WMD Digital VCA MKIII - Dual Zero-Crossing VCA and Polarizer - Announcement

video upload by WMDevices

"Announcing the MKIII version of the WMD Digital VCA eurorack module. This new and improved dual VCA and Polarizer (bipolar VCA) has a zero-crossing detector and noise source. At only 8HP, this module can do many cool things for any modular synth in a small space."

WMD Digital VCA MKIII - In Depth Demo

video upload by WMDevices

"WMD is back and finally in production with the new Digital VCA MKIII eurorack module. This modern take on a classic WMD design combines a Zero Crossing Detector (ZCD), a Voltage Controlled Attenuator (VCA), and a couple noise sources to make a super versatile tool at only 8HP. Watch as Alex Anderson explains many of the features and use cases.

00:00 Overview
00:54 White Noise Explanation
02:16 VCA overview
04:55 Remove clicks and pops the ZCD
07:59 Trigger Mode
14:06 Amplitude modulation and the Bipolar functions
18:51 Normaling of 'B' inputs with Dual VCA patch example
20:56 Mixing capabilities
23:00 ZCD Outputs"

via WMD

"I've done several designs of this circuit over the years, the first one had no knobs, the second was too small, the MKIII is finally how this circuit should be packaged. This module does some really cool stuff and is super useful in any system.

The Digital VCA lets signal through like a normal VCA, but the CV and attenuation level is controlled digitally. This lets us do things like wait until there is a zero crossing to change the amplitude, resulting in clickless amplitude changes.

The Trigger mode causes the VCA to only update when a trigger is received. The addition of a noise circuit for each side let us do a very quick and easy sample and hold that never droops. With no input, 5V is normaled to the attenuator, so you get a 0-5V sample and hold. In Bipolar mode, you can get -5 to +5V.

Both sides have bipolar VCA mode (polarizer), which lets them invert the signal when negative CV comes in. Also known as ring modulation. With the zero crossing detector, this can produce some super wild wave shapes.

Limited run of 410 units for Eurorack Modular Synthesizer systems. I won't be making more or doing another version in the future."

Arduino VGM player with rough SN76489 emulation - sneak peak of a video game music chiptune project

video upload by Marcel Licence

"Similar to the previous project I wanted to implement the playback of a new file format.
In this project VGM files are played on different platforms (decompressed VGZ files).
To get any audio I've implemented a very rough emulation of the SN76489 sound chip.
It has three square wave outputs and a noise channel.
The noise channel does not completely work as intended yet.
You might hear some deviations to the expected audio of the video game music.
This project is implemented in Arduino.
After adding some more features I will make this project available soon.


Used VGM files:
- Sonic the Hedgehog 2 - 07 - Sky High Zone.vgm
- Global Gladiators - 02 - Techno Tune.vgz
- Global Gladiators - 03 - Duelin-Dance.vgz
- Global Gladiators - 04 - Dance Tune.vgz
- Lemmings - 01 - Title screen.vgm
- Lemmings - 02 - Can-Can.vgm
- Lemmings - 03 - Levels 2 & 19.vgm
- Lemmings - 04 - Levels 3 & 20.vgm
- Lemmings - 05 - Levels 4 & 21.vgm

Files were originally in .vgz format and I renamed them to .vgz, decompressed them
and finally renamed the uncompressed files back to .vgm before I could play them.

---

Projects can be found on GitHub: https://github.com/marcel-licence
Instagram: https://www.instagram.com/marcel_lice...
Twitter: https://twitter.com/MarcelLicence
Discord: https://discord.gg/yT8bQdZE (if the link doesn't work please check the description of the latest video)
Mail: mailto:marcel.licence.o@gmail.com

---
Intro, Raspberry Pi Pico via PWM: (0:00)
ESP32 playback via audio codec: (2:37)
ESP8266 test output via PWM: (3:27)
ESP32-S2 using I2S DOUT alone: (4:17)"

♫ Jamming With a Bunch of Synths ♫ ----- (79)

video upload by

"This jam is a little weird. My phone was on low battery which made the video slightly glitchy. I was a bit distracted during this recording so it's maybe a bit more boring than usual. There is also a couple mysterious audio drop outs near the end of the video. I didn't notice these prior to uploading so it's possible something went wrong when combining the audio and video files or something.

5U Modular (Synthesizers.com, STG Soundlabs, Synthetic Sound Labs)
Akai MPC X
Behringer Pro-1 (Sequential Circuits Pro One clone)
Clavia Nord Wave
Cherry Audio Voltage Modular (software modular)
cre8audio East Beast
Elta Music PF-3 Stereo Multimode Filter (Formanta Polivoks chips)
Erica Synths Syntrx II
Landscape Noon
Korg Delta
Korg Mono/Poly (x2)
Make Noise 0-ctrl (analog sequencer/touch keyboard)
Moog Source
Roland TR-55
Simmons SDS-V
Studio Electronics Boomstar 5089 mk11
Yamaha CS-15 (with UAD Bermuda Triangle distortion plugin)"

Gone | MIDERA - Downtempo IDM

video upload by MIDERA

"I have been debating selling my Roland JX-3P (well, trading it for my old Virus kB, because I just love that keybed, even though I've got the TI). So of course I brought my JX-3P out and tested it out. Then I tested it against my System 8. Doing that made me just appreciate the JX more. Sigh. I don’t know why it is so difficult to part with this stuff. But when I played this sound (that you hear at the beginning), it just sang to me. I loved the noise that seems to become additive with more notes. It somehow helps create the tone I’m going for, especially when sent through the Strymon Volante pedal. It’s not that the System 8 doesn’t sound similar (in fact, I think I created this sound on the S8 first and then ported it over to the JX), it does, but it doesn’t impart any noise, or what I would call “character”. It just sounds lifeless in comparison. And so I’m left with what I’m always left with. More gear, because I find all my stuff useful and fun.

Well, I’m sure I could just do the trade. I bet any number of synths I have could make this sound. It didn’t even use ‘that famous Roland Chorus’. I probably spend more time trying to tell myself I can sell my gear, and then don’t, than I do playing the gear for music.

But I guess this time I used it to my advantage. I made a song of it.

Gear:
Radikal Technologies Spectralis II (Drums, sequencing)
Virus TI (Pad parts and keys)
Roland JX-3P (intro part and similar sounds throughout)
Sequential Prophet 10 (synth part)
Strymon Volante (delay for JX-3P)
Eventide Blackhole VST (reverb)"

Lo-Pass Gates (LPG) | From the Buchla 292 to Mutable Streams

video upload by Cinematic Laboratory

"I've been using a lot of LPG models, including a few that don't use vactrols. However, I use the Buchla 292 as a reference because it represents the original design. If it doesn't (at least) sound like a 292, it's not a LPG in the classic sense. But it can still be something better or cooler. Manufacturers have the freedom and creativity to build on it, and make it their own, like the QMMG, Streams and the Steady State Gate.

The MakeNoise modules are strongly represented, because it's cool to see all the subtle (and not so subtle) differences between modules. They're all unique signs of the times.

I wish I could include the Rabid Elephant Natural Gate because it may be the most natural gate around, and seriously missing in this collection. It is advertised to be 'strike speed aware', and it also knows that a high note rings shorter. I managed to find a reasonably priced one in Germany and it's on its way to the Lab. It also seems the Rabid Elephant website came back to life, so hopefully they're producing again.

It's funny, but I got Mutable Streams about six years ago and couldn't position it next to the Veils VCA. I remember buying it for the compressor. At the time I had no idea what a LPG was. The manual talked about Buchla, but what the hell did I know. I remember watching DivKid's video, but at the time it sounded like Russian poetry.

Now I know what an LPG is, but my encounter with Streams is about 24 hours young. I remembered a little vactrol symbol on Streams (I am blessed with photographic memory), so I looked it up in my box of forgotten modules, read the manual and was surprised to read it's a dedicated LPG module. All modes have something to do with a low pass gate. I patched it up and was blown away by the possibilities you probably already know about. But I need to learn too, especially stuff I have lying around unused for many years.

00:00 Introduction
00:21 Plaits 2 OP FM as a source and the built in LPG.
01:27 Buchla/TTA 292T - The Reference
03:32 MN Optomix LPG
04:26 MN Dynamix VCFA
05:46 MN LxD
07:29 MN DXG
08:51 MN QMMG
10:18 SSF Steady State Gate
12:39 Noise Engineering Sinc Bucina
13:28 Endorphines Sqwk Dirty
14:14 Mutable Instruments Streams"

Behringer Edge with the DB-01

video upload by Richard DeHove

"The Edge-DFAM class of machines is an odd category. Not a very good as a synth due to the constant (and necessary) manipulation of the oscillator frequencies. Not particularly good as a drum machine due to the 8-step limitations and the delicate juggling required to squeeze out multiple sounds. And not so great live since there are no presets and too many parameters to easily morph to a different sound. OTOH if you want a random percussion chaos layer then it's the perfect solution.

Of course they're great fun to twiddle and make unexpected discoveries. They also pair up pretty well with more conventional machines to produce a more complex result than you'd get with 'ordinary' synths.

Having owned both the DFAM and Edge I'm happy but hesitant to admit that in a 1:1 matchup I'd choose the Edge. This is entirely due to the MIDI clock options: The sequence must always start at the start - duh. Some people say the DFAM sounds better (whatever that means) but I'm not feeling anything radically different. My only complaint is that the LPF feels murky and doesn't interact with the resonance control in a pleasing way. The HPF is much superior imo and saves the filter section. Of course it may be that I've now been trained by prolonged Polivoks filter exposure to expect satisfying grit and tortured screaming.

Back on the topic of 'Would I use it live', the more I thought about that the more I thought I'd use the LXR-02 instead. Perhaps a video 'The LXR-02 does the DFAM' would be good?

It may also be of interest to note the use of the DB-01 gate output connected to the noise level in Demo 1. It generates some noise percussion when playing normally because of the gate length but this largely disappears when playing the arpeggiator's much shorter gate length.

As usual there are absolutely no external effects or DAW processing.

0:00 Unboxing
1:25 The setup
1:42 MIDI reset
2:27 Clock divider
3:13 Tuning
4:05 Demo 1: Cheese
4:39 Demo 2: Swinger
5:19 Demo 3: Rubber
6:22 Demo 4: Wired

Lots of downloads for supporters on Patreon: https://www.patreon.com/richarddehove
Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Body Synths introduces the Metal Fetishist

video upload by Body Synths

"The Body Synths Metal Fetishist is a Percussion Synthesizer featuring a loopable randomness sequencer and a eurorack-compatible control-voltage interface.

The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive."

Four Body Synths Metal Fetishist percussion synths playing together

video upload by Body Synths

"Sequencing 4 Metal Fetishist units with an Arturia Beatstep Pro. Spring reverb from Roland VX-55. Analog delay from Roland DC-20."

"The Body Synths Metal Fetishist is a Percussion Synthesizer featuring a loopable randomness sequencer and a eurorack-compatible control-voltage interface.

Explore percussion by synthesizing simple Kicks, harsh Noise, fuzzy Drones, digital Glitches and plucky microtonal Melodies
The Metal Fetishist is a beat-making platform designed for rythm discovery and percussive sound design. The unapologetically digital sound engine includes a single oscillator, a white noise source, a resonant multi-mode filter and a digital distortion section featuring downsampling and overdrive.

Random sequencing with control
The Metal Fetishist features two randomness generators. At every trigger step of the sequence, the Random Step Mod section creates a new modulation value that can modify the Pitch, the amount of Noise or the filter Cut-Off value, while the modulation amount can be selected manually. At every sequence step, the Random Skips control decides if the current step will trigger or not, based on the skipping amount selected. The big STEPS knob won't do anything at its OFF position, leaving the synth in completely random mode! But as you turn it right it will lock the previously generated random step values into repeatable sequences of length 2, 4, 8, 10, 16 or 32. Have fun with it!"

Bad Gear is MASSIVE

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world's most hated audio tools.

There aren’t many software companies whose influence on electronic music is comparable to iconic hardware brands like Roland and Korg - Native Instruments is certainly one of them.

They defined the industry standard for sampling, established in-the-box modular synthesis and made using FM much too easy but today we are going to talk about Massive.

Putting this 2006 wavetable softsynth and primary ghost writer of the first three Skrillex EPs on the show is - quite literally - long overdue as, after the usual venture capitalist fustercluck and discontinuation of Absynth, it can only be a matter of months until this classic plugin stops working properly on contemporary computers.

Bad Gear is MASSIVE
Plugin, VST, Software Instrument

Chapters:
00:00 Intro Tune
01:05 Overview Native Instruments Massive
01:48 Oscillators/Wavetables/Noise/Mod OSC
02:28 Feedback
02:39 Filter Section
03:04 Modulators ( Brostep Edition ), Wubs, Wobbles
03:37 Modulation Routings, Sidechain
03:54 Patch Settings, Unison,...
04:15 FX Section
04:29 Macros
04:48 What else??? (Pricing,...)
05:13 Hate
05:39 Jam 1 ( Moog Style Techno )
06:32 Jam 2 ( Dubstep for Boomers )
07:24 Finale ( Meme Psytrance )
07:51 Verdict
08:59 Patreon Vocoder Shoutout ( Soma Lyra-8 )"

They will let anyone have a MPC Keys 37 Day 7 Conclusion

video upload by G Tracks

The playlist above features all 7 days.

"Hey y'all, I am bringing you a brand new piece of amazing awesome-sauce part Seven!!! Day 7
These are my thoughts after using this phenomenal machine for a week, granted I have limited experience with the whole MPC system and a million things to learn. This has been an amazing week learning and growing and I truly believe that anyone can pick and use this fantastic machine. It definitely will take some dedication and a lot of learning but everything is all right there in the Key 37. I set a goal for myself to do a weeks worth of sessions and I am hooked and want to do more. As I am exploring this machine ideas are just flowing and that is a really good feeling. The easiest way to start is with a drum kit which provides you with a set of 16 drums and sounds to choose from to make a custom beat. You then can add an additional drum kit or single sounds to round out your beat. The Key 37 also offers a dedicated button to be able to go right to your keyboard sounds/ Plug ins that will get you going quick. Straight out of the box it comes pre loaded with all of this and AKAI offers additional bundles so you will never get bored or tired of the same sounds. I have not learned to chop samples yet but with STEMS coming out you'll be able to make your own custom samples. I look forward to exploring and sharing what I learn in my Sessions/Tracks to come. This is a personal journey, and whether you choose to share your music or keep it for yourself, don't let the outside noise distract you from creating -the process should be fun and should make you happy. This session I created a beat that is suiting for a conclusion to my first week with the MPC Key 37. I am so grateful to all of you that have watched me with this amazing machine and Thank You for coming along with me on this journey. Don't fret I will be back soon so Please like and subscribe to catch all the new great content to come. Have a fantastic day and Let's Make Some Music!"

Audio Damage Introduces AD057 Axon 3

video upload by ObXession



via Audio Damage

"A drum sequencer that thinks outside the box, where each beat is a live wire, sparking and connecting to create a rhythm that's alive. That's Axon 3 for you - not just an update but a complete overhaul of our legendary Axon series. This isn't your ordinary drum machine; it's a sonic adventure, blending the familiar with the futuristic.

At the heart of Axon 3 lies a sequencer inspired by the complex workings of artificial neural networks. Picture neurons, buzzing with energy, passing triggers in a dance of precision and chaos. When a neuron hits its trigger threshold, it doesn't just respond; it sings, through its internal synth voice, sends a pulse out into the MIDI universe, or both. The connections between these neurons aren't random; they're the building blocks of a rhythm sequencer unlike any. And with a dash of probability magic, we've introduced a drum programming style that's utterly unique.

But that's not all. Each neuron in Axon 3 comes equipped with a powerhouse of a synth voice, drawing on the best of both subtractive and FM synthesis, supercharged with a model inspired by our Boomtschack analog hardware drum module.

Axon 3 wraps all this rhythmic innovation in a sleek interface complete with a full mixer, crystalline delay, punchy compressor, and multiple outputs. Whether you're crafting yout next IDM masterpiece, scoring a film, or just exploring new sonic territories, Axon 3 is your co-pilot in this thrilling journey into sound.

So, are you ready to break the rhythm barrier? Welcome to Axon 3.

CHANGES FROM VERSION 2
• Greatly expanded synthesizer voice, with a full model of our Boomtschack analog drum synthesizer hardware (RIP).

• Pitch and scale quantizing of the internal synthesizer voices, for easier melodic programming.

• Extensive randomizer for changing some or all parameters.

• Cymbal oscillator from Tattoo added to noise section.

• Rough Rider compressor added to master output.

• Likelihood of trigger event and ratcheting added to sequencer, to greatly expand the rhythmic potential.

FEATURES
• Artificial Neural Network sequencer features seven neurons, and is easily programmed to create strange new repeating rhythms.

• Seven FM/VA percussion voices that also buss together to create a single monolithic complex percussion synthesizer, via AM and FM busses.

• Full mixer with pan, level, mute, and solo on each voice.

• Built-in stereo delay, for live playability.

• Built-in Rough Rider compressor on the main outputs.

• MIDI in and out, for driving Axon's voices from DAW and hardware sequencers, or driving other software and hardware from Axon.

• Internal transport for non-synchronized playback.

• Resizable vector-based user interface.

• XML-based cross-platform, human-readable preset system, with copy/paste, for easy transferring of your own presets and third-party offerings."

Monotrail Tech Talk Eurorack Sound Design Sessions - Noise & Transients

Can NOISE make you sound better!? – Eurorack Sound design sessions

video upload by Monotrail Tech Talk

"Noise is a common ingredient in synthesis. But many stand alone synths have limited ways to use it. In this video I explore some ways to patch and use noise in modular patches. Not just the classic white noise. But also sampled and self made noise!

My Patreon: https://www.patreon.com/monotrail

Timetable:
00:00 – All about noise
02:37 – Noise in a voice
08:37 – Sound design & texture
12:48 – Noise as a modulation source"

My sounds changed when I discovered transients! – Eurorack sound design ep2

video upload by Monotrail Tech Talk

"A transient - or the short start of a sound - has a lot of impact on how a sound is perceived. Yet a lot of synths and patches don’t explore transients very well. With a modular system, there are many ways to create and sculpt transients in detail, so in this video we take a closer look at some options!

My Patreon: https://www.patreon.com/monotrail

Timetable:
00:00 – Transients
01:13 – Basic filter transient patches
04:53 – More filter transient patches
08:28 – Sound shaper transient patches
12:59 – Separate transient patches"

NOISE CHOIR | Make Noise

video upload by MAKEN0ISE

"We don’t usually immediately associate the sound of a choir with noise... but let's consider the Noise mode of Spectraphon."

http://www.makenoisemusic.com

Noise + Chaos | MakeNoise Spectraphon & Mimeophon

video upload by Cinematic Laboratory

"I made this video on the 26th, 27th and today the 28th, so it's not a jam but a regular video. The main subject of this video is patching from scratch. With infinite possibilities, where do you begin? For me it's often a patchpoint I haven't used much or don't understand well. I had just finished the Mysteresis video and new ideas pop in when you're done and doing something completely different like cooking or cleaning. Since I've been working with Echophon feedback, I wondered if I could do something different with Mimeophon. Feedback doesn't really work, but how about clocking Mimeophon with Wogglebug, which is clocked by Mimeophon? I call it a clock feedback loop but don't know if there's a name for it. The fun obviously begins when you're going audio rate. The results were interesting, but not as spectacular as I hoped for. Second subject of this video is the Spectraphon Noise + Chaos mode which was added in the lastest firmware. The clock feedback delay and the SP were a nice combo and at the end of the session I finally got something worth sharing. I ended the video with a stock scene from a tibetan bowl player because it looked interesting and it had this relaxing vibe. This morning I patched up the Spectraphon to make bowls, so the stock video makes sense. It sounded very nice! So here's how one idea leads to another and adds up to your knowledge and experience. It's something you can't really learn from a book, you just need to let it happen and learn as you go. So it's noise and chaos from both Mimeophon and Spectraphon, and definitely in the patching process :).

Without a goal and without expectations, because a modular will always take a different route. So always keep that recorder running...."

Quad Multimode Filter & Morphing Scanner Bank // Atlas by Vostok Instruments

video upload by DivKid

"I really love the approach of Vostok Instruments where they’re building out modules that not only sound great, but that offer multiple channels of the same functions. In modular you often need more, and not particularly more variety, but more of the same functions to push creativity and deeper levels of patching.

Atlas is a set of 4 multimode filters (low pass, high pass, band pass), with clever normalisations, dual modulation inputs per channel, a ‘classic synths of Japan in the 80s’ inspired sound PLUS you get an interpolating scanner bank that will morph between the four filter outputs. It’s an impressive thing that’s been a delight to play and patch with.

As always I hope the video provides you patches to explore Atlas and other filters and functions in your own systems."

Update: new video from Stazma:

Atlas Eurorack Module Demo | Gear Talk w/ Vostok Instruments

video upload by Stazma

00:00 Intro
01:14 Module Overview
04:46 Scan section
07:39 My first patch with Atlas
08:11 Four voice poly synth patch
11:23 Funky Bass & vowels
14:01 Ping it!
14:54 Stereo patch
17:17 Ambient w/ Torso T-1
18:14 Drum machine patch
21:34 End talk



Mini press release follows:

"Atlas is the latest addition to our range of multi-channel modules, a fully analog, four-channel multimode filter.

The cores are a modern approach to the gain-cell-based filters included in many of the classic Japanese synths of the 80s, with a vastly improved dynamic range, a super-accurate resonance compensation circuit, and a clean self-oscillation. It is perfect for recreating iconic TR-drum sounds by pinging the filters with fast envelopes or triggers.

In addition to the four filters, the module counts with a dedicated Interpolating Scanning Circuit that morphs between all the filter outputs to create new shapes and timbres."

User Manual

Additional details via Vostok Instruments:

When we talk about the sound signature of synths, filters are probably one of the first topics appearing.

On Atlas, we dive into the sound of the 80s Japanese classics with four gain-cell-based multimode filters that keep the silky and creamy sound of those legendary machines along with some technical improvements like a better noise floor, an accurate resonance compensation, and a daisy-chain input implementation that makes some patching techniques like parallel filtering a lot easier.

The filter cores have been carefully designed and tweaked to be pristine without losing character. With three filter modes available per channel, 4p-LP, 2p-HP, and 4p-BP, Atlas can cover almost any filtering technique, from superb filter sweeps to multi-slope resonant patches.

Thanks to its precise resonance circuit, each core creates a clean sine wave when self-oscillating. Excite the inputs with fast trigger or gate signals, and you will get TR-like drum sounds, from deep kickdrums to nice toms and congas.

In addition, the module counts with a CV-controlled Interpolating Scanner circuit that morphs softly between each filter output, creating new shapes and timbres as it fades between the channels.

Features
Four analog multimode, gain-cell-based VCF circuits.
Three modes per channel: 4p-LP, 2p-HP, and 4p-BP.
Resonance compensation circuit.
Daisy-chained audio and Freq inputs.
Secondary CV input, selectable between Frequency or Resonance.
CV-controlled Interpolating Scanner circuit.

Jamuary#21 Glitchy cha-cha on the Novation Circuit MonoStation in Flip mode

video upload by Helluva Noise

"More Circuit MonoStation fun. I had a blast with this one. Nice and short, it's more-or-less a demo of what the MonoStation can do in Flip mode... but probably shouldn't.

I'll get back to the organic ambient jams soon, but for now, I'm having a blast playing with this funky little thing.

You’ve clicked on ‘Helluva Noise’. Thanks! There are no sponsors, I buy all my own gear and I have nothing to sell you. This is just the way I wind down after work, because making a Helluva Noise is fun… if you like that sort of thing."

Jamuary#20 Flipping out with Circuit MonoStation in flip mode... flipping noice!

video upload by Helluva Noise

"I was going to do an ambient drone today, but I just wasn't feeling it. So I got out the MonoStation and went into glitched out bliss.

This is almost a demo of the MonoStation's flipping awesome 'flip' mode. One modest, self-contained board can get close to what a decent-sized modular system could do. You have to put in the work though... which is fine if you like programming sequences in excruciating detail 🤓

You’ve clicked on ‘Helluva Noise’. Thanks! There are no sponsors, I buy all my own gear and I have nothing to sell you. This is just the way I wind down after work, because making a Helluva Noise is fun… if you like that sort of thing."

Discovering the Roland SH1000: Pros, Cons & Famous Users - Dry

video upload by Andy Whitmore

"In this video, we are going to get into the fascinating world of the legendary Roland SH1000 synthesizer. Join us as we explore its extraordinary features, uncover the pros and cons, and even discover some famous users who have embraced this iconic instrument.
Throughout our exploration, we will also shed light on the concept of the SH1000’s 2 Low Frequency Oscillators (LFOs) and how they contribute to the unique sound of the SH1000.
Whether you're a seasoned musician or simply intrigued by the world of synthesizers, this video is sure to provide valuable insights and knowledge.
So, if you're ready to learn more about the history, functionality, and impact of the Roland SH1000, hit that play button and prepare to be amazed! Don't forget to like and share this video with your fellow music enthusiasts. Let's celebrate the brilliance of this timeless synthesizer together.

The SH-1000, introduced in 1973, was the first instrument produced by Roland, and probably one of the first compact affordable keyboard synthesizers in all of Japan. It was designed to complement a home organ. Above its keyboard is a wooden sheet music stand. Organ-style coloured preset selector tabs are located below the keyboard. All the extra parameter controls are located to the left of the keyboard.
The SH-1000 is a monophonic analog synth with a single oscillator feeding a lowpass filter, an ADSR envelope, and two LFOs. It features 10 Preset sounds, but they are pretty weak. Fortunately you can create your own sounds for some really great mono-synth bass, lead, percussion and FX sounds. Basic square, ramp and pulse-width waveforms are available from the oscillator and the LFOs have sine, square and sample+hold. It has a terrific ‘Growl’ and ‘Wow’ effect for a pretty scary analog sound. It also features white noise, pink noise, portamento, octave transposition and a Random Note Generator. Although there is no user memory, unique sounds can still be quickly recreated or discovered thanks to its simple interface.
It’s a dinosaur! But it’s also a classic piece of Roland history. It has been used by Vangelis, Human League, Blondie, The Band, and Jethro Tull. A little later in 1973 the SH2000 was released with more Preset sounds (up to 30) but far less flexibility, controls and features. This may have been because the SH-1000 was a little confusing to its target demographic at the time. But today’s synthesists will love the unique sound and nostalgia of Japan’s first compact synthesizer!

The audio is DIRECT, 100% DRY, & IN STEREO - You are hearing the raw audio as it comes directly from the synthesizer. NO post processing (Effects, EQ, or Dynamics) whatsoever.

Timings

0:00 - Introduction & History
1:06 – Wind, Noise, Modulation, Tremolo
4:35 – Presets
5:27 – Live Panel, Bass Modulation & Tremolo
6:51 – Bass with Glide
7:24 – Imagination “Just an Illusion” Bass
8:40 – Filter Resonance Modulation"

Discovering the Roland SH1000: Pros, Cons & Famous Users

video upload by Andy Whitmore

0:00 - Introduction & History
1:06 – Wind, Noise, Modulation, Tremolo
4:35 – Presets
5:27 – Live Panel, Bass Modulation & Tremolo
6:51 – Bass with Glide
7:24 – Imagination “Just an Illusion” Bass
8:40 – Filter Resonance Modulation

"In this video, we are going to get into the fascinating world of the legendary Roland SH1000 synthesizer. Join us as we explore its extraordinary features, uncover the pros and cons, and even discover some famous users who have embraced this iconic instrument.

Throughout our exploration, we will also shed light on the concept of the SH1000’s 2 Low Frequency Oscillators (LFOs) and how they contribute to the unique sound of the SH1000.

Whether you're a seasoned musician or simply intrigued by the world of synthesizers, this video is sure to provide valuable insights and knowledge.

So, if you're ready to learn more about the history, functionality, and impact of the Roland SH1000, hit that play button and prepare to be amazed! Don't forget to like and share this video with your fellow music enthusiasts. Let's celebrate the brilliance of this timeless synthesizer together.

The SH-1000, introduced in 1973, was the first instrument produced by Roland, and probably one of the first compact affordable keyboard synthesizers in all of Japan. It was designed to complement a home organ. Above its keyboard is a wooden sheet music stand. Organ-style coloured preset selector tabs are located below the keyboard. All the extra parameter controls are located to the left of the keyboard.

The SH-1000 is a monophonic analog synth with a single oscillator feeding a lowpass filter, an ADSR envelope, and two LFOs. It features 10 Preset sounds, but they are pretty weak. Fortunately you can create your own sounds for some really great mono-synth bass, lead, percussion and FX sounds. Basic square, ramp and pulse-width waveforms are available from the oscillator and the LFOs have sine, square and sample+hold. It has a terrific ‘Growl’ and ‘Wow’ effect for a pretty scary analog sound. It also features white noise, pink noise, portamento, octave transposition and a Random Note Generator. Although there is no user memory, unique sounds can still be quickly recreated or discovered thanks to its simple interface.

It’s a dinosaur! But it’s also a classic piece of Roland history. It has been used by Vangelis, Human League, Blondie, The Band, and Jethro Tull. A little later in 1973 the SH2000 was released with more Preset sounds (up to 30) but far less flexibility, controls and features. This may have been because the SH-1000 was a little confusing to its target demographic at the time. But today’s synthesists will love the unique sound and nostalgia of Japan’s first compact synthesizer!

Download Link:-
https://www.dropbox.com/scl/fi/i2a5fe..."

KORG Introduces Nu:Tekt NTS-1 mkII digital kit

video upload by Korg

"Experience hands-on, fun music-making with this DIY, easy-to-assemble synthesizer and effects generator. The compact and incredibly powerful NTS-1 mkII now offers an array of new features: refreshed interface, more customization options, new keyboard, built-in sequencer, fresh sounds, expanded MIDI capabilities all in the palm of your hand. (Tool included, no soldering needed)."

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TINRS Synton Fenix IV Modular Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The unit sounds amazing and has extraordinary capabilities to match. There are some small cosmetic blemishes above the low pass gate, filter, and noise module sections (can't always be seen except in certain light) as well as the barrel edge of the headphone jack, so I took extra close ups of these areas for your inspection. These are cosmetic only, functionality is 100%! The unit comes with the optional bamboo stands, double count pack of TiNRS custom cables, soft carry case, pin, cable ties, power supply, manual, and 19" rack rails.

A couple features that stood out to me on this unit, besides its pleasing warm sound, are the digital system behind the scenes that allow for highly programmable midi to CV conversion for associated jacks as well as system synchronized triggering, at divisions or multiplications of the system clock, including customizable time signatures for easy made polyrhythms. Also, behind the scenes, there are 3 separate quantizers - one for the digital osc, one for digital filter, and one for the sequencer. And they're as easy to use as just selecting which keys in an octave you want enabled individually for each one. This really allows one to use its extensive modulation capabilities to affect those modules in ways the user can shape to be very melodically pleasing, if desired. And speaking of modulation, the wobbler lfo has many exotic shapes and behaviors, and offers two outputs of itself, one of which has cv controllable phase shift from the other. And finally, the triple lfo was also a favorite due to having two phase cv able copies of itself for shifting synced modulations."

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KingKORG NEO Review // Retro character returns in a new compact form

video upload by loopop

See the announcemeent post here.

"The scopes I use aren't real - I use MOscilloscope and MAnalyzer by a company called Melda - they’re free with some limitations in the MFreeFXBundle.

A summary of differences between the original KingKORG and KingKORG NEO (KKN):
► The synth engine is pretty much the same. On the oscillator side, the VA and DWGS oscs are the same. Many of the PCM (sample) sounds are new and there are about 10 more of them. Filters and FX are the same, as are the mod options.
► KKN doesn't have the analog tube circuit at the end of the signal chain
► KKN is white!
► 3 Octaves instead of 5
► Bundled XLR Mic? I don't know if the OG came with one - please let me know if so.
► New presets on the KKN
► XLR on the panel instead of on the back
► Headphone output on the panel instead of up front.
► Compact form factor and button arrangement on KKN

TIMELINE:
0:00 Intro
1:05 vs. KingKORG
1:55 Overview
4:20 Edit mode
5:25 I/O
6:10 Oscillators
6:40 Basic shapes
7:05 Noise
7:40 Dual osc
8:00 Unison osc
8:25 Sync
8:40 Ring mod
8:55 Xmod/VPM
9:30 DWGS
10:20 PCM
12:00 Filters
15:10 Two timbres
16:05 Effects
18:40 Envelopes
19:20 LFOs
21:00 Mod matrix
22:50 Vocoder
24:25 Arp
25:35 Voice unison
26:20 Settings
26:55 Pros & cons
29:45 A few presets"