A Spectral Processing Playground! // Bandit (a creative mini filterbank) from Befaco

video upload by DivKid

"Whether you look at Befaco Bandit as a creative EQ, see multiband processing potential or as a creative mini filter bank … there’s a lot of potential for creative and unique spectral results patching with it. I’ve had loads of fun creating cohesive unique sonic spectrums blending multiple sources, novel ambient FX spaces, spectrum specific FX sends and plenty of smart routing options along the way. I think the results speak for themselves, I hope that comes across in the video."

CLICK FOR MORE »

Anyma Phi and Anyma Phi V physical modeling synth with Chase Bliss Mood mk2 and OXI One

video upload by Mike Laaksonen

"Anyma Phi from Aodyo Instruments is quite wonderful little monophonic physical modeling synth, that can do much more than just physical modeling. You can use 3 oscillators that you can choose from a long list, ranging from different wave forms, resonators, 2-op FM, wavetables etc.

You can use audio input as an oscillator, either external input or in-built contact microphone. So, Anyma Phi is not just a synth, but audio effect unit, too. However you use it , there are lots of configuration parameters and options.

Those 3 oscillators are routed to main and aux bus, where you can apply 5 effects, pan them in stereo field, add reverb, which is then put out as stereo audio.

Recently, Aodyo has launched as software version of Anyma Phi, called Anyma V. It is identical to hardware unit, except that Anyma V is polyphonic. Anyma V is a by-product of Aodyo's biggest development project, namely Anyma Omega, which is larger sibling of Anyma Phi. As a backer I have been eagerly waiting its launch, which may happen at end of year."

SoundMaster ST-305, Roland Jupiter 4 & Echolette SE251

video upload by ohm_studi_ohm

"Quick impro to demo the Sound Master Stix Programma ST-305 (!) analog drum machine syncing the Roland Jupiter 4 arpeggiator. The Echolette SE251 provides echo/reverb.
The ST-305 is an 80s programmable analog drum machine. Very basic, no sound editing but you get 7 sounds, an accent track, dedicated volume faders and outputs for every instrument.
And the icing on the cake is it can be synced to external gear and/or sync other gear, which is a nice feature (you can use it slaved to a sequencer and in the same time slaving a synth, so it acts as a 'through').
I did not know this one till recently and it was a pleasant surprise."

Klemt Echolette SE-251 tape delay.

via this listing

Pics of the inside below.

"This is quite a rare tape echo manufactured by Dynacord. It seems to be one of the very last tape echo introduced by the brand (with the Echolette Echo 400).
It shares many parts with the Echocord line of delays like motor, pinch roller, heads, oscillator board etc
But this one used op amps instead of only transistors for amp stages (the Echocord Super 76 also already used one op amp for the output stage).

The unit has 2 heads which you can mix with the dedicated pot. Otherwise classic features like input volume, tone, echo send level, echo feedback and echo level.
In the back the original DIN socket enabled output and aux input. In this case you only get the wet signal out of the delay, which is nice in a studio environment.

Unit was fully serviced and modded:
- all electrolityc caps were replaced (except 3 bipolar ones )
- original 4x op amps were upgraded to better one (TL081)
- original DIN socket was replaced by 2 jack sockets, one for the output and one for the aux input. Also a pot was added to attenuate the level for the aux input
- unit was meticulously cleaned
- heads were cleaned, demagnetized and aligned
- unit was calibrated
- tape is new

The unit is in perfect working order and in excellent cosmetic condition."

CLICK FOR MORE »

Breath Controlled Buchla - Making a flute with a synthesizer

video upload by Aaron Goldberg

"Here is the follow up video I promised, briefly explaining and demonstrating the 'flute' patch I discovered recently. This simple patch involves an external input / preamp module with an envelope follower, an oscillator with timbre control / wave shaping and a vca. Adding a noise source as a secondary sound, opening it with a similar envelope, can really add to the illusion that its a flute. I am taking the envelope follower from the aux in, and patching that to amplitude and timbre of the complex oscillator. There is also a pulse generated every time I blow into the mic. The pulse tells a sequencer to advance, changing the note you hear every time you blow into the mic. Thank you for checking out my video! If you are interested, you can see me make improvised music live on twitch at"

4/15/24 Viscount R-64s PCM + Peavey 1300 + DBX 900 (3x 905/903) + Lexicon PCM 70 (small room)

video upload by Cfpp0

"In boca al lupo, ragazza. Ciao! A final test of the recently serviced, perfectly working, very rare, and wonderfully Italian Viscount R-64s PCM 8-bit drum machine before packing it up and sending it off to its new owner. Mix out goes mono to a Mackie submixer to the DBX 900, going through one 905/903 into the next 905/903, with an aux send from the Mackie out to the Peavey 1300 delay going to a third 905/903 set. Those two signals then go to two channels on the Mackie Onyx 1640 mixer, with Lexicon PCM 70 small room reverb on an aux."

The Venerable Moog Memorymoog - Inspiration for the Moog Muse?

video upload by Vintage Synthesizer Solutions

"Please join us while we explore the infamous, but actually quite venerable Moog Memorymoog synthesizer. As is widely recognized, the Memorymoog was developed too late and was rushed to the market. By 1982/83, the era of extremely expensive flagship analog polysynths being ubiquitously adopted by professional musicians and studios was coming to an end. Synths like the Sequential Prophet 5, Oberheim OB-X/Xa, & Roland Jupiter 8 had dominated the market, but new digital technology - both in synthesis and sampling, was quickly gaining a substantial foothold in the music industry. The Memorymoog was notorious for reliability issues right out of the box while innovative instruments like the Yamaha DX7 were cheaper, much more reliable, and had a unique new sound.

In hindsight and considering the analog renaissance we've expereinced of late, one can evaluate the Memorymoog from a different and more forgiving perspective... It sounds absolutely fantastic and offeres an incredibly unique & fat tone relative to competetive products of both its era and modern times. Additionally, once a competent technician has sorted common issues with the power supply/fan, connectors, etc. the instrument can be quite reliable from a functionality and tuning standpoint.

The audio is DIRECT, with a just a touch of OTO Bam reverb added on an aux bus - You are hearing the raw audio as it comes directly from the synthesizer. There is NO EQ, Dynamics, etc. Listen on good headphones or monitors!

Thank you so much for watching! This channel is a passion project. These videos are recorded off the cuff. We are just two hobbyists who share a deep passion for synthesizers."

rare birds: Echolette SE-251 tape echo unit

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

"This is quite a rare tape echo manufactured by Dynacord. It seems to be one of the very last tape echo introduced by the brand (with the Echolette Echo 400).

It shares many parts with the Echocord line of delays like motor, pinch roller, heads, oscillator board etc But this one useS op amps instead of only transistors for amp stages (the Echocord Super 76 also already used one op amp for the output stage).

The unit has 2 heads which you can mix with the dedicated pot. Otherwise classic features like input volume, tone, echo send level, echo feedback and echo level.

In the back the original DIN socket enabled output and aux input. In this case you only get the wet signal out of the delay, which is nice in a studio environment.

Unit was fully serviced and modded. [mods below]

I demoed it with 3 different instruments so you get a good idea of how it sounds with different sources. First is a Roland MC-202, analog mono synth, then an analog drum machine (Roland CR-78) and last an electric guitar (Squier Jagmaster, not in frame). Please note the SE-251 has no hi input impedance so I run the guitar through a DI Box first.

00:00 ROLAND MC202
03:18 ROLAND CR78
06:16 SQUIER JAGMASTER"

via this listing

"Unit was fully serviced and modded:

- all electrolityc caps were replaced (except 3 bipolar ones )

- original 4x op amps were upgraded to better one (TL081)

- original DIN socket was replaced by 2 jack sockets, one for the output and one for the aux input. Also a pot was added to attenuate the level for the aux input

- unit was meticulously cleaned

- heads were cleaned, demagnetized and aligned

- unit was calibrated

- tape is new"

CLICK FOR MORE »

Sonic Seed Trot & Hadouken

video uploads by Sonic Seed

Hadouken via Sonic Seed

S&H In S&H trig S&H out

S&H In 8, S&H Trig 9, and S&H Out 10 are a set of sampling and holding circuits. S&H In 8 inputs the signal that needs to be sampled,S&H Trig 9 inputs the Trig signal that samples the input of S&H In 8, and the sampling result is held until the next Trig signal triggers a new sampling, and the result is output at S&H Out 10. When S&H In 8 is not plugged in, the Trig signal of S&H Trig 9 samples the Noise Out of 2, resulting in a nearly random sampling result. The sampling-hold function can be triggered by pressing button 5 when the S&H Trig 9 has no insertion line.

Noise Trig & Noise Out

Noise Trig 1 and Noise Out 2 are part of the Noise generator, which continuously outputs a Noise without any input, which is the result of the sound amplified many times after the breakdown of the Zener tube. If a wire is inserted into the Noise Trig jack, the Zener tube will stop the breakdown state. At this time, give a signal, which can be Trig, square wave or any other signal, only if it is higher than 3.3v, it will again break through the Zener tube, constantly reciprocating, changing the output effect of the Noise Out.

Offset Out

Knob 3 changes the output voltage value of Ofset Out 4, when the button is pressed 5.Ofset Out 4 will output voltage according to the position of the knob, release the button, and the output is terminated.

Aux in & out

Aux In 6 and Aux Out 7 are a set of envelope non-tunable Vcas triggered by button 5. Aux In6 can be an audio input or other signal input, press button 5,Aux In6 input will be output from Aux Out 7 after adding an envelope control. Noise Out2's noise output is added to AuxIn 6 when AuxIn 6 is not plugged in. This means that you can directly control the noise output in Aux Out 7 by pressing button 5."

CLICK FOR MORE »

Erbe-Verb B&G | Shared System 'X' | Episode 03 | Back in Black

video upload by Cinematic Laboratory

"Yeah. I made episode 03 before I was able to finish episode 02 so I decided to post them both. There's no need on this channel to manage posts to maximize views, I just want you to be able to find information when you need it and I just LOVE to make content like this. I made a lot of videos about the EV in the past and it's covered in the old Shared System tutorials (link in video). In this video, I am going to try something new.

In this episode, I'll only use Erbe-Verb and DXG in a feedback loop. So no fancy 7U case layout this time, I made this video to find out if it can still be relevant in 2024. Since I am totally biased, you'll need to decide for yourself. Honestly, if you need a regular reverb, maybe a stereo module would serve you better.

Erbe-Verb is going for a limited rerun in black and gold, so this also means it's getting old and possibly moving to retirement. Without speculating too much, it's possible that MakeNoise is working on a successor now they have this amazing new ARM DSP board. But again, I have no idea. What we DO know is, that Erbe-Verb is widely considered as one of the best reverbs in eurorack, even though it's not the best reverb as a reverb. Que? It excels in creative use and abuse. It will never get old and whatever comes next, it will pair well with the EV (it pairs really well with a Mimeophon, StarLab, Sealegs or Desmodus Versio).

Apart from the sound design fun, Erbe-Verb plays a big role in the Shared System signature sound. While it's partly overshadowed by the more recent Mimeophon, the Mime's 'halo' only adds a little space. It's nothing compared to the 'icy sheet metal in deep space' sound from the EV, which can easily double as a classic spring- or plate reverb when 'absorb' and 'tilt' are used to tame the high end. I've never been a fan of the predelay, but it can do amazing things with modulation and gates/triggers.

The Erbe-Verb is 'mono IN' so it needs to be used as a send/return with a stereo voice like XPO or Spectraphon. Here's where a ModDemix comes in handy. You can use CH1 and CH2 to pass on your stereo mix to let's say an X-PAN, and use the Sum out to EV. Then you can patch the EV's stereo out to X-PAN's aux inputs. It's a lot of patching and modules for a verb, but it provides a lot of freedom."

Sixty Four Pixels Noodlebox Desktop Hardware Sequencer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Additional SYNTH CITY Listings

You can find demos of the Noodlebox in previous posts here.

"Tested in great working condition, super fun sequencer! Includes AC power supply.

Noodlebox is a four part sequencer for making electronic music. It has analog CV/Gate outputs for each part and supports MIDI.

There are independent sequencer layers, each with a CV/Gate output. Each layer runs separately to the others (although staying in sync) and has its own step count, clock division etc.

Each layer has four pages of up to 32 steps each. Pages can be used for A/B/C/D type pattern variations, for verse/chorus type song sections or chained to make a single pattern of up to 128 steps. You can cue up lists of pages for automatic cycling (up to 32 pages). Arranging pages is designed to be quick and easy to do creatively in a live setting.

CLICK FOR MORE »

Introducing Supercritical Redshift 6 - Six voice analog Variable Character Synthesizer

video upload by Supercritical Synthesizers

"Supermassively dense analog oscillator combined with a chameleon analog filter with versatile gain staging. Now sixfold.

Redshift 6 combines technology from the company’s previous products, the Demon Core Oscillator and the Neutron Flux Filter. Each of the six voices features a DCO with analog waveforms generated under digital control. The filter core is an analog 4-pole state variable filter also digitally controlled to act like almost any classic vintage synthesizer filter and more. In addition to the oscillators and filters, Redshift 6 has all the features expected of a modern synth - plenty of modulators, flexible voice routing, multitimbrality, MPE, and DSP effects.

Redshift 6’s idea is something that is wrapped in the moniker “Variable Character Synthesizer”. Each voice’s analog path regarding tuning, gain staging, filter, and more is under strict digital control. Redshift 6 has as lush and warm sweet spot inspired by the analog polysynth tradition, but it can also cover the full range from almost digitally sterile and clean to distorted misbehavior and beyond. No modeling here - it’s all analog until the bypassable stereo DSP effects processor.

The oscillator, already road-tested in the Demon Core Oscillator eurorack module, is featured in each of the six voices. The oscillator has multiple tricks up its sleeve, each one wrapped as an Engine for the user to choose between. Traditional twin oscillator engines, supersaw engines, flanging phase sync engines, and transistor organ engines are all powerful modes in user-friendly ways that are easily controllable and modulatable.

Redshift 6’s six voices can be configured in plenty of ways. Choose between true six-voice polyphony, classic vintage poly dual layer mode with 3+3 voices, six individual voices each with their own patch and physical output, or any combination of the above. Each of the six voices can also operate as a paraphonic voice with up to 16 note paraphony. Additionally, multiple filters can be chained by routing audio from one voice to another.

The form factor of Redshift 6 is a modern, compact desktop device with a 2.7-inch color screen. Menu diving is reduced to a minimum, with quick navigation via the shortcut button grid. A selection of familiar synth controls are featured on the front panel. A macro mode is included with six user-assignable controls. The back panel features main audio outputs with a DSP effects processor and four auxiliary voice outputs.

One of the major design principles of Redshift 6 is to have a versatile and capable analog platform and a flexible UI for new Engines, easily updateable via software updates.

Supercritical Redshift 6 Desktop synthesizer module - Technical specifications
● Six voices each featuring:
● Full analog signal chain
● Digitally controlled analog Supercritical Demon Core Oscillator
● Analog four pole Variable Character Filter
● Flexible gain staging with an analog boost circuit
● Physical audio output per voice (2 main outputs and 4 aux outputs)
● Optional voice chaining
● Bypassable digital effects in main outputs 1-2
● 2.7" TFT IPS color screen with a bank of 8 endless clickable potentiometers and quick navigation via button grid
● Quick powerful controls for oscillators and filters.
● Six user-assignable macro controls
● Six parts multitimbral
● Modern MIDI implementation with USB-B connection and DIN IN/OUT
● MPE
● 12V power supply
● Physical dimensions: 378 mm x 254 mm x 63 mm

The Supercritical Redshift 6 will be available in summer 2024 with an MSRP of 1259€" Preorders starting now at https://supercriticalsynthesizers.com

Click the pics for the full size shots.

CLICK FOR MORE »

Introducing the new Stylophone CPM DS-2 Analog Drone Synthesizer

video upload by Stylophone

Press release follows:


"Introducing the Stylophone DS-2 Analog Drone Synthesizer, the first release in Stylophones new pro-audio Compact Portable Modular (CPM) range.

With two analog drone voices, filter cutoff and volume knobs for evolving and fading drones in and out. The Ultra LFO provides internal rhythmic modulation that enables dynamic waveform blending of the two analog oscillators and cadenced movement of the multimode filters.

Keep things musical by linking the pitch of the two analog oscillators to ensure everything stays harmoniously in tune, or hard sync them for even wilder sounds. Sonic vibes are further enhanced with the in-built vintage modulated delay as well as the option to add one of the eight vintage-inspired reverb algorithms.

This portable, stand-alone drone synth, doesn’t require any external connections to other equipment in order to make endless soundscapes, pulsating rhythms, and cosmic exploration.

Integration with studio and Eurorack equipment is possible through the twelve patch points as well as the ability to route signals to multiple places simultaneously for extra processing with the built-in speaker and headphone connection. Run sound sources from anything into the Aux input to take advantage of the built-in effects, creating a single hub for your music creations.

Use either mains, AA battery operation or mount it within a Eurorack case to play it anywhere. The Stylophone CPM DS-2 Analog Drone Synthesizer is an ideal companion for those seeking innovation in sound creation in the studio, on stage or on the go.

Features list:

· 2 analog 3340 oscillators
· 2 analog sub oscillators
· 2 analog 3320 filters with drive
· 14 analog LFO waveforms
· 2 LFO wave selectors
· 7 LFO routing switches
· 5 LFO depth attenuverters
· 12 modular patch points
· 8 vintage AL3201 reverb algorithms
· 1 vintage PT2399 delay with modulation
· 1 effects mixer with aux input
· 2 stereo outputs
· 1 built-in speaker
· 6 AA battery compartment
· Eurorack compatible

Availability

The Stylophone CPM DS-2 Analog Drone Synthesizer is available for pre-order now at www.Stylophone.com.

Approx $259, €239, £209.

No up-front payment required."

CLICK FOR MORE »

Jolin TUTTO & SEMPRE / versatile 4 channel stereo mixer with patchbay / explanation and demo

video upload by BRiES

"In this video I take a look at the extensive and unique features on TUTTO & SEMPRE, an interesting stereo mixer by Jolin. It's really useful to have a patchbay (extra intputs and outputs where you can 'insert' modules) and built-in VCAs are always a big plus on any module, especially on a mixer. 1 Aux input, 2 headphone outputs with seperate cue inputs, ... there's a lot going on in this mixer.

0:00 intro
1:02 sound snippets
1:55 explanation
6:42 exploration
20:36 patch examples"

via Jolin

"TUTTO&SEMPRE is a stereo performance mixer with 4 channel strips, an active patchbay, individual VCAs, clickless mutes, individual post attenuation direct outs, a main balanced stereo output and two high fidelity headphones drivers with switchable stereo inserts.

The module consists of two main blocks:

Mixing frame

I - 4 pairs of actively normalled inputs with input LED meters.

↑ - Patchbay out – a cable here interrupts the signal flow.

↓ - Patchbay insert to get back to the mix.

V - Control voltage input for the VCAs.

Audio graded logarithmic stereo potentiometers.

Paired clickless mute toggle.

O - Individual output post attenuators.

Output stage

The main level knob regulates the volume of the three outputs: L and R are balanced line level signals while S is a combined stereo output designed to be fed into external 3.5mm interfaces.

A stand for auxiliary inputs: signals fed here will bypass the first mixing block.

The main mix continues to flow to the two headphones amplifiers. Each one of them can easily power up to 600 ohms drivers with low noise and high-fidelity performance. A stereo aux input can be fed into each one of the phones sections with a switch that allows isolated preview listening and routing to the main mix – this makes the module able to manage up to 7 stereo signals at the same time."

Moog Mavis + Doepfer Mini Synth + AJH MiniMod - Eurorack setup test

video upload by DreamsOfWires

"Testing a new setup idea for most of my synth gear, here with 3 synth voices: Moog Mavis, Doepfer A112-5 Mini Synthesizer Voice (the synth guts of a Dark Energy Mk1), and just 1 AJH Synth MiniMod VCO / Transistor Ladder Filter voice, since the other 2 synths are also single oscillator instruments. All 3 synths are dry - no FX/reverb etc.
Also a backing drone using 2 MiniMod VCOs, Ring SM and Gemini 2412. The Erica Synths Black Sequencer is running the 3 synth voices, in various playback modes and step probability settings. Mixed using Cosmix, FX Aid on aux send for drone sound only, and mix out recorded on a Disting Mk4.
There's no serious music here, just experimenting, but it might give people some useful ideas regarding gear and layouts, which I tend to struggle with myself.
Some of these modules will change (be sold, or are intended for other purposes eventually) as I try to fine-tune the setup, but it's a starting point so that I can get on with making music.

My music is available here: https://tomorrowthecure.bandcamp.com"

5 Features of the Xer Mixa mixer and Expando Expandi expander from Noise Engineering

video upload by Noise Engineering

"Check out these 5 Features of the Xer Mixa mixer and Expando Expandi expander from Noise Engineering. Order individually or as a bundle here: https://bit.ly/3YZFvXx

0:11 StereOMG
0:53 Screen
1:50 Automation
2:49 Cue Mix
3:41 Light Show

Xer Mixa is a mixer with ten stereo-paired inputs (8 channels and 2 aux-ins), three stereo-paired output busses, tactile controls, and a 100% analog signal path with low noise and crosstalk, pristine sound quality, and ultra-high headroom. A built-in analog leveling amplifier is great for adding some punch to your mix. A digital control interface harnesses the true power of hybrid design, allowing for state save and recall, per-channel pan law and pre/post send settings, multichannel editing, and MIDI I/O.

Xer Mixa features 10 stereo-paired input channels: 8 interactive fader-controlled channels and two aux inputs. All 10 inputs feature clickless mutes. The screen makes configuration of per-channel pan-law settings, pre- or post-fader sends, and channel and MIDI CC routing simple and intuitive. Save your settings in one of seven preset slots for easy recall for your next set or session.

We designed Xer Mixa to be as compact as possible, with a streamlined and compact-yet-usable interface. However, if you’re looking for CV control, the 4 HP Expando Expandi adds 8 freely assignable CV inputs to the Xer Mixa. Connect up to two Expando Expandi to Xer Mixa for easy CV control over channel levels, pan, aux sends, and more. Xer Mixa and Expando Expandi are also available individually.

Xer Mixa can also be oriented with the jacks at the top or the bottom: a simple system setting inverts the screen for easy customization to fit your rig. And despite its extensive I/O, Xer Mixa clocks in at just 32 HP. Whether you have a massive studio rig or a compact performance system, Xer Mixa is the perfect choice for a tactile, expressive mixing experience."

Yamaha Half-Rack Series Set: EMT-1 FM Expander Synth, EMT-10 PCM Synth, EMR-1 Digital Rhythm Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"welcome to strange, bizarre, obscure and unknown equipment rubric.

today I’ll be introducing you this extremely rare set.

includes all three sound making machines made by Yamaha in the late 80s. (1988 approximately).

it’s a pack with very cool vintage sound and convenient features.

set includes:

• Yamaha EMT-1

8-voice poly synth. based on Yamaha famous FM chip, and using them for sound generation. this is basically like Yamaha DX-21 or something similar, having most of the most famous presets here, and allowing slight variations towards them, and lots of different multi-timbral options. also allows to control some parameters via SysEx.

• Yamaha EMT-10

8-voice polyphonic pcm based sound generation. but in a good way. sounds are multi-sampled, and sound extremely realistic, and very vintage. has slight variation options over the sounds, and few simple multi-timbral options.

• Yamaha EMR-1

digital rhythm box. has fancy preset rhythms, very reminiscent of some great tunes. also can be fully midi controlled, and each sound can be individually sequenced externally via midi.

also has this great led-display showing measures progression, and a display showing bpm and measure counter information.

very nice feature is that all three machines feature power supply in and out sockets, which means that all three can be powered just from one power adapter, and connected together using dc-dc cables.

also all three feature line out, but also Aux In. so all three can be mixed together and their outputs can be daisy chained connected, to have just one stereo pair in the end, which will produce stereo outputs of all of the three devices.

and they also can be daisy chained by midi! each features midi thru socket.

so fully daisy chainable, very well connectable vintage pack.

be special, choose something weird and unknown instead of these other boring famous things everyone else has. choose character."

CLICK FOR MORE »

Webcor The Music Machine w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

You can find a demo of the Sankei model here.

"1978 Sankei TCH-8800 Organ Rhythm Drum Machine Radio Cassette Combo Japan RARE!

This one was relabelled as one of the last hurrahs for Webcor of 1950s and 60s tape recorder fame, and named The Music Machine.

Electronic organ and sound system made by Sankei Manufacturing Co Ltd, Japan, 1978.

A four-in-one electronic organ combination sound system consisting of electronic organ, automatic rhythm unit, cassette player, mixer, amp, and radio.

CLICK FOR MORE »

99Sounds releases free Drumplayer virtual instrument (VST/VST3/AU)

video upload by 99Sounds

https://99sounds.org/free-drum-vst

"Drumplayer is a free VST instrument plugin integrating drum sounds from the 99 Drum Samples library. The plugin aims to provide a straightforward interface to craft drum loops.

The concept was born from a desire to create a user-friendly drum instrument with production-ready drum kits.

Drumplayer supports 32-bit and 64-bit VST and AU plugin hosts on Windows and macOS.

Details: Drumplayer has 20 drum kits, including 808, 909, vinyl, electronic, tape, and other drum styles. These kits suit various genres, including hip-hop, electronic, lo-fi, glitch, and experimental.

The plugin also includes a set of drums sampled from the Commodore 64 and a Nintendo Game Boy.

Every kit contains 14 drum sounds encompassing kicks, snares, hi-hats, cymbals, and percussion.

CLICK FOR MORE »

Novation Summit - A playing attempt at Brian Crain's "Imagining"

video uploads by eM

Playlist:
Novation Summit - A playing attempt at Brian Crain's "Imagining"

One of my favorite piano artists Brian Crain, his song 'Imagining' attempting to play it. IIt definitely takes some muscle memory, but I love this song, love to hear it sound on the Summit.

Novation Summit - "Morning Stroll" SM Plucked Keys

Took a walk outside with the family in our new neighborhood... beautiful sunny day. Much to be thankful for. a short inspirational piece from that played here. I hope wherever you are you will find an enjoyable stroll for yourself.

Novation Summit - SM Plucked Keys (Orano patch) - "Pirate's Beach"

Could pass for a guitar sound, do you think? Credit to Orano's patch again, some reverb from the flashback and hall of fame, subtle reverb and delay on the Summit, I know I know.. why not just use one or the other. Well, it's convenient to alternate, the HoF and FB pedals are primarily not adjusted as it's also sent thru my mixer as an FX channel for other instruments. Enjoy.

Novation Summit - "Aisle" - Multi Mode - 1. SM 5th Sense 2. Sm Who's Afraid (Orano's single patches)

Credit to Orano's Novation Summit single patches, I split them in multi mode, as you'll usually see me do. In this improvisation I'm playing with the delay timing effects on the #2 patch while playing pad on the #1. The onboard delay and reverb effects gives instant breaths for your creative atmospheres.

Novation Summit - "Crystal Falls" Multi Setting (SM Leviathan and SM Popcorn Arp)

Patch creation credit to Orano Music @ https://www.orano.co.uk/shop. Just having fun with blending his patches, very lush and enjoyable, highly recommended!

Novation Summit - SM Leviathan (patch Created by Orano Music)

This patch (along with many others) was created by Orano Music

Novation Summit - "Legendary Keys" - Solo Piano - Multi Mode

I like taking the same single patch and splitting them between both the A and B sections. There are a few minor tweaks between the two sections of course, the A section I'll use for solo piano playing with some slight filter manipulations while the B section is mainly conducting the arp in the play tick on the arp knob, this basically follows the key strokes and does a catch up, so to say, as there is also delay and feedback being added for dynamic effect. I like being able to create an immersivity effect to keep me going in my solo playing. The Summit never fails to conveniently produce this very basic task.

Since OBS has fixed their NDI plugin, it's less work around for me to set up these recordings again. Thanks for listening. appreciate any comments or tips for solo piano playing and any other recommendations to help me along this Summit playing journey.

CLICK FOR MORE »

8/2/23 Yamaha DD-10 + Metasonix RK8 & R-57 + Zerosum Inertia 6AS6 + Synthwerks FSR-2P + PCM 70

video upload by Cfpp0

"Yamaha DD-10 plays its 'Computer Swing' beat, with Intro/Fill 2.

The left output of the Yamaha goes straight into the audio in on the RK8. The right output of the Yamaha goes to the Synthwerks FSR-2P and then into CV in on the RK8 (though it is not used in this video). The mix audio out of the RK8 goes to the Mazzatron pass through to the EWI bay to the Samson bay to the Mackie Onyx 16:4, where it gets PCM 70 Gated palate on an aux. Two bands from the RK8 go to the Zerosum Inertia 6AS6 (it matters which goes to which input). The 6AS6 out goes to the Synthwerks FSR-2P and then to the R-57 and through the Mazzatron pass through into the EWI bay into the Samson bay into the Mackie. Towards the end, it actually sounds better when the Yamaha volume is reduced, so more or less input gain is critical to the RK8 like it is with Metasonix TM and TX boxes."