SSF Quantum Rainbow 2 Tutorial Videos by Learning Modular

Published on Apr 7, 2019 Learning Modular

"These movies are part of the extended version of the Learning Modular online Eurorack Expansion course: https://learningmodular.com/register/...

For even more information about modules like these (including optional access to my courses) as well as many other modular-related topics, please consider joining my Learning Modular Patreon channel: https://www.patreon.com/LearningModular"

Playlist:

1. SSF Quantum Rainbow 2 1/3: Colors of Noise (LMS EE)

The SSF Quantum Rainbow 2 is a popular Eurorack noise source. In this first movie, I demonstrate its different colors of noise, plus a patch tip for boosting its level:

00:00 overview
00:16 boosting output level
00:53 white noise
01:11 pink noise
01:31 red noise
01:49 grey noise
02:15 blue noise
02:45 purple noise
02:59 quanta noise

2. SSF Quantum Rainbow 2 2/3: Using in a Synth Voice (LMS EE)

In this second movie, I demonstrate some simple ideas for using noise in a normal synthesizer voice:

00:00 patch overview
00:20 noise replacing VCO
00:34 VCO + noise
01:46 noise modulating pulse width
02:51 noise modulating filter cutoff
04:08 enveloping the noise amount
06:12 voltage control of shape

3. SSF Quantum Rainbow 2 3/3: Using for Percussion (LMS EE)

Noise is a great source to use for percussion. In this movie I demonstrate patching different colors of noise thorough LPGs (low pass gates) with different responses:

00:00 overview
00:14 the patch
00:41 some kick drum examples
01:32 some snare & hi-hat examples
02:24 even more examples

Joseph Fraioli - Waveguiding | Circadian Rhythms | DRONE RES4

Waveguiding from Joseph Fraioli on Vimeo.

"no computers or external hardware were used in this performance :)

patch basics:

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Elby Designs ED116 SH Noise Expanded Module

Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Perfect Circuit Audio (RSS)

"The ED116 Extended SH-Noise is the same circuit as the ED115, but adds flexibility providing manual settings for the Red/Blue content of the Violet noise source and Rate control of the Random noise source.

Noise Generator

White Noise: This module uses the noise produced by the base-emitter junction of an NPN transistor, which is reverse-biased. The noise is amplified to a level of about 10V peak-to-peak.

Pink Noise: The pink filter is a 3db/octave filter which is pretty linear across the range 10 Hz to 15 kHz to within 1db across the full 50db range. A final stage buffer-amplifier sets the output level to around 10V peak-to-peak.

Violet Noise: The violet filter has two frequency dependent elements in the feedback path. The first feedback element on its own would produce a 6db/octave rise in the gain of the amplifier from 0db at 0 Hz via 3db at 9 Hz to 20db at 90 Hz. the second feedback element on its own would produce a 6db/octave fall in gain from 0hz to 1khz above which the gain would remain constant at 0db.

The combined effect of these feedback elements is that below 90 Hz the 6db/octave rise and 6db/octave fall cancel out, giving a gain of 20db. Above 90 Hz the gain falls at 6db/octave to 0db at 1 kHz, above which it remains constant. The result being that the bass end of the noise spectrum is boosted and "colored" noise is available at the violet output. A final stage buffer-amplifier sets the output level to around 10V peak-to-peak.

Random Noise: The random noise output is a 12db/octave lowpass filter which passes only the very low frequency components to produce an extremely low frequency "random voltage". Fluctuations of the random voltage are displayed on an LED indicator.

By default, the random output is an analogue voltage with a nominal range of around 10V peak-to-peak. However an onboard jumper allows this output to be steered through a dual comparator to provide a digital output.

The digital-random output generates +5V output whenever the random voltage is greater than around +2V, a -5V output when the random voltage drops below -2V and a 0V output when the random voltage is within the range -2V to +2V.

Sample & Hold

The sample & hold section takes an instantaneous sample of the input signal and presents it to the out output. The resultant output is a "random voltage" that changes on each positive edge of the sample input.

The sample connector is normalized to the random output of the noise section while the in connector is normalized to the white output (an onboard jumper allows the user to change this to either the pink or violet outputs if desired) of the noise section. Inserting a jack in to any of these connectors will allow an external signal to be used instead.

Features

White Noise output: Normalized to the S&H input
Pink Noise output
Violet Noise output
Random Noise ouput: Normalized to the sample input
Sample & Hold input
Sample input
Sample & Hold ouput
2 LED indicators
Rate knob for Random noise
Red and Blue level knob for Violet noise"

Quantum Rainbow noise mixing 3.0 "Noise Techno"

Published on Jan 8, 2013 SteadyStateFate·10 videos

"To follow the progression, here is a realistic application of the QR as a percussion source. The purpose is to illustrate the interesting textures and sense of movement from mixing the QR outputs in a dynamic way.

The effect is due to the mixing and envelope settings of the noise dynamics only, no other processing.

Stars of the show:
Steady State Fate Quantum Rainbow - noise source
ProModular CLOQ - master clock, trigger/gate source
Steady State Fate Positronic Transient Gate - transient VCA, noise dynamics (White noise)
WMD MMVCA - noise dynamics (Pink, Blue noise)
ADDAC VC Mixer - noise dynamics, mixing noise MIX 2
WMD MMENV - modulating MMVCA and ADDAC VC Mixer (Purple noise)
4ms PEG - modulating VC Mixer (White, Red noise)
Make Noise Maths - modulating CLOQ SPACE and PTG Step Response
TipTop BD808 - bass drum
Doepfer A138 - mixing noise MIX 1

Thanks and enjoy!"

$17,500 Analog Modular System - Symphonic Distortion System II

via this auction

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Reason Complex-1 // MEGA TUTORIAL

Published on Jan 24, 2019 DivKidVideo

"TIMING INDEX / SECTIONS BELOW - My index is so long (aka so much in the video) I have no room to write anything else! So here's Complex-1 which is a rack extension for Reason. I worked with them making some patches (bonus free patches to come) and there's a few videos coming too. Here's the first! Enjoy, grab a drink and skip around below.

00:00 introduction

00:28 Complex-1 overview

SOUND GENERATORS

Complex Osc

01:00 Buchla 259 heritage and features

01:40 Waveforms and waveshaping

02:28 Mod bus - FM / frequency modulation and modulating FM depth

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What Do the Different Colors of Noise Mean? (analog noise comparison)

video upload by Poorness Studios

"This video comes directly from a subscriber comment. I used the Steady State Fate Quantum Rainbow to let you hear & see the different colors (white, pink, red, grey, blue, & purple) of analog noise.

Intro - 0:00
White Noise - 1:33
Pink Noise - 2:10
Red Noise - 2:35
Grey Noise - 3:07
Blue Noise - 3:34
Purple Noise - 3:54"

12 days of Modular

12 days of Modular- #1 Sine Wave

YouTube Uploaded by raulsworldofsynths on Nov 29, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Sine Wave and accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #2 Triangle Wave

YouTube Uploaded by raulsworldofsynths on Nov 29, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Triangle Wave and accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #3 Pulse Wave

YouTube Uploaded by raulsworldofsynths on Nov 29, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Pulse Wave and accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #4 Saw Wave

YouTube Uploaded by raulsworldofsynths on Nov 29, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Saw Wave and accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #5 Inverted Saw Wave

YouTube Uploaded by raulsworldofsynths on Nov 29, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Inverted Saw Wave and accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #6 White Noise

YouTube Uploaded by raulsworldofsynths on Nov 29, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of White Noise accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #7 Red Noise

YouTube Uploaded by raulsworldofsynths on Nov 29, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Red Noise accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #8 Blue Noise

YouTube Uploaded by raulsworldofsynths on Nov 30, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Blue Noise accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #9 Frequency Modulation

YouTube Uploaded by raulsworldofsynths on Dec 1, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Frequency Modulation accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #10 Pulse Width Modulation

YouTube Uploaded by raulsworldofsynths on Dec 1, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Pulse Width Modulation accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #11 Amplitude Modulation

YouTube Uploaded by raulsworldofsynths on Dec 1, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Amplitude Modulation accompanying waveform view. Sound and Video by Raul Pena"

12 days of Modular- #12 Cross Modulation

YouTube Uploaded by raulsworldofsynths on Dec 1, 2011

"The 12 days of Modular. A series of 12 videos themed around Modular Synthesis and sound. Demonstration of Cross Modulation accompanying waveform view. Sound and Video by Raul Pena"

Complete Euro Rack Modular Synthesizer System

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Note I did not verify the prices listed below. I'm including them here for reference only. Always do your own due diligence.

"A like new Euro-rack modular synth system with 40 modules and powered case fully installed. Over $9000 worth of modules of all kinds (oscillators, VCA's, Filters, sequencers, triggers, LFO's, random voltage, and more modulation)

All in used working order. Sold as a complete system, not individually. Prices are listed below only as reference to individual value.

Case
gorillabox 104 hp 12u dual briefcase $999

Oscillators
Intellijel Dixie II $220
Pittsburg Modular Oscillator $179
Pittsburgh Generator $239
Pittsburgh GenXpander $169
Modcan Triple OSC $400

VCA’s
Blue Lantern Pro Duo VCA $225
Doepfer A-131 Exp. VCA $95
Pittsburgh Modules Dual VCA $139

Filters
Blue Lantern LM4250 VCF $150
Malleko Wiard Borg Filter $225
Make Noise MMG Filter $235

Mults and Mixers
Blue Lantern The Mix $95
Make Noise Modde Mix $140
Division 6 Multiplicity $150
Make Noise Optomix $200

LFO and Modulation
Intellijet Dr. Octature $280
Intellijel uMod Ring MOd $130
Make Noise Maths $260
Pitsburgh ViLFO $169
Synthesis Technology E355 Morphing Dual LFO $249
Happy Nerding FM Aid $165
Blue Lantern FM Joystick $100

Audio / CV interface
Intellijel Audio Interface $260

Sequencers, Triggers, and MIDI
4MS Shuffling Clock Multiplyer $180
Kilpatrick Audio K4815 Pattern Generator $429
Kilpatrick Audio K1600 MIDI converter $400

Random Voltage
Doepfer A-118 Noise Random Volt $90
Doepfer Dual Sample & Hold A148 $80
Make Noise Wiard Wogglebug $220

Envelopes
Blue Lantern White VCADSR $150
Deeper A-143-1 Complex ENvelope Generator / LFO $255
Pittsburgh Modular ADSR $89

Audio Processing and shaping
Abstract Data Reactive SHaper $220
Troggotronic 666 $325
Doepfer A-115 Audio Divider $80
Doepfer A-116 VC Waveform Processor $90

Effects (Delays, Reverb, Phaser, Pitch shifting, etc…)
Synthesis Technology E560 Deflector Shield $339
Make Noise Ecophon $400"

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Circuit Bent Modified Roland MC-505 all blue LEDs and NEW blue LCD

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Circuit Bent and Modified Roland MC-505 modified by GlitchScience

Full details at the auction and captured below.

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Noise

Ever wonder what makes up the different types of Noise offered on synths? David Hillel Wilson, curator of the New England Synthesizer Museum and host of Synth Museum posted the following on AH. Title link takes you to the Synth Museum website.

"OK Here is the theory. White noise has every possible sine wave all at the
same volume.
Unfortunately, since the Human ear hears frequencies logarithmically, the
pure randomness
of white noise sounds high pitched to us. Since we hear twice as many
frequencies in any
octave as we do in the octave just below it, to create a noise that "sounds"
right requires
that the amplitude of the noise drop off at 1/2x per octave, or 3dB/Oct.
This is the definition
of Pink noise. Further low-pass filtering can make red noise, while high
pass filtering would
make blue noise. There are, to the best of my knowledge, no exact
definitions for colors
of noise other than white and pink. The "Color" idea comes from optics:
Light containing
all colors in equal strengths is seen by the Human eye as "white". If we
remove the higher
frequency (shorter wave length) lights, the color literally shifts to pink,
hence the name."

David Hillel Wilson
Curator
New England Synthesizer Museum

Circadian Rhythms

Circadian Rhythms from Joseph Fraioli on Vimeo.

"a patch focused around the tiptop audio circadian rhythms (CR) as the heart of the system that provides the main clock source and triggers for events.

the programming was done on all 8 channels of the CR in 2x32 mode. fills are set to 16th note. mutes, fills and additional programming are performed on the fly.

patch basics:

CR ch 1: main kick
sound source is the blue lantern BDv4 going through the modcan frequency shifter.

CR ch 2: snare
sound source is the make noise mysteryon who’s pitch is being modulated by the mod can quad lfo who’s synced to the CR main clock output. the output was split into a separate VCA who’s being opened by the sound machines light plane and sent to the mungo d0 with macro machines storage strip. the storage strip is being sequenced by the CR main clock output.

CR ch 3: closed hat
sound source here is the SSF quantum rainbow blue noise.

CR ch 4: open hat
sound source is the SSF quantum rainbow white noise though the intellijel µfold and then a bit of delay from the synth tech e580.

CR ch 5: glass percussion as well as delayed bass and end melodic thing
glass percussion sound source is the noise engineering BI. pitch modulation from the tiptop z8000. delayed bass is an intellijel dixie square run through the cwejman res-4 and.end melodic thing is the harvestman piston honda MKII.

CR ch 6: chord bursts
this is the intellijel/cylonix shapeshifter in sequence mode then run thorough the qu-bit electronic RT60 reverb.

CR ch 7: tonal accents
sound source is braids in meta mode. also being sequenced by the CR and pith modulated by the tiptop z8000.

CR ch 8: sub kick
sound source is the tiptop audio BD808.

acidy bass: trigger source for the acidy bass is the intellijel metropolis that is synced to the CR via the clock output. sound source is the intellijel rubicon thats being FMed by a DIXIE sine, then put through the cwejman MMF1 in low pass.

tonal drones: trigger source here is the divided output of the intellijel metropolis into two make noise pressure points that have been micro tonally tuned. the sound sources here are synth tech e350 and make noise DPO that share a common mutable instruments peaks ADSR. the sounds are then processed through the serge resonant equalizer and tiptop audio zdsp with halls of valhalla reverb card.

hi plucked melody in mid section: this is the qu bit nebulae playing back a sample of mutable instruments braids in PLUK mode playing a melody sequenced on metropolis then fed to the mungo d0. the nebulae is then processed through flame FX6 reverb.


no computers or external hardware were used in this performance :)"

GRP A4 [NOISEBUG] USED

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Grp Synthesizer was developed to offer the enthusiasts of analogical sound a more affordable synth in terms of price and dimension in comparison with the precursor model A8, without renouncing to the quality and performance that characterize our synths. Being featured with the same step sequencer used for the Grp A8, this synth is able to guarantee nearly infinite sound combinations due to the new characteristics which have been implemented in the instrument, with the possibility to filter out external signals and to manage all the important parameters of the analogical generation chain.

The A4 has been derived from an audio section of the Grp A8 (of which it takes over the structure) and it results more versatile and eclectic passing from smooth and extreme clean sonorities to harder sounds thanks to the two distortion installed in the synth (one for each filter) and due to the possibility to make interact synth, ring modulator, external signals and step sequencer in only on mechanism with an immense sonority power. Furthermore, the Loop EG function enables the conditioned and unconditioned repetition of the envelope, in order to reach particular and temporal articulated sonorities."

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SunVox 1.9.4 Update

iTunes: SunVox - Alexander Zolotov

What's New
Version History
Jul 29, 2018 Version 1.9.4
* user files are now available through the Files app;
* partial USB/Bluetooth keyboard support (no key release, no Home/End, no F1/F2/...);
* improved iPhone X display support;
* sound engine optimization;
* indicating the modules whose controllers are tied to the MIDI;
* additional slider for scrolling the controllers when there is not enough space on the screen;
* spectrogram has been added to the to the spectrum analyzer;
* detailed settings of the spectrum analyzer are now available through the main menu -> Preferences -> Modules;
* Amplifier: new controller "Gain" for high amplification (x100, x1000 and higher);

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Circuit Bent Modified Roland MC-505 with Blue LEDs - Video & Audio

via this auction

Demos further below.

"Circuit Bent and Modified Roland MC-505 made by GlitchScience

NEW blue LCD installed
Majority of LEDs have been converted to Blue
Circuit Bent with Rotary/Toggle switch LED interface added (more info below)
Functionally appears to be 100% working and was thoroughly, tested using built in diagnostics
Pretty good physical condition there are some nicks and scratches
also a small dent in the back right edge of the case
OS v1.07
New 12ft. power cable included

Record button has a Red LED

The beat LED between the 7 segment displays is a Blue/Red LED

Circuit bend interface has two dual Blue/Red LEDs

All other LEDs are Blue

Circuit Bent all Blue LED Roland MC-505 demo
Bend interface consists of 3 rotary switches, 2 toggle (on-off-on) switches, and 2 dual Blue/Red LEDs

Bends are stable and at worst from testing will cause whine which stops once switched to new bend or bend is turned off via toggle switch
Bend usually work best with single patch.
Many of the bends just cause chaotic 'noise' and may or may not be usable depending on the use
All parameter changes can still be applied to bent sounds, EFX, Cutoff, Resonance, Reverb, Delay, etc.
Bent sounds controllable via MIDI

Warning: rotary switches stop at each end attempting to turn knob past stopping point could damage control interface

Do NOT try to turn past stopping point (resistance can be felt)

How to use bend interface:

Toggle switches are used to turn on bends, rotary switches then turned to change bends

Top toggle switch control

UP position connects TOP rotary switch with Bottom rotary switch blue LED will be lit,
MIDDLE position is off (disconnected)
BOTTOM postion connect TOP rotary switch with MIDDLE rotary switch, red LED will be lit
Bottom toggle switch control

UP position connects MIDDLE rotary switch with TOP rotary switch blue LED will be lit,
MIDDLE position is off (disconnected)
BOTTOM postion connect MIDDLE rotary switch with BOTTOM rotary switch, red LED will be lit"


Circuit Bent all Blue LED Roland MC-505 demo

Published on Dec 25, 2012 glitchscience·3 videos

Circuit Bent Roland MC-505 controlled via MIDI from x0xb0x

Spectral Audio Neptune 2

YouTube via Dogboy73.

via this auction

"Short video demo of Spectral Audio's Neptune 2 analog monophonic synthesizer.
http://www.spectralaudio.ch/
http://launch.groups.yahoo.com/group/..."

"from the manufacturer...

With the Neptune Mk2, the original Neptune has been even more improved and carries internal and general improvements. It has been changed:

Much better quality smooth potentiometer New graphics Soft touch knobs High efficiency 5mm leds 2.2mm travel push switches for optimal optical feedback Keyfollow switch has been added Freerun switch to have Osz3 free of the keyboard as the ProTone had Better Noise generator which is still a true noise generator with a spectrum now up to 100kHz Volume potentiometer has been added Power on Switch Several possibilities for additional manual changes

Also original Neptune already had: Pure DC Design means no capacitors in the signal flow Pure analog technique Low noise design High quality cascade filter True noise generator (NOT digital noise) MIDI Signal regeneration means the incoming MIDI signal is internal completely new generated to MIDI Thru, not only amplified The Neptune Mk2 still carry these advantages/features.

Complete Performance Features list:

Voltage Controlled Oscillator 1 and 2: Precise temperature stable Sawtooth and Rectangular Waves 4 Octave Range Switch for Osc2 Ring Modulation Sync for Osc 2 External Signal Input for Osc 2 White Noise Generator

Spectrum from 0 Hz (DC) to 100kHz True analog random noise, no digital shift register noise Slide

Slide Time from 0 sec to 10 sec Switch able by MIDI Controller 65 (Portamento) Voltage Controlled Oscillator 3 / LFO: Osc 3 can be switched between LFO (slow) and Oscillator Modus (fast) 5 Shapes Sawtooth, Triangular, Rectangular, Random and Noise. Osc 2 can also be a Modulation Source; through this also external Signals can be a Modulation Source. Freerun Button keeps Osc 3 free of the CV LFO MIDI Clock Sync 4 Modulation targets: Osc 1 and 2, Cutoff and Mixer Blue led Voltage Controlled Filter: 24 dB precision cascade Filter with Highpass and Lowpass Modes Self resonant Keyfollow switch 0% - 50% - 100% The two Filter and VCA Envelopes: Complete and very fast ADSR Envelopes with Attack, Decay and Release times in the Range of 5 millisec to 20 sec For the Filter with Positive or Negative Modulation Gate led

Effects: Distortion and Fuzzer Effect Switch Effect level potentiometer from no effect to max VCA and Volume: Volume potentiometer Low noise and low distortion VCA

Power: Power on switch Power on led

MIDI: 5 Octave Range precise MIDI to CV Converter MIDI controlled Cutoff (#2), Modulation (#1) and Portamento (#65) Receive Sustain (#64) and Pitch bend instruction Velocity Sensitive Filter dynamic operation Re-trigger function Filter TB303 Velocity mode Highest or last note priority CV and Gate In/Output (switch able)

General: Pure Analogue Technology 2 Unit Rack Mount Enclosure Anodized colored 3mm Front Panel

Additional manual change possibilities (described in the Service manual) : Having PW(M) on Square Wave on Osc1,2 or 3 Osc3 Sync with Osc1 or Osc2 Even faster Envelopes (yes some people wants that) Increase tune range for Osc1..Osc3 Additional signal inputs and outputs (i.e. to work with your modular system or to have a very good Distorter and Fuzzer for guitar i.e.) General in/outputs of Oscillators, Envelopes, Filter, power supply, ...

Comments About the Sounds:
its pre analog with a VERY strong filter, 3 oscilators, fuzz and distortion effects. there is no stepping heard in any knob movements either. its sounds like maybe an sh-101/ mc-202 with a little tb-303 mixed in.. its very early 80's monosynth sounding.. not weak like mid-80's polys were. very heavy sounding, with good quality. it's exelent for analog leads and bass's, but dont expect any real pianos or organs or whatever."

Bill T Miller @ Boston Modular Synthfest - LIVE Eurorack Modular Synth Performance

Bill T Miller
Published on Aug 7, 2017

"Bill T Miller of Orgy Of Noise on Modular Synth at Boston Modular Synthfest @ BlueMetal on 07.29.17. http://OrgyOfNoise.com

* Make Noise 0-Coast - Moog Music Mother 32
* Make Noise modDemix
* Make Noise WOGGLEBUG
* Make Noise MORHAGENE (SOUNDHACK)
* Make Noise STO
* Make Noise MATHS
* Make Noise PRESSURE POINTS
* Make Noise BRAINS
* Make Noise ROSIE
* Sputnik Modular STEREO MIXER
* Bastl TROMSA
* Mutable Music Thing EARS (contact mic)
* Synthrotek DLY (Delay)
* Doefer A-199 SPRV (Spring Reverb)
* Korg SQ-1 SEQUENCER
* Teenage Engineering - POCKET OPERATOR PO-12 RYTHM
* Waterhed Circuit Bent WarpSpeak Vocoder
* Bill T Miller BTM DESIGNS Custom TELEGRAPHO controllers

+ Video Produced & Edited by Bill T Miller & Ziggy Cat
+ Post Production at Headroom Studios Boston
+ Close-up Cameras by BTM
+ Wide ShotHand Held Cameras
= Stephen DeJesus & Tony Masiello

Special THANX to:
- Paul Geffen (Boston Modular host)
- Bob Familiar (Blue Metal host)
- Sheri Hausey

- ALL the PERFORMERS at BosMod
* Bill T Miller (that's me, BTM)
* Bob Familiar
* Luke Stark
* Stephen DeJesus
* Tony Masiello
* Sam Holland
* Joe Brown
* Ryan Campos
and everybody who was there!

================
http://billtmiller.com/bosmod.summer/
================"

paia corporation new noise source and three channel mixer

YouTube via horchacha
"paia corporation www.paia.com
new noise source pluged into 3 channel mixer

white noise
pink noise
blue noise

being mixed - also ambient tube scope noise

dave wright
www.notbreathing.com"

MODULAR SYNTH JAM #1 - Techno Patch

Published on Apr 1, 2014 DivKidMusic·13 videos

"The first in a series of patch / synth jam videos. We Vine (search DivKid and follow us if you use it) a lot but 6 seconds isn't enough to share a patch properly.

These will be really simple for some and more interesting for others so we hope you enjoy them.

Here's some patch notes:

Kick - Envelopes are triggered via a quarter note midi clock and is a sine wave from an Intellijel Dixie going through an Intellijel uVCA II. With another envelope going to the Dixie pitch to create the kick and thump.

Clap - is a Bubblesound uLFO running at audio rate with the shaped sine (if I remember correctly) going into the WMD Geiger Counter, pushing the pre-amp and wavetable processing.

Hats - these are the high pass noise output from the Blue Lantern Mr. Noise module.

Noise) the sequenced noise sound in the white noise output from the Blue Lantern Mr. Blue module going through a Bubblesound VCA4p with the gain amount modulated by the GinkoSynthese TapLFO (synced to midi clock) with the random output affecting the VCA gain.

Bassline - all 3 rows of the Make Noise Brainds and 2x Pressure Points combo going into a Mutable Instruments Braids. Top rows goes to Braids pitch (1v/oct) input with the quantizer on, second row goes to Braids Timbre modulation and third to the Braids Colour modulation. All the pressure points outputs pass through a Thonk At-At-At for attenuation. Braids internal envelopes are trigger automatically (Braids auto-detects pitch changes) which is affecting the internal VCA level. So Braids acts as a single voice all in one module. The Braids output goes to a SOB filter from Animodule then goes to a Doepfer A-199 Spring Reverb, which then passes into a Happy Nerding FM Aid. The FM Aid then goes to a Malekko Borg 2 filter. Braids also has FM modulation coming through a Livewire AFG with the FM modulation depth adjusted manually.

Each part is mixed together on a pair of STG .mix modules. And as you'll see there's a fair amount of manual wiggling going on.

Subscribe and comment/like etc. As always feel free to ask questions."

A100 Motorik rhythm

A100 Motorik rhythm from Peter Speer on Vimeo.

"I wanted to use our still-new Doepfer A-118 Noise source in a drum pattern. This is the result.

Here's the patch:

The envelope generator on the Moog Rogue is set to auto-trigger itself.

The Audio Out from the Moog Rogue is sent to the Symmetrical input on the A-119 External Input, only to trigger its Gate output (the Audio Out on the 119 is not used).

The Gate Out from the A-119 is sent to a multiple, and from there to:

1. The Trig. In on an A-160 Clock Divider
2. The Gate In on an A-140 Envelope Generator

The /4 output on the 160 is triggering a Boss Dr. Pad (Snare 1 setting). The output from the Dr. Pad is sent to the mixer (off screen).

The /8 output on the 160 is triggering the first envelope on the A-143-1 Complex Envelope Generator (set to Attack-Decay mode) the output of which is opening the bottom VCA on the A-132-3 Dual VCA. The output on the bottom VCA is sent to a mixer (off screen).

The CP2 gate out on the 143-1's second channel (set to LFO mode) is patched to the CV In on an A-150 Dual Voltage Controlled Switch (here acting as a VCA). The output of the 150 is send to the mixer (off screen).

The triangle output from a Plan B ELF LFO is sent to a Frostwave Resonator's input, the output of which is connected to a Frostwave Blue Ringer. The Ringer's output is patched to the Input on the upper 132-3 VCA; the output of the upper VCA is sent to the mixer (off screen).

The White Noise output from the 118 is sent to the In 2 input on an A-196 Phase Locked Loop. The Phase Comp. Output from the 196 is sent to the first Input on the A-150. The second input is left unpatched.

The Colored Noise output from the 118 is sent to the Input on the bottom 132-3 VCA.

The first output on the 140 is opening the upper 132-3 VCA.

The second output on the 140 is sent to a multiple, and from there to:

1. the Low Pass Frequency CV In the Resonator
2. to an attenuator, and then to the CV In on the Ringer

I think that's everything. Two A-118 noise channels, one Dr. Pad channel and one M37-->filter-->ring modulator channel. Panned for stereo but otherwise no outboard effects used.

theshamblers.blogspot.com"

A-118 Noise from Peter Speer on Vimeo.

"I could listen to this all day!

We just got a Doepfer A-118 Noise and Random Voltage module. It's great!!

In this patch, the Colored output from the 118 is being fed into a channel on the A-132-3 VCA. The Random Voltage output from the 118 is being multed and sent to:

A. the Gate In on a A-140 Envelope Generator (the output of which is opening the VCA)

B. the Trigger In on an A-160 Clock Divider (the /4 and /32 outputs are sending CV to the two halves of an A-150 Dual Voltage Controlled Switch, strictly for blinkenlights purposes)

C. the CP3 In on an A-143-1 Complex Envelope Generator (the Mix Out of which is modulating the Low Pass Frequency on a Frostwave Resonator)

The output from the VCA is sent to the Audio In on a Frostwave Resonator filter; the Resonator is sent into a Frostwave Blue Ringer ring modulator; the output from the Blue Ringer is sent to a mixer, and from there to the computer.

The audio sync is a hair off. Please accept my apologies.

We recommend the A-118. I'm already finding it to be more useful than I'd anticipated!

theshamblers.blogspot.com"