ASM Hydrasynth - Ultimate Pads Vol.1 Vid 2 of 2

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

The first Instalment of many for this synth, due to it's strengths and capabilities I have decided with this one to break the banks down into categories.

In this one it features 50 Lush, Warm, Emotive, inspiring Pads.

the initial test was to see how lush I could get the hydraynth to sound, and decided to do a full bank production ready and balanced levels.

This will work on any hydrasynth, anyone with a deluxe, i'd love to hear the pads layered :)

These pads are suitable for most genres, especially, film scoring, ambient, trance and any musical woks that require some evolving motion.

anyway, I hope you enjoy!

as always, many thanks for checking these out!

SM"

00:00 Intro
00:10 SM Flutter PAT
02:14 SM LetmeRun
05:00 SM Volcano
07:28 SM Exodus
09:30 SM Critters
12:17 SM Chrystals
13:49 SM Falling Stars
15:58 SM Violet Saws
17:38 SM Sentiment
19:16 SM ModRipper
20:59 SM Arped Dream
24:39 SM Breathe
25:36 SM RythmicPan
27:23 SM Jazz Funk
28:00 SM PhaselDazel
29:28 SM DX Pad
30:22 SM Spheres PAT
32:48 SM RythmicWarmth
34:54 SM Choralism
36:51 SM FilmicBrass
38:17 SM HP Sauce
39:15 SM ModWhl Me
40:59 SM BrokenFilters
43:05 SM ResoFizz
44:55 SM The Journey
46:36 Outro

Touched by Sound DRM1 SYNCUSSION ANALOG DRUM SYNTHESIZER

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"If you are looking for a tweakable, uncomplicated and great-sounding source of electronic drum sounds, the Syncussion might be worth its weight in gold.

Sparkling analogue drum sounds are what you need to turn your tracks to gold, Germany's Touched By Sound company may have the answer in the form of the DRM1 eight-piece analogue drum module.

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"Ichika's Brand New Dress" - Akai MPC X, Korg Wavestate, Minilogue XD, Sequential Prophet REV2

video by Patrick Manderson

"'Ichika's Brand New Dress' - recorded live on February 27, 2021 using a MIDI sequencer, 3 mixers and room full of synthesizers.

The roots of "Ichika's" was composed on a Yamaha RS7000 sequencer and left unfinished for several years. The intricate timings and swing notes were too difficult to mix when overdubbing and editing on the RS7000 and was nearly abandoned altogether. Fast forward to December 2020 - I don't think I would have ever finished this without the Akai MPC X. It's essentially a sports car wrapped around a Rolls Royce. The 10" display is comfortable to use and the generous physicality of buttons, knobs, OLED displays make editing a breeze. Mixing straight notes, with triplets and swing was something nearly impossible to manage on the RS. The MPC not only made it easy, but I never felt constrained to try things out. Although I may never touch its sampler and built-in synths, the MIDI capabilities alone are amazing and worth the price - especially coming from the RS7000.

The breakout stars of this piece are the Korg Wavestate and the Sequential REV2 which due to its versatility played the bulk of parts [00:11​], [01:13​], [0:31​], [05:50​] both layered and split all throughout [02:27​], [02:56​], [04:32​]. Its generous modulation capabilities allowed nuance everywhere needed especially since the MPC X made editing so much easier. Velocity and the MOD wheel are used primarily to articulate notes; discrete use of specific CC modulations were also used. The digital distortion and filter modulations were synchronized with MIDI [04:52​].

The Wavestate's factory patches are so expertly designed although I found it difficult to fit them in initially. Luckily I know enough to adjust the envelopes to get a good fitting. Still the Wavestate remains a challenge for me to wrap my head around. Swirling strings [02:03​], [02:38​], [03:50​] and bell tones [02:29​].

Drums - I'm surprised how many drums are in this. The Roland TR8s was used to replace RS7000 analog kit used in the original 'Ichika's'. The MDX 1400 was used to compress the 808 kick. Two acoustic kits from the Yamaha Motif XS were tweaked to make use of its built-in VCM compressors - room reverb first, then the compression. Most of the acoustic kit performance was sequenced on the RS7000 and later tweaked on the MPC X. The crash choke was made by playing a regular crash using a second note at a lower velocity (greater than zero) at [05:14​]. The delicious sound of the Boss DR-660 [03:26​] was added to "Ichika's" recently as new sections using the Wavestate were created. The Alesis 3630 was used to tame the dynamics of the DR-660, especially the toms. Lastly, my custom "noise and sine" kit on the Korg Radias embellishes all through the piece.

The Korg EX-8000 had a minor role except for the amazing sweeping patch showered in its digital delay [03:27​], [03:48​]. I believe an original preset patch with minor tweaks on the envelopes.

Upbeat vox played by the Korg Radias near the beginning [00:12​] and at the end [05:25​], also modulated here [01:22​] and here [01:32​].

The original Minilogue wears its characterful filter again throughout "Ichika's", reusing patches from previous arrangements. Layered up, the Minilogue XD *high-def* embellishments filled in when needed.

The lightning acrobatics of the Novation Bass Station II and its ability to switch patches on a tick emphasized individual notes in a few places [01:27​], [03:36​]. Unfortunately my mixing isn't sufficient to put these subleties out front enough to hear.

Brassy swells [00:53​] and stringy melodies [02:06​] on the Prophet 6. Digital voice chatter here [02:30​] and here [03:18​], melodic emphasis on the main parts [00:11​] on the Korg MS 2000 - shining near the end with a chaotic sequence of LFO modulations [04:52​].

The Yamaha Tx81Z played a minor part filling in space when needed [01:00​], [05:17​].

Video from a Canon EOS SL3 was captured over a two day period while the audio was recorded after getting a satisfying take."

Benge's Buchla 100 & 200 Systems Labeled

via it's full of stars:

"Do you know how much I like making lists and labelling things? A lot! So I made labelled pictures of my Buchla systems, just for fun"

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Field Effect Studies by Benge

"The music contained on this album was created using a Moog Modular 3C synthesiser, one of the very few original systems made in 1967. In addition some sounds were originated on a 1975 Moog Polymoog keyboard and then passed through the modular system for further treatment. No other sounds were used on this record, however on occasion a short delay of around 500 milliseconds was applied to one or other side of the stereo signal to provide a spacial dimension to the recording

Several of the pieces made use of the Sequential Controllers, which are modern clones of the Moog design, and, along with the various Sequential Switches and Sequencer Interfaces, can be set up to create some very complex melodic patterns. These can be heard to good effect on the second track “Sequoia”

The Title of the album makes reference to field effects, but I have left it deliberately ambiguous as to which kind of fields are being referred to
credits
released November 15, 2019

Written, recorded and designed by Benge (Ben Edwards)
at Memetune Studios, UK

A Forms Series recording
c+p 2019 Memesongs"

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Applied Acoustics Systems Introduces Ultra Analog VA-3 Virtual Analog Synthesizer Plug-in

Published on Sep 24, 2019 Applied Acoustics Systems

Playlist:
Introducing Ultra Analog VA-3 analog synthesizer plug-in—VST AU AAX NKS
Glory—Thiago Pinheiro plays Ultra Analog VA-3—analog synthesizer plug-in—Part 1 - 3

"THE FINEST IN ANALOG SOUNDS

Ultra Analog performs as a unique and powerful synth that is fast, easy, and remarkably versatile.

Ultra Analog VA-3 is a two-voice two-oscillator-bi-filter-plus-effects analog synthesizer with advanced editing options that achieve a sweet balance between familiarity and flexibility. Ultra Analog VA-3 ships with 1000+ presets taking full advantage of its state-of-the-art analog components.

Key Features
- Two-part multitimbral, stacked or split
- Top-notch analog modules and clever synth architecture
- Four performance macros per layer that respond to user-defined MIDI controls
- Factory library comprising more than a 1000 sounds by top sound designers
- Expansion packs

WHAT’S NEW IN Ultra Analog VA-3?
We have streamlined Ultra Analog and brought it to a whole new level.

CLICK FOR MORE »

Warp Records WXAXRXP 30th Anniversary Novation Bass Station II

via Novation

"Warp Records celebrate their 30th anniversary with three-day NTS Radio takeover, including exclusive mixes and giveaways.

For the past 30 years, UK based label Warp Records have been consistently setting the bar in the electronic music world, always pushing the boundaries of the genre and thrilling music fans worldwide.

Founded by Steve Beckett and Rob Mitchell in the back of a record store in Sheffield in 1989, Warp has become the pioneer of its genre with a unique yet reliable catalogue of electronic music. Responsible for bringing to the world the likes of Aphex Twin, Boards of Canada, Squarepusher and Nightmares on Wax, plus loads more, Warp have also more recently ventured into film, art installations and their own online independent record store, Bleep.com.

This weekend, Warp are set to celebrate their 30th anniversary. Partnering with NTS, they’ll bring together their legendary roster with a packed out 100-hour schedule of music, including exclusive mixes, tributes and giveaways.

As part of the celebrations and in honour of the release of our recent Bass Station AFX update, listeners will have the chance to get their hands on a very limited edition Warp Records x Aphex Twin x Novation Bass Station II, 1 of only 5 made. For a chance to win, simply sign up for the WXAXRXP mailing list following the link below [bottom of page here].

LISTEN NOW

We’ve also compiled a selection of our favourite Warp releases spanning the past thirty years. With so many releases, we could have kept this list going on for ages, but here are ten particular highlights from the past three decades chosen by some of the team over at Novation HQ:

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Moby's Drum Machines For Sale

Note: Auction links are affiliate links for which the site may be compensated.

You can find them on Reverb here.

Don't miss the video here.

Update: some pics and details captured. I made the mistake of trying to capture them all and then realized how many were listed. :) I ended up switching to the more esoteric models. Quite a few have never been featured here on MATRIXSYNTH before. What's a little bit interesting, is only two new labels were needed, one for Domino and one for Side-Kick-Er. All other brands have been featured before. See the labels at the bottom of this post. Side note: Blogger limits the number of characters to 200 for labels, so I wasn't able to capture them all for this post. You can always search for the brand names featured for more. I assume most do this anyway. The labels are more for maintenance and for finding posts that may not feature brand names in descriptions.

Pictured:

Realistic Concertmate Electronic Accompanist-Metronome

"Fully analog rhythmic companion utilizing 5 beat buttons to combine how you wish. Features metronome, speaker and line out, and tempo control.

Serial: 42-2103. Works with no issue."

CLICK FOR MORE »

Unfiltered Audio Spec Ops

EmptyVessel
Published on Aug 3, 2017

"Exploring the subtler side of Spec Ops, the 'Ultimate Spectral Processor' on its way from Unfiltered Audio.
This preset I've called 'My God it's full of Stars'

Although highly capable of mangling audio beyond recognition I've used it here to add a pitch-shift up one octave using Stretch, subtle pitch wobble using Slide controlled by an LFO, higher frequency artifacts and texture and generally lots of movement with the LFOs modulating many parameters and also their own - and others - frequency. You can see the dry/wet knob moving and hear the effected and unaffected pad I made in Absynth. A little mellow Vintageverb rounds out the effect.

The possibilities with this effect are huge!

https://www.unfilteredaudio.com
https://valhalladsp.com"

A Modular Birthday Card

Thought this was pretty cool.

via It's Full of Stars:

"Look my friend Richard drew a picture of my studio for my birthday card! Thanks Rich, I love it - I'm going to print it out and put it up on the wall next to my Moog"

An Interview with Barry Schrader

Hi everyone! As you know Barry Schrader will be giving his farewell concert at CalArts on September 26. The following is the beginning of my interview with him. I opted to post the questions and answers as they come in.  New QAs will get a new post so you do not miss them and they will be added to this post so we have one central post for the full interview. This should make it easier for all of us to consume in our busy lives, and it will allow you to send in any questions that may come to mind during the interview process.  If you have anything you'd like to ask Barry, feel free to send it in to matrixsynth@gmail.com.  This is a rare opportunity for us to get insight on a significant bit of synthesizer history, specifically with early Buchla systems, and I'd like to thank Barry for this opportunity. Thank you Barry!

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Synth Future

via It's Full of Stars

Moog Music Announces Plans For Moogfest As A Biennial Event

"Today, Moog Music announces that Moogfest will be biennial, with the next event scheduled for 2016.

Moogfest 2014 was a reboot of the festival, with much of the planning and execution taking place inside the Moog headquarters, just upstairs from where the synthesizers are designed and built by hand. Engineering a production of this scale is a process that can’t be mass-produced, much like Moog synthesizers themselves.

The decision to produce Moogfest biennially is in an effort to maintain the authenticity of the event, as well as the financial and spiritual health of Moog Music and its employees, whose primary focus will always be designing and building synthesizers.

“Moogfest 2014 was a proof of concept so we could experiment with a new business, a unique format, and a new creative direction,” says Mike Adams, Moog Music Inc. President & CEO. “Producing Moogfest every other year allows us to retain the high level of innovative programming as well as the originality and independence we established in 2014.”

This new iteration of Moogfest, with Moog Music Inc. at the helm, brought thousands of musicians, inventors, engineers, futurists, ethicists, visual artists and their fans together to discuss the future of technology and creativity. It established a space for conversation and collaboration while bringing visibility to North Carolina as an international hub of new ideas. Musical performers included legends like Kraftwerk, Keith Emerson, Nile Rogers and Giorgio Moroder alongside future and current stars like M.I.A., Flying Lotus, Dan Deacon, and Factory Floor.

“This future-forward version of Moogfest is in its infancy,” says Emmy Parker, Brand Director of Moogfest and Moog. “It will take some time for it to grow, but it’s clear that people want an unadulterated ideas-based festival that combines new art, music and technology. Moogfest is a personification of the Moog ethos and we’re honored to dedicate a full two years for curating each festival, with a sustainable, long-term plan for maintaining this platform for all those who share our passion.”

As a pioneer in electronic music and the inventor of the Moog synthesizer, Bob Moog was an innovator who introduced the world to the sound of the future. Moogfest, a five-day synthesis of music, technology and art, held April 23-27 in Asheville, N.C., brought an equal ferocity of spirit to the festival that bears his name.

For a more in-depth read, please check out the Asheville Citizen Times report here"

Hannah Peel - Chloe - LIVE STUDIO SESSION

Published on Mar 6, 2014

Live at Benge's studio, via It's Full of Stars

"Hannah Peel - Chloe - LIVE STUDIO SESSION
Taken from the NEW 'Fabricstate' EP order now from iTunes:
UK | US

Limited Edition Vinyl and digital download:
http://www.shop.hannahpeel.com/

Filmed live in MemeTune Studios, Hoxton, London, where Hannah is based
'Analogue Synth Heaven'

Video: Filmed and edited by The Black Revolver
Hair: Hiro Hirata
Produced by My Own Pleasure
http://www.myownpleasure.com

Connect with Hannah Peel:
Facebook: https://www.facebook.com/HannahPeelMusic
Twitter: https://twitter.com/Hanpeel
Soundcloud: https://soundcloud.com/hannahpeel
YouTube: http://www.youtube.com/user/hannahpeel
Website: http://www.hannahpeel.com

Thanks to Benge, Tom, Rob and Hiro

This video has been supported by the Momentum Music Fund. Momentum is managed by PRS for Music Foundation, supported using public funding by National Lottery through Arts Council England, and in association with Deezer.
https://www.prsformusicfoundation.com"

Benge Releases All EMS Polysynthi Album - Forms 3

"One of the interesting things about creating an album using just one synthesiser is that it puts you in the 'sonic era' of the machine that you are working with. So for this reason I decided to create these tracks with this idea in mind, resulting hopefully in a sound reminiscent of the musical cues found on certain late 1970s soundtrack or library albums. Therefore when listening to this record it would not be inappropriate to try and imagine yourself immersed in a progressive Television Play such as would have been broadcast on on a sunday evening in 1978

This record was made using the EMS Polysynthi electronic polyphonic synthesiser. All sounds were created and played on this single machine, and then recorded directly to multi-track tape in overlaying passes. The only exception to this was the minor addition of monophonic spring reverberation via the EMS VCS3 and some occasional band-pass filtering courtesy of the EMS 8-octave filter bank
credits
released 16 December 2013
Music created on the EMS Polysynthi
Recorded at Memetune Studios, London, UK
© December 2013 Benge / Expanding Records
All Rights Reserved
expandingrecords.com
memetune.net"

via Benge's It's Full of Stars

An Early EMS Christmas Gift

Saving the pic for the bottom of this one. Don't scroll past the dots if you want to save it for last.  Congrats to Benge!  Don't know whether to love him or hate him at the moment... :)

via It's Full of Stars

"Something amazing just happened that normally only happens in daydreams you know where you walk past a charity shop and imagine seeing a Moog modular in the window for £20

Well I got an email from a friend (thanks Phil J!!!) who has a friend who works at a London university in the music department one day a week. This chap was clearing out a cupboard and found a load of old gear that hadn't been used for years and wanted it to go to a good home, rather than it just being neglected or even worse chucked out. So I got passed this email saying there was a load of EMS gear from the 1970s and did I know of anyone who might want it!?!? So rather excitedly I replied that yes I am someone who is an avid fan of EMS equipment and that I own the rest of the matching series!! I had to pay a nominal fee to keep the bursar happy, but the amazing thing is I have now got the full set of EMS modules and keyboards and they are an exact match of my EMS VCS3 and DK1 (one of the first synths I bought 20+ years ago)

Here is a picture, my existing Putney and Cricklewood, and the new TKS touch keyboard and sequencer, 8 octave filter bank, pitch to voltage converter and random voltage generator. This is a very powerful system! Lucky me!!!!"

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The Americans

via It's Full of Stars

"I had a bit of a change around in the studio today and suddenly there were all these Americans in the corner."

Shooting Stars at Benge Studios

More pics at It's Full of Stars

http://www.bengestudios.com

Forms - Series One - 100% Buchla 100 Release by Benge

AN EXPLORATION OF THE BUCHLA 100 ELECTRONIC MODULAR SYNTHESISER

All Tracks created at Meme Tune Studios, London, UK utilising the Buchla 100 modular synthesiser. No additional processors were used in this recording. It should be noted that the Buchla 100 features its own sequencer module and this was used to produce the repeating rhythms in the music on this record and also the melodic and harmonic content. On the first track the voltage controlled touch plates (model 112) were used to produce some of the more performance-orientated sounds on the record. On most tracks the patches were set up and left to run by themselves, with minor human intervention other than adjusting the various potentiometers. The Buchla 100 system is very adept at producing self-perpetuating sounds and it is this aspect of it that is explored here
credits
released 04 September 2013
All music by Benge (B.D.Edwards). Recorded at Meme Tune Studios, London, U.K. (c)2013 Expaning Records. All rights reserved

All sounds and compositions created on the Buchla 100 Modular Electronic Music System containing the following modules: 102 Dual Stereo Locator; 106 Six Channel Mixer; 110 Dual Voltage Controlled Gate; 111 Dual Ring Modulator; 112 Touch-Controlled Voltage Source; 130 Dual Envelope Detector; 140 Timing Pulse Generator; 144 Dual Square Wave Oscillator; 156 Dual Control Voltage Processor (x 3); 158 Dual Sine-Sawtooth Oscillator (x 2); 160 White Noise Generator; 165 Dual Random Voltage Source; 175 Dual EQ / Line Driver; 180 Dual Attack Generator (x 2); 185 Frequency Shifter; 190 Dual Reverberation Unit; 191 Sharp Cutoff Filter; 194 Band Pass Filter; 2 x 100 Cabinets

TRACKLISTING:

01 Milek (3.55)
02 Vilbae (3.34)
03 Leraf (2.42)
04 Budec (2.55)
05 Maher (3.28)
06 Murke (3.36)
07 Groud (4.41)
08 Solfe (3.09)
09 Loar (3.30)
10 Termer (2.47)
11 Gelin (3.23)
12 Coren (4.32)

Total Running Time: 42.32

via Benge of It's Full of Stars

CLICK FOR MORE »

Sorrell Hays, Doris Hays & Delia Derbyshire

Update3 8/27/13: We have confirmation from Sorrell Hays herself.  It indeed was her that composed Doris Hays - Scared Trip [1971] in the video below and not Delia Derbyshire.  It was composed using the Buchla 101 keyboard pictured below. I'll see if I can get the WikiDelia article mentioning Delia updated. As a side note, for those on Facebook there's some conversation going on regarding this post here. Laurie Spiegel chimed in as well.

Start of original post before we had confirmation from Sorrell Hays:

This post can be a little confusing, so I thought I'd try and clear it up front.  I spotted this post on It's Full of Stars on Sorell Hays, an electronic artist that used a Buchla keyboard.  I clicked through the link in the post and found that the video directly below wasn't actually by Sorrell Hays, but by Delia Derbyshire.  Apparently Delia produced the tracks under the pseudonym Doris Hays.  The real Doris Hays went by Sorrell Hays and is pictured further below.  I have no idea if there was a connection between the two or if it was all just coincidence, but there you have it.

Update1 via eben in the comments: "hi Matrix thanks for reposting. it is quite a confusing situation! did you see the original post over on toys&techniques from a while back? it seems to suggest that the tracks on the Southern LP 'electronic music' might actually be sorrel and NOT delia - see also the comments to the post:

http://toysandtechniques.blogspot.co.uk/2010/06/sorrel-hays.html

to me it sounds more buchla than ems!

its all very intriguing..."

Doris Hays - Scared Trip [1971]

Uploaded on May 21, 2011 TheCoffeeShopShop·2,525 videos
Re-Published on Nov 21, 2014 Doris Hays - Topic

I'm guessing this is a mix of tape and EMS based on the year.  Click here for more posts featuring Delia and EMS at the time.

via WikiDelia: "It is claimed that in 1971 Delia produced 14 tracks of electronic music for the British record label Southern Library of Recorded Music, published as Electronic Music with catalogue number MQ/LP 38[1] under the pseudonym Doris Hays.[2] The other four track on the album are credited to John Matthews, claimed to be John Baker[1] and included on the album 'The John Baker Tapes'."

There is a real Doris Hays who is also a electronic and musique concrète composer, also active in 1971, born in Memphis, Tennessee in 1941.[3]"

Pictured here is Doris Hays [not Delia] who went by Sorrel Hays.  Via her last.fm site: "Sorrel Hays was born Doris Hays in Memphis, Tennessee, but being a “sound” person she decided that “Sorrel” sings (her maternal grandmother’s family name was Sorrels) so in 1985 she adopted the name Sorrel.

In 1971 Hays won first prize at the Gaudeamus Competition for Interpreters of New Music in Rotterdam, and began her international career as a performer of contemporary music. She performed concerts at broadcasting stations in Germany, Holland, Italy and Yugoslavia, appeared at the Como Festival and Pro Musica Nova Bremen, and was invited to celebrate John Cage’s 60th birthday by performing his Concerto for Prepared Piano and Orchestra with the Orchestra at the Hague. She gave the first performance in Europe of her own music at the Gaudeamus Composers Week in Holland in 1972, a composition called Hands and Lights for piano strings with photocell activated switches and flashlights beamed across the interior of a grand piano, a composition which she later performed for the Chattanooga Debutante Cotton Ball.

During 1989-1990 Sorrel Hays was a resident artist at the Yamaha Communications and Research Center in New York City, commissioned to create music for the Yamaha MIDI Grand Piano. These pieces, 90’s, A Calendar Bracelet , for MIDI Grand and tone generator, are recorded by Loretta Goldberg on the CD “Soundbridge” from Opus One."

Buchla at 1:13: Update2: the Buchla is the 200 101 keyboard as seen in this video.

Southern Voices: A Composer's Exploration - PREVIEW

Uploaded on Jun 4, 2009 docued·648 videos

"Purchase: http://www.der.org/films/southern-voi... and on Amazon.

This documentary traces the development and premiere performance of an avant-garde symphonic work by Southern composer Sorrel Doris Hays. Commissioned by the Chattanooga Symphony Orchestra, Hays' piece is based on the sounds and rhythms of Southern speech and musical traditions. It is a journey into childhood memories via the melodies and rhythms of Southern dialect. Stoney combines analysis of her work with interviews in which Hays discusses her struggle with racism and paternalism of Southern culture.

a film by George Stoney with Sorrel Doris Hays
distributed by Documentary Educational Resources"

I did a quick search on YouTube to see if I could find anything else and found the following:

Invasion of the Love Drones (1977)

Uploaded on Sep 19, 2009
Invasion of the Love Drones, 1977 sci-fi movie from Jerome Hamlin. Soundtrack by Sorrel Hays, Mike Michaels, Richard Lavsky's Music House and Barry Forgie (uncredited). Additional dialogue by Charles Flowers (uncredited).

Review & more information:
http://atagong.com/archives/2009/09/e..."