Iván's Fotonovela: The Madrid Hit That Conquered Europe | Full Reimagination

video upload by Nostalgic Explorer

"Iván – Fotonovela Full Stems RAW and With FX are available on my Patreon: / nostalgicexplorer

This time I'm heading to Madrid. Fotonovela came out in 1984 and did something strange — it barely cracked the Top 20 at home in Spain, then went Top 5 across Europe. A Spanish record the rest of the continent adopted first.

Everybody files it under Italo disco. There's a good reason for that, and it's not the one most people assume — I get into it in the video.

There's also a bigger story here about what was happening in Spain in the 80s, and why a singer from Madrid ended up making one of the best synth-pop records of the era. That one you'll have to watch for.

For this reimagination I'm using the Moog Voyager for the bassline, the Roland Juno-60 for the accordion, organ and bell parts, the Oberheim DMX for drums, and a Mellotron VST for the strings — all arranged and mixed in Logic Pro.

For this reimagination I'm using the Moog Voyager for the bassline, the Roland Juno-60 for the accordion, organ and bell parts, the Oberheim DMX for drums, and a Mellotron VST for the strings — all arranged and mixed in Logic Pro."

CLICK FOR MORE »

This 4HP Eurorack Module Just Got INSANE

video upload by wgd modular

⏱️ Chapters
00:00 – Intro
00:14 – What happened since the last video? [embed below]
00:54 – New panels
01:17 – Fixing the noise problem
01:50 – Melon in live performances
02:03 – Firmware flashing infrastructure
02:32 – Updates to existing firmwares
03:08 – New firmwares
03:18 – Metal Hit
04:14 – RALPS
04:50 – Reese Bass
05:29 – Drums
06:26 – fxloperformer
07:29 – Final thoughts


"In this video, I’m taking a look at what has happened to melon since my last video. My 4HP Eurorack adaption of Hagiwo’s amazing RP2350-based MOD2 has grown quite a bit since then, with new panels, new firmware, community contributions, and improvements to the overall infrastructure.

CLICK FOR MORE »

Turn any soundsource into Drums with 'Doppler' from Jasmine & Olive Trees.

video upload by Cinematic Laboratory

"Sometimes a module comes along where you'd read the description and think, OK, why? This module turns any sound into drums so if you're not interested in drum sounds, why bother? And what do drumsounds have in common with the Doppler effect where pitch perception would change depending on an object moving towards or away from you?

BUT THEN.
You patch it up, play with a few sources and go WOW.
Check it out."

ellitone tap-ki - a percussive note midi controller

video upload by ellitone instruments

"now available at ellitone.com

The ellitone tap-ki is a ‘percussive note’ midi-controller that features 12 highly-sensitive “tap touch” wooden bars. Formally known as the KeyControl 2, the ellitone tap-ki found its true name and brings back all of the same functionality in a solid oak hardwood body.

tap-ki features 16 selectable musical scales from around the world. Inspired by hand-pan drums, these 16 musical scales each offer a different mood for your playing and exploration. The best thing about these selected musical scales is that it is impossible to hit a “wrong note”, No musical theory or piano playing ability is required to successfully enjoy this device. As seen in the demo video, the tap-ki can be played like a piano using single finger taps, or like a drum using both hands to trigger groups of multiple notes at once. The excellent velocity-tracking system allows the tap-ki to be played like a digital hand drum that responds to the smallest change in play pressure.

CLICK FOR MORE »

Bad Gear - Massive X

video upload by AudioPilz

"Welcome to Bad Gear, the show about the world’s most-hated audio tools. Today we are going to talk about Native Instrument’s Massive X.

This 2019 plugin is a cautionary tale for music technology brands about what NOT to do if they don’t want to end up as yet another pair of antlers in inMusic’s trophy room.

Chapters:
00:00 Intro tune
00:39 Overview NI Massive X
01:12 Why it's worse than OG Massive
01:38 OK, that's not soooo bad...
02:05 Oscillator Section (Yeah, it's a mixed bag)
02:32 Noise Section
02:39 Filter Section
02:59 Insert FX, Feedback, FX Section
03:32 Workflow (Envelopes, LFOs, Random)
03:56 The Dealbreaker
04:03 Trackers and yes, it can still do Dubstep
04:16 Animator, Massive X Player
04:40 Modular Environment, Presets, Pricing
05:09 H*te Screen
05:37 Jam 1 ( Massive X-only Psy )
06:31 Jam 2 ( Massive X vs. Analog Drums )
07:32 Finale ( Drum'n'Bass )
08:04 VERDICT"

3 Reasons Why Random Voltages are ACE!! // RANDOM8 from Mylar Melodies & Befaco

video upload by DivKid

"Here's a 3 patches series video that distils down many of the reasons I think random voltages are ace to just 3 examples. It's also a bit of a quick demo of the fantastic new RANDOM8, your new random mate from your pal and mine Mylar Melodies (and Befaco)."

*TIMING INDEX // CHAPTERS*
00:00 Hello & previews
00:50 What is Random8 & what are we doing here?

3 PATCHES WITH INCREASING AMOUNTS OF RANDOM
Patch 1 // Random for people that don’t like random (fools!)
02:58 Adding exciting movement to basic synth voices
Patch 2 // Looping random for melodies & riffs
07:17 Looping melodies & modulation for techno jams
Patch 3 // Embrace the random - let the random enter you, be you, surround you
14:54 Generative ambient Krell

THIS VIDEO IS NOT SPONSORED BY ANYONE I was sent the module by Mylar Melodies & Befaco to use as I like but they did not pay for, or have any say in this video. Any questions as always, just ask, clarity is always best."

A demo of RANDOM8: The world's most random module?

video upload by mylarmelodies

"Here's a demo of RANDOM8 (which is out now!) - it gives you 8 stepped or smooth random voltages in 8HP, with per channel looping & attenuator controls, pitch quantiser & more. It's designed to make your modular sound more alive & I designed it in collaboration with Befaco. First I'll explain it (2:33), then we'll Rings in to Clouds it (17:07), then we'll make drums and techno with it (27:42).

I managed to forget to show you how to reset channels to default settings! Just hold the channel button(s) down for 5 seconds. To reset all 8 channels, hold the top and bottom channels for 5 seconds."

CHAPTERS
00:00 - What is RANDOM8?
02:33 - Basic Looping & Evolving
05:35 - Menu Options Summary
06:30 - How to Enter & Edit Menus
07:06 - Steps Menu

CLICK FOR MORE »

They Replaced Steely Dan's Drummers With a $150,000 Computer

video upload by Nick Cesarz

Also see: RIP Roger Nichols - Creator of the Wendel Sampling Computer

"In 1980, Steely Dan put out Gaucho with Steve Gadd, Jeff Porcaro, Rick Marotta, and Bernard Purdie credited on drums. Four of the most recorded session drummers in history.

But three of the seven songs on that record weren't actually played by any of them. They were played by a $150,000 custom-built computer called the Wendel, programmed by their engineer Roger Nichols in hexadecimal code.

I grew up listening to this album and had no idea half the drums weren't real, so I went down the rabbit hole. Here's why Steely Dan built it, how it actually worked, and which Gaucho tracks are the Wendel vs. the real drummers.

CHAPTERS
00:00 Intro
00:43 How Steely Dan made records
01:48 Hey Nineteen and the pitch
02:18 What the Wendel was
02:38 How it actually worked
03:42 Real tracks vs. Wendel
05:34 Wendel II and The Nightfly
06:35 Wendel Jr and the spread
07:09 Today's tech"

Hey Nineteen

video upload by Steely Dan

via Google AI: "The song's rhythm track is also famous for utilizing 'Wendel,' a pioneering, insanely precise drum machine custom-built by engineer Roger Nichols. Marotta recorded his drum part in a single afternoon, which was then perfectly recreated by the machine." via Expanding Dan

Hexdrums cranked, compressed & gated (no talk)

video upload by Richard DeHove

"Compressor hiss? Meh, the world's full of noise and hiss. Levels pushed, why not? Some limiting on the output - sure. We're just having fun here, not trying to educate anyone on noise levels or production techniques. And as usual this video has completely mutated from its original form. The intention was to show the new Nightverb gated reverb option and blather on about drum machines. Then I started playing with Hexdrums' compressor. So instead of my long diatribe on drum machine programming I chopped that all out and just kept the actual drums.

Compressor's aren't my thing. Yet with the Hexdrum compressor I had fun. Pushed past noon it will start giving an audible hissy noise floor but if you're cranking lots of other things that that just disappears :D If I was making an album track I'd probably try to get rid of it but for now every noise is welcome.

On the routing: Voice 1 (bass drum 1) and Voice 3 (snare) are on separate outs and are completely dry - although I was severely temped to do some processing on them. All the other voices go to the Hexdrums stereo out, then to the Nightverb on the gated reverb option; then to the Echolocator. With either effect unit turned to 100% wet it's up to the dry voices 1 & 3 to keep things together.

At times I turn up the release on Voice 2 (bass drum 2) and that's what upsets the compressor and holds it open so long that the gated reverb doesn't get a turn.

The main reason I like this setup is that you can get variations on a single drum pattern without having to program any new drum patterns :)

The main out from the DAW has some mild limiting to catch stray spikes but otherwise this is an unedited one-pass twiddlefest.

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

ROLAND TR8S DESKTOP DRUM MACHINE

Note: links to listings are affiliate links for which the site may be compensated.

via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Roland TR8S in good condition. It comes with original packaging and power supply

Manufacturer's description
Born of the most famous and influential drum machines ever made, the TR-8S combines the best of its Roland heritage with modern production techniques and comprehensive sound design. The result? The most complete drum machine to date—a forward-thinking, performance-tuned instrument unlike any other. Build your dream kit from the most iconic drum sounds of all time, otherworldly FM sounds, and the finest selection of samples from our vast library—or go even further by importing your own custom samples. Tap, tune, and tweak with hands-on controls and production tools that make your patterns move and groove. And why keep this kind of percussive power confined to the studio?

The TR-8S comes loaded with the largest, most authentic collection of iconic Roland drum machines available. The powerful processor gives our next-generation ACB models a whole new level of detail and nuance with that classic boom, snap, and sizzle. Enrich the core drums with a spectrum of futuristic and editable FM sounds, plus preset and custom samples for unique hybrid and layered kits. Then enhance them all with specialized effects to inject professional sound design into the TR formula."

Korg DW-8000 | 3 brand new patch banks for the price of 1

video upload by Espen Kraft

"3 brand new patch banks for the Korg DW-8000/EX-8000 and FB-7999 plugin.
Contact me on email and I'll even give you a little discount if you buy directly from me.
Or get them here: https://thepatchbay.io/product/korg-d...

Price is $15USD for all three banks which is a pretty sweet deal.

3 full banks of 64 patches each are included in the download. P11-88
Bank 1 Luxury Vanilla Bank - 64 different pads, strings, bells and other glossy and slick sounds
Bank 2 Bass Bang Bank - 64 different bass patches, many of them really cuts through a track
Bank 3 Adventurous Bank - 64 different many patches suited for more experimental electronica

The download comes with 3 sysex banks you can import straight into your DW-8000/EX-8000 and also the Full Bucket FB-7999 free plugin emulation of the DW-8000.
If you're using the FB-7999 exclusively I've also included the banks as *.FXB so you can have the benefit of the STEREO tweak parameter not present in the hardware. I have adjusted many of the patches for the FB-7999 to take advantage of just that. In the demo you hear only the patches coming out of the FB-7999 plugin, played from the DSS-1. All banks have been tested and verified on the hardware.
In the demo I also use some external effects, mostly so in the demo song in the beginning.
The drums (and NASA talking) in the demo song are of course not part of the download. All other patches/sounds are.
I have a video on my channel about how to get your sysex banks into a hardware DW-8000 and EX-8000.

Finally, as an arranger and producer, I make patches that are mostly meant to be used together with other sounds. How a sound or patch sound in isolation is rarely relevant. It's how they build up texture when combined with other sounds that is important to me.
Like in the Bass bank, many of the bass patches are meant to be part of the low end, together with a kick. That's why many of them might seem bland or plain in isolation, but put them into a production and layer them correctly and they'll give you a solid low end with definition, like the demo track. I use 3 different bass patches from this download to have that solid, slick yet defined bottom end."

Roland Cloud XV-5080 - "Planet XV" Soundset

video upload by LFOstore

"The legendary Roland XV-5080 synthesizer is back with a virtual Roland Cloud version!

BUY: https://lfo.sellfy.store/p/roland-clo...

Back to 2000s XV series was one of the most powerful digital modules with its flexible engine & beautiful sound combined with great set of effects & drums.

Why its so cool?

Cause besides pianos, bells, cowbells & cheesy accordions, GM applause and Bang! presets - its capable to create great analog sounds, the deepest ambient textures, great moving sequences.

Its like a hardware 'Omnisphere' synth with huge effort.

So – what was our first desire when we get our black box?
To create our own soundset for the legend with modern approach ofcourse!

So here it is: 'Planet XV' Soundset by LFO.store team: Nick Klimenko & Kirill Polikashin.

128 presets splitted on:

Vintage analog-like basses & modern digital wavetable
Vintage & Modern leads (yes, Klaus Schulze spirit also there)
Deepest ambient pads, space drones & tonal soundscapes
Modern sequences you never heard or seen before on JV
Beautiful bells, plucks & rhytmic structures
Fx's with modular approach (cause, why not?)
Great emulations of classic legends: Moog, Jupiter, JX-series, CS & others.

Enjoy the sounds and rediscover XV world with our soundset!"

Våld Labs Tresse: a multiengine synthesizer based on Plaits, for desktop.

video upload by Våld Labs

This one was sent my way via Meska who had the following to say: "It's 'basicaly' a standalone MI Plait with 3voice and extended oscilator models."

Video description follows:

"Tresse — 3-voice polyphonic desktop synth, 38 engines

Hey all,

Been working on this for a while and it's finally at a point where I want to share it.

*Tresse* is a standalone polyphonic synthesizer built around Mutable Instruments' Plaits DSP code, running on an ESP32-S3 with a custom PCB. Three voices of polyphony, 38 synthesis engines, USB, DIN/TRS and Bluetooth MIDI, and perhaps Ableton Link and our upcoming stack (VMB) Våld Modular Bus, expected to ship this summer, and which will a new wireless comms protocol with negligible latency, auto discovery and machine mesh capabilities (to be released soon).
Also enough knobs and encoders to actually play the thing without menu-diving, and a battery for when you're bored outside of your studio.

*The core idea:* take the full Plaits engine library — all 24 algorithms — and make it polyphonic in a self-contained hardware instrument. Then keep going and add 14 more custom engines on top.
There are hundreds of options similar to this in modular systems and i thought why not bring all these god-level creative tools to bedroom, desktop producers who don't have the money or the space (or will) to mingle in the modular space, and bring them one contained box with all they need.

What's inside

*ESP32-S3* doing all the DSP across both cores (voices 0+1 on Core 1, voice 2 on Core 0, parallel render)
**PCM5102A DAC**, 24-bit output, 32kHz sample rate
*4 pots + 4 rotary encoders* through CD74HC4067 mux and MCP23017 I2C expander
*OLED display* (128×64) for patch info, engine select, preset browsing
*USB MIDI + BLE MIDI* — works with everything, no adapter needed for wireless
Custom PCB, all through-hole friendly

38 engines

The first 24 are straight from Plaits — East Coast, Phase Distortion, all three DX7 variants, Terrain, String/Chords, Chiptune, Wavetable, Speech, Swarm, Particle, the Rings modes, the three drum engines, etc.

Then 14 custom engines built from scratch:

*Karplus-Strong* — proper physical string modeling with excitation morphing (noise → impulse → tonal)
*ByteBeat* — 8 classic formulas with pitch-tracked rate, gets wild
*CZ Phase Distortion* — Casio CZ-style, three distortion shapes
*Supersaw* — up to 7 detuned saws with PWM, the obvious one but it needed to exist
*Formant* — vowel synthesis with 3 bandpass resonators, gender shift control
*2-Op FM* — clean FM with 13 ratios and operator feedback
*Wavefolder* — sine/tri/saw/square source into a proper folder with bias
*Noise Drums* — SVF-based with pitch envelope, covers kicks through metallic hits
*Modal Resonator* — 8 tuned bandpass partials, morphs from harmonic → bell → bar inharmonicity, with a bowed excitation mode
*Sympathetic Strings* — 3 coupled Karplus delay lines with controllable coupling and interval ratios
*Comb Resonator* — 4 parallel comb filters with spread control
*Drawbars* — organ-style additive with 8 Hammond-ratio partials
*Complex Oscillator* — FM into wavefolder, Buchla-adjacent territory
*Grain Noise* — granular noise with smoothing, good for textures and pads

Controls

Three parameter layers accessible via toggle buttons:

*Normal* — Timbre, Morph, Harmonics, Color on pots; Attack, Decay, FM, LFO Depth on encoders
*MOD* — Fold, Detune, Ring Mod, Chorus on pots; LFO destination/shape/speed/sync on encoders
*SHIFT* — Filter Cutoff/Reso/Env/Type on pots; Portamento, Octave, Vibrato depth/speed on encoders

Hold both buttons → engine select overlay. Double-tap MOD → system menu (randomizer, MIDI config, play mode). Double-tap SHIFT → preset browser across three banks (own patches, generated, branches).

Play modes: Poly, Mono, and chord modes (Major, Minor, 7th, Sus4, Power, Octave).

The randomizer is one of my favorite things — it generates random patches with procedural names (stuff like "Velvet Moth" or "Iron Shard"), you scroll through them with the encoder, and save the ones you like to a generated preset bank. 512 slots each for generated and branch presets, 128 for your own.

What it sounds like

Honestly covers a lot of ground. The Plaits engines already span everything from classic analog to FM to physical modeling to noise, and the custom engines fill in some gaps I wanted — proper supersaw, real Karplus-Strong, the modal/sympathetic stuff for metallic and evolving tones, and the ByteBeat engine for when you want to go full chaos. The global FX chain (filter, wavefolder, ring mod, chorus) ties everything together.

The project should be available from April 2026, in kit or assembled units! Price to be discolsed once i have the final FINAL prototype, but shouldn't hurt the wallet.

This is a *Våld Labs* project from Lisbon Portugal. Much more to come.

Would love to hear what people think, and happy to answer questions about the build or the DSP. Be aware that this is a pretty advenced prototype, but still a prototype"

https://valdlabs.com

Note they also have the Consequencer pictured left but no additional info aside from the following on it yet.

"A portable, desktop-first sequencer with modular DNA — built for the art of shaping chaos."

CubuSynth also has a Consequencer announced back in 2024, but they appear to be unrelated.

FreqGen - Orbital Drift (Live Modular Performance)

video upload by celldweller

"I haven't done this in a while. No softsynths. No presets. Just raw voltage, evolving sequences, and semi-controlled chaos, captured in real time. Why would I do this? Because I can.

Available on all DSPs Wed, February 4th.
A Celldweller Production.

Patch Notes

I’ve had Intellijel’s Metropolis for a long time and have used it on many songs. A family member bought me Metropolix as a gift and it was time for me to wrap my head around all the upgrades and new features, so that was the impetus for this track and the foundation it was built on.

Intellijel Metropolix to Livewire AFG. Modulating pulse width and harmonic animation with Ornament & Crime. That’s run through one of my fav filters of all time, the Cwejman MMF-2 modulated by the Tip Top Z4000 EG for a bit of snap but mostly as seen in the vid, manual modulation of the cutoff. Hands are handy.

Drums are sequenced by the Erica Synths Drum Sequencer with kick, hats and percussion all in random mode. The Drum Sequencer is controlling the VPME QD & QEX which I loaded up with my own selection of drum samples.

I used Make Noise Pressure Points/Brains for the main played lead, controlling pitch of the XAOC Devices Odessa. Gates fired from PP/Brains trigger another Z4000 EG which mults through a Synthrotek mult to a Pittsburgh Modular VCA and the Roland 521 VCF (The thing I keep looking up at, hoping it would wave or say hi. It never did, but it did an amazing job at filtering the Odessa.)

The little arp I added at the last minute. It lives on another rack which contains all my 5U stuff. Sadly it’s not in the video bc I didn’t know I was going to utilize it when I set up the cameras. Next time. The arp uses all Synthesizers.Com modules, sequenced by the Q119 and filtered by the Q150 Transistor Ladder filter.

Delays and reverbs from multiple Tip Top Z-DSPs. Some EQ & compression and maybe a delay in Cubase which mainly acted as my tape machine to record the performance. As I normally do when I patch, it’s all synced to Cubase clock using Expert Sleepers modules & Silent Way software.

If you read even one sentence from these patch notes, you get a lollipop and if you made it to the end you’re a true legend and clearly as nerdy as I am. 🙌"

First steps with the ModBap Trinity - Does it doombap?

video upload by Abre Ojos

"I bought a ‪@ModbapModular‬ Trinity in their recent sale. Been wanting one for a while to pair with the Knobula Kickain and keep the drums in the rack. Come on a sound exploration journey and see the broad range of weirdness this thing can make.

00:00 Intro ramble & the why & unboxing
03:37 Rack install timelapse
04:58 Side Quest: Using the XYZ control on the Push for a rumble
09:10 First steps - Block synth
13:28 Heap Synth
15:47 Neon Synth
16:52 Arcade Synth
17:29 Orb Synth
18:53 Patching it up
22:50 A full patch

Also using these modules along with ‪@Ableton‬ Push 3 Standalone
‪@knobula_synths‬ Kickain
‪@Endorphines‬ Ghost
‪@DivKid‬ DivSkip
Pamelas New Workout

Dark ambient audiovisual stuff: https://abreojos.net"

Recreating a Prince Sermon: LM-1, DX7 & Juno-60 Breakdown

video upload by Nostalgic Explorer

"Today I am exploring an amazing track and how Prince turned this song into a sermon—blending faith, message, and sound. The spiritual meaning behind the music and the production tools that shaped it. And I am recreating this track in my studio using the Yamaha DX7, Juno 60 and Linn LM-1 drum computer."

00:00 – Intro
00:21 – The Story Behind “Let’s Go Crazy”: A Song or a Sermon?
01:50 – Recreating “Let’s Go Crazy” Drums with the Linn LM-1
02:50 – Recording the Organ Parts on the Roland Juno-60
04:56 – Yamaha DX7 Breakdown: Recreating the Final Section
05:47 – Juno-60 Bassline: Building the Groove
07:09 – Final Mix: “Let’s Go Crazy” Recreation by Prince
09:02 – Final Thoughts: Why “Let’s Go Crazy” Still Matters

Source used for this video:
https://faroutmagazine.co.uk/story-be...

PopuMusic Party Studio Review — Pros, Cons & Real‑World Performance

video upload by Floyd Steinberg

Follow-up to this post.

"Here's my full review of PopuMusic's Party Studio ( https://www.popumusic.com/pages/party... ) - an innovative MIDI/synthesizer-enabled bluetooth speaker. I've tried to answer all your questions from last sunday and run through all of the functions and features, and point out the good, the patch-worthy and the 'why is this not there'."

Table of contents:

00:00 demo (pure / then mastered in a DAW)
00:46 hello, what's this?
01:07 specs
02:01 overall impression
02:17 internal battery run time
02:30 sound quality (speaker) - LOUD
02:47 user interface overview
03:58 synthesizer overview - tech info
04:43 the GM soundset
05:10 examples and thoughts on the piano sounds
05:41 ... and on the electric pianos
06:00 ... and strings
06:15 ... and guitar sounds
07:07 ... organ sounds
07:25 ... bass sounds
07:53 drums
08:20 GM parameter list (CC for tweaking sounds)
09:10 grand piano after tweaking ;-)
09:25 working on a detuned saw wave
10:17 singalong mode (auto accompaniement)
10:59 visual metronome
11:39 MIDI connectivity (keyboards, DAWs, sequencers...)
12:22 some standard MIDI files played back on the PartyStudio
13:18 bluetooth connectivity: "real music" + internal synth
13:47 the PartyKeys keyboard
14:17 conclusion: The Good
15:20 potential firmware update fixes
17:18 answering a viewer question
17:41 synthesizer users will not like this omission (plus a workaround)
18:51 the wish list
19:18 verdict
20:37 bye

#PopuMusic #PartyStudio #BluetoothSpeaker #MIDIKeyboard #GeneralMIDI #SynthReview #PortableMusic #StreetMusician #MusicTech #GearReview #BatteryPowered #LivePerformance #MusicTeacher #MIDIController #SynthCommunity
#PopuMusic #PartyStudio #BluetoothSpeaker #MIDIKeyboard #GeneralMIDI #SynthReview #PortableMusic #StreetMusician #MusicTech #GearReview #BatteryPowered #LivePerformance #MusicTeacher #MIDIController #SynthCommunity

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Control Synths from Your Phone: Piano Improv on Blade Runner Riff | iOS MIDI (Beta)

video upload by Cristián R. Villagra

"Live piano improvisation over synth riffs driven by my in-development iOS MIDI control app (no name yet). The app sends MIDI to my computer to play arpeggiators and tweak sound parameters in real time (filters, tone, mix, FX) using on-screen faders, knobs, XY pads, mini keyboards, and pitch bend.

Session routing (Kontakt):
• CH1: Noire Piano — played from Arturia KeyLab 88 Mk3
• CH2: Two synths — driven by the app’s Bass Arpeggiator (riff inspired by Vangelis’ Blade Runner theme)
• CH3: Lead synth — performed from the app’s mini keyboard
• CH4: Minimal electronic drums — driven by a second arpeggiator

Why this app? Many keyboards I use on stage have few (or zero) surface controls—sometimes not even pitch bend—so I built a mobile controller to unlock hands-on control: shape filters, automate movements, morph textures, balance layers, and keep playing fluidly. If this helps me, I know it can help other players too.

This video is a 6-minute+ live jam to show the workflow: arpeggiators keeping motion underneath while I improvise on piano and ride parameters on Page 2 of my scene (faders/knobs/XY). The app is still in development and I plan to release it as soon as possible.

If you’re into MIDI control, live keys, or sound design, tell me what you’d like this app to do next—your feedback will shape the release.

Additional Keywords: iOS MIDI app, mobile MIDI controller, live arpeggiator, synth arps, Kontakt Noire, Native Instruments, Arturia KeyLab 88 Mk3, phone MIDI, DAW performance, synth filters, XY pad, faders and knobs, pitch bend on mobile, live improvisation, Blade Runner inspired, Vangelis, sound design workflow"

What is thing thing?! Breaking down the MORESCHI / GODWIN CD 1

video upload by Vintage Audio Institute Italia

00:00 video begins
01:59 introduction and specs
04:18 drum machine demonstration
06:22 auto accompaniment break
08:06 drum machine demonstration continues
09:25 modulation section
10:52 musical interlude
14:22 bonus musical interlude

"GODWIN / MORESCHI CD 1 - 1984

What is this thing?
Why does it look so awesome?
Who controls it?
How?

Also released under the Moreschi brand and sometimes with a reversed control panel, the questions are piling up over here and since this unicorn doesn't get captured very often we thought we owed the internet quality photos and an in-depth, technical video demonstration of its functions.

We haven't managed to crack open the Treble sounds - we need the schematics to properly access those - if anyone has them please contact us - and stay tuned for a Part II then.

The video probably has the information you need but let's dive in to a basic rundown here just in case:

The CD1 is an Italian auto-accompaniment unit derived from the Godwin Drummaker 32.
Hooking this up to an electronic accordion, foot pedals or an organ you get organ and polyphonic sounds, pre-programmed chords, arpeggios, bass lines and drum machine patterns.
It's unclear which accordion model is compatible to the CD1, if such an object exists.

The unit has 6 sections: Drum machine, Bass, Chords, Arpeggio, Treble and Solo sounds. Plus a modulation section.

The 2 arpeggio sounds are the same as on the Drummaker 32 while the drums are unique to the CD1.
Our plan is to unlock the last tabs sounds properly once we find the schematics or manual but in the meantime the unit trigger 4 chords with the Program push buttons so you can still use it and it sounds great."

OhmForce Bohm Kick Synthesis System Review

video upload by Molten Music Technology

"How does it take three modules for form a kick drum? The Bohm system will show you why more is definitely more when it comes to kick drums by adding a whole module of techno rumble and another of sidechain ducking and DJ effects for complete kick-driven performance system."

Intro - 0:00
Overview - 5:39
The Kick Drum Models - 6:24
Bohm Groove - 14:58
Bohm Performer - 21:50
Bohm Performer FX - 23:26
Summary - 25:15
Live Modes - 26:19
Conclusions - 34:21
Outro Jam - 39:39

Groove Synthesis 3rd Wave 8M Review & Demo | Compact Synth Powerhouse

video upload by Starsky Carr

0:00 All 3rd Wave intro (not drums or vocals!)
2:13 Doing that PPG Thing
4:07 It's SOOOO much more than a PPG
6:33 Creating the Different Styles of Tones
14:00 Putting Them All Together
16:15 Demo Track - Rain or Shine

"The Groove Synthesis 3rd Wave 8M is here – the compact desktop module with huge power. From classic PPG tones to modern wavetable magic, this demo shows why it could be your next dream synth.

In this video I put it through its paces with a full demo and review, showing how it stacks up against the bigger 3rd Wave keyboard and even the Behringer Wave – a clone of the classic PPG 2.2.

With 24 voices, wavetable creation, sample import, and a deep sequencer, the 8M delivers the lush PPG tones we know and love – but it also goes far beyond, opening up new creative possibilities for sound design and performance.

If you’ve seen my earlier videos on the 3rd Wave , you’ll know how close they get to that classic PPG sound. But the 8M adds serious flexibility: multi-timbrality, modern workflow, and the ability to create wavetables from audio. This isn’t just a clone – it’s a synth that pushes forward while staying true to the heritage.

Whether you’re a fan of vintage digital synths, wavetable synthesis, or just looking for an inspiring new instrument for your studio, the 8M is a fascinating option.

👉 Check out my 3rd Wave Playlist - everything you could ever want to know!"