Displace - Live Beat-laced Psy-Synthnoise - Push 3 Standalone, Perkons HD-01, Tasty Chips GR-1

video upload by Abre Ojos

"92bpm Beat-laced Psy-Synthnoise

Live hardware jam with Ableton Push 3 Standalone, Perkons HD-01 and Tasty Chips GR-1 Granular Synth.

Perkons & GR-1 fed into the Push with some Roar and Hybrid Reverb.

Video processed live through Resolume

Shot with GH5 MKII

Dark ambient audiovisual stuff: https://abreojos.net
Noisy layered drone techno: https://dronskot.net"

Using Playtime Engineering's Blipblox myTRACKS As a MIDI Controller

video upload by Blipblox Sound Lab

"The myTRACKS does more than just work as a stand-alone unit. It also makes a great MIDI controller. Here we use Ableton Live, and select the myTRACKS as the input over USB-C. We load up Native Instrument's Massive X synthesizer, and assign the levers and knobs to parameters on Massive X. Then we have Ableton Live play a simple beat we can play notes and tweak the Massive X synth while recording. Only 7 days left to get special Kickstarter pricing: https://www.kickstarter.com/projects/..."

Crumar Spirit

video upload by rimela

"Multitrack recordings of the Crumar Spirit. All sounds are made with the Spirit. 5U modular setup used for CV/gate sequencing (Dotcom Q960) and controlling filter and pitch inputs (Corsynth C106 Envelope Generator). All processing in Ableton Live."

Dark jam with the Ableton Push 3 Standalone and Novation AFX Station

video upload by Jay Hosking

"A live synthesizer jam performed entirely on hardware.

This is the fourth track I've made specifically for the Push 3, and the first where I've used Ableton Live to make the entirety of the song. Some of Live 12's new features, like the generative sequencer tools, can be a fun way to get quickly inspired. I still miss many aspects of Reason when working in Live, but it's fun to change things up.

Kudos to the amazing Novation AFX Station. This synth has a fantastic panel, is a great size (not too big, not too small), two levels of drive/distortion, two filter options, great either clean or gritty, excellent resonance on the filter, etc. The more I use it, the more I love it. It's been around for 11 years, and there are more expensive mono synths, but I'd reach for this one before most for something dark and interesting.

I'm either 40 or 50 percent through this particular album/set and really happy with the music so far. The Push 3 really allows me to create songs in a way that no other setup has allowed. And while there are many features I wish it had (especially more on the side of performance), I'm finding myself happier and happier thinking of it as my live-set device. Can't wait to take these songs on the road.

Ableton Push 3 — most sounds, effects, and performance
Novation AFX Station — mono synth melody/lead thing

Performed and recorded live, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

MIDI TOOLS VOLUME ONE by Philip Meyer

video uploads by Isotonik Studios

AVAILABLE HERE: https://isotonikstudios.com/product/midi-tools-by-philip-meyer/

"This is a collection of 12 devices for making rhythmic music in Ableton Live 12. They are some of the first Max for Live MIDI Tools, which is a new class of Live device that generates and transforms MIDI clips.

I’ve always liked to make complex rhythmic music, but in the past I found the piano roll in Live to be clunky and tedious to use. MIDI Tools resolve this problem by allowing us to create simple devices that automate processes that would be tedious or impossible to execute manually. Every device in this collection is designed to help you make exciting, novel rhythmic music quickly and playfully.

The 'quickly and playfully' is really important to me. For me, making electronic music has always been about getting a pattern running, listening to it, then tweaking it with whatever knobs and sliders are available to me. Working this way puts you in a sort of dialog with the machine, where you’re acting, then listening, then acting, then listening, and so forth. This process works best when the cycles are fast, which means that the tools have to be fun and easy to use. They have to deliver results quickly.

I could summarize the practical value of these tools with three statements:

They generate ideas to get my creativity flowing

They all you to create rhythms (such as nested rhythms, rallentandos, and polyrhythms) that are very difficult to create using the piano roll interface

They help you create variations on rhythmic and melodic ideas, to make your music varied and interesting. I’ve also found that the power of these devices really emerges when you use them in serial workflows. By this I mean that you start with some initial MIDI (maybe from a Generator, or maybe not), then process the MIDI with several different transformers.

You can see an example of a serial process in THIS VIDEO, in which I create some rhythmic containers using the Blocks generator, then used the Divs transformer to subdivide those containers to create a new rhythm, then used Feel to dial in the groove. There’s tons of ways to mix and match the devices, which means lots of space to develop your own favorite approaches.

These devices all work with Ableton 12’s new Scales feature. When a scale is enabled on the MIDI clip, the device will only produce notes that are in key. If you disable the scale, then you can work chromatically. The devices are also aware of Live’s themes, so your devices will always match the look and feel of your Live set."

Ableton Live 12 and Novation Launchkey - The perfect match!

video upload by Novation

Ableton Live 12 Upgrade Discount

Novation Launchkey Range

"Let's try out the new Ableton Live 12 using our Novation Launchkey 25 and explore the latest Live 12 features, tools and instruments. For this we've used our Launchkey MIDI keyboard controller to test and play around with some of the new features in Live 12 in a hands-on approach."

Chapters:
0:00 - Ableton Live 12 and Novation Launchkey, a perfect match!
1:00 - Using Granulator III with the Launchkey
4:50 - Adjusting Meld with Launchkey
5:52 - Controlling Roar parameters with Launchkey
7:17 - Experimenting with new Ableton Packs
8:38 - Diving into Ableton’s MIDI Editing tools
11:04 - Using Launchkey’s Custom Modes in Ableton Live 12
13:59 - How do different Tuning Systems work on the Launchkey?
16:29 - Ableton Live 12 and Novation Launchkey Conclusion

Roland Supercharges FANTOM Synthesizer Series

Roland FANTOM EX Synthesizer | Performance featuring LZARUS
video upload by

"FANTOM EX is the latest chapter of the FANTOM legacy. Watch producer and session keyboardist Laurence Jepson, aka LZARUS, perform with the most advanced creative synthesizer ever. Check out an array of FANTOM EX features in action, including German Grand V-Piano Expansion, JUPITER-8 ACB Expansion, live bass recording with JX-8P Model Expansion, TR-REC step sequencing, vocoder, n/zyme Model Expansion, and Shimmer Reverb.

About FANTOM EX

FANTOM EX provides a complete creative ecosystem for professional sound design, sequencing, and performance.

Explore the most advanced Roland sound engines—ACB, ZEN-Core, V-Piano, SuperNATURAL, Virtual ToneWheel, and other Roland technologies. Plus, SH-101, JUPITER-8, and JX-3P* ACB Model Expansions and six additional pre-loaded ZEN-Core Model Expansions, including n/zyme for advanced wave design, vintage-inspired instruments, premium pianos, essential organs, and more.

Integrate seamlessly with any computer-based setup with dedicated modes for Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. Sample directly into the synth and trigger, loop, program, create new tones from partials, or use multi-track sampling to stack sources into complex sounds. Then, refine your sound with Master FX and preset templates.

Developed in collaboration with renowned synth designer Axel Hartmann, the FANTOM EX hardware and user interface is built to support your creativity with intuitive operation and world-class playability."

Roland Fantom EX - Expansion In Use - Sonic LAB

video upload by sonicstate

"Roland's latest iteration of the Fantom is now the Fantom EX which is essentially the same Fantom you could buy yesterday, but now with the EX software expansion.

David aka @superfrogsavestokyo has a look at the new EX features, but with the regular Fantom hardware. He builds some musical sketches to demonstrate the new ACB models and the n/zyme Wavetable synthesizer."

Roland press announcement follows:

The Acclaimed FANTOM Synthesizer Series, Supercharged with the Latest Roland Sound Technologies and Updated Creative Tools

Los Angeles, CA, April 25, 2024 — Roland announces FANTOM EX, a new flagship synthesizer series for professional musicians and producers. Updating and expanding the popular FANTOM platform with the latest Roland technologies, the next-generation FANTOM EX delivers a complete creative ecosystem for sound design, sequencing, and performance. In addition to the FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX models available to new purchasers, current FANTOM owners can expand their instruments with all EX sounds and features through the FANTOM EX Upgrade for sale on Roland Cloud.

Introduced in 2019, the Roland FANTOM has received worldwide acclaim for its diverse range of high-quality sounds, powerful synthesis tools, premium playability, and free-flowing user interface. FANTOM EX builds on the original’s foundation, supplementing the core feature set with Roland’s Analog Circuit Behavior (ACB) engine and numerous sound expansion titles, including the recently developed JX-3P ACB Expansion. New effects and a host of fresh workflow enhancements are also included.

Each FANTOM EX model provides the most expansive collection of premium sound engines available in a hardware instrument. Roland’s ACB, ZEN-Core, V-Piano, SuperNATURAL, and Virtual ToneWheel technologies spark inspiration at every turn, providing expressive and inspiring sounds for every musical style.

With FANTOM EX, users can compose and perform with over 7000 genre-defining Roland sounds and go further with premium sound content on Roland Cloud. Eleven sound expansion titles come as standard, including JUPITER-8, SH-101, and JX-3P ACB Expansions; n/zyme, JD-800, JUNO-106, JUPITER-8, JX-8P, and SH-101 Model Expansions; the German Concert V-Piano Expansion 01; and the SuperNATURAL Acoustic Piano 3 Expansion.

The powerful custom processors in FANTOM EX provide smooth and precise operation with plenty of overhead, enabling loads of polyphony and full patch remain for seamless transitions. There are dozens of simultaneous effects, including new studio-grade reverbs and updated Master FX for shaping the overall sound. A characterful analog filter is also available, perfect for infusing tones with extra warmth and grit.

FANTOM EX is primed to be the center of any production universe. Users can directly shape sounds and develop musical ideas with a friendly, ergonomic panel filled with buttons, knobs, and sliders. The color touchscreen dynamically changes to support the task at hand, and it’s now possible to personalize the look by importing custom images for the screensaver and startup view.

The deep onboard sampling and composition tools in FANTOM EX support fast sound creation and quick arrangement of song ideas. Multiple workflow options include the classic Roland TR-REC step sequencer, real-time recording with piano roll editing, and 16 RGB pads for triggering sounds, samples, and clips.

FANTOM EX flows effortlessly into any computer-based production setup. There are dedicated modes for popular software platforms, including Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. With the built-in 16x3 audio/MIDI USB interface, users can mix and layer soft synths with hardware sounds, send sequencer parts to computer tracks, route DAW sources through FANTOM EX effects, and more.

The loaded FANTOM EX rear panel supports connections with a wide range of gear. There are XLR combo connectors for mics and instruments and eight 1/4-inch outputs to route sounds to external destinations. MIDI I/O is also available, along with dual CV/Gate outputs for driving modular and analog synths.

Each FANTOM EX model comes equipped with a premium keyboard and aftertouch support. The FANTOM 8 EX offers the ultimate weighted experience with 88 hammer-action keys, while the 61-note FANTOM 6 EX and 76-note FANTOM 7 EX feature semi-weighted synth action. Precision-crafted with decades of Roland development knowledge, these inspiring keyboards deliver the most expressive playability available.

Released in November 2023, the FANTOM EX Upgrade on Roland Cloud allows owners of the original FANTOM 6/7/8 models to outfit their instruments with the newly added EX features, including JUPITER-8, SH-101, and JX-3P ACB Expansions, n/zyme and JD-800 Model Expansions, two new grand pianos, and all other EX enhancements.

Availability & Pricing
The Roland FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX will be available in the U.S. in April for $3,199.99, $3,699.99, and $4,199.99 respectively."

Chance Pack FOUR - MaxforLive Device for Ableton Live by LDM Design

video uploads by Isotonik Studios

AVAILABLE HERE: https://isotonikstudios.com/product/chance-pack-four-by-ldm-design/ "10 more functional and creative devices initially inspired by the scripts used by Brian Eno, refined and updated for full MPE compatibility. LDM Design has yet again brought another selection of useful but simple devices to alter the course of your MIDI streams and introduce a little chaos into your Live creations.

The Chance Pack FOUR includes devices for splitting and randomizing based on velocity or pitch bands, filtering and modifying notes, quantizing velocity values and triggering clusters of notes. Each of the devices is designed specifically to allow MPE data to pass through, and is fully optimized for controlling using Push or mapping to any midi controller."

Allinaire Korg PS3200 (PS3300 Emulation MAM RS3 Res) MS50 MS20 MS10 VC10 Vocoder SQ10 Seq SE500 Echo

video upload by Allinaire

"As a huge Korg fan I got to put together an Ensemble piece using 1978 era Korg Synths. The hero is the mighty PS3200 polyphonic synth playing homage to its big brother (and, as of 2024, soon to be re-released by Korg, the PS3300) by using the direct out of the 3200 into a MAM RS3 Resonator which recreates the famous PS3300 & 3100 modulated resonator circuit. The 3200 plays pads, base and noises.
Lead lines and extra pads via an MS20 into a VC10 Vocoder combo give a haunting breathy sound.
The SQ10 Sequencer drives the MS50 and MS20 synths for a rhythmic sequence and the MS10 with its famous pulse width modulation provides additional baselines.
Effects include the SE500 Tape Echo and the more modern Kaos Pad Mini.
All recorded on a Zoom R24 recorder.
Percussion utilises some sounds sampled from the various Korg Synths and is added in Ableton Live.

Recorded in April 2024, Wollongong courtesy of Jondent, with some additional sounds from my own original MS20 in Sydney.

The Video is mixed together bits of footage from the session but missed most of the playing and modulation action - but still it’s always nice to see some vintage Korg gear in action!

Additional notes: Some subtle detuning of the PS3200 individual notes was made possible via the Temperament Adjust mini pots. The PS3010 keyboard also provides for some interesting modulation effects via the joystick and the unique note triggering control. A Korg 3100 in the same studio verified the RS3 Resonator accuracy and the RS3 unit also is CV controllable like on the 3300. By using it with the PS3200 (which has 2 oscillators per note) it gets close to the functionality of a PS3300 but of course misses the fact that the 3300 has 3 Oscillators and 3 resonators etc. I look forward to the new PS3300FS announced by Korg at NAMM 2024."

Fervour - Live Industrial Jungle Doom - Ableton Push 3 Standalone, Perkons HD-01, Tasty Chips GR-1

video upload by Abre Ojos

"134bpm Industrial Psychedelic Jungle Doom

Live hardware jam with Ableton Push 3 Standalone, Perkons HD-01 and Tasty Chips GR-1 Granular Synth.

Perkons & GR-1 fed into the Push with some Roar and Hybrid Reverb.

Video processed live through Resolume

Shot with GH5 MKII

Dark ambient audiovisual stuff: https://abreojos.net
Noisy layered drone techno: https://dronskot.net"

CR78 Drum Machine Sample Pack Demo by DDA

video upload by DinDrum Audio

"Demo for the DinDrum Audio Sample Pack 'CR78 - Drum Loops & Hits'
Demo made with Loops and Kits from this Pack.
Available at https://dindrum.com

Most people know the CR-78 (Released in 1978) as the first mass production user-programmable drum machine,
(first programable Drum Machine was actually the EKO ComputeRhythm with only 15-25 made*)
but many do not realise that the CR78 was the first drum machine to offer external synchronisation options, both external clock in and trigger clock out. This made it a solid time keeper, allowing tight integration with other electronic instruments in the electronic music studio.

CLICK FOR MORE »

Gem, Jade & Adlias- MaxforLive Sequencers for Ableton Live by K-teck

video upload by Isotonik Studios

AVAILABLE HERE: https://isotonikstudios.com/product/g...

"The heart of Gem is a 12 bit Linear Frequency Shift Register (LFSR)

The 12 points represent a binary number which is then scaled to create a note value

Every step rotates the binary sequence by 1, changing the note output

The sequence can be played either every step or as a euclidean pattern"

DEMO - Jade - MaxforLive Sequencer for Ableton Live by K-teck


AVAILABLE HERE: https://isotonikstudios.com/product/j...

"Jade uses Interference Patterns (combinations of 2 or 3 regular triggers) to conjure up 128 rhythm patterns.

You (yes, you) select sections of these patterns so that Jade can use K-Teck’s unique note generation engine to create stunning melodies, bass parts, repeated riffs… whatever you like.

And then… if you feel so inclined, you can activate Jade’s polyphonic shift registry for chords, arpeggios and stuff…

Jade is simple to use but very powerful. Whether you love to use step sequencers or just turn to them for occasional inspiration, Jade can do it all…"

DEMO - Adlias - Maxfor Live Sequencer for Ableton Live by K-teck


AVAILABLE HERE: https://isotonikstudios.com/product/a...

"Adlais VI looks like a simple Euclidean Step Sequencer – but it’s not…
Control over the distribution of euclidean pattern triggers
Both monophonic and polyphonic
Klee Register offers up to 64 monophonic pattern variations
Matrixed shift registers allow up to a further 60 mono/poly pattern variations"

3 increasingly weird ways to program a TR-606 module (but keep it satisfying)

video upload by mylarmelodies

"This is a blend of: A 606 clone eurorack module demo (the LPZW/Tubbutec 6m0d6), and a tutorial - laced with tips and tricks - exploring three increasingly weird ways to trigger and modulate (drum) modules in general - using Gate & CV, Trigger Riot, and sneaky tricks in Ableton Live & MIDI. The overall theme is: Keeping the results 'musical' and satisfying.

We'll also make a generative sequencer with the Mutable instruments stages and use it to control the excellent Doepfer A-111-6. We'll drive it with the Music Thing Mini Drive. We'll turn the Tiptop Audio Trigger Riot into a modulation sequencer. We'll then use Ableton Live and we'll absolutely smash this thing to bits with some simple but very interesting methods to get completely wild patterns, that would take a LOT of modules to do in analog-land.

Happy days."

00:00 Today we shall...
01:07 I made a tiny groovebox
02:03 6m0d6 sound / basics
02:51 Generative sequencer recipe
03:47 Modulating Decay Time / Accent is Life
05:37 The 1U 6quencer
06:51 Now let's DRIVE it.
08:27 Urgh.
09:05 Sub Tom = A bonus bassdrum
10:46 Speeding up, breakbeats
11:05 Creating a two kick 'roll'
12:55 Trigger Riot
16:59 A weird way to make modulation
21:25 More odd triggering ideas
23:04 Why did this work?
24:43 Ableton Madness
26:36 Dummy modulation clips
29:14 Note Echo Madness
31:22 asd's Arpeggiator Insanity

Missing Link ML:2 by Circuit Happy - Eurorack Synchronisation with DAW / Link

video upload by MATTHS

"The easy way to sync your modular to anything else - with Ableton Link.

Patreon: www.patreon.com/matths

WEBSITE - www.matthsmatthsmatths.com"

Vermona PERfourMER mkII

video upload by rimela

"Multitrack recordings of the Vermona PERfourMER mkII. All sounds are made with the PERfourMER mkII. Sequencers used: Dotcom Q960, Moon Modular M569 and Future Retro Revolution. All processing in Ableton Live. Special thanks to Thomas at Vermona for lending the PERfourMER mkII."

Ekzil - "Fantasy dream" : Circuit Track + Volcas sample / keys / bass

video upload by Geoffroy AULAGNER

"for 2024 I decided to challenge myself to release a new song every month 😃
I'm already a little late, so I should release 2 songs this month 😅

I decided once again to use my Volca samples. I think it's my first video with the 3 Volcas !

This last song has many parts. I would really appreciate if you tell me what your favorite part is, and which part would need to be reworked for the "mastered" version 😉

I resumed a music that I had composed on Ableton Live some time ago. I decided to take it again in dawless format 🎹
You can listen the original one here : https://soundcloud.com/ekzil/enter-th...

I hope you enjoy listening to it as much as I enjoy making it 🤩

Setup:
Novation Circuit Tracks: Drums, pad, second melody
Volca Samples: second layer of drums / transitions
Volca Keys: Lead melody
Volca Bass: Bass
Korg NTS-1: reverb, chorus, build up with the noise oscillator
"

VEKT - Portable Drum Computer V.4

video upload by uszymyszy

"Hi! Here is v.4, I redesigned the enclosure to be more rugged, we have also a battery and speaker. Most of the errors are solved, the UI is quite cluttered yet and I make a lot of missclicks/wrong shortcuts but after some tweaks everything should go fluent.

The idea is to have a pocket version of Ableton workflow, simplified but easy enough to create sketches for further polishing in DAW. I plan to build several units for testers but is still a lot of work to do and I cannot guarantee anything at the moment. I will try to progress as much as possible to finish this in this year."

And from one year ago:

Vekt - Portable Drum Computer

video upload by uszymyszy

"I built a Pocket Operator alternative. It can now record and play internal synths. There are 4 engines:
- Bass (Roland TB-303 mod),
- Lead (8bit style),
- Braids (implementation of Mutable Instruments eurorack module),
- Wavetable (several waves mixed by knobs)

I hope the UI is self explanatory, it is focused on simplicity and uses Ableton-like mini session view to launch clips"

The first prototype was shown 3 years ago on reddit.

It looks like a Dirtywave M8 tracker, but is different in both build layout and function. From the creator:

"M8 is a stunnig device for complex projects, I plan to keep my Vekt operator more like pocket op where you can quickly create sketches/ideas and polish them later on DAW. And the main idea for me personally was to quickly create rhythmic sequences which I can use with my visualization app instead making them in DAW, this will speed up the process."

data.mod - MaxforLive Device for Ableton Live by Dillon Bastan

video upload by Isotonik Studios

"data.mod is a modulator device that can be mapped to parameters in Ableton Live in order to modulate them. It centers around a grid of math operators. Each modulated parameter (up to 8) has its own modulation source/value and each frame that value changes based on its selected math operator. By changing the operators in a chain of events and the source of their right-hand operand, you can create complex to harmonic oscillations that can be evolving over time or repeating rhythms. Great for glitchy/chaotic, harmonic and rhythmic modulations, it can be quite diverse!

Comes with
The device, user manual, 12 presets

Features:
Modulation grid with various math operators and modes of operation
Ability to freeze and loop modulation history
Gliding
Ability to modulate external parameters in Live with each column in the modulation grid (up to 8)
Many transport syncing options for making clean rhtyhms
Individual randomization and snapshot storage of parameters

AVAILABLE HERE: https://isotonikstudios.com/product/d..."

Behringer Edge Modular Patches/Patterns/Samples No Talk Demo

video upload by Anton Anru

"Behringer Edge «Modular Grooves» is a collection of 50 patches + patterns: 17 Percs/Drums, 16 Basses, 17 Synths. It is dedicated to the modular vibe, loved for its analog warm sound, experimental attitude, rich opportunities, unique features and tones, and inspirational workflow.

💎 The presets feature various colors: warm, noisy, detuned, distorted, as well as mild, clean, soft, punchy, dark, bright, deep, and airy.
Some timbres are great to play the first role in tracks or jams, while others will work perfectly as additional parts.
You may use the patches as they are, but I strongly recommend tweaking the knobs to develop the timbre during your performance and get an exciting experience.

📥 Get the soundset: https://antonanru.sellfy.store/p/edge...

💽 The soundset also includes 24/41000 WAV samples, accompanied by BPM and scale information. You can use them as they are, or you're free to resample, edit, and apply effects. These samples offer a versatile material for your experimentation.

📚 The soundset is presented in PDF format. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

🎧 There are audio examples of all patches inside the folder with the soundset.
To recreate these patches, you need up to 3 patch cords.

Tuning is an important part of the final result, but it’s quite difficult to depict the settings of oscillators frequencies and sequencer knobs as they are quite small, and even a tiny movement may shift the pitch. I tried to be as accurate as possible to draw these settings (the way they play in the audio examples), but don’t be upset if you can’t recreate the same melody. You may spend some time to catch the same melody, or you may use the settings as a starting point for your own melodic or percussive lines.

I used an external USB clock from Ableton Live. When external clock is used, TEMPO knob has no effect, so I left its value on some default position. Only tempo division (SCALE) changes the playback. If you use EDGE as a master clock device, change TEMPO to your taste.

🔔 The video contains demo tracks featuring these presets. I've added other samples, drums and pads, to create a complete musical context. The EDGE sequences can be quite complex, producing various timbres at once, like bass and percussion. To help you distinguish, I've marked the EDGE and ADDITIONAL SOUNDS with different colors.
These ADDITIONAL SOUNDS are not included in the soundset.

CLICK FOR MORE »

Dark jam with Ableton Push 3, PWM Malevolent, and Hologram Chroma Console

video upload by Jay Hosking

"A live synthesizer jam performed entirely on hardware.

This is the third track I've made specifically for the Push 3, and I'm having a better and better time as I go. There are a few behind-the-scenes videos about this particular setup over on my Patreon.

The idea is that the set/album is playable live without requiring too much mental juggling, but since I'm only presenting them as individual songs, I thought I'd add in the PWM Malevolent for fun. The Malevolent adds well to the overall feeling I'm going for in these songs, and the Chroma Console helps shape the sound even more. Makes me wonder what I could add next time for fun!

Looking forward to playing these all as a set. Hopefully soon!

Thanks for listening.

Reason 12 (behind the scenes) — a lot of the songwriting and structuring
Ableton Push 3 — most sounds, effects, and performance
PWM Malevolent through Hologram Chroma Console — gritty synth bass thing

Performed and recorded live, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"