MATRIXSYNTH


Tuesday, April 10, 2007

EMS VCS3 Putney

Title link takes you to shots pulled via this auction.

Oddly, it looks right at home.

Some interesting details:
"The EMS expert I have been dealing with has only seen pictures of this unit. This is what he wrote:

'Your VCS3 is interesting because it is a very early model. Although it does say VCS3a on the back panel, this is not a commonly recognized 'species' of VCS3 and the unit would fall under the heading of VCS3 Mk1. More importantly the circuitry and components are the same as the Mk1 VCS3 (and Synthi A Mk1 - the suitcase model) I noticed the pencil marking '210' on the images you emailed and suspect that this is the correct serial number.'"

Sequential Circuits Pro One


More pics here via this auction.

Details:
"From the manual:
About the Pro-One
The Pro-One is a monophonic (one-voice) keyboard synthesizer. Its principal sound sources are two voltage-controlled oscillators (VCOs), referred to as OSC A and OSC B. OSC A, OSC B, and a white noise source can be mixed into the resonant low-pass filter (VCF). The filter modifies the voice timbre under control of its four-stage envelope generator. The filter may also serve as a sound source. This stage is followed by a voltage-controlled amplifier (VCA), which shapes the voice amplitude also under control of a four-stage envelope generator. The keyboard provides frequency control voltage (KYBD CV) for the oscillators and filter, and generates a GATE which controls the envelope generators.

In addition to this basic voice, the Pro-One has extensive modulation provisions. Three modulation sources are available: the filter envelope generator (FILT ENV), OSC B, and a separate low-frequency oscillator (LFO). Each can be mixed and routed for either DIRECT or WHEEL-controlled modulation of five destinations: OSC A frequency (FREQ), OSC A pulse- width (PW), OSC B FREQ, OSC B PW, and filter frequency (FILTER).

This complement of analog synthesizer modules and the routings provided for their interconnection have been well-proven in the Pro-One's ancestors, the Prophet-5 and Prophet-10 polyphonic synthesizers. Besides allowing the synthesist to play up to five or ten notes at one time, these two instruments contain microcomputers which program all the control settings comprising a sound. The Pro-One is neither preset nor programmable: you always "patch" the precise sound you want with the knobs and switches on the control panel. But the Pro-One voice itself is identical to a single Prophet voice, so it is capable of as much range and expression.

Possessing the Prophet's sound and all standard monophonic synthesizer features, the Pro- One's own microcomputer makes possible innovations unheard of on a lowcost synthesizer; a 40-note sequencer, an arpeggiator, keyboard modes such as single- or multiple- triggering, and the unique automatic glide feature. An audio input with preamplifier and automatic GATE generator allows synthesizer processing of low-level inputs such as a microphone or electric guitar. The audio output can drive a monophonic or stereo amplifier, or stereo headphones. Of special interest to computer enthusiasts, the Pro-One readily interfaces for control by an external microcomputer."

I love the introductions for synths in manuals. You get a glimpse of how the people behind the synth wanted users to perceive it - it's the culmination of all the work that went into the synth. Introductions to manuals were one of the first things I put up on the old Matrixsynth site back in Oct of '97. Click on the nostalgia link when you get there to see them.

Roland SH-5

Title link takes you to shots pulled via this auction.

Width: 37 inches
Depth: 17 inches
Height: 13 inches
Weight: 50 pounds

ARP 2600

Title link takes you to shots pulled via this auction. This one has the 4012 "Moog" style filter. Be sure to check out the audio demo. Via Dave.

Update via dead man's party (appropriate name) in the comments: "The musician? The mp3 tells you: Michael Bacich. He played keyboards for Oingo Boingo in the late 80's. I'm not sure what he's been doing since then but he posts on AH and/or SDIY occasionally." I thought someone would catch that. : )

Demo mirrored here.

Sintes de Waldorf en la Musikmesse


YouTube via Hispasonic. Hispasonic.com

keybdwizrd plays the Moog LP (mod syncer)


YouTube via keybdwizrd

"keybdwizrd plays the mod syncer patch on the Moog Little Phatty Tribute Edition, with accompaniment provided by the Korg Micro Micro X. Delay and reverb effects on the Moog via Access Virus TI Polar."

KORG PolySix demonstration part 2



And Part 2 previously posted:

YouTubes via OriginalJambo.

robot family


YouTube via stabilebauten. Sent my way via Mr. Array.

"minimal autonomous analog solar powered symets - with movement and sound output
3 free oscillators - IC 74HC14 (Suneater// Hex Schmitt Inverter)"

Monday, April 09, 2007

Convoy The Cat


You can find this Cat's music here.

Images mirrored here [old link]

lol cat

Oberheim Xpander Factory Patches - Casette

via this auction.

Roland CMU-810


Click here for shots via this auction. Details: "This is the Roland CMU-810 Compusynth, one of the rarest synths ever made by Roland DG Group, an obscure offshoot of the Roland Corporation that remains to this day. In the old dealer price sheets from the 80's it was listed as an expander for the CMU-800 Compu Music, a small mixer/synth/drum machine in a similar housing that you hooked up to a computer. If you look online or read Peter Forrest's A-Z book, a false rumor has perpetuated that this is simply an SH-101 or an MC-202 in a metal box without a sequencer. They reference the schematics but the schematics are nowhere to be found. I've been looking for years for them without any luck. I've compared all three synths side by side, and have triggered the CMU from both an SH-101 and MC-202 sequencer as well as the Roland MC-4. The sound out of this box is entirely different than it's younger cousins, more aggressive, with a faster attack, and much nicer filter. The SH-101 and MC-202 sound very plasticky and thin compared to the CMU. The CMU-810 sounds more like the SH series of synths and soundwise it's probably closer to the SH-09. It excels at bass sounds and percussive effects. It also differs from the MC-202 and SH-101 in that it has a delay slider on the LFO, an input to control the VCA for tremolo effects, and removes the trigger control over the envelope. It also has a built in miniature mixer so you can merge the sound of two additional synths or drum machines (MC_202/TR-606?) with the output of the CMU. It sports sliders from the era of the Jupiter-8 indicating that it probably predated the MC-202 and SH-101 by at least a year or so. One European reviewer on SonicState wrote, "They say it is like the 101/202 but I have not heard any of them (101/202) as aggressive as my new baby (cmu). Very clear, very warm, loads of rumbling and as stated before it can be a very aggressive basspump. If you want to get rid of yours give me a shout cause I would not mind linking a few together." I agree 100%. I would buy one over an MC-202 or SH-101 anyday. But the CMU makes a good partner for either of these synths because it takes up such a small footprint and can act as a second voice when hooked up via CV/GATE. You can watch a video of a CMU-810 on YouTube here: http://www.youtube.com/watch?v=eof7hVqBsw0"



Previous CMU-810 posts

Bent VSS-200

For the circuit benders out there, title link takes you to OXO Unlmitted and a post on a bent Yamaha VSS-200. You'll find more images and info on the bend.

Vermona at the Musikmesse - Vids via Gearwire

Vermona Perfourmer Quad Analog Synth


Vermona DRM1 MKII Analog Drum Module


Also check out: JazzMutant Lemur

Plan B Model 26 Readies for Release

"The new Plan B Model 26 Multi-tasking CV Processor has hit the assembly stage and will be available for purchase on two weeks time. A fully operational store demo will be at Analogue Haven later this week.

The price is $185 USD.

The M26 is the first of a series of 'swiss army knife' modules intended to provide a series of basic, albeit important synth functions without having to make a large investment in money or real estate to do so."

via Peter Grenader.

Guns N' Roses' New EAR System

Via Peter Grenader:
"Guns N' Roses have taken delivery of their custom Plan B system, which will be used by keys player Chris Pitman (ex of the band Tool) as the GNR touring begins in Africa and Asia in Mid-April."

Electrobeds Volume 1

Title link takes you to more shots and mp3s of the disk.

via Brandon of fdiskc.

"It says 'Music for Moog Synthesizer', but pieces of it sound distinctly Buchla to me... especially some of the percussive bits. I acquired this in a lot of library music in the mid-late 90s, it's not very good, IMO, but maybe someone will get a kick out of it."

Makes me want to go record diving. Some of it sounds very "8-bit" as well, particularly the first track on side 1.

Latinsizer / Celofán


YouTube via pepemogt. Via the comments of this post.
"Tomatoes, Drum Machines, Onions, Knobs, Lettuce, Analog Synths, Chilly, Cables, Tortillas, Beef and Nurses." More details on YouTube.

Doepfer Modular Synth

flickr by Nick Venables.

Title link takes you to a shot with the MFB Videoscope VD-01 output.

Build Your Own Custom Monome

Remember the Monome? Title link takes you to a post on Create Digital Music that walks you through how someone built one.

Catsynth Moog and Virus

Title link takes you to the shot with the Virus on Catsynth.com.

Sequential Circuits Prophet 5 Rev 2


Click here for shots via this auction.
Details from isatellite:
"This is the famous Sequential Prophet-5, a rare Rev. 2 version, in near mint collector's quality condition. It is considered by many to be one of the best analog polysynths ever made. This one has been babied, and maintained throughout it's life. It comes with 5 new old stock spare SSM chips (VCOx2, VCF, VCA, ENV) worth over $500 so you can be sure this synth will be running for many years to come.

History: When I bought it I had a Kenton Electronics MIDI kit installed in it. It has been used on pretty much every song I've ever done and was featured as the main lead in the song Automat. I used it live once at the Autobahn show in Ohio back in 2003 and it was a solid performer live. It has been one of my favorite synths and I really hate to see it go. This synth has guts, and nothing sounds like it. I've owned 5 Prophet-5's throughout the years and this one sounds the best. I've owned many Rev. 3's and they have generally been more unreliable than this synth. You'd be hard pressed to find one in better condition at any price.
Version: This is the later version Rev. 2, just before they switched over the CEM chips. It uses the much better sounding SSM chips throughout, and has the rare cassette upgrade. This is how a Prophet-5 was supposed to sound, before it got a complete circuit redesign by Sequential Circuits. Jerry Harrison of Talking Heads said he preferred this version to the other Prophets. OMD swore by their Rev. 2 and were upset when Sequential changed the internals. Some have called this the Rev. 2.2 model, but that numbering has been debated.

Condition: See untouched photos for details. These were taken this morning, straight out of my camera. Based on 15 years of owning literally dozens of vintage synths, I would rate it a 9.9/10. It is in near mint electronic and cosmetic condition. I know the word mint is overused on eBay, but take a look at the photos and judge for yourself. As you can see, the cosmetic condition of this synth is pristine. There is no wear whatsoever on the graphics, knobs, silver switches, or lettering. The logo plates are all original and reflect like a mirror. The large Prophet-5 logo on the back is simply stunning and in pristine shape. Looks much better than the heatsync on the Rev. 3 models. There is no sun damage and all of the parts retain their original coloring. The wood is a gorgeous walnut with only a few small marks here and there on the wood edges that are barely noticeable in the photos. There is one indentation in the wood on the righthand side that is very minor and not noticeable in the photos. Rev. 2 Prophets almost invariably have a crack in the wood at the upper right due to a design defect in the modulation section. This synth has been taken care of and has no cracks in the wood. A couple of the knobs have marks on them, but they are all original, not Wine Country reproductions. Small mark on the top of the modulation wheel...barely noticeable. Small indentation on the right of the Prophet-5 logo on the face of the synth. The underside has some marks and paint scrapes in places. There are still two pieces of velcro stuck to the bottom where I had a controller attached for turning on a bubble machine during the performance of Bubbleboy in 2003. One screw is missing from the bottom of the synth. The red LED screen is bright and clear, and the plastic lens has only extremely light scratches from dusting it...but they would not show up in the photos. A little plastic polish and the lens will shine as new. The keys are highly reflective with only the occasional mark here and there. The internal components are all present and accounted for, and the internals are clean and free of rust and debris. This is the mintest example of a Rev. 2 Prophet-5 that I have ever owned or seen ever in over15 years of collecting synths. If you're picky about the condition of your gear, and you want the very best Prophet-5 ever made in pristine condition, this is the synth for you. I realize I'm asking a lot for this synth and it may not be the synth for your price range. If so, please don't send me threatening e-mails. If you can find another in this shape at any price, then buy it. It would be worth it. I'm the type of person that will pay additional $ for something that is the best of its kind, with no rust, and no issues. And this is the best example I have seen of a Rev. 2 Prophet-5 anywhere, at any price.

Functionality: This synth has been babied and maintained in top functioning condition its entire life. I literally just brought it back this weekend from having my tech go over it in detail and make sure everything was functioning 100%. It tunes up after about 20 minutes of warm up, and then never drifts after that. A few years back Tony Clark of Great Lakes Modular modified the power supply so that it was more stable than typical Rev. 2 Prophets. All of the knobs and buttons function perfectly, with no scratchy pots. I have never had to clean the sliders or pots, and they all work as new. All keys trigger perfectly with no double-triggering. I spent a great deal of money buying and installing completely new bushings about a year ago. The keys play like butter. All inputs and outputs, MIDI, velocity (from MIDI), aftertouch (from MIDI), modulation, pitchbend, keys, buttons, and pitchbender - everything works perfectly. There is nothing functionally wrong with this synth. The Kenton MIDI kit provides MIDI in, out, and thru and is considered to be the best MIDI kit available for the this synth. For more info on everything that the Kenton MIDI kit can do, please check out the Kenton site at kenton.co.uk. In case you are worried about the reliability of this synth, I have only had one SSM chip replaced during the 11 years I've owned it."

The First Roland TB-303 Tracks


An interesting thread came up on the Analog Heaven list regarding the first tracks to feature the TB-303. The following are a handful of them in order of release. Note how the TB-303 is more used in it's original intent as a substitute for bass guitar - no acid here. As Blancmange was the first on this list, I thought I'd put up a picture of them with the 303. I found the image on The Daily Disco. If you know of anything earlier with the TB-303, feel free to comment.

Update: also see Raga Bhairav - 1982 - SYNTHESIZING: TEN RAGAS TO A DISCO BEAT - Charanjit Singh


Blancmange - Living on the Ceiling - Aug 1982

Shannon "Let the Music Play" - Oct 1983


Let Me Go - Heaven 17 - Oct 1982

nord lead 2

flickr by west_berliner1.

Roland Juno-106

Title link takes you to shots pulled via this auction.

Modcan Series A


Click here for shots via this auction

Details:
"Oscillator 01A
Dual Envelope 37A
Multimode Filter 10A
Interface 25A
Signal Arts Midi Analog Performance Sequencer 42A

It is housed in a Modcan Series A black anodized Mounting Chassis with 19" rack mounting brackets and a Custom Modcan Power Supply that powers up to 21 modules. It also comes with 16 banana cables of varying colors and lengths, but it does not come with the SKB case in the photos.

This synthesizer can be used with other modular gear, but it was designed to be a fully functional monosynth. Bruce’s Multimode Filter has a VCA built right into it, so this unit can be used as a very flexible standalone synthesizer with 2 envelopes, a very versatile VCF, and of course one of the most unique sequencers ever made.

I waited at least 6 months for Bruce Duncan to build this. I used it for a few months in my studio until I became busy w/other things. Since then it’s been packed away in the SKB case in the closet, so it’s basically brand new, ready to plug and play. If you’ve read this far you already know that Bruce Duncan’s work is of the highest quality, and this synthesizer sounds absolutely wonderful. The Signal Arts Midi Analog Performance Sequencer (MAPS) is one of the most unique analog synthesizers ever built, and many people now consider it the best analog sequencer being made today. There is truly nothing that compares to its unique functionality. You can read the MAPS review I wrote for Tape Op magazine here: http://www.signalarts.ca/files/seqrev.html#GFreview

And you can read more about Signal Art and Modcan:

http://www.signalarts.ca/
http://www.modcan.com/

Thomas Henry (a.k.a. Midwest Analog Projects) ADV-SNARE

via this auction.
"PCB for the Thomas Henry (a.k.a. Midwest Analog Projects) ADV-SNARE percussion generator. Includes a digital copy of the construction and schematic manual. Also includes the very rare LM566 Function Generator (Triangle / Saw) and two and two CA3080 Operational Transconductance Amplifiers. The rest of the items you will need (transistors, resistors, capacitors, solder, pots, wire, ic sockets, jacks and 1458 and 741 i.c.s) are all very readily available from any number of electronic sales outlets Once finished you have a fantastic DRUM source - it takes allmost any TRIGGER INPUT - from a microphone/piezo to a midi2gate converter. Panel controls include several building blocks. You have the SHell Generator, The Snares (noise) generator, the Impact Tone generator and Trigger conditioning circuits. Pots include Shell Volume, Shell Decay, Shell Modulation, Shell waveshape, Snares Decay, Snares VCF/Cut off, Snares volume, Impact Tone, Impact Volume - and several switches for modulation/pitch changes. Make allmost any drum sound you want! Snares, Kicks (808 boom), Toms, Hi hats, Cymballs, Devo beeps, its all here"

Sunday, April 08, 2007

Build a Better Synthesizer by Thomas Henry


via this auction

Also on Amazon
From a user review on Amazon:
"This book advocates building your own modular synthesizer as opposed to purchasing a mass-produced instrument. Given the fact that the book was published in 1987 (about three years after MIDI's public debut) and long after polyphonic synths with digital memories had generally displaced modular synths in the public's eye, one is left to question the premise that you could build an instrument that would be superior. I suppose beauty is in the eye of the beholder, though, eh?

This book contains cicuit diagrams for many of the basic components found in a modular synthesizer, but sadly, they are all based around CEM chips (Curtis Electromusic Specialties) which are no longer widely available. Assuming you were able to find a set on Ebay, this hardly seems like an attractive option with all of the companies like Paia, Blacet, Modcan, MOTM, synthesizers.com among others who offer kits and/or pre-built modules.

Overall, an interesting historical read, but of very little practical worth."

Previous Thomas Henry posts

korg ms 2000 b

flickr by micheeky.

Synth-in-a-box


Or rather a CD/DVD spindle. You can find more pics here.

"On a lazy Sunday afternoon, some time back now. I decided to build a synthesizer.
Analogue electronics is not really my thing, I’m much more a digital person but when I found a design online for The #3 Standard WoggleBug by Grant Richter, I just had to build one. Neat circuits, who needs 'emFirst I built the circuit on some veroboard. This thing is controlled by a bunch of potentiometers, there is no keyboard and certainly no MIDI! Then I was wondering what to make for an enclosure. My friend Jasper found an empty CD spindle and you know, it was just crazy enough to work."

ARP 2600 Owner's Manual - To PDF or Not to PDF

Via Way Out Ware:

"The TimewARP 2600 Manual is free and full of information about our product and how to use it.

Even better, the TimewARP 2600 Manual contains an entire chapter on audio synthesis basics written by Jim Michmerhuizen, the author of the original ARP 2600 Manual and Founder and Director of the Boston School of Electronic Music.

Essential reading for anyone interested in the vocabulary and methods of classical analog synthesis."

Update: Originally this post pointed to a pdf download of the manual I found on the web. It was brought to my attention that the author Jim Michmerhuizen was still selling the manual in hard copy. I updated the link to his site instead. I did a search for the manual and found a copy of the pdf immediately. I'm curious what others think of scanning manuals and making them available for download in general. Good mojo or bad mojo?

Update 2: via Sam Ecoff on AH: "I thought I'd weigh in on this as I own two different versions of the ARP 2600 manual. I own the original Tonus version, which I believe was authored mostly by David Friend (somebody please correct me if I'm mistaken) and the later ARP version written by Jim. While both are interesting reads from a historical point of view, they both share the same general weakness in my point of view: unless you already have a solid understanding of modular synthesis, they are a tough nut to crack for a newbie. For those that are interested, I put up a scan of my copy of the Tonus version (which is out of print, btw) here: link."

Also check out Sam Ecoff's Electronic Music Books based primarily on the ARP 2600, also posted here.

Update 3 via loren in the comments of this post: "The ethics of copywrite aside, I thought it should be pointed out that you can download a legit free pdf version of the Arp 2600 manual at the Way Out Ware's website, which you can find here. From my understanding after talking to Jim and the guys at WOW a couple NAMMs back that he gave them permission to use the original manual for their software version."

Update 4: You can find the Boston School of Electronic Music website here. Based on the copyright date of 2015 - 2016, I'm guessing it launched in 2015. If anyone knows otherwise, feel free to leave a comment.

BMW Expander

Hylander Mini Wave Expander.

Title link takes you to more shots and info on Muff Wiggler.

"the Expander is used along with a Blacet/Wiard Mini Wave module, allowing the MW to address a total of 10 ROMs (as opposed to the 2 ROMs that a standard Mini Wave can work with), which ultimately gives your Mini Wave 2,560 individual waveforms. Additionally, the Expander adds CV control over the currently active ROM, and a signal inverter."

Monster Serge System

"The panel on the upper left consists of a bank of 36 custom comb filters and 24 custom VCAs, the 2 panels below it populated with 16 Keyboard Envelope Generators to drive them all. This instrument was made 1977 (as you can tell from the paper faceplates) and is in remarkable condition. Outside of the one mondule shown which is covered with blue tape, everything works perfectly."

via Peter Grenader

STG Soundlabs Radiophonic Accessory System



"While unable to produce diatonic music on its own, this system provides a basic set of tools which any radiophonic composer would find useful in today's modern tape studio. filtering, gain regulation, a noise source, clock oscillator, and two contour generators (capable of manual or remote triggering) are all at your fingertips without having to walk across the studio, touch a razor blade, or repurpose surplus military equipment.

available now from STG Soundlabs for only $1,963 including hardwood cabinet with integrated power system. system components available seperately.

from left to right: Multiples, Attenuators, Noise Buffet, Sample & Hold, Envelope Generator, Post-Lawsuit Lowpass Filter, Envelope Generator, and Voltage Controlled Amplifiers.

the noise, S&H, EGs, and VCA are all based around boards by Ray Wilson (musicfromouterspace.com), and the Post-Lawsuit Lowpass Filter is the initial production version of the Yves Usson (yusynth.net) ARP 4072 filter. all modules are electrically compatible with Synthesizers.com systems and physically compatible with Synthesizers.com or Moog systems. details soon at stgsoundlabs.com."

Yamaha DX7 II FD

Title link takes you to shots pulled via this auction.

Wilson Phillips' The MOOG Source




For the Wilson Phillips fans out there. via this auction:
"I used this monophonic Moog Source synthesizer on the Wilson Phillips tour in 1988. I put it in storage after the tour and haven't touched it until now. It's in excellent physical condition except for small strips of tape on the top that had the band's set list. (I chose not to remove them since I don't have tape remover solvent to clean off any residue.) I had a tech look at it and he said,"It powers up but the key contacts have tarnished and need to be cleaned and the internal battery needs to be replaced so it can hold user programable presets in it's 16 memory slots. His estimate on the repairs was $100.00. This synth is being sold in as is condition. My photos turned out a liitle grainy but be assured this synth is in excellent phisical condition. Local pick up in LA is fine."

Saturday, April 07, 2007

Sonic Arts Network EXPO 2007, Plymouth

"Semorphonic Orchestra – call for performers

Do you have an old analogue synth stashed away in the loft (or taking pride of place in your studio)? We are looking for performers for this unique world premiere event. The Semorphonic Orchestra will be made up from a large group of musicians playing analogue synthesisers scattered about the space where the Sonic Picnic is taking place on Sunday 24th June. Groups of musicians will communicate via semaphore signals (the origins of coded data transmission), playing a piece specially devised by composers Duncan Chapman and Mike McInerney of Devon-based ensemble Analogorak. Performers will be expected to bring their own synthesisers (which will need to be capable of being battery powered, either using internal batteries or 12v/240v inverter) and attend 2 x 1 hour rehearsals during the EXPO weekend before the grand premiere on the Sunday. No previous experience of signalling with flags is necessary.

(more info and contact at www.analogorak.co.uk/semorphonicorchestra.htm)"

Via Peter Grenader

Chris Muir and His Buchla 200e Live, April 15 2007 SF

As you might recall, I've posted a number of Chris Muir's Buchla 200e samples. Well, if you want to see the 200e live, here's your chance.

"I'm playing a gig Sunday, April 15 at 7PM

The ensemble consists of:
Jennifer Hicks butoh/movement
Aurora Josephson Voice
Henry Kaiser Guitar
Chris Muir Buchla 200E
Damon Smith Bass
Weasel Walter Drums

This will be 96% improvisation. Chance of cacophony 100%.

It's my first gig with the Buchla 200e and a custom Max program
driving it, so I'm a little nervous about it. (but in a good way)

Jon Sims Center, 1519 Mission Street, San Francisco
(between 11th Street and South Van Ness)

Marginally more information can be found here:
http://www.xfade.com/gigs/Hicks.html

-C"

Moog Little Phatty Toccata and Fugue in Dm


YouTube via gattobus. Sent my way via Mr.Array.

Kyma X + Wiimote


YouTube via inthegray. Sent my way via Dr. Future.

"For reference, the Kyma is the software (runs on MAC and Windows), and the Capybara is the box with the DSP's in it. There's a program, Osculator, that can be used to interpret Wimote and OSC and send it to your Kyma Sound running on the Capybara." Symbolic Sound's Kyma and Capybara

Synthesizers Unlimited - Electric Bazaar (1974, UK, electronic)

Title link takes you to the stream and download on Wiel's Time Capsule.

"Synthesizers Unlimited is a project by Anthony King of whom I don't know much. He performed Soul of the city on the album of Gunther Leonhardt (1971) and collaborated with John Matthews on Pots and Sides (1974)."

Groovy

via jeswa/phoenecia

Matrixsynth by Loscha

Title link takes you to one more. Thanks Loscha!

Update: I decided to go with the Leet version instead. You can find these Leet tiles here.

Roland TR-909

Title link takes you to shots pulled via this auction.

via Rod.

303

flickr by Easy Skywalker.

"This is the Filter, the Filter Made with Diodes..."


A while back I remember hearing a demo on one of the modular manufacturer sites with a vocal saying, "this is the filter, the filter made with diodes." About a year ago I went looking for it and couldn't find it. I gave up and forgot about it. Every now and then it gets stuck in my head. Today was one of those days. I decided to finally track it down and try the AH list. Sure enough someone not only knew what I was referring to but also had the mp3 and sent it my way. Thank you mark.  The module of course was the Modcan Diode Filter 23a.

Update: the mp3s gone awol.  You'll find the recording in a video here.

Wiard Suitcase Modular in the Works?

There's been some talk on the Wiard list about Grant working on a suitcase modular. Note this is purely speculation although Grant did write back to the list with the following when asked: "I am attempting to do something on the difficulty level of the Yamaha DX7. Whereas Yamaha has hundreds of people to work on such projects, I am only one person.
Also I have to invent all of this technology from the ground up. There are no existing designs to copy, and no reseach papers to "crib" from."

He also previously mentioned:
"I apologize for any confusion my remark has caused.

I have spent hundreds of man hours over the last 3 years researching new synthesizer technology in advanced controllers and advanced multidimensional waveshaper and wave terrain oscillators.

Like the other Wiard modules, these ideas are new and unique. Because they are so new, the exact method of implementing them is not entirely clear to me yet. But I have far too much invested already to simply abandon the ideas.

When I mentioned the Envelooper, I was hoping someone would come forward in the manner of "I think this would work for this application that I have in mind." People (and myself) still need more time to mull over the application for such advanced devices.

In regards to a fully integrated synthesizer; Many of the great synth companies historically began with modulars, and then released fully integrated instruments. ARP began with the 2500 series and later produced the Oddysey. Moog began with the 900 series and later produced the Mini-Moog. Emu began with a modular and later produced integrated instruments.

Of course, the integrated instruments never have the full capability of the parent modular. There are always design trade offs. While I would like to produce an integrated instrument sometime in the future, it will not be a replacement for the 300 or 1200 series, but will contain a scaled down version of those unique technologies. First I have to finish developing those technologies, before I can concern myself with how best to package them.

At his exact moment, my concern is with getting the existing designs so I can produce them for the next 3 to 5 years. The Envelooper design project has only been placed on the back burner until I can catch up with stocking parts and building your orders.

My use of the word "dropped" was unfortunate because it gave the impression I had abandoned the project. I have not. The Envelooper module and Walkabout Oscillator are still being researched. I have working prototypes of both designs, but they need to be improved for manufacture. I also need to reseach if ideas like downloadable wavetables are fesible.

I apologize again for any confusion."

KORG PolySix demonstration


YouTube via OriginalJambo.

Waldorf XTk

Title link takes you to more shots.


via this auction.

Friday, April 06, 2007

Vember Audio - SURGE

"Binary is beautiful
A digital recording is just a sequence of numbers. Easily quantifiable as ones and zeros, stored on physical media, combined together into larger numbers to form a continuous stream of data.

Surge - Digital and proud of it

Until you listen to it. Then it becomes real.

SURGE is an instrument capable of generating truly beautiful sequences of numbers. Your ears will agree with us.
More than the sum of its parts

More than the sum of its parts
Architecturally speaking, SURGE is a rather complex synthesizer. But because of how it's put together it's still easy to learn. Once you do, you will turn the sounds in your head to audio faster than ever.

The effortless workflow, attention to detail and the sound quality can't really be appreciated without trying it yourself. We suggest you try the demo!"

Title link takes you there. Samples via the audio player to the right when you get there.

Roland WS-1

Title link takes you to a couple more shots via this auction.

Details:
"This is the Roland WS-1, the extremely rare write switch for the CR-78 Compurhythm Drum Machine... The CR-78 is one of the best drum machines Roland ever made, but without the WS-1, it's just another beat box. With the WS-1, you have full control over the 4 yellow program buttons on your machine. It is possible to program the CR-78 using a footswitch in real time, you can't program it accurately in step time without this switch." Auction link sent my way via Omeganaut

00005

flickr by ax11.
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