6/14/25 (abhorrent) Roland System 100m + Metasonix R-54 + Zerosum Inertia Horripilation + (…)

video upload by Cfpp0

This is the first post to feature the Zerosum Inertia Horripilation.

"6/14/25 (abhorrent) Roland System 100m + Metasonix R-54 + Zerosum Inertia Horripilation + Peavey 1300 + Alesis MIDIVERB II

Some sludgy Sample & Hold. Pamela’s New Workout clocks the Roland System 100m 150 module’s S&H, which sends its clock out to the 140 envelope and its S&H out to both 110 VCOs, both 110 VCFs. The 140 envelope controls both 110 VCAs. The 150 LFO and the 140 LFO also modulate the VCFs on the two 110 modules. The upper 110 runs through the Zerosum Inertia Horripilation module, which is also modulated by the 150 S&H. The lower 110 runs through the Metasonix R-54, modulated by the 150 S&H signal. The R-54 runs through the Peavey 1300 and is panned center. The Horripilation signal is panned a bit left. Both signals receive some room reverb from the Alesis MIDIVERB II."

A Metallic Choir (soundscape) for VCS3, Arp 2600 and Percussion

video upload by R. Reger

"Original piece for analogue synths and percussion."

ARP at 100: The Alan R. Pearlman Celebrates the man behind the ARP Name on his 100th Birthday!

video upload by Alan R. Pearlman Foundation

"ARP@100 is a year-long celebration commemorating the 100th heavenly birthday of Alan R. Pearlman, inventor of ARP Synthesizers, but also a father, husband and futurist.

Join the Alan R. Pearlman Foundation and the world as we celebrate one of the synth worlds pivottal pioneers in musical instruments.

Detals: The history of ARP is one of innovation, of pioneering musical technology, of driving humanity forward, and of a genuine connection between circuits and souls.

There is a growing legacy of incredible music that keeps us going every day..
ARP makes us move. ARP tells us stories. And ARP takes us to new worlds.

As we celebrate the 100th birthday of our namesake, let's talk about the man who changed the world."

https://alanrpearlmanfoundation.org/

ARP 2500 to ARP Chroma Synths - Celebrating 100 Years of Alan R. Pearlman

video upload by Anthony Marinelli Music

"Join me and synth expert Rob Rosen as we honor the 100th birthday of Alan R. Pearlman, the visionary founder of ARP Instruments.

In this special tribute, we explore the evolution of ARP synthesizers—from the iconic ARP 2500 to the advanced Chroma. You'll get a rare, up-close look (and listen) at the panels, sounds, and inner workings of these legendary instruments that helped shape the sound of modern music.

These synths didn’t just make history—they are just as relevant today as they ever were!

Whether you're a synth fan, musician, or just love music tech history, this one’s for you.

Please join the ARP Foundation mailing list to support and stay current with the latest exciting synthesizer related events alanrpearlmanfoundation.org"

ARP@100 Kick-off Event Tomorrow at EMEAPP / Museum of Music Technology

via The Alan R Pearlman Foundation

Don't miss the celabratory T!

Be a Part of the Party! Come to our Live Stream Opening the EVENT AT EMEAPP!

ARP@100 celebrates the life and work of our namesake, the visionary synthesizer pioneer Alan R. Pearlman with the opening of a remarkable exhibition, taking place this Saturday, June 7, on what would have been his 100th birthday. This fundraising event will highlight Alan's groundbreaking achievements and showcase his legendary ARP synthesizers.
How to Attend

IN PERSON: Saturday, June 7 · 7 - 10pm EDT. Doors at 6:30pmIn-person event at EMEAPP in Pennsylvania

On-LINE STREAMING EVENT: Starts at 7:00pm EDT, but if you purchase a ticket and are out of the time zone, you can revisit for up to one month!

Purchase Tickets!

EVENT DETAILS:

The event will include:

An interview with Al's daughter, Dina Pearlman-Ifil, Executive Director of the ARP Foundation

Videos of Alan and his life

Live synth performances by the renowned Robin Hatch, Ombient, and Don Slepian

A virtual tour of EMEAPP's new Museum of Music Technology, and more surprises!

CLICK FOR MORE »

Alchemical by MSTRBLSTR

Also on Spotify: https://open.spotify.com/album/68lqZLDB2ip4ZOfEg4SsmB?si=m3ba1VD-SSO_CLr4j7OIMg

"The electricity of live manipulation breathes through every sequence as MSTRBLSTR transmutes the raw essence of the TR-606, MC-202, and TB-303 into a sonic incantation. Alchemical is transformation in motion: analog breakbeats pulse with crackling percussion, acid squelches growl and evolve, and rhythms dissolve and reassemble like matter through fire. The bassline becomes the bedrock of energy, conjured live in real time.

Credits
Released May 29, 2025
Programmed, performed, mixed, and mastered by MSTRBLSTR at Ill Acid
Additional drum programming: Severed Machines (https://severedmachines.com)

Hardware:

Modified Roland TR-606 (Robin Whittle mods)

Din Sync RE-303

MC-202 w/ Tubbutec 2oh2 mod

Mixers: Boss BX-8, Alice 1228, Boss KM-4

FX: Tapco 4400 spring reverb, TC Nova Reverb & Delay, Korg SDD-1000/1200

Compression: BSS DPR-402, DOD SR-866

DAW: Ableton Live

This is the same setup I used on From Deep.

Backstory
I brought my TR-606 to Ramiro at Severed Machines to install a few long-desired mods: switch replacements, a louder BD via resistor change, and Robin Whittle’s Accent Trigger and post-volume individual outs. He left in a few patterns, including a breakbeat variation that really hit me. That inspired the synth parts. Next thing I knew, I was performing and recording the full track.

Recording Notes
I treat mixers as modular routers. For Alchemical, the Alice mixer’s direct outs went straight into my interface, while the Boss BX-8 worked as a submixer for overdrive and tone shaping. I panned certain tracks hard L/R into separate buses, then re-centered them on different mixer channels. I have owned many delays while the Korg units are among my favorites, the TC Nova is often a go-to for synths: it sounds great, has nice filters, tap tempo, and my favorite feature, easily accessible time divisions Protip: a buffered pedal in front helps them sound better. The Nova reverb is also very playable and has a dynamic ducking mode that helps it get out of the way, if that's what I need.

In post, I swapped the TR-606 kick for a TR-808 sample in Ableton - it just gave the track the weight it needed. There’s also a lone TR-808 clap halfway through. Other than that, what you hear is live with only some minor edits and additional processing.

__________________________________________________________________

For TR-606 lovers: I highly recommend Robin Whittle’s mods: https://www.firstpr.com.au/rwi/tr-606/

The Accent Trigger mod alone is worth it - it adds great performance potential. Robin credited the fix to me, but Ramiro deserves most of the credit. Robin's individual outs (post-volume pot) offer superior performance control and gain staging flexibility compared to the more common pre-pot version."

ARP 2500

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

This appears to be the one previously listed on eBay featured here.

This new listing features additional pics and a new description including a list of the modules.

CLICK FOR MORE »

Pro Synth Network LIVE! - Episode 269, with Special Guest, Dina Pearlman-Ifil

video upload by Pro Synth Network

You can find the autographed ARP Odyssey Signed by Herbie Hancock mentioned in the video on synthCube here.

"Music Technology Discussion with Rob Puricelli, Kent Spong, Andrew Longhurst & our very special guest, Dina Pearlman-Ifil!

We welcome back Dina to the show to talk about the events planned to celebrate what would have been Alan R Pearlman's 100th birthday!

We appreciate your help! All donations via Super Chat, Super Stickers and Super Thanks go directly toward covering the cost of running the channel and making the show run smoothly.

Buy Pro Synth Network Merchandise at https://pro-synth-network-shop.fourth...

---------------------------

Dina Pearlman:
https://alanrpearlmanfoundation.org/
https://alanrpearlmanfoundation.org/d...
@AlanRPearlmanFoundation

Music of the wind: a modular Aeolian harp

video upload by Electrum Modular

"Combine a modular synth with a wind gauge and you get what we might call an electro-aerophone: an electronic instrument that can transform the wind into music … and, in the process, reconnect us to our environment.

On this second trip to the park, I simulate an Aeolian harp with the help of an eight-band, resonating filter bank, a comparator, and an addressable sequential switch.

Previous episode (modular wind chime): • chiming with the breeze: wind as control v... [posted here]

My new album: https://smallchanges1.bandcamp.com/al...

Readings quoted:
Timothy Morton, “Of Matter and Meter: Environmental Form in Coleridge’s ‘Effusion 35’ and ‘The Eolian Harp,’” Literature Compass 5, no. 2 (2008): 310-335
Douglas Kahn, Earth Sound Earth Signal: Energies and Earth Magnitude in the Arts (University of California Press, 2013)
R. Selfridge, D. Moffat, E. J. Avital and J. D. Reiss, “Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models,” J. Audio Eng. Soc. 66, no. 7/8 (2018): 594-607

CLICK FOR MORE »

Moog Muse Firmware v1.4 Update

video uploads by Moog Music

Playlist:

1. Muse | New Global Modulation

In this video, we explore how to access the new global modulation options added to Muse's MOD MAP in v1.4 firmware.

Firmware v1.4 introduces a wealth of new modulation options: six new global modulation sources (two global LFOs, two global envelopes, and two global random trigger sources) and 23 new modulation destinations—including the much-requested ability to modulate every delay parameter, down to each individual character function.

These new options exponentially expand the sound design possibilities on Muse, opening the door to entirely new sonic landscapes and microcosms to explore.

2. Muse | Per-Timbre Sequencer Probability

In this video, we explore how to use the new per-timbre probability options added to Muse's sequencer in the new v1.4 firmware.

While firmware v1.4 expands Muse's sequencer capabilities in many ways—perhaps the most powerful enhancement is the ability to dial in different generative behaviors per timbre. This enables incredibly deep and detailed methods of introducing probability into your compositions, allowing Muse's sequencer to act as an improvisational partner.

Randomness is a powerful tool for adding surprise and movement to your music, and Muse's sequencer offers a compelling way to incorporate interesting musical twists and turns into your exploration of sound and compositional form.

3. Muse | Dynamic Chorus

In this video, we explore how to use some of the new features in Muse firmware version v1.4 to create dynamic chorus and interactive diffusion patches.

Muse firmware v1.4 allows for modulation of all parameters of the DIFFUSION DELAY using the six new global modulation sources. We first look at how to create a basic chorus sound by using short delay times in the DIFFUSION DELAY and modulating the delay times very gently using the global LFOs.

(Note that PITCH-SHIFT should be selected as the time mode in the DIFFUSION DELAY "More" menu to enable pitch artifacts reminiscent of those found on beloved analog BBD or tape delays.)

We also look at how to integrate Muse’s expressive controls, such as the Mod Wheel, keyboard Aftertouch, and Macro knob to control various parameters of both chorusing and diffusion. A twist on our patch uses the global envelope generators to increase the chorusing rate over the duration of our notes, which will function differently depending on if multi-trig is enabled or disabled for the global envelopes.

4. Muse | Fading Modulation

In this video, we explore how to use some of the new features in Muse firmware version v1.4 to create modulation routings that fade over the course of a note’s duration.

Muse firmware v1.4 introduces a handful of new functions to the MOD MAP which allow you to fade in or out a modulation routing over time. We take a modulation routing that uses global LFO 1 to modulate both delay times in the DIFFUSION DELAY and apply the new fade functions to fade the chorus effect over time.

FADE A fades the modulation in from the onset of a note, while FADE D fades modulation out from the start of a note. FADE R sustains the modulation routing for as long as a note is held and then fades it out when notes are released. Finally, FADE AR applies both an attack and release envelope to the modulation, combining our fade in/out behavior into one handy function. For all fading functions, the amount sets the time of the fade from shorter to longer.

5. Muse | LFO Envelope Mode

In this video, we explore how to use the envelope mode added to Muse's LFOs in the v1.4 firmware.

Firmware v1.4 introduces a bevy of new features to Muse, unlocking countless exciting modulation possibilities. LFO envelope mode is one powerful addition that allows the LFOs to behave more like an envelope.

When you press a key, the LFO will run through a single cycle of its waveform and then pause. When combined with some of the unique user waves found in LFOs 1 and 2 (and now global LFOs 1 and 2, as well), envelope mode enables a wide range of new, key-triggered movements to enhance your sound design experience with Muse.

Ornament and Crime V 4.1 ~ Phazerville O.R.N.8 ~ first test Audio

video upload by Ebotronix

Ornament and Crime V 4.1 by Tunefish Modular
Input L : OSC, Ladder Filter, VCA , Delay,
Input R : OSC, Ladder Filter, VCA , Delay,
µVeils,µPeaks, 2x Shades, 2x OC 4.0,
Doepfer , R2m,2x,
Dreadbox Psychosis,
Make Noise ,Maths,
MFB VCA Oscilloscope,
Verbos harmonic Oscillator, Bordun,
Danny Sound Timbre, MM VCA,
Strymon Big Sky MX,controlled by,
ATO Faderbank 16 n , with Midi CC,
Arabian Scale,
22.05.2024
video # 2526

ALAN R. PEARLMAN FOUNDATION ANNOUNCES INAUGURAL CELEBRATION OF THE CENTENNIAL BIRTHDAY OF ARP SYNTHESIZER FOUNDER, ALAN R. PEARLMAN

Press release follows:

ALAN R. PEARLMAN FOUNDATION ANNOUNCES INAUGURAL CELEBRATION OF THE CENTENNIAL BIRTHDAY OF ARP SYNTHESIZER FOUNDER, ALAN R. PEARLMAN, JUNE 7 AT THE MUSEUM OF MUSIC TECHNOLOGY

Kingston, NY - May 20, 2025 - This year marks the 100th birthday of the late inventor of the ARP synthesizer, Alan R. Pearlman. In honor of his pioneering innovations in electronic music, the Alan R. Pearlman Foundation will launch ARP@100: A Centennial Celebration of Alan R. Pearlman’s Legacy with EMEAPP at the Museum of Music Technology. A gala event kicks off a year’s worth of commemorative ARP centennial activities and takes place at EMEAPP, located in Harleysville, Pennsylvania, from 7 -10 pm.

June 7th Centennial activities at the museum include:

A live interview with the ARP Foundation’s director, Dina Pearlman-Ifil

Video excerpts from musicians, former ARP employees, and filmmaker Alex Ball’s celebrated ARP films

Performances on vintage ARP instruments by music pioneer Don Slepian and modular synthesist Ombient

The ability to try out a variety of synths

EMEAPP will unveil, at its Museum of Music Technology, a haven of vintage ARP history in which visitors will encounter an epic collection of ARP synthesizers, including the majestic ARP 2500 and a rare, early ARP 2502 with a cherry drop matrix. The iconic ARP 2600 Blue Meanie will be proudly displayed alongside an array of other ARP classics: the versatile Quadra, the expressive Soloist series, multiple iterations of the legendary Odyssey, the innovative Avatar, the powerful Chroma, the punchy Axxe, the compact Little Brother, and even a remarkable 16-Voice Electronic Piano – many of which will be playable!

Countless composers, musicians, and filmmakers worldwide have incorporated the ARP 2500 and ARP 2600 into their work, including early adopters Pete Townsend (in the “Who’s Next” album) and Elton John (in “Funeral for a Friend”). Stevie Wonder, an early adopter of the 2600, had his control panels labeled in Braille. The ARP 2600 was also responsible for the voice of R2-D2 in Star Wars films, and the 2500 was used to communicate with aliens in Close Encounters of the Third Kind.

Alan R. Pearlman’s legacy as an engineer and inventor began at an early age. A fascination with sound occupied his interest, and he spent time as a child building amateur radios. In 1948, as a student at Worcester Polytechnic Institute, he wrote, “The electronic instrument’s value is chiefly as a novelty. With greater attention on the part of the engineer to the needs of the musician, the day may not be too remote when the electronic instrument may take its place as a versatile, powerful, and expressive instrument.”

Attendees may reserve a spot at this exclusive celebration and fundraising event with a tax-deductible donation of $150 per ticket. The contribution includes complimentary wine/beer/other beverages, a selection of snacks, and a swag bag. Parking is Free.

The Museum of Music Technology/EMEAPP is located at 45 Mainland Road, Harleysville, PA 19438, just a short drive from the PA Turnpike Lansdale exits."

Autographed ARP Odyssey - Signed by Herbie Hancock

via the Alan R Pearlman Foundation:

"The man himself, Herbie Hancock, has graciously signed an ARP Odyssey in support of the Foundation. This full-size Odyssey was generously donated and assembled by Korg USA.

Herbie signed this Odyssey at the Hollywood Bowl while busy on the Chameleon reunion tour. We are always thrilled to have Herbie's support, and we're excited to offer a lucky player the opportunity to see his blessing every time they power on their new synth.

Learn more at synthCube."

Listed at $3,900.00

New GRP A10 Flagship Synthesizer Incoming

These in via John L Rice.

Left: front panel layout.

Below: PDF with full details. Click on each pic to zoom in.

Update: "The Grp A10 will cost €10,000* plus VAT and will be available at the end of 2026."

CLICK FOR MORE »

Bootsy Collins’ Home Studio is a Funk Wonderland

video upload by Reverb

"Bootsy Collins has one of the most distinct bass sounds in all of recorded music and his home studio, the Boot Cave, is where Bootsy workshops his tones and records his records. Whether its the piles of effects pedals, Bernie Worrell's legendary synth setup, or the hordes of priceless memorabilia; Bootsy's Boot Cave is a treasure trove of unbelievably cool gear.

Check out more at https://bit.ly/43di8vS."

Synth spotting comes in at 10:17.

The following drum machines, synths, and a Hammond B3 are featured from 21:25:

KORG Rhythm 55
Kawai R-50
Yamaha RY30
Maestro Rhythm King MRK-2
Moog Minimoog
ARP Pro Soloist
ARP String Ensemble
Hammond B3
Yamaha DJX
Yamaha DX100

The Unsettled Mind: Settled (soundscape) for Arp 2600, VCS3 and Tibetan Bell.

video upload by R. Reger

Befaco Goodness at Superbooth 2025

via Befaco

Dear friends,

Superbooth is coming. Oh man, indeed its coming!!! We are ultra excited (even more than usual) to be in Berlin this week, share a couple of million beers with you all and show you what is cooking at Befaco labs!

Oneiroi Pods. We just released the Oneiroi Pod packs and will take a few configurations with us. Microphones, external gear and MIDI control are the few possibilities we will explore with the demo pods we are bringing! If you did not checked how extremely gorgeous they look, click here.
New 1U modules are coming! We are deeply involved in this lil' sexy mini-format and plan to keep releasing more and more modules to fill the gaps in those 7U cases that are out there in the wild!

We have a couple of pedal integration modules: Pedal Pow and Pedal S/R: A power supply for pedals and a send return interface. As well as a Phono pre amp to connect your vinyl player!

Price and release date to be determined. But we aim for cheap range at the end of summer! Check pictures here!

We are located in the forest, among friends and with plenty of space to share a drink and chat. Pass by to say hello and check things out!!

All the very best and hope to see you soon!

Manu!

CLICK FOR MORE »

Elka Rhythm-Machine - Ultra Rare Analog Drum Machine made in Italy in 1975!

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

You can find a demo of one here.

"Super rare, mid-70s Italian gem! Great rhythms and independent control of the volume of the sounds (as with the Elka Drummer One) make it useful as well as a curiosity.

It has 16 types of rhythms that can be combined (maximum of 2 together at a time):

• Slow R. • Waltz • Tango • March • Paso D. • Swing • Rock • R. Blues • Shake • Afro • Beguine • Samba • Mambo • Rhumba • Cha Cha • Bossa N.

The front panel includes 2 main controls: Volume and Tempo Speed.

Then 8 sound generators are built in, these are: Bass Drum, Conga, Bongo 1, Bongo 2, Claves, Snare Drum, Maracas, Cymbal. To adjust the overall sound-balance an eight-channel mixer is provided. This is where the machine comes into its own, the percussion simulation is excellent!

In many ways this is a smaller version of the Elka Drummer One, and a stand-alone of the beat boxes Elka were building into their organs at the time. It's all analogue and the sounds are certainly in the same vein as the Drummer One, if not identical, and, as with other Elkas, the superior rhythm programming is again in evidence.

Super collector’s item! Due to the small number of units made and their limited distribution area, at present it’s really difficult to find one of these small pieces of vintage drum machine.

The Rhythm-Machine is super rare, even in Italy - which is its country of origin - you can’t find one like this! If you buy it, you are going to have in your hands a real treasure!"

CLICK FOR MORE »

KORG ELECTRIBE R MKII SN 000193 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

CLICK FOR MORE »

Dina Pearlman-Ifil, the ARP Foundation and life in synths and music

video upload by CatSynth TV

"We are pleased to present an in-depth conversation with Dina Pearlman-Ifil, executive director of the Alan R. Pearlman Foundation. We talk about the foundation, its mission to preserve the legacy of Alan R. Pearlman and make his instruments available to new generations of musicians, and the exciting events surrounding Pearlman's centennial this year. We also delve in Alan R. Pearlman's early interests in music technology, the musical questions that inspired the first ARP instruments, and Dina's own journey in music and creativity.

To find out more about the Alan R. Pearlman foundation, including their newsletter, upcoming events, and how to contribute, please visit their website:

https://alanrpearlmanfoundation.org/

00:00 Introduction
00:34 About the Alan R. Pearlman Foundation
06:40 Events planned for Alan R. Pearlman's centennial
13:24 How to learn more about the foundation and subscribe to the newsletter
14:27 Alan R. Pearlman's early and formative years with music and electronics
20:47 Op Amps and Analog Computing
25:04 Exploring electronic music and possibilities
29:55 The ARP 2500, and the "ARP" approach to musical instruments
39:18 Dina Pearlman-Ifil's journey through music, art, and technology
48:26 Conclusion

Some other individuals and organizations to check out from the discussion:
https://emeapp.org/
http://www.philbrickarchive.org/
https://www.discretesynthesizers.com/

________
Please consider supporting this channel to help us bring you more synthesizer tutorials and other cultural content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth"

California Highway 163: San Diego's beautiful and scenic freeway

video upload by CatSynth TV

"We take a trip along California Highway 163 (Cabrillo Freeway), a particularly beautiful freeway in San Diego. It beings as a historic parkway running through Balboa Park and under Cabrillo Bridge. After its interchange with Interstate 8, it opens up to a wide modern freeway until its northern terminus at a junction with Interstate 5. Along the way we also pass Interstate 805 and California Highway 52.

The southern parkway section of CA 163 was once part of US 395, which extended all the way to downtown San Diego.

The music reflects the two sections of the highway, with a noticeable change when we move from the historic parkway to the modern freeway.

Original music features the following instruments:
iOptigan
Cherry Audio KR-55C, Yellowjacket, Mercury 6, Elka X, Filtomika, Stardust 201
Arturia CMI V, CP 70, Pigments, MiniBrute
EastWest Fab Four, Stormdrum 2, Gypsy
Buchla Red Panel 158 module
Serge/Random Source Dual Universal Slope Generator
Metasonix R-54 and RK5 modules
Circuit Abbey ADSRjr
MOK Filtryg
_________
Store: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth"