As usual, I’ve tried to highlight what I think is unique about opsix; like the multi-wave, Ring Modulation, Wave Folding but also the FX / WaveShaper Korg’s '01/W' synthesis. 95% of the patches use 6-Op.
Recorded on UA Apollo X hardware with mainly UAD-2 FX."
CONTENT 00:00 My all-time favorite synth 01:19 Sound demos 03:13 5 Reasons TEO-5 is my new favorite synth 05:55 Overview & Comparison with Minilogue & Minilogue XD 12:00 A few negatives 12:46 Deep but not complicated (Walkthrough/Sound from Scratch) 19:42 What makes a synth GREAT?! 20:19 Room for improvement 21:39 Through-Zero FM Hits Different! 26:22 Modulate Time (because its fun!) 28:09 Should you buy the TEO-5?
"A Sounds Only Demo of the GS Music e7 Synth. It's a back to basics VCO based 7 voice analog warmth machine.
These are sounds I made while on my journey of discovery, experimenting with the various functions. I always find it easier to demo a synth using tones I'd use in tracks... which normally means creating my own. So that goes hand in hand with understanding how it works for my demos.
"Arturia just released the latest version of its flagship all-in-one software synth for modern producers.
When Arturia set out to create Pigments, the goal was ambitious yet simple: to design a synthesizer that would inspire creativity and redefine the boundaries of modern sound design. It was born out of a need to merge traditional synthesis paradigms with the latest innovation, and has evolved into one of the most versatile and intuitive software synthesizers available.
With each iteration, Pigments has grown alongside its community, empowering sound designers, producers, and composers to craft everything from intricate textures to explosive soundscapes. Today, as we unveil Pigments 6, this evolution reaches a new zenith, reaffirming Arturia’s mission to deliver a synthesizer as innovative as the artists who use it....
With Pigments 6, users can explore the new Modal Engine, new filters, a brand-new vocoder effect, enhanced granular functionality, fresh modulation possibilities, and a host of additional improvements – all designed to take multi-engine sound design to new heights.
Existing users can update Pigments for free and access an introductory offer on Explorations preset bundles. If you’re new to Pigments, you can make the most of an introductory price and discount on these expansions."
Arturia Pigments 6: New modal engine, voice features and more!
"We take a detailed look at the new features in Arturia Pigments version 6. This is a major release that introduces the new modal engine that models the behavior of acoustic instruments and sound sources; the vocoder effect; the cluster and lo-fi filters, and new modulation sources.
00:00 Introduction
00:28 The Modal Engine
08:43 Modulating the Modal Engine, and the Voice Modulator
11:17 The Cluster Filters
14:29 Lo-Fi Filter
16:10 The Vocoder
19:08 Envelope Follower
21:09 Factory Presets
31:27 Conclusion"
ARTURIA PIGMENTS 6 - First Look & Top New Features
"Arturia Pigments 6 🔥 received a major update, introducing the Modal engine loved by Minifreak and Microfreak users. Now, there are more settings and expanded possibilities for physical modeling. It’s particularly great for creating mystical bells.
I also really enjoyed the new Lo-Fi Filter, especially when paired with Jitter.
Among other things: a vocoder, a new modulator, filters, an Envelope Follower, and various interface improvements.
And, as usual, 100 new presets were added as a nice bonus, showcasing the new features of version 6. In this video, I'll walk you through my favorite sounds.
"This is my first sound bank I designed for Pigments.
The sounds that you will hear, are single sounds, directly recorded from Pigments, without any additional processing.
Enjoy
"Moogulator erklärt den Fred's Lab Manatee und zeigt Sound und Bedienung und am Ende ein paar weitere Sounds. Spontanaufnahme, da reguläre Sendung ausgefallen ist."
"Moogulator explains the Fred's Lab Manatee and shows the sound and operation and at the end a few more sounds. Spontaneous recording, as the regular broadcast was cancelled."
"I don't tend to do review videos - there are others on YouTube who do it well and I don't usually feel like I have anything to add... but the Stylophone DS-2 is an analogue drone synth with built in effects, released by a company usually more well known for more conventional offerings and, I don't know if you've noticed this, but I really like making music with drones.
This video is a real-time documentary of discovery, it arrived earlier on the day I recorded the video and, other than 5 minutes in a noisy exhibition hall last year, I've not had an opportunity to explore this synth until today. Let's see what lurks inside..."
Rare opportunity to own one of a kind synthesizer keyboard.
This is the Behringer Kobol Keyboard. There's a label in the back showing this to be an "Engineer Sample".
All controls and keys seem to be working. Although given this is not a production model, there could be quirks.
The Pitch and Mod wheels light up when activated. The LED bar changes when knobs are turned.
I had tested only the audio outputs - headphones, main out, and amp out. Other connections and USB are untested.
Good overall physical condition, but there are very visible scratches and dings and dents on the panel, as shown in the photos.
The back stand has 3 positions for tilt adjustment."
The AI028 uses the new SSI2190 PROCIRCUIT™ 6-INTO-1 VOLTAGE CONTROLLED MIXER* ICs to create a 6 in, 6 out Voltage Controlled Matrix Mixer. Each column of jack nodes is a VCA input that will amplify the input from the left to the output on the bottom from silent 0V to full unity volume at 5V. The inputs and VCA circuits will accept Audio and CV signals. For those who want to manually control voltage, a 5V output is present in the lower left that, with a passive attenuator, can be used to manually control the volume of a node. While currently in manufacture, due to the Lunar New Year, it is temporarily on hold and is expected to ship in February or March. Presales are now open on https://aisynthesis.com/product/ai028-voltage-controlled-matrix-mixer and will be shipped on a first come/first served basis.
“In the year 2000, I was in college and obsessed with modular synths, but could barely afford to eat. I knew it was possible to build your own synth, but there wasn’t anyone, or anywhere to turn to for advice. In the past decade, much more information has been published online, and in 2013 I started down my path to DIY modular. Even with all of the information online, there still lacked a single, simple, comprehensive guide for those looking to build their own synthesizer. I want AI Synthesis to be that guide. Prior to building my own synth, I was a dreamer, after building my modular, I felt I had awoken. I want to help others do the same.”
-Abraham Ingle
Founder, AI Synthesis
In addition to providing step by step build instructions, schematics, and circuit explanations, the site also includes a guide for getting started in modular synthesis, and a series of DIY Guides, with information regarding how Resistors actually work, and how to integrate a $26 scope into your Eurorack system."
"When I heard of Mr. Howard's patches, I knew I couldn't delay, I needed to have them. Here you are listening to two of his single patches combined into multi setting: SY FIVE and ARP MEMORY.
I've come to accept that my journey into creating my own patches for the Summit may be far fetched. I am honored and privileged that there are those who understand this beautiful machine, well enough that I can enjoy and get lost playing them. It truly is an instrument that will stand the test of time, one to play and one to learn
You can listen to his patch creation 'Meridian' here:"
100 Ambient and Cinematic presets for all electronic productions. Meridian was inspired by a love of science fiction movies, music, games and stories. The presets include many immersive pads that make extensive use of the modulation features of Summit plus a wide range of modern and classic synths, keys and FX.
Novation Summit V2.2
Please note many of the patches make use of the Summit’s dual filter and will not work on the Novation Peak.
The video and audio demos contain presets played live and recorded direct from the Novation Summit. All sounds are from Meridian and only a light limiter has been used for the demos
0:00 PD Noon
0:47 PD Coral
1:21 SY Noir
2:21 PD Minerva
3:16 SY DCO
4:17 PD Syrl
5:28 SY Sail
6:09 PD Crest
6:40 PD Koris
7:42 SY Five
8:06 SY Gent
8:58 SY Strands
10:00 Taktur"
Two DUAL UNDULA OSCILLATOR, one for the sound, one for the modulation.
Modulation controlled and routed by the Attenuverter Bank.
Two Rampage for others modulations."
Amnis beat, clocked by Pamela and data from Gliss (free lfo reset by Pam)
Battering Ram is the kick and bass, AHH & ASD are the 808 hat and snare,
nRings and feedback by Dark Matter.
Gliss
Pamela's new workout
Amnis
Battering Ram
nRings
Dark Matter
AHH, ASD, Quadratt, Line out
4U 50hp recorded live into Syntakt reverb and delay"
"Here we have a Ring Mod Delay patch with Atlantix, Sealegs, Ring Mod 1U and Aux Mix 1U. With this combination, the feedback from the delay evolves through the ring modulator, causing the echoes to morph with each repeat. It can produce some wild results.
Patch notes:
• Dry Signal - Atlantix Out / Aux Mix CH1 / Main Out
• Delay Signal - Aux Mix Aux Out / Ring Mod X / Sealegs Delay (100% wet mix)/ Aux Mix CH2
• Use Aux Mix CH2 Aux Out to create the feedback loop
• Atlantix VCO B Sine out from MOD Y to Ring Mod Y
• VCO B's pitch can be static, track with VCO A or modulated (for example with Sample & Hold). This will effect the way the timbre of the delay."
"The Korg DVP-1 was released in the early 1980's. It consisted of a Vocoder with its own internal waveforms, a five part Harmonizer, a Pitch-shifter and an Internal Synth. The Vocoder is very intelligible. While the Harmonizer does not sound super realistic, it has its own unique effect. It has five polyphonic voices, four with chorus on, unison mode and 64 memory patches to store your settings."
"Step into a new dimension of expressive sound with the Yamaha VL1 Version 2 Virtual Acoustic Synthesizer.
Designed to authentically recreate the nuanced tones and playing characteristics of real instruments without relying on samples, the VL1 V2 is a marvel of Yamaha’s pioneering Virtual Acoustic (VA) synthesis technology. This advanced engine uses mathematical models to replicate the physics of sound production, delivering stunningly realistic, dynamic, and expressive performances.
What Sets the VL1 V2 Apart?
Unlike traditional Sample & Synthesis (S&S) methods, which merely replay recordings of instruments, the VL1 V2 generates sound using detailed physical models of real instruments. This groundbreaking approach means the synthesizer doesn’t just recreate static tones—it captures the fluid transitions, tonal shifts, and expressive nuances that bring instruments to life. Whether it's the breathy vibrato of a flute, the bowing dynamics of a violin, or the growl of a saxophone, the VL1 V2 provides an unmatched level of realism.
Key enhancements in the Version 2 include refined synthesis algorithms and expanded sonic capabilities, making this unit even more versatile and expressive than the original.
Tailored Control for True Expressiveness
Every control on the VL1 V2 is designed to mimic the performance characteristics of live instruments. For example:
Modulation Wheel: Adjusts virtual embouchure for wind instruments or bow pressure for strings, letting you shape every note with precision. Breath Controller (optional): Offers unparalleled realism for wind and brass sounds. This deep level of interaction allows musicians to truly “play” the instrument, bridging the gap between synthesizer and performance art.
Expanded Sound Library
This VL1 V2 comes loaded with an extensive external sound library, including rare and highly sought-after expansion discs:
VLD-01 VLD-02 VLD-03 VLD-04 VLD-06 VLD-07 These expansions provide a treasure trove of additional instrument models and sonic possibilities, making this VL1 V2 a complete and versatile solution for musicians and producers."
"We can finally use Fumana's odd and even bands to spread a mono signal across the stereo range while keeping the bass range fully centered. Cunsa is gonna help us so check the video out to find how!"
0:00 Despair Strings 1:42 Future Pop Arp 2:34 Old Tape 3:01 Digi House Stab 3:33 Dreamer Arp 4:31 Falling Pad 4:54 Dark Texture Pad 5:46 90s IDM Pad 6:30 Ethereal Pad 8:01 IDM Lead 8:38 LoFi Pad 9:32 Psy Lead 10:02 Arcade Arp 10:30 7th Lead 11:02 Dub Chord 2 11:56 Old Tape Sequence 12:13 Pulsar Bass 12:36 Archords Lead 12:50 80s Dark Wave Ld 13:20 Tech Arp 14:19 Old Tape Pad AT
"We talk to Patrick O'Brien of Noise Engineering about three of their latest Eurorack modules. Noise Engineering is known for creating quirky, unique and wonderful digitally-based modules."
"We talk to Skyler King of Prism Circuits about his Serge-inspired panels and DIY PCB's. His Quasar system is on display, along with a new sequencer panel that fits right in. We look at custom panels and Loudest Warning-compatible modules, as well as why his PCB's make the DIY process as easy as possible."
"After NAMM 2025, we visited Buchla and Friends, an event in Echo Park/Silverlake, that gave smaller companies a platform to showcase their innovations without bearing the high costs of the bigger show. Join Nick as he and Edd walk the floor"
"An introduction to the Tempera granular synthesizer with v2.1 firmware release introducing Live Grain FX processing, a new exciting filter and a lot of big and small improvements.
Tempera is a playful hardware instrument with a novel approach to manipulating sounds and a lot of processing oomph to back it up at over 4k simultaneously available grains, 16-voice polyphony, 10 per-voice modulators, a per-voice filter and a curated set of high quality onboard effects."
"Kurzweil's new models, the K2061 and K2088, could be seen unplugged at NAMM 2024, but this year they were fully functional and we were able to see them, touch them and try them out, paying more attention to the cheaper K2061.
Video index:
00:00 Intro
00:09 Sound demo 1
1:04 Features
4:50 Sound demo 2
🎹 Main technical specifications:
V.A.S.T. synthesis engine with VA capability, 6-operator FM and organ modeling
256 polyphony voices
32 parts per program and 16 MIDI zones
4GB total memory (divided between factory and user)
32 simultaneous effects
16-track sequencer
The keyboards use Fatar mechanisms: TP/9 semi-weighted on the K2061 and TP/40L with hammer action on the K2088. Both models include channel aftertouch and a ribbon controller. The interface has a non-touch 480x272 pixel color display and a set of physical controls. Editor software for Windows and MacOS has been announced.
The K2061 is significantly cheaper than the K2700 ($2,199), while the 2088 is similarly priced ($2,999)."
"A performance on the Elektron Digitone II
Recorded in one take.
Mastered in post.
As always ... the project file & music on Patreon.
The great support from my patrons makes all of this possible ... thank you so much guys !! / substan
"A piece created using the Game Boy, @KORG_INC volca fm2, YAMAHA MU15, @SequentialLLC Prophet-10, and @MoogSynthesizers Moog One. Gentle synthesizer sounds overlap against the backdrop of Tokyo city sounds.
The Game Boy sounds are processed through @ChaseBlissAudio LOSSY into a lo-fi tone and played back using LSDj, synchronized only in tempo.
The Volca FM2 is saturated through GENERATION LOSS MKII and MICROCOSM while applying reverb effects.
The MU15 has filters and reverb applied using NIGHTSKY.
The field recordings consist of sounds recorded from Tokyo city, including temple bells, bicycle noises, and bird songs. These were recorded with a TASCAM X8."
