A Brave New World

Published on Mar 23, 2016 jdanielcramer

"Demonstration of three utility patches being used as a starting point to create a finished song from a generative modular patch.
Features the Triggerman Shuffle Patch, the Sequencer Switch Patch, and a Synth Bass Shapeshifter Patch.
Naked Bass Solo!"

Delptronics Trigger Man with various modules.

Apollo | Trip the Light - Airlock (live performance)

Published on Feb 9, 2016 anthony burchell

"Modular Live Jam - Trip the Light - Apollo

The Mutable Instruments Peaks is being controlled by the Trigger Man sequencing the kick and snare patterns. The Mutable Elements is in chord mode (perfect for knob tweaks). The bass/lead parts were by the Pittsburgh Waveforms which is being controlled by an adsr and an envelope modulating the cutoff. A split of the audio is being routed into the Element's external in to make some weird resonant flute sounds."

Trip the Light - Airlock (live performance)

Published on Feb 8, 2016

"Recorded this in one take using a modular for all voices and Ableton for drums."

Noise Music | Eurorack | 006

Published on Nov 5, 2015 Iteration and Discord

"the addac ultra wav is accessing four samples via the delptronics triggerman....erbe verb plays a big part..audio out of the ultra wav is sent in four different directions. (one) dual delay by modcan. (two) fuzz by the touellskouarn strakal brulu. (three) the 4ms spectral multiband resonator (four) is the direct sound of the ultra wav"

Roland AIRA Scooper processing Eurorack Drums

Published on Sep 30, 2015 ED電音頻道 E.D.Music Channel

"©E.D. Music Co.
Gears used:
Roland AIRA Scooper, Delptronics LDB1e
Special thanks: Tom Lee Music"

http://www.roland.com/aira/airamodular/

Demo - Ladik D-333 ROM Player - Roland CR78 Drum Samples

Published on Jul 2, 2015 isvisible / isinvisible

"Here's a demo of the Ladik D-333 ROM Player.
The one on the left is loaded with the 020-Roland1 (CR78) Soundbank IC, and the other with the 009-Percussion1 Soundbank IC.

Modulation for both units provided by a Livewire 'Chaos Computer', but also sounds great being modulated by LFO's.

Other sound sources later in the video are from:
Ladik - D010 Twin-T Drums
Neutron Sound - Orgone Accumulator
Mutable Instrument - Elements

Triggers are provided by:
ALM - Pamela's Workout
Delptronics - Triggerman
TipTop - Trigger Riot

Filtering and other things provided by Sir Dieter Doepfer.

For more info on the Ladik D-333 and lots more, visit www.ladik.eu

www.isvisible.co.uk - melodic
www.isinvisible.co.uk - less melodic"

Modular Wild Visits NMASS 2015/Trash Audio Synth Meet 15

Published on Jun 15, 2015 Modular Wild

"A short video walkthrough of the Trash Audio Synth Meet hosted by the New Media and Art Sound Summit by Church of the Friendly Ghost. Special thanks to The Church of the Friendly Ghost,Trash Audio,Bleep Labs, Delptronics, The Harvestman, I/O Music Technology, LZX Industries, Make Noise, Noise Engineering, Super Synthesis, Switched On Electronics, WMD and all the Musical Artists in attendance."

More pics here.

Cool business cards from the harvestman.

Dark Intellijel Shapeshifter Ensemble 001 & 002

Published on Jan 3, 2015 Owen Canivet

"first proper Shapeshifter patch"

Dark Intellijel Shapeshifter Ensemble 002

Published on Mar 26, 2015

"This time 2 shapeshifters used. One for pad put through ADDAC 601 and heavily tweaked and second providing bass and glitches.

Heart is 4ms QCD that clocks xaoc Batumi, ssf URA & Delptronics triggerman. Batumi provides divided 4 synced and divided lfo's to shapeshifter one's shape, freq sweeping Intellijel uvcf with shapeshifter 2 feeding it. Timbre of braids and shapeshifter 2's shape. Phonogene provides industrial under sound and modulated by URA, Lead is Braids with bees in trees firmware stepping through presets with 70% plucked sound. Kick drum from peaks, hats by quantum rainbow, snare from quantum rainbow and slight delay with dub jr then through streams in vactrol mode. Extra percussion provided by feeding envelopes into ADDAC 601 bands.

Trigger sequencing by triggerman with 4 patterns arranged in a semi random order, hats triggered by QCD with ura providing random fills. Note sequencing by Modcan touch sequencer. Random stepping of shapeshifter and braids (divided) provided by Qu-bit nano rand clocked by QCD the providing 'musical' random triggers.

All Eurorack except for Soundcraft mixer and Eventide space, mixed on desk then fed into logic and PSP Vintage warmer strapped to mix bus to boost to normal levels ;)"

Joseph Fraioli - Waveguiding | Circadian Rhythms | DRONE RES4

Waveguiding from Joseph Fraioli on Vimeo.

"no computers or external hardware were used in this performance :)

patch basics:

CLICK FOR MORE »

Delptronics Music Machine SuxBySuxWest 2015

Published on Apr 3, 2015 Mickey Delp

"Mickey Delp jamming on the Music Machine. The Machine was designed as a proof of concept for walk-up-and-play interactive music exhibits."

2015m Euro modular drums

Published on Jan 26, 2015 Cray

The Delphonics Triggerman is the only sequencer and the SSF Ultra Random is running the bass line.

Delptronics ThunderBell Analog Cowbell Eurorack Module Demo

Published on Jan 2, 2015 Delptronics

"Demo of the Delptronics ThunderBell analog cowbell. Available as a Eurorack module and built into an actual cowbell."

"The Delptronics ThunderBell is a classic analog cowbell sound. The circuit is inspired by the great cowbell sound in the Korg KR-55. Like the KR-55, the TR-808, and most other analog drum machines, we model a cowbell by using two tuned square waves. We also include some pseudo-ring-modulation, as did the KR-55.
Tuneable

In the old drum machines, the cowbell was not tuneable. Newer cowbell modules give you knobs to tune the two square waves. However, if the two frequencies are not in the correct relationship to one another, then it does not sound like a bell at all. The Delptronics ThunderBell keeps the two waves in the proper relationship across a wide freqency range. So, it is a truly tunable cowbell. There is also some room at the lower end where the sound gets weird and fun, if not bell-like. The ThunderBell also gives you broad control of the decay, so you can create short "tinks" or long "dings".
Voltage Controllable

The ThunderBell Eurorack Module gives you voltage control of both the pitch and decay. The CV inputs are 0 to 5V and cover the whole range of the module's sounds, it is not 1V/octave. We also include a trigger button so you can throw a bell into your mix whenever the mood strikes you.

The ThunderBell in a Cowbell (or mini kit) has an analog gate input and pitch voltage control input. Both pitch and decay are controllable with knobs, and of course there is a trigger button."

Metasonix RK1 Noisedrum Eurorack Module

RK1noisedrumwithR54s Published on Oct 28, 2014

"RK1 'Noisedrum' making cymbal sounds. Triggered by a Delptronics Triggerman with R54s used as resonant drums."

In silver vs. standard Metasonix yellow.

"ZeroOne" an exercise with a Qubit Nebulae, a Delptronics Trigger Man

Published on Oct 1, 2014 Henry Birdseye Jr.

".... with some Evaton Nomad RF and some [Tiptop] Z5000 mixed in for good measure.

I credit Karlheinz Stockhausen with my fascination with shortwave radio sounds. Here is a piece, straight into the soundcard, that plays with the Nomad RF as background for some playtime with my Nebulae fired by a Trigger Man."

Meet The Drum Machines - Episode 1: Space Drum & Thunderclap

Published on Sep 13, 2014 GoldbabySamples

"A little video demonstrating the sounds of a couple of the drum machines used in Goldbaby's Thermionic Solid State Drums."

http://www.goldbaby.co.nz/

http://delptronics.com/thunderclap.php
http://www.synthrotek.com/

"Variable Gravity Lock" - Eurorack 9U Modular 250

Published on Aug 13, 2014 Strange UFO Music

"Just one more module to go will make this 9U eurorack a 250hp size system!

A Preview of things to come! Some new modules to be used in upcoming videos will include: Expert Sleepers Distings (2 of them, those bright flashy black ones!). 4 impressively expressive compact Ladik modules, direct from Europe, and the Make Noise STO SubTimbral Oscillator!

Featured as a new modules in this video is the Tip Top Audio SD808 snare drum. A 4hp size enhancement to my Delptronic modules. Still makes for a very compact (only 14hp space) for a complete drum kit. Compare the snare drum sound in this video to the last video before this (Percussion work 4). Also, the Ladik L-110 LFO 1 is the driving clock source in this, a very fun module that does a lot in a very small space.

Straight forward 4/4 fat back drum beat pattern throughout. 16th notes hihat, and percussion solo. Morphing Bass vamp accompanies. which occasionally morphs in to alien like voices. Something fun for everyone! Thanks for watching! :)"

2048 Note Sequence

Published on Aug 8, 2014 jdanielcramer

"Spaghetti Patch Number Three demonstrating a complex 2048 note sequence of notes created on a Eurorack modular synth."

Watch through the end.

"Percussion Work 4" - Delptronics LDB 1e & 1x

Published on Aug 5, 2014 Strange UFO Music

"Here is how the Delptronics Little Drummer Boy modules sound with the Doepfer A101-2 (in VCA mode) and some different effect colors changed in places. My impression of the delptronics is it is a great value and space saving, ideal for smaller modular setups like mine. With both the main module (an 8 piece drum kit!) and the expansion together, only take up 10hp. My ideal enhancement would be to add a 4hp snare drum module.
This piece is reminiscent of groove etudes I've played (when I played drums). My drumming has now transitioned from using drumsticks and pedals to using switches and a clock divider. As in this piece, I used a very special switch from Trouby Modular (from Germany) called Switch 8. This allows for lightening fast switching in any combinations. In this work, the bass and snare play a polyrythmic ostinato, while the hihat plays a 'melodic solo' with accents playing other polyrhythmic ratios. Of course, the clock divider is the 4ms Rotating Clock Divider. The toggles were set in place and not changed in this piece. The effects were from the Zoom HD8 multitrack. Actual patching shown. (did not use dual trigger delay even though that's pictured patched).

Hope you enjoy, thanks for watching/listening!"

Baby Jane Yamaha CS 50 Analog Polyphonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"1977 Yamaha CS50 polyphonic synthesizer. I am the second owner of this keyboard. This synth has been used and maintained by working musicians. It has never been stored and has always been under use. This is the best way to keep a synth going strong is constant use and maintenance. It was recently serviced by Deltronics in Chicago."

CLICK FOR MORE »

Grayscale Algorhythm-Binary-Reticulating Rhythms Patch

Grayscale Algorhythm-Binary-Reticulating Rhythms Patch from Richard Devine on Vimeo.

"This patch was derived from the 'Endless Random patch' from the 'Algorhythm' manual. The main clock source was the Delptronics 'Trigger' man, taking output 1 and sending into the clock input on the first Algorhythm (left side). I then set the mode for each of the 'Algorhythm' modules to 'RAND', patching out from the clock output then into the next Algorhythm's clock input so that all three where synced to the same master clock.

The idea was to take the 8 pulse outputs and send them to other sequencers and dividers/multipliers to create morphing ever changing rhythms. The 'TriggerMan' sequencer has 8 different stored kick drum/gate patterns that would set the pulse times for all three Algorhythm modules. I wanted the clock time to always shift around, so I set one output from the Modcan Quad LFO in random stepped output into the CV control input on Trigger man (LFO 3). The Output 1 from Trigger man was split and sent to the 4ms Quad Clock Distributor input 'CLK IN' set as the master for all 4 other outputs. Second output was sent to the trigger input on Braids running in 'CLKN' mode for the synthetic hi-hats. CV output LFO 4 from the Modcan Quad LFO sent to the Division/Multi CV input on the QCD. The third output from the 4ms QCD was sent to the first LFO gate input and I then set the Quad LFO into 'Phase lock' mode which synchronizes the phase of all 4 LFOs waveforms but allows the frequency to be a division of the master LFO 1. LFO output 1 was sent to the Intellijel Shapeshifter pitch input. Output 2 was sent to the 1/volt input on the Qu-Bit Nebulæ. Output 4 was sent to the MakeNoise ErbVerb Decay control input. Output 3 stackable cable sent to the addac systems 101 .wave play into the CV loop size control input.

Output 1 from the first Algorhythm sent to the clock input on the Macro Machines storage strip, which is changing the preset snapshots of the Mungo d0 dual delay module. The 7th switch output Algorhythm number two (center) is pulsing the trigger input on the Snazzy Effects Ardcore, running custom 'Frac Drums' sketch. Dac output is being processed by the Mungo d0. The 7th switch output from Algorhythm number 1, (left side) clock input into the MakeNoise WoggleBug. Second output was sent to the trigger input on Braids running in 'CLKN' mode for the synthetic hi-hats. Kick drum was triggered by the second output on Trigger man to the Tiptop BD 808. Second switched output from Algorhythm number 2 (middle position), sent to the strike input on the MakeNoise Mysteron, creating the sporadic metallic delay percussion sounds. Output switch 3 from the first Algorhythm sent to the 'Next' sample file on the Qu-Bit Nebulæ. Switching through 8 different sample loops of processed fragments of sounds created in Reaktor. The switch output 2 from the third Algorhythm sent to the strike input on the MakeNoise Optomix, signal fed in from the output of the Shapeshifter then sent to the Audio Damage Freq Shifter, slow slight modulation from one Intellijel Dixie into the Shift input. Then finally sent to input 4 on the Submix7 mixer. Stepped output into right side 'exp' input on the MakeNoise DPO then sent to bottom input on the Optomix from the final output, being striked by the random clock burst out. This output is then being sent through the MakeNoise Phonogene, where the 'Rec' input is being triggered by output 4 from the QCD, and the Gene Size input control modulated by the stepped output from the WoggleBug.

The main sound source for broken drums coming from the addac systems 101.wave player. For this I saved 10 versions of the same loop, and did slightly different processing to each loop. I then went into each loop and inserted silence in different sections to create more broken patterns and playback. Drum loops 3, 6, and 8 had heavy delay feedback processing to breakup the repetitions with bursts of delay feedback effects throughout the rhythmic sequences. The output was split into two sources. One output was sent to a Intellijel HexVCA being erratically controlled by the envelope follower output on the .wav player. The VCA on the ADDAC player was also being controlled by the stepped random out on the Wogglebug. The output was then sent into the Eventide Space reverb pedal for the random throws into reverb. The other output was sent into the second input on the SubMix7 mixer as the clean unprocessed channel. The white noise coming from the SSF Quantum Rainbow running into channel number 2 on the Intellijel HexVCA then being modulated by a intellijel Dixie, ZigZag output, running at slow rates, and then re-synced by the 8th switched output on the Algorhythm. The left side Binary module was clocked by the output one stackable cable from the 4ms QCD. Logic output was then sent to the Chaos input on the Wogglebug interjecting random in time clusters of pulses.

http://grayscale.info/modules/"

via Richard Devine on The MATRIXSYNTH Lounge

Floor Jam Fun

Published on Mar 30, 2014 ISOTROPOSPHERE·124 videos

"Moved to the floor after moving some gear around for better use, this is the jam and fun that followed.

Left side. Suitcase synthesizer I fabricated from a case which was being discarded. Two rows of euro rack on the bottom, side panel with power couplings available, and the Technosaurus 2100 upper portion. This is my beloved small wonders series all snug behind custom panels with jacks patching out the various connections for each device. Huge thanks again to Jurg for getting them operational again. WARNING- Technosaurus small wonders devices are NOT designed to share a power supply with other devices or one another. Save your device, keep it powered solely. The right side is the Super Synthesis Super 37 modular keyboard controller which is controlling the three voices I am using here. The S37 is a one off custom build in conjunction with David's personal unit anodized in green with my own hand made Padouk wood side panels. Voice one - Din Sync OSC303 triangle wave to Blue Lantern Diode filter, Doepfer ADSR and VCA for this voice. Voice two, Technosaurus Microcon to Delptronics Ring Mod and out to mixer. Voice three is the MFB Kraftzwerg eurorack module in the S37 using the adsr for one oscillator, a little from the noise source and adsr two on the filter. All three voices then sent through the Synthrotek pre-development echo module with my custom faceplate. Other modules for the drums from Delptronics and Din Sync, timing and clock from Flame Tame machine, clock separations from Turing machine, Stoichia and Spock. The suitcase was nine months in the making which was mostly spent fixing my damage to the Technosaurus pieces. All good now, looking pretty and sounding great once again. The SSS37 was a great project, blows me away every time I uncover it and is my version of a poor mans minimoog model D. Any questions on anything seen or heard here should be sent my way, hope you like it. Enjoy!!!"