"Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop... and then you realize: You can't find your way out of the chaos you've created!
The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever...
Doepfer will be showcasing the above new modules at SUPERBOOTH25. Details on each follow. Check with dealers on the right for upcoming availability.
Module A-119-2 is kind of a dual version of module A-119 without envelope follower. Instead two amplifiers are available and the module width is 4 HP only.
The module contains two amplifiers with separately adjustable amplification levels. Each channel is equipped with an overload display. The module can be used also for stereo signals, e.g. the stereo output of a smartphone.
Controls and displays:
Level 1/2: manual control of the amplification in the range 0 - about 45.
Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)
In 1: audio input 1 (monophonic or stereophonic, see technical details)
In 2: audio input 2 (monophonic)
Out 1/2: audio output (monophonic)
Technical details:
for higher amplifications the two amplifiers can be daisy-chained
normalling options: the signal applied to socket In 1 can be normalled to socket In 2 in different ways by means of a jumper on the pc board:
socket In 1 is connected via a mono patch cable (standard patch cable) to a monophonic signal and this signal is normalled to socket In 2 (i.e. the same input signal for both sub-units): jumper on pin header JP2 in upper position
socket In 1 is connected via a 3.5 mm stereo TRS cable to a stereophonic signal and the second channel of the stereo signal is normalled to socket In 2: jumper on pin header JP2 in lower position
no normalling: jumper is removed from pin header JP2
all inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.
"This project made by Benjamin
(https://buttondown.com/BenjaminPoilve) is a pocket-sized instrument that allows anybody to create nice sounding chord progressions. While it is very simple in its usage, it has a lot of musical capabilities. There is an online interface to customise the preset sounds.
21 main chord buttons, divided in 7 column of 3 buttons; 1 "sharp" button (on the top left). Each column of the main chord buttons is associated to a note of the C Major scale. It is indicated by the letter on the first row of buttons.
Each row of the main chord button is associated to a chord type:
the first row will produce major chords; the second row will produce minor chords; the third row will produce 7th chords. By following the row and the column of each button, we can identify the specific chord associated. Here is the full table of the chord available by the push of a single button
The harp touch zone is divided in 12 different section, stacked vertically. Touching each section will trigger a note. Notes can be held by keeping the contact with the section.
This touch zone can be "strummed" by sweeping the finger across all sections, or individual notes can be triggered.
The preset selection buttons can be used to switch between preset. The minichord has 12 internal preset (see "Default presets"), that can be replaced by custom presets (see "Making custom presets"). Going up after the 12th preset will circle back to the first, same as going down before the first will circle back to the 12th.
The main led will shine with a different color for each preset to help you identify the current selected one.
Each of the three potentiometer has one main function, designated by the marking on the enclosure :
The first potentiometer from the top sets up the volume of the chord section; The second potentiometer from the top sets up the volume of the harp section; The third potentiometer from the top is assigned to a different function for each preset, depending on what is usefull for it.
The rythm mode button (on the top right) has two basic mode:
discrete: the chord only stays on for as long as you keep the relevant button pushed. In that mode, the indicator led will be off. continuous: the chord will keep playing until you push a new button, and seamlessly switch to the next chord. In that mode, the indicator led will be on. Simply push the rythm mode button to switch from one mode to the other. That button may also be used to switch to the arpegiator mode with a long push, but that subject is handled in the "Advanced usage" section.
Charging is done through the mini USB jack available on the buttom right of the minichord. Connection to any USB outlet will do, and it will draw 500ma of current.
When charging, the top right led will shine red.
Full charge should be below 3 hours, and the top right led will shine green once the full charge is attained. Once fully charged, the minichord will play for around 7 hours.
When the battery is getting low, the main led will pulse. Once the pulsing start, the minichord can play for around 15 minutes more. You can play the minichord while plugged in."
Priced at $899.99 USD. Check with dealers on the right for availability.
"The KORG multi/poly synthesizer, inspired by the legendary Mono/Poly, blends the rich, classic warmth of analog sound with cutting-edge digital flexibility. Powered by KORG's next-generation analog modeling technology, it offers a unique mix-and-match multi-synthesis approach, allowing you to combine parameters from classic analog synths like oscillators, filters, envelopes, and portamentos, providing endless creative possibilities for sound designers and musicians alike.
Its Virtual Voice Cards recreate the nuanced characteristics of analog synths, such as Pitch Drift, while advanced modulation options like Layer Rotate (round-robin with Programs), Kaoss Physics (pad gestures for modulation), and Motion Sequencing 2.0 (complex per-voice motion with multi-lanes) enable deep, immersive sound design. Building on the legacy of the Mono/Poly, the multi/poly delivers big, dynamic sounds with modular-derived experimental features, offering an unmatched sound experience that bridges the best of vintage and modern synthesis, pushing the boundaries of sonic exploration.
Music track featured in this video was created using the multi/poly by Natalie Chami aka TALsounds www.talsounds.com"
KORG MULTIPOLY Review // vs modwave & more // 70 presets // multi/poly tutorial
Details follow. (click the pics for full size shots).
"Amazing analog sounds that only digital can provide
Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility.
The original Mono/Poly boasted an unusually rich sound from its four stacked oscillators, as well as unique, experimental features like flexible x-mod and sync routing and round-robin oscillator triggering. Previously only attainable in large modular systems, the Mono/Poly delivered these features in a compact, user-friendly instrument.
Click the auction link on top when you get there for additional listings.
"Rare ARP Quadra in near mint condition.Serviced and working perfectly. Runs on 240V power. Arp Quadras were famously used by Tony Banks Genesis and John Carpenter. Im based in Bristol and arrange delivery to UK and Internationally. Heres some info from about this classic synth on Vintage Synth explorer... The Quadra is pretty much a hybrid version of ARP's Omni II and Solus synths. It's a four-section synthesizer consisting of a Bass synth, Poly synth, Lead synth, and String synth. It is quite good at emulating each of these sounds and can function in any of its four modes at a time with the ability of layering the different sections! Sounds you create in any of the four sections are instantly recalled from memory by the push of a button! There are 16 program patches for storing your sounds. Other major features are the incredible phase shifter, tons of balanced audio outputs for each section, dual portamento controls and a superior arpeggiator...that's pretty good for 1978! On the downside, it has a fragile mylar front panel, very limited programability and a weird feature that autotunes the keys to play weird intervals. The Bass synth section is monophonic and can be programmed to occupy the lower two octaves of the Quadra's 5-octave 61-note keyboard. The bass sounds pretty good and has 16' and 8' presets each for Electric and String Bass sections. The string section is based on the Omni II String synth. It sounds excellent and implements a phase-shift effect that is sort-of like a chorusing effect that thickens its already great string sound. In Polyphonic synth mode there are more effects available such as sample-n-hold and the phase-shifter. String and Poly Synth sections have 8' and 4' Polyphonic Waveform Generators each along with a preset called Hollow Waveform. In Lead synth mode the Quadra becomes a two voice screamer with aftertouch sensitivity in the upper octaves of the keyboard! It's duophonic (like the Odyssey). Get a bass sequence going, switch over to another section and play along! The Quadra is a synthesizer well suited to live performance use and has been used by 808 State, ELO, Genesis, The Human League, Pink Floyd, New Order, Nick Rhodes (Duran Duran), Joe Zawinul, and film-maker John Carpenter."
"We are delighted to announce the release of Digitone II. Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights. Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machine - Wavetone, Swarmer, FM Tone and FM Drum - or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.
Pricing on elektron.se is 999 USD/1049 EUR." Check with dealers on the right for availability.
"Digitone II is a 16 track, 16 voice polyphonic synth capable of unleashing dimensions of exciting sonic possibilities, all framed in a modular workflow. There are multiple forms of digital synthesis to explore, offering deep sound-sculpting satisfaction. Here, Hissquiet and Jeremiah Chiu take turns guiding your eyes and ears around the awesome new features and exceptional sounds on offer.
Digitone II is available to purchase from the Elektron website or from retailers carrying the Elektron range of products. Pricing on elektron.se is 999 USD/1049 EUR."
Check with dealers on the right for availability.
User videos (use the player controls to skip around):
Playlist:
Digitone II - a look into a Preset Pattern - tubesockor
Elektron Digitone II (it is fun + can get really weird). - Sarah Belle Reid
Review: DIGITONE II vs OG Digitone // Everything new in Elektron's Digitone 2 // Detailed tutorial - loopop
DIGITONE 2 - First Track! - True Cuckoo
Details:
16 track polyphonic digital synthesizer Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Digitone II unleashes layers of exciting sonic possibilities. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights.
Transcend tonal realms Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machines or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron Sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.
Machine by machine Synth machines are your route to generating sound with Digitone II. There are four synth machines to play with, each with their own character and every single one stuffed with tweakability.
Dive into Wavetone, a fresh take on the classic 2-oscillator synthesizer. Morph between oscillator shapes, add phase distortion and oscillator modulation, or define with precision the flavor of your noise. Take the buzz to the next level with Swarmer. A super saw-in-origin cluster offering lots of waveform control across the swarm. Pick your shape, combine detune and noise modulation controls, and reach rich, complex textures. FM Tone is the original Digitone FM synthesis engine, and still capable of twisting your sound in all manner of delicious directions. Unleash FM Drum, with heaps of percussive flexibility and fine-tuning on offer to craft your own smacks and booms, and everything in between. And despite the name, capable of melodic magic too.
1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping
We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.
The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.
At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.
Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.
At Machina Bristronica 2024, we caught up with Arran from @archaea_modular_synthesis who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.
Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.
"The P-6 Creative Sampler joins the AIRA Compact gang, packing legendary Roland sampling technology into a compact, user-friendly gadget. Seamlessly blending classic sampling techniques with granular sound design, the instrument features a built-in mic and advanced sequencer in a lightweight, rechargeable package. With a versatile stash of hands-on FX and intuitive controls, the P-6 delivers unparalleled portable sampling power.
Watch Dustin Good dive into the depth of features and connectivity within this mini roving recorder:
00:00 Intro
01:43 Layout
02:05 Sampling Settings
02:41 Sampling Examples
03:46 Chop
04:05 Step Sampling
04:46 Granular
05:39 Pattern Sequencer
06:47 FX
07:24 Resampling
07:56 Connectivity/AIRA Compact Series"
Check with the dealers on the right for upcoming availability.
Details follow:
KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.
Tutorial 1: Getting Started video upload by Qu - Bit
00:00 Introduction 01:18 Let's get started with Clock modes, Rate, Gen triggers and how to get grains moving. 02:36 Other ways to trigger grains? Hello, Gen Modes! 03:36 SIZE! 04:26 Don't forget to shut the window. Or, maybe open it? 05:04 Speed: Wait, we can pitch-shift grains? 05:39 Zone: Grains from the present and the past. (Too fun.) 06:35 The relationship between Distribute and Structure. 08:02 Take control of quantization with Sky modes. 09:06 I want my grains to jump around! Drift is your friend. 09:37 Whirl creates a universe in stereo. No, really. 10:03 TWO end-of-chain effects - Feedback and Reverb! 11:17 TWO freeze functions! 13:02 Dune: Mojave's unique CV/Gate output 13:38 Oh, we didn't tell you there's a mic on Mojave? 14:33 Patch Example - "Gypsum" 15:00 Patch Example - "Mic-Check" 15:56 Patch Example - "Interstellar Beats" ___________________________________________
https://www.qubitelectronix.com/
Press release follows:
SAN CLEMENTE, CA, USA: Q-Bit Electronix is proud to announce availability of the Mojave module as its latest Daisy platform- based Eurorack entry — effectively kicking up a granular sandstorm as a live granular processor drawing inspiration from vast swathes of its American Southwest desert namesake by using microscopic bits of audio to create beautifully-crafted sonic landscapes while reinventing the way we interact with sound, seriously backing up the self-proclaimed ‘Future Coast’ modular synth-maker’s philosophy of building bespoke devices that push the boundaries of design beyond what is presently possible in the process — as of October 10…
It is fair to say that Mojave is a stereo live granular processor at its creative core, but, in reality, it is capable of so much more — not least when being pressed into play as a stochastic event generator. Mojave makes it possible for explorative users to patch together feedback-driven glitch textures or compose harmonic symphonies from a single droning oscillator. Other possibilities include creating a granular delay or scrubbing a locked audio buffer to create time-stretching effects — and all directly from the front panel of this 14HP-wide module.
Mojave can — in many ways — behave exactly like other granular processors, but what sets it apart in this realm is its ability to take complex granular manipulations and make then accessible to even the most novice of users. “Our first module ever was Nebulae, a granular looper; we've always wanted to do a fully-committed, live granular processor but with a ‘New-Bit’ twist,” confirms Qu-Bit Electronix CEO — and company co-founder — Andrew Ikenberry. Indeed, that ‘New-Bit’ moniker really reflects the company’s collective internal name for its new design philosophy of focusing on hands-on, approachable devices that leave room for users to push their own technique and explore sound design in new ways.
With this in mind, Mojave is no exception to this rule; for its front panel includes the fundamental controls for generating and manipulating grains — themselves the tiny building blocks of granular synthesis. Adjust a grain size, shape, and generation rate while also having control over the grain pitch, the position in time where the grain grabs audio, and the audio playback direction. Though these controls are essentially found in any granular processor, they only scratch the surface of Mojave’s potential.
Put it this way, then: the key to Mojave’s magic resides in the controls at the centre of the module. The two larger knobs there are absolute attention-grabbers — and for good reason, providing aleatoric grain manipulations in exciting, unquestionably ‘Qu-Bity’ ways. Turn the distribute knob to add rhythmic displacement to the grain rate; depending on which Mojave mode is selected, distribute’s displacement can either be asynchronous movements through time or quantised ratchets, repeats, and rolls that liven up the simplest of rhythms. Representing the flip side of the granular coin, as it were, the structure knob adjusts each grain’s pitch within a defined system. structure can — at its smallest setting — provide subtle semitone pitch changes, perfect for thickening up a sound, creating chorus/flanging effects, and more. But by turning up structure beyond halfway, Mojave begins to sing. structure starts to play through a quantised scale, introducing arpeggios and trills as the knob ventures further up; with the grain size large enough for grains to overlap, Mojave effortlessly transforms into a polyphonic sound generator — regardless of input.
Said structure knob and its rate (speed) neighbour are connected to Mojave’s Sky Mode — itself selected using the button in between distribute and structure — that determines what scale Mojave is quantised to. The default modes include major, minor, and chromatic scales, as well as the aptly-named, non-quantised Twilight Mode. Moreover, each mode will be fully customisable — alongside a host of configurable settings — within Narwhal, Q-Bit Electronix’s module web app (https://narwhal.qubitelectronix.com/) for custom settings.
Since Mojave boasts true stereo I/O, it includes a couple of controls that emphasise this characteristic. drift does exactly as its name implies; it drifts the grains through the audio buffer, and the more the knob is turned, the more Mojave begins to slip into the past, grabbing random bits of audio from both signal channels to fill its grains. An adjacent whirl control provides random stereo panning to each generated grain; the more this knob is turned, the more frequent and wider the grains are panned, creating huge stereo sounds from any sound source — stereo or monophonic.
Mojave has more than one way to inject sound into its granular sandstorm, speaking of sound sources. Indeed, it even has an onboard, high-quality MEMS (Micro- Electro-Mechanical System) microphone that is positioned just above its USB port; simply removing any patch cables from Mojave’s audio inputs makes the microphone active, ready to pick up any acoustic audio! Try talking or singing into Mojave — or even play an acoustic instrument in a live setting — to bring granular flair to compositions.
Clearly, then, Mojave is primarily designed for live granular processing, yet users are afforded an ability to not only freeze the grains in place for glitch stutter effects, but they are also able to lock the audio buffer in place, thereby using Mojave as a granular buffer scrub; Mojave — at the right settings — can even mimic the time- stretching effects of its bigger granular sampler and DSP (Digital Signal Processing) platform sibling, Nebulae, now benefitting from v2.1.2 firmware itself. It is worth noting here that future firmware updates and alternative firmware for Mojave are accessible via its USB drive.
Meanwhile, Mojave’s granular engine can generate a plethora of audio effects that will transform any sound. Saying that, Q-Bit Electronix even included one final end-of- chain control to add some sparkle to an already dazzling device — namely, the gust knob. Which way it is turned determines control over either an internal feedback loop designed to tear grains apart in the best way or a lush reverb effect to fill the voids between the audio — alternatively, granular-textures-into-a-wash-of sound-morphing.
“Mojave is the module that’s gotten me excited about patching again,” admits Andrew Ikenberry, alluding to its configurable dune CV/Gate output and more connectivity besides, before enthusiastically continuing towards a natural conclusion: “There is something to be said about designing individual aspects of a module, not fully knowing how each part will interact with another; as such, Mojave has created sounds that I’ve never heard before, and it’s this journey into the unknown that — as a designer — gives me the opportunity to sit down and discover every corner of this amazing device along with everyone else.”
1. Generator v1 // Generative Ambient // Sequential Pro 3
"Some say that it is a modular system within itself and well, it is amazing all the modulation options with the Mod matrix. I started with a generative patch and progressively added modulators to the modulators, on an Eurorack kind of way to (hopefully) make a more interesting pattern.
The sequencer is on paraphonic mode with 3 independent lines on random mode, over G minor and D minor chords."
2. Opening // Sequential Pro 3, Elektron Digitakt, Guitar
This track to me sounds like the opening of a horror show or a thriller.
Nearly a year since the last of these videos. Many proyects and a kid after I can sit and play again, make little pieces with no objective in particular.
Pro 3 is mostly holding a chord with its sequencer moving the filter cutoff around as well as other parameters. On the Digitakt I have loaded a bass line and sparse notes from Pro 3, as well as the usual stuff. Small improvisation on a Minilogue xd off camera, and towards the end I activate the Arp Latch to continue playing. The push is controlling the Arturia Pigments on a preset that reminds me pretty much to the Binding of Isaac's soundtrack.
4. Dark Drones for darker times // Sequential Pro 3
We will never learn from the mistakes of the past, there is always a minority who will jeopardize everything we fight for every day...
5. Ambient Glitches // Digitakt + Sequential PRO 3
Love making these glitch beats to build pieces on top. The Sequential Pro 3 is so good for these genre!
Also, shining lights.
6. NEW SYNTH DAY // Sequential Pro 3 + Digitakt + Pigments
"I finally took the plunge and got one of my dream synths, the Sequential Pro 3. A mono/paraphonic beast that makes every other synth I've owned look like a toy. The only complaint is that I didn't go for it much sooner. Of course one of the first things that I had to do was to put it to work in conjunction with the Elektron Digitakt. Of course they get along great. There are several sounds like the pluck and the sub bass that come from Arturia Pigments, the first improvised with the Digitakt chromatic keyboard, and the second sequenced. There is also a choir sound from Ableton Live sequenced from Digitakt. The beat in Digitakt has a "hidden layer" with conditional triggers assigned to the fill button, which triggers a sub kick, as well as several extra percussive sounds. The first of many videos with this keyboard. Enjoy."
[Note: you can find additional user videos futher below]
"The Roland S-1 Tweak Synth is a powerhouse micro polysynth that merges the legendary tones of the SH-101 with futuristic tools for the modern creator. Get reacquainted with the snappy bass tones and expressive leads brought to life in exquisite detail by our Analog Circuit Behavior technology. Then tap into a world of new creative possibilities with expanded four-voice polyphony and an array of innovative features, including cutting-edge wave manipulation, advanced sequencing, and unique performance features.
In this video, Dustin Good dives into the S-1 features, capabilities, sounds, and more.
0:00 – Introduction and Overview
1:32 – Sounds
2:01 – Basic Sound Design
2:35 – OSC Draw
3:13 – OSC Chop
3:44 – Riser
4:06 – Effects
4:33 – Sequencer
5:06 – Sub Steps
5:36 – Probability and Motion Recording
6:25 – Arpeggiator
6:54 - Performance Tools – Step Loop, Transpose, D-Motion
7:53 - Connectivity and Portability
Build from square, saw, sub, and noise oscillators and mono, poly, unison, and chord modes. Craft custom waveshapes with OSC Drawing. Dice sounds with OSC Chop to produce a labyrinth of overtones and metallic timbres. And use the noise oscillator as an independent riser to add sweeps and pulsing sound effects for transitions and dramatic effect.
Bring programming and performances to life with a 64-step sequencer, motion recording, and D-Motion. And humanize patterns with Probability, ratchet tones with Sub Steps, and create on-the-fly fills with Step Loop.
Sync the S-1 Tweak Synth with the rest of the AIRA Compact gang for a highly jammable micro-studio in perfect sonic symphony. Chain them together or connect with MIDI gear, computers, and music apps to expand your setup. Just power on, hit play, and go with the flow."
Pre-order at a dealer of your choice. See the dealers on the right.
"Next-level synthesizer voice with a novel engine for additive wavetable synthesis
Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn.
"Hello. The new Embodme Erae Touch MIDI controller is in my heart. This young and small French company is challenging the industry with something that works and flows incredibly well. I love it.
Chapters: 01:33 Getting Started 02:14 Changing MIDI channels without the editor 02:55 Changing MIDI octave 03:09 Selecting layouts 03:37 Sequencer Layout 03:58 Erae Lab, the editor, the idea 04:48 Erae Lab, overview 05:24 Make a keyboard on a designated MIDI channel 06:16 Turning off pressure, glissando and such… 07:25 Setting the keyboard to the Auto Channel 08:41 Analog Rytm octave limitations 09:07 Bass keyboard 09:27 Creating a key pad for the kick drum 10:29 Introduction to Styles, button animation 12:58 Duplicating and setting up MIDI per element 14:14 Changing colours 15:29 Finalising and trying the layout 16:38 Fine tuning colours 17:03 Introducing the ALT layout 18:15 Creating an alternate layout for drum sticks 19:40 Push the layout to the Erae Touch 20:11 Turning off MIDI clock receive on the Rytm 21:10 I'm not a drummer, but let's play!"
"Excellent condition considering the age and rarity of these units. Sounds awesome and is highly playable and tweakable, making it easy to dial in the perfect clap sound.
The Simmons Digital Clap Trap was used on many hit-records of the 1980s and is becoming an increasingly rare collector’s item. Perfect for interesting clap sounds and noise hits, this hard to find Simmons piece does the trick. This version of the Simmons uses a sampled clap plus noise that is controlled/manipulated by an analogue circuit. Can sound pretty realistic, or not if you push the settings.
The Clap Trap allows you to balance between a clap and noise sound. Pitch and decay adjust for each sound. Very nice sound and surprisingly useful for such a straight-forward device. You can trigger it from an external trigger or audio input, manual trigger button or use the auto-trigger mode (with adjustable speed). The humanizer feature alters the pitch of successive claps. To hear the humanizer effect in action, use the manual trigger and play it very quickly."
A few details and pics via their Kickstarter campaign follow.
"In December 2020, thanks to Kickstarter contributors, we achieved a successful campaign for Anyma Phi, the compact desktop monophonic physical modelling synthesizer. Six months later, we delivered it to our contributors.
Since then, we listened to the users feedback and worked on a more powerful and full featured instrument: Anyma Omega. Based on Anyma Phi synth engine, we designed Anyma Omega, a powerful hybrid polyphonic and multitimbral synthesizer. Its physical modelling synthesis engine allows to create new sound universes inspired from the real world, where objects collide, vibrate, and resonate.
Anyma Omega comes in two versions: desktop and keyboard, both including a large display and many controls, with unique sensitive wooden surfaces to feed resonators and enhance expression.
Whether you play live or compose music in the studio, design your own sounds or play presets, Anyma Omega will become a flexible and original addition to your setup.
PHYSICAL MODELLING
Anyma Omega blends the classic ingredients of electronic music with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.
POLYPHONY
16-notes polyphony with all the richness of Anyma's synthesis engine.
MULTITIMBRALITY
4 sound parts splitted, layered or even chained.
EXPRESSIVE PERFORMANCE
Proven Fatar® velocity sensitive semi-weighted synth action keybed with aftertouch for musical and expressive playing.
Numerous controls to enrich the performance and unique sensitive wooden surfaces (ribbon and touchpad) to feed resonators and enhance expression.
EASY EDITION
Easy access to 14 macro parameters controlling the main characteristics of patches.
Tweak every parameter of every module with the large display and controls, unleashing the power of a semi-modular synth at your fingertips.
Direct access to the various modules thanks to the interactive synthesis path diagram.
ALEAGEN
Create aleatory consistent patches, by pushing a single button, based on smart random algorithms.
POLYMORPH
Beyond polyphony, the exclusive PolyMorph feature can provide extra width, density and depth to the sound: fine-blend panspread, unison, expression and morphing for every single note.
TUNING AND MICROTUNING
With Anyma Omega you can use any scale or tuning to make your sound travel all around the world and the eras.
Explore our multiple microtuning presets. You can also load Scala (.scl) or Anamark (.tun) files in Anyma Omega by converting them to MIDI Tuning standard (MTS) format. In addition to importing and exporting tunings, there are several options that can be used to define and edit tunings directly on the instrument: reference tone adjustment, 12-tone octave scale, tuning table for each note and n-EDO scales.
CONNECTIVITY
With a lot of input and output ports, Anyma Omega easily connects to all the machines, synths and controllers. It is compatible with any standard MIDI controller, including our own electronic wind instrument: Sylphyo.
Plug external audio and use Anyma Omega as a powerful modular FX processor.
FREE EDITOR / LIBRARIAN
Free multi-platform editor/librarian inherited from and compatible with Anyma Phi's sound bank. Organize, archive and share your Anyma patches and performances.
Based on the Anyma Phi monophonic and monotimbral sound engine, Anyma Omega is polyphonic and multitimbral. Play up to 16 notes simultaneously and combine up to 4 sound parts (individual patches) in a performance. Route audio signal from one part to another to create monstous patches.
Anyma Omega Desktop provides an advanced user interface, making the use of an external editor quite unnecessary. We kept the macro parameters matrix of the Anyma Phi available, now available simultaneously thanks to the big TFT IPS color display and its 16 push encoders."
Featuring a dual complex oscillator characterized by simple and clear operation and uncompromised sound
Designed as an instrument that can be built, exolored and learned
DO IT YOURSELF! EUPHORIA is only available as a DIY-project and was designed to be built by passionate builders. It consists of fourteen individual circuit boards that are mounted on one controller board
MAIN FEATURES
TWO ANALOG OSCILLATORS
Two Voltage Controlled Oscillators with classic waveforms, waveshapers, sub-octaves and a noise source. Convenient sliding potentiometers for volume control of the waveforms. Based on the famous CEM3340 chip and a newly developed wave-shaping tone generator.
TWO SEQUENCERS
Play notes with a 5-STEP trigger and CV sequencer and an additional 4-STEP CV sequencer. Transpose and change the length of a sequence, control the tempo via CV, add swing or sequence manually with the push of a button.
OSC MIX & VARI BOARDS
Seamlessly blend the oscillators manually or by CV. Insert external audio and pass it through the Filter or internal Reverb. VARI BOARDS are interchangeable boards, each offering a different functionality. Choose the VARI BOARD that meets your requirements.
DUAL LPG, VCA & ADSR
Each oscillator is processed by a filter-based low-pass gate (PLG) and both are optionally routed through an internal AC-coupled VCA. Use the internal ADSR envelope to shape and express your sounds.
MODULATION & TOOLS
Get your sounds moving with the internal CV-controllable LFO and the Buchla 281e-inspired function generator. Multiply, invert and amplify your signals with a buffered multiple and an additional DC-coupled VCA.
This one was spotted and sent in via M Me. See this post for some pics of the matching CM-64, and CF-10.
Goolish description:
"This is a very cool and ultra-rare MIDI controller. It comes with everything shown in the photos, including the instruction manual, original box and power adapter. It is in excellent condition and each membrane button is fully functional.
The user can program MIDI chords, even ones that are very difficult to execute, with a simple push of a button or two. It can also be used for live performances, especially if you're a crap keyboard player like me. I mostly play guitar!
The leftmost slider can be mapped to the following: control Scope Pan modulation bender After touch Just press the button between the list of destinations and the slider. simple stuff.
The rest is very self-explanatory. Just look at the front panel. It's pretty much one button per function."
Adam Berzowski gets a first look at the Casio CT-S1000V Portable Keyboard.
The Casio Casiotone CT-S1000V gives your music a brand new voice: Its own. In addition to hundreds of AiX-powered Tones and full accompaniment Rhythms, CT-S1000V features Vocal Synthesis technology that lets you play your lyrics in real time. Speak or type your lyrics into the free Lyric Creator app for iOS/Android, transfer them to the CT-S1000V, and play the keys to hear your words come alive. Other features include 61 full-size touch response keys, pitch bend wheel, assignable modulation/effects knobs, a powerful speaker system, audio sampler and 6-track MIDI recorder, and strap pins for playing anywhere. CT-S1000V also offers MIDI over USB and an included WU-BT01 Bluetooth MIDI/Audio adapter.
Get more for your money with an exclusive Casio Casiotone CT-S1000V portable keyboard bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new keyboard, all for one low price. If you have any questions, please contact us. Our knowledgeable sales advisors will be happy to assist in choosing the bundle that's right for you!"
Since 1980, Casio's mission has been to help musicians find their voice. Now, Casiotone CT-S1000V gives your music a brand new voice: its own. Along with 800 stunning Tones and many other features, CT-S1000V features vocal synthesis technology that lets you play your lyrics in real time.
61 full-size touch response keys plus pitch bend wheel
Bright backlit LCD display with easy, intuitive interface
3 assignable knobs for controlling modulation, effects, filters and much more
800 AiX-powered Tones and 243 full accompaniment Rhythms
Vocal synthesis with personalized lyrics via the free Lyric Creator app for iOS/Android
Powerful, editable DSP effects
Powerful bass-reflex stereo speaker system with surround effect
Audio sampler and 6-track MIDI recorder
Strap pins for playing anywhere
1/4" line outputs to connect to mixers, PA systems, etc.
Class-compliant USB-MIDI connects to free Lyric Creator app
Includes WU-BT01 Bluetooth MIDI/Audio adapter
Optional 6×AA battery power
Innovative vocal synthesis
Boldly defying convention, Casiotone CT-S1000V does what no other keyboard can do: speak or type your lyrics into the free Lyric Creator app for iOS/Android, transfer them to CT-S1000V and play the keys to hear your words come alive. Choose from multiple vocalist models and adjust age, vibrato, portamento and other parameters in real time. It can produce choirs, robotic sounds, vocoder-like textures and more. You can even create a custom vocalist based on an audio recording.
Keys to the kingdom
Casiotone CT-S1000V features 61 full-size touch responsive keys in a sleek, stylish case that weighs less than ten pounds. The easy-to-read LCD display and intuitive controls give you everything you need to perform and create. Use the pitch bend wheel and modulation knob to add natural (or supernatural) expression to your playing, and use the two assignable knobs to tweak EQ, filter, effects and many other settings on the fly.
The heart of a champion
Casio's AiX Sound Source delivers sound quality that you'd expect from a keyboard costing hundreds, if not thousands more. Power on CT-S1000V and you'll be presented with a dynamic, expressive German concert grand piano placed in a virtual concert hall. The huge collection of 800 Tones also has stellar examples of electric pianos, organs, strings, synths and so much more, with Advanced Tones adding complex layers that react to your playing. A collection of vintage keyboard sounds is also included, featuring recreations of timeless, sought-after keyboard instruments, even classic Casio sounds from its VL, VZ and CZ series.
A world of music to explore
CT-S1000V's 243 full-accompaniment Rhythms make it a perfect jamming partner. Simply play a few notes and it creates an entire backing band that reacts effortlessly to the way you play. The variety of Rhythms spans the globe as well as the history of recorded music, so no matter what kind of mood you're in, your Casiotone is always ready to back you up with vibrant acoustic drums, vintage drum machines, global percussion instruments, rock-solid basslines, horn ensembles, rhythm guitars and much more.
Small size, huge sound
There are four ways to experience CT-S1000V's amazing sound quality at its best. First, the bass-ported stereo speaker system delivers eyebrow-raising punch and clarity throughout the entire volume range. Second, plug in a good set of headphones for personal play. Third, connect the 1/4" line outputs to any amplifier, PA system or mixer. Fourth, push the SURROUND button and the speakers will place you right in the middle of your music.
Production power
Make the world your instrument by using the built-in audio sampler to create custom Tones and drum kits. You can even sample from incoming Bluetooth audio. A 6-track sequencer is always on hand to capture and build your creations.
Free play enabled
Casiotone CT-S1000V fits perfectly into your everyday life. It's also gig-ready, with 1/4" line outputs to connect to amps and PA systems. If you're tired of being tied down, just put in 6 AA batteries, attach a strap and play anywhere. Use the included WU-BT10 Bluetooth MIDI/audio adapter to control other gear remotely, giving you the freedom to take center stage.
Own your sound
CT-S1000V makes it easy to create your own signature sounds. You can layer, split and customize the versatile DSP effects, then save your setups as Registrations for easy recall at the touch of a button.
Connected to your world
The microUSB port connects your CT-S1000V to any Mac, PC, iOS or Android device with no drivers or installation needed. Use the free Casio Music Space app for iOS/Android to learn to learn MIDI songs, play and extract chords from audio files, view PDF scores and more. With the included WU-BT10 Bluetooth MIDI/audio adapter, you can even connect wirelessly to your favorite devices to control them via MIDI, or to use the CT-S1000V as a Bluetooth speaker.
Warp uses a novel hybrid engine that combines the best of additive and wavetable synthesis. With the integrated editor you can playfully draw your own frequency spectra like on a canvas into the colorful XY sound palette. Warp is a feature-rich powerhouse that lets you create all kinds of sounds, from glassy clean to crunchy crunch. Thanks to expressive macro tone controls, extreme morphs are possible in a single pot turn. 
"Excellent condition considering the age and rarity of these units. Sounds awesome and is highly playable and tweakable, making it easy to dial in the perfect clap sound.
DO IT YOURSELF! EUPHORIA is only available as a DIY-project and was designed to be built by passionate builders. It consists of fourteen individual circuit boards that are mounted on one controller board
Since 1980, Casio's mission has been to help musicians find their voice. Now, Casiotone CT-S1000V gives your music a brand new voice: its own. Along with 800 stunning Tones and many other features, CT-S1000V features vocal synthesis technology that lets you play your lyrics in real time.
