MATRIXSYNTH

Thursday, June 17, 2010

Yamaha CS01 Modifications


Full details on Richard Atkinson's blog

"I started modifying the CS01 by connecting the output of the LFO to the breath control modulation knobs. The point marked TP6 on the circuit diagram is an AC coupled version of the LFO output, which ordinarily is connected to the modulation wheel pot. A 1k resistor connects the breath control modulation bus to ground when no breath controller is plugged in. By removing this resistor, the AC coupled LFO output can be connected here as well."

Devo Rehearsal Synth Spotting

via clubdevo.com

spotted and sent in via Erick

Bending a Monome

Slitscan Test from Charlie Visnic on Vimeo.


"This is just a partial render. As the file completes I will replace it with the final.

This is Day 100 of my creative thing a day blog

theb-roll.com"

dubstep untitled


YouTube via pss50 — June 17, 2010 — The hunt for dubstep foff foff on a modular!

"Tags: dubstep eurorack pistonhonda mpc5000 sh2000 the harvestman tb303 zorlon cannon tr909 tr808 roland mfb scope flight of harmony plauge barer sexy dancing raver"

Pattern Bussing Demo - (again).mpg


YouTube via morbius001 — June 17, 2010 — "This is NOT a music-video. It's a patching demonstration ONLY.

After more requests for additional info, I've made 'another' "Pattern Bussing" demo. (Sorry- no hi-def or someone to operate the cam for close-ups). I suggest that you simply watch the sequencer lamps and listen to the pattern changes, to get an idea of what this technique can do for you, either LIVE 'on-the-fly', or in the studio.
This patch allows you to change the sequenced patterns heard to many different-sounding patterns, and even changing the time-signatures (and back again) WITHOUT loosing either the 'pulse-sync' between the two Q960's, or the 'time-signature sync', musically speaking... like- changing from a 4/4, to a 6/4, to a 3/4, to a 2/4, and back to any one, including the original 4/4. You can make it sound like you have a large number of 'DIFFERENT' patterns (and you could use these different patterns in different songs, or sections of songs)... and all, "ad-Lib", improvised, on-the-fly, or any way you want.
None of the patching needs to be done DURING the performance... so everything can be preset and tuned, and you can use a written chart for specific changes you may want at specific places in the music.
Yeah... digital sequencers have some advantages, without any doubt. But- none will let you control, and actually 'play the instrument', like this. If you wanted to change the usual patterns played, in an improvisational way, live on stage... a digital will be extremely limiting, only allowing what has been preloaded. With this analog technique, you decide and alter any part, in any way, at any time, backwards, half back & half forward... your creativity is the only limitation.
After many months of experimenting, I found that using only FOUR return buses back to the Master sequencer are needed, even though, from one through eight are possible.
This is not a Moog Modular, but rather a Synthesizers.com Analog Modular system, and I'm using the Q960 Sequencers (2) (clones of Moog's 960). There are several ways and modules which work well for switching the buses. The Q963 is ideal, and to do this, you'll need two Q963's, 'daisy-chained' in series, BOTH connected to the 'SLAVE' Q960.
Other modules that either WILL work, or will LIKELY work (and this would be for using FOUR buses, as I do here): a 'patchable' A/B trigger Bus; two Q149 Signal Selectors; two Q113 Mixers (or four Q112 Mixers); two Q962 Sequential Switches (although there are advantages, there CAN be some unexpected results when used manually); four Multiples (using the switch between the upper and middle jack groups; or- just build your own on a 'blank-panel'.
More info... how to's, module needs, patching info, etc. ... join http://groups.yahoo.com/group/synthes..."

SEQUENTIAL CIRCUITS DRUM TRAKS w/manual & MIDI

via this auction


SEQUENTIAL CIRCUITS PROPHET-5 Shell / Case

via this auction

"The synthesizer is in NOT working condition as the voice cards have been removed,
however all the remaining parts are there. (knobs, potentiometers, screws, keyboard components, etc...)"





Circuit Bent One Man Jam Keytar

via this auction
"A spinning LED lights up(beside keyboard) when you play the keytar. It has a few different light patterns and it also spells out the word"dance".

The size of this unit is approx. 27" x 9" x 2". It uses 4 ``AA`` cell batteries ,not included.

Here is a list of the circuit bent features:
- 2 body contacts that you can add vibrato and small pitch and tone changes to the sound by touching them.
- 1 Pitch change control with cool round ball knob..sends the sounds waaaay down for amazing drone sounds. There is also a pitch control that is already on the keytar...with both pitch controls you can send the pitch waaaayyy down!
- 1 1/8" audio output to send the signal to an amp or stereo system.

This unit will work as normal with all bend switches off.This unit is designed for recording sounds in the studio. It can make some amazing sounds and drones! It makes sounds that you can't get from any other instrument! Great for techno, sound FX, electronic music."

OCTAVE CAT - USA Mono Synth

via this auction

"These classic US-made synths are vastly underrated and represent fantastic value for money compared to their more famous rivals, the Minimoog and Arp Oddyssey. They are hard to find, and prices are heading upwards. The flexible nature of this synth means it really punches above its weight: particularly notable features are the cross modulation options, mixable waveforms, raw discrete oscillators and the legendary discrete filter. It dates from the mid to late 70s and sounds like a classic 70s American monosynth should: powerful and tonally brilliant. Sound design-wise it's almost limitless with an abundance of bass, leads, and sound effects on tap - it's easy (and very rewarding) to lose yourself for hours programming this beast..."









VINTAGE RARE USSR SOVIET ANALOG SYNTHESIZER ALISA 1377


via this auction

"ALISA 1377 was made in USSR in eighties at Luberetskiy military radioplant near Moscow. ALISA synthesizers were made especially for experimental electronic music, creating of sound effects in soviet cinema and scientific acoustic researches. This unique instrument has warm, aggressive and absolutely original analog sound!

The synthesizer has 1 OSC with 4 wave forms, ADSR , filter, various modulations, vibrato and portamento effects.

OSCILLATOR: tune; octave +1/+2; portamento; wave forms: triangle, saw, square, odd harmonics; frequency modulation (for all 4 waveforms); impulse-width modulation (for square wave form) with impulse width and depth controls; harmonics (for odd harmonics wave form). You can use individual OSC waveforms (triangle, saw, square, odd harmonics) or mix them together to get unique sounds!

LFO: on/off modulation switch, two waveforms (triangle, square), modulation rate, modulation rate coarse switch - 1Hz/10Hz.

FILTER: cutoff, resonance, vibrato (filter modulation), ADSR, switch between filter control- keyboard or contour OSC (ADSR). The synths filter due to it`s original architecture can be used as additional oscillator when filter`s resonance knob in self-oscillaltion position and it sounds really weird and interesting!

AMPLIFIER: ADSR, main volume, on/off synthesizer."

English panel translation below."

Vermona Analog Synthesizer

via this auction

"OLD Vintage 100% Analog Vermona Synth MAde in Germany in 1985.

2 VCO ,and many other controls .."

MATRIXSYNTH T Spotted in the Wild

No it's not me. Sent in via an anonymous reader. If you know who it is, keep it private! Go bug him offline.

You can find more MATRIXSYNTH Ts spotted in the wild in this post. BTW, if you have any, send them in!

Update: I added more videos and pics from previous posts and resorted things by date.

ARP 2600 + ARP 2600 Grey Meanie +EMS VCS-3 + ARP 2500


flickr by jobenbelgium (click for more)

"ARP 2600 Black/Orange (also have the matching duophonic keyboard)with Kenton Midi.Next to the 2600 we have the almighty ARP 2500.On top we have the ARP 2600 Grey Meanie with the EMS VCS-3 next to it.Next to the VCS-3 there is a small part visible of my System 700." Roland System 700 and Moog as well.

The next project...

vlickr by Wooster Audio

Tags:
fpga
spartan
xilinx
dsp
verilog
synth

Minimoog + SCI Pro-One "O Solo Retro"


YouTube via retrosound72 — June 17, 2010 — "vintage synth demo by RetroSound

"O Solo Retro"

PWM lead sound: SCI Pro-One Analog Synthesizer
LFO bass: Moog Minimoog Analog Synthesizer
fx: EHX Memory Man Deluxe Delay (Pro-One)"

Korg Polysix Midi


YouTube via DrSqu — June 17, 2010 —

"For some days i've got a Korg Polysix Midi from a friend. In this demo you listen pads, leads, fx, organ, and others. Delay and reverb comes from sequencer, no other fx, no dynamic, no eq...

More you'll find on www.deepsonic.ch"

Arturia Origin Trailer - Version 1.1


YouTube via tomesoTV — June 17, 2010 — "Englischsprachiger Trailer zu Arturias modularen Hardware Synthesizer Origin inklusive der erweitereten Funktionen in Version 1.1."

CLadyJupiter


YouTube via cray56 — June 17, 2010 — New Project 3
I'm beginning to think I should have a "The Usual Suspects" label for these. If I missed any below, let me know.

Zn'shñ : double electronic music


YouTube via znshn — June 16, 2010 — "Double electronic music by Zn'shñ (Elvire Bastendorff & Franck Smith). Contents: 8-bit processing, Lo-Fi, minimal pulses, analog electronics, signal trajectory, glitch, clicks, analog oscillators, drone, noise manufacturing... Recorded June 2010.

IF POSSIBLE USE HEADPHONES OR CONNECT YOUR COMPUTER TO A QUITE DECENT SOUND-SYSTEM.

Material in this video:
- Biscuit (by Oto Machines)
- 2x Sleepdrone 5 (by King Capitol)
- Kaossilator Pro (by Korg)
- Restyler (by Sherman/Rodec)
- Kaoss Pad KP3 (by Korg)
- Space Echo (Boss RE-20)

‪http://www.odiolorgnette.com
‪http://znshn.blogspot.com
http://elvirebastendorff.net
http://twitter.com/franck_smith

Complete video selection on ‪http://www.youtube.com/znshn‬

Discographic works by Zn'shñ: ‪http://www.odiolorgnette.com
* Zn'shñ, "Butoh sweets" (July 2010)
* Zn'shñ, "II" (September 2009)
* Zn'shñ, "++" (April 2009)

Operating as a dual noise-manufacturing unit, specialized in electronics, Zn'shñ is designed for soundtrack production, live performances and audiovisual works. Created by Elvire Bastendorff & Franck Smith.

........................................
Zn'shñ, "Franck Smith", "Elvire Bastendorff", double electronic music, Sleepdrone, Odiolorgnette, Kaoss Pad, Kaossilator Pro, Korg, Sherman, Rodec, Restyler, Biscuit, Oto Machines, 8-bit, Analog Filters, king capitol, space echo, noise manufacturing"

Update: "N.B.— Editing & remastering of selected parts from the video soundtrack available on Souncloud."

Zn'shñ : double electronic music (soundtrack from video) by Franck Smith

CASIO SK-10 by S-CAT


YouTube via PHONICPOTION — June 17, 2010 — CIRCUIT BENT WITH 16 MODIFICATIONS
S-CAT on Ebay

VALVE FORCE! Unboxing ELECTRIBE Power Supply - Discussion of Tube Sound - IVORY COAST Jam


YouTube via VJFranzK — June 17, 2010 — "A detailed discussion that begins as a simple unboxing of a Korg EMX power supply! Circuit Builder Challenge: Can you figure out how to power an ESX on a reasonable sized battery?"

Admin: Updates

I added an Update feed to my Twitter feeds: http://twitter.com/matrixsynth. Update tweets will be preceded with "Update:" followed by the post title. Twitter is a good way to get notified on Updates, Featured posts, MATRIXSYNTH-C posts, and miscellaneous bits, some synth and some non synth. Note for those interested in auction posts, you can follow http://twitter.com/matrixsynthb. I have that account set up to only tweet auction posts here on MATRIXSYNTH and all posts on MATRIXSYNTH-B.

If you are not on Twitter, remember to check for Updates daily. I do not put up new posts for updates unless the original post is more than a day or two old. See the Updates label in the menu above and scroll for red updates. Remember updates come in for older posts so be sure to scroll through the full page looking for new updates embedded in posts. Or, just sign up for Twitter and you will get notified.

Gemini 1 - Free VST synth - vstplanet.com


YouTube via vstplanet — June 17, 2010 — "Gemini 1- Free VST synth - http://www.vstplanet.com/In... Developer: meesha.nl"

Ander Tenori-On peformance New Years Eve 2008 Almeria, Spain


YouTube via egonander — June 17, 2010 —

MorphWiz - Chromatic Tilt


YouTube via JCRUDESS — June 17, 2010 — "A quick JR jam showing off some of the Tilt (iPad accelerometer) programming in MorphWiz.

For press inquiries, please contact Christopher Buttner at chris@prthatrocks.com

MorphWiz is coming!"

Reason & Record: Meet the Propellerheads


YouTube via PropellerheadSW — June 16, 2010 — "Why did Reason turn out like it did? What kind of thinking was behind the latest version of Reason and Record? Meet the Propellerheads and get some of the inside story on how we create our software."

Gringoise new equipment test EH-0400 Minisynthesizer customized


YouTube via gringoise — May 30, 2010 — Test EH-0400 Minisynthesizer customized

Wednesday, June 16, 2010

Kilpatrick Audio Eurorack Modules, Effects Pedals and More

Kilpatrick Audio

K4815 Pattern Generator
"Eurorack CV and MIDI Pattern Generator - 20HP
As its premier offering in the modular synthesizer world, the K4815 Pattern Generator by Kilpatrick Audio packs incredible power into a small 20HP Eurorack module that offers virtually unlimited creative potential for modular players. The K4815 can produce notes and varying control voltages for a wide range of musical applications. Its unique approach to music creation is sure to have you finding new melodies and rhythms never heard before. Unlike a step sequencer, where the player picks each note in a sequence, the K4815 creates sequences by combining a scale, a visual pattern (as shown on the display) and a sequence playback motion to determine the rhythms and notes that are actually played. Other parameters can adjust the note and sequence length, as well as the transposition, direction of playback, and so on.

The K4815 is fully analog and MIDI compatible. The MIDI interface is available on an internal connector and will be compatible with the upcoming K1600 MIDI Converter from Kilpatrick Audio. (for MIDI pinouts and DIY circuit advice, contact Kilpatrick Audio) The analog connections support three inputs for connecting analog clock, and analog control of the playback direction and pattern playback reset. The CV and GATE outputs are high performance analog outputs for controlling VCOs and envelope generators. High quality 12-bit DACs ensure accurate tuning, and jumper selectable voltage offset and trimming are provided internally to allow integration with most modular equipment.

But notes are not the only thing that can be produced with the K4815. In the alternate X/Y mode, varying voltages are produced on both the CV/X OUT and GATE/Y OUT. By using the X/Y mode, the playback position creates varying voltages and MIDI control changes which can be used as a source of modulation.

The essence of any sequencer is the clock. The K4815 has a high stability internal clock which can generate a wide range of tempos. The unit also supports analog (5V) clock on the CLOCK IN connector or MIDI clock. When the internal or analog clock is used, MIDI signals are generated automatically, making the system a useful MIDI clock generator or converter.
Pattern Generation Concept

New ways of creating melodies and control signals help to break new ground in music and sound. The K4815 helps you explore new melodies and rhythms using a unique concept of generating patterns. Unlike random pattern generators or ones based on various mathematical concepts, the K4815 bases its music-making foundation on simple scales, visually-designed patterns, and intellectually-designed motions. These three elements can be controlled by the player in realtime to create an enormous variety of sounds. And it is done in a visual way that is fun to use. Everything happens on the 8x8 LED matrix, which is both a visual indicator and a conceptual view of how the system works internally. Scales, patterns and motions are all mapped to points on the matrix, which show in realtime exactly what is happening.

The K4815 concept can be thought of as three distinct layers:
* Scales - Underneath the 8x8 LED matrix are the notes which are assigned to each of the 64 points on the grid. The selected scale can be major or minor, large or small. These are selected with the TONALITY and SPAN switches. Only four choices might seem like a limitation, but what happens on the other two layers ultimately affects the rhythms and melodies that are produced.
* Patterns - Patterns are visually designed icons, symbols and patterns which define which notes will play. They are shown in the background at all times. There are 32 patterns which can be selected with the PATTERN TYPE knob. If a point on the 8x8 LED matrix is lit, the underlying scale note is active. If the playback ball lands on that point, its note will play.
* Motions - Motions define how a sequence is played. Each motion defines up to 64 steps in a sequence. Each step can land on any of the points on the 8x8 LED matrix. If a step lands on a point which is lit, a note will play. There are 64 different motions, some sequential and musically-designed, and others more abstract or geometrically-designed. By using MIDI it is possible transpose the scale, and also to start and stop motion playback with note commands, changing the K4815 into a special type of auto-arpeggiator.

Features and Specs
* Eurorack (3U) form factor - 20HP width
* 64 LED (8x8) multi-brightness grid to show patterns and playback
* Clock control via internal clock, or MIDI or analog (5V) clock
* Clock, direction and reset inputs (0V/5V = off/on)
* CV/GATE or X/Y outputs are -5V to +5V or 0-10V (jumper selectable)
* High-precision 12-bit DACs with internal trim adjustment
* Internal MIDI header compatible with future Kilpatrick Audio modules or DIY breakout boards
* Only 30mm deep (including ribbon cables)
* Requires +/-12V (K1600 MIDI Converter
"Eurorack MIDI Converter- 12HP
The combination of MIDI and analog offers the modular synth player incredible flexibility and control. Although analog voltages are the preferred method for carrying many kinds of signals, MIDI offers powerful integration with computers and a wide variety of controllers, keyboards and other equipment. The K1600 MIDI Converter provides 10 outputs in the analog domain. Two pairs of CV and gate outputs provide high resolution note control, four trigger outputs allow analog drum modules to be used with MIDI drum machines, and the clock and reset outputs enable MIDI control over analog clock-based devices such as sequencers.
Polyphonic Control

If you are looking for a way to control two or more oscillators via MIDI for playing big fat analog chords, the K1600 can take you there. Its two CV/gate outputs can work in split keyboard or duo-phonic mode. But if you install multiple K1600s in your system, you can support 4, 6, 8 or more voices of polyphony simply by daisy-chaining the modules together. The intelligent voice-priority algorithm makes multiple units behave as one. So stop thinking of modular synthesis as monophonic... polyphony is closer than you think!
Expansion

The K1600 also acts as an expansion module for other Kilpatrick Audio modular products which support the internal MIDI header. This includes the K4815 Pattern Generator, which contains a full MIDI implementation in addition to the existing analog connections.
Features and Specs (Preliminary)

* Eurorack (3U) form factor - 12HP width
* MIDI to CV, gate, trigger and clock converter
* Provides MIDI expansion for other Kilpatrick Audio modules
* MIDI soft-thru for daisy-chaining multiple units
* Quick programming with MIDI learn function
* Multi-channel and split-keyboard support for independant control of different outputs
* Polyphonic CV/gate output - duophonic support with a single K1600
* Polyphonic mode with 4, 6, 8, etc. voices using multiple K1600s
* CV pitch bend support
* Four drum trigger outputs with configurable pulse width
* Continuous controllers (CC) mappable to any CV, gate or trigger output
* MIDI clock to analog (5V) clock and reset outputs for driving sequencers
* Trigger, gate, clock, reset outputs: 0V / 5V (positive edge triggered)
* CV outputs: -5V to +5V, 1V/octave, trimmable - high precision power supply and 12 bit DACs ensure tuning stability
* Program-change control over various modes
* Requires +/-12V ("The revolutionary Striptease™ ribbon controller allowed unparalleled expression for both guitar and synth players. New pedal models from Kilpatrick Audio are designed to support the Striptease™ as an expression input. The Striptease™ also works as a Roland EV-5 compatible expression controller and has the same electrical specs as the Roland EV-5 expression pedal. Plug it into a synthesizer or a compatible Kilpatrick Audio pedal for momentary finger-activated control.

Comes included with the following Kilpatrick Audio pedal models:
* Kill Switch
* more coming soon!

Features and Specs
* Length - 100mm (shown) or 300mm Touch-sensitive Ribbon Controller - other lengths available by special order
* Compatibility - Compatible with specially-designed pedals from Kilpatrick Audio, or Roland EV-5 expression pedal inputs.
* Cable - Comes complete with 12' cable with 1/4" TRS connector.
* Response and Resolution - Normally open, momentary action with infinite touch-resolution.
* Accessories - Includes Velcro™ for attachment to instruments as well as cable straps for cable management."

Nice finger. Be sure to see Kilpatrick Audio for more of what they have to offer.

Roland Juno-G - Performances 1-16


YouTube via SynthManiaDotCom — June 16, 2010 — Roland Juno-G Demo of Performances 1-16

Update:

Roland Juno-G - Performances 17-32

SynthManiaDotCom — June 16, 2010 — "Roland Juno-G

Demo of Performances 17-32

17 Tempest (an analog synth)
18 Highland (an arpeggiated, ambient guitar)
19 Sound Alarm (a sequencer / synth split)
20 JUNO Pop 1 (a sequence / reso synth split)
21 HipHop Set 1 (a classic hip-hop setup)
22 Rnd Rhythm (random rhythms)
23 Reflector (a modern dance split)
24 FiltrHus/Mod (a classic sequence / piano House split)
25 BrekBts Set (Big Beat style split)
26 Fusion Set (experimental 1970s Fusion split)
27 1 Note Pop (sequence / soft synth lead split)
28 Piano+Pad 1 (piano layered with soft synth strings)
29 R&B E.Piano (record crackle FX + classic 1970s style Rhodes)
30 TrncyPad/Mod (modern dance setup)
31 AutoSequence (arpeggiated synth setup)
32 Jazzy Arps (modern House setup)"

Roland Juno-G - Performances 33-48

YouTube via SynthManiaDotCom — June 17, 2010 — "Roland Juno-G

Demo of Performances 33-48
33 Rotary Multi (a Hammond organ with all drawbars out and two-speed Leslie)
34 Dist Gt Mult (a heavily distorted electric guitar)
35 FreeFall Pad (a synth pad through deep phaser)
36 Delay Santur (an arpeggiated Santur)
37 Str Stack (a smaller string ensemble)
38 JUNO Pop 2 (a sequence / synths split)
39 Triple Int (arpeggiated synth/piano)
40 Piano+Pad 2 (piano layered with pad)
41 Fat Synth (yep)
42 R&B Set (Rhodes + soft pad)
43 RolldHrp/Vel (changes the playing of the harp according to key velocity)
44 Bump It Up! (urban setting with synth bass and e.piano/synth)
45 Slice Trance (bass and trance synth split)
46 SyncLead Seq (filtered sequence and classic Prophet-5 style sync split)
47 Merry Festa (a bouncy Big Beat style FM bass / trance synth split)
48 OrganAns/Mod (electric bass / organ split)"


Roland Juno-G - Performances 49-64

"SynthManiaDotCom — June 17, 2010 — Roland Juno-G

Demo of Performances 49-64

49 90's Set (a synth bass / Staccato Heaven split)
50 80's Set (a synth bass / Fairlight Vox split)
51 Angelis Pad (a synth bass / Vangelis CS-80 style pad split)
52 Motown (a 1960s style bass / piano+bells split)
53 Nwcomers/Mod (an Alternative setup)
54 Night Gig (standard contrabass / piano+vibraphone split)
55 Disco Set (classic late 1970s bass / strings+glocken split)
56 Seaside (bossanova-style acoustic bass / piano+guitar split)
57 South Wind ( bass / piano+strings split)
58 HipHop Set 2 (synth bass / Minimoog lead split)
59 Reggae Set (modern Reggae/Dancehall split)
60 Light Step (modern dance setup)
61 Phase D (bass / Clavinet split)
62 TrioPly Tmpl (typical Pop bass / piano split)
63 Seq:Template (multitimbral template for the on-board sequencer)
64 GM2 Template (multitimbral template for the GeneralMIDI 2 specs)"

Moog MINIMOOG Model D

via this auction






SEPPUKU FX - SUB OCTAVE SYNTHESIZER


YouTube via diamondskeletonfx — October 30, 2009 — "AVAILABLE AT HTTP://WWW.SEPPUKU.COM"

via this auction
"Seppuku Effects
Sub Octave Synth
Hand Painted, one of a kind

The sub-octave-synthesizer takes your guitar signal, adds some fuzz, brings it down, either one octave with very smooth tracking, or down two octaves with slightly glitchy tracking and blends it back together with the fuzzy signal.

The filter lets you dial in big thick bass, thin and nasty treble or any where in between. By playing multiple notes at a time you can make cool pitch jumping, pulsing or wobbly tremolo effects. With the filter on it turns into crazy, psychedelic filter sweeping, pitch jumping futuristic sci-fi madness. You can roll back your guitars volume knob to change the frequency of the filter sweep or do it while you hold a note to make cool wah style sounds.

CONTROLS
• Blend: mixes between boosted guitar signal and octave down.
• Filter: controls two filters by 1 knob.
• Glitch Toggle: selects one octave down smooth tracking, or two octaves down
glitch tracking.
• Volume.

All pedals have true bypass and are built in solid Aluminum enclosures. Their built tough to last on the road.

They need to be powered by a 9V centre negative pedal adapter. They can't be powered by batteries."

BFL part7


YouTube via goomarat — June 08, 2009 — BFL part7 - Sequential Circuits Pro-One and Moogerfooger.

Note this is Tara Busch of Analog Suicide. You can find all parts of the series and more on her YouTube Channel here. Search for Tara Busch on the right Google search box here for more posts featuring Tara.

aergesrgve223gfvf


xvw3n4f7322xc on MATRIXSYNTH-C

ARP 2600 Pro-Soloist Synth Synthesizer Demo Records


via this auction

"Notes: Guaranteed original press. Set of two 70s era demo records for Arp keyboards. One is a one-side flexidisc featuring demos of the 2600, Odyssey, 2500, etc. Narrated by Roger Powell, with excerpts from The Who, etc. The other is a 2-side vinyl 7" demonstrating the Pro-Soloist. No narration, just musical examples. The flexidisc is fairly scuffed up, but listenable. The other disc is very clean, about VG++."

This one spotted and sent in via Pea Hicks (peahix).





Jungle riddle (2 Doepfer Dark Energy + Plogue Bidule + Audacity)


YouTube via GruithuisenCityMan — June 16, 2010 — "Hello ! My name is Frederic Gerchambeau. I have made this movie and this music. The music has been made with 2 Doepfer Dark Energy and Plogue Bidule. The all thing has been made in one take and has been a bit edited with Audacity (Pitch downshifting and compression added). Enjoy !"

Cokabit Doepfer A-100 Sequenz + MAQ16/3 with Theremin for Filter


YouTube via Cokabit — June 16, 2010 — A-100 Sequenz with MAQ 16/3 + Theremin for Filter

ARP Axxe

ARP Axxe from Jochen Bohnes on Vimeo.


"Just a few aspects of this small & strong synthesizer. On the Vimeo-video are some noises that are not original."
"The ARP Axxe is NOT a half of an ARP Odyssey. A stronger VCA gives the instrument a quite different character."

4ms Shuffling Clock Multiplier version 1.0.2


YouTube via 4mspedals — June 16, 2010 — "The Shuffling Clock Multiplier is the latest Eurorack-format Clocker module from 4ms. It's the spastic cousin of the Rotating Clock Divider.

User Manual for the SCM is here: http://www.4mspedals.com/scm.php

In this video two SCMs and some RCDs are all synchronized using a Bananalogue VCS's End-out for the master clock. The SCMs/RCDs are triggering some Analogue Solutions SD/BD/HH88 drum modules (bass drum on a slow Shuffle-4, open hat on S5, snare on a slow S8, hat accent on S8, closed hat is sequentially switched between S6 and x8).

A slow rise-fall CV signal from the VCS is controlling the CV Slip on the main SCM, which is pushing beats variable ahead in time from where they normally fall.

The clocks are also gating an ADSR envelope, which sweeps the Position CV on a 4ms Atoner to generate the melody line. A Wiard/Malekko Borg Filter 2 gates the Atoner with the Shuffle-5 clock to make distinct notes. A high pitch from an Anti-Osc also gets gated by the Shuffle-3 clock about half way through the video.

At the end I speed up the VCS which makes everything run faster and faster until we hear the limit of the clocks (about 3kHz, or 180,000 BPM)!"

Eminent P 275 Home Organ


YouTube via grauoliv — June 16, 2010 — "Short introduction to the organ Eminent P 275 with solina strings. Thanks to Petra (Peine) for the organ, thanx to Michael and Andreas for transport. It was worth it! But I think the 2000 Grand Theatre got more options on the solina strings, maybe ...."

"CarWash" - on Yamaha PSR-78


YouTube via organfairy — June 16, 2010 —

"Normally I make the music first and then record the video. This time it was the other way round: About a year ago I wondered how a carwash would look from the inside of the car. So the next time I took my Suzuki to the carwash I placed the camera inside the car before starting the wash.....thing.

I didn't really know what to do with that recording but then I got the idea to play the old 1970's classic "Carwash". Another unusuality is the inclusion of a sax solo in the arrangement. I hope you don't mind.

Apart from the foghorn I used a Yamaha PSR-78, a Roland E-15, the Technics SX-C600 organ, and the Böhm Station one."

Roland CR-78 drum machine & WS-1 (owned by GENESIS)

via this auction

"Vintage analog gear. used, as/is, no returns, no refunds, no exchanges. Roland CR-78 works great (yes, think Phil Collins 'In the Air Tonight').

Includes the almost extinct WS-1 write switch. This WS-1 was previously owned by GENESIS and I have the purchase certificate for proof.

The CR-78 was NOT owned by GENESIS, only the WS-1."

via jbrave



tr-808 - t-shirt


YouTube via ballacid — June 16, 2010 — "limited edition , 100% handmade silkscreen print with 5 colors on 205g black shirts. drop me a line if you're interested.. [on YouTube]" You can find their website with more synth Ts here: http://www.thedoleshirt.com.

Novation Bass Station LEADS! aka Lead Staion


YouTube via vinyljunkie07 — June 16, 2010 — "Just jamming over some great old tunes with some random shit thrown in for variety lol
This little analogue keyboard is so much fun to play on it's great and the affordable price makes it even more enjoyable."

NewManiac E-MU MP-7 KORG TR-Rack


YouTube via nem221 — June 16, 2010 — "The MP-7 provides all of the drums, percusion and bass. The TR-Rack provides the keyboard and string sounds. All music and frequencies performed by NewManiac. Tracks 1-8 are the drums tracks, Tracks 9-16 are bass, keys, strings. Everything was sequenced on the MP-7."

Swarm Music Album Black Allegheny

Swarm Music Album Black Allegheny from Evan Merz on Vimeo.


"In this video, I explain my new album, Black Allegheny. The album was created using algorithmic composition software that utilizes swarm intelligence. In this video, I explain how this music differs from traditionally composed music.

To listen to the album or buy it, go to evanxmerz.bandcamp.com/

For more about the composer, see computermusicblog.com/blog/evan-x-merz/"

This reminds me of Audio Damage's Automation.

Swarm Controlled Sampler - Becoming Live from Evan Merz on Vimeo.


"Becoming is an algorithmic composition program written in java, that builds upon some of John Cage’s frequently employed compositional processes. Cage often used the idea of a “gamut” in his compositions. A gamut could be a collection of musical fragments, or a collection of sounds, or a collection of instruments. Often, he would arrange the gamut visually on a graph, then use that graph to piece together the final output of a piece. Early in his career, he often used a set of rules or equations to determine how the output would relate to the graph. Around 1949, during the composition of the piano concerto, he began using chance to decide how music would be assembled from the graph and gamut.

In Becoming, I directly borrow Cage’s gamut and graph concepts; however, the software assembles music using concepts from the AI subfield of swarm intelligence. I place a number of agents on the graph and, rather than dictating their motions from a top-down rule-based approach, the music grows in a bottom-up fashion based on local decisions made by each agent. Each agent has preferences that determine their movement around the graph. These values dictate how likely the agent is to move toward food, how likely the agent is to move toward the swarm, and how likely the performer is to avoid the predator.

Buy the album: evanxmerz.bandcamp.com/

More: computermusicblog.com/blog/evan-x-merz/"

via Califaudio
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