MATRIXSYNTH


Wednesday, July 16, 2008

Keith Emerson on the Moog Synthesizer

via Ryan on AH: "Thought some folks might enjoy this scan of a '97-era MOJO half-column article w/ Keith Emerson talkin' Moog. Familiar stuff, but still enjoyable"

click the image to read the article.

Update via 3P in the comments: "If anyone is interested in seeing Keith's Moog, go here"

Synth DIY UK 2008 via futureimage


click here for the set.

SynthDIY - Bent TR 505 and Machinedrum


see the write-up on Sonic State.

analogues


flickr by breath.sound. full size

bC8 Mini Chimera

"Development & production engineering of the bC8 sub-miniature synthesizer (with simple internal sequencer) has now been completed; full product launch will take place on-line this Friday 18th July 2008 at around 1800hrs (GMT) with the first production units leaving the UK factory on Wednesday 23rd July 2008.

The initial 'numbered' batch is limited to 100 pieces worldwide and orders will be on a first-come first-served basis.

The bC8 will sell for £75 ($150) + delivery.

bC8 specs here (.PDF)"

Tenori-On and Roland TB-303


YouTube via chachijones
"Getting the Tenori-On and Roland TB-303 Bass Line synth to sync up wasn't easy. The Tenori-On is driving the MIDI clock (through a MIDI/sync converter box), but it drifts slightly out of sync every time you switch between Modes or Blocks, or input new notes. Plus, because the Tenori-On's sequencer only seems to start and stop in place, there's no way to set it to start at the beginning of the measure except to carefully stop it right on the one. Hopefully a firmware update will make syncing the Tenori-On with other MIDI gear over MIDI clock easier in the future.

If you republish this video in your blog, please link it back to my original post on CNET's Crave blog. http://news.cnet.com/8301-17938_105-9..."

Plan B doing homage to Buchla


YouTube via dkimcg
"I took the new synth in today to get some adjustments done. While I was there Peter Grenader, the genius behind the PlanB modules showed me some tricks and how to properly use some of these modules thus opening my mind up to the Buchla philosophy of synthesis. It was such a great experience meeting the man behind the instrument, almost like a modern day version of a violin maker.

Well, this is what I did when I got home after watching Peter do some simple, but amazing patches on my synth. The last video was me running rampant on the PlanB, this one shows why I chose these modules. This is the first of many patches that will have that Buchla inspired PlanB sound.

Thanks Peter!

The only thing added was reverb on the computer. I borrowed a LFO from the Filtered Coffee to get the time base to vary by using the control processor. Other than that, it's all self contained Plan B modules."

Charvel GTM-6 Midi Guitar System

via this auction.

"basically, its a vintage midi driver guitar system that lets you play synthesizers, keyboards, drum machines, and samplers from your guitar!! --and, just throw the switch, and you can go back to playing guitar on the guitar!!"

jaminator synth guitar


via this auction
When I first saw this auction I thought it was the "janitor" synth guitar. All it would need is some bristles on the end of it. Sweep and modulate. Sweep and modulate. You can then ride it between your legs. Scoot, scoot across the room!

Steiner Microcon



via this auction

"Serial# 5599 Here are some details about the unit: The Steiner Microcon is a complete synthesizer (less keybaord) in a single module. It has its own power supply, VCO, LFO, VCF and envelope generator, thereby combining all of the most needed parts of a synthesizer in one unit. "It can be used with synthesizer accessories such as sequencers, electronic valve instruments, guitar slave-drivers, pitch followers, or with a keyboard. Multiple units can be combined with a guitar controller to form full polyphonic synthesizers at a fraction of the cost normally expected. Combined with a regular synthesizer, it ads an extra 'voice' to your present system.

'Oscillator stability and tracking are the best that state of the art will allow. Numerous inputs and outputs are available on the front and top of the unit. Other signals available inside can be brought out for special applications, and connected to other equipment in a variety of useful ways. The Microcon truly packs alot of synthesizer into a small space (which looks to be about 4-inches by 6-inches. There are 8 knobs and 6 switches. The VCO has knobs for course and fine tuning and switc hes allowing selection of "three waveforms". The LFO has knobs for rate and level and a switch for beat and is available for vibrato. The VCF has knobs for frequency and gain, as well as a switch for resonance. The Envelop Generator has knobs for attack and decay, as well as a switches to enable damp (a quick release decay) and sustain. The VCA is described as a "trigger controlled audio gate". Connections include positive and negative trigger out, VC filter in, calibrated and uncalibrated voltage control ins, a signal out (which "can be paralleled"), and a trigger in. According to the product literature the "beat function causes the VCO to sound like to sound like two oscillators beating together.' The Minicon was rumored to be used as the synthesizer innards of the Hagstrom Patch 2000 guitar synthesizer."

Oberheim SEM

images via this auction

Part 1: Laurie Spiegel Bell Labs Interview 1984


YouTube via MusicMouse
"This interview was taped at Bell Labs in 1984, with brief intro by Max Mathews. Some of this footage may have made it into the documentary for which this was recorded but most of it has not been seen anywhere yet. Apologies for not knowing the name of the interviewer. This is Part 1 of 2."

Part 2: Laurie Spiegel Bell Labs Interview 1984


video upload by Laurie Spiegel

Update: also see this video.

Evolver's Plan B Revolution


YouTube via dkimcg
"My new PlanB modular synthesizer sequenced by the FutureRetro Revolution which also filters the DSI Evolver and sequences the Jomox MBase01 kick. I just got the Plan B modular, so I'm still getting the hang of it. I play around mostly with the Model 10 Polyphonic Envelope Generator here, with some other tweaks on the Plan B filters and gate. Some analog Moogerfooger delay, Space Echo, TResonator, blah blah blah and reverb in the computer.

Stereo Version here:
http://www.youtube.com/watch?v=Dstdi2..."

Formant (Part 2) on Synth.nl


You can find the full post on Synth.nl here. Also see Yusynth (Part 6) here.
"When I studied it closer I was surprised about the fact that the PCB's of the modules were not fixed to the front panels. A lot different than the Yusynth modules I'm working on. There is a whole metal construction in the wooden case to hold the modules. Also the whole inside of the case is covered with tin foil. This is done for shielding purposes I guess. Another thing I was a bit surprised about is the stuff that was laying around loose in it. From the loose components and the wooden housing I could tell that there used to be a back panel, but that is missing now. It was probably ripped of by force and took a lot of components with it."

Update: Formant (Part 3),

Beat Maker for iPhone by Intua - Demo and Review


YouTube via iSmashPhone. Note BeatMaker is available now. via CDM.
"Read full review on our website. A video demo of Beat Maker, a music studio app from the App Store, with an extensive review."
You can get BeatMaker here:
BeatMaker

Tuesday, July 15, 2008

Synthorama - ARP and EML Room


As mentioned in these prior posts, I was fortunate enough to visit Synthorama, the synthesizer museum in Switzerland. Each room in the museum has a theme based on manufacturer, and the majority of synthesizers are playable including this ARP 2500. You can find images of the ARP and EML room here. As always be sure to check out the images full size by clicking on the "All Sizes" link when you get there, and check out prior posts by click on the synthorama label below. Apologies for some of the blurry shots, but as I said before I decided to put them all up.

Update: some info on the lone module from Martin: "This ARP module is very rare I think. It is a prototype of an early digital sequencer. I bought it from the Museum of Synthesizers in England, which does not more exist. I don't know if it works because I don't know how I have to connect. This is the reason that I don't have mounted it in the 2500 itself."

John Bowen Solaris Preview with Audio

Carbon111 put up a post on SYNTHWIRE featuring the John Bowen Synth Design Solaris. The post features a full track with nothing but the Solaris for synths and the KORG Electribe ES-1 for drums. "It's a blast to program with this knobby/visual interface! Everything is right at the top, no menu diving. No mod matrix either - If I want to add modulation, I just go to the destination on the control panel, select a mod source and dial in the amount."

MB-6582 - MIDIbox SID Synthesizer V2

via Wilba in the comments of this post. You can find more images and info on Wilba's MB-6582 Page.

Waldorf Blofeld Sound Organizer


YouTube via KotroLaszloLehel
"Waldorf Blofeld Sound Organizer Demonstartion
http://lady.rdsor.ro/~kotro/wbso.zip or http://www.ady-conexiuni.ro/wbso.zip"

SenseSurface 3D potentiometer


YouTube via sensecam
"A potentiometer on an LCD screen adds tactile feedback to music and video applications. Proprietary rotary sensor held on via magnet. Input via USB port. more www.girtonlabs.com Lyndsay Williams"


Yes, hardware knobs for your monitor.
"What next after the Mouse?
3 Dimensional control surface for PCs designed and built by Lyndsay Williams July 2008
What happened to traditional knobs for volume controls on computers? Replaced with + and - controls on the keyboard, not so easy to find in a hurry.

Imagine a control surface with real knobs, sliders, real switches for your favourite music player, video editor or game. This is SenseSurface, just place the unique controls on your application e.g. a music mixer, and ready to go.

Applications that would normally use a mouse or Qwerty keyboard can be now controlled with traditional knobs. The scroll bar on the right hand side of your computer screen can be controlled with a real slider button. SenseSurface can be used with most laptops with a USB input. The sensing knobs have a custom designed movement sensor to determine position within approx 180 degrees with a 10 bit digital output. The magnetic knobs can be removed and repositioned immediately by picking them up and moving to a different part of screen. A unique sensing x/y matrix is attached to the rear of the laptop screen to detect the control's position. The distance of the sensor from the screen can also be detected. The rotary controls are low friction and there are no screen finger prints as with normal touch surfaces. Linear sliders and switches can also be used on the lcd surface. The number of controls on the screen is only limited by the size of the screen." via Music Thing

Update via retrosynth in the comments:
"Studer already has a patent for a user interface very similar to this. It premiered on their Vista 8 console and has trickled down to other products as well. A picture of their implementation is here:" http://www.retrosynth.com/slideshow/namm_2006_jk/IMG_0095.jpg

SynthDIY: Maplin 4600 Built From Kit


see the write-up on Sonic State. BTW, I created an SDIY UK label for these. Click on it below and all posts on the event should come up.

Synth DIY UK 2008:Roland TB Fest


Sonic State TV via sonicnick of Sonic State.
"TB303 and TR606, a couple of Boss pedals (analog delay and octivider) plus the rather delicious Roland Stereo Flanger SDF 325 on show from Synth DIY UK 2008"

Roland SH-5


images via this auction

Monday, July 14, 2008

Synth DIY UK 2008 via Strellis


You can find videos and images of the event by Chris Strellis here.

I think this shot wins, hands down, as the best one of the event.

The videos include: "Paul Maddox running his excellent "Phoenix" polysynth skin on the Chameleon" "Scott Gravenhorst's Gateman poly played by Mark Smith" "Peter Swarbrick demonstrates Juergen Haible's Tau Pipe Phaser" "A P3 driving a modular" "George shows his all analogue sound generation synth including ADSRs and with BBD effects - one voice at the moment" Update via Chris: check out this image for a striking resemblance. I thought the shot looked familiar!

Voyager Travels Farther, Little Phatty Gets Phatter with OS Upgrades

ASHEVILLE, N.C. (July 2008) – Owners of the Moog Voyager and Little Phatty
synths can now significantly upgrade their capabilities via free downloads from the Moog Music website, moogmusic.com.

The new Voyager 3.4 Operating System features extensive local control options, new touch surface features and enhanced pot resolution. All the great sonic capability of the Little Phatty Stage Edition is enhanced with the addition of an arpeggiator in the Stage II. And for controlling LFO and Arpeggiator rate, the Stage II has a new Tap Tempo and MIDI sync capability. Topping it all is the addition of a new bank of presets.

“Our goal is to continue to deliver value to our core customer base and these new free software releases will make many of them feel as if they have a completely new synth,” said Chris Stack, Moog Marketing Manager.

There are two types of upgrades available for the Voyager and Little Phatty operating systems:

Voyager: A free software upgrade (for owners with version 3.0 or above) is available for download at http://moogmusic.com/voyager/ (under the “software” tab). A hardware upgrade is available for customers who have an older model of the Voyager (OS revision 2.5 or lower, built before August, 2005) increasing their current single bank of 128 presets to seven banks of 128 for a total of 896. This upgrade is available as a field upgrade for $265 or as a factory upgrade for $365. Customers who choose to upgrade will then be able to take advantage of all the latest software features in Version 3.4.

Little Phatty: Software upgrades for the Little Phatty Stage Edition are available for free download at http://moogmusic.com/littlephatty/ (under the “software” tab). If Stage Edition customers want to add the MIDI over USB capability of the Stage II, a hardware-based upgrade is available as a field upgrade for $100 or factory upgrade for $150.

How to program analog synthesizers


How to program analog synthesizers from Ethan Winer on Vimeo.
"This 20 minute tutorial shows how to program analog-style hardware and software synthesizers. Topics include oscillators, ADSR envelope generators, filters, LFOs, and much more. Waveforms are shown on an oscilloscope to better understand what's happening under the hood."

Sciame Uno (Swarm 1) by F. Meneghini & William Bottin


YouTube via sgruntie
"Francesco Meneghini and William Bottin: Sciame Uno (swarm one)

Fondazione Buziol / Replay Fast Forward
May 2008 - Venice, Italy

an installation with flying objects, a midi theremin and a circuit bent Italian Speak and Spell (Grillo Parlante)."

Profile: Adrian Utley - Portishead - PT3


See the write-up on Sonic State. See all three parts here.

Welcome to Synth DIY UK


Jen SX1000 primarily featured. See the write-up on Sonic State.

MIDIbox SID V2 Bassline Demo #5


YouTube via ucapps
"MP3 with better audo quality available at midibox.org

Bassline demo played on a MIDIbox SID V2 in a MB-6582 case made by Wilba.

0:03 first bassline starts to play
0:10 selecting different sequences, drums played from a sampler
0:17 "pumping" effect realized by sending the bassdrum to the sidechain of a compressor
0:25 checking the new O23 feature: bassline played unisono
0:33 changing the oscillator phase offset
0:47 detune
1:05 disabling the O23 functions
1:15 second bassline w/ external delay Fx starts to play
1:22 showing the V-meter function in bassline mode
1:47 activating oscillator synch, second oscillator played with constant pitch
2:23 activating ring modulator, played with different pitches
2:55 tweaking cutoff/VCA release/O23 pitch (distortions are SID internal)
5:38 second bassline with detuned oscillators "

Euro joins the party!


via Muff Wiggler.

Blacet Research MX2040 Mixer


via Kwote Music where you'll find more info and images.

PSPSeq 3.0 Released




"PSPSeq is a free homebrew application for composing music on the Sony PSP handheld game system. PSPSeq contains both realtime synthesis and sample playback capability, along with multiple FX modules of widely varying types for modifying instruments in countless ways. PSPSeq also has a powerful and unique step sequencer for triggering samples and arranging loops into full songs.

Key features of PSPSeq:

- up to 16 independent audio tracks per song
- a wide variety of synthesizers from traditional virtual analog and FM to Karplus-Strong
and unique digital oscillators with parameter controls rarely seen in commercial synths
- WAV file playback with looping, pitch shift, and configurable start/end points
- many FX algorithms from digital filters and waveshapers to bitmasks and decimation
- all synthesizer parameters can be set to unique values on a per-step basis
- step sequencer with configurable step length, swing, highly accurate BPM, and tap tempo
- probabilistic sequencing: the decision to retrigger to be based on a 0-100% probability
rather than a boolean yes/no operation
- song sequencing with 100 different loops per song, 1000 measures per song, and loop
repeat capability
- load and save of synthesizer presets between songs
- record loops and songs to WAV"
http://www.dspmusic.org/psp/

Alesis Ion | demo (2 of 2) by syntezatory.prv.pl


YouTube via Jexus

"2003 Alesis Ion. All sounds programmed by WC Olo Garb. Video editing by WC Olo Garb. ||| Syntezatory.prv.pl Videos: showing you not what a synthesizer can do, but what a man can do with a synthesizer."

1972 Moog Sonic Six Analog Synthesizer Demo


YouTube via peahix.

images via this auction. http://www.myspace.com/peahix

"1972 Moog Sonic Six. This synth is currently listed on eBay: item #130238825211. This is a quick demo showing some of its features, definitely not a comprehensive demo. Also I cover the two main problems this unit currently has:

1) There is a problem with the lower portion of the keyboard, where the pitch sort of does a "bump and glide" down to those notes after playing higher notes. It's a bit unpredictable and hard to describe- just watch the video. Not sure what the source of this problem is.

2) The modulation input for the ring mod is currently not working. In the video I demonstrate that the signal input works (Osc B), but the mod input switch does nothing. Again, not sure of the source of this problem.

Apart from these issues (which should be fix-able by a qualified tech), and a few missing knobs, slider caps and screws (replacements should be available), the synth works quite nicely.

The oscillators have been calibrated, and once warmed up, they hold their tuning well. All the key contacts seem to be in good shape and the keyboard has a nice, playable feel to it.

This unit features the earlier non-Moog filter.

The audio was recorded direct. There's also and onboard speaker which works well and sounds nice."

Roland SH-101


YouTube via beamercola


images via this auction

Roland RS-202


images via this auction
"take a simple organ 'divide down' sawtooth oscillator as the basic sound source for unrestricted polyphony and throw the whole thing through a chorus unit. Add simple vibrato, a choice of registers and and a simple attack/release envelope shaper and you have the perfect recipe for rich strings. That the Roland RS202 could deliver silky string sounds is undisputed - it sounded gorgeous and I remember being full of envy when a friend of mine bought one and let me play it (and I borrowed it whenever I could!). It was simple to operate, a joy to use and as soon as you played it, a unique sound just dribbled out through those rear panel jacks! The RS202 wan't quite as 'mushy' as other, competing string synths of the time and it had its own sonic identity. The RS202 came in its own flight case... It had controls for tuning and master volume and various large rocker switches that allowed you to select different string sounds: Strings I and Strings II (an octave up from Strings I). Like other string synths of the era, there was also a brass sound that could be selected and, like other string synths of the era, it was next to useless! No.... it was the string sound(s) that defined the RS202. At the heart of the RS202's string sound was Roland's 'ensemble' or chorus effect. For whatever reason, Roland got this just right not only on the RS202 but also in the chorus effects pedals that they (and their subsequent subsidiary company, Boss) were to release. This rich ensemble effect was enough to guarantee the RS202's success. However, unlike the competition of the time, each key also had its own envelope shaper so that each note articulated properly. This was a huge improvement on other such string synths at the time and made the RS202 far more playable and expressive - it's just a shame that the sound's attack was limited to just two preset values determined by the setting of a single grey rocker switch labelled 'SOFT ATTACK'. By way of compensation, there was at least a totally variable 'SUSTAIN' (i.e. release) control so all was not lost. The other grey 'TONE' rocker switch allowed you to select two different timbres for the string or brass sound. The RS202 was also 'bi-timbral' with different sounds for the bottom two and top three octaves respectively and flexibility was enhanced by the fact that the lower and upper sections were (almost) completely independent of each other thus you could have solo 'cello in the bottom half of the keyboard and a lush string ensemble in the upper half of the keyboard. Or you could have combinations of lower and upper brass and strings and so on according to the settings of the five identical rocker switches for each lower / upper section. Two sliders allowed you to balance the two sections."

KORG Poly-Ensemble PE-2000


images via this auction
"STRINGS, CHORUS (choir), PIPE ORGAN. But the BRASS settings are acting up. You can play them with the BASS knob turned all the way down, but they sound a little distorted and when you turn up the BASS knob, they sound like a self-oscillating resonant filter."

Situationist

Situationist

Access Virus Ti Polar

3Xfx Circuit Bent Drums

images via this auction
"It is fully loaded with 4 drum pads, 2 cymbal pads, and a foot pedal. Each pad, with the exception of one of the cymbals and the foot pedal, is assignable to quite a few different sounds (i.e. 4 different snare sounds, 6 different tom sounds, handclaps, etc.). The bass and cymbal sounds that are not changeable are able to be affected by the various bends.

There are 8 different styles of preprogrammed beats each with 2 different main beats. You can also play only the beat, only the backing music, or both together.

The other functions of this instrument are the keyboard scratchpad and mic input. These features are affected by the distortion bends, including the mic input! There are several different selectable scratchpad sounds, and 4 different keyboard sounds.

The bends include 5 distortion switches, which can be used individually or in various combinations for nice distortion sounds. In combinations they also affect the tone of the sounds. There is also a knob for pitch adjustment, with on/off switch, which affects all of the units sounds, from demonic lows to chipmunk highs. There is also a 1/4 inch output.

The sound clips below were recorded from the output directly into the mixer without any additional effects. The first track is me playing the electronic drums and the next 2 are having fun with the preprogrammed beats. In the last one I got it to glitch out by playing with the pitch control and random buttons. It is not easy to get this thing to start glitching, but when it does it produces some awesome sounds, enjoy!

Clip 1
Clip 2
Clip 3
Clip 4"

Blacet Time Machine


via this auction. One more image here.

Voice of Saturn Sequencer - Endif Style


"My build of the VoS sequencer.
Bought the PCB, had most of the parts already.

They also sell varying levels of kits, or prebuilt, so whatever your skill/interest level, a VoS is within reach.
http://www.curiousinventor.com/kits/v...

Instead of pots and knobs I used some sliders I had lying around. Upgraded the LEDs to some big fat obnoxious blue ones I'd been using for throwies and such. Case used to house the firing controls to an MX missile.

Face plate is 1/8 inch aluminum stock from some Amazon seller. Small Parts I think. Anyway. Laid it out on the back side, drilled out the pilot holes with a 2mm bit, then went larger as needed. Filed down all the rough edges, then sanded it all down til it was 1200 grit smooth and gave it 3 coats of glossy clear coat. Looks nice.

Used a router attachment on my Dremel to do the slider holes. They're rough, but they work. Cleaned them up with some files. Next time I do it on a sub-plate and just cut one big hole. Pots and knobs are soo much easier. =P

Mounted the PCB to the face plate with 1 inch standoffs. Battery holder wound up on the plate too. I went so far as to drill holes for them on the bottom of the case, then realized that this would *suck* when it came time to change out the batteries, or whatever. Bad idea. Definitely mount to faceplate.

The build went smooth, everything worked correctly except, predictably, the sliders. I had never worked with sliders before, and didnt have any docs on these, so I winged it. First try was wrong. Second try was closer. Third try was correct. Sliders are much more intuitive than knobs. Linear.

Next step is to label this thing. I can't keep referring to my chart. =/ Maybe I'll hand paint it.

So, the video.

Sawtooth is from the Blacet VCO. Meaty little bastard. Filter is the Harvestman Polivoks clone. Nasty, unpredictable, awesome. Envelope generator is another Blacet. Rest is explained in the vid.

Anyway, here's 2 minutes of me messing around with it.
Enjoy. =]

Oh, and if you want to hear the project this will be used with, check out my work at http://www.myspace.com/endif

Thanks,

~!J!"

Sunday, July 13, 2008

Funkytown Remixed with Old Computer Equipment


YouTube via bd594

"This is a shamless ripoff of James Houston's remix of Radiohead's Nude but I decided to try it for Funkytown by Lipps Inc. I choose Funkytown and only used computers from the early 1980's that were destined for the Junk Yard. This is how I got the idea for Junkytown. I also used a modem but DTMF tones are lousy for musical notes (no harmonics) but I was very lucky to find two notes that did sound good. On your phone punch in 3 3 2 3 and you got the beginning part of the solo and the rest is history. Please note no synthesizer or audio effects were used and all the audio was recorded from either a microphone or direct line. Some of the audio was amplified when it was mixed down because the levels were unusable ie. the printer and modem. The Commodore 64 was used for the main Bass and Guitar. The Ti-99/4A was used for the second part of the solo because of the limitation of DTMF tones. It was tempting to just sample the modem but I did not in order to keep it 100% original. Finally it was difficult to video tape the printer because it kept shaking the table so I looped the printer video in the begining of the video. The printer sometimes caused the harddrive head to shake out of sync so I inserted a screw into the mechinism and this some what helped."

Custom Panel Graphics


You might remember the Buchla 281 clone project from this post, or if you frequent electro-music.com you'd of course remember it from there. I came across an update to the thread by josh, aka topp. I thought it was a good insight into how he created panel graphic for his module.

"so i just wrote someone alot about how i labeled my most recent panel and i thought maybe someone here may find it helpful too. it involves laser transparency paper and spray adhesive... very durable!

1. print the art in reverse [so that the toner will contact the panel and stay protected]

2. cut it to where you have a bit of excess on all sides, maybe 1 1/2" orso

3. tape your painted, drilled and otherwise finished panel down with double-sided tape

4. position your 'decal' properly over the panel

5. tape the top-edge [you could do the side edge too] of it down to your work surface with masking tape while keeping it in position [remember you left some excess]

6. make sure your tape is stuck well, fold the decal back on the tape 'hinge' make sure when you pull it back over the panel, it stays in perfect position [ i learned this simple technique while working in a sign-shop applying vinyl decals to things, i think it is called the 'hinge' technique if you want to look it up]

7. pull it back again, and give the panel and the decal an even coat of spray-adhesive [i used 3M general purp.] let it dry for 10-15 seconds, as the instructions say for a stronger bond

8. then carefully!! fold it back over, keeping the 'hinge' pulled taut, with your thumb,start to 'apply' the transparency like a sticker, use alot of pressure and consistent coverge, side-to-side, continue to lower the decal onto the panel while and keep smoothing it down, don't push too hard where you have holes drilled right now.

9. get it all down, then press hard around all the edges, this is probably the most important part- work FAST! that stuff dries super fast

10. remove the masking tape hinge carefully so that your sheet is all flat, you don't want any resistance.. press the sheet down all over, then press around the holes, keep doing it for like a minute or two-i suppose a rubber mallet might be good to use here if you have one. i don't, i just pressed as hard as i could till i was confident that i could do no more.

11. ok, so it is down and all flat, now let it dry for a while, maybe over night.

12. flip it over and trim the excess off with an exacto knife

13. with fine sandpaper, carefully sand the edges to where there is no transparency protruding over the edges. it might be easiest to tape the sandpaper down flat, and move the panel instead.

14.ok so it is looking nice now right?? remove ALL the gunk from the transparency with denatured alcohol, then with the finest steel-wool you can get, ruff up the surface of the plastic, it will take the glare off it.

15. all that is left is to cut out your holes with an exacto knife. try your hardest not to lift the decal around the holes [use a narrow blade]

ok that's it! maybe a print-shop could do light print with a color-laser printer, or make long prints for rack-panels..

here is a photo of the panel::

josh"

Inside a Ensoniq DP/4+

Not technically a synth, but here you go.

Inside an Ensoniq DP/4+ via firegroove

MD sps1- Hand of KoG by PaPyKoG (Brainz in JaRz)


YouTube via aPyKoG. In response to this video.
"A Quirky little numba performed live by PaPyKoG from BrAiNz iN JaRz on a Machinedrum Sps1."

J. M. Jarre - Equinoxe 5 - cover by Yarosystems


YouTube via yarosystems. via fischek.
"30 years "Equinoxe" anniversary cover (1978 - 2008) by Yarosystems. All the vintage synthesizers sounds are emulated on Korg and Novation virtual analog synthesizers in real time. "

SDIY UK 2008 via Vocano Ramblings aka Paul Maddox


post and images here

 Paul Maddox is the man behind the MonoWave.

Roland SH-2


images via this auction

RSF Kobol Expander I


images via this auction

"RSF Kobol Expander I - Very rare semimodular synthesizer
* Very sought after French semimodular synth from the late 70's.
* 100% analog semimodular synth with two VCO's (each with a separate VCA), one VCF (the famous SSM2040 filter), two Envelopes, LFO, Voltage Processor and Noise.
* Every parameter is fully controllable by CV!
* Endless sound possibilities by itself, or an excellent addition to any modular system like Synthesizers.com, Modcan, MOTM, Moog, Roland and so on.
* Technically in very good condition. Fully working. 230V version."
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Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

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