Publison Infernal Machine + LinnDrum / Jam 2

video upload by Valmont

"Here's the second (more conventional) part of the previous jam, featuring a fully restored Linndrum for a client along with a Publison Infernal Machine reissue, hand-built by my friend Valentin :)
You can watch the first jam here: • Publison Infernal Machine + LinnDrum / Jam 1 [posted here]

In addition to copy/pasting the same description, I’ll also add a few details about the process!
The Infernal Machine itself is in the racks. In this video you only see the remote, with a few occasional close-ups when I tweak it. The LinnDrum is raw ; I’m just using the left main output straight into the console (a BiAmp Model 42). From there I send the signal into DSP A (mono), pan it slightly to the left, then route that channel via a second aux into DSP B (stereo).
DSPs are mixed back into the console. A hint of U-He SATIN, Pro-Q, and Pro-L on the master… and there you go :)

LINNDRUM - This one came with a fun issue: the snare would trigger the side stick, and the toms would trigger the congas. Apart from various CMOS quirks of that kind, I rebuilt all sliders/faders (volume + pan), the trigger buttons and replaced the pots with custom clones made by my friend Manfred from VintageSynth&Co. I also swapped the audio caps for polypropylene ones and rebuilt the power supply. During the process, the CPU card failed so I had to debug the sequencer - turned out to be a bad address latch and a dead bus gate (no idea what caused that). All in all, a serious overhaul!

INFERNAL MACHINE - A very special device. The IM90 was originally designed by French engineer Philippe Petitdemange between 1983 and 1984, with development continuing until the final DSP update in 1989. Publison devices are infamous for their opacity: components were often stripped of references, making repairs impossible. No schematics were ever published or even formally documented, which made the Infernal Machine both exceptionally rare and subject to extreme prices (I’ve seen one listed around 20k€!!!)
Following Philippe’s assassination in 2019, much of the design knowledge risked being lost. Jonathan Prager was designated as the official Publison legacy/maintenance technician and undertook the task of redrawing schematics based on the original archives he bought to preserve these machines. Meanwhile, Valentin, a French expatriate living in Japan, independently carried out his own reverse-engineering and successfully built a true 1:1 clone. His version (named the Celestial Machine) fits the strictest definition of a clone: an exact replica running the original code, featuring a beautifully recreated remote controller and using NOS components throughout ; except for a new OLED display (co-designed with Bob Grieb of TaunTek).
This special Publison-badged unit was sent to me for testing and demonstration to original Publison co-founder D. Dean - more info soon maybe :)

By the way! If you’re curious, I wrote my master’s thesis on Publison, it was published in French (deal with it lmao) : https://www.ens-louis-lumiere.fr/wp-c..."

Union Audio Area 6 - Analog Eurorack & Desktop Performance Mixer!

video upload by Dave Mech

"Union Audio is releasing a brand new mixer soon. Come check it out at Superbooth 2026!

Fully Analog, 6 mono/stereo channels
Perfect for live perfomance
Both Eurorack compatible & standalone
Beautiful resonant master filter (HP/LP) with drive, aux send and CV control
Channels can be individually routed through filter
Master compressor with special features
2x mono aux send and 2x stereo return
Master insert
Level, aux, pan CV
Tilt EQ
Cue & Mute system

And as expected: incredible summing and overal sound.
Release date tbh !"

-CALC- Les daims aux bois III - Atrium study- Whimsical Raps,

video upload by -CALC-

"I've been sitting with this piece for a good few weeks.
It was originally recorded on holiday as audio in a forest in France but I wanted to capture the patch in video form too. The original audio take has more magic than this version to me (perhaps it was the time and place) but the core is still there in this take.

Atrium is using a sub-selection of 31EDO notes with 5 clusters forming the harmonic basis and freqs is also mapped to notes to give another 5 subset of offset chords based on the clusters. These subsets are controlled by a sustain lower limit control to give an easy access performance control. The voice is mostly exploring simple use of the Form synth and the overtones/multiphonics give several other harmonies to explore.

Initially the LFO is muted but creeps in mapped to voicing to add movement.

There is some additional reverb from a TX-6 mixer but other than that its all Atrium.

I find this patch incredibly meditative and love journeying through the consonant world it inhabits. Atrium is capable of so much more sonically but this is a place that feels safe and content and I keep returning.

The patch is shared in the Atrium Discord for those interested to try it out."

Playing with Parting - Old Blood Noise Endeavors & Emily Hopkins

video upload by Molten Music Technology

"Running a simple bass line through the stunning Parting glitch/ambient machine and exploring the sounds. It's a very touchy feely pedal that's wasted on guitarists and really should be a Eurorack module. Full review coming soon from a synth perspective.
I bought this pedal myself."



"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
Controls

Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.

Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.

Depth sets the depth of the LFO.

Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope

Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.

Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.

Glitch creates various clock subdivisions.

Time sets the timing of the delay/reverb, as well as the reverse.

Filter sets the cutoff point of the post-dissolve filter.

Mix sets the blend of dry and wet signal.

Aux switch for tap tempo, half speed, or preset switching.

Soft-touch On/Off footswitch with relay switching for minimal switch noise"

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Passive Bandpass Filters Are GOATED | AudioThing Octaves

video upload by HAINBACH and AudioThing

"Passive bandpass filters are an obsession of mine, so it was just a question of time until AudioThing and me would make a plugin of the special subset called octave filters. Octaves is out on now: https://www.audiothing.net/effects/Oc...

My Music: http://hainbach.bandcamp.com"

"Hainbach’s Bandpass Filter

Octaves is our latest collaboration with Berlin-based composer and YouTuber Hainbach. It is a filter plugin designed to take apart the audio spectrum in spreads of octaves, allowing for unique and enchanting spectral sound design effects. Octaves gives you a retro-scientific approach to sound that echoes the timeless productions created in the BBC Radiophonic workshop or the WDR Studio für Elektronische Musik by the Avantgarde masters, and modern places like Willem Twee, Strøm, and Hainbach’s own laboratory.

Octaves is available for macOS, Windows, and Linux (VST2, VST3, AU, AAX, CLAP).
It’s also available on the App Store for iOS and iPadOS (AUv3 and Standalone).

CLICK FOR MORE »

Stereo VCFQ | Serge Modular | Episode 10

video upload by Cinematic Laboratory

"Serge Modular made the legendary VCFQ stereo. While having three inputs and six outputs, the AGC (Auto Gain Correction) and Notch out had to go. In normal operations, it's a true VCFQ which you can use in both mono and stereo patches. The AUX input can have dramatic results when self patched as feedback. I'll be using the VHIKK X in this video as the primary source, a source that doesn't need an extra filter to sound good. In fact, this creates the challenge of which module dominates which. In general, it's always the module that cuts the other one's frequency range. Finally, I'll use my mono VCFQ and the ST-VCFQ to process the X's L/R channels independently. Now the fun begins :)."

Dreamy Minimal Ambient with OP-1 field and norns shield | Warmth 2026-03-05 by atnr

video upload by atnr

"Ambient Engine (macOS)
https://store.atnr.net/downloads/ambi...

A piece created with ‪@teenageengineering‬ OP-1 field, ‪@KOMAelektronik‬ Field Kit, norns shield, NTS-1, and Ambient Engine. It is minimal ambient built from dreamy synth tones, distortion, and fragmented chorus textures.

On the OP-1 field, a 44 step phrase runs in a loop using the ENDLESS sequencer. The output is connected to. ‪@strymon‬ blueSky with reverb applied.

On the norns shield, Graintopia is launched and an electric piano sound from the CP-88 is recorded with phaser applied and processed with granular synthesis. The output runs through ‪@ChaseBlissAudio‬ LOSSY with EQ and reverb. In the outro, packet loss effect is used to create a lo fi texture while the sound fades out.

In the Field Kit, radio tuner audio is sent to the ‪@KORG_INC‬ NTS-1 where delay, chorus, and reverb are applied. The return signal is sent again to an AUX channel to create feedback and distortion.

In Ambient Engine, two voice samples are loaded and played with randomized playback ranges. Filter, MicroLoop, delay, and reverb are adjusted during playback."

BugBrand Frequency Shifter

via BugBrand

"The Frequency Shifter (red) is a powerful and experimental analogue processor. This standalone design springs from my Quadrature Sine and its Frequency Shifter Expander modular designs – all wrapped up with circuitry & features to allow it to fit snugly into more regular studio processing roles.It will transform your audio streams in otherworldly ways – clangorous, tonal, phased, stereofication and swoosh.

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Intellijel JELLYMIX - Compact Stereo Performance Mixer

video upload by Intellijel

"Jellymix is a versatile performance mixer with a small footprint - perfect for desktop jams with grooveboxes, synths, guitars, modular and more.

Key features:
• 5 x Stereo Line Level Inputs plus 2 x additional EXT Inputs
• 2 x Stereo Aux Sends with PRE/OFF/POST Switch
• Gain control, TILT EQ, HPF, and clickless Mutes per channel
• High Impedance (HI-Z) switch for instruments (guitar, bass, etc.)
• Filter Section - SVF with separate LO-CUT and HI-CUT controls
• Headphone Out with MAIN / MUTED monitoring"

Intellijel Jellymix - The Basics

video upload by Intellijel

"Matt walks us through the features of Jellymix, how to reset the controls, and a simple setup with drum machine, synth and FX send.

Chapters:
00:00 - Intro
Back Panel
Panel Tour / Resetting the Mixer
Simple Mixing Setup

Gear:
Intellijel Cascadia
‪@WeAreElektron‬ Digitakt MkI
‪@strymon‬ Volante

#jellymix #mixer #dawless #intellijel"

Rare Drum Electronic Synthesizer HOT ED-42 test

video upload by nagrzybydolasu

This appears to be the first post to feature the HOT ED-42.

"This is a little jam with very rare polish drum synthesizer HOT ED-42. Couple of takes (with Roland Tr6s and Moog Dfam)
Hot Ed has 4 mono trigger IN/OUT (gate or audio) + 2 mono audio IN channel.
All 4 channels sounds the same and has the same parameters (sensitive, decya, sweep, VCO, volume, panorama).
2 audio channels has Treble/Bass/Effect/Volume/Panorama
There is no NOISE knobs (for snare and hihats)
There is one AUX (for 2 audio channels).
4 mysterious knobs on front of the machine (i have no idea what they do)

** Polish**
bardzo rzadki perkusyjny syntezator HOT ED-42
Posiada 4 wejścia wyjścia Gate/Audio które wzbudzają VCO (nie brzmią perkusyjnie, bardziej basowo, melodyjnie - brak NOISE do snarów lub hihatów)
2 wejscią audio (audio może być z zewnątrz lub mogą wychodzić OUTami z ed42)
1 wejście AUX.
1 wyjście stereo(lub mono)
4 gałki na froncie, z przodu instrumentu - nie mam pojęcia co robią)

to chyba pierwszy filmik tego syntezatora na YT. Więc niech leci w świat.

zawsze możesz mnie wesprzeć :
https://patronite.pl/greenjesus"

New From Hinton Instruments

via Hinton Instruments

New MIDI Modules
01 February 2026

Our range of 3U professional MIDI controlled analogue modules continues to expand with four new products. These are all in an advanced development stage and the order of release will be according to interest and demand. For further information please use the contact form.

With many 3U modules now using MIDI they may be directly connected with internal cables or brought out to panel connectors. Maximum flexibility for connector types, position in case, and routing is provided by Molex KK 0.1" headers on the pcbs.

CLICK FOR MORE »

System Lizard - Iguanamente

video upload by John Schussler

"I'm a sucker for anything with lots of cross modulation. The Iguanamente has that in spades, plus it's got a unique delay built into the audio path that makes for even more craziness.

They say: 'Iguanamente is a chaotic oscillator designed to provide a Eurorack modular synthesizer with a unique and creative sound source that is suitable for percussion, noise, leads, basses, drones, and everything in between.'

Sounds about right.

This is pretty much all just the module. There is some reverb there for space, but that's it.

00:00 Intro
00:20 Main out
06:00 Main + Aux
19:43 Sequence"

This is the first post to feature the Iguanamente!

via Perfect Circuit

The Iguanamente from System Lizard is a chaotic dual oscillator built around a cross modulating oscillator and delay network. Thanks to a keen and comprehensive array of timbre and modulation controls, Iguanamente readily stretches across musical terrain, wagging its reptilian tail between percussion, texture, and melodic applications alike. At the top of the panel, Coarse frequency control sets the fundamental frequency of the system, with dedicated 1V/octave and FM inputs for adjusting frequency via CV. The Radius control manipulates the spread of auxiliary oscillators, allowing for a wide range of inharmonic and harmonic timbral expansion. Shape controls the waveshape of all oscillators, hard clipping into a square wave to the left of center and wavefolding to the right.

These oscillators are then processed through a delay network, with controls for Feedback, delay time or Frequency, and a Mix control. At the bottom of the module, cross modulation controls and CV inputs for oscillator frequency modulation, oscillator amplitude modulation, and delay time allow you to introduce nonlinear modulations into Iguanamente, sparking unique and chaotic changes in timbre. At the top right corner of the module, independent outputs for the Main and Auxiliary oscillators offer independent post processing potential or serve as a pseudo-stereo output. If you're looking for a flexible oscillator with unique character and a taste for chaos, Iguanamente from System Lizard is a righteously fun reptile for any rack.

IGUANAMENTE FEATURES

Chaotic oscillator
Dual oscillator design with integrated delays
Coarse frequency control
FM input and attenuverter control, knob acts as fine pitch control when no FM source connected
Radius control adjusts auxiliary oscillator frequency spread
Shape control clips oscillators into square wave to left, wavefolds to right
Delay for main and aux oscillators with combined Feedback, Frequency, and Mix controls
Cross modulation controls for FM, Delay time, and AM introduces chaotic modulation
Main and Auxiliary outputs

The Stylosette Keys by Dubreq

video upload by Musical Miscellany & More

"Dubreq released the Stylosette last year but I'm just now getting around to buying one. I'm not sure why it took me so long but here's a quick overview of the Sytlosette Keys and what it can do.

Intro - 0:00
Unboxing & Overview - 0:50
Basic Functions - 2:31
Delay Circuit - 4:21
Patch Points - 5:24
Final Thoughts - 9:10"

The Stylosette is the latest addition to our Pocket-sized Analog synthesizer range. It’s a monophonic mini analog synth that looks like a cassette and comes in a cool retro cassette storage case for batteries, clips, a screwdriver and cables, which are all included. It also has a built-in speaker, aux out, and an expansion port.

Use the crocodile clips provided to trigger sounds using conductive objects such as fruits, vegetables, or spoons! The Stylosette has a 13-key touch-sensitive keyboard and is played by sliding your finger along the touch-sensitive metal surface, so no need for a Stylus.

Each segment on the synthesizer keyboard plays a different note, so you can create rich, dynamic music with delay effects, vibrato, and a three-octave range.

Change the speed, depth, and delay with the screwdriver accessory to customize your sound. Even connect to another Stylosette. Buzz, twist, and warp every note in the palm of your hand – anywhere.

It’s an excellent gift for both musicians and beginners alike. All you need to do is insert batteries, turn it on, touch the keypad, and make some noise!

Check with dealers on the right for availability.


Stylophonic Fun

OBNE Parting // An Innovative Approach to Lo-Fi Effects

video upload by Jorb

0:00 Intro
1:30 Hands on / Delay
9:54 Glitch Knob
14:23 Modulation
18:35 Dissolve
25:28 I get lost
29:44 TR-1000 / drum machine demo
34:25 Matriarch / ambient demo



"Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.
Controls

Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.

Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.

Depth sets the depth of the LFO.

Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope

Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.

Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.

Glitch creates various clock subdivisions.

Time sets the timing of the delay/reverb, as well as the reverse.

Filter sets the cutoff point of the post-dissolve filter.

Mix sets the blend of dry and wet signal.

Aux switch for tap tempo, half speed, or preset switching.

Soft-touch On/Off footswitch with relay switching for minimal switch noise"

CLICK FOR MORE »

Introducing the Stylophone VOICE - portable sampler

video upload by Stylophone

"Keep up with the news
https://stylophone.com/stylophone-voice/

Record sounds from the world around you. Bend the audio with multiple effects and turn it into music. From quick melodies to wild sound experiments, the VOICE makes creating music fast, fun, and completely hands-on—wherever you are.

Intro: Capture and play your own samples using 3 voices and shape your sound with 12 built-in effects.

• Capture and play your own samples
• Shape your sound with 12 built-in effects
• Sample anything directly via mic or aux input
• Built-in sequencer and 4 pattern memory slots
• Add rhythm with integrated drum sounds
• Take it anywhere — runs on 3× AA batteries
• Play across a two-octave stylus keyboard with transpose
• Multiple listening options with built-in speaker or headphone output
• Connect to other gear using sync in/out"

STYLOPHONE VOICE - PORTABLE SAMPLER

SAMPLE THE WORLD

Meet the Stylophone VOICE, the latest edition to our Pocket Range Series. Record sounds using the Stylophone VOICE from the world around you and then bend the audio with multiple effects and turn it into music. It’s really simple to capture and play your own samples using three different voices, which you can then shape with 12 built-in effects. Create quick melodies and wild sound experiments. The VOICE makes creating music fast, fun, and completely hands-on. Get creative wherever you are!"

Waldorf M 1.11 Update Adds Varysaw VA Oscillator, CS80 Based Oscillator, Extensive FM & More

You can find the update here

Details form the release doc follows:

Disclaimer: This is an unofficial add-on to the M user manual, describing some of extra features added from firmware 1.05 up to firmware 1.11. This add-on also covers some complex aspects of the Multi Mode, which remains somewhat unusual.

Author: Vladi Salnikov aka VladiS.

Algorithms of FW version 1.11:

Varysaw: A VA oscillator ranging from SAW through PULSE to TRI.

Wave (red encoder): Mixes from 0 to 31 from SAW to PULSE; 32 is pure PULSE, and 33 to 63 mixesfrom PULSE to TRI.

Meta parameter: Pulse width for PULSE, adjustable from 5% to 95%.

CSAW: A famous Yamaha CS-80 saw oscillator with mutation towards a parabolic oscillator.

Wave : Controls the amplitude of the “step” component of the saw wave.

Meta parameter: Mixes between this saw wave and the parabolic saw wave.

Waveshpr: A SAW to TRI oscillator fed into a mild waveshaper.

Wave : 0 is pure SAW, 1-62 mixes between SAW and TRI, and 63 is pure TRI.

Meta parameter: Depth of the waveshaper.

TriplSaw: A stack of three SAW oscillators; two are detuned slightly higher and lower than the third.

Wave : Controls the amplitude of the “central” SAW oscillator relative to the two “side” SAWs.

Meta parameter: Detuning factor, from 0 to maximum detune.

S/T Fold: A SIN wave folding oscillator that folds the chosen crossmixed wave between SIN and TRI waves.

Wave : 0 is pure SIN, 1-62 mixes between SIN and TRI, and 63 is pure TRI.

Meta parameter: Folding depth.

FM 2 OP: Classic simple two-operator FM synthesis. OP1 (modulator) generates a sine wave that modulates the phase of OP2 (carrier). Both operators generate sinewaves; the algorithm's output is the carrier signal.

Wave: Maps values from 0 to 63 to harmonics ratios of 1 to 8 in stepped increments.

Meta parameter: Amount of phase modulation applied to the carrier.

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MetaModule Tutorials: Producer Pack DJ Effects

video upload by 4ms Company

"Another patch showing what Producer Pack can do, using the virtual modules Stereo Crossfader, DJ Filter, Bitcrusher and Aux Sends. As always, head to the MetaModule Forum Patch Gallery to download and try it out: https://forum.4ms.info/t/producer-pac..."

CHOMPI CLUB CHOMPI DESKTOP SAMPLER (PINK)

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Chompi Club Chompi in excellent condition. It comes with original packaging and accessories.

Manufacturer's description
Chompi is a quirky, chromatic sampler and tape music instrument, inviting you into the magical world of sound design. With its unique stereo sampling engine, expressive multi-effects and varispeed “tape” style looper; Chompi is ready for immediate fun.

Special care was taken with sourcing quality materials for Chompi's hardware, but many aspects of the platform have also been designed with user customization in mind. The modular panel enclosure, MX mechanical key switches and keycaps, and DJ-style encoder knobs can all be customized and retrofitted by the user to match their own unique style.

Chompi's workflow is designed to be user-friendly and accessible to individuals of all experience levels… So whether you’ve been playing music for years, or are just starting your sonic journey, Chompi just might become your new favorite buddy!

CLICK FOR MORE »

TouellSkouarn's Kemmeskañ: The 60 HP Germanium stereo mixer shows off!

video upload by TouellSkouarn

"In this video you'll find practical tipps and sound examples using the Kemmeskañ Eurorack module by TouellSkouarn.

More than just a mixer, the Kemmeskañ can be used as a soundscaping module. It has a Baxandall EQ that sounds really musical and gives the user the ability to change the sound drastically. It can be used in an Eurorack context or with external devices.

Content of this video:

00:00 Intro
00:34 Overview
01:06 Features
02:41 Bass with feedback modulation
04:41 Chords with feedback modulation
05:37 Panorama on the stereo channels
07:28 Feedback on kick and Skorn da Bask
11:43 FX - apply them!
14:59 Insert - more saturation and riding in the red zone
21:44 No Input Mixing

Thanks for watching!"



Kemmeskañ

Germanium Stereo Mixer (4 X mono, 2 X Stereo)

More than just a mixer, the Kemmeskañ can be used as a soundscaping module. It has an equaliser that sounds really musical and gives the user the ability to change the sound drastically. It can be used in an Eurorack context or with external devices.

Features:

4 X mono inputs (with dedicated send out, removing the signal from the Send Bus)

2 X stereo inputs

8 buffered outputs

Gain, Aux, Pan, Volume, Mute, Feedback

Aux send with stereo return

2X CV controlled feedback

3-band master EQ, cut and boost

Master send/return
Balanced (6.35) and unbalanced (3.5) outputs

Headphone output

Works with modular and line levels

Intuitive Instruments Improves Exquis MPE Controller with Firmware 2.2.0 Update

video uploads by Intuitive Instruments



Exquis - Ableton Live integration (feat Primo Taut)

video upload by Intuitive Instruments

Press release follows:

Intuitive Instruments improves Exquis MPE controller with firmware 2.2.0 update alongside Ableton Live, Bitwig Studio, and Cockos Reaper workflow-merging scripts

SAINT-CYPRIEN, FRANCE: Intuitive Instruments is proud to announce improvements to the award-winning Exquis MPE (MIDI Polyphonic Expression) controller with major updates coming courtesy of introducing firmware 2.2.0 alongside software scripts to merge its workflow with Ableton Live, Bitwig Studio, and Cockos Reaper DAWs (Digital Audio Workstations) — wholeheartedly representing several simultaneous steps towards the inspirational solutions for music lovers creator’s goal of ultimately making music-making seamless by turning the flagship instrument itself into the ultimate lightweight and compact creative hub — as of September 8…

Exquis enables seamless and natural interaction with all DAW software, MIDI synthesizers, and modular systems by becoming a direct extension of its user’s creativity as an expressive and intuitive MPE controller comprising a hexagonal matrix of 61 backlit soft silicon keys arranged as consecutive notes (semitones) horizontally and harmonious notes (thirds) vertically — from the lowest at the bottom to the highest at the top — that provide independent gestural control over four different dimensions: velocity (strike force), horizontal tilt (X axis — pitch bend), vertical tilt (Y axis — CC#74), and pressure (Z axis — channel pressure or polyphonic aftertouch). Alongside a namesake companion app — itself optionally offering an experience akin to traditional composition software — available on macOS and Windows with support for VST, VST3, and AUv3 audio plug-in formats, Intuitive Instruments’ flagship instrument is intended to provide musicians of all levels with a fun and intuitive way of creating melodies and progressions, fully exploiting sonic potential in the process of doing so — whether working with third-party software over the USB (Type-C) connection, third-party software or hardware synthesizers through the MIDI IN and OUT (minijack) connections, and modular synthesizers via CV (control voltage) with dedicated 0-5V (minijack) connections for GATE (V-Trigger), PITCH (V/Oct), and MOD (pressure or velocity). These top out a lightweight (600g) and compact — 36 mm (H) x 146 mm (W) x 317 mm (D) — desktop design that also incorporates four rotary/push encoders and a six-zone capacitive touch slider, plus a series of selection, undo/redo, and action buttons, providing precise and intuitive control collectively over any user’s sound while enhancing interaction with the app.

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