and saturation

CLICK FOR MORE »

Chompi: a Complete Walkthrough | Tape 2.0

video upload by Sonic Cartography

"A complete walkthrough of Chompi and its recently released Tape 2.0 firmware, providing an in-depth demo and tutorial on all its features. Following the structure of Chompi's manual, it’s organized like a video game that gradually builds up your understanding of Chompi, starting at level 0 and going to level 8 (plus a bonus level). If you already have a Chompi, you can use this video as a reference guide/video manual. If you don't have one, you can use it to learn about this chromatic sampler from Chase Bliss and Chompi Club.

Table of contents:

0:00 - Intro / Preview

1:24 - Level 00: Hardware
1. Summarize Chompi in one sentence
2. Identify the external parts
3. Connect cables
4. Power up

CLICK FOR MORE »

Introducing PlayAUDIO2U: The Ultimate Live Performance AUDIO & MIDI Interface from iConnectivity

video upload by iConnectivity

Check with dealers on the right for availability.



Press releae follows:

CALGARY, Alberta – January 13, 2025 – iConnectivity today announces the highly anticipated follow-up to the industry-standard PlayAUDIO1U, the new PlayAUDIO2U. Building on a reputation of made-to-tour live performance solutions, the PlayAUDIO2U sets a new benchmark for professional touring rigs with a powerful 24 balanced XLR output configuration and four pristine, ultra-low noise microphone preamps. The PlayAUDIO2U interface maintains and improves upon iConnectivity's famous redundancy failover protection for touring musicians, production companies, and any live event where failure is not an option.

The PlayAUDIO2U introduces not only an expanded output count of 24 panel-reinforced XLR outs but also integrates versatile new concepts into iConnectivity's PlayAUDIO range. Four pristine, studio-quality inputs are perfect for injecting vocals, guitars, synths, and other instruments for live processing—all while enjoying iConnectivity's famous redundancy protection.

iConnectivity has always been known for robust MIDI integration. The PlayAUDIO2U is the first of iConnectivity's interfaces to feature built-in MIDI control via integrated control buttons on the front panel of the interface, allowing convenient, hands-on control of your performance.

The physical build of the PlayAUDIO2U might be its most revolutionary innovation, combining extensive inputs, outputs, and extreme MIDI connectivity into one rugged 2U rackable enclosure. All I/O ports are specially reinforced to withstand the rigors of daily touring—designed to be plugged directly into stage boxes and house sound systems every day. You can say goodbye to complex, fragile setups. Now building a reliable touring rig is as simple as installing a single PlayAUDIO2U in a rack.

CLICK FOR MORE »

Two KETRON SOLTON PROGRAMMER 24 synthesizers synchronized with each other and to a MINIMOOG

video upload by Davide Micheli

Click CC at the bottom of the player for subtitles, followed by the gear icon and and your language of choice if needed.

"ITALIAN
In questo video mostro come suonare contemporaneamente due sintetizzatori KETRON-SOLTON PROGRAMMER 24 sincronizzati tra loro e poi come far suonare la linea di basso di un PROGRAMMER 24 da un sintetizzatore MINIMOOG DODEL D

Il Solton Programmer 24, lanciato nel 1985, è riconosciuto come uno dei primissimi strumenti a introdurre il concetto di arranger automatico nel mercato delle tastiere, tanto da essere spesso definito 'l'apripista' dell'intero settore.
Questo strumento, prodotto dall'azienda italiana Ketron (con il marchio Solton), è considerato una pietra miliare nell'evoluzione delle tastiere arranger.

Impatto Culturale: è stato soprannominato 'Italian Disco Machine' per il suo ruolo nel plasmare il suono della musica Italo Disco.
Il Programmer 24 non è solo un pezzo di storia per gli appassionati, ma è anche al centro di iniziative come 'Arranger Legacy', un progetto web che mira a preservare la memoria di questi strumenti iconici e dei loro creatori.

Il Solton Programmer 24 è una workstation analogica italiana del 1985, famosa per il suo suono Italo Disco, che combina una sezione ritmica PCM a 8 bit (con uscite separate), bassi analogici, arrangiamenti automatici e sequencer, offrendo un suono vintage caldo e funzionale per produzione musicale. Include funzionalità avanzate per l'arrangiamento, sequencer polifonici e monofonici, MIDI, e interfaccia a nastro, rendendolo un pezzo da collezione apprezzato per il suo 'carattere anni '80'.

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Vintage ELKA OMB5 + Original Bag, RAM Card & Manual

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"A vintage Elka OMB 5, the programmable arranger / rhythm unit specifically designed for Italo Disco, in perfect working condition and in mint cosmetic shape. The deal includes its ultra-cool original bag, owner’s manual, and a Song RAM cartridge. UPS fast delivery and professional packing guaranteed.

Released in the mid-'80s by the Italian manufacturer Elka, the OMB-5 (One Man Band) is a powerful yet easy-to-program arranger featuring a rhythm unit, a bass channel, and two accompaniment tracks.

RHYTHM UNIT

The OMB-5 comes with 20 preset rhythms (Disco, Funk..), each with four variations, one of which is fully programmable by the user — for a total of 20 storable custom drum sequences. Each preset rhythm also includes two fill-ins, an intro/ending, and a dedicated break.

The 32 drum sounds are the same as those found in the iconic Elka Drumstar 80: a cool selection 8-bit PCM drum samples, a perfect mirror of that unmistakable '80s aesthetic. The rhythm section is extremely easy and intuitive to program, and the ability to edit individual drum sounds within a recorded sequence using a single 'cancel' button is simply brilliant. A true example of vintage Italian clever design.

SOUND SECTION

The Elka OMB-5 features a powerful and flexible sound section totally based on FM synthesis and divided into three blocks:

Bass (6 voices)
Presets 1 (12 voices, 5-note polyphony)
Presets 2 (12 voices, 5-note polyphony)
Each block supports 6 arrangements per preset rhythm, with Arrangement 6 fully programmable, allowing up to 20 custom sequences to be stored per block (Bass, Presets 1, Presets 2).

Bass sounds : STRING BASS, BASS FLUTE, BASS GUITAR, ELECTRIC BASS, FUNK BASS, TUBA

Presets 1 sounds : STRINGS, BRASS, ELECTRIC GUITAR, BANJO, JAZZ GUITAR, MARIMBA, VIBRAPHONE, CLAVINET, ORGAN 1, PIANO 1, SYNTH 1, SYNTH 2

Presets 1 sounds : STRINGS 2, STRINGS 3, BRASS 2, PIANO 2, HARPSICHORD, ELECTRIC PIANO, ORGAN 2, CLASSIC GUITAR, CELESTE, HARP, SYNTH 3, SYNTH 4

COMMON FEATURES (All Sections)

Volume and sustain length adjustable via dedicated sliders
Usable in manual play or as part of the automatic accompaniment
Custom sequences storable in Arrangement 6 for each preset rhythm"

CLICK FOR MORE »

Dr. Böhm Solist 78 – Red Version

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"For sale is a Dr. Böhm Solist 78 in the rare red version, in excellent overall condition. This legendary vintage unit combines analog sound generation, automatic accompaniment, rhythm section, and extensive real-time performance controls.

The Solist 78 delivers a warm, characterful analog sound and offers an exceptionally deep feature set that invites experimentation. With its many switches, variations, and interactive controls, it feels almost modular and provides endless creative possibilities.

Key Features & Functions

Automatic Accompaniment & Harmonic Control

Intelligent chord recognition (major, minor, dominant 7th)
Automatic bass and accompaniment voices
Multiple accompaniment styles and variations
Rhythm & Groove Section

Built-in analog rhythm generator
Multiple rhythm patterns and variations
Fill-ins and rhythmic accents
Very playable and responsive, ideal for live performance and improvisation
Sound Shaping & Performance Controls

Extensive tone shaping via dedicated buttons and switches
Real-time control over accompaniment density and character
Dynamic interaction between rhythm, bass, and harmonic voices
Creative Potential

Ranges from classic vintage accompaniment sounds to experimental and abstract textures
Well suited for retro productions, ambient music, experimental electronics, krautrock, library music, and sound design
A unique machine that rewards exploration and creative misuse
Condition & Technical Details

Excellent cosmetic and technical condition
All buttons and functions are fully operational
The “Böhmat” button is the only exception; it is intended for use in combination with a Böhm organ and therefore not functional as a standalone feature
220V version
Sounds fantastic and is fully playable
Included in the Sale

DIN-to-jack adapter
Handcrafted wooden case, built by the previous owner
Complete original construction manual (German)
Summary

The Dr. Böhm Solist 78 is a rare and inspiring vintage instrument with a deep feature set and unmistakable analog character. Ideal for collectors, vintage synth enthusiasts, and adventurous musicians looking for a truly unique piece of electronic music history."

CLICK FOR MORE »

c.1971 CRB Elettronica Tanzanite (aka. Diamond) Synthesiser Organ

Note: links to listings are affiliate links for which the site may be compensated.
video upload by riffers

See another model here.

via this Reverb listing

"Serial Nº 21196

Italian-made CRB “Diamond” Cavendish Combo 30 in remarkable condition for its age. Classic combo-organ tones plus a built-in “mini-band” (bass + drums) make it a fun, self-contained writing and performance machine. Built in Ancona under CRB’s Diamond/Cavendish line.

Organ section: Flutes, Clarinets, Reeds, Strings

Presets: Piano, Spinet, Harpsichord

Effects: Sustain and Vibrato (both sound great)

Mini-band (auto-accompaniment)

Drum patterns: Waltz, March, Tango, Bossa Nova, Samba, Slow Rock, Boogie, Disco — all with variable tempo/volume; very much in the vein of early CR-series drum machines.

Bass accompaniment with automatic chords, Free 1-Finger, Memory, and chord quality switching (Major default; Minor/7th via yellow/green buttons).

External output, headphone out
Expression pedal input
Built-in speaker that’s quaint yet surprisingly punchy
UK mains power - we can include a step-up/step-down transformer on request so you can use it in your country without modification, just ask for details."

CLICK FOR MORE »

disting NT - Looper "automatic sustain"

video upload by Expert Sleepers

"This video demonstrates a simple modular technique being applied within a disting NT preset, where the module is being used as a pedalboard multi-effect based around the Looper algorithm.

An envelope tracker follows the input audio, generating an internal CV which is in turn mapped to modulate the 'Overdub fade' parameter of the Looper.

The result is than when there's input from the player, the new material replaces the old loop, but when the player stops, the loop is effectively frozen. Furthermore, the player can control the depth of the fade with the dynamics of their playing.

Any parameter on the disting NT can be mapped in this way."

A quick Caladan update: current state of UI

video upload by Isla Instruments

"As a follow up to the update I gave on our forum a couple of weeks back
https://forum.islainstruments.com/t/a...

I will not be around for the next 4-5 weeks and so just wanted to leave a progress update here, since I am doing the UI firmware for the Caladan myself now.

The populating of synth parameter data is now complete for the front panel, with automatic, dynamic parameter mapping. Menus and general machine navigation is now in place.
I've been working on a dynamic, automatic GUI that allows synth panels for cards, plugins and even external midi instruments to be created and edited, shared etc.
In the future this panel feature can import graphics, different knob styles etc to create nice GUIs for anything on the synth.

more to follow as soon as I can. thanks for your patience.
Big love
Brad!"

Joranalogue Audio Design Introduces WALK 4 & WARP 1 Eurorack Modules

Press release follows:

"Emerging from the Joranalogue labs are two exciting new additions to our ever-growing series of fully analogue Eurorack modules. Let's dig into this dynamic duo.

First up: like a sample and hold with a master's degree, Walk 4 combines four analogue accumulators with a clock generator, four white noise sources and an auto reset to create a 10 HP voltage stepping, arpeggiating and random walking juggernaut.

With full voltage control and independent value and trigger inputs for each accumulator, there’s always more stochastic patching to explore ahead. And if you need a reliable master clock source with a huge range, 1 volt per octave tracking and external reset—that’s covered, too.

Meanwhile, its partner Warp 1 is a new breed of analogue waveshaper, based on a precise mathematical relationship between input and output, governed by a variable power function.

From subtle timbral colouring to wild hyperbolic distortion, it provides a level of control that’s unprecedented in waveshapers, combining meaningful parameters, clear LED indication, complete voltage control and DC to supersonic operation.

Friend of the brand BRiES already went and made a couple of excellent overview videos—be sure to check them out below. And, if you want to be among the very first people to patch these modules up, drop by our booth at Machina Bristronica in Bristol (UK), on Saturday the 27th or Sunday the 28th of September!"

Joranalogue Audio Design Introduces WALK 4 | Quad Brownian Accumulator | Quick Overview

video upload by Joranalogue Audio Design

WALK 4

QUAD BROWNIAN ACCUMULATOR

4 high-precision analogue voltage accumulators.

Integrated wide-range clock trigger generator with 1 volt per octave tracking.

Trend parameter for simultaneous modulation of all accumulator values.

4 white noise generators add adjustable volatility.

Constrain provides counteracting force, preventing voltages from accumulating too quickly.

Automatic and trigger-driven reset functions.

Add input adds a continuous external signal to all accumulator outputs.


Joranalogue Audio Design Introduces WARP 1 | Power Curve Waveshaper | Quick Overview

video upload by Joranalogue Audio Design

WARP 1

POWER CURVE WAVESHAPER

Analogue waveshaper based on power functions.

Adjustable exponent shapes waveforms from concave, to straight, to convex.

Hyper mode shapes incoming signals into hyperbolic-like waveforms.

Absolute value function for full wave rectifier use.

Symmetry control for asymmetric waveshaping.

Precision output clipper with independent negative and positive clipping levels.

Regular, inverted and polarity comparator outputs.

Excellent visual feedback: input voltage, output voltage and clipper status indicator LEDs.

CME Introduces WIDI K.O.II - Wireless Bluetooth MIDI Adapter for Teenage Engineering EP-Series

Press release follows:

CME Launches WIDI K.O.II — Wireless Bluetooth MIDI Adapter for Teenage Engineering EP-Series

Marseille, September 25, 2025 — CME, a global innovator in MIDI connectivity, today announces the launch of WIDI K.O.II, a Bluetooth MIDI adapter custom-designed for teenage engineering’s EP-133 (K.O.II) and EP-1320 (medieval).

With WIDI K.O.II, musicians can finally experience fully wireless, cable-free MIDI with ultra-low 3ms latency, Bluetooth 5 connectivity, and CME’s exclusive Smart Connectivity Algorithms (SCA) — delivering professional-grade performance for both studio and stage.

WIDI K.O.II acts as a virtual MIDI cable, letting artists connect instruments, controllers, DAWs, and devices completely wirelessly — with the reliability of a cable.

Whether pairing a Bluetooth MIDI controller directly to the K.O.II, syncing with a DAW, or running multi-device group setups, WIDI K.O.II removes the clutter of cables without compromising speed or stability.

In short:
Technology: Bluetooth 5, Adaptive Frequency Hopping
Latency: approx. 3ms (WIDI-to-WIDI)
Range: about 20m / 65ft (without obstructions)
Power: via MIDI TRS port (no external power required)
Compatibility: TE K.O. II & medieval

Pre-Order Information:
Opens: September 25, 2025 via CME’s website.
Special Price: US$ 39.99 (future MSRP/MAP: US$ 59.99).
Shipping: Begins November 1, 2025.

About WIDI K.O.II
“We at Teenage Engineering are super happy that CME chose to make this super-useful accessory for the K.O.II EP-series. I’ve known the team behind CME for 16 years, so it was about time this happened. The EP-series WIDI will open up lots of fun use-cases in the studio as well as on the campsite.”
— David Eriksson, Head of Hardware, teenage engineering

Custom-Built for EP-Series
Engineered exclusively by CME for teenage engineering’s K.O.II (EP-133) and medieval (EP-1320), WIDI K.O.II integrates seamlessly with TRS MIDI ports for a perfect form-and-function fit.

Wireless MIDI Freedom
Cut the cables and play anywhere with ultra-low 3ms latency, adaptive frequency hopping, and a reliable 20m / 65ft range. No batteries, computers, or extra power required.

Plug, Pair & Play
Powered directly by your TE device’s TRS MIDI OUT, with automatic pairing — no batteries or external power required.

Smart Connectivity Algorithms (SCA)
Minimizes interference, ensures stable connections, and outperforms conventional Bluetooth MIDI solutions.

Cross-Platform Compatibility
Wirelessly connect with Bluetooth MIDI controllers, mobile devices (iOS, Android), computers (macOS, Windows, Linux, ChromeOS) and TE’s Field lineup (including OP-1 Field and OP-Z).

Advanced Group Mode
Create Bluetooth MIDI groups of up to five devices for easy splits, merges, and sync. Manage everything through the free WIDI App for iOS/Android.

Trusted by the MIDI Community
As a proud board member of the MIDI Association, CME follows a community-centered “Crowd Creation” approach — involving real musicians and producers from day one in shaping each product.

Additional details: https://www.cme-pro.com/widi-koii/

Automatic Musique Concrete Degeneration! | Make Noise

video upload by MAKEN0ISE

"Using the continuously expanding Iteration 3 Onomatopoiea Reel, we continue the 12-String Iterative Music Project with a patch that gradually destroys the Reel! But don't worry, we'll keep going!

The Iteration 3 Spreadsheet is still open for submissions if you'd like to add any sound to the Reel for a more composed piece next time:

https://drive.google.com/drive/folder...

http://www.makenoisemusic.com"

Behringer Murf Box on synth (no talk)

video upload by Richard DeHove

"Behringer's BM-15M Murf Box - now renamed as the BM-15M Resonant Filter - is a clone of the Moog Moogerfooger MF-105 MuRF. I bought this pedal thinking it might be a more interesting replacement for my Boss SL-2 Slicer. Why did I want to replace the Slicer? Because the Slicer has a few things that slightly irritate me. In hindsight, a pitiful motivation since the Murf Box has an equal number of small irritating things.

First, if you bypass the effect you only get sound out of one channel. That's irritating. It's huge, the knobs are hard to read, I don't love the EQ, the way the envelope works is odd, there's no compression on the drive, and you can't adjust the LFO without an expression pedal. Not that I entirely blame Behringer, I also blame Moog since these are all present on the OG Murf. But of course all the actual blame rests with me for not being satisfied with the Boss Slicer.

Not that the Murf sounds bad. It's a rather interesting, gritty, unusual and reasonably versatile machine. I think rather my expectations were pumped up to the same artificial heights as the OG Moogerfooger reputation and prices.

Here the Murf is receiving a MIDI clock and the expression pedal is connected to the LFO rate. The volume varies a lot depending on the EQ, mix and drive settings - and seems to fade away a bit toward the end of the video - but I thought it best to keep these as-is to show real usage.

Originally I was going to do a comparison between the Murf Box and the Boss Slicer with lots of talk. But knowing that hearing me talk too much annoys some people, and that merely showing a Behringer product will guarantee a percentage of automatic dislikes, I thought it wiser to start with a plain audio demo. I'll do a comparison with the Slicer very soon (unless everyone hates this video) since I think there's a lot of overlap and interesting design contrasts between the pedals.

0:00 Intro ditty
1:00 Twiddlings
3:30 Drone
4:06 EQ fun
4:56 Envelope
5:50 Many tweakings

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"