Jynth – Physics Analog Synth - Teaser

video upload by Fingerlab

"Meet Jynth, the new synth by Fingerlab for iPhone, iPad and Mac — the warm, analog soul of the iconic Roland Juno-106, reimagined with a groundbreaking Physics Engine for organic, living sound.

Jynth will be available on June 4, 2026.
Pre-order it now for free on the App Store:
https://apps.apple.com/us/app/jynth-p...

Designed for leads, basses, keys & pads, Jynth delivers that classic vintage character you love — housed in a meticulously crafted, photo-realistic interface that looks as good as it sounds.

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Synth Stuff Ep. 92 - Modal Element One

video upload by tritonrecordings

"Fresh from Modal's oven is the Element One. I think the idea was to take their analog modeling engine and scale the programming side of things down for a sleeker interface, and instead focusing more on performance. Not a bad idea, and I can see this being useful in a live setting. The sound is great and covers a lot of ground beyond just analog emulation type sounds. It has some of the same UI quirks that irritate me about my Argon8X, but it's a great lightweight synth full of good sounds. I think Modal in general makes some underrated stuff, so check them out if you see one. The illuminated Modal logo does it for me too - I'm a sucker for that kind of thing..."

A $29 polyphonic hardware synth - AMYBOARD sounds great!

video upload by Floyd Steinberg

"AMYBOARD ( https://www.amyboard.com/ ) is a polyphonic hardware synthesizer eurorack module that also has USB-C and TRS MIDI (so you can use it as a desktop module). This if a spinoff of the Tulip Music Computer that focusses on sound exclusively, and boy, it sounds really good. Table of contents:

00:00 multitrack demo ( generation TikTok repellent )
00:29 hi, what's this?
01:18 hardware overview
01:44 the Amyboard web page
02:32 virtual analog engine walkthrough
02:51 oscillator shapes / PWM
03:33 tuning
03:51 LFO
04:24 effects (chorus, reverb, delay)
04:42 filter
05:50 amp envelope & equalizer
06:20 demo: plucked sound
06:50 some things to consider
07:17 filter sweeping
07:41 Micropython integration: multitimbrality, sequencing, fm
08:39 a multitrack demo (with MPC Live 3)
09:59 conclusion: a no-brainer. really
10:42 do the YouTube thing!

BTW, if you recognized the piece of music that opens the video - welcome to the club. ;-)

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

New Order, BBC2/Radio 1 simulcast ('Rock Around The Clock', August 28, 1984)

video upload by MrMartinPipe

Two Sequential Circuits Prophet-5s and two Octave Electronics Voyetra 8s. Emu Emulator there as well as custom trigger pads.

This one is in via Ivan Trajkovic aka deejayiwan.

Video description:

"Here we have - except for the three songs that YouTube has 'flagged up' for removal - the notoriously bad-tempered 'Saturday Live' set that was the legendary New Order's contribution to the BBC's 'Rock Around The Clock' music-marathon of pop videos, live performances and documentaries.
Some of the day's programming - notably, this New Order performance from the bowels of Broadcasting House - was simulcasted on the BBC's Radio 1/2 network, as there was no stereo TV in the UK back then.
This historic programme (New Order's "live radio debut on the telly", according to BBC presenter Richard Skinner) surfaced on an old V2000 tape that was being chucked out (together with the video recorder it was in). V2000 was an unusual (but at the time, technically-advanced) European home-video format, intended to compete with VHS and Betamax. Developed by Philips and Grundig, the now-forgotten V2000 had some cool features - like 'flip over' recording, and noise-free 'trick' playback. Don't laugh - this was a big deal in the early-mid 1980s!
The recording was alas in a very poor state - machine (which needed to be repaired) and tape alike had evidently not been stored carefully. I have cleaned up the visuals as best I can - and the result is not bad, considering that the source material is over 40 years old! Better still, I had the cassette recording of the stereo FM broadcast I made at the time - which I have managed to synchronise to the video.
I have it on good authority that the result is superior to what the BBC holds in its archives (allegedly a ropey off-air VHS copy, with hissy mono sound).

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Erica Synths Syntrx II Review and Demo // Not just for Bleeps, Fizzes and Ambient Soundscapes

video upload by Starsky Carr

"The Erica Synths Syntrx II is one of the most talked-about synthesizers of recent years — but three years on from its release, is it still worth your money? In this in-depth review and demo, I finally get hands-on with this modern spiritual successor to the legendary EMS VCS3 and EMS Synthi, and I want to bust two big myths: it's NOT as complicated as it looks, and it's NOT just a crazy sci-fi sound effects machine.
🎹 What's covered in this video:

-Syntrx II vs the original EMS VCS3 / EMS Synthi — key similarities and differences
-Syntrx II vs Syntrx I — what changed and why
-The 16x16 digital pin matrix explained simply
-Using the Syntrx II as a standard 3-oscillator monosynth
-The trapezoid (looping) envelope in practice
-All-analog signal path walkthrough
-Onboard 3-channel sequencer, DSP reverb and delay, envelope follower
FM, self-oscillation, noise modulation, and filter techniques
-Sample & hold circuit — how to set it up
-The joystick as an LFO / recording modulation source
-MIDI setup tips (offset fix, CC assignments for X and Y axes)
-Patch saving — what it DOES and DOESN'T save, and why it matters
-Honest pros and cons

🎵 Extended drone demo — 5 minutes of the Syntrx II running a single live patch with the trapezoid looping envelope, FM, noise, filter modulation via joystick, and DSP effects. The full version was over 10 minutes — it really is that good.

💷 Price context: Original EMS Synthis now sell for £24,000+. The Syntrx II comes in under £2,000. If you've ever wanted that Synthi sound without selling a kidney, this might be your answer."

X1L3 - ALLEYKAT - DEV - NINE LIVES - NO REGRETS - module test build - swinsid - eurorack module

video upload by X1L3

The ALLEYKAT gets a front panel.

"First and flawed test build of the Alleykat module.
Nine lives - no regrets......

Completed the next schematic revision today ready for submission to fab. In doing so i ended up spending an hour on this flawed test piece knocking this up for a bit of fun.

When you consider how good it sounds (in a c64 kind of way) in it's current state, it becomes quite obvious how cool it will be when the filter is online and all the parameters are active. The test boards had numerous errors on them which have rendered the ring/sync and octave hopping inactive. The filter cutoff and resonance were also mis-routed in the schematic which rendered the filter unusable.

Swinsid in circuit this time. Does a decent enough job, but i've yet to see how it performs in comparison to a real SID or a superior clone when the ring/sync and filter come into play. The only difference i hear using just the waveforms and pwm compared to the usual 8580 i use for testing is that the swinsid doesn't sound as bright.

With a bit of luck i've fixed everything that was wrong with the first attempt and the next revision will work properly."

TELEPHATIC INSTRUMENTS ORCHID - #superbooth impro

video upload by motobor

"Nice way to play around and gather some ideas. Get your creativity going in an instant!

#superbooth #superbooth26
Keep on mind that all of my videos done on superbooth are realy short indroduction. if it doesnt sound good or I make mistakes then its because I have only used it for 20min. This is my thing, I want to see how fast I can get along with the instrument.
videos are edited and uploaded on phone, so sorry for any mistakes or roughnes."

CRUM2 by NYSTRÖM #superbooth26

video upload by motobor

"generative percussive h#superbooth #superbooth26

Keep on mind that all of my videos done on superbooth are realy short indroduction. if it doesnt sound good or I make mistakes then its because I have only used it for 20min. This is my thing, I want to see how fast I can get along with the instrument.
videos are edited and uploaded on phone, so sorry for any mistakes or roughnes."

Additional CRUM2 posts

Kurzweil 1000 PX Plus Series Rackmount Digital Expander Sound Module SN 88090110

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"Nice vintage sound module in good shape. This is the expanded version of the expander."

CLICK FOR MORE »

1010music Introduces Blackbox 2 - Back in Black Compact Sampler Sequencer

video upload by 1010music

Two user videos further below. Press release follows:


"NEW blackbox 2 – Next Generation of a Compact Sampler Classic with 2X the Power

May 7th, 2026: 1010music unveils new blackbox 2 with features fueled by user requests and the development of the flagship bento sampling production lab.

A new high-resolution color touchscreen lets you load up to four Tracks where each Track can host Loop, One-Shot, Slicer, Shredder or Multisample Instruments. Record sequences in real time by using the touchscreen to finger drum on one-shots or play notes using a virtual keyboard with multisampled instruments like pianos. Or quickly create and edit sequences by drawing notes into the Piano Roll. Plus there’s a new Step Sequencer if that’s your preference.

CLICK FOR MORE »

A Rare First Listen: Four Classic Oberheims

video upload by Jose's Vintage Keys

"I was lucky enough to borrow three beautiful vintage Oberheims from a good friend. Together with my own OB-X, that gave me the rare chance to put four classic Oberheim polys side by side: the OB-X, OB-Xa, OB-8 and EVS.

This is not a polished shootout or a scientific comparison. It is simply a first impression, a first test after the synths came back from major servicing. Just playing, listening and enjoying that unmistakable Oberheim sound.

Huge thanks to my friend for trusting me with these incredible instruments. I’m a lucky man.

In this video:
OB-X
OB-Xa
OB-8
EVS

Four legendary Oberheims in one room. What a sound."

Exploring the Sequential Fourm: an underrated synth gem

video upload by Signal Sounds

"Our good friend The Unperson returns to the Signal Sounds channel to put the Sequential Fourm through its paces.

Fourm offers the classic sound and quality of Sequential at an unprecedented price point. Drawing on some of the best synths of all time, this compact analogue powerhouse boasts some fantastic features like poly aftertouch and a flexible arpeggiator/sequencer.

Buy here: https://www.signalsounds.com/sequenti..."

Genki Instruments Katla #5 | Winterdagen

video upload by Winterdagen

"Time for a new video on the mighty Genki Instruments Katla lava synthesizer! While last rays of a setting sun were hitting my living room window, I was playing around with Katla's stereo CMOS distortion, and this beautiful gloomy pad emerged. You can drive Katla in no less than four different places. This took a little getting used to for me, but it makes for a super flexible synth engine. I've never heard internal drive sound this good on a synthesizer.

As always, thanks for having me Genki! I'm not getting payed to say nice things about Katla, and I think its beautiful sound speaks for itself:)"

Plinky 12 and Plinky v3

video upload by Making Sound Machines

"This video clip is a duet using a Plinky each from both generations: a Plinky 12 Chords providing glissandi and harmonies, and the original Plinky v3 from Thonk providing the main melody.

Enrica, engineer and musician of Düsseldorf-based synth maker Making Sound Machines, plays the original Plinky v3, with long melodic arcs and the characteristic melancholic sound at the touch of her fingertips.

Roland slides his fingertips along the rainbow coloured columns of Plinky 12 in Chordnotes view. The notes in this view are a stack of the chord notes for each of the harmonies from the chord palette at the bottom of the instrument.

This allows him to freely arpeggiate and transition from harmony to harmony. After the intro of the piece, Roland starts a harmonic sequence on Plinky 12 to accompany the notes Enrica plays on the original Plinky.

The lead synth in the beginning and throughout is captured directly from Plinky v3. All additional synth sounds and effects, the harp-like sound and glissandy in the accompaniment, are produced with Plinky 12's on-board synth engine.

Plinky 12 is a family of expressive polyphonic synthesizers. The three instruments are built around a shared polyphonic synth engine. Designed by mmalex, it evokes the unmistakable melancholic sounds of the original Plinky.

Each instrument is designed in collaboration with a different synth maker, lending each panel a distinct playability and unique character.

Plinky 12 Chords is a harmonic inspiration machine. It lets you improvise melodies and chords, with expressive control over voicings, progressions, and immediate musical play. Created by Making Sound Machines, Chords is the panel for finding beautiful harmonic movement quickly.

Plinky 12 Toadstep is a 4-track step sequencer built for super funky riffs, experimental self-generative melodies, and good ol' Acid. Created by Toadstool Tech, the designer behind the Ectocore Eurorack module, Toadstep is fun, immediate and easy to jam with!

Plinky 12 Blocks is an open panel built for experimentation, with monome-grid compatibility, Plinky style touch synthesis, and a browser-based coding environment just a click away. While it comes with a fully playable design out of the gate, creator mmalex invites you to build your own adventure with this panel. If you can imagine it, you can make it!"

Introducing Plinky 12 Blocks, Chords and Toadstep

video upload by Making Sound Machines

Additional videos below.

"We are super excited to introduce 3 new instruments today! Plinky 12 is a family of expressive polyphonic touch synthesizers. The three instruments are built around a shared synth engine. Designed by mmalex, it evokes the unmistakable melancholic sounds of the original Plinky. https://plinky12.com

Each instrument is designed in collaboration with a different synth maker, lending each panel a distinct playability and unique character.

Plinky 12 Chords is a harmonic inspiration machine. It lets you improvise melodies and chords, with expressive control over voicings, progressions, and immediate musical play. Created by Making Sound Machines, Chords is the panel for finding beautiful harmonic movement quickly.

Plinky 12 Toadstep is a 4-track step sequencer built for super funky riffs, experimental self-generative melodies, and good ol' Acid. Created by Toadstool Tech, the designer behind the Ectocore Eurorack module, Toadstep is fun, immediate and easy to jam with!

Plinky 12 Blocks is an open panel built for experimentation, with monome-grid compatibility, Plinky style touch synthesis, and a browser-based coding environment just a click away. While it comes with a fully playable design out of the gate, creator mmalex invites you to build your own adventure with this panel. If you can imagine it, you can make it!

In this video, Enrica and Roland from Making Sound Machines explore the three new Plinky 12 instruments: Blocks, Chords and Toadstep from left to right.

The track builds on a repeating loop created with the built-in sequencer on Plinky 12 Toadstep. The short sequence uses rhythmic step repeats, track step length and animated synth parameters to create an ostinato that keeps sonically evolving over the length of the track.

As the piece continues, Roland plays a progression of harmonies from the rainbow chord palette on Plinky 12 Chords, before launching a sequence that reharmonizes the loop heard from Toadstep. Enrica joins in playing sparkling arpeggios with her fingertips on Plinky 12 Blocks, the surface with the sunset colour-fade print.

As the track progresses, Roland plays a melodic line on Chords, then Enrica takes over with a melody on blocks. The Plinky 12 polyphonic play surface reads both play position and pressure of the touch. It enables bends and glides on the horizontal axis, while allowing for discrete arps in the vertical direction.

They end the piece with a tempo transition showcasing the septuplet feature on the internal sequencer."

CLICK FOR MORE »

Animal Factory Dirty Mirror × Korg Monologue // Fuzz Synth Jam (No Talking)

video upload by Animal Factory Amplification

"Use headphones for this one! Animal Factory Dirty Mirror dual parallel fuzz pedal running a Korg Monologue analog synth — no talking, no post-processing, just raw tone. This was recorded in one take to bring out how the Dirty Mirror becomes an instrument in itself.

A love letter to shoegaze, noise, and harsh textures, the Dirty Mirror pairs a modified Shin-Ei Superfuzz (the "Burn" channel) with a heavily modded Big Muff Pi (the "Churn" channel), plus a pre-fuzz delay modulated by an internal LFO and envelope follower. Hand-built in Mumbai by Animal Factory Amplification and debuted at Superbooth 2025.

Here it's sculpting the Korg Monologue's aggressive analog voice into fuzzscapes, drones, seasick vibrato, and pitch-shifted square-wave chaos. Recorded dry — no EQ, no reverb, nothing but the pedal and the synth. Drums from an MFB Tanzmaus (not processed)

🎛 SIGNAL CHAIN
Korg Monologue → Animal Factory Dirty Mirror → interface"

Animal Factory Dirty Mirror Fuzz on MFB Tanzmaus | Dual Distortion Delay Jam

video upload by Animal Factory Amplification

"Use headphones or speakers with good bass! Dual fuzz chaos meets beat-driven synthesis! Watch the Animal Factory Dirty Mirror transform the MFB Tanzmaus drum machine with creative distortion and delay manipulation. This is pure experimentation—no tutorial, just sonic exploration.

Gear featured:
Animal Factory Dirty Mirror Dual Fuzz Pedal
MFB Tanzmaus Drum Machine

Not just a shoegaze and noise rock machine - the Dirty Mirror is the perfect fuzz for musicians exploring wall-of-fuzz sounds, experimental synthesis, drum machine effects processing, and unconventional gear combinations."

"The Dirty Mirror takes these two behemoths of sonic perversion and adds an extra layer of nasty – using the core circuit of our Coma Reactor Eurorack module.

This three footswitch, 15 knob pedal looks complicated – but it’s not:

The BURN Channel (left side) is based on our Chemical Burn circuit, a nastier FY-6 variant.

The CHURN channel (right side) is based on a heavily modded Big Muff Pi.

There is a short delay circuit before the fuzz circuits.

Both the fuzz circuits can switch between the input sound, 100% wet delayed sound or a blend of wet and dry.

The fuzz circuits are then mixed in parallel into a high-headroom output section.

For added sickness, the delay time can be modified by an envelope follower or LFO.

Choose your filthy reflection – from straight dual parallel fuzz textures, to seasick vibrato to long slow quasi-chorus phasey apocalyptica.

The delay can be used on its own for slapback, chorus and vibrato effects.

Yes, it can get very noisy.
No, you can’t do anything about it - so weep in pain and pleasure, and submit to the swarms of square waves that joyfully fill your room."

SynthFest 2018 - Synclavier History by Jean-Bernard Emond

video upload by SynthFest France

This one is in via Jean-Bernard Emond. Click CC at the bottom of the player for subtitles. This is an older video from 2018 but still interesting. This is also a good reminder that SynthFest France 2026 is happening this weekend: https://www.synthfestfrance.com.

"I invite you to revisit my short 2018 talk (33 minutes), still relevant today, on the history of digital synthesis—specifically FM synthesis. It covers everything from the NED Synclavier to Yamaha’s FM machines, and ends with the audio engines from the Hal Alles family tree (ATT Bell Labs), starting with the Alles Synth, then the Crumar GDS, and finally the DKI Synergy."

Jean-Bernard Emond also sent in the following links:

The latest on WaveFrame’s AudioFrame: https://mustudio.fr/2026/04/17/waveframe-corporation-audioframe-2/

"And another previous piece on audio in NeXT computers, especially focusing on what was developed at the IRCAM and CCRMA research centers: https://mustudio.fr/2024/06/21/sound-on-the-next/"

UVI made a virtual AudioFrame previously featured here.

See the WaveFrame label below for a handful of posts on the site.

Roland Alpha Juno-1 SN 721051

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Seventy Three Records Music Store

via this eBay listing

"Here's a great way to get that classic Roland Juno sound without spending a ton of money.. this Roland Alpha Juno-1 49-Key Programmable Polyphonic Synthesizer 1985 is in good working condition in and out. No operational nor sonic issues. Looks great too! See all pics. AWESOME classic \ synth that certainly deserves the Juno title. Great pads, brass, basses, leads, bells and more! Just a wicked synth at a great price!"

CLICK FOR MORE »

Mos-lab Main cabinet (Emu modular)

video upload by MOS-LAB

"Here’s a quick demo of my MOS-LAB EMU modular main cabinet driven by the Tangram Sequencer.

Apologies for the image quality — the room is quite dark, and filming aluminum panels is always tricky due to light reflections on the surface, which makes it hard to capture them properly on camera.

Still, you’ll get a good idea of the sound and workflow. More videos (with better lighting!) coming soon.

Enjoy!

👉 Available to order:
https://www.mos-lab.com"

New Kodamo Mask1EX MK2 Bitmask Synthesizer ~ Jade Vine Limited Edition

video upload by Kodamo

"The Mask1EX desktop synthesizer is back, with new looks and new features! Mask1EX MK2 offers 14-voice polyphony with two Bitmask oscillators for each voice - Bitmask Synthesis is exclusive to all Kodamo's Mask synthesizers, it produces a wide range of unique tones by using a single number as parameter. Mask1EX MK2 also has built-in effects, a looper, an arpeggiator and much more."



"It is back, with a totally new design, more powerful than ever! The Mask1EX is a desktop synthesizer that you can use with your keyboard, DAW, sequencer or any other gear with MIDI. Like other Mask synths, it is based on our exclusive Bitmask synthesis technology which generates up to 512 different waveforms for oscillators. It offers 14-voice polyphony with two Bitmask oscillators per voice and 2x2 parts of multi-timbrality (two parts of single or dual layered voices). Each part comes with stereo effects to make the sound warm and rich, plus a master effect with delays and reverbs. Like the Mask1 keyboard, the Mask1EX MK2 offers an incredible playing experience with its dynamic articulation system. Try the slurred, poly-mono and hybrid modes, they add a new dimension to keyboard playing, changing how the sound behaves as you play legato, staccato, neighbor notes or wider intervals.

Mask1EX MK2 is powered by USB-C and is extremely efficient with 1.5W of power consumption, which makes it easy to power by a battery, laptop or smartphone. USB supports class-compliant Audio and MIDI. We also included good old DIN MIDI ports for compatibility.

Mask1EX MK2 offers high-end features at a fair price, with balanced stereo outputs, 200 memory slots for your own sounds, 377 factory presets, full CC mapping of all synthesis parameters, customizable velocity and aftertouch curves, and a lot more.

Inspiration does not wait, so we optimized the Mask1EX MK2 to be extremely quick at startup, it starts in 0.5 seconds. Press ON and play! And it remembers the last sounds you used.

This Jade Vine limited edition gets you a stylish turquoise steel enclosure and a colorful front panel.

Your unit is fully assembled by hand in France, except for surface-mount electronics.

What's in the Box:
Mask1EX MK2 synthesizer

Printed quick start guide (refer to MASK1's user manual for detailed operation)
USB Power supply with EU, UK, US/CA/JP and AU/NZ plugs. If you have no matching plug for your country, you have to use your own power source. Any phone charger or device with USB port will work.

USB-A to USB-C cable"