MATRIXSYNTH


Wednesday, December 29, 2010

Mini 106 - Three Octave Mini Modded Roland Juno-106



Remodeling by R.BOX 106 mini

AKA the Junior-106 (click and scroll for prior posts including video).

via Loren, spotted on digimart for ¥49,800 (612.322 USD)

Update: according to thegoodbutcher, this was a Juno-106s - the Juno-106 with built in speakers. There's also the HS60 which had a different color scheme and built in speakers as well.

Moog Minimoog Early Model D

via this auction

"1971 Minimoog... New keyboard bushings, replacement of capacitors, retuned to factory spec, pots cleaned, re calibrated, keyboard bed straightened, keyboard contacts cleaned, the list goes on. Also the most noticeable feature would be the high end wood refinish job. This is the original walnut wood from the factory most of the later models had a mixture of wood such as poplar ect, this case was ALL walnut."

Boss PC-2 Analog Percussion Synthesizer Pedal

via this auction
"Drive this with any audio source and you will have an amazing synth sound! Or you can tap on the pad to trigger the sound.

There are six knobs on the Boss Pc-2:
sens - calibrates the trigger level for the input sound
pitch - the root pitch of the sound
decay - amplitude decay of the tone
sweep - how much pitch sweep to add to the sound
rate - the rate of the lfo as it impacts pitch
depth - the depth of the lfo and its impact on pitch


The unit was built in 1984."

akai ewi4000s modified w/ midi cpu


YouTube via spunkytoofers | December 29, 2010

spunkytoofers on eBay
"akai ewi4000s is modified with a highlyliquid midi cpu. the cpu is set up to measure tilt into midi values and has several triggers for midi relays, sequencer controls, and triggering options for the light based theremin.

the ewi is independantly controlling 2 voices of dsi evolvers and 2 voices of a circuit bent nanosynth.

more info at: http://spunkytoofers.com/hottopic/?p=762"

DIY Arduino Based Ribbon Controller

via Giuseppe on Coagula

"There are many professional MIDI controller out there: keyboards, drum pads, mixer, pedals, etc. One type of controller that interests me most is the ribbon controller because I wanna try to emulate with the software plugins what can be done with instruments such as the Ondes Martenot. I think that this type of controller fits very well to control virtual instruments such as strings and horns, as it is characterized by a position and pressure sensitive ribbon, so you can control in a very intuitive way the notes pitch and velocity. I decided to do a MIDI ribbon controller using Arduino."

Ligeti / Frasconi Duo


YouTube via wellweatheredmusic | December 29, 2010 |
via Miguel:
"I'm playing omnichord and analog waveshapers (see details below) with Lukas Ligeti on drums and glockenspiel.

More specifically, I'm playing an omnichord put through a Metasonix TM-1SE, into a Moog FM-102 ring-mod, into an Electro Harmonix Micro-POG, into a Pigtronics Echolution."

Video Description:
"Ligeti & Frasconi @ The Tank.
Lukas Ligeti: drums & glockenspiel
Miguel Frasconi: omnichord & analog waveshapers.
December 8, 2010. NYC.

Transcending the boundaries of genre, Lukas Ligeti has developed a musical style that draws upon downtown New York experimentalism, contemporary classical music, jazz, electronica, and world music. Known for his non-conformity and diverse interests, Lukas creates music ranging from the through-composed to the free-improvised, often exploring polyrhythmic/polytempo structures, non-tempered tunings, and non-western elements.

While best known for his menagerie of glass musical instruments, Miguel Frasconi has long explored the sonic possibilities of electronics. Tonight he will be using a combination of devices that enable tactile control over a vast array of electronic sounds. Frasconi is the director of Ne(x)tworks, one of NYC's leading new music ensembles, and teaches at Bard College where he directs the Bard Laptop Orchestra (BLOrk)."

Audioprom Promo Codes


Bottom of this post.

Bob Moog Foundation Inspired Moments of 2010

"Inspired. That word is embedded in the history, ethos and mission of the Bob Moog Foundation.

Bob was inspired by the possibilities of unlimited sonic reality and by what he called "the network of ideas." The convergence of those ideas and possibilities in Bob's work effected millions of people around the world who were in turn inspired by his inventions and the music they spawned. This inspiration, and the way it changed people's lives, drives the very heart of our work in igniting creativity at the intersection of music, science, history and innovation.

Be part of the inspiration. Donate today.

In 2010, the inspiration that is rooted in Bob's work has manifested itself in some of my proudest moments in the Foundation's history:

* In April we concluded "Waves of Inspiration: The Legacy of Moog" exhibit at the Museum of Making Music in Carlsbad, California. Over 200 items from Bob's archives were on display, seen by over 20,000 people.

* In May, we made modular synthesis accessible (thanks to Amos Gaynes and August Worley) by transforming Erik Norlander's legendary "Wall of Doom" custom modular Moog synthesizer from a 6' x 7' monolithic structure into six portable rack mount cases. It was featured at our spring fundraiser Moogus Operandi. This unique instrument will travel once again this spring (and beyond), giving audiences new insights into the origin of synthesis.

* In October, the Bob Moog Foundation wowed standing-room-only audiences at Moogfest with historical, educational and technical panels and discussions, drawing the attention of the New York Times and The Wall Street Journal . That same month, preservationist Seva Ball finished restoring and transferring 88 reel-to-reel tapes from our archives.

* Throughout the year, we exposed children and adults to the science of sound through MoogLab; we gave people all over the world a rare glimpse into some little known facets of the Moog legacy through historian Brian Kehew's detailed explorations of moments in time captured in material from our archives; and we reveled in the varied and important work of our corps of committed, talented volunteers.

What inspires you? Unbridled musical exploration? Innovative methods in education? Unknown history brought alive to illuminate the future? Opening people's minds to a world of possibilities that in turn make them more creative thinkers?

This is our work-- the work of the Bob Moog Foundation. We illuminate history so that it might serve as a lesson for the future. We provide unparalleled opportunities for young and old to explore sonic realms and sculpt sound as an avenue to ignite creativity through science.

Take this opportunity at year's end to be part of our inspired and inspiring work. Make an on line donation today or send a donation to:

Bob Moog Foundation
P.O. Box 8136
Asheville, NC 28814

Inspired and grateful for your support,
Michelle

Michelle Moog-Koussa
Executive Director
Bob Moog Foundation"

CEM3350 and the Rhodes Chroma


This came in on the Rhodes Chroma list via Heinz:

"Here a discription of the CEM3350 what I believe it's working. Note all components red marked in the schematic are always present in the Chroma. All OTAs are LM13700.
What is new is SW 2. If it is set to the right position we got a BP response. Together with SW1 to right postion we got an Allpass. The circiut is not adapted to the Chroma yet. Frequency control is set to somewhat 0.5V/Octave. My problem at the moment is the Q-control. When I'm pulling the FIX input to ground (no pos. feedback) the filter behaves as described. Because I have no audio sweeper I did't know what is the Q when stepping trough from 0-6 with Q-control. My only choice is the pink noise source as a audio source and measure the increase of output level at a fixed frequency i.e. 32. But - the source isn't bad but not the best. So what I need is more measurements from different Chromas to have an average. Ok - the next problem. The LM13700 needs current sources for control. Thus the expo converter is hooked up around a PNP array. Hard to find and all controls have the opposite direction. But the good news. The filter is breadboarded and on my bench. It oscillates from 16kHz to appr.12 Hz (better as in simulation). Because I have no quad PNP array I've glued two 2SA798 together. In other words - the filter works.

Heinz"

Update: thread on rhodeschroma.com here.

ARP OMNI II Module Board 7217801 ADSR EG CV

via this auction

VINTAGE JHS SD1 PRO RHYTHM DRUM SYNTH


via this auction

Roland TB-303 Bass Line


via this auction

# Full "Owner's Manual"
# Unusual original Roland 303 'Quick Start' guide
# Rare 'Chord Shift Scale' wheel
# Original 'Sync' cable

YAMAHA SY-1


via this auction

Yamaha's first synth.

King Capitol Punishment Glamour Box Synth

via this auction
"the glamour box is an all analog dual oscillator synth with wave shaping and hurting the sounds of the glamour box may be affected by an external audio signal.

facilitates a wide range of maddening sounds ranging from sick static to modulating volcanic eruptions which are shoveled into all out sub-thunder explosions, and grated scraping high frequencies. the glamour box has an external audio input that smashes incoming signal inside of the two sweepable oscillators creating a vortex of intense \ distorted schizophrenic undulations.

features::
master volume control
wave shaper/hurter (controls the way osc1 modulates the osc2 wave shape)
two oscillators (each potentiometer tuned)
lfo (affects the pitch of osc #1 lfo wave shape a square)
lfo rate control (potentiometer adjusted)
osc 2 volume control (potentiometer adjusted)
external audio signal input (gain is adjusted with potentiometer)
gain booster for external audio input
internal summing amplifier mixes together: oscillator 1, oscillator 2 & external audio input
and violently spits the mixed signal out into the filter

the triangle composed of the three small knobs in the center
the bottom knob of the small triangle is a gradual selector of the frequencies which are tuned by sweeping the upper right and upper left knobs

externally powered by a regulated 9 volt dc (standard barrel type) power adaptor."

Fender Pedal Bass Vintage Synth

via this auction

Moog


flickr By JeffPearson

Inside a Roland TB-303 - Installing the Sequentix MIDIbass 303 Kit


on SV SYNTHESIS

Shruthilogy 1

Shruthilogy from Michael Kathke on Vimeo.


"Just play around with the nice playable build in sequencer in my lovely DIY Shruthi-1 from mutable-instruments.net/​. The patch was #50 neowaves. There is only a few delay and reverb on the mono output of this little beast. And yes it is only one monophonic Shruthi-1."

Roland Juno-G BASS demos


YouTube via SynthManiaDotCom | December 29, 2010 |

"Electric, acoustic and synth bass sounds of the Roland Juno-G."

ether^ra MEANINGLESS, HE THOUGHT


YouTube via potterpaint2000 | December 29, 2010 |

"a Buchla 200e/Folktek Pluton improv. http://etherra.blogspot.com/"

Folktek on eBay

ether^ra POSSIBLE

potterpaint2000 | December 29, 2010 |

"a Buchla 200e/Chimera synth, MFB-503 improv. http://etherra.blogspot.com/"

Timeless


YouTube via StudioF | December 29, 2010 |

"Track composed by Mike pemberton and Ger Led.
With many thanks to Mike Pemberon for creating such a great backingtrack
Keytarsolo by Ger Led
For all of our listeners"

Iced morning - excerpt


YouTube via adimsimion | December 29, 2010 |

"I wish all of you, to have a better and inspired year, to love and be loved, to be happy and have a lot of money to buy all things you wish (synthesizers, of course)!
Alba Ecstasy
http://www.albaecstasy.ro/"

Last Days of 2010 on the Moog Voyager



via cl516
(more pics)

H4rDt3k VS UK Tr4nC3


YouTube via axc909 | December 29, 2010 |

"H4PPY N3W Y34R!"

Tuesday, December 28, 2010

Duran Duran - My Own Way & Planet Earth


YouTube via emimusic | July 08, 2009 |
Some synth spotting.
"Music video by Duran Duran performing My Own Way (2009 Digital Remaster)."

Duran Duran - Planet Earth

emimusic | February 26, 2009 |

"Music video by Duran Duran performing Planet Earth (2003 Digital Remaster)."

Q109 Sustain Mod Demo


YouTube via davidryle | December 28, 2010 |

"Phil Petschke at MegaOhm Audio modified a Q109 Envelope Generator from Synthesizers.com to allow for sustain control voltage. It is a subtle but very audible modification.

This rather clinical demo should suffice to show the effect."

Yamaha DX1 Synthesizer

via this auction
"This is arguably the finest synthesizer keyboard ever made - with rosewood veneered cheeks, real wooden piano weighted action keyboard and all hand made by Yamaha as their ultimate flagship synthesizer for the megastar. Yamaha only produced 140 of these flagship keyboards...

It makes an excellent master keyboard as it has a great feeling wooden keyboard with velocity, after-touch AND polyphonic aftertouch!

This is the Rolls Royce of all synthesizer keyboards ever made. Since it has many more controls and displays than the other DX keyboards it makes programming the DX much easier. Its sound engine is that of two DX7s but with higher quality class A components - so that the DX1's sound is more dynamic and 'solid' than any other DX."

Paia Proteus 1 Synthesizer


via this auction
"This is an incredibly rare vintage monosynth (one of only 80 ever produced!)."

ROLAND TB-303 Bass Line


via this auction

Vintage Roland Saturn SA-09 Synthesizer


YouTube via bobbybot2000 | December 22, 2010

via this auction



Roland Juno-G SYNTH demos


YouTube via SynthManiaDotCom | December 28, 2010 |

"Synthesizer sounds of the Roland Juno-G."

Roland Juno-G SYNTH demos (2 of 2)

SynthManiaDotCom | December 28, 2010

Audio Damage Phosphor Nearing Completion - Audio Demos

Phosphor Test Tracks by Chris Randall
via Analog Industries
"Here are all the quick Phosphor demos I've done so far, all in one handy set. Interestingly, I neglected to do any pad-like stuff, a situation I'll remedy shortly. But this should give you a pretty good idea of where its wheelhouse is. It is capable of some seriously loopy shit, as well, which I'll also be adding in the near future.

As far as progress goes, only one major feature left, which we should have nailed today or tomorrow, then presets, manual, porting. So it won't be long."

TRON: LEGACY - Daft Punk's "Derezzed" Played by KORG iMS-20 for iPad


YouTube via kcyonao | December 18, 2010 | 16 likes, 0 dislikes

"iPad アプリの"KORG iMS-20"での演奏。TRON: LEGACY - Daft Punk's "Derezzed" です。PVバージョン http://www.youtube.com/watch?v=_6Afc2... [below] をコピったっす。 iMS-20のアップデート1.1.0 http://itunes.apple.com/jp/app/korg-i... で "外部MIDI機器でのMS-20シンセとドラムマシンの演奏/コントロール(App­le iPad Camera Connection Kit経由)"となりました。これによりパフォーマンスの可能性が予測できないくらい­広がるでしょう。その記念と言っては何ですが...の動画です。Daft PunkもTRONも大好き!!"

KORG iMS-20 - KORG INC.
iPads on eBay
iPads on Amazon


[KORG DS-10] Orchestra Hit !


YouTube via kcyonao | December 08, 2008 |
kcyonao also brought us Blade Runner on the DS-10

[KORG/AQ DS-10] co2mo / keishi yonao (ヨナオ ケイシ)

kcyonao | July 23, 2009

Moog Music Announces V1.1 Update to FILTATRON - iPad Version Coming

"New Features and Improvements Boost Powerful Sound Sculpting Tool

ASHEVILLE, NC – December 28, 2010 – Moog Music today announced a major update to Filtatron; the real-time audio effects engine and powerful studio tool, available for the iPhone and iPod Touch. Recently featured in iTunes REWIND 2010 covering hot new trends in apps, Filtatron is already taking the music world by storm and this update propels it to new levels of musicality.

New Features:
Major upgrades to the Sampler - now you can import any song in your collection into the sampler, and record and play back samples of unlimited length.

Pitch Lock feature for the VCO Pad - allows you to play a chromatic scale using the Filtatron oscillator.

Route audio output to speaker, earpiece or Bluetooth - a new settings panel also allows you to set the sample rate, audio latency and control response rate.

'We’re committed to expanding the Filtatron’s capabilities,' said Mike Adams, President of Moog Music. 'Retina display support and an iPad native version are currently in development and scheduled for release in early 2011.'

Since its release in October 2010, Filtatron has found a home in a wide variety of musical settings. Its high audio quality and ease of use make it ideal for everything from studio-level sound design and processing to catching a few moments of creativity while you’re waiting for your coffee.

About Filtatron:
Much more than your average sound app; the heart of the Filtatron is a four-pole resonant Moog Ladder Filter-meticulously modeled after the same filter that gives Moog instruments their classic warm, thick character. It musically shapes the sounds supplied by the Filtatron’s on-board oscillator, sampler and line/microphone input.


Additional features include:

Oscillator – A high-resolution, alias-free DSP oscillator with sawtooth and square waveforms, adjustable frequency from 0.3 Hz to 2kHz.

FX Modules – Amp provides warm, smooth overdrive with feedback control. Delay can be modulated by its own LFO (with rate and depth controls) and delay time is smoothly interpolated for analog-style delay time tweaks.

LFO – Five waveforms: sine, ramp, sawtooth, square, sample & hold, with crossfade and morph between adjacent LFO shapes.

Envelope Follower – Uses the volume envelope of sound inputs to sweep the filter, with controls for amount and speed.

Presets - Filtatron comes loaded with edgy presets to kick-start your sound.

Record and Playback – All audio processed in stereo, 16bit, 44.1kHz resolution.

File Sharing – Easily move audio files back and forth between the Filtatron and your computer. Built-in email function allows sharing presets with your Filtatron bandmates.


Filtatron - Moog Music Inc.

Featured in iTunes REWIND 2010 – Hot Trends In Apps
Filtatron product page
Moog Music website
Conversations on Twitter: #moog #synth #iphone #filtatron

###

About Moog Music:
Moog Music and its customers carry on the legacy of Bob Moog, the inventor of the Moog synthesizer. Moog designs and manufactures electronic musical instruments, including Little Phatty® and Minimoog® Voyager® synthesizers, Moogerfooger® effects modules, Etherwave® theremins, Taurus Bass Pedals and The Moog Guitar. Founded by Bob Moog, Moog Music designs and manufactures its products in Asheville, N.C.


Su-Preme MPA - Sample based music production app.


YouTube via boombappz | December 23, 2010 |

"Su-Preme MPA is a sample-based music production app.
We call it THE OFFICIAL HIP-HOP APP!

MPA was co-designed by A. Supreme Wilder, one of the Wu-Tang Clan/Sunz of Man producers who is now a well-known music production mentor.

The app closely imitates a legendary device used by urban music producers. It has the following features:
- 12 low-latency pads for drum/one-shot sounds
- A piano keyboard (the number of keys depends on your screen size)
- A basic sample editor that allows you to cut your MP3s and WAVs
- Ability to record tracks with 1/8, 1/16 or 1/32 quantization and swing
- True analog UI and classic design

This Beta is limited in its functionality. Please read the intro notes that are shown on the first launch.

MPA needs a reasonably powerful phone, although it works just fine on Droid Original.

We are looking for your feedback on this beta. Please contact us at boombappz@yahoo.com or at boombappz.com

We hope that Su-Preme MPA inspires you to make your greatest beats!"

Note this app is for the Android OS, not the iPhone.

ROLAND JUNO 106 SYNTHESIZER

via this auction

Juno-106 under Christmas tree.

Oberheim Xpander Analog Synthesizer

via this auction


Roland Juno-G VOCAL/PAD demos


YouTube via SynthManiaDotCom | December 27, 2010 |

"Vocal and Pad sounds on the Roland Juno-G."

Mark my words


YouTube via attorks | December 28, 2010 |

"This improvisation is heavily inspired by the track Floating of the Klaus Schulze album Moondawn. But then again, it also sounds nothing like it but you might recognize some elements. At least the tempo is the same. You hear 3 different sequences, two 8-step sequences from the Doepfer MAQ16/3 driving the self-built Modular and the Ian Fritz Through-Zero VCO together with the Blacet MiniWave and an 8-step sequence from the Synthesizers.com Q960 manually alternated on row 1 and 2 with the Q962 sequential switch driving the Synthesizers.com Modular. I use the Q963 trigger bus to switch on and off individual steps of the Q960 sequencer and use the first four dials on row 3 of the MAQ16/3 to alternate the gates which are used to shift the Q960 sequencer. The notes of the sequences are as follows:

MAQ16/3: Tempo 128
MAQ16/3: Row 1: c4 e4 g3 a3 f4 a3 d4 d3
MAQ16/3: Row 2: a3 d4 d3 a3 d4 a3 e4 d3 (half time of the other sequences, so tempo is 64)
MAQ16/3: Row 3: x x x x (gate is shifting the Q960)

Q960 : Row 1: e3 f3 d3 a3 e3 g3 a3 d4
Q960 : Row 2: d3 e3 a3 e3 e3 a3 a3 c4

I use the grey MIDI keyboard to transpose the sequences. Preset A13 of NanoStudio on the iPad is used to do some tones and chords. The strings are performed on the Roland XP-80. The solo's come from the Creamware MiniMax ASB together with the Clavia Nord Lead 1 and from the Waldorf Q Keyboard. Operating the camera, playing the keyboards and dialing the knobs is difficult so I hope you don't mind that the action sometimes is just outside the viewing range of the camera.

This song is dedicated to my son Mark is going through some heavy times the last couple of months. Mark, please know that I love you and that you are beloved by many others.

You can download/see/hear the video and music from my website soon."

Watch this TB-303 video very carefully


YouTube via phono1337 | December 28, 2010 |

"It's worth watching until the end, it'll make more sense then.

more info at http://www.dinsync.info"

Division 6 Filtare SEIII Eurorack Analog Modular Filter


YouTube via matrixsynth | December 27, 2010 |

It's a bit dark in here... Warning: this video is grungy, distorted and loud! Turn your speakers down and adjust up. Watch in 480p. Note it will sound better with decent headphones and/or speakers. Also the noise you hear in the beginning is the line in on the Canon T2i. It goes away the second the audio comes in. Don't be frightened. :) This is a very simple patch: 1. Audio out of a 3 OSC Moog Voyager patch with its filter wide open, no resonance and a held note into the Filtare - nothing in between and no effects. 2. Tiptop Audio Z8000 Matrix Sequencer/Programmer into 1 V/O CV in of Filtare. 3. Harvestman Zorlon Cannon 4bit out into adjustable CV in of Filtare to start, then the filter type CV in at the end. 4. Roland TR-909 for Z8000 clock and kick. What's going on: 0:00 - opening and adjusting the filter cutoff of the Filtare with no mods active and no resonance. 0:14 - adjusting resonance followed by filter 0:28 - starting sequence on Z8000 0:44 - adding Zorlon Cannon CV modulation to Filtare - note all you are hearing is the Moog running through the Filtare. No audio from the Zorlon Canon is coming through. The Zorlon is only a modulation source to the cutoff frequency of the Filtare. 1:09 - I stop the sequence and adjust the amount of modulation coming in from the Zorlon Canon so you can hear some of the spectral harmonics bleeding in and out. 1:30 - sequence kicks in again this time with the bass drum audible followed by slight adjustments. 2:26 - I get some odd rhythmic things happening with the cutoff and resonance. The 909 is still your standard 4/4 kick, so what you are hearing is the Filtare responding to the sequence. 2:44 - I increase the Zorlon Canon modulation for more grunge. 3:01 - I start to sweep the filter mode from Lowpass through Notch to Highpass. 3:12 - I bring the Zorlon Canon mod amount back down. 3:17 - I sweep back to Lowpass and add back the Zorlon making adjustments. 3:51 - I pull out the Zorlon and plug it into the CV mod for filter type. Note the Zorlon Canon 4bit out can be considered a more extreme modulation source. With something like a slower LFO or sequence, the result would of course be much smoother. This video was just a little sound exploration after first use and it did turn out very, very grungy. The Filtare is more than capable of your classic smooth filter characteristics. Check out the sound samples on to the right of the Filtare SEIII site here. Update: Timeline above updated to match YouTube. It was slightly off.

A late Christmas present arrived yesterday. The Eurorack format Filtare SEIII from Division 6.

Grungy video below...

This is a very cool filter. Some notable features include:

- Smooth adjustable transition of filter type from Lowpass through Notch to Highpass with Notch out (most filters do not allow this - see the third pic here and the video)

- CV in for filter TYPE (you can modulate the filter type!)

- Two CV ins for Filter Cutoff - one adjustable and one 1 V/O fixed

- Separate CV in for Resonance

See Division 6 for full details (also captured in this post).

modified akai ewi4000s

See the update in this post.

3D Audio for Your Synths: Longcat AudioStage - 3D Audio Processing


YouTube via LongcatAudio | December 23, 2010 |

"Binaural demo, using AudioStage Stereo edition and H3D rendering. Headphones needed!"

Obviously not a synth, but you could use this for some interesting effects with your synths.

"AudioStage benefits from a full-3D user interface that shows a virtual sound scene and all its components: audio sources, listeners, rooms and trajectories.
The interface may be used with tactile screens or a mouse, and allows for a simple sound and space authoring."

More details including a Lite version at Longcat here.


Update via Longcat in the ocmments:

"For those (Chris, loneraver...) interested in binaural mixing, our H3D VST plugin is now available on our website. We tried to keep it simple and affordable...

It uses the very same H3D technology you already heard in our video demos, and displays sound sources as 3D objects (with bargraphes, automations...).

Only 99 euros, and includes a free evaluation mode (automations are disabled, and the plugin sometimes beeps). The Mac version is being developed right now.

Benjamin / LongcatAudio"

"The H3D plugin allows you to 3D mix audio tracks from your digital audio software (Cubase, Nuendo, Live...) and to obtain incredible spatialization effects. Sounds then seem to come from every possible direction, using standard audio headphones.

Especially aimed at musicians or podcast producers, H3D inserts in major PC audio workstations (Cubase, Live, Pyramix, Nuendo, Reaper...) and displays all audio sources in a simple, visual 3D interface that is easy to manipulate.

Features
* H3D_3dView3D object-audio mixing - use the 3D interface to place and easily animate sounds
* Longcat Audio H3D technology - when listening on headphones, H3D allows panning sound in 3D all around the listener's head.
* Unique HRTF processing - H3D uses Longcat own processed HRTF filters in order to achieve the best spatialization effects.
* H3D Presence - independently adjust H3D's immersion effect using the Presence parameter.
* Automation - fully automate parameters and 3D animation of audio tracks.
* No tedious settings - Just insert H3D plugins and start moving sounds in 3D!

Compatibility
* Windows XP, Vista or Seven (32/64 bits)
* VST2.4 compatible host (Cubase, Nuendo, Pyramix, Reaper, Live...)
* OpenGL 1.2.1 capable graphic chipset"

Twisted Tools MP16 sampler updated to v1.1


"MP16 sampler updated to v1.1. New Gui & various improvements. Free 4 registered users of Analogue Microcosm

Last week we released RICHARD DEVINE’S ANALOGUE MICROCOSM, which came with a new Twisted Tools sampler. This week, we’ve given MP16 a face lift, along with some great new features free to owners of ANALOGUE MICROCOSM.

NEW FEATURES AND FIXES:
Enhanced GUI and internal help system
BPM sync
Start quantize
Default preset layouts for MP16 and Analogue Microcosm
Improved sample loading and display
Updated Maschine and Kore templates
Templates for iPad and Lemur coming soon…

http://twistedtools.com/news"

Bluesynths Update

via Russ:

"I had not checked out the bluesynths.com website in quite some time, as there had been no updates in well over a year the last time I was there.

Today, just for the heck of it, I checked it out, and it is completely revamped. Looks like they now intend to be a repository for info on vintage and modern synths. Some pics and audio of various synths. Particularly, a good in-depth look at the Analog Solutions Red Square"

Pictured from the site:
Analogue Solutions Red Square
Anyware Instruments SEMTex
Alesis Andromeda A6

Note Bluesynths hosted the Kufstein synthesizer gathering in Austria for a few years. See the Kufstein label below for posts on the event.

Monotron component layout

via Tim Stinchcombe's Study of the Korg MS10 & MS20 Filters. See the link for more.

inside a KORG Monotron

ymVST Atari ST chipsounds VST plug-in


"ymVST was created by Atari chip music freak Gareth Morris aka gwEm.... I got a tracker program called 'Sk@le' which has great stylez and accepts VST plugin synths. I wanted to use chip sound in my tracks, so I made this."

Download and details here.

Spotted this one on Khoral's Cafe 80 who is using it in a track. You can find an mp3 there.
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