Probability-based Transposing with PRECISION VOLTAGES, CHANCE DELAY & a Step Sequencer #eurorack

video upload by AJH Synth Official

"A sequencer patch using PRECISION VOLTAGES and CHANCE DELAY modules for probability-based transposing of steps. Also featuring sound from a single VCO and the SONIC XV filter & wave folder.

Video & Performance by @DreamsOfWires

PATCH BREAKDOWN:
A Doepfer Mini Sequencer is playing a simple 5-step sequence. The clock is from the DUAL LFO + VCA module, which is also triggering an DH-ADSR envelope generator (connected to audio VCA), and the SAMPLE HOLD & SLEW module.

Because the sequencer gates aren't being used to trigger the envelope generator, I can use them elsewhere, and on the Mini Sequencer they can be turned off per step, so instead I am sending these gates to the PRECISION VOLTAGES (Gate A). This means that whenever a gate signal is received, Precision Voltages will activate, shifting the pitch of connected VCOs by the selected amount.

To add variety to this, I am first running the gates through the CHANCE DELAY, with which I can adjust the chance/probability of the gates being passed through to the Precision Voltages, or ignored. This means that the transposed notes will only randomly occur, based on the position of the 'Chance' pot, here at 50%.

Precision Voltages is dual channel (A & B), but I'm using the combined A + B output, so that any semitone or octave changes that I make to channel B will be combined with those on channel A, which is the only channel being switched on or off by the incoming gates. This means I can transpose the whole sequence by the same selected semitone and octave values (here plus or minus 5 semitones) and still have the selected sequencer notes randomly transposing by the same interval.

As for the sound - just a single triangle wave into the SONIC XV Diode Ladder Filter, manually adding the wave folder to create a much more interesting timbre, and with the clocked SAMPLE HOLD & SLEW module randomly modulating the filter frequency, via the DUAL LFO\s built-in VCA, which is slowly modulating the level of the Sample and Hold from strong to nothing.

Mixed on a @solidstatelogic BigSix with @vermonagear DSR-3 Dual/Stereo (real) Spring Reverb. Both cases powered by the Konstant Lab StrongPWR, with small case using a Polyend Anywhere USB PSU, powered by the USB output of the StrongPWR. Clear acrylic Eurorack case by CASA Modular, Japan."

Van Halen Jump Oberheim OB-X8 Synth Cover

video upload by narfsounds

"This is my take on Jump using the OB-X8.

It’s the first song I ever played with a band back in high school, so getting this sound right has always mattered to me. The OB-X8 gets you very close straight away, but the details are what make it sit like the record.

During the guitar solo section I brought in portamento to match that glide you hear in the original, then switched it off for the keys solo so it snaps back to that tight, punchy feel.

That balance between accuracy and playability is exactly how I approach all my sound packs. They’re built to work in a real band setting, not just in isolation.

If you’re playing covers regularly, having these sounds ready to go changes everything.

Narfsounds packs for Montage, MODX, Kronos, Nautilus, Fantom, Nord Stage, and Gig Performer: https://narfsounds.com"

Tone2 Releases Icarus 3.2

video upload by Tone2 Audiosoftware

"Timeline:

0:00 The most powerful synthesizer on the market
0:22 3D Wavetable synthesis
0:50 Resynthesis
1:40 Granular synthesis
2:18 Vocoder
2:53 Additive synthesis
3:36 Supersaw / Hypersaw
4:21 FM synthesis
5:01 Samples
5:33 Subtractive 7 Analog
6:12 Physical modeling
6:39 Waveshaping
7:02 PWM
7:32 Phase Distorion


Icarus is the most powerful synthesizer on the market. The award-winning audio engine offers a huge sonic range, true high-end sound quality, and the ability to create sounds that are impossible with other synths. The exceptionally versatile audio engine is capable of creating all important synthesizer sounds in high-end quality. Icarus is capable of over 30 (!) different synthesis methods, which can be combined:

3D Wavetables

3D Wavetable Synthesis cn create sounds impossible with other synthesizers and opens up a new level of dynamic expression. Classic wavetable synthesis only allows you to cross-fade waveforms. We have extended it with an extra 'morph dimension'. You can use 54 morph modes to further shape and modulate the sound. The morph modes are not limited to traditional waveshaping methods. We have also included a wide range of innovative and exclusive modes that are not available from other companies. This results in a wide range of unique sounds that cannot be produced by other synthesizers.

Resynthesis

Icarus comes with the most powerful and advanced re-synthesis engine on the market. Unlike competing products, it always delivers good results. With Icarus, anyone can create amazing sounds quickly and easily. Icarus' innovative resynthesis can rebuild sounds with a single mouse click! Just click this button, select a wav file, and Icarus will automatically create a patch that sounds like the original. You can further shape your sound with morphing, time-stretching, filters, effects, or any other module.

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BugBrand Frequency Shifter

via BugBrand

"The Frequency Shifter (red) is a powerful and experimental analogue processor. This standalone design springs from my Quadrature Sine and its Frequency Shifter Expander modular designs – all wrapped up with circuitry & features to allow it to fit snugly into more regular studio processing roles.It will transform your audio streams in otherworldly ways – clangorous, tonal, phased, stereofication and swoosh.

CLICK FOR MORE »

EMS Universal Sequencer Playlist

video uploads by analogia pl

A few of these have been featured on the site before. You can use the player controls to skip around.

Playlist:

1. EMS Synthi with Universal Sequencer and RSF Kobol #emssynthi #rsfkobol #rolandph830

It’s a tune done on the Synthi and EMS Universal Sequencer with some help from RSF Kobol processed by Roland PH-830 phaser.

2. 2 x EMS Universal Sequencer with Roland MC-202 #emssynthi #emsuniversalsequencer #mc202

Universal Sequencer is playing a sequence on the Synthi and the 202 - that’s why it’s called “universal” as both sequence and real time layers have CV/gate outputs. No effects other than spring reverb on the Synthi.

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SWITCHTRIX ELECTRONICS SYNTHE 'A' PLUS/EMS SYNTHI A

video upload by SWITCHTRIX ELECTRONICS

"Introducing our first new model of 2026,the SYNTHE 'A' Plus.

As well as the additional features found on our standard SYNTHE 'A' such as

Audio/Low frequency and variable CV depth for all oscillators
Variable sync depth for oscillator 2
Gate and calibrated 1 volt/octave interface for all oscillators and filter
Variable cv depth for filter with CV unslew
Trapezoid short-normal-long times with output inversion
CV control of Osc 1,2 & 3 shape,filter response and reverb mix via matrix column M
Features our custom designed 16×16 analogue switch matrix with direct switch data entry.99 patch memories.
Built into a road worthy Explorer hard case.Black,green or orange

The plus version has the following additions.

Oscillator 1 sine output can be switched to sub 1 oct square and ramp output to sub 2 octave square.
Oscillator 3 pulse output can be switched to a ramp output or random voltage with noise as its source.
Triangle output can be switched to a square output or sample & hold with the envelope shaper as source.
Meter column can be routed to input ch 1 or 2 for variable inversion.
Ch 1 has variable slew.
Output channel 2 cv invert for stereo effects.

Price is £5299.In stock for quick despatch.

For more info contact mail@switchtrix.co.uk

Thanks for looking."

Tangible Waves Mini Drone System demo

Note: links to listings are affiliate links for which the site may be compensated.
video upload by NOISEBUG

"This week we are restocking the full line of Tangible Waves, the small but mighty modular format equally powerful to its much larger counterparts.
Some incredibly unique modules exist within the Tangible Waves universe, such as the the Drone38- a bank of 18 oscillators designed for swarms, drones and lush soundscapes.
We designed a mini system around the DRONE38, which is now available on our Reverb shop - https://reverb.com/item/94056769-tang...

Look out for more mini-modular systems and video spotlights in the very near future. For more info on the most affordable way to experience modular, contact Noisebug.

#synth #modularsynth #tangiblewaves"

via this listing

"A small but powerful drone system of Tangible Waves modules, including:

POWER - the most simple base of an AE modular system. Contains the voltage regulation (5V) for the power supply of the modules, two stereo In/out-sockets (3.5mm minijack) for audio out and general in/out like CV, gate, a stereo headphone amplifier

DRONE38 - a sound generator with 18 oscillators in total, organized in six groups of three oscillators each. 12 of them can be switched between sawtooth and triangle waves, 6 are fixed sawtooth oscillators. The oscillators are not meant to be controlled by CVs, but only set static with a knob. By mixing them, very dense drones and clusters can be created.

DRONX - a special mixer designed especially for the DRONE38 module; it has 6 input channels with sound processing capabilities: a tone control with bass and treble control, a distortion, and finally a dual delay with different algorithms.

2VCA - contains two separate voltage controlled amplifiers; the classic module to shape the volume of a sound that is fed to IN by a control voltage, e.g. from an ENV to the CV input. DC/CV or audio operation modes, an additional knob per VCA for attenuation.​

SVFILTER - offers control of cutoff frequency, resonance and CV attenuation; two signal inputs for different signal levels control the "drive" of the module. This filter has a significant self resonance and also a very quick response to cutofffrequency changes. LP, BP, and HP output.

LFO (2x) - generates modulation voltages mostly below the audio range. PWM modulation for the Pulse out, two frequency ranges (SLOW / FAST), three separate output signals: Square (even duty cycle), TRIANGLE/Sawtooth (switchable), Pulse

NOISE - two types of noise with A output generating analog noise (a fluctuating voltage between about 1-4V) and D output generating digital noise, (a random changing 0V / 5V). The RATE knob controls the color of the noise, which goes from almost white noise to a rather harsh and digital sound.​

2S&H - "freezes" the input voltage with a trigger input. Typically used for random CV patterns if a noise signal is fed to the input and triggered e.g. by an LFO.

2ATT/CV - simple level attenuation for any kind of signal. Voltage mode switch gives manually controllable CV on the outputs, the INV outputs provide the inverted value of the input.

System is pre-built into a 1x16 Bamboo case and includes switchable 9V PSU, 2 packs of patchwire, and 1 pack of colored knobs."

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S8jfou Peeps Music Box

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

You can find demos here.

"Inspired by the legendary Buchla Music Easel. Built by a guy who lives in a wooden cabin in the mountains! Here's his website () It's not really modular or patchable but there are some switches which are based on some of this guy's favourite patches on the Music Easel.

Features

2 Oscillators: First the Mod-Osc is a triangle-wave just a bit sinefolded. Second the Complex-Osc is a sine-wave with a powerful Wavefolder. Mod-Osc can modulate the

Complex-Osc and switch between FM & AM with depth for both. Both Oscillators can be Hard sync for FM synthesis. The Mod-Osc Pitch is bipolar & can go really low to act like an LFO. The Complex Pitch is unipolar. Both have Finetune for AM and not-synced FM harmonic research or perfectly tuning them together.

• 1 LFO Can be sine-wave or random sample&hold. Can act to the pitch of each oscillators & as the clock master for the sequencer.

•2 Lowpass gate One for the Mod Osc & second one for the Complex osc.

2 Lowpass filter One for the mod Osc & second one for the Complex osc.

• 1 Attack Applied to both Osc.

4 Step sequencer Can be set to each Osc & to the Wavefolder. Can run up or up&down. All step can be switched off.

• 2 Channel mixer One channel per oscillators.

• 1 Reverb With mix & time.

•1 Touch sensitive keyboard 13 keys with octave switch up & down which can act on each oscillators.

• 3 Touch plates With their own adjustable pitch.

• 1 Arpeggiator In order mode. Can be sustained, even on several switched octaves. Can be sync to the sequencer or have his own clock"

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Exponential ⤴️ (Arturia Minifreak) #onesynthonly #fromscratch

video upload by 2-Minute Warning

"2nd video with the Arturia Minifreak hybrid (digital/analog) synth, with a OneSynthOnly jam (after the first video where I used 5 instances of the Minifreak in multi-track: • Cinefreak 📽️ (Arturia Minifreak // Conduct... 😉)

The jam starts with me recording in step mode a sequence.
Then the sequence is being played with me tweaking some parameters like adding delay, fading-in the second oscillator (superwave), modulating the analog filter etc.
In the second half of the video, I switched to the mode where I can transpose in real-time the sequence recorded (i.e. you can no longer play over the sequence, when you press on a key, it transposes the whole sequence to this key). What is really cool is that Arturia added the Scale feature which I really love, thus making it possible to transpose within a defined scale like on the Keystep Pro! 🤩"

TMP-3-06 Vintage Synth TV Series from Benge

video upload by Memetune Studio

00:00 Opening Titles
00:17 Introduction
01:27 Switched On 80s
12:54 Little Black Boxes
17:29 Commercial Break
19:58 Patching Today
29:19 Synthesiser Club
31:59 Video Lab
36:07 Outro

"////////////////////////////////////////////////////////

Sixth and final episode of the third series of the TV program from Benge, made at his Memetune Electronic Music Studio

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses them in his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

SWITCHED ON 80s - This third series takes an in-depth look into six classic 80s synthesisers, selected because of their interesting and unique attributes

LITTLE BLACK BOXES - A further look at some classic rack mount studio gear of the 80s and 90s

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch, this time using Cybersynthesis techniques to bring an element of surprise to the patches

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three, concentrating on 'families' of synths

VIDEO LAB - A look at old video equipment and how to create experimental visuals, concentrating on a specific device in each episode

////////////////////////////////////////////////////////

In THIS episode:

SWITCHED ON 80s - A look at Roland's first fully digital keyboard the D50 Linear Synthesiser from 1987

LITTLE BLACK BOXES - A look at the unique Kawai K5m additive synth

COMMERCIAL BREAK - Some adverts for Memetune-related goodies, including a new Benge album and the range of Memetune merchandise

PATCHING TODAY - Today is a bit special - Benge sets up a mega-patch using a Modcan A Series, an Emu 2000 modular, a Serge Paperface and an ARP 2500

SYNTHESISER CLUB - In todays episode, Benge makes some elevator muzak on Ensoniq synths: an ESQ1, an SD1, an ASR-X and a Fizmo

VIDEO LAB - In this episode we take a brief glance at the editing platform, DaVinci Resolve from Blackmagic Design

////////////////////////////////////////////////////////

LINKS:

Memetune Studio Instagram: @memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com

////////////////////////////////////////////////////////

The MemeTune Programme Credits:
Everything in this video was created by B D Edwards (Benge)
All music, design, writing, filming and production completed at Memetune Studios, UK, 2025"

Additional Vintage Synth TV Series episodes from Benge

manifold research centre - *antilope* / event horizon

video upload by Manifold research centre

"antilope is approaching event horizon.

isti mirant stella

rendering credits by @komputer_g_rafix"

Also see Sounds from Superbooth 2025: Manifold Research Centre Antilope⁠

See dealers on the right for availability and price.




"MANIFOLD RESEARCH CENTRE ANTILOPE

Prance with glee through the wilds of experimental sound with Antilope from Manifold Research Centre, a filter-based drum and dynamics machine designed for creative rhythms and otherworldly sound design. Based around a dual pingable resonant filter, Antilope creates plucks, bongo slaps, and ghastly squeals galore, which can be further shaped through the onboard distortion and multi-FX feedback path. In classic MRC fashion, taking this distortion and FX loop to unique extremes via feedback enables a vast timbral range, transforming the sizzling filter timbres into new and mangled shapes.

To get these sounds moving and grooving, a three-channel pattern recorder is available for patching around to Antilope's filter, distortion, and FX parameters. This provides a highly intuitive and performable interface equally suited for on-stage skronking and studio experimentalism. Each recorder can be switched between stepped voltage sequences or morphable AD envelopes, enabling both rigid beat shifting and smooth timbral changes alike.

Naturally, Antilope's 3.5mm CV inputs and outputs readily integrate into a broader Eurorack environment, opening up even more uncharted paths for sonic exploration. Likewise, the addition of MIDI clock reset and synchronization connectivity enables use in hybrid set-ups and DAW-based artistry. Using its stereo line level input on the back of the device, external sounds can be processed through the filter directly or in conjunction with Antilopes broader workflow, extending the sound world within by infinite margin.

Thanks to its dedicated headphone output and USB-C power input, Antilope's characterful design is primed for portable interaction, imbuing any journey with captivating sound. With its focused yet flexible design that collapses and reinvents percussive processing in MRC style, Antilope from Manifold Research Centre is a fantastic beast sure to inspire your trips through the creative unknown.

ANTILOPE FEATURES
Desktop synthesizer for experimental rhythms and audio processing
Dual-pingable resonant filter
Distortion effect with 3-band tone control
Multi-FX engine with feedback path for deep sound design
3-channel pattern recorder
Recorder channels switchable between stepped voltages and morphable AD envelopes
3.5mm CV inputs and outputs compatible with Eurorack gear
MIDI connectivity for clock, reset, and sync
Stereo line level input for processing external signals
Stereo line level output and dedicated headphone output
USB-C power for portable operation"

Decade Bridge Noria - drone synth

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

See the seller's other items for more.

Demo in the listing previously posted here, additional demos here.

CLICK FOR MORE »

Skyline Fortynine P (Hohner Little Lady) 49 Key String-Orchestra Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Video in the listing previously posted here. "If you know, you know. These almost never show up, and there’s next to no info online. It’s one of the hardest Hohner keyboards to track down.

This unit is in excellent condition, both technically and cosmetically. The real-wood casing is beautifully preserved with only light signs of use. Keys, switches, sliders—all exceptionally clean.

Everything functions perfectly.

All sound registers can be switched or blended freely
Built-in vibrato + sustain
Dedicated bass voice for the lowest octave (individually switchable)
Individual volume controls for each section
Key contacts are flawless—no dead notes or crackle
Accompaniment System:
The auto-accompaniment can run silently if you want only the bass sequencing. Changing rhythms reshapes the bass pattern, making for surprisingly interesting and musical sequences. The onboard memory hold lets you tap a bass key once and have it sustained automatically—works even without the rhythm section active.

Sound Output:

Built-in speaker underneath (clean, zero distortion)
Line-out on the rear for external amps
Pedal input (pedal not included)
Dimensions: approx. 82cm W × 19cm H × 40cm D
Weight: approx. 12.7kg

A seriously rare piece—clean, fully working, and ready for a new home."

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KORG 800DV - Fully Serviced with CV/Gate

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Korgs classic 800DV - has been fully serviced this year which included a complete recap of all the electrolytic and tantalum capacitors. Synth was also recalibrated at the same time. Switches and sliders were lubricated. Also has the essential dual CV/Gate/Filter upgrade for independent control of both sections of the synth. Currently set to 240v - can also be switched over to continental voltage. Nice cosmetic condition too."

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BugBrand Introduces TCS - Touch Control Sequencer

via BugBrand (For those in the US: check on availability with Noisebug per below)

"The 5FW design stems from ideas I used way back in the Old Blue days when I had the CTL1 Touch Panel - that design went through a few iterations during its 4 years of life, moving from just a control/preset device to incorporating some basic sequencing. Now I have taken it several steps further - expanding it out to 8 steps and increasing the control & sequencing options. The result is a powerful little hands-on sequencing hub! It can link up with other clocking devices, especially the Sequence - indeed, I'm just beginning to investigate a joiner/expander for the pair that would allow the Control link to be easily switched on/off and also incorporate a handful of other useful functions.

In the meantime, the first modules are starting to ship - they can either fit in a larger system or sit in a 5FW case - perhaps an interesting addition to other banana systems!

US shipping & Tariffs:
There has been a fair bit of uncertainty because of new tariffs on shipments into the US (10% from UK vs 20% or more from most other places), alongside the ending of the De Minimis exemption for shipments under $800. Given that I send a fair amount to people in the States, these changes have proved worrying!

Thankfully I've been able to jiggle things around and have found that I can still send things easily & affordably - indeed, often including pre-payment of tariffs while not raising the overall shipping cost, and sticking with Royal Mail who have proved so reliable over many years of use.

Noisebug:
But, alongside these changes, I'm rekindling my prior work with the wonderful Noisebug store of Pomona, California. Just today I've sent a reasonable initial load - a couple of 1Frame systems, several mini-systems and a handful of red designs.

As you know, I've tended to work directly with people worldwide, but have kept in with a very few small & specific stores - Noisebug really fit the bill here for me! So if you've got requests, feel free to get in contact with them - or continue to nudge me direct ;)"

Craig Padilla - JOURNEYS THROUGH SPACE - Live June 1990 FULL CONCERT SHASTA COLLEGE THEATRE

video upload by Craig Padilla

From below:

This music was created without the use of sequencers; all of the background music was recorded in real-time on reel-to-reel tapes. I used a Kawai K1 synthesizer, a Siel DK-80 synthesizer, and a Roland TR-505 drum machine. A Peavey AddVerb II was also used for effects. For this show, I was loaned a portable Casio Midi Controller, which I connected to the Kawaii synth to use for the song "Destiny's Flight."

"Please consider donating a much appreciated monetary tip to:
PayPal.me/CraigPadillaMusic

Notes from Craig Padilla:
This was my first public performance on June 8, 1990. It was at the Shasta College Theatre in Redding, CA, and it was my college final project for my Creative Sound Design class. Many people involved with the theater department helped out with this project.

I came from a theatrical background, and I had been used to facing the audience, which is why I performed while facing the audience during this show. My Uncle Joe saw this video and suggested that I should perform sideways so that the audience can see what I'm playing. Thanks to that advice, I've been performing that way ever since. This concert is the only time that I've performed while facing the audience.

This music was created without the use of sequencers; all of the background music was recorded in real-time on reel-to-reel tapes. I used a Kawaii K1 synthesizer, a Siel DK-80 synthesizer, and a Roland TR-505 drum machine. A Peavey AddVerb II was also used for effects. For this show, I was loaned a portable Casio Midi Controller, which I connected to the Kawaii synth to use for the song "Destiny's Flight."

Please be mindful of the visual quality of this video. It has been remastered from standard definition and upscaled to 1080p HD with audio remastered from a chrome stereo cassette tape. I am fortunate that it looks and sounds as good as it does.

The original broadcast video aired on Redding Community Access TV in 1990 and 1991. It was shot on VHS tapes from two camera angles and edited on a Super VHS tape. Unfortunately, the audio on the broadcast video was recorded from the main onboard camera microphone, which had a muddy sound. (At the time, I thought that it was better to use that audio than to have no publicity for my music.) 35 years later, thanks to current technology, the stereo audio from the master cassette tape has replaced the original audio track. It has been pitch-corrected to sync up with the video, which is something I never thought would be possible! The video was also enhanced to brighten some of the shots.

There is a small black bar on the second camera angle, and that was to cover up a graphic date that was imbedded in the video of that camera. I had decided that the black bar was less distracting than a graphic on the screen whenever I switched to that camera.

I am fortunate that I knew people who would loan me their cameras for this performance, and equally thankful to my friends who offered their time to operate the cameras!

Matt Denton, a long time friend from high school, was the main camera operator. I met Bryan Arnold while attending college. Bryan loaned me his Kawaii synthesizer for the music, and was the second cameraman who had to briefly step away to perform a song. T. Owen Smith designed the light show, and he suggested that I throw a flame out of my hand at the end of the last song. I had known Dwight Husted since high school, and he was the lighting operator who ran the light-show. My college friends, Jeff Yarnell, Karen Wodsack, and Dale Gipp, were the stage crew who also contributed the idea to use actors in body bags and dress as aliens for a song. And Dale Kilpatric helped me produce the show, and he performed with his amazing classical guitar for a song. (More people helped, and their names are listed in the end-credits of the video.)

Over 100 people attended the performance which was a benefit for the Shasta Summer Theatre Festival. I give many thanks to DJ Ron Dare for hugely promoting my music on his radio show, "KCHO's Music for A New Age" in 1989 and 1990 (and years beyond that). Also, thanks to Robert Soffian, the head of the theater department, for allowing me to not only act in his plays, but to also have me record many songs for the various theatrical productions during that time. And many thanks to everybody who helped to make this concert possible so many years ago.

Extra big thanks to everybody who supported my music then and continues to support it now.

Song list:
00:00 - KCHO DJ Ron Dare Announcement
02:30 - Shanda's Song
08:05 - Waltz of the Planets (dedicated to my friend Derrick Guderian)
14:15 - Spanish Journey (featuring Dale Kilpatric on guitar)
19:50 - Destiny's Flight (dedicated to my Grandmother)
30:43 - Path of the Falling Stars (featuring Bryan Arnold)
36:00 - UFO Theme
42:05 - Other Beings (featuring many theater friends)
47:45 - Journeys through Space

A 24-bit download of this performance will be available at www.CraigPadilla.com [https://craigpadilla.bandcamp.com] in November 2025."

Roland Jupiter 8

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"A very well-playing and fully functional Jupiter 8 with important enhancements - a MIDI interface from Encore (which also adds an extra sound bank), a FATAR TP9 balanced keyboard, and a switched power supply from Synthronics (which does not heat up, making the instrument more stable). 14 bit DAC version. The top panel is in worse condition, as shown in the photo, with scratches, scuffs, and dents. I have often thought about replacing it (replicas are available), but this is the unvarnished reality of how Jupiter lived the first decades of its life (since 2000, it has only been cared for in the studio). The instrument comes with a lot of documentation, a dust cover, and I can add the original power supply and original keyboard. Personal pickup is possible in Prague (CZ) or Essen (DE)."

CLICK FOR MORE »

Ruina Versio x BIA distortion performance on small NE case by POB

video upload by Noise Engineering and Patrick POB OBrien

"POB takes us on a distortion journey into ruin with this dark and cinematic performance with Noise Engineering modules. Patch inspired by my recent firmware video for Librae Legio. Librae is mostly a set-and-forget module for me, and I hardly ever use the CV inputs. I showed an example on the short video by throwing a gate signal into the Ceiling input, and the result was this pumping effect that occurs throughout the whole mix. Just left it activated. I'm really glad that CV input put the hook I needed.

Notes:
0:00 BIA into Ruina Versio
1:29 Introducing Debel Iteritas Alia with wide open attack, using Quantus Trajecta to create a more vocally shaped envelope in place of its own envelope.
2:13 Introducing Sinc Legio, pitched by Opp Ned's arepeggios, then distorting it through Roucha Legio.
3:07 Introducing Virt Iter Legio as the wobbly bassline using Mimetic Digitwolis' randomizing melody, being switched at times by Muta Jovis.
5:07 Switching the bypass on Roucha's filter while adjusting its frequency.
9:35 Using Desmodus Versio's built-in LFO to affect its reverb tail.
12:55 MOAR Distortion on the BIA using Ruina Versio, toggling in and out of gated Smoosh.
14:08 Using Desmodus Versio's Tone controls to filter the reverb tail.

Clocked by Horologic Solum. Mixed on Xer Dualis, then sent through Librae Legio with its Ceiling being CV-controlled by an LFO from Pons Asinorum.

CLICK FOR MORE »

Salamander Music Sytems Voice 400 s/n 14 not perfect

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

This appears to be the first one featured on the site. Pics of the inside below.

via the listing:

"SMS (Salamander Music Systems - sorry for the typo in the title) Voice 400 - Programmable analogue mono synth with 2 VCOs and analogue delay line. Seems to work all OK EXCEPT the modulation generator (LFO) is not working. Condition is average. Has USA plug on, but can be switched between 110v/240v on rear. Also see the next lot."

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Yamaha CS30 SN 4145

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

Pic of the inside.

"Released in 1977, the Yamaha CS30 is the flagship of their CS Monophonic range. It is as close to a modular synthesiser that Yamaha ever made and its modulation and routing options are extensive.
This one plays and sounds great. The synthesiser responds to all the pots and sliders as it should and it's ready to use and create weird and wonderful noises and textures. However, to get it to 100 percent functionality the synth requires a service to fix a few issues. Neither the combined 1+2 audio jack nor headphone output work, though the individual 1 and 2 jacks are fine. The sequencer works when switched to Manual and steps through by pushing the red button. However, the 'Clock' function only works when the synth has been powered on for a while and has 'warmed-up'.

Cosmetically the synth is in pretty good shape with nothing broken or missing. There are lots of very small dots of blistered paint, some with a hint of surface rust. The most noticeable ones are at the top of the control panel but these have not increased in size or number over the past decade-or-so. They don't look too bad, in my opinion. Inside is clean and dry with no signs of damp. One of the C keys has a cigarette burn (WHY??!!!) which has melted the plastic slightly. However, all keys are secure and function correctly. The case has a few marks here and there, but overall it looks good.

The case was designed to make servicing very easy. The front control panel is hinged at the back and can be opened by removing just two screws from each side panel. This then reveals a very neat collection of boards and wiring.

The CS30 can be easily integrated into a modern MIDI studio setup. By using an appropriate converter you can interface various features of the synthesiser via its numerous control inputs and outputs:

Foot Controller (CV) for volume in.

Sequencer CV and Trigger (gate) out.

Key Voltage (pitch CV) in and out.

Trigger (gate) in and out.

External (audio to the filter) in.

It features two voltage controlled oscillators (VCOs), two voltage controlled filters (VCFs - both featuring low-pass, band-pass and high-pass options), two voltage controlled amplifiers (VCAs) and three envelope generators. It also sports a ring modulator and a voltage controlled low-frequency oscillator (LFO).

It is fairly unusual for a hard-wired synthesizer in that it features a variety of switches which allow the user to re-route the signal flow from the usual VCO-VCF-VCA convention. For example, VCO 1 can output a square wave through VCF 1 whilst also outputting a high-pass filtered sawtooth wave through VCO 2. Another example is that the envelope generators can be assigned to any of the VCO, VCF and VCA modules and can also be inverted. Because the LFO is voltage controlled, the oscillating speed can be governed by an envelope generator and different waveforms can be applied to the other modules all at the same time. The CS30 also features an external signal input for filtering other musical instruments and audio sources, which can also be used as a modulation source. It includes an onboard eight-step analogue sequencer."

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