"Ever have two modules go together so well, like peanut butter and jelly?
Well I have two so I decided they should marry and become one. Introducing the happy marriage of Grains from Ginko Synthese and Echo from Synthrotek!
I added a vactrol as a vca between them and the vca is normaled to the jacks so that patch is internal. However if you want to use the Echo and detach it from the grains, all you need to do is insert your new source into the ‘in’ jack.
Went a little crazy on the screenprint and tried a deep pink and subtle grey on a flat black panel."
Published on Jun 20, 2015 Flux302 of Fluxwithit.com
"I dive into my recent modular additions
animodule Line)amp (2hp and boosts line level to euro level)
STG Mankato filter (dead sexy filter from suit and tie guy)
Roland system 1m (digital modular monosynth)
Orgone Accumulator (digital complex wavetable VCO with beta firmware)
MST stereo output module
DSI character module (digital effects module)
DSI Tempest Analog drum machine beast"
Bernd-Michael Land zeigt seine analogen Vintage Modular Synthesizer Systeme und weitere analoge sowie digitale Keyboards von Moog, Roland, Arp, Korg, EMS, Solina, Oberheim, Elka, Yamaha, Alesis, Waldorf und vielen anderen Musik Instrumenten.
Bernd-Michael country showing his vintage analog modular synthesizer systems and other analog and digital keyboards Moog, Roland, Arp, Korg, EMS, Solina, Oberheim, Elka, Yamaha, Alesis, Waldorf and many other musical instruments.
The podcast interview with Bernd-Michael Land, in which he speaks with Ralph Baumgartl about his life, can be found here: http://www.ralphbaumgartl.com/2015/04..."
"My second track featuring my beloved Waldorf Microwave 1 which plays all synth sounds. Only own original patches used. Drums are played by the MFB 522 Drumcomputer.
Everything midi-sequenced and multitracked with Cubase. Effects (delay, reverb, chorus), EQ and dynamic processing added.
Video assembled from own footage with some visual fx."
"The Conduit:
A symbiotic touch-based drone synthesizer based on a delay which then travels to a filter. Creating swells of oscillation that can delve into eternal noisy feedback territory as one desires. Connect to a sequencer to control the time/pitch and pull forth some powerful synthesis.
Additionally the touch board is a control voltage generator/keyboard sending 0-5v in .5v increments.
Note that the final will be slightly different than what's shown. The circuit's been redesigned to have the two outer knobs taken up on the panel to provide more space for the jacks with less interference.
Features:
touch pads; 8 polyphonic notes + noise + pitch: all sensitive to touch. These are synchronous with the delay clock, meaning delay time = oscillator pitch. All notes are tuned with one another so the pitch is a master control.
Oscillation and/or incoming audio sent through on-board filter: for further manipulation.
CV controllable: over delay time/master pitch (+0-5v).
Touch panels generate CV: signals from +0-5v in .5v increments to control your modular gear (it's a cv keyboard).
Audio input: to get your sound into some delay and filter goodness. Expect the delay to be a noisy little bastard (this is a drone synthesizer). For a clean delay and filter signal, however, one can disconnect the touch plates and use it strictly as an effects unit for synthesizers, guitar, etc. Cv controls delay time.
Delay: True vintage analog sound delay. The delay goes from extremely tight to some unspecified, very long, very noisy time. The range of the time knob has been allowed to extend to incredibly long times by allowing the degradation of quality beyond a second or so, allowing the sound to get into very lo-fi and grimy territory.
Filter: Single knob style filter with fixed resonance allows for a nice, rich sweep.
Adaptable with other Folktek works: Without sending the audio output anywhere, the oscillators will travel through the players' body and into Materia, Mentalis and/or Aether to be further manipulated (examples in videos).
All 3.5mm jacks
High quality parts, solid construction.
Bamboo box with dark splines.
12v operation with included power supply"
"'We Are Stars' Baron/Sernaker ASCAP. Published by Ingrooves.
Recorded at Sun Mountain Studios, Boiceville, NY.
Roland System 100m, Moog Modular 3p (modified), Arp 2500, Moog Vocoder, Elka Synthex, Korg PS-3100, EMS Putney, and the NI Maschine.
"early 70'ies Berlin School multitrack jam spiced with floydish Kraut,
all tracks live played and filmed while recording. Main Synths:
Korg ARP Odyssey 2015 // Farfisa Syntorchestra (1975) // Korg MS 20 mini.
Heavy use of my new Phasers: Vermona PH-16 (MS-20mini) / Schulte Compact Phasing A clone (Syntorchestra)
+ some Guitar
+ midi Sequencer RPE SEQ12 for Volca Beats, Jomox Jazbas 03
& Elektron Octatrack for ARP Odyssey Sequences & Percussion Loops
HOPE YOU ENJOY my latest Ambient Psychedelic SESSION with Video Art. It's a little hommage to early Berlin School artists like Klaus Schulze, Ash Ra & Tangerine Dream :-)
"This video demonstrates and documents Pea Hicks‘ Sequential Circuits Pro-One synth patches, inspired by the work of Vince Clarke on Yazoo’s Don’t Go. [posted here]
I make it with a Moog Voyager Old School.
HH, Clap = Miami Drummachine, Snare = XBase09.
"This is the rare original version (Mk1). It works great except for a few things that you’ll want to address. The top E and Bb keys aren’t sounding. Probably just dirty contacts, but unknown for sure. All other keys work just fine. Also, there are a few pots that are still somewhat scratchy, most notably in the flanger section and in the string section. All the volume pots (main and individual sections) are fine, switches, lights, etc."
Had it for about 6 years always been 100% reliable - to be completely straight up about the condition there are a few grazes on the woodwork but it's 40 years old now
Also when you play it on the keyboard then two of the notes on there do a little double trigger thing but I guess that's the contact needs a clean - pretty simple job and I know a guy who could look at that if it bothers you and he would probably charge about 60-80 pounds
I use the midi in on the back mostly so it never bothered me enough to fix it so it's really not a huge issue at all you still have all the power and awesomeness of the sound in perfect order
Btw the triple resonant filter is the most unique feature to me which you can control with cv and gate to get brilliant sequence stuff with rhythmic chords for example.."
Published on Jun 20, 2015 ED電音頻道 E.D.Music Channel
Trailer video for Kraftwerk's Wolfgang Flür's E.D.Music Channel with some synth spotting & some synth greats.
"Stay tuned with E.D. Music Channel
More interviews and gear demos are coming…
Copyright: E.D.Music Co.
Special thanks: Peter Zinovieff, Isao Tomita, Wolfgang Flür, Hideki Matsutake, CEvin Key, Russell Haswell, Hisashi Saito, Galcid, Doravideo, Risa, Dave Skipper, Kenichi Hata"
"iPulsaret is rated as a Killer App by Apps4iDevices.
iPulsaret is a new real-time software capable of all time-domain varieties of granular synthesis. A genuine granular playground able to generate a wide range of usual and not so usual effects: Grainlet, Trainlet, FM, time/pitch shifting, time/pitch jittering, intricate textures, grain fountain/pulverizer, Live Input manipulation and many more."
"Ok I finally fixed this but it still has a slight issue when the OSC footage is set to 32ft and I'm still waiting for some parts for the addition of the sub OSC mod.."
"Another Tidbits and Tips video, this time covering how to create a good patch for synchronizing oscillators, using the Murmux to help explain and give examples.
I LOVE the sound of some good old synched oscillators!"
"Ever have two modules go together so well, like peanut butter and jelly?
