Western Brass - Rhodes Chroma Sample by N_PHAY

Title link takes you to N_PHAY's MySpace page. The track Western Brass features the Rhodes Chroma.

Burlap Synth

Yep, burlap. Title link takes you to the post on GetLoFi. Hmm... Kind of like cross-stitching synths.

Update via nsputnik in the comments:
"I saw this in person too. It would just kind of sit there and squeak. I have some more photos of it at [link]"

Yamaha CS70M

Title link takes you to shots pulled via this auction.

Update: you can find an audio demo of the CS70M here.

Synare Sensor

No title link. Just this shot and details pulled via this auction.

Details:
"Superb old analogue drum synth, fully working, the knobs are: Tune, Mod, Sweep, Freq, Decay & volume. Needs a 9 volt battery, bolts to the edge of your drum - makes funky psychedelic space-age bleeps & bloops!"

25 Years of SCD

I previously put up a post on Boele Gerkes SCD (Something Completely Different). Boele let me know he is considering something very, very cool for his 25 year anniversary of SCD - a double DVD with every recording he ever did along with notes for each track. The notes will include the gear used, the story behind the song and Boele's thoughts on the track. Boele is thinking about creating a pressed version with printed label, booklet, inlay, etc. However, to do that he would need at least 30-40 people willing to pay 20-25 Euro's for the DVD. If you are interested, let him know. Title link takes you to his site with more info - click on the image pictured here when you get there. Boele can sign me up.

Realistic Moog MG-1

Title link takes you to shots pulled via this auction. Check out current bid. $910 and under 45 minutes to go as of this post. Crazy. You'll be able to get a brand new Little Phatty for about that soon.

AvrX Goes Open Source

Remember the AvrX? Mikael wrote in to let me know that sadly the kit will not be produced, however it will go open source.

"Nov 25, 2006
AvrX goes open source!
Over a year has passed since we published the first version of this site, and the kit is still not available. We have realized that we don't have the time to manage a kit. Instead we decided to release all sourcecode and information about AvrX as open source.

For some of you this is good news, but others waiting for the kit will be dissappointed. We are sorry if we have given you false hope of a kit, but at least this way anyone determined to build an AvrX can do so.

We will however sell the bare PCB. The wooden parts for the case can be manufactured by your local carpenter (or yourself), and the aluminum panels can be ordered from Schaeffer AG in europe or Front Panel Express in North America. All the other parts are available from companies like Elfa, Farnell and Mouser

As soon as we have cleaned up the sourcecode a little, we are going to put all the information on this website."

Custum White Face Roland MC-202

This one in via d of glitched.org. Title link takes you to more shots.
"My MC-202 has the following modifications:
audio
+PWM osc out
+Sub osc mix out
+Audio in to VCF
+"Hidden" triangle osc out to VCF (with volume control via pot)
cv
+VCF in
+"Proper" CV/Gate in (bypasses the CPU)

modulation
+LFO "retrigger" CV in (I'm actually not sure what I did with this one, but when an audio signal is introduced and passes a certain threshold, the LFO seems to retrigger. It also makes the modulation range much wider [ex. pitch mod goes higher and lower]).
+"Hyperspeed" LFO: LFO frequency is in the audio domain (>300hz)

Here are some sound files:
- Pulse wave audio out to VCF CV in. Moderate-to-high resonance. Pitch mod.
- Pulse audio out to VCF CV in. Envelope triggered with high decay. High resonance, pitch is in 2' range, mod amount is raised.
- LFO is in "hyperspeed mode," modulating the VCF. Percussive pattern; demonstrates "hidden" triangle osc.
- Monomachine drum pattern through the 202's audio in (to VCF). Dry, then full-on.

These files were recorded by piping the 202 through the Monomachine, then to the Onyx 1220 firewire mixer @32bit/88.2khz. The small amount of reverb and delay is from the Monomachine."

Japanese Synth Gathering

Title link takes you to a couple more shots on sequencer.de.

Update via not even in the comments:
link1
link2

Faceplate cloning: link

Push them thru babelfish for gems like this: "Progress of production of moduration just a little is introduced the way of Hisashi before the that. Finally also panel production has begun trial manufacture in earnest. Below is VCO unit. Of course also that panel is in the midst of producing. The fact that these modules are settled in the enormous wooden framework has been produced in the pleasure."

Synclav.com on Fairlightcmi.com

Thought this was odd. Title link takes you to Synclav.com, but the domain is fairlightcmi.com.

Via Failed Muso.

MuseWave VSR (prototype)

flickr by ALH84001

Title link takes you to an image where you can mouse over each part for more info.

ARP Manuals

No title link, just three shots via this auction.

"3 ORIGINAL ARP SYNTHESIZER MANUALS - MANUALS FOR THE ARP QUARTET, ARP MINUS NOISE MIXER, ARP PIANO."

via brian comnes



There is also a decal here.

PAiA Modular

Remember this giant PAiA modular? Here's another shot of it via plexus. Title link takes you to an even larger shot.

Update via plexus in the comments:i like to push the limits. and i cant justify nor afford aquiring a moog modular. so i thought "what about that paia modular stuff from the 70's?" i went shoping on ebay years ago and foung a farily large system. when i arrived, i tested it out. it sounded ok. there were some problems but with my intermediate knowledge of electronics i set out to turn this into a musical instrument. it was just a matter of repairing dead modules and replacing some parts that were essential to the quality of the audio they generate. indeed i turned it into a viable musical instrument.

you can hear it, being used live, at www.musicofsoftware.com in the sounds and the video section. all of the sequences are the paia modular through an eq and delay, that is in the video clips that have the modular being used.

so after i was able to make this into a musical instrument, and indeed people in the know were amazed at how good it sounded because they, like you, heard that paia stuff didnt sound very good. well in fact, thats not true.

in terms of circuit design they are not too bad. i wouldnt say as cheap as possible. certainly cost effective. my paia is as stable as my minimoog.

so check out the video clips and hear it for yourself.

after that i decided i wanted to collect these and restore them. so i began doing that. but now its time to liquidate part of the collection to help pay for a dsi polyevolver. i will keep a few paia 4700 cabinets and continue to use them in the studio and live."

Update: More shots on Music of Plexus

Mike's Synths

Nice shot sent in by Mike Walters of Mystery Circuits. Also check out these previous posts featuring Mike and Mystery Circuits.

Update: The knob box on the top left is Mike's custom cased version of Ray Wilson's Sound Lab Mini-Synth

Stylinghead

flickr by stylinghead.

"setup with some elektron gear, emx-1 and an mab-303 and the lovely new kp3"

Title link takes you to more.

Roland Paraphonic 505

Title link takes you to shots pulled via Roland Paraphonic 505.

Details:
"The 505 is a string machine with built-in synthesizer and bass section, with very rich ensemble chorus which gives it a very unique sound."

Zebranalogic on SoNiCbRaT

Title link takes you to the post on SoNiCbRat including more shots, info and a demo track.

Nord Electro on Synthwire

Title link takes you to the post by Carbon111.

Turnkey Vintage Synthesizer Sale

Moog System 1 custom 55/35 modular 3C - £25,000

The ultimate modular synthesizer. Originally conceived by Dr Robert A. Moog in the mid sixties as a less bulky, more affordable alternative to the famous experimental RCA Mark 2 (which filled several rooms), it became the instrument that made synthesized music popular, especially thanks to Walter Carlos' album "Switched On Bach", a massive hit in 1968. Other artists, like Tangerine Dream, Klaus Schulze and Emerson, Lake & Palmer also explored the possibilities of the Moog in mainstream music and even used it for live performances. But the modular systems were generally too complex and expensive for most musicians, designed as they were for studio composition of electronic music, and Moog went on to produce more performance oriented instruments such as the brilliant Minimoog.


System 1 consists of 2 cabinets.

Cabinet 1
# 2 x 921A Oscillator Driver
# 4 x 921B Oscillator
# 923 Filter/Noise Module - Low Pass, High Pass and White/Pink Noise Source
# 2 x CP3A Mixer Module - 4 inputs with volume pots, 2 Multiples, 2 outputs with master gain pot, 2 Trunks and 2 Multiples, 992 Controls to Oscillators
# 907A Fixed Filter Bank
# 904B Voltage Controlled High Pass Filter
# 904A Voltage Controlled Low Pass Filter
# 3 x 902 Voltage Controlled Amplifier
# 3 x 911 Envelope Generator

Cabinet 2
# 914 Fixed Filter Bank
# 904B Voltage Controlled High Pass Filter
# 904A Voltage Controlled Low Pass Filter
# 992 Control Voltages Module
# 5 x 902 Voltage Controlled Amplifier
# 5 x 911 Envelope Generator
# 911A Dual Trigger Delay
# 993 Trigger and Envelope Voltages Module
# Measurements: 1230 (L) x 240 (D) x 250 (H) mm

CLICK FOR MORE »

Synthesized Heart [Draft]

"This is part of an artwork made for a poster of a party that will take place in Sofia on December 16th. That synthesizer really made me sweat."

flickr by NeverB4Breakfast

Update: here's the flyer: link

Admiring Morpheus

flickr by pozdno

Title link takes you to a few more shots featuring:
Korg Microkorg
E-MU Morpheus
Korg N5ex

Oberheim Matrix-6R

Title link takes you to shots pulled via this auction. Click the image to see the full set of paramaters. Seriously underated synth.

A little Matrixsynth trivia: the Matrix-6 was my first synth, hence the alias matrix and the name of the site, Matrixsynth. It has nothing to do with The Matrix line of films and I actually had the green on black going before the first movie, back in Oct, 97: old Matrixsynth site.

Korg MS-50

Title link takes you to shots pulled via this auction.

Details:
"The Korg MS-50 is modular in design and completely at the top end of the MS range of synthesizers. This keyboard-less expander type module is completely patchable and uses Korg's Hz/V type of CV and Gate for control with other synths like the MS-20. There are lots of knobs and patch points to play with on this one... The MS-50 is still a single VCO monophonic analog beast but offered more patchability and power than any other MS synth. Other features include a ring modulator, voltmeter and sample & hold. It was also designed to complement the SQ-10 sequencer. It has been used by countless artists including recently The Chemical Brothers."

Korg MS-20

Title link takes you to shots pulled via this auction.

Some details:
"In addition to two analog oscillators, the MS-20 featured two resonant VCF filters, two VCAs, sample and hold, a noise generator, an assignable mod-wheel and lots of knobs! The VCF filter section is capable of high-pass, low-pass, notch and band-reject which is unique and different than your basic lowpass style filter. External sound sources can be routed through the filter section as well. In fact William Ørbit uses the filter in his MS-20 relentlessly to filter and tweak his samples, beats, delay returns, vocals, etc.

There's also a Pitch-CV converter for triggering sounds from external sources. Aphex Twin makes quite a bit of use of this, feeding the input stage of his MS-20s with drum sounds and other untrackable audio to get the synth to make a wide variety of crunch/squawp/screech noises by mistracking the filters, etc."

Matrix_Mixer.JPG

"passive 3x3 matrix mixer in vhs tape box."

flickr by Inglizian. Title link takes you to a few more. via .alex in the comments of this post.

ms20wired

flickr by reiven.

Pethu Hahaha Synths

Hahaha CS01 & CS01II


Hahaha CS33


Hahaha CS33 Evolution Edition


Title link takes you there. Via sequencer.de.

Suzanne Ciani

Title link takes you to a few more shots of Suzanne Ciani on Failed Muso. Also check out these previous posts for more.

Happy Thanksgiving!

Happy Turkey day to those in the US. I did a quick image search for "thanksgiving synth" and this came up. I guess if there ever was a Turkey Synth, this would be it. Although this Korg Trident definitely has the colors going for it. BTW, this keytar shot ended up being from this CDM post from last year. : )

OK, off to go gorge myself. Leave it to the good old USA for creating a holiday where the main purpose is to completely stuff yourself.

JH.'s Farfisa VIP 500 page

Title link takes you there.

DSMidiWifi

YouTube via 0xtob. Seen on Music Thing.

EML 101 Oscillator Noodling

Video and image below sent my way via vgermuse. Make sure to check out the other samples and shots previously sent in via vgermuse. Enjoy. Thanks vgermuse!

POLIVOKS

Title link takes you to shots and first impressions on SoNiCbRaT. You have to check out the crazy packaging for this one. : )

Update via the world of next tuesday in the comments:
"Many Soviet synths have copied Moog filters. This one doesn't. Maybe the seller just describes all his Soviet analogs like that? I'd say from what I've heard it has by far the best most original sound of anything easily obtainable. Other Soviet synths can certainly produce some good sounds too though a lot of them I'd chalk up to moog-like filters. Though there is said to be a change in sound between earlier and late filters. I have the earlier filter. The sound on mine is wonderfully overdriven though maybe not so on units built later on. It's not "thin" to me unless you set the bandpass that way rather than use the lowpass. The resonance is nasty ("without pity" says David Korn), which can be used to it's advantage, but it's not going to ever come near doing things like Moog does with resonance for better or worse. The looping envelopes combined with the LFO can do some sounds most monosynths can't do. (then again so can a decent modular but that's another topic). I wound up cleaning a lot of pots. I'm not using any chemicals because I don't know what they are made out of. I got them all working and quiet but a year later they are quite noisy again. The switches and rotary knobs can make noises too."

EMS Matrix Panel

Title link takes you to shots pulled via this auction.

Details:
"Up for auction is a very rare item from EMS. It uses the same 16 x 16 matrix panel found on the Synthi A and VCS3. However, insead of being connected to fixed modules, each input row and output column on the the matrix is connected to a 1/4" jack.
Using this type of patching system really opens up the possibilities for people using multiple stomp boxes & other effects units. The routing of each effect in the chain can be easily switched around and even fed back around the effects chain.

The pins used to make the connections are regular shorting pins, not the pins with resistors as found on the Synthis. Although you can certainly use the other pins if you have them (see my other auctions for pins)."

via Michael.

Chaos MatrixBox

flickr via jackchaos.

Update via Jackchaos in the comments:
"It's a development board for a control surface for an Oberheim Matrix 1000 I'm building using MIDIBox hardware and MIOS along with custom software.
When it's done, I'll have an aluminum panel made to look as much like a OB-X and a Matrix 12 (Expander).
More info here."

Lassence uVentury Manual

Click here for a pdf of the Lassence uVentury Manual.

Yamaha CS20M

Title link takes you to shots pulled via this auction.

Details:
Specifications:
Polyphony - Monophonic
Oscillators - 2 +1 sine osc. in VCA section
LFO - 1
Filter - 1 filter with low, band or hi pass; ADSR envelope
VCA - 1 ADSR; additional sine wave generator
Keyboard - 37 keys
Memory - 8 patches
Control - CV / Gate
Date Produced - 1979

ARP 2600

Title link takes you to shots pulled via this auction.

Fun Modular Noodle on SoNiCbRaT

Title link takes you to a video of this modular on SoNiCbRaT.

Custom Voyager Table

No title link. Just a shot of a custom table via Robert. The table was made by a friend of his.

Multivox MX-75 Dual Voice Synthesizer

flickr by zonkout.

"These switches are for different instrument sounds. They are presets of brass, reed & voice, air reed, bow string, pluck string, & strike sound on the 1st 12 switches. The other 3 are synthesizer effects (space sound 1&2, cat/frog sound, & noise/ring modulator)." "The input jacks read as follows: control knob for audio, 1st V.C.O. syncro, V.C.F. frequency, and CV & Gate. The outputs are: Key Gate, 1st & 2nd syncro, and low and high audio"

Title link takes you to more.

synth rack

"Kurzweil K2000, Alesis Ion, Ensoniq SQ-80, DSI Evolver, Yamaha QY-70, AirFX and Electro-Harmonix 2880 looper."

flickr by sarendipatree. Title link takes you to a few more.

M.M. Modular

flickr by M.M.

DIY Site

Title link takes you to a DIY site featuring:
RSF Kobol Expander Waveshaper
RSF Kobol Expander Sawtooth Oscillator
Buchla "Timbre" Waveshaper
Buchla Lopass Gate (pictured)
Buchla 258 style oscillator
ARP Odyssey 2 quadrant modulator
Source of Uncertainty
Buchla Bandpass Filter
Three position toggle switch
Vactrol Crossfader

via sequencer.de

Korg Trident

Title link takes you to shots pulled via this auction.

Details:
"This particular example is in superb condition and in full working order, there’s no wear on the silk screen, no noisy pots and all the keys are in line, also included are the original user and photocopy service manuals.

The Trident is a 61 note, 8 voice, analogue polyphonic synthesizer, it was Korgs answer to the Jupiter 8, OB8, P5 etc, it's basically three synthesizers in one keyboard, it has a synth, brass and string section that can be played independently or all together for an immense sound, each section has it's own volume control and independent outputs. The Trident uses SSM chips as on the Prophet 5 rev 1&2 which are favoured over the curtis chips as there noted for being fatter and warmer sounding.

The keyboard has a split/layer facility, each section can be independently above or below middle C or across the whole keyboard. It also has a built in flanger that can be assigned to each section.

There's been a mod added to the pitch/mod panel to the left of the keyboard, it's an octave range switch that's very useful for reaching the highest notes.

The Trident is built like a tank and easy to use, the controls have a straight forward layout and it doesn't take you long to get good results, all the parameters are there to be tweaked and the keyboard is one of the best I’ve used on a vintage synth. Its also very stable and reliable, it only needs 5-10 mins to warm up, iv'e had it on for days and it's never gone out of tune once.


This is a highly underrated and very special synthesizer that is capable of producing beautiful warm analogue soundscapes that no modern digital synthesizer can get near to, the strings and pads in particular are truly outstanding. I simply can't do it justice by writing about it here.

These are rare, especially in this condition and would make a great investment and addition to anyone's studio.
For those lucky enough to have owned one or to have played one then you'll know exactly what you’re bidding on.

This is a big heavy keyboard (1020x525x160, 22Kg) and I don't have a flight case for her so it's pick up only, I am willing to deliver the synth my self but will charge 25pence per mile, UK mainland only."

Saw this one on Failed Muso.

Lassence u-Ventury

Title link takes you to more shots sent in by an anonymous reader.

Update: you can find the manual here.

AudioRealism Drum Machine

"Deep flavored bassdrums, crispy snares and saucy hihats is the stew that made the analog drum machines so tasty. AudioRealism Drum Machine contains two modeled vintage drum machines for double the gastronomical pleasure. Sprinkled with a Pattern controlled filter and a distortion unit makes for a pleasurable meal that will satisfy the sweetest tooth to a hard baked sludge for those with tougher digestional systems."

Features


* Two realtime switchable drum machine models, 11 sounds for Model A and 8 for Model B.
* Internal 32 step sequencer with global accent per step, four prescale selections per pattern
* Various pattern transformation functions
* Full MIDI CC with learning function
* MIDI Output
* Rebirth pattern import
* Two MIDI modes (Pattern and Note)
* Integrated distortion unit
* Pattern controlled filter (PCF)
* Sample accurate sync to host

Title link takes you to some samples including comparisons to a Roland TR-808.

Also check out their Bass Line Pro: