TOM-1501 Soviet Analog Synthesizer - Restored Beauty

video upload by LFOstore

"Russian synths are awful and making terrible harsh and strange sounds?

If you think so, then this will surprise everyone who is familiar with those synths. This is really fat, warm, beautiful sounding real analog, preset string machine.

It's a string machine with 5 preset sounds: Piano, clavesin/Harpsichord, Alto, Violin and Brass.

Alto and Violin are exactly same sound but violin is one octave higher than alto, so you can make "string orchestra" sound.

Mainly I discovered this to be like Crumar Orchestrator/Multiman-s clone. Piano and clavesin/harpsichords are pretty identical sounding, but... Strings aren't typical "Italic" sounding which can be found on all crumar and some others string machines, Neither european (solina) or american (Moog opus) sounding.

They are Unique! They are Fat! They are Warm! They are very beautiful sounding strings. Well... comparing to others, solina is the closest sound to it.

Brass is also pretty identical to Crumar Orchestrator, but it have identical filter from Crumar Performer (very weak resonance). Too bad because in orchestrator it could make such a great sweeps, but this cannot do same. But the cutoff is powerful.

Also, this string machine isn't commonly available. I don't know how many was produced, but the original retail price was $1500!!! So maybe this is indeed very rare, uncommon at least. These were made about in middle or end of 80's.

See these virtual soundsheet of Crumar Orchestrator and peformer. The sounds of Orchestrator's piano and clavesin/harpsichord and brass is identical to this TOM-1501. And the filter from Crumar performer is also identical."

Creative Eurorack Distortion & How To Use It // HEAD BANGER from Setonix Synth & Robots Are Red

video upload by DivKid

"Distortion has been an essential tool for my music making for most of my life, whether that was playing guitar, working with synths in amps, re amping synths and production stems through pedal FX or smashing mixers, tape machines and other gear I've always found it fascinating and with the options to CV control distortion in modular it's even better!

Head Banger from Setonix Synth & Robots Are Red takes the Swedish Death Metal sound of the Boss Heavy Metal pedal, heavily re vamps it for a wide range of input sources, adds CV control and a creative feedback path and presents itself in Eurorack form. While the name and styling lean on the metal heritage it's been interesting to find a subtler warmth and crunch, synths in tube amp like tones and blown out noisy cassette style grunge for more ambient music.

There's a 5% off code for sales of Head Banger at https://www.setonixsynth.com/ with code HEADBANGER5. If you're a Patreon supporter there's an exclusive 15% off code for you at / divkid"

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The Crow Hill Company Adds Roland CR-78 Based RHYTHM MACHINE to VAULTS

video upload by CROW HILL

"Step back to 1978 and discover the iconic Roland CR-78, the first programmable drum machine that changed the way artists approached rhythm. Before the 808 and modern drum machines, the CR-78 gave musicians the power to create and store their own drum patterns. In the hands of artists like Phil Collins, Peter Gabriel, and Blondie, it became iconic. For this Vault, we’ve preserved the much-loved character of the CR-78 and expanded its sonic potential with some tasteful effects."

https://thecrowhillcompany.com/free/

Press release follows:

The Crow Hill Company creates …RHYTHM MACHINE as latest free VAULTS… VI, preserving vintage classic’s character while expanding its sonic potential

EDINBURGH, UK: The Crow Hill Company is proud to announce availability of VAULTS - RHYTHM MACHINE as its latest VI (Virtual Instrument) release ready for all to download and make music with for free for the rest of their lives — literally preserving Roland’s 1978-vintage CR-78 CompuRhythm’s classic character as the Japanese giant of electronic musical instrument manufacturing’s first programmable drum machine (that changed the way artists approached rhythm and, in doing so, stamped its musical mark on a number of notable hit records that subsequently secured its iconic status in the annals of music technology history for all eternity), effectively expanding its sonic potential with some tasteful effects as a result — as of October 1…

Far from stretching the boundaries of truth, it is fair to say that the introduction of Roland’s CR-78 CompuRhythm changed the course of history as the first computer-controlled programmable drum machine. Most rhythm machines before its late-1978 introduction were preset-only affairs, forcing their users to pick from the likes of ‘Bossa Nova’, ‘Rock’, and ‘Waltz’ — more in keeping with the home organ-orientated terminology of the time. The CR-78, however, offered something new — namely, an ability to program rhythm patterns and store them in memory using the external WS-1 programmer optionally offered by Roland. Indeed, its 14 onboard instruments include bass drum, cymbals, hi-hats, rimshot, snare drum, and tambourine alongside several Latin-type sounds, such as bongos, claves, and cowbell — all generated using analogue circuits, giving it a distinctly warm, punchy character. Thanks to the CR-78’s analogue nature, though, the tempo control is not exactly surgical, but this foible only adds to its charm. And, as history has borne out, when placed in the creative musical hands of Blondie, Phil Collins, Peter Gabriel, and others, it became an iconic instrument in its own right.

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GAMECHANGER Launches the MOTOR Pedal

You can find demos in previous posts here.

Check with dealers on the right on availability and price.

Press release follows:

"Gamechanger Audio Officially Releases the MOTOR Pedal

Electromechanical sound. A gas pedal for your guitar. The ultimate analog noise-machine.

Riga, Latvia – September 29, 2025

After years of development and anticipation, Gamechanger Audio is proud to announce that the MOTOR Pedal is finally available to the public. First teased as a wild experiment back in 2019 and reintroduced earlier this spring as a pre-order, the MOTOR Pedal is now shipping worldwide—bringing a completely new category in sound and performance machines to guitarists, producers, and sonic explorers everywhere.

At its core, the MOTOR Pedal is built on two groundbreaking technical achievements:
A fully controllable musical motor oscillator that transforms brushless DC motors into living, breathing sound sources.
An proprietary monophonic pitch-tracking engine that follows guitars and virtually any instrument with surgical accuracy.
These breakthroughs were forged over years of experimentation. From 2019 to 2022, Gamechanger Audio developed and released the MOTOR Synth MKI and MKII—the world’s first polyphonic synthesizers to use electric motors as vari-speed oscillators. More recently, the company perfected pitch tracking with its acclaimed AUTO Series pedals, released late 2024 The MOTOR Pedal builds directly on these innovations, fusing them into a compact stompbox—creating a powerful, unpredictable, and endlessly fun performance tool.

And in true Gamechanger style, it’s not just about the sound. The MOTOR Pedal introduces a completely new way to control it: a real acceleration foot pedal. This gas-pedal-style controller turns dynamics, pitch bends, and rhythmic sweeps into something you literally drive, delivering an adrenaline-fueled approach to expression that no other stompbox offers.

“Back in 2019, the original MOTOR Pedal was just a spark that set this whole journey in motion - what if we could play MOTORS as Oscillators!?” says Gamechanger Audio founder Ilya Krumins. “Since then, through the MOTOR Synth MKI and MKII and the AUTO Series, we’ve gone deeper and deeper into the world of electromechanical sound. At this point, we feel like we know pretty much everything there is to know about making music with motors and the MOTOR Pedal is the culmination of that knowledge, and the most fun, immediate and accessible way to experience it.”

Key Features:
● Real electromagnetic motor oscillator driven by precision pitch tracking
● Gas-pedal controller with five modes - for dynamic, physical expression
● Hybrid electromechanical + digital signal path for unique textures - five MOTOR engines - each with unique sound
● Compact form factor built for pedalboards, studios, and live rigs
● Replaceable motor block for extended lifetime and serviceability
● Powered by Gamechanger Audio’s MOTOR Synth (MKI & MKII) and AUTO Series technology

The MOTOR Pedal is now shipping worldwide from www.gamechangeraudio.com and with selected dealers world-wide.
The MOTOR Pedal is priced at 399 USD and 399 EUR (incl. VAT) respectively.
For more details, demos, and ordering information, visit www.gamechangeraudio.com."

BE A BETTER MODULATOR // Understanding Eurorack Modulation with the Thonk TRIPLE MOD

video upload by DivKid

"In this video we’ll break down how common types of modulation for sound synthesis work, how to make the most of them creatively and musically. We’ll do so while demoing the new Triple Mod DIY module from Thonk. Whether it’s creating multi-phonic layered patches needed multiple envelopes, understanding how a Turing Machine works and performing with it, understanding and making Sample & Hold melodic, creating chain reactions with EOC ‘end of cycle’ triggers … there’s lots in this video applicable to LOTS of other modules."

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Oberheim DMX 8-Voice Drum Machine

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"The Oberheim DMX is a classic digital drum machine introduced in 1981 by Oberheim Electronics. It became one of the most iconic drum machines of the early 1980s, particularly influential in hip-hop, electro, and pop music

🔧 Key Features:

12-bit digital samples: The DMX used actual sampled drum sounds stored in EPROM chips, giving it a realistic, punchy character that distinguished it from analog drum machines like the Roland TR-808.
Sounds: It included individual samples for kick, snare, hi-hats, toms, cymbals, claps, cowbell, etc. The samples could be swapped out using different EPROMs.
8-voice polyphony: You could play up to 8 drum sounds at once.
Individual outputs: Each drum sound had its own output jack, allowing for separate processing and mixing.
Swing and quantization: The DMX had adjustable swing, making its grooves feel more human.
Tight MIDI sync and clocking: It could sync with other gear via MIDI (on later models), DIN sync, or analog clock pulses.
Sequencing: Patterns and songs could be programmed in step or real-time mode, with memory for multiple patterns and songs.

🎧 Sound Character:
Punchy and dry, with a distinctive ’80s sheen.
The snare and clap are especially famous—used heavily in early rap and electro.
It had a more realistic, “studio drummer” feel than analog machines, making it ideal for producers aiming for a more polished sound

This unit has a toggle and button on top and button which we are not sure of the function. Never used it."

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Elektron Officially Introduces Tonverk

video upload by Elektron

You might remember Tonverk mentioned in previous posts here.

"We are delighted to introduce Tonverk. A machine primed for adventure. An instrument to propel you towards extraordinary music-making and boundless sound exploration. It is packed with 16 varied tracks full of polyphony, multisampled instruments, auto sampling, never-ending routing possibilities, a mass of FX options to play with (including plenty of newcomers), deep modulation, an extended 256-step sequencer, and lots more fun features to get stuck into. All in one special box."

Check with dealers on the right for availability.

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Roger Linn: The King of Drum Machines

video upload by Jack Pearson

"This is the story of Roger Linn, a guitarist from Los Angeles whose innovative sample based drum machines changed the sound of music forever.

Special thanks to Roger himself for featuring my video in the September Linnstrument newsletter (https://myemail.constantcontact.com/L...) and on his website (https://www.rogerlinndesign.com).

I first learned about Roger a few years ago while making a film called “The History of Sampling in Music” [below]. While I didn’t know anything about Roger at the time, I was astounded to learn that he had created both the LinnDrum and the MPC, which shaped the punchy robotic drums of 80s pop music and the grungy experimental grooves of 90s hip-hop respectively. I did a quick bit of research about him for my video, but didn’t really dig much deeper than that… However, a few months ago I decided to rewatch my old project, which reignited my interest in Roger’s story and gave me the idea for this video.

Like my previous project, I’d initially planned to write a script and do a voice-over, but after discovering the assortment of recorded interviews that Roger has already appeared in, I realised that I could just chop them up and have Roger tell his own story. I thought 'hey that sounds pretty cool, how hard could it be?'

Well, let’s just say I’m probably never going to do something like this again. I did enjoy making this and I am proud of it, but if I had just done a voice-over not only would it have been easier to make, but I also could’ve included a lot information without it feeling incredibly clunky. The initial cut was about 26 minutes, but I cut out loads of stuff for the sake of pacing and trying to stick to narrative beats. Roger is a fascinating guy with a lot of great anecdotes though, so if you enjoyed this video then I highly recommend you seek out some of the podcasts/interviews he’s done over the years.

I planned on making all the music for this film myself, but decided it would be better to use music that relates to Roger in some way (for example, he co-wrote 'Promises' by Eric Clapton and 'Quittin’ Time' by Mary Chapin Carpenter, and first used the LM-1 Drum Computer on the Leon Russell album 'Life & Love' which featured the track 'One More Love Song'.) I salvaged one of these demo tracks for the credits, but you can listen it and a few more scrapped tracks here:

Jack Pearson · RL:TKODM (Credits Music + Demos)

Since you’ve read this far, here’s a few bonus Roger facts that got cut out of the video:

The LM-1 was featured on the best selling album of all time - 'Thriller' by Micheal Jackson, as well as other early 80s hits like 'Maneater' by Hall & Oates, 'Valerie' by Steve Winwood, and for some reason - the original 1983 Thomas the Tank Engine theme song.

Roger hired his friend, a professional session drummer called Art Wood, to record most of the sounds on the LM-1. They set up the kit in Roger’s closet, recording each of the drums one at a time… then called it a day. Given the popularity of the songs featuring these recordings - Art Wood is technically one of most prominently featured drummers of all time.

And here's two bonus facts about this video:

The title 'The King of Drum Machines' is a quote from the father of MIDI - Dave Smith, when he spoke about Roger and the Tempest drum machine (which they built together) on a Sweetwater panel in 2015. [below]

This video was released on Roger’s 70th birthday.

I hope you enjoy it!" The History of Sampling in Music (2022)

video upload by Jack Pearson

The Inventors of Synth (Roger Linn, Dave Smith & Tom Oberheim) - Sweetwater Gearfest 2015

video upload by Sweetwater

"Join Mitch Gallagher as he moderates 'The Inventors of Synth' panel discussion at Gearfest '15. Featuring industry icons Dave Smith, Tom Oberheim, and Roger Linn discussing their thoughts on the past, present, and future of analog synthesizers and controllers.

Legendary synth designer and Grammy-winner Dave Smith was the founder of Sequential Circuits in the mid-'70s. His Prophet-5, the world's first fully programmable polyphonic synth, was the first musical instrument with an embedded microprocessor. Dave is also known as the driving force behind the development of the MIDI specification. He has continued to innovate, and recently unveiled his latest synth creation, the Sequential Prophet-6.

A pioneer of the synth and MIDI world, Tom Oberheim co-designed the Synthesizer Expansion Module (SEM), a device that allowed musicians to simultaneously combine live playing and sequenced playback - a concept that pre-dated the MIDI revolution. In 1981, he, along with Roland's Ikutaro Kakehashi and Sequential's Dave Smith, developed the MIDI spec, which changed the course of modern music. Tom recently re-released his famed Two Voice synth.

Technical Grammy award-winner Roger Linn invented the LM-1 Drum Computer (the first sample-based drum machine) in 1979. He later designed the Akai MPC60, which combined a sampling drum machine with a real-time MIDI sequencer. His guitar effects unit, AdrenaLinn, has been used on hit recordings by John Mayer and Red Hot Chili Peppers. In 2014 he released the LinnStrument, an expressive MIDI performance controller."

Voices For Bob: Drum machine & synth pioneer Roger Linn recalls meeting Bob Moog

video upload by moogfoundation

"Roger Linn is an innovative engineer, designer, and musician best known for creating the LinnDrum, one of the first drum machines to use digital samples of real drums. His groundbreaking instruments helped define the sound of 1980s pop, hip-hop, and R&B, and he later co-developed the Akai MPC series, a cornerstone of modern beat-making. Linn continues to push boundaries with expressive instruments like the LinnStrument.

In this video, Roger shares a story about meeting Bob Moog at NAMM.

Roger Linn Design: https://www.rogerlinndesign.com

Synthesizer pioneer Bob Moog passed away on August 21, 2005. Throughout the month of August, we will share an informal remembrance video series, Voices for Bob, featuring musicians, technologists, innovators, and colleagues as they remember and reflect on Bob's indelible legacy.

Help us carry Bob's legacy forward to inspire future generations through the intersection of science, music, history, and innovation. Support our work by doing one (or all) of the following:

🌐 Visit the Bob Moog Foundation: https://www.moogfoundation.org"

Quantum cloud installation or the future of music

video upload by errorinstruments paul tas

"The Future of Music – In the Vision of Paul Tas

Imagine a future where music isn’t something you listen to, but something you create—not with instruments, but with sound itself.

Not songs. Not tracks. But pure, raw, living sound.

This is the vision behind Quantum Cloud, a prototype sound installation and device. It’s not about listening to pre-made music. It’s about building your own sonic world—100% personalized, created in real-time, with machines and light.

Quantum Cloud: A New Kind of Sound Machine

Developed by Error Instruments, this is a highly experimental modular synthesizer—part sculpture, part sound lab. Built around four light-controlled oscillators, it responds to light and to itself. The oscillators can motivate, influence, and synchronize with each other. It includes a unique echo effect, adding depth and motion to your sonic exploration.

This is not just an instrument. It’s a sound experience.
• Patchable and modular
• Fully interactive
• Designed to evolve and inspire
• Meant for the curious, the creators, and the dreamers

Whether placed in your home as a sound sculpture or built at a DIY workshop, the idea is simple: sound becomes yours.

You don’t play music—you create your sound.

Affordable, Experimental, Accessible

We are developing a Do-It-Yourself kit for under €200. You can build it at home, or join a workshop and dive deep into experimental sound-making.

This is just the beginning.

If you’re interested in being part of this sound revolution, contact:
📧 studiopaultas@hotmail.com
🌐 www.errorinstruments.com"

Oberheim Perf/x COMPLETE SET OF 5 Cyclone Navigator Systemizer Strummer Drummer

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

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Making Nuclear Music with Hainbach

video upload by Anthony Marinelli Music

"Join me for a rare opportunity to step into the incredible world of Hainbach at his studio in Berlin—filled with vintage nuclear test equipment he’s brilliantly turned into musical instruments… and plenty of other wild synthesizers!

Hainbach is known for making haunting, immersive soundscapes using everything from lab gear to tape loops to modular synths. His music feels like it's from another dimension—organic, rich, hypnotic and totally captivating. In this video, I explore his unique setup and we dive into a completely new palette of sounds together. It was inspiring to see how he breathes life into machines that were never meant to make music… and to try my hand at making "nuclear music" myself.

If you're into experimental sound design, synths, or just curious how scientific gear from the Cold War can become part of modern composition—this is something you’ve got to see (and hear)."

https://anthonymarinellimusic.com

Roland TR-909 Rhythm Composer [SN 381594]

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"It was released between 1981 and 1984 as the successor to the TR-808, and its unique textured sound can still be heard today in sound sources by a wide variety of artists.

Today's rhythm machines, synths, modules, and software sound generators also feature the 909 sound, making it an indispensable essence for production.

It is the classic sound of machine drums. It is truly a masterpiece of a rhythm machine.

Compared to the TR-808, which uses a full analog sound source, the 909 uses a PCM sound source with 6-bit sampling for the cymbal system.

This hybrid approach is inherited from the TR-808 in terms of the thick kick and toms produced by the analog circuitry, while digital sampling is used for the cymbals.

The unique "that" hardware sound by low-bit sampling. This distinctive sound and the TR-REC sequencer helped solidify its position. House and techno are genres spawned by the 909's sound, and might not have existed without it."

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Introducing ASM Manager : Walkthrough Tutorial

video upload by ASM Ashun Sound Machines

"The ASM Manager is a software librarian designed to ease organization of your Hydrasynth patches as well as updating your Hydrasynth firmware.
For more information please head to Ashunsoundmachines.com
The new ASM Manager is a dedicated desktop application designed to simplify how users interact with their Hydrasynth. It replaces the original Hydrasynth Manager with a refreshed interface and smoother workflow, making sound management more efficient and intuitive.

Features include:
• A redesigned, user-friendly UI
• List View for streamlined patch browsing
• Patch Sorting by name, category, and color
• Search by patch name
• Color tagging directly within the browser
• Organize Favorites
• Integrated Hydrasynth Updater for simplified firmware installation
• Export of patch banks as Microsoft Excel® list files for easy referencing

Whether organizing sound libraries, performing updates, or customizing Favorites, ASM Manager enhances everyday interaction with Hydrasynth."

Update: press release follows:

Ashun Sound Machines heightens Hydrasynth experience with new ASM Manager app and Firmware 2.2 update

LOS ANGELES, CA, USA/HONG KONG, CHINA: music hardware brand Ashun Sound Machines (ASM) is proud to introduce the new interaction-simplifying ASM Manager desktop application alongside the stage and studio reliability-improving Firmware 2.2 update for its critically acclaimed line of Hydrasynth digital wave morphing synthesizers — effectively enhancing their performance and usability in the process of doing so — as of May 15…

As a dedicated desktop application designed to simplify how users interact with their Hydrasynth, ASM Manager replaces ASM’s original Hydrasynth Manager with a refreshed UI (User Interface) and smoother workflow, making sound management more efficient and intuitive. Incorporated features include LIST VIEW for streamlined patch browsing; sorting by Patch name, Category, and Color; searching by Patch name; color
tagging directly within the browser; organising by Favorites; integrated UPDATE DEVICE facility for simplified firmware installation; and EXPORT LIST of patch banks as Microsoft Excel® list files for easy referencing. It is fair to say, then, that ASM Manager enhances everyday interaction with Hydrasynth — whether organising sound libraries, performing updates, or customising Favorites.

Firmware 2.2 focuses on performance enhancements, improved system stability, and adding seamless compatibility with ASM Manager. Indeed, it ensures that every Hydrasynth model delivers consistent and reliable operation on stage and in the studio. Since the original Hydrasynth Keyboard and Hydrasynth Desktop debuted in 2019, followed by the flagship Hydrasynth Deluxe and compact Hydrasynth Explorer in 2021, the Hydrasynth family has earned a reputation for its sonic depth, expressive performance capabilities, and forward-thinking interface. Its latest updates continue to refine that foundation.

Acting as a fresh source of inspiration to accompany its introduction of the new interaction-simplifying ASM Manager desktop application alongside the stage and studio reliability-improving Firmware 2.2 update, ASM is offering Hydrasynth Special Edition Patch Bank as an exclusive collection of 128 new patches created by some of the top sound designers in the industry. It showcases the expressive power and versatility of the Hydrasynth engine, covering a wide range of sonic territory from ambient textures to bold, playable leads, and is available to download — from here: https://www.ashunsoundmachines.com/downloads — for free, ready to import into ASM Manager itself.


Hydrasynth Keyboard, Hydrasynth Desktop, Hydrasynth Deluxe, and Hydrasynth Explorer are available to purchase via ASM’s growing global network of dealers/distributors (http://www.ashunsoundmachines.com/dealers) at a MAP (Minimum Advertised Price) of $1,299.00 USD; $799.00 USD; $1,799.00 USD; and $599.00 USD, respectively, and a MSRP (Manufacturer’s Suggested Retail Price) of €1,899.00 EUR; €1,119.00 EUR; €2,499.00 EUR; and €789.00 EUR, respectively.

The Firmware 2.2 update is available for free for owners of all Hydrasynth models; for further information on installation and what is included, download the Firmware 2.2 Pack — including ASM Manager, a changelog, and a Quick Start Guide — from here: https://www.ashunsoundmachines.com/downloads

1968 RA Moog Modular IIIC

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"A 3-cabinet authentic, period correct all RA Moog modules system that dates from 1968.

This instrument forms a part of the RL Music Vintage Synthesizer Collection. We have managed to keep some of the very best examples of Vintage Synthesizers that have come through our business over the last 22 years which we kept for our pleasure and interest. Whilst having a privileged position as a specialist dealer in this genre of equipment, we managed to hang on to particular instruments that were interesting and inspiring. The RA Moog Modular IIIC is one of 40 instruments we have, but is the oldest and most historically important.

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Futureretro SWYNX Available in Extremely Limited Quantities & Other Updates / Tariff News

via Futureretro

Futureretro Swynx available in super limited quantities ONLY through our online store.

Using recently found old stock parts, Futureretro has built and is offering the long out of production SWYNX in super limited quantities (less than 10 units available). These use the same chassis, circuit boards, and parts as the original run (knobs are slightly different) and serves as a test for a possible re-introduction of the unit into the Futureretro catalogue in the near future.

The Swynx is a sync box that converts incoming MIDI messages to MIDI clock, DIN sync, CR-78 clock, and Analog clocks. In addition, the Swynx provides the ability to swing the timing of all these clock outputs and select different time signatures in real-time with the front panel controls, and can also act as a CR-78 pattern programmer. After you try it in your setup, you will realize just what you've been missing. For instance, many DIN sync devices do not provide a built-in swing function. And many MIDI sequencers and drum machines suffer from poor implementation of swing, preventing changes to be made live, or only providing swing for 4/4 patterns. Quite a few MIDI sequencers don't offer any swing function, including our own 777 and Mobius products. Now you can apply swing to any MIDI sequencer, and select new time signatures as well Need to sync your analog sequencer or arpeggiator with MIDI gear? No problem! Not only can you do so, but now you can swing the timing of those devices as well. You can even use the analog clock output to Gate the envelopes in a synthesizer. The clock duty cycle is 50% of a note duration. If you are a Roland CR-78 owner, you may have realized finding a WS-1 or TS-1 to program the CR-78 is next to impossible. The Swynx can replicate the programming capabilities of these units, plus provide sync to MIDI, and realtime swing adjustment. The ability to add swing to the CR-78's preset patterns alone will breathe new life into this old friend. The Swing value is accurate to 0.5% providing much more control resolution than is typically found in sequencers and drum machines. The Swynx provides 12 different time signatures to choose from. Some time signatures are duplicate, but provide different shuffle patterns for that time signature. Time signatures include 9/8, 7/8, 6/8, 5/8, 2/4, 4/4, 8/4, 3/4, and 6/4. The Swynx is all about making the gear you have sound better!

Swynx Features
Converts MIDI messages to MIDI clock, DIN sync, CR-78 clock, and analog clock
Can be used as a CR-78 pattern programmer
Control over the swing amount
Swing - 50% - 75% (0.5% resolution)
Time-signatures include 9/8, 7/8, 6/8, 5/8, 2/4, 4/4, 8/4, 3/4, and 6/4

No more NEW Vectra units will be sent out to stores after this month.
We have a very small order to fill with one US Store that will be filled by the end of May. After that, we will be out of Vectra parts and do not plan on restocking the product. The build time and cost is too excessive for us to continue this unique product. If you are wanting a Vectra and have not yet ordered a unit, the time to get them is now. Please check with your favorite stores for availability.

The 777
Many have asked, many are waiting and wanting to know details. ALL we can say at this point is that this product has been sent back to engineering. The 777 project has been a major undertaking and while close, seemingly minor issues have been exaggerated by parts availability. We continue to work towards this goal but no further information is available.

Furthermore, NO NEW manufacturing can be put in place until tariff issues are worked out.

Cre8audio Introduces Boom Chick Analog Drum Machine

video upload by Cre8audio

Timing is Everything // Boom Chick Hatches just before Easter!

video upload by Starsky Carr

SMALL BUT CAPABLE! Cre8Audio Boom Chick analog DRUM MACHINE & Assembler MIXER review

video upload by BoBeats

Press release follows:


April 8, 2025 – Cre8audio proudly introduces Boom Chick, an innovative pure analog drum machine that blends the inspiration of classic drum machines with cutting-edge analog circuitry and fresh design concepts from Pittsburgh Modular Synthesizers. Boom Chick fuses expressive percussion voices with an advanced, addictive, and intuitive sequencer, offering deep rhythmic exploration for modern musicians and producers.

Revolutionary Analog Percussion

Inspired by the hands-on playability of legendary drum machines, Boom Chick delivers the warmth and character of classic analog percussion while embracing new, forward-thinking design. Its knob-per-function interface ensures effortless jamming and fine-tuning, making it a truly immersive drum machine for musicians seeking an organic, tactile beat-making experience. Whether crafting intricate grooves or pushing sonic boundaries, Boom Chick delivers raw, dynamic, and powerful sound.

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Moog Grandmother is a Drum Synth. Analog Patches Sound Demo

video upload by Anton Anru

"Drum Synth is a collection of 25 patches for the semi-modular Moog Grandmother, featuring 5 Kicks, 5 Snares, 5 Cymbals, and 10 Percussion sounds.
This is my fourth soundset for Grandmother, and this time, I wanted to explore its potential for percussive timbres.

📦 Get these sounds: https://antonanru.sellfy.store/p/gran...

🥁 Inspired by the character and sonic qualities of analog drum machines, I set out to recreate similar tones on Grandmother. Its analog oscillators, filter, and punchy envelope provide a solid foundation for deep, warm, and saturated drum sounds, while the patching capabilities open up a broad spectrum of sonic possibilities—ranging from FM and metallic tones to wooden, modular, noisy, and experimental textures.

🎹 Try different keys and octaves—the same patch can take on entirely different roles across a 3-4 octave range. If precise pitch is required, use the FINE TUNE control on the back panel, as modulation can shift the overall tuning.

🎛 One of Grandmother’s biggest advantages for percussion is the ability to finely tweak parameters and use the ModWheel for expressive control—something not possible on traditional drum machines. With real-time modulation and parameter adjustments, a single preset can generate dozens of variations, making each performance dynamic and unique.

💾 That's exactly what I did. I recorded hundreds of one-shot samples from each patch, capturing different pitches, durations, and tonal variations.

Alongside the 25 patches, you’ll also receive 678 percussive one-shots in WAV format (44.1kHz/24-bit): 188 Kicks, 105 Snares, 112 Cymbals, 273 Percussion sounds.

📖 The soundset comes in a PDF format, with each page explaining how the patch works, which parameters to tweak, and how to develop the timbre during a performance. If you follow these guidelines and experiment with the suggested settings, you'll gain deeper insight into the synth and its full potential.

🗄 Each patch includes an audio example to illustrate the intended sound.
To recreate these patches, you’ll need up to 8 patch cables.
Additionally, make sure your Grandmother is updated to firmware v1.1.3 or higher to access all necessary settings.

Contents:
00:00 KICK Raver, SNARE Rift, Cym Snake
00:57 CYM Lighter
01:31 KICK Storm, SNARE Lock
02:34 KICK Pusher, SNARE Amperage, CYM Function
03:22 PERC Skip
04:07 KICK Maze, SNARE Hazard, CYM Tangle
04:41 PERC Ceremony
05:12 KICK Wooden. CYM Jar, SNARE Feel
05:46 PERC Rack Tom
06:21 PERC Lithium
06:55 PERC Fir
07:29 PERC Bridge
08:03 PERC Oak
08:37 PERC Cent
09:11 PERC Sticker"

"Dissolve Into The Sound" | 110bpm Laid-Back Beats 😎

video upload by Electronisounds Audio

"I've been super busy lately making new sound banks for Electronisounds.
It's been quite a while since I've made some actual music, so I put together this live track based around the Electribe ESX-1 and Polyend Step (the machines I've just finished new sound banks for).

Here's what each device is doing in the setup:
Electribe ESX-1 - Dub Chords, Bass, Percussion
Eventide Micro Pitch Delay Pedal - Processing extra Dub Chords from ESX-1 output 2
1010 Blackbox - Vocal samples
Polyend Step - Main drums
Arturia MiniFreak - Synth pad
Polyend Tracker Plus - Percussion loops, FX noises, more Dub Chords and extra textures
Roland TR8s - Ride cymbal, shaker, snare layer

Whatever kind of music you are making - KEEP IT UP, Friends!

Don't stop making *YOUR MUSIC*!! ---
▼CONNECT with me / SUPPORT creativity and good content▼
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters"

ARTURIA Introduces DrumBrute Impact 1984 | Defiant analog sound

video upload by Arturia

"Introducing DrumBrute Impact 1984, a limited-edition analog drum machine that fuses a timeless look with a beefy, Brute-powered sound. With per-voice color controls, built-in analog distortion, and polyrhythmic sequencing - craft raw, punchy rhythms with ease."

Press release follows:

"The DrumBrute story began in 2016, marking Arturia’s entry into fully analog drum machines. Designed to deliver raw, unapologetic drum sequences for producers and performers alike, the DrumBrute legacy lives on and will soon be available with an iconic new design.

Today, Arturia released the DrumBrute Impact 1984. The same powerful 10-voice analog drum machine, reimagined in a timeless off-white finish. DrumBrute Impact 1984 merges in-your-face analog percussion with a polyrhythmic 64-step sequencer and modern-sounding appointments in a compact, instantly satisfying beat-making machine.

_Defiant analog sound
DrumBrute Impact 1984 is a drum machine for demanding musicians who crave raw power and monstrous tone. Tweak the Color, slam the Distortion, push the Polyrhythms further than ever before. Are you ready to make an impact?

_Brute-powered sound
From crisp, quantized hits to unquantized jamming, DrumBrute Impact 1984 adapts to your style. With multi-out, MIDI, and sync – it also adapts to any setup.

Its aggressive, tweakable sounds pack serious attitude, giving your tracks a powerful edge. Each drum voice is enhanced by the programmable 'Color' function, adding unique flair to every beat.

Redesigned look
DrumBrute Impact 1984 features a bold and nostalgic design that combines vintage-inspired aesthetics with modern functionality. Its striking off-white color makes it a standout addition to any setup.

Performance-ready
DrumBrute Impact is made for live performance, providing instant control over all sound parameters as well as features like Step Repeat, Pattern Looper, and Mute/Solo groups for evolving rhythms and enhanced expressiveness.

Powerful connectivity
With four separate audio outputs, DrumBrute Impact 1984 is a connectivity powerhouse. It syncs seamlessly with setups like Eurorack, vintage Roland gear, Korg Volcas, DAWs, and MIDI devices."

Check with dealers on the right for availability.

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