Roto-Control Motorized MIDI Controller 2.0 firmware update overview Melbourne Instruments

video upload by Melbourne Instruments

"Melbourne Instruments is excited to release Roto-Control Firmware 2.0 — the next evolution of their groundbreaking motorized MIDI controller. Following the success of their acclaimed motorized synths, NINA and DELIA, Roto-Control brings the same tactile precision to software and hardware control, redefining hands-on workflow for modern music creators.

New 2.0 firmware features include:
Send MIDI Notes via Roto-Control buttons in MIDI Mode.
Send Program Change with Bank Select via Roto-Control buttons in MIDI Mode.
Group tracks with fold/unfold actions via Roto-Control supported in Ableton Live and Bitwig Studio.
Manual mapping and customization of Ableton Live racks and macros now possible.
Roto-Control knobs now have a centre indent haptic option in MIDI Mode.
Roto-Control Setup App now compatible with both Ableton Live and Bitwig Studio.
Roto-Control now compatible with Linux for use with Bitwig Studio.
Please see release notes for more info.

Grab Roto-Control Firmware 2.0 here: https://www.melbourneinstruments.com/...
More info on Roto-Control here: https://www.melbourneinstruments.com/...

_____________________________________________________

ABOUT ROTO-CONTROL

Designed for a fast, intuitive workflow, Roto-Control features three powerful modes: MIX, PLUGIN, and MIDI with Motion Recorder.

In MIX Mode, Roto-Control syncs automatically with Ableton Live and Bitwig Studio, instantly displaying track names and colors pulled live from the session—no need to manually label anything. Track updates happen in real time with zero setup.

In PLUGIN Mode, parameters are learned once and saved locally, making recall instant across any system. One-touch setup and direct label mapping from Ableton Live and Bitwig Studio ensures a seamless experience every time.

With thousands of assignable parameters stored internally, Roto-Control is the only motorized MIDI controller that offers this level of portability, flexibility, and precision."

Follow-up to this post.

Korg BPX-3 Vintage Analog Bass Synthesizer with PK-13 Pedal

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

CLICK FOR MORE »

Introducing Circular – expressive polyphonic sequencer by Native Instruments

video uploads by Native Instruments

"Introducing Circular – an expressive polyphonic sequencer that transforms simple chords into evolving, cinematic textures. With four fully independent layers and deep modulation control, Circular brings rhythm, movement, and emotion to every note.

Import your own samples, or explore over 100 experimental sound sources, from felted pianos to bowed metals, all designed to move, shift, and unfold in real time."

Playlist:
1. Introducing Circular – expressive polyphonic sequencer | Native Instruments
2. Circular walkthrough – cinematic sequencing | Native Instruments
3. The sounds of Circular | Native Instruments

Press release follows:


Berlin, May 15, 2025 – Native Instruments today released Circular, a mesmerizing polyphonic sequencer that transforms a single note or chord progression into breathtaking rhythmic soundscapes. Announced at Superbooth 25 in Berlin last week, Circular can jump from sketch to score in seconds, drawing out rich and emotive cinematic sequences.

Go full circle

Starting with a single note, Circular utilizes four independent layers, each a canvas for modulation. Control pitch, filter, and effects in real-time, creating motion-rich scores with unparalleled speed and depth. Every sound was designed with polyphonic aftertouch in mind, making for an extremely expressive experience on Kontrol keyboards, and other controllers that support poly AT.

Dive into a vast library of over 160 sound sources, ranging from felted pianos and prepared guitars to hybrid synths and bowed metal. Circular's diverse palette encourages exploration, blending soft and harsh textures, acoustic and synthetic elements, and familiar and strange sounds. Add your own samples to transform them into evolving sequences.

CLICK FOR MORE »

Introducing TŒRN - A Standalone Arduino-Based Sequencer & Sampler

TŒRN - track building demo: Camping Love video upload by TŒRN

"Short demo of building a track with TOERN with the new effects firmware while camping in NL"

"TŒRN is a standalone Arduino-based sequencer & sampler — designed for fun, and live performances. Developed by Jan from SP_ctrl in Hamburg, it’s the evolution of the NI404: a groovebox with Teensy-powered synths, live recording, and a playful 16x16 RGB interface. Perfect for kids, couch producers, and live performers alike."

via https://toern.live

"Hi, I'm Jan! TŒRN is my evolution of the NI404, my first DIY sampler-sequencer prototype. As the sole developer, I've poured my heart into creating something special: a device that's both a fun toy AND a serious music tool.

My vision was simple: create an instrument that's easy to learn but deep enough to grow with you. Whether you're a kid discovering electronic music or a seasoned performer, TŒRN adapts to your style - choose your own colors for the enclosure as well! Its portable design and intuitive interface make it perfect for both: beginners and pros.

All components mounted on the PCB—no extra cables

USB-C, battery support, pro-grade audio & MIDI TRS ports
Designed for kids, couch musicians, live performers, and synth tinkerers"

CLICK FOR MORE »

Melbourne Instruments Announces New Firmware for NINA and ROTO-CONTROL

New NINA Multi-Track Sequencer Feature Overview: Melbourne Instruments Polyphonic Synth video upload by Melbourne Instruments

"All sounds are generated and sequenced by NINA in this video, no other gear used!

A public beta of the multi-track sequencer firmware update is free for all NINA users and now available at http://www.melbourneinstruments.com/s..."

00:00 Intro
01:35 Accessing Multi-Track Sequencer Mode
01:54 New Overlay and Button Function
02:09 Key Concepts and Overview
02:47 PATTERN Mode
04:20 TRACK Mode
06:11 Parameter Locking & Step Settings
09:03 Live Automation Recording
11:18 Copy/Paste Steps
11:57 Performing and Playing Front Panel
12:50 TRACK Mute
13:18 TRACK Select
13:55 Page Select (REC)
14:41 New NOISE Types
15:16 Parameter Locking Noise Types
16:36 Outro

Press release follows:

May 2, 2025, Superbooth Edition

Melbourne Instruments announce new firmware for ROTO-CONTROL and NINA

Visit Melbourne Instruments at Superbooth, May 8-10, FEZ-Berlin Germany, Booth H220

Melbourne Instruments announce BITWIG STUDIO integration for ROTO-CONTROL

MELBOURNE, Australia, May 2, 2025: Melbourne Instruments continue to build on the success of their motorized synths, NINA and DELIA, and MIDI controller ROTO-CONTROL launched in January this year. Melbourne Instruments is pleased to announce BITWIG STUDIO integration for Roto-Control is now available as a public beta. This adds to Roto-Control’s acclaimed Ableton Live integration, and now Bitwig Studio users can take full advantage of Roto-Control features with their Bitwig projects.


Melbourne Instruments bring their revolutionary touch sensitive, motorized knob technology along with high-res screens and haptic control to Bitwig Studio users.

Powerful, compact, and portable, Roto-Control features three main modes of operation: MIX, PLUGIN and MIDI with Motion Recorder. MIX Mode will automatically sync Bitwig with all track names and colors instantly appearing on Roto-Control displays. Roto-Control will update track names and colors when connected to an active Bitwig session. No need to save or edit labels – all data is taken directly from the active Bitwig session.

In PLUGIN Mode, plugin parameters and labels are taken directly from Bitwig with one touch, one-time, intuitive easy setup. Learn plugin parameters once and Roto-Control will remember learnt parameters anytime you use Bitwig. All learnt plugin parameters are stored locally on Roto-Control, making it quick and easy to use with any computer setup. Roto-Control is a truly unique motorized MIDI controller that is highly customizable with internal storage for thousands of assignments.

Bitwig Studio users can streamline their creative workflow and quickly evolve ideas with responsive physical control of Bitwig Studio through Roto-Control’s MIX and PLUGIN Modes. This new integration is a collaboration between Bitwig and Melbourne Instruments, responding to the overwhelming demand for Roto-Control support for Bitwig Studio.

Bitwig Studio integration marks the second DAW support for Roto-Control with additional DAW integration currently in the works.

Bitwig Studio integration for Roto-Control is a public beta, please see link for more info and to download the beta firmware. www.melbourneinstruments.com/roto

CLICK FOR MORE »

Behringer Edge + Spice Combo Patches & Samples. Sound Demo

video upload by Anton Anru

"Welcome to the soundset for a semi-modular system, Behringer EDGE + SPICE. It is a collection of 50 patches that include basses, drums/percussion, leads, plucks, stabs/chords, generative-style patterns.
There is a wide range of sound colors in the pack: massive and gentle, aggressive and soft, bright and dull, harmonic and dissonant tones, straight and polymetric rhythms.

📦 Get these patches: https://antonanru.sellfy.store/p/behr...

🎛 The main point of the soundset is the high level of interconnection—not just syncing the two synths with independent timbres (individual patches for EDGE and SPICE are also available on my website).
In this patchbook, the timbres of the synths are fused and can’t exist separately:
✔️ They modulate each other with envelopes.
✔️ A sequence from one synth may change parameters on the other.
✔️ Triggers, clock/rhythm, run/stop modulations break predictable patterns.
✔️ Audio signals from VCOs may be used as modulation sources to create harmonies/intervals or crazy experimental inharmonic tones.

🧿 At the same time, they play different and clear roles. It’s not a sound mess, but two synths working in close cooperation.
For syncing the synths, I chose SPICE as the master. I send clock to it from the DAW via USB. Then, I sync EDGE to SPICE using patch cables.
On the EDGE, the PLAY button is pressed in advance, but EDGE doesn't start playing until PLAY is triggered on the SPICE. This way, launching SPICE starts both synths in sync. If SPICE is synced to the DAW via USB/MIDI, hitting PLAY in the DAW will start both synths in sync with the DAW.

CLICK FOR MORE »

Korg Modwave Dark Atmospheric Presets. No Talk Sound Demo

video upload by Anton Anru

"Urban Dystopia is a dreamy yet dark bank where you can find deep bass, warm and atmospheric pads, buzzing leads, noisy drones and diverse synths! The bank was inspired by Lapalux, Boards of Canada and the music of the Hyperdub label.
The bank of presets includes: 8 Arps, 9 Basses, 8 Drones, 8 Leads, 9 Pads, and 8 Synths.

📥 Get these patches: https://antonanru.sellfy.store/p/modw...

🧿 The sounds can be used in various genres: Techno, Trance, House, Progressive, Deep, Ambient, Cinematic, Chill Out, Lounge, Trip-hop, Downtempo, Electronica, IDM, Breaks, Drum’n’Bass and others.

🔮 The bank covers a wide range of tones: mono and stereo, short and long, mild and aggressive, deep and bright, soft and punchy, clean and noisy, modern and vintage.

🎛 All presets have unified Velocity, ModWheel, X/Y Pad, and Macros assignments.
Velocity controls volume and filter.
ModWheel adds expression, it makes the sound brighter and longer.
4 Macros control the level of the 2nd Layer, Timbre, Movement Depth, Movement Rate.
X/Y Pad changes tone.

All these controllers make a smooth morphing between different colors and tones within a single preset.

📌 Highlights:
Wide range of bass sounds
Thoroughly set parameters
2 Layers
4 Mod Knobs/Macros assignments with titles
Kaoss Physics Pad changes tone
ModWheel adds expression
Presets volumes are equalized for a comfortable browsing
No user/third-party wavetables

💡 Firmware Version 1.1.3 (or higher) is required to use these presets.
Use official Korg Modwave Editor/Librarian to upload the presets.
Suitable for hardware and Native/VST version.

Contents:
00:00 ARP Out Of Space / BS Deep Universe / LD Friendly Vintage
00:53 BS Black Hole / PD Cosmic / ARP Robot Organic
01:46 DR Dark Space / PD Halcyon / LD Acid Show
02:52 PD Hypnotic / ARP Planet Pulse / BS Black Hole
03:41 LD Strange Hoover / BS Lava / PD Aura
04:34 PD Snowy / PD Noise Silence / BS Buzz
05:26 BS Springy / BS Muscular / LD Smears / PD Dungeon
06:12 PD Dungeon / BS Lava
07:04 PD Trembling / ARP Quarry / BS Noise Galactic
07:52 DR Out Of Mind / PD Cosmic / SY Landscape / ARP Out Of Space
08:58 BS Deep Universe / SY Arped / PD Warm Night
09:52 BS Black Hole / LD Vintage / PD Noise Silence
10:48 DR Unknown Planet / SY Arped / LD Iron"

How to Set-up and Use Motion Recorder on Roto-Control MIDI Controller with Elektron Syntakt

video upload by Melbourne Instruments

"Roto-Control is a motorized MIDI controller for software and hardware. Roto-Control can extend the creative capabilities of synths, drum machines and any compatible MIDI hardware or software in MIDI Mode. In this video we show you how to set-up and pair Roto-Control (in MIDI Mode) with an Elektron Syntakt, and how to use the Motion Recorder as a performance enhancing tool. We show how easy it is for Roto-Control to MIDI learn and map 8 mutes and 8 different parameters from the Syntakt to Roto-Control's buttons and knobs. This method can be applied when using Roto-Control with other Elektron devices.

🎛️ Here are key steps to setting up both devices:
1. Connect Roto-Control MIDI Out to Syntakt MIDI In, and Roto-Control MIDI In to Syntakt MIDI Out, via 2 different MIDI cables.
2. Choose MIDI Mode on the Roto-Control.
3. Check Syntakt settings page and sub menus:
• Settings - MIDI Config - Port Config - Encoder Dest INT + EXT
• Settings - MIDI Config - Port Config - Receive CC/NRPN
• Settings - MIDI Config - Sync - Clock Send and Transport Send
4. Map Syntakt parameters to Roto-Control buttons and knobs:
• Press LEARN on the Roto-Control and select the knob or button want to assign. The LEARN button will flash and the MENU window will display what knob or button you have selected.
• On the Syntakt move or press the button you want to control. Roto-Control's display will immediately display the MIDI channel and MIDI CC.
• Press LEARN to confirm and exit.
The default labels on Roto-Control will display the MIDI channel and CC value as "CH:xx/CC:xx". Further customization of controls can be done with the Roto-Setup App - change labels and colors that reflect parameters on the Syntakt.

🖥️ Download the Roto-Control Syntakt MIDI Setup used in this video here, import it and try it with your Roto-Control: https://tinyurl.com/483cbnbx

Motion Recorder:
Check the Motion Recorder settings on the Roto-Control. We want to synchronize the Motion Recorder and playback from the Syntakt as the the master clock. In MIDI Mode, press FUNC and select MIDI EXT CLK for external clock. Also select Motion Recorder length on the same page, in this video we are using 64 steps. Press FUNC to confirm and exit.

⚡️HOT TIP: On the Roto-Control or the Roto-Setup App change the minimum and maximum values via the MIN VALUE and MAX VALUE for the button mutes. MIN Value = 0 and MAX Value = 1, this will ensure fast bidirectional muting between the Roto-Control and the Syntakt.

Roto-Control is a motorized MIDI controller for software and hardware. Roto-Control brings Melbourne Instruments' motorized technology to a MIDI controller in a powerful, portable, affordable tool for studio and live applications.

Unlike anything seen before, rethink software and hardware interactions via fully assignable motorized touch-sensitive knobs, user definable haptics for detailed control, high-res screens providing easy-to-read labels for every control, and internal memory with storage for thousands of assignments. Powerful, compact, and portable, Roto-Control features three main modes of operation: MIX, PLUGIN and MIDI with Motion Recorder."

Melbourne Instruments ROTO-CONTROL: Motorized MIDI Controller for Software and Hardware

video upload by Melbourne Instruments



Press release follows:

Introducing ROTO-CONTROL, motorized MIDI controller for software and hardware

Following the debut success of their revolutionary analog synth NINA in 2023 and the hybrid polysynth DELIA in 2024, Melbourne Instruments announce ROTO-CONTROL, a motorized MIDI controller for software and hardware. Roto-Control brings Melbourne Instruments’ motorized knob technology to a MIDI controller in a powerful, portable, affordable tool for studio and live applications.

Roto-Control is now shipping. [check with dealers on the right for avialability]

Introducing a truly unique motorized MIDI controller, unlike anything seen before. Rethink software and hardware interactions via fully assignable motorized touch-sensitive knobs, user definable haptics for detailed control, high-res screens providing easy-to-read labels for every control, and internal memory with storage for over 8000 assignments. Powerful, compact, and portable, Roto-Control features three main modes of operation: MIX, PLUGIN and MIDI with Motion Recorder.

CLICK FOR MORE »

Roger Linn, Creator of the Original Namesake LinnDrum on Behringer's New LmDrum

The following is Roger Linn's statement on Behringer's LmDrum, written Jan 4, 2025, saved here for the MATRIXSYNTH archives:

In December 2024, Behringer released their "LmDrum", which is described on their site as:

"If you are looking for a drum machine that can recreate the classic sound of the 80’s, look no further than the Behringer LM DRUM. This amazing drum machine features an authentic 8/12-bit sampling sound engine that captures the essence of a hundred legendary 80’s drum sounds including those designed by Roger Linn such as the LM1*, LM2*, LM9000* and more. You can even record and store your own samples using the integrated line input."

Uli Behringer kindly sent me an LmDrum in August of 2024, giving me a chance to try it out. What do I think? I think it's a bit of a head-scratcher. It is clearly intended to evoke my 1982 "LinnDrum" drum machine, borrowing its visual style, control layout, colors and logo style, as well as copying its sounds and those of my LM-1 and Linn9000 drum machines. I took it apart and it even copies much of my LinnDrum sound generation circuit, even my bad ideas like the inability to tune any drums except the snare, toms and congas.

However, it uses an entirely different operating system and user interface, one that is based on earlier Behinger drum machines. Personally, I found it somewhat confusing and difficult to use, though I was given an unfinished manual. I'd imagine they will improve both the software and manual over time. I suspect the designers found it difficult to find a balance between 1) the impression of a LinnDrum clone, and 2) the addition of modern features, given that the 1982 LinnDrum's feature set is woefully inadequate by today's standards.

It's worth noting that Uli never asked my permission to either copy my visual design or my drum sounds. Though in 2020, he did kindly invite me to collaborate on a future drum machine, and I respectfully declined because of concern about Behringer's past business ethics and legal practices.

How do I feel about the LmDrum? My feelings are mixed. On the one hand, it's not unusual for companies to borrow ideas from older products in order to inspire a new and innovative design, which I've done in past. Plus, my old drum sounds are all over the web, controlling copying is difficult, and I don't enjoy legal stuff so I've generally ignored the issue so far. Also, the value in those old sounds is probably due more to Art Wood (the drummer who played the sounds, and my friend of many years), and to artists like Prince, Michael Jackson, and others, who made those sounds famous on their hits. Finally, I must admit that I've never cared much about the past, because I find the future far more exciting.

On the other hand, even if we discount the copying of the visual design, logo style and sound circuit of LinnDrum, the LmDrum copies my sounds. So I'd have preferred for Uli to ask my permission. Even if he thinks it is legal, I question whether it is ethical.

I find it interesting that the LmDrum is being sold in the U.S. for only $399. Having taken it apart and seeing how complex the copied old circuitry was to reproduce, I doubt Behringer is making any money from it. I suspect that they originally intended to sell it for much more, then discovered that while many people may say they want a LinnDrum clone, few are willing to pay more than a low price for it.

On a related topic, GForce Software has recently released their "IconDrum" software drum sound generator. Like the LmDrum, it copies the LinnDrum's visual design, logo style, and drum sounds, but has no sequencing. Unlike Behringer, GForce did say they wouldn't release the product if I objected, but they seemed like good people so I turned a blind eye. They also offered to pay me an insignificant royalty for my association with the product and perhaps to use "LinnDrum" name, but I declined because of the low compensation and because I thought it was misleading to call a product "LinnDrum" that wasn't a drum machine but rather only played my copied drum sounds.

One last comment. What's the big deal about nostalgia? I can understand that some people value analog synthesis, though I find the many types of innovative software synthesis created in recent decades to be far more capable, versatile and interesting. But even if people value vintage analog synths, why vintage digital drum machines? I ask this because an old bit is no different than a new bit. Our collective love of nostalgia brings to mind an old Douglas Adams quote from Salmon of Doubt:

"I've come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that's invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you're thirty-five is against the natural order of things."

As a guitarist, I recall having endless discussions in my youth about "good distortion". :)

- Roger Linn

The Swarm by Atrium Instruments

video upload by DECIMA1



DESIGN PHILOSOPHY

​Knob-For-Knob Functionality
We at Artium Instruments are committed to knob-for-knob functionality. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated sequences of button presses to access features; everything is conveniently accessible at your fingertips.
​
Curated, Onboard Effects
With over a decade of experience in the effects industry, we have carefully curated a selection of effects that seamlessly complement the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the inputs on the back.
​
Plug and Play Functionality
The Swarm utilizes a USB-C MIDI host for simplicity and ease of use. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility. (These converters typically cost $10-20)
​
Quality Craftsmanship, Intentional Design
We've invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colors, artwork, and the weight of the enclosure, every detail has been considered. These details matter to us because we recognize that the connection a user forms with a piece of gear is almost as crucial in the creative process as the sounds it produces. We hope you can feel the love and passion we've poured into every aspect of The Swarm, from its sonic capabilities to its design aesthetics.​
​
Open Source Platform
Artium desktop synths use an open source platform known as Axoloti or Ksoloti for development and implementation of its products. Click here for details on the open source platform being used.

SYNTH CORE

Oscillator
The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic unfolds when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

CLICK FOR MORE »

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

CLICK FOR MORE »

Roland Announces JUNO-D Synthesizer Series

video upload by RolandChannel

"The next generation of JUNO-D synthesizers is here. In this video, you’ll learn about the abundance of features that make this synthesizer the perfect partner for playing in a band and creating great-sounding content.

00:00 Intro
01:23 Intuitive Design
01:40 ZEN-Core Sound Engine
03:57 Sequencer
04:57 Sample Import
05:39 Chord Memory
05:59 Arpeggiator
07:03 Super Layers
08:39 Vocals
09:29 Connectivity

Building on a 20-year synthesizer pedigree, the versatile JUNO-D lineup offers three models featuring a pro-grade Roland sound engine and expandable sound library via Roland Cloud, all in a gig-ready design. Explore a built-in sequencer, vocal effects, and more for practicing and sketching song ideas. Then, take the stage solo or in a band with advanced performance features, pro keyboard action, and versatile connectivity for any gigging scenario. Intuitive controls and a user-friendly interface make JUNO-D the perfect entry point for piano players and new musicians ready to dive into new sounds and creative possibilities."

Roland Juno-D Synthesizer - All Playing, No Talking

video upload by Kraft Music

"Great bundle deals on Roland Juno-D:
https://kraftmusic.com/collections/ro...

Adam Berzowski jams on the Roland Juno-D8, showing a variety of sounds and features.

Juno-D is the perfect synth for gigging musicians and budding creators. This light and portable keyboard features a pro-grade Roland sound engine and an intuitive panel layout for easy operation. Play in a band or craft new songs with a massive sound library, an eight-track sequencer, and versatile connections for your gear. Perform on the move with support for USB-C mobile battery power. And stay inspired with new sounds on Roland Cloud.

Juno-D6, the most portable Juno-D model, features an expressive 61-note keyboard with synth action. Juno-D7 sports 76 synth-action keys, making it ideal for musicians who need extended range, multiple splits, and enhanced playability. The Juno-D8 88-note model features the acclaimed PHA-4 Ivory Feel keyboard with weighted hammer action, known for its exceptional response and traditional piano feel. Each Juno-D model includes the same internal features, panel layout, and connectivity. The only differences are the keyboard configuration, size, and weight.

Get more for your money with an exclusive Roland Juno-D synthesizer bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new keyboard synth, all for one low price. If you have any questions, please contact us. Our knowledgeable Sales Advisors will be happy to assist in choosing the bundle that's right for you!"

Roland JUNO D // Review & Tutorial (JUNO D6, D7 & D8)

video upload by loopop

Press release follows:

Streamlined Keyboards with Powerful Features for Gigging Musicians and Budding Music Creators

Los Angeles, CA, September 24, 2024 — Roland announces the JUNO-D series, a new generation of synthesizer keyboards for gigging musicians and budding music creators. The JUNO-D6, JUNO-D7, and JUNO-D8 models feature light, go-everywhere designs with pro-grade sounds, easy operation, and flexible connectivity for any scenario. Each model embodies the famous JUNO-D blend of value and innovation, fusing quality Roland sound and playability with the latest creative tools for today's musicians.

JUNO-D models feature high-quality keyboards inherited from the FANTOM-0 series instruments. The 61-note JUNO-D6 and 76-note JUNO-D7 are equipped with synth-action keyboards, while JUNO-D8 offers a piano-style experience with 88 weighted-action keys and hammer action. Other than the keyboards and physical specifications, all JUNO-D models offer identical features.

Every JUNO-D is easy to transport, simple to operate, and a joy to perform with. Users can play in a band or craft new songs with a massive sound library, an eight-track sequencer, and versatile connections for all their gear. The instruments can be powered via AC or a standard USB-C mobile battery, making them ideal on-the-go solutions for stage playing, creating music content in a home studio, or performing on the street.

Built on a 20-year pedigree of streamlined stage keyboards, JUNO-D features the same ZEN-Core engine found in top-tier Roland synths. A single instrument offers a rich sonic palette for everything from cover band tunes and instrumental jams to original songs. Over 3800 sounds are ready to explore, including acoustic and electric pianos, vintage and modern synths, organs, orchestral instruments, world sounds, and more. It’s also possible to import WAV samples to recreate specific sounds on stage or spice things up with unique tones and sound effects.

Roland Cloud provides an ever-growing library of Sound Packs and Wave Expansions for further inspiration, available through membership or Lifetime Key purchases. With a free Roland Account, JUNO-D owners can access a complimentary collection of ZEN-Core Sound Packs to get started.

Players can take creative command with a generous selection of hands-on controls for real-time sound adjustment. Dedicated buttons offer direct access to 16 sound categories, while Dual, Split, and Super Layer functions are available to combine tones or assign different parts to the left and right hands. With Favorites, the user can quickly recall tailor-made sounds for every song on the setlist.

JUNO-D also provides powerful tools for developing musical ideas and playing with backing tracks. There’s an eight-track sequencer with TR-REC step input and real-time recording options, plus eight phrase pads to trigger rhythm patterns or mute tracks to shape arrangements on the fly. Arpeggiator and chord memory functions are easily accessible to generate even more creative possibilities.

JUNO-D players can add vocals to their performances using the built-in mic input and professional effects, including compression, EQ, reverb, and noise suppression. Auto pitch and vocoder effects are also available to add the modern colors heard in current pop music.

The integrated audio/MIDI USB-C interface provides class-compliant support for a driverless connection to mobile devices and computers. Users can create and perform with their favorite music production software and infuse livestreams and music videos with pristine direct sound.

Each JUNO-D model has balanced stereo audio outputs to connect with studio speakers, a stage amp, or a house PA, plus a headphone jack for quiet practice and developing musical ideas. It’s also possible to play backing tracks and songs through the JUNO-D system from a smartphone or computer via USB-C or a flash drive connected to the dedicated USB memory port.

Availability & Pricing
The Roland JUNO-D6, JUNO-D7, and JUNO-D8 are now available in the U.S. for $899.99, $1,149.99, and $1,299.99 respectively.

Arturia Pigments/Analog Lab/AstroLab: Atmospheric Presets

video upload by Anton Anru

"Arturia Pigments/Analog Lab/AstroLab 'Tape Dreams' is a collection of 50 presets: 7 Arps, 4 Bells, 5 Basses, 6 Keys, 7 Pads, 5 Rhythmical, 5 Strings, 4 Synths, 7 Textures.
The bank of presets is dedicated to romantic, melancholic, nostalgic, retro/vintage, lo-fi sound. It features various colors: warm and cold, noisy and detuned, soft and punchy, dark and bright, clean and distorted, deep and airy.

📻 Get the soundset: https://bit.ly/3zpzbj3

🎹 Each preset has 4 Macros and Modwheel that make it easy to develop timbre and adjust key parameters.

🎛 The macros are a significant part of the soundset. They can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller or use them for automation.

The soundset is suitable for many genres: ambient, electronica, IDM, trip-hop, lounge, downtempo, pop, chill out, new age, cinematic, trance, deep, progressive, techno, retrowave, synthwave, breaks, jungle, drum and bass, dub and others.

Highlights:
🔹 Wide range of timbres
🔹 Thoroughly set parameters
🔹 ModWheel adds expression
🔹 4 macros to shape the timbre during performance
🔹 Tags for a more comfortable browsing experience

Compatible with Pigments, Analog Lab, AstroLab.
Make sure you are using the latest software/firmware version.

For AstroLab users.
Import the bank into Analog Lab.
Send the presets to the device.

CLICK FOR MORE »

Behringer Edge Modular Patches/Patterns/Samples No Talk Demo

video upload by Anton Anru

"Behringer Edge «Modular Grooves» is a collection of 50 patches + patterns: 17 Percs/Drums, 16 Basses, 17 Synths. It is dedicated to the modular vibe, loved for its analog warm sound, experimental attitude, rich opportunities, unique features and tones, and inspirational workflow.

💎 The presets feature various colors: warm, noisy, detuned, distorted, as well as mild, clean, soft, punchy, dark, bright, deep, and airy.
Some timbres are great to play the first role in tracks or jams, while others will work perfectly as additional parts.
You may use the patches as they are, but I strongly recommend tweaking the knobs to develop the timbre during your performance and get an exciting experience.

📥 Get the soundset: https://antonanru.sellfy.store/p/edge...

💽 The soundset also includes 24/41000 WAV samples, accompanied by BPM and scale information. You can use them as they are, or you're free to resample, edit, and apply effects. These samples offer a versatile material for your experimentation.

📚 The soundset is presented in PDF format. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

🎧 There are audio examples of all patches inside the folder with the soundset.
To recreate these patches, you need up to 3 patch cords.

Tuning is an important part of the final result, but it’s quite difficult to depict the settings of oscillators frequencies and sequencer knobs as they are quite small, and even a tiny movement may shift the pitch. I tried to be as accurate as possible to draw these settings (the way they play in the audio examples), but don’t be upset if you can’t recreate the same melody. You may spend some time to catch the same melody, or you may use the settings as a starting point for your own melodic or percussive lines.

I used an external USB clock from Ableton Live. When external clock is used, TEMPO knob has no effect, so I left its value on some default position. Only tempo division (SCALE) changes the playback. If you use EDGE as a master clock device, change TEMPO to your taste.

🔔 The video contains demo tracks featuring these presets. I've added other samples, drums and pads, to create a complete musical context. The EDGE sequences can be quite complex, producing various timbres at once, like bass and percussion. To help you distinguish, I've marked the EDGE and ADDITIONAL SOUNDS with different colors.
These ADDITIONAL SOUNDS are not included in the soundset.

CLICK FOR MORE »

Introducing... The Swarm, By Artium Instruments

video upload by Artium Instruments

"Artium Instruments is thrilled to introduce its very first offering, The Swarm, a polyphonic desktop synthesizer."

via Artium on Kickstarter

At Artium Instruments, we approach our designs with the understanding that musicians cultivate intimate connections with the gear they employ to create their art. We firmly believe that instruments ought to possess not just functionality, but also personality, character, and a distinct identity that inspires its user. First and foremost, we've dedicated significant effort to ensuring that the synthesizer and onboard effects produce exceptional sound quality akin to professional studio-grade equipment. The Swarm features a SuperSaw oscillator with 8-note polyphony, curated onboard effects, and a full-featured arpeggiator.

At Artium Instruments we are committed to knob-for-knob functionality in our desktop synths. Every feature of The Swarm is directly mapped to a knob, button, switch, or jack, ensuring effortless control. There's no need for menu-diving or complicated button presses to access features; everything is conveniently accessible at your fingertips.

With over a decade of experience in the effects industry, we have carefully curated a selection of effects that complements the synth core. Unique to The Swarm is its capability to use the onboard effects with other equipment, allowing you to route external audio through the input jacks on the back.

We've invested considerable thought into crafting the overall feel of the instrument. From the layout of the knobs to the choice of colors, artwork, and weight of the enclosure, every detail has been considered. These details matter to us because we recognize that the connection a user forms with a piece of gear is nearly as crucial in the creative process as the sounds it produces. We hope you can feel the love and passion we've poured into every detail of The Swarm, from its sonic capabilities to its design aesthetics.

The Swarm is controlled by MIDI through a USB-C port. Most modern class-compliant MIDI controllers with USB functionality should plug in and work immediately with zero setup. Additionally, The Swarm provides power to your controller, streamlining your setup process. For older controllers that only have DIN connections, a USB to DIN converter can be used to ensure compatibility.

The Swarm features a SuperSaw oscillator with 8-note polyphony. This oscillator is composed of seven individual saw waves stacked on top of each other. The magic happens when you detune the waveforms by applying a frequency offset, resulting in one of the most massive synth sounds available.

The Swarm employs this SuperSaw oscillator through two distinct control modes: Polyphonic Mode and Arpeggiator Mode. In Polyphonic Mode, you can play up to eight notes simultaneously. Arpeggiator Mode offers a comprehensive monophonic arpeggiator, automatically sequencing held notes in a variety of patterns.

All onboard effects can be used with external equipment. Simply plug an external audio source into the rear input jacks, and The Swarm will seamlessly mix the external audio with its synth core, allowing for simultaneous processing of both signals.

By pressing the touchpad on the right, The Swarm records a 1000ms sample of the current audio. It then layers, and smears the sample, creating an infinite drone frozen in time—a perfect foundation for layering additional notes. The freeze effect facilitates overdubbing, and pressing the touchpad with the freeze knob at its minimum setting erases the memory, allowing you to capture a fresh sample.

The Swarm's delay is a digital delay with a subtle touch of warmth. The delay length synchronizes with the arpeggiator clock, which can be adjusted manually using the clock knob or via the tap tempo touchpad on the left. Additionally, the delay features a multiplier knob, offering a range of unique subdivisions that complement the synced arpeggiator, including quarter notes, dotted eighth notes, eighth notes, and triplets.

The reverb effect in The Swarm strives to enhance the natural body and ambience of the synth core without overshadowing it. Its stereo reverb algorithm is controlled by a single knob, which adjusts both the mix and decay simultaneously. This versatile control allows you to seamlessly transition from realistic room or hall effects to expansive cathedral-like soundscapes, offering a wide range of atmospheric possibilities.

The SuperSaw oscillator practically demands to be paired with a chorus effect. The Swarm employs a stereo 4-voice chorus effect alongside a gradually shifting LFO, aiming to craft dimensionality without becoming nauseating.

Moog DFAM: Modular Grooves Patches/Patterns. No Talk Demo

video upload by Anton Anru

"The new Moog DFAM soundset has been highly requested by my subscribers. The first bank, «Techno Generator», received many positive feedbacks over the past few years.
«Modular Grooves» is a collection of 50 patches + patterns: 17 Percs/Drums, 16 Basses, 17 Synths. It is dedicated to the modular vibe, loved for its analog warm sound, experimental attitude, rich opportunities, unique features and tones, and inspirational workflow.

📦 Get the soundset: https://antonanru.sellfy.store/p/dfam...

💎 The presets feature various colors: noisy, detuned, distorted, as well as mild, clean, soft, punchy, dark, bright, deep, and airy.
Some timbres are great to play the first role in tracks or jams, while others will work perfectly as additional parts.
You may use the patches as they are, but I strongly recommend tweaking the knobs to develop the timbre during your performance and get an exciting experience.

📚The soundset is presented in the form of PDF-Document. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

🎧 There are audio examples of all patches inside the folder with the soundset.
To recreate these patches you need up to 3 patch cords.

💽 The soundset also includes 24/41000 WAV samples, accompanied by BPM and scale information. You can use them as they are, or you're free to resample, edit, and apply effects. These samples offer a versatile material for your experimentation.

🔔 You are listening to demo tracks featuring these presets. I've added other samples, drums and pads, to create a complete musical context. The DFAM sequences can be quite complex, producing various timbres at once, like bass and percussion. To help you distinguish, I've marked the DFAM and ADDITIONAL SOUNDS with different colors.
These ADDITIONAL SOUNDS are not included in the soundset.

CLICK FOR MORE »

Ableton Live Presets: Atmospheric Vintage Pads, Keys, Arps

video upload by Anton Anru

"Ableton Live - Memories On Tape is a collection of 50 presets that includes: 8 Arps, 7 Keys, 9 Pads, 5 Rhythmical, 7 Strings, 7 Synths, 7 Textures.
The bank of presets is dedicated to romantic, melancholic, nostalgic, retro/vintage, lo-fi sound. It features various colors: warm and cold, noisy and detuned, soft and punchy, dark and bright, clean and distorted, deep and airy.

🧿 Get the soundset: https://antonanru.sellfy.store/p/able...

🎹 The presets are presented in the Instrument Rack format, which combines synths and effects in a single device. Each Instrument Rack has 8 Macros that make it easy to develop timbre and adjust key parameters.

🎛 The macros are a significant part of the soundset. They can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller like Push, use them for automation, or map the macros to Ableton modulators like LFO, Shaper, and others.

For the soundset, I utilized only Ableton Suite's built-in instruments and effects. No external installations, such as M4L devices or samples, are required.

The soundset is suitable for many genres: ambient, electronica, IDM, trip-hop, lounge, downtempo, pop, chill out, new age, cinematic, trance, deep, progressive, techno, retrowave, synthwave, breaks, jungle, drum and bass, dub and others.

Highlights:
🔹 Wide range of timbres
🔹 Thoroughly set parameters
🔹 Velocity sensitive
🔹 ModWheel adds expression
🔹 8 macros to shape the timbre during performance
🔹 Live 12 Browser Tags for a more comfortable browsing experience

🔔 The presets are compatible with Ableton Suite 11 or higher.
Please note that they are strictly for Suite version only. Standard, Lite, and Intro versions do not include the instruments used for the presets.

📦 Installation.
Put the folder "Anton Anru - Memories On Tape" into your Ableton User Library - Presets - Instruments - Instrument Rack. Just drag and drop the folder from your OS browser into Live browser.
Contains two versions: Live 11 and Live 12 (with Browser Tags).

CLICK FOR MORE »

Korg Opsix - "Berlin Waves" 50 Presets and Sequences

video upload by LFOstore

"Lfo.store presents "Berlin Waves" soundset for mighty Korg Opsix

Buy: https://lfostore.sellfy.store/p/korg-...
More Opsix presets: https://lfostore.sellfy.store/search/...

Working with Hardware & Native version!

Korg Opsix is very inspirative synthesizer with lots of possibilities & easy to use interface.

Inspired by our best seller soundset dedicaited to Klaus Schulze for Korg Wavestate we are continuing series of sounds dedicaited to Berlin music school!

By Nick Klimenko aka Chronos, a creator of “Organica” for Waldorf Blofeld & “WS Universe” for Korg Wavestation & Anton Sacral Reason author of series of presets for Korg Wavestate and all the synths from the Behringer.

In the bank you will find:

classical sequences
edge leads
cosmic plucks
evolving arpeggios
deep pads
massive polys

50 amazing presets and sequences are waiting for you and ready to fill your compositions with new colors and inspire creativity.

We done our best for you to immerse into best moments & rising of Berlin electronic music school

Suited for all modern genres of electronic music: retrowave, ambient, trance, house, classic electronica, downtempo.

Welcome to the universe of sounds."

Roland Gaia 2 - "Berlin Waves" 40 Presets and Sequences

video upload by LFOstore

"Lfo store presents "Berlin Waves" soundset for Roland Gaia 2

Buy: https://www.inspireuplift.com/Roland-...

More Gaia 2 presets: https://www.inspireuplift.com/shop/Sa...

Roland Gaia 2 is very inspirative new synthesizer with lots of possibilities & easy to use interface.

Inspired by our best seller soundset dedicaited to Klaus Schulze for Korg Wavestate we are continuing series of sounds dedicaited to Berlin music school!

By Nick Klimenko aka Chronos, a creator of “Organica” for Waldorf Blofeld & “WS Universe” for Korg Wavestation & Anton Sacral Reason author of series of presets for Korg Wavestate and all the synths from the Behringer.

In the bank you will find:

classical sequences
edge leads
cosmic plucks
evolving arpeggios
deep pads
fat basses

40 amazing presets and sequences are waiting for you and ready to fill your compositions with new colors and inspire creativity.

We done our best for you to immerse into best moments & rising of Berlin electronic music school

Suited for all modern genres of electronic music: retrowave, ambient, trance, house, classic electronica, downtempo.

Welcome to the universe of sounds."