Whimsical Patching // 4. Utility Drum Machine

video upload by Whimsical Raps

All parts here

from Dani:
"When I take inventory on why modular synths remain compelling to me, it is because the format puts one in direct conversation with _voltage_. As mentioned in other videos, every signal in a modular synth is voltage -- some of it moves quickly enough to hear, some of it moves slowly and is excellent for modulation, but pushing this common denominator to its edges often leads me to make choices that a computer or desktop synth simply cannot facilitate with the same improvisational ease. But I also love working with computers as an end-of-chain glue -- not just for editing or effects, but to bring a new set of possibilities to the playground.

This video is a supercut of two processes:

a. The core is a conversation between Cold Mac and Just Friends. Just Friends provides cycling envelopes and pulses, which run through a self-patched Cold Mac. Though Cold Mac is primarily known as a utility module, cross-patching its wavefolders and slews creates gnarly delights out of simple input signals. Adding the inherent rhythmic interrelation of envelopes from different channels of Just Friends to the mix can quickly create a fuzzed-out chaotic drum machine with low subs and bursts of noise. Modulating SURVEY, both by hand and voltage, reveals a world of timbral shapes.

b. While (a.) was exciting and revelatory, it was missing something. Whenever I sequence drums, I love to layer percussive hits with additional samples -- so I took to @kriista's Data Knot, which packages FluCoMa's real-time descriptor analysis tools into an army of useful Max/MSP objects. Data Knot allowed me to use audio from my 'utility drum machine' to crawl through slices of @natesmithdrumsofficial's Pocket Change and a Bonnie Raitt isolated vocal track, which filled things out in a really fun way.

Both the original modular-only recording and the responses of Data Knot are layered to create this hybrid result which, to me, feels really organic and fluid."

Eurorack Jam Case… What Could Go Wrong?!

video upload by Dots

"Join me for another Mini Modular Moments episode as I unveil my brand new studio recording and jamming Eurorack case! In this video, I walk you through every module in my compact modular synth build — from the Frequency Central Product to the Squarp Rample drum sampler — and explain why I chose each one. Then, I power it up for the very first time on camera to see what kind of noise (or magic!) it can make.

Featuring voices, drums, filters, modulation, and a Keystep Pro for control, this case is designed for full jams in a portable format. Expect some happy accidents, a little chaos, and plenty of patching fun.

🎛 Modules Featured:

Frequency Central Product
Knobula Monuatic
Nano Modules ONA
Mutable Instruments Veils
Klavis Quadigy
WMD Carbon Filter
Squarp Instruments Rample
Endorphin.es Cockpit
…and more!

Whether you’re into Eurorack modular synths, studio jam setups, or just curious about how a live performance case can evolve into a studio powerhouse, this one’s for you"

Monotrail Starting with Modular
video upload by Monotrail Tech Talk



1. Getting started with modular - 4 eurorack systems explained

There are many ways to get started with modular, and many reason to be interested in it. There is no single solution, modular is a journey and you have to discover and experience your own. This video is part of a series where I share some thoughts and ideas I wish I could find when I started out. Take or leave whatever you like :)

Timetable:

00:00 – Introduction
02:17 – The Monosynth
06:32 – The Sonic exploration lab
10:26 – The Performance system
15:34 – The Dedicated tool

2. What modules should you buy when starting with modular?

Getting started with eurorack can be confusing. The number of modules available grows ever week. And on top of that, what you need depends on what you want to do with your modular. In this episode in a longer series, I look at a 4-module starter voice as an option.

Timetable:
00:00 – Intro
00:20 – Building a mono synth
02:49 – Oscillators
05:08 – Filters
07:47 – VCAs
10:26 – Modulation
14:47 – Patches

Back to Dots:

Watch our whole Mini Modular Moments playlist here:

Roland JX-3P & JX-8P vs Juno-6. Are the JX incapable, or why is the Juno-6 twice as expensive?

video upload by Knobs & Switches

"Here is a longer comparision video about the Roland JX-3P and 8P and the Juno-6 and why you did not only need the Juno-6. The JX could really surprise you. The title track was only made with the JX-3P and 8P including the Drums!"

Whimsical Patching

video uploads by Whimsical Raps

Playlist:

1. Whimsical Patching // 1. Audio-Rate Modulation

from Dani:
"One of my favorite aspects of modular synthesis is that signals we can hear are made of the same basic building block as signals which provide control and modulation -- they're all just voltage moving at different rates!

When we use an audio signal in the place of control voltage, we're touching into a technique broadly known as audio-rate modulation. Using audio-rate modulation in the Whimsical Raps ecosystem is incredibly rewarding, as it can unlock unexpected behaviors in familiar and new modules alike.

Here, Mangrove (our formant oscillator) modulates Silhouette's (our new 'signal combiner') SPOT, which is mixing six audio channels from Just Friends (our six-voice digital oscillator). I noticed that sending Mangrove into SPOT bleeds Mangrove's audio signal into the mix, so I tuned Mangrove to harmonize with Just Friends. This endowed FORMANT changes with new power, adding harmonic depth to the chaotic modulation -- notice the sizzle around 0:30 as FORMANT is cranked up.

Once INTONE adds distance between the ratios of Just Friends' oscillations, I reduce FORMANT to a low-frequency grumble -- I particularly enjoyed Silhouette's delayed vocalizations of these changes across the stereo field. Manually scanning SPOT offsets the input channels we're highlighting, which reveals the new INTONE-spread pitches. Increasing FORMANT introduces audible discontinuities as Mangrove regains its pitch, which are unique in the left and right channels. A final INTONE adjustment is added for performative spice, which is caught by the bucket-brigade device for a muted splash of stereo color."

CLICK FOR MORE »

Maestro Rhythm King MRK-4 SN 45738

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"An American-made, analog drum machine with a distinctively woody tone and a remarkable feature no other drum machine posses - Modulation.

Swipe for a demonstration of how it operates [video previously posted here]

On the back is an audio input for modulating external instruments like guitar, organ or why not a string machine? Much like a side chain compressor, the external signal gets muted by the individual drum hits of the rhythm pattern engaged, almost like a tremolo but rhythmically syncopated.

There’s a slider to control the level of audible drums or instrument input signal.

10 drum sounds and 16 rhythm patterns are available to the user.

No individual volumes are at our disposal but a slider to emphasize the brighter or bass-y drum sounds.

Excellent condition unit with a small bump on the front wood panel.

110 Volt power with standard American power connector."

CLICK FOR MORE »

80s Synthwave big love 🎹❤️

video upload by RetroSound

"(c)2007-25 by RetroSound
supported by UVI: http://bit.ly/retrosound-uvi

❤️ Support #RetroSound​ channel: https://retrosound.creator-spring.com

Today another synthwave track from me. You know that my heart beats especially for this genre. The music always puts me in a good mood, no matter if I listen to it or make it myself. It always awakens positive feelings in me.
That's why I'm showing you my track Relaunch today. It was made exclusively with the Roland Juno-106, drums: Linndrum and Simmons.
Have fun!

RetroSound synthesizer demo videos since january 2007.
Everything is free. If you like my work, you can also support me with the purchase of my merchandise stuff or my music.
Shop: https://retrosound.creator-spring.com/
Bandcamp: https://retrosound.bandcamp.com/"

Waldorf Pulse & Pulse 2 - Don Solaris Soundset

video upload by Don Solaris

"Available at: https://www.donsolaris.com/?page_id=3633

Why DCOs? Unlike traditional VCOs (voltage-controlled oscillators), DCOs maintain consistent pitch and phase – which may sound like a subtle difference, but in practice, it’s key to achieving harder, tighter, and more aggressive bass. DCO-based synths like the Pulse don’t drift or smear. They hit with precision, punch, and presence, which is especially crucial when you want bass that stays locked in with your drums and doesn’t fall apart under compression or saturation."

Super Modular Drum Machine for Ableton Live Element by 36db

video upload by Isotonik Studios

"Creating unmistakable and quirky drums is a science within itself. Adding some spice to your tracks is exactly why we created the Super Modular Drum Machine.

This third Elements release not only contains unique analogue drum and percussion samples from our Modular Synth, but also four exclusive 36db Drum Rack™ Kits, each with a unique flavour for creating glitchy drums and patterns. The 36db Glitchtastic and Warp & Stutter Effects Racks will send your ideas to new realms of sonic goodness we know you’ll find essential!

If you like the production style of Jon Hopkins, DJ Koze, James Holden, Flume, J Dilla and Aphex Twin then this selection of Drum Rack™ kits is for you..

AVAILABLE HERE: https://isotonikstudios.com/product/s..."

Crashing down | Moog Minimoog, Sequentix Cirklon, Sequential Prophet 10, DSI Prophet 12, Nord Drum 2

video upload by MIDERA

"I was considering selling the Minimoog. Kept talking to friends about how I just didn't like it. I don't know why, I guess maybe it was like with the Prophet 10, where it's just a lot of money and it doesn't really seem to do anything that much better than what I already have. One of my friends said 'Well, have you tried sequencing it?' And no... I hadn't. I got the Minimoog when one of my cats died, then I rehomed my dog, and then my mom died. The whole next year (2024) I spent scanning photos in of my parent's. Only now have I started to get back into things. Well, I decided to try it out and wow, I really enjoyed it - the Minimoog sounds pretty amazing. So this is my first track with it sequenced.

I'm also working on trying to get more proficient with the Cirklon, and I've gotten a little hold on using it.

Parts:
Moog Minimoog: Bass
DSI Prophet 12: Bells
Sequential Prophet 10: Pads
Clavia Nord Drum 2: Drums
Sequentix Cirklon: Sequencing
Native Instruments Raum: Reverb"

Roger Linn, Creator of the Original Namesake LinnDrum on Behringer's New LmDrum

The following is Roger Linn's statement on Behringer's LmDrum, written Jan 4, 2025, saved here for the MATRIXSYNTH archives:

In December 2024, Behringer released their "LmDrum", which is described on their site as:

"If you are looking for a drum machine that can recreate the classic sound of the 80’s, look no further than the Behringer LM DRUM. This amazing drum machine features an authentic 8/12-bit sampling sound engine that captures the essence of a hundred legendary 80’s drum sounds including those designed by Roger Linn such as the LM1*, LM2*, LM9000* and more. You can even record and store your own samples using the integrated line input."

Uli Behringer kindly sent me an LmDrum in August of 2024, giving me a chance to try it out. What do I think? I think it's a bit of a head-scratcher. It is clearly intended to evoke my 1982 "LinnDrum" drum machine, borrowing its visual style, control layout, colors and logo style, as well as copying its sounds and those of my LM-1 and Linn9000 drum machines. I took it apart and it even copies much of my LinnDrum sound generation circuit, even my bad ideas like the inability to tune any drums except the snare, toms and congas.

However, it uses an entirely different operating system and user interface, one that is based on earlier Behinger drum machines. Personally, I found it somewhat confusing and difficult to use, though I was given an unfinished manual. I'd imagine they will improve both the software and manual over time. I suspect the designers found it difficult to find a balance between 1) the impression of a LinnDrum clone, and 2) the addition of modern features, given that the 1982 LinnDrum's feature set is woefully inadequate by today's standards.

It's worth noting that Uli never asked my permission to either copy my visual design or my drum sounds. Though in 2020, he did kindly invite me to collaborate on a future drum machine, and I respectfully declined because of concern about Behringer's past business ethics and legal practices.

How do I feel about the LmDrum? My feelings are mixed. On the one hand, it's not unusual for companies to borrow ideas from older products in order to inspire a new and innovative design, which I've done in past. Plus, my old drum sounds are all over the web, controlling copying is difficult, and I don't enjoy legal stuff so I've generally ignored the issue so far. Also, the value in those old sounds is probably due more to Art Wood (the drummer who played the sounds, and my friend of many years), and to artists like Prince, Michael Jackson, and others, who made those sounds famous on their hits. Finally, I must admit that I've never cared much about the past, because I find the future far more exciting.

On the other hand, even if we discount the copying of the visual design, logo style and sound circuit of LinnDrum, the LmDrum copies my sounds. So I'd have preferred for Uli to ask my permission. Even if he thinks it is legal, I question whether it is ethical.

I find it interesting that the LmDrum is being sold in the U.S. for only $399. Having taken it apart and seeing how complex the copied old circuitry was to reproduce, I doubt Behringer is making any money from it. I suspect that they originally intended to sell it for much more, then discovered that while many people may say they want a LinnDrum clone, few are willing to pay more than a low price for it.

On a related topic, GForce Software has recently released their "IconDrum" software drum sound generator. Like the LmDrum, it copies the LinnDrum's visual design, logo style, and drum sounds, but has no sequencing. Unlike Behringer, GForce did say they wouldn't release the product if I objected, but they seemed like good people so I turned a blind eye. They also offered to pay me an insignificant royalty for my association with the product and perhaps to use "LinnDrum" name, but I declined because of the low compensation and because I thought it was misleading to call a product "LinnDrum" that wasn't a drum machine but rather only played my copied drum sounds.

One last comment. What's the big deal about nostalgia? I can understand that some people value analog synthesis, though I find the many types of innovative software synthesis created in recent decades to be far more capable, versatile and interesting. But even if people value vintage analog synths, why vintage digital drum machines? I ask this because an old bit is no different than a new bit. Our collective love of nostalgia brings to mind an old Douglas Adams quote from Salmon of Doubt:

"I've come up with a set of rules that describe our reactions to technologies:
1. Anything that is in the world when you’re born is normal and ordinary and is just a natural part of the way the world works.
2. Anything that's invented between when you’re fifteen and thirty-five is new and exciting and revolutionary and you can probably get a career in it.
3. Anything invented after you're thirty-five is against the natural order of things."

As a guitarist, I recall having endless discussions in my youth about "good distortion". :)

- Roger Linn

New ULT-SOUND DS-4M Drum Synth Demos

video upload by Korablove Roman

Available at Nightlife Electronics

You can find additional demos in previous posts here.



"The DS-4 drum synth, which was released by Toyo Gakki in the 1980s under the "ULT--SOUND" brand and was used by the drummers of Japan's leading techno-pop group, has been revived in modern times. An inspiration for many modern drum machines, the DS-4 is heavily sought after for it's immediacy and ease of programming. As a 45 year old drum synthesizer, finding an original for a reasonable price without needing a complete restoration is not the easiest task. This is why the DS-4M project was brought into existence. Using all original schematics as well as original components, many of which are incredibly rare to find, the DS-4M is meticulously built by hand using thru-hole components. Physically, it is built like a tank to last for decades of enjoyment and creativity. What's more, modern MIDI and CV/GATE inputs have been added along with individual outputs and a high quality, balanced MAIN output ready to take the legacy of the Ultimate Sound DS-4 far into the future. The new functions also add an exciting twist: using the SINE or SQUARE waveforms, DS-4M also works as an up to 4 voice synthesizer, or any combination of drums/percussion with synths with accurate tuning as well"

Pics via https://www.ult-sound.com.

CLICK FOR MORE »

From idea to track: the Power of OXI Ecosystem

video upload by OXI Instruments

"In this video, witness the full potential of the OXI Instruments ecosystem as we build an immersive track from the ground up. Using two CORAL modules for lush polyphonic textures and drums, two META modules to add dynamic effects and transitions, and the OXI One as the central sequencer, we showcase how these tools seamlessly work together to create a powerful, cohesive sound. Dive into the workflow, hear the results, and see why the OXI ecosystem is a game-changer for modular and electronic music production.

Discover the synergy. Create without limits.

Coral Configurator : https://oxiinstruments.com/coral-conf...
Download the project files: https://drive.google.com/drive/folder...

00:00 Introduction
00:45 Setting up One
01:39 Setting up Coral
03:13 Chord progression
04:27 Adding modulation
05:23 Adding a lead
07:19 Adding meta Space
07:40 Adding a bassline
08:35 Adding drums with Pattern generator
09:50 Adding more drum parts
12:05 Playing twith META
13:27 Conclusions"

Sonicware AMBIENT Ø - PATTERN CHAINING "Time Variant"

video upload by Alba Ecstasy

"A few hours later I made this 👉 [AMBIENT Ø - The Perfect Ambient Companion] I thought that I could do more with that idea, so I made another video I didn't published (it's a version of the middle part of this video) because later I wanted to get more. So I recorded this track. After many hours of tweaking I must have to admit!
I knew I can do more than that an ambient atmosphere with the Ambient 0: a sequencing and arpeggiating that would suit my style. It's a little more to dig, but it can be obtained with this ambient machine. Behringer EDGE accompanying for drums. Which I forgot to sync: see that yellow patch cable? I disconnected it before recording. Don't know why 😂
No external FX.

Ignore that fake 'tremolo' playing, but I wish I could do that with the Ambient Ø (I really need the OSMOSE 😅)!

Hope you'll enjoy!"

FFS - For Fuzz Sake (Super Fuzz Face!) || By After Later Audio

video upload by Robots Are Red

"FFS is based on the famed Fuzz Face guitar pedal, but with extremely broken out controls for both the Germanium and Silicon sections of the Fuzz.

Jump to any section here:
00:00 - Opening
00:43 - Overview
02:24 - Deep Demo
08:25 - Self Oscillation
10:50 - Rings through FFS
17:57 - Drums through FFS
24:15 - Moog Style Patch through FFS
26:41 - Guitar through FFS
32:41 - Some Music"

"Two fuzz channels based on the fuzz face circuit with a built-in pickup simulator.

Gnarly is a 7 knob beast that will destroy whatever you throw at it. It has many dead zones in the pots that will adjust based on the position of other pots. It's all about finding the sweet spots and living on those fine edges. The transistor pairs on this section are replaceable.

Oomph is a 5 knob bass friendly take on the fuzz face and compliments the upper harmonics of the Gnarly section. Pickup simulator - Fuzz circuits offer unique sound when paired with the inductance of the pickup coils in a guitar. This why it is often suggested to have fuzz pedals as your first in a pedal chain. So we've built-in a coil to simulate your eurorack signal being emitted by a guitar pickup. We've also included a pickup simulator output so you can use it to interface with other fuzz instruments (pedals, modules, etc.). As an added oddness - you can also input your guitar into the pickup sim output (just don't plug anything into the normal input). This will still get you Eurorack level output. Please don't input Eurorack levels into the pickup sim output.

Tips - Experiment with the pickup simulator and buffered signal. Use the PS.Level to keep the signal low, borderline on cutting out. You find lots of joy in the gnarly section by keeping this level at the edge."

Roland P-6 VS MPC60ii Sound Test! They're both dope!

video upload by Ricky Tinez

"I wanted to see if the Roland P-6 could replace my MPC 60ii when it comes to texture and sound quality, TL:DR nope. BUT the P-6 definitely has its own sound that is unique to itself."

00:00 The Goal!
00:54 Simple Straight Clean drum beat
01:44 Trying to get 'Crunch'
02:14 11kHz vs 14.7kHz vs 40kHz
02:44 Drum Sounds Alone
03:26 Getting 'Dirty' clipped drums on both machines
04:12 P-6 Pros vs the MPC60ii
05:08 Piano Chords and Synths
06:04 Now this sounds crazy
07:10 Why no 44.1 on the P-6?
08:00 Another Plus for the P-6. Chromatic Range
09:35 Sampling a whole 'song'
11:16 What a 'whole track' sounds like on each device
11:55 Final Thoughts, did we learn anything?

Gieskes - LFSR2R Sequencer/Generator

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional NOISEBUG Listings

"A module that has a few different functions, Sequencer, LFSR Noise generator, Semi random CV generator.

The LFSR2R refers to LFSR + R2R. A LFSR is a Linear Feedback Shift Register, and R/2R is a Resistor Netork that is used to convert digital binary outputs to voltages (DAC, Digital Analog Converter). This is what a Digital to analogue converter mostly uses. I chose this name because it its what is in the module + some more. It was not the goal when i started making this module, but it a nice name.

I developed it because i needed a sequencer that works good for drums, especially with the vu-perc modules. The vu-perc module responds to gate signals, and they hit harder or softer depending if the voltages of the gate signal is higher or lower.

This module has a CV input that can be used to modulate the voltage that comes out of all gate outputs (like the starving binary module). This way the volume of the vu-perc modules can be modulated.

There are two versions one with LED's sticking thru and one with LED's that light from the back. From the back it looks nicer but during day light it will be less visible. Thats why i made two versions T (8 step LED's are THT, they stick tru the top panel) And version S (SMD, the 8 step leds are on the PCB)."

BODY CONTROL - EBM NEW BEAT BY YVES BIG CITY - Novation Circuit Tracks Pack

video upload by Isotonik Studios

"🎧 *Body Control: EBM & New Beat by Yves Big City* – Unleash the dark, driving energy of Electronic Body Music (EBM) and New Beat in your music production! This comprehensive sound pack, created by renowned producer **Yves Big City**, offers powerful basslines, punchy drums, and eerie synths, all inspired by classic EBM and New Beat sounds. Whether you're a fan of vintage electronic music or looking to bring an industrial edge to your modern tracks, this pack has everything you need!

🔥 *What’s Inside?*
- **Drum Kits**: Hard-hitting kicks, snares, and percussive elements perfect for EBM and New Beat.
- **Basslines**: Deep, pulsing basslines designed to drive the rhythm.
- **Synth Leads**: Classic, gritty leads with a dark, industrial feel.
- **Loops & One-Shots**: Easily integrate these into your own projects.

⚡ *Why Choose Body Control?*
- Perfect for producers of EBM, Industrial, Darkwave, Synthwave, and Techno.
- Designed by Yves Big City, a leading name in the electronic music scene.
- Fully compatible with Ableton Live, FL Studio, Logic Pro, and more.

👉 **Download Body Control Now**:
Get your copy of *Body Control EBM & New Beat by Yves Big City* from Isotonik Studios and start creating music with a darker, more powerful edge today!

Available Here: https://isotonikstudios.com/product/b...

**Timestamps**:
0:00 - Introduction to Body Control Sound Pack
0:30 - Overview of Drum Kits & Samples
1:00 - Synth Leads & Basslines Demo
1:30 - Why This Pack is a Must-Have for EBM Producers
2:00 - How to Download & Use Body Control"

BODY CONTROL - EBM NEW BEAT BY YVES BIG CITY - Novation Circuit Tracks Pack

video upload by Isotonik Studios

"🎧 *Body Control: EBM & New Beat by Yves Big City* – Unleash the dark, driving energy of Electronic Body Music (EBM) and New Beat in your music production! This comprehensive sound pack, created by renowned producer **Yves Big City**, offers powerful basslines, punchy drums, and eerie synths, all inspired by classic EBM and New Beat sounds. Whether you're a fan of vintage electronic music or looking to bring an industrial edge to your modern tracks, this pack has everything you need!

🔥 *What’s Inside?*
- **Drum Kits**: Hard-hitting kicks, snares, and percussive elements perfect for EBM and New Beat.
- **Basslines**: Deep, pulsing basslines designed to drive the rhythm.
- **Synth Leads**: Classic, gritty leads with a dark, industrial feel.
- **Loops & One-Shots**: Easily integrate these into your own projects.

⚡ *Why Choose Body Control?*
- Perfect for producers of EBM, Industrial, Darkwave, Synthwave, and Techno.
- Designed by Yves Big City, a leading name in the electronic music scene.
- Fully compatible with Ableton Live, FL Studio, Logic Pro, and more.

👉 **Download Body Control Now**:
Get your copy of *Body Control EBM & New Beat by Yves Big City* from Isotonik Studios and start creating music with a darker, more powerful edge today!

Available Here: https://isotonikstudios.com/product/b...

**Timestamps**:
0:00 - Introduction to Body Control Sound Pack
0:30 - Overview of Drum Kits & Samples
1:00 - Synth Leads & Basslines Demo
1:30 - Why This Pack is a Must-Have for EBM Producers
2:00 - How to Download & Use Body Control"

DOCUMENTARIO REMASTER 2015 -2024 (TRECHO)MÚSICA ELETRONICA- RECO SYNTHESIZER S.P.

video upload by AMYR VON BATHEL CANTUSIO JR ALPHA III PROJECT

"DOCUMENTARIO REMASTER 2015 -2024 (TRECHO)
MÚSICA ELETRONICA- RECO SYNTHESIZER S.P. Amyr Cantusio Jr
-No antigo estúdio de Joly,fiz uma entrevista e uma longa JAM no Modular Reco Synth construído por ele.Falei algumas coisas sobre a Música Quântica."

Googlish:

"DOCUMENTARY REMASTER 2015 -2024 (EXCERPT)
ELECTRONIC MUSIC- RECO SYNTHESIZER S.P. Amyr Cantusio Jr
-In Joly's old studio, I did an interview and a long JAM on the Modular Reco Synth built by him. I talked a few things about Quantum Music."

BRAZIL- ELECTRONIC MUSIC ARTISTS DEMOSTRATION CLIPS BY AMYR CANTUSIO JR -2024

video upload by AMYR VON BATHEL CANTUSIO JR ALPHA III PROJECT

Googlish:

"KEYBOARDISTS & MUSICIANS FROM THE ELECTRONIC/PROGRESSIVE ROCK FIELD OF BRAZIL

ELECTRONIC KEYBOARDS FROM BRAZIL
(Video Show - Collective Clip by Amyr Cantusio Jr)
Here are several keyboardists, electronic engineers, amateur musicians and some professionals who move the national scene, in a universe almost unknown to the people themselves.
These are videos that I collected, all of whom I know personally, to give lovers of the genre a perspective of what is produced behind the scenes in the underworld of electronic, electro-acoustic and progressive music in Brazil.
There are no critics in the area, almost no magazines or articles that cover or publicize these works. So here is a General Synopsis for you:

1-Arthur Joly (S.P. Engineer and producer, creator of the Big Modular Synthesizer Reco-Synth.
2-PAULO BETO (S.P.) - Anvil X and Solo.Paulo He worked on a lot of things, including Joly. I don't know why his work is so little publicized.
3-JOSE D'ELBOUX (S.P.)-Recorded 2 CDs with his project Tau Ceti. It is one of the few groups in Brazil where the Power Trio format with only keyboards/drums and bass is used, besides myself.
4-RONALDO RODRIGUES (Campinas S.P./R.J.) Caravela Escarlate. Also only known in the specific field.
5-VINICIUS BRAZIL (R.J.) engineer who created the Lizard Synths line. He also recorded a CD with the band Aether.
6-PATRICK WICHROVSKY- (R.J.) Has an independent triple CD "Eram os Deuses Astronautas" and played in some progressive bands. 7-VENTO AZUL DO SOM-(SE) Marcio and Marcelo Prata. They are heroic creators of "synth scraps", with almost no resources, and they even recorded LPs and some independent tapes on their own. They are very experimental in electro-acoustics.
8-GUSTAVO JOBIM (R.J.) has many CDs and work recorded independently, and very restricted to the underground circuit.
9-ELOY FRITSCH (R.S.) one of the most famous, with several solo CDs, and his band Apocalypse (which despite being known abroad, in Brazil is almost completely unknown) covers and professional work. Eloy is a professor at UFRGS.
10-EDGAR FRANCO (GO) Lyricist, illustrator and PhD in Visual Arts, has several multimedia works on CDs, magazines, etc... Also like Eloy, a professor at UFRGN. 11-FABIO RIBEIRO (S.P.) Also famous for having played in the underground band III Milenio (LP), Blezqi Zatsaz (solo LP) and Angra (CD).
12-ALPHA III (Amyr Cantusio Jr) (Campinas S.P.) - my Project, perhaps the most famous for the body of work (LPS and CDS) that luckily reached more than 20 countries, in the Underground as well, with a relevance relative to the medium only."

Meng Qi Wing Pinger + Eventide H90 // Shadows and Lights

video upload by Dexba

"The Wing Pinger is not easy to process: it sports two outputs which are... double mono?
Not really, and I will show you why soon in the upcoming tutorial (long in the making, I know).
But that's also why I decided to keep one pedal, and that pedal is the H90, which allows for extensive customization of the inputs, and it's modular in its own way.
I created this new preset for the Eventide H90, called Noise Glue, which is a combination of a 4-head delay + tape saturation to keep everything cohesive, and I think it complements beautifully the sound echoing war chants and drums on the battlefield, juxtaposed to the few plucks of melodic rain here and there.
It is always very hard to share a recording of the Wing Pinger, because the lengthy drones and ear-massaging FM sounds do not translate well as a format on YouTube or as a recording: it really is an instrument to be touched and felt."