MATRIA GLOBALESSA - Midiconatroller for Moog® Matriarch™ Globals

video uploads by Stereoping

Playlist:

1. MATRIA GLOBALESSA - Midicontroller for Moog® Matriarch™ Globals

Release trailer for the MATRIA GLOBALESSA, a Stereoping Midicontroller for direct access to the global parameters of the Moog® Matriarch™ Synthesizer

2. MATRIA GLOBALESSA - features and editing demo

This video demonstrates real life usage of the MATRIA GLOBALESSA with the Moog® Matriarch™. No music here, sound starting at about 1:44

0:07 connections and communication
0:42 power supply system and energy saving sleep mode
1:22 parameter organization and editing of various parameters like pitchbend range, OSC frequency range, pitch variance, noise cutoff, delay brightness
4:40 Arpeggiator pots
5:45 round robin fun

3. MATRIA GLOBALESSA - Getting the DIY kit together

Step-by-step video showing how to assemble the MATRIA GLOBALESSA DIY kit

Complete DIY kit for a "MATRIA GLOBALESSA" MIDI controller.

This controller allows for the direct editing of global parameters on the Moog® Matriarch™.

This is the colorful version of the controller; for the Dark Matriarch™, we offer the black/red sister product, PREFS MISTRESS.

The photos show the assembled unit. The product is supplied as a DIY kit; you must assemble it yourself. Please watch the assembly video and consult the assembly instructions.

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Moog Opus 3 Analog Strings, Organ and Brass Synth

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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Introducing the Official Sequential Prophet~5 by GForce Software

video uploads by GForce Software

"Meet GForce Prophet~5 - the first-ever official software recreation of the legendary Sequential Prophet~5.

On sale now: https://www.gforcesoftware.com/produc..."

Playlist:

1. GForce Prophet~5 | Available Now
2. Introducing the Official Sequential Prophet~5 by GForce Software
3. GForce Prophet~5 | A Walkthrough of the Sounds
4. Sequential Prophet~5 by GForce Walkthrough

User videos:



Playlist:

1. GForce / Sequential Prophet-5 Plug-in - My Factory Patches - Polydata

00:00 Intro 02:14 Aquarium Visit 1983 02:30 Auto Buchla 02:41 Central Texas Disc Golf Semi-Finals 02:51 Clouds Over Ocean 03:08 Concrete Engineering 03:22 CV Input 03:38 Heat Index 03:49 Horizons 04:00 Luggage Carousel 04:15 Natural Science Center 04:27 Network Protocol 04:44 North American Walnut 05:04 Observatory 05:17 Peach Flower 05:32 Plant Irrigation 05:47 Prairie Dawn 05:58 Rainbow Vision 06:13 ROM Upgrade 06:25 Sea Foam 06:44 Silicon Manufacturing 06:55 SSM Bass 07:06 Striking the Circuit 07:17 Television Relay Circuit 07:27 UCSD Research Grouping 07:42 Woodland Hills

2. GForce Prophet 5 vs the Hardware - Starsky Carr

I put the GForce Prophet 5 VST head-to-head against my real Sequential Prophet 5 hardware — testing filters, oscillators, envelopes, LFOs, vintage mode, FM, sync, unison, and more — to find out just how close it really gets.

The GForce Prophet 5 is the ONLY Prophet 5 software officially endorsed by Sequential, making it the only plugin that can legally call itself the Prophet 5. But does the endorsement mean anything sonically? After hours of clinical testing with spectrum analysis, oscilloscopes, and direct A/B comparisons, the results genuinely surprised me.

In this video:
Rev 1 vs Rev 2 vs Rev 3 filter comparison (SSI vs CEM — hear the -difference)
Oscillator shapes: sawtooth, square, triangle side-by-side
Pulse width modulation & LFO speed accuracy
FM / oscillator sync behaviour (I did find a minor difference here)
Polymod and audio-rate filter modulation
Unison & Vintage mode — does the voice-to-voice character match?
Low frequency oscillator mode
X-Mod section: LFOs and envelopes on everything
Built-in effects: chorus, phaser, distortion, multi-mode filter, delay, reverb
CPU load test: 10 simultaneous instances vs Ozone on the master bus

The verdict? The differences I found are no greater than you'd hear between two hardware Prophet 5s. If you don't own the hardware and aren't doing a clinical A/B, you will not notice them.

The GForce Prophet 5 is also remarkably CPU efficient — 10 instances use less CPU than a single Ozone instance. It adds two layers, up to 10-voice polyphony, full CC modulation, and an X-Mod section that turns a classic polysynth into something far more powerful."

Syd and I – Live 3 song Synth-Pop Set [Resident Electronic SF]

video upload by Saul Stokes

Another one in via supporting member Saul Stokes.

"Experience a live, fully hardware synth-pop set from Syd and I, recorded at Resident Electronic (Noisebridge) on Capp Street in San Francisco. Syd and I are a father/daughter music duo composed of Saul Stokes and Sydney Stokes. This performance features our unique blend of nostalgic synth production, positive electronic vibes, and contemporary melodic vocals. Special thanks to Jah's Tin (Resident Electronic Host and Musician) for capturing all the video angles as well as excellent quality audio.

00:00 - Intro
00:05 - 10th of a Second
05:11 - Be Somebody
10:01 - Skinned

Everything you hear is performed live using a 100% battery-powered, DAW-free hardware rig Stokes designed. The rig consists of:

Novation Circuit Tracks
1010music Blackbox
Bastl Stereo Mixer
Korg NTS-3
Dexed DX7

If you want to see an equipment close-up, head over to this short:"

Syd and I equipment overview. #novationcircuit #1010blackbox #dexed #modelcarbon8 #korgnts3 #bastl

video upload by Saul Stokes

"If you’re a fan of artists like Sylvan Esso, CHVRCHES, or Robyn, you’ll feel right at home with our sound."

Stockhausen, Telemusik, and the Gagaku Circuit

video upload by La Synthèse Humaine

"New Uses for Old Circuits is a series looking at linear and nonlinear processes in the modular system.

In 1966 Karlheinz Stockhausen went to Japan. Fascinated by the Noh theatre, Sumo, and tea ceremony traditions he found there, he made use of the facilities of NHK public broadcasting to make Telemusik. The piece centers around Stockhausen's so-called 'Gagaku Circuit' - a double ring modulation process which attempts to take two separate sounds and intermodulate them.

More about Telemusik: https://stockhausenspace.blogspot.com...


0:00 Stockhausen In Japan
3:58 Gagaku Circuit and Intermodulation
6:40 Musical Esperanto
7:48 A Quick Channel Update
8:38 Ocora Records
9:11 Double Ring Modulation
13:17 Building the Gagaku Circuit
17:26 Nomades Du Niger
19:27 Introducing the Intermodulation
21:30 Gagakuing Gagaku
22:51 Gagaku and Voice
24:59 Musique Kabiye and Voice
25:55 Musique Kabiye and Contraluz

Check out my Patreon here: / lasynthesehumaine"

Stockhausen's 1972 Lecture:

Lecture 6 - TELEMUSIK (1972) Karlheinz Stockhausen

video upload by Tomás Olano

"Duration: 58'27"

Given at Essex University on May 7th 1972.

http://tomasolano.com

The substance of the work consists of recordings of a variety of traditional ethnic musics from around the world, together with electronically generated sounds. More than twenty of these recorded fragments are intermodulated on tape with electronic sounds and with each other to produce 'odd hybrid-types'—modulating, for example, 'the chant of monks in a Japanese temple with Shipibo music from the Amazon, and then further impos[ing] a rhythm of Hungarian music on the melody of the monks. In this way, symbiotic things can be generated, which have never before been heard'."

Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter

video uploads by Unusable Engineering

Note this is the first post to feature Unusable Engineering. You'll find additional plugins by them below.

Playlist:

1. Curves & Membranes - Software Bézier Monosynth w. Orbital Modulators & Membrane Filter - Walk Through
2. Curves & Membranes - Sound Demo and Patch Ideas - No Talking
3. Curves & Membranes | Synthesizer Patch Creation & Sound Design Walkthrough
4. Curves & Membranes v1.1.0 | New Features and Sound Examples
5. Curves & Membranes Filter Walkthrough | Understanding the Membranes
6. Unusable Engineering Jam | Curves & Membranes in a Different Context
7. Unusable Engineering Update | Curves & Membranes Features and Grain Discharge
8. Unusable Engineering Breakfast Jam | Curves & Membranes + Full Bundle

"Curves & Membranes is a focused mono synth built around a shapeable Bézier oscillator, two visual modulation systems, and a membrane-based filter. In this full walkthrough I go through the core ideas behind the instrument, how the oscillator works, how the preset morphing and orbital modulators create movement, and how the membrane filter shapes the sound.

The goal with Curves & Membranes was not to make a do-everything synth, but to build something more specific: a synth where sound, shape, and motion are tightly connected, and where the structure stays easy to understand while still allowing a lot of character and timbral movement.


More info: https://www.unusable.net/"

And a playlist of addtional plug-ins by Unusable Engineering:



Playlist:

1. Synaptic Resonance | Neural Vocoder Walkthrough

Synaptic Resonance is a neural vocoder-style effect where incoming audio, or an optional sidechain, excites a two-dimensional neural simulation. That simulation is then read back somewhere else and used to animate a bank of forty steep resonant band-pass filters.

In this walkthrough I go through the basic idea behind the plugin, show how the Stim Plane and Read Plane shape the behavior, and explain how the neural controls affect the way the model reacts, spreads, remembers, recovers, and settles.

The core idea is fairly simple: the input excites the model, and the output is affected by reading the model. That is what gives the plugin its character. It can behave like a vocoder, a resonant filter instrument, or something more unstable and alive depending on how it is set up.

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LoFi Future - Fragmenter 45 Circuit Bent HDMI Video Glitch Processor

video upload by LoFiFuture

"Available to order here: https://www.lofifuture.shop/product/f...

Track: LoFi Future - Canicular Days
https://lofifuture.bandcamp.com/track...
https://open.spotify.com/album/5oSvIp...

The Fragmenter 45 is a circuit bent Extron 1604 HDMI Scaler. It is a very high quality unit that demanded a very high retail price when originally released. The HDMI signal integrity is pixel perfect and doesn't compress your image when passed through this thing. It processes 1080p 60fps signals without even breaking a sweat!

This one features some effects that are new to myself, targeting a specific part of the clock circuitry that I have not experimented with before on any other device. The 3 push buttons trigger different clock glitch effects that completely take over the signal and make some mesmerizing patterns. They are an extreme and immediate set of effects, perfect for the most intense parts of a live visual performance. A bonus feature of these buttons is that when subtle artefacts build up on the screen after a while even when the effects are all off, a quick press of one of these buttons and they are all cleared! No need for a reset mid performance!

Another effect unique to this device in the horizontal warp effect that makes the clean HDMI signal degrade into something that looks like a weak analog transmission.

8 knobs control the colour digitise effect and another 9 knobs control the "fragment" effect section that splits the image up and repeats it in slices at a 45 degree angle. These two banks of knobs can be linked together with a toggle switch for even more effect possibilities.

This unit also features a VGA input and can scale the signal to a HDMI output, all of the effects work the same when doing so."

Moog Messenger: 64 Analog Bass Presets. No Talk Sound Demo

video upload by Anton Anru

"'Sub Pressure' is a collection of 64 Bass Presets for Moog Messenger.
The patches cover a variety of bass tones: deep and bright, soft and punchy, long and short, static and rhythmical.
🧬 All sounds are very dynamic: they have Velocity, ModWheel, and Aftertouch assignments.
And, of course, you should play with Envelopes, Oscillators and Filter Parameters to get the best experience of the presets.

📦 The download link: https://antonanru.sellfy.store/p/mess...

🧿 The soundset is universal, these basses are suitable for all genres of electronic music, including Techno, House, Trance, Lounge, Downtempo, Funk, Disco, Pop, Acid, Hardcore, IDM, Drum'n'Bass, Breaks, Breakbeat, Trap, Electro, Ambient, Dubstep, EDM, Synth-Pop and others.

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KORG Arp Odyssey Rev 3 Desktop Synthesizer Module SN 000141

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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Erica Synths Syntrx II Review and Demo // Not just for Bleeps, Fizzes and Ambient Soundscapes

video upload by Starsky Carr

"The Erica Synths Syntrx II is one of the most talked-about synthesizers of recent years — but three years on from its release, is it still worth your money? In this in-depth review and demo, I finally get hands-on with this modern spiritual successor to the legendary EMS VCS3 and EMS Synthi, and I want to bust two big myths: it's NOT as complicated as it looks, and it's NOT just a crazy sci-fi sound effects machine.
🎹 What's covered in this video:

-Syntrx II vs the original EMS VCS3 / EMS Synthi — key similarities and differences
-Syntrx II vs Syntrx I — what changed and why
-The 16x16 digital pin matrix explained simply
-Using the Syntrx II as a standard 3-oscillator monosynth
-The trapezoid (looping) envelope in practice
-All-analog signal path walkthrough
-Onboard 3-channel sequencer, DSP reverb and delay, envelope follower
FM, self-oscillation, noise modulation, and filter techniques
-Sample & hold circuit — how to set it up
-The joystick as an LFO / recording modulation source
-MIDI setup tips (offset fix, CC assignments for X and Y axes)
-Patch saving — what it DOES and DOESN'T save, and why it matters
-Honest pros and cons

🎵 Extended drone demo — 5 minutes of the Syntrx II running a single live patch with the trapezoid looping envelope, FM, noise, filter modulation via joystick, and DSP effects. The full version was over 10 minutes — it really is that good.

💷 Price context: Original EMS Synthis now sell for £24,000+. The Syntrx II comes in under £2,000. If you've ever wanted that Synthi sound without selling a kidney, this might be your answer."

A Visiting Roland System 100 !

video upload by Circuit 3

"A good friend has left their Roland System 100 model 101 keyboard/synth + model 104 sequencer with me for a few weeks. I was curious to try it with the DinSync TR808 which is sending trigger to the 104 sequencer while I play random chords on the Prophet 10. A quick improvisation."

Sounds from Superbooth 2026: Ferry Island Modular

video upload by Perfect Circuit

Ferry Island Modular at Perfect Circuit

"Undertow from Ferry Island Modular is a two-dimensional wavetable VCO/LFO matrix for complex, spatial modulation, providing a powerful central nervous system for any modular system. With a 5 x 3 CV matrix, instead of a single VCO/LFO waveform, you get fifteen simultaneous outputs, each a unique position between two wavetable oscillators. Morph waveform and frequency across the horizontal axis with the mod generator across the vertical axis, taking you from clean to chaotic. No longer do you need to patch together disparate modulation sources in the hopes they can work together, the Undertow makes that a reality with so little effort it feels like cheating. Only for a moment though, as you start to unpeel the sonic onion of your modular system's potential with the Ferry Island Undertow as your sharpened steel.


Undertow Features

Morphing modulation matrix
15 bipolar CV outputs with LEDs
Two wavetable LFOs with wave, frequency, and bank control morphing along the X axis
Mod generator with selectable type shapes the Y axis from clean to turbulent
Clock inputs control left and right LFO frequency
EOC outputs
CV control with attenuation on wave and frequency
5 wavetable banks, more via firmware updates"

FLOW 3 | Auto-Dynamic Filter | Quick Overview

video upload by Joranalogue Audio Design

"Flow 3 is a filter that sounds bigger than it looks. Behind the compact 6 HP front panel lies a novel variation on the classic state-variable filter topology, offering simultaneous lowpass, bandpass and highpass outputs.

But the ace up Flow 3’s sleeve is its auto-dynamic nature: it is a filter that can modulate itself. This is achieved by a combined decay generator/envelope follower circuit which controls the filter frequency over an adjustable range."

0:00 intro
3:00 filter sweeps
5:32 quadrature sine VCO
6:20 spectrum splitter
8:15 auto filter
10:52 sine LFO
12:01 pinged percussion
14:00 decay envelope
14:40 envelope follower
16:05 outro

Flow 3 is a filter that sounds bigger than it looks. Behind the compact 6 HP front panel lies a novel variation on the classic state variable filter topology, offering simultaneous lowpass, bandpass and highpass outputs. Core integrator saturation provides for a sound that’s clean, yet distinctive.

The resonance response is exceptionally smooth—and it can easily reach self-oscillation. In this mode, temperature-compensation and exact calibration make Flow 3 a reliable quadrature sine/cosine oscillator with tight pitch tracking.

But the ace up Flow 3’s sleeve is its auto-dynamic nature: it is a filter that can modulate itself. This is achieved by a combined decay generator/envelope follower circuit which controls the filter frequency over an adjustable range. Either fire decay envelopes from external triggers, or flip it to auto mode to follow along with the incoming signal’s amplitude envelope (or both, simultaneously).

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Yamaha RX-8 Circuit Bent Drum Machine

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Canned Sound

"1989 16-bit drum machine with custom 25-point ROM modulation patch bay and 16 preset FX switches."

00:00 - Rhythm 1
02:06 - Rhythm 2
04:11 - Rhythm 3

via this Reverb listing

"Rare 1989 16-bit drum machine with a unique 25 point ROM modulation patch bay and 16 preset effects switches. These custom modifications allow for the processing of the onboard sounds and user programmed rhythms to an extreme extent with the generation of an immense range of warped and inspiring sound design possibilities. These include distortion, bit crushing, aliasing, cross modulation, delays, digital noise, tonal sounds, reversing, flams and more indefinable effects. The five included patch cables can also be stacked for even deeper processing. The unit functions as normal when the patch bay is not implemented. Includes original manual and power supply.

2x 16 backlit LCD display.
43 tuneable and reversible sounds.
99 pattern, 100 song memory.
MIDI in, out.
1/4" outputs.
Tempo and volume controls."

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NRsynth Quatuor Goes to Outer Space & Famous Sounds and Songs

video uploads by NRsynth

Playlist:

1. NRSYNTH QUATUOR GOES OUTER SPACE

The Quatuor features a ring modulator, a sample-and-hold circuit, white noise and an internal sequencer. You can create all kinds of sound effects and powerful bass lines; it’s ideal for the Berlin School, for example.

2. NRsynth Quatuor: 3 famous sounds

Here are a few famous songs played live on the NRsynth Quatuor with my friend Jean-Luc Briançon (aka Kurtz Mindfields):
Jump (Van Halen, 1983)
Cyclone (Tangerine Dream, 1978)
Chants magnétiques 1 (Jean-Michel Jarre, 1981) Quatuor (main sequence) , Retro-one (Bass), Pro-800 (strings).

3. NRsynth Quatuor famous songs

White Eagle: A great example of how to use the dual arpeggiator to play this magnificent classic track composed by Johannes Schmoelling and Chris Franke (Tangerine Dream) in 1982.

Stranger Things: The original sequence was played on an Oberheim Two Voices (by hand, apparently). Here, it’s the Quatuor’s sequencer!

Arplus: Max Pluck for your Buck - Quantised Arpeggiated Karplus Strong Eurorack Module

video upload by Kronofonika

"Introducing Arplus, a six voice Karplus-Strong Synth with a quite advanced Quantised Arpeggiator built in. A lot of Pluck for your Buck.

Thanks Zlosynth Instruments for letting me do a synth demo wearing chainmail."

00:00 - Intro
02:15 - Karplus-Strong History and What is it?
03:28 - Polyphonic Spree
04:03 - Sound Parameters
07:16 - External Input
09:25 - Pure Ambient Bliss
09:56 - Quantiser
12:52 - Arpeggiator
16:04 - Swap 2 Infomercial
16:33 - Spicing things up

via Perfect Circuit

The Arplus module from Zlosynth Instruments is a robust Karplus-Strong 6-voice resonator that gives you a bevy of musical scales at your fingertips. The Arplus works by selecting a particular chord based on the scale you select, stepping through the notes of that chord via the Trigger input and button. Use the Tone control to set the root note, and use the Chord control to select the particular chord. Both controls have corresponding CV inputs that let you create intricate sequences or melodic randomness. Choose from 31 different types of scales that include Western, Arabic, Indian, Japanese, and even quarter tones.

Internally, a burst of noise gets generated to create the sound, however, if you want more control over your noise bursts, an external input is available for you to patch in whatever you'd like. Use the String control to adjust how many virtual strings remain resonant after the trigger—up to 6 strings can resonate at a time allowing for soaring expanses of ambience and gorgeous clusters of notes. Sculpt the sound right on the module with a built-in filter, including resonance and cutoff, along with a Contour control that moves from short percussive bursts to long swells of washed texture.

Of course, no resonator would be complete without a stereo output, and the Arplus doesn't disappoint. Choose from three different stereo spreads: Ping Pong, which alternates voices between left and right, Root, which sends the Root to the Left and everything else to the Right, and Haas, which creates a stereo spread using the psychoacoustic Haas effect. The Arplus from Zlosynth is more than just your typical resonator, with an easy-to-read scale selector and a lovely sound that's sure to win over your heart and ears.

ARPLUS FEATURES

6 Voice Karplus-Strong resonator
External audio input for custom excitation sources
31 Different scales
Customizable chords up to 8 notes
CV-Controllable arpeggiator patterns
Quantized 1V/Out output
3 Stereo output modes
Built-in filter

Moog Taurus 3 Bass Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Perfect Circuit listings

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The Crow Hill Company Introduces the THE SH*T SYNTH

The Sh*t Synth - Walkthrough video upload by CROW HILL XTRAS

Press release follows:


The Crow Hill Company turns to extensive and rare collection to turn out THE SH*T SYNTH as compendium of 48 circuit-, wave- and sample-bent instruments

EDINBURGH, UK: The Crow Hill Company is proud to turn to its own extensive and rare collection of hardware to turn out THE SH*T SYNTH — available as a compendium of 48 circuit-, wave- and sample-bent instruments inspired by some of the Edinburgh-based enterprise’s eclectic musical favourites (spanning the likes of Aphex Twin, Boards Of Canada, Joe Maus, Jon Brion, Laurie Spiegel, Radiohead, Throbbing Gristle, and Yazoo) to create something that they collectively ask: is it just shit or ‘the shit’? — as of April 7…

Whatever way anyone chooses to read into the titling of THE SH*T SYNTH as the latest entry into The Crow Hill’s ongoing ORIGINS series of sample-based virtual instrument plug-ins, one thing is for sure: it readily represents a broad selection of three categories of 16 workhorse instruments each, effectively wrapped up into a single plug-in designed to bring a cohesive approach to making music more edgy, lo-fi, retro, and — swimming against the technological tide of so-called progress — decidedly AI (Artificial Intelligence) slop-free. From pianos to strings, plucks, beeps, bass, and pads, the compendium that is THE SH*T SYNTH has been lovingly sculpted by the Edinburgh-based enterprise’s media composer and ‘samplist-in-residence’ Christian Henson to take the hassle out of making existing sounds less refined, catering to those looking for an entirely new bank of Mellotron-style sounds as well as synths that have been long forgotten — for good reason, too!

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SCHLAPPI ENGINEERING Introduces new Eddy and Cascade Eurorack Modules

Overview video upload by SCHLAPPI ENGINEERING

"Eddy is a three channel stereo CV controlled mixer with sidechaineable compression and distortion, designed as a compact submixer. It also has normalized feedback paths for more experimental tone shaping, no input mixing, and percussion synthesis workflows.

The Cascade expander allows access to the individual VCA outputs for use as a triple stereo VCA as well as access to the feedback filter outputs and simultaneous clean, compressed, and distorted bus outputs for additional mixing and processing options."

00:00 Intro
01:02 Mixing/VCA basics
02:20 Sidechaining
02:50 Feedback and percussion patching
04:33 Gain amounts and headers
04:45 Cascade expander
06:00 Using as compressed drum submixer
09:16 Jamming hard
12:00 Jamming even harder

Eddy & Cascade - Triple stereo VCA and feedback machine

video upload by Stazma

"New Schlappi Engineering module alert!!!!
Welcome Eddy and it's expander, Cascade.
Eddy is a three channels stereo VCA and mixer, with normaled tuned feedback paths, mute and phase invertion switches, compressor and distortion modes and more.
The Cascade expander allows you to tap different outputs of the circuit individualy for parallel processing or feedback patches."

00:00 Intro
01:14 Hello Eddy
04:25 Eddy panel
05:51 Cascade panel
06:22 It's a drum module!
08:57 No input mixing
11:09 Patching with Cascade
14:37 Simple waveform mixing
18:18 Optional levels
19:20 Drum machine time
25:35 Breakbeat time!
30:30 End talk

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4 For A Boy

video upload by Circuit 3

"Recorded 'as live'. Bassline is a blend of Roland System 100M + Roland System 500. Lead-ish lines on the Arp2600M moving across Osc 1 through 3. Top line is the Befaco Oneiroi. Drums by the Metamatic-tastic CR78. Effects by Strymon (Bigsky, Nightsky, Timeline, Volante). Sequencing by OXI One."