Showing posts sorted by date for query Forms. Sort by relevance Show all posts
Showing posts sorted by date for query Forms. Sort by relevance Show all posts
Thursday, July 10, 2025
The Crow Hill Company Introduces POCKET STRING no-barrier-to-entry-styled string library plug-in
video upload by CROW HILL XTRAS
Press release follows:
"The Crow Hill Company creates POCKET STRINGS as no-barrier-to-entry-styled string library plug-in produced without compromise… with added ‘synthy spice’
EDINBURGH, UK: having recently rebranded itself with an aesthetic that truly realises company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began, The Crow Hill Company continues its journeying into ‘Season Two’ as a producer of resources and tools to protect, inspire, support, and provide opportunities for music-makers the world over, believing that music is, and should remain, a wholly human experience, one that is by far one of the most powerful forms of expression, escape, comfort, and remembrance, of which its newly-created POCKET STRINGS — styled as a definitive string library plug-in that opens the doors to collaboration between anyone anywhere, creatively combining live cinematic orchestral recordings with some rarefied vintage synth classics made to measure for added body, depth, and character — readily represents the cornerstone of this ethos, as of July 10…
“A string library that’s accessible to all without compromise — a distillation of the last 25, nearly 30, years that I’ve been working as a media composer, which means that I write music for film, TV, and computer games, giving you the very basic necessities to write pro-end string arrangements. Whether that be adding to productions, songs, collaborating with others, or, indeed, creating professional film scores — whether that be to demo for an orchestra to play, or, indeed, to go to broadcast, there’s been no compromises here. But accessibility is the key — not just with the price point, but with usability.” So says Christian Henson himself, perfectly positioned — as The Crow Hill Company’s original founder, forging forward by building upon his extensive experience gained from founding Spitfire Audio to originally offer a palette of sounds he had created for his own use as a professional composer to his film world colleagues by invitation only, though the rest, as they say, is history — to proudly introduce POCKET STRINGS as a never-tried-before strings library plug-in that aims to bring broadcast-grade string possibilities to everyone.
Album with Make Noise only - Fracture #02 Live Performance
video upload by Anton Anru
"๐ Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
๐ฝ I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.
The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp:
The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.
๐ I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/
๐ Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.
๐ I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"
Tuesday, July 01, 2025
Album with Make Noise only - Fracture #03 Live Performance
video upload by Anton Anru
"๐ Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
๐ฝ I recorded a 10-track album using only three Make Noise devices and VST effects. All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.
The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...
The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.
๐ I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/
๐ Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.
๐ I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with? I’d really appreciate any feedback. Enjoy listening!"
Thursday, June 19, 2025
Dr. Endo explores LIVEN Evoke: EXPR//Residue
video upload by SONICWARE
"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke
Dr. Endo – Live Set
PTN12: EXPR//Residue
---
A cinematic ambient track evoking the grandeur of a distant galactic empire, EXPR//Residue begins with a solemn tuba drone and unfolds into a slowly shifting sonic landscape.
The tuba forms the foundation of the piece—its rich tone is enhanced with a harmonic waveform to add depth, and sent through GRAIN FX to transform a simple two-note bassline into a dense, evolving low-frequency texture.
Oboe chords provide a gentle, pad-like atmosphere, blending naturally into reverb to create soft, immersive motion.
Scattered throughout the track, piano accents are pulled and stretched using the BACKTIDE function, adding expressive drag and emotional tension.
One track is dedicated to filtered noise, modulated by an LFO on the low-pass filter cutoff. This creates a storm-like undercurrent that blends beautifully with the reverb, expanding the spatial field of the mix.
This piece explores the remnants of something vast and ancient—a residue of sound and structure left drifting in space.
Yu Endo
---
Wednesday, April 30, 2025
1968 RA Moog Modular IIIC
Note: Auction links are affiliate links for which the site may be compensated.
via this Reverb listing
"A 3-cabinet authentic, period correct all RA Moog modules system that dates from 1968.
This instrument forms a part of the RL Music Vintage Synthesizer Collection. We have managed to keep some of the very best examples of Vintage Synthesizers that have come through our business over the last 22 years which we kept for our pleasure and interest. Whilst having a privileged position as a specialist dealer in this genre of equipment, we managed to hang on to particular instruments that were interesting and inspiring. The RA Moog Modular IIIC is one of 40 instruments we have, but is the oldest and most historically important.
via this Reverb listing
"A 3-cabinet authentic, period correct all RA Moog modules system that dates from 1968.
This instrument forms a part of the RL Music Vintage Synthesizer Collection. We have managed to keep some of the very best examples of Vintage Synthesizers that have come through our business over the last 22 years which we kept for our pleasure and interest. Whilst having a privileged position as a specialist dealer in this genre of equipment, we managed to hang on to particular instruments that were interesting and inspiring. The RA Moog Modular IIIC is one of 40 instruments we have, but is the oldest and most historically important.
Wednesday, April 16, 2025
Tech Talk: Vitalic (Electronic Beats TV)
video upload by Telekom Electronic Beats TV
"Electronic Beats returns with another Tech Talk, this time we took a trip to Paris to visit the studio of Pascal Arbez aka Vitalic / Dima. Pascal initially began his career on French Techno label Choice under his Dima alias, releasing a series of original works as well as remixing the likes of Daft Punk, Bjรถrk, Royksopp and Paul Kalkbrenner, a striking sign of his ability to craft greatness in the studio.
He went on to then launch his alter-ego Vitalic and released numerous albums and EP’s for Different/[PIAS] Recordings as well as material for Jennifer Cardini’s Correspondant, his ‘Poney’ EP on DJ Hell’s Gigolo Records and of course his own Citizen Records imprint.
Vitalic also forms the duo KOMPROMAT with Rebeka Warrior (ex Sexy Sushi), is currently celebrating twenty years of his career and the release of his fifth album DISSIDรNCE. We took a trip to find out what keeps this powerhouse producer stirring after decades in the game and discover all of the machines and technologies that were used to create his impressive and extensive back catalogue and his new album 'Dissidaence'."
LABELS/MORE:
Analogue Solutions,
Arturia,
ASM,
Buchla,
Erica Synths,
GRP,
Interviews,
MOOG,
Novation,
Sequential,
Soft Synths,
SoundToys,
Studio Tours,
theremin,
Vermona
Sunday, April 13, 2025
TMP-3-03 Vintage Synth TV Series from Benge
video upload by Memetune Studio
00:00 Opening Titles
00:17 Introduction
01:27 Switched On 80s
16:14 Synthesiser Club
19:48 Commercial Break
23:57 Patching Today
35:04 Little Black Boxes
38:53 Video Lab
44:22 Outro
////////////////////////////////////////////////////////
Episode three of the third series of the TV program from Benge, made at his Memetune Electronic Music Studio
The series explores his passion for vintage synthesiser instruments and studio gear and how he uses them in his productions and collaborations
////////////////////////////////////////////////////////
It is divided into the following sections:
SWITCHED ON 80s - This third series takes an in-depth look into six classic 80s synthesisers, selected because of their interesting and unique attributes
SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three, concentrating on 'families' of synths
COMMERCIAL BREAK - Some shameless Memetune shilling
PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch, this time using Cybersynthesis techniques to bring an element of surprise to the patches
LITTLE BLACK BOXES - A further look at some classic rack mount studio gear of the 80s and 90s
VIDEO LAB - A look at old video equipment and how to create experimental visuals, concentrating on a specific device in each episode
////////////////////////////////////////////////////////
In THIS episode:
SWITCHED ON 80s - A detailed presentation on FM synthesis and its history, looking at the DK Synergy (as used on the Tron soundtrack), but mainly the Yamaha DX series of synths
LABELS/MORE:
5U,
DK,
documentaries,
EMS,
MOOG,
oscilloscopes,
Roland,
Synergy,
Synth Art,
synthesizers.com,
Yamaha
Saturday, April 05, 2025
LOOPA project 2025 updates
video upload by ferluht
"Just want to show new hardware version without much plot
Waitlist: https://forms.gle/QZ3VMWCaBACKZPqr6
More demos: / loopasynth.lol
0:00 - new hardware
1:00 - scales
1:50 - xy pad
2:00 - sampler
2:10 - velocity & IMU
2:30 - scope
2:50 - tape & instruments
3:40 - mic input
4:00 - demo"
Thursday, April 03, 2025
Gibson Clavioline with rare stand SN 1598
Note: Auction links are affiliate links for which the site may be compensated.
via this VEMIA listing
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.
"1950s Vintage Gibson Clavioline w/Tube Amplifier / Speaker / Case & Tripod Stand
The Gibson Clavioline is a single manual mini-key piano attachment with a tube preamp and amplifier, made from about 1934-1965. The sound made famous in Telstar and in The Beatles' 'Baby I'm A Rich Man', it uses a basic square wave.
The original design was by Constant Martin in France, and many companies licensed it. Selmer were perhaps the most famous maker in the UK, but Jorgensen in Germany was another, and Gibson in the US. The common design feature was a metal-cased keyboard, complete with internal tube tone-forming circuitry. The case attached by metal sliders to rails that could be screwed to the underside of your piano keyboard - or you could use the Clavioline as a stand-alone instrument on a metal stand. There is a Set of rocker switches underneath the keyboard for tone choice. The tube amplifier and speaker are in a case, which the Clavioline keyboard folds into for transport.
Although the tone is quite variable, the sound is distinctive, and instantly recognizable, due mainly to the simple envelope employed - and maybe also to its monophonic nature, which somehow gave melodies a different feel from exactly the same line played on an organ. It may be the glitches which provide its charm. Gibson licensed the Clavioline design from Constant Martin and made the American Clavioline version in 1954. Al Kooper plays one on BS&T's first album, Child is Father to the Man, and I think the specific tune is 'Meagan's Gypsy Eyes.' Also used on 'Sweet Pea' by Tommy Roe, 'Just a Mirage', Tommy James, and Del Shannon's 'Runaway'. A really cool instrument, it's the big brother to the Clavioline used on 'Telstar'.
Good condition, functional but has issues. Powers up, although the power light on the amplifier does not light. Keys play, but seem to just play one pitch, with a variable pitch underneath, and a quavering quality. The tone switches do change the sound, volume control works, and the octave switch works.
Includes the tube amplifier / speaker, which forms the case that holds the Clavioline, the Clavioline keyboard, 3-legged tripod stand, and power cable with split-off multi-pin cable that powers the Clavioline. Also has the service manual (which appears to be original). And includes the expression knee-lever, which is integral to the sound of the Clavioline.
Full pictures are here, along with a video of the instrument being played:
https://drive.google.com/drive/folders/1rSXB0kPlwqEIRB92uAWtyN6DwBvGPExU?usp=drive_link
Great review at Sound on Sound:
https://www.soundonsound.com/reviews/story-clavioline"
via this VEMIA listing
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.


The Gibson Clavioline is a single manual mini-key piano attachment with a tube preamp and amplifier, made from about 1934-1965. The sound made famous in Telstar and in The Beatles' 'Baby I'm A Rich Man', it uses a basic square wave.
The original design was by Constant Martin in France, and many companies licensed it. Selmer were perhaps the most famous maker in the UK, but Jorgensen in Germany was another, and Gibson in the US. The common design feature was a metal-cased keyboard, complete with internal tube tone-forming circuitry. The case attached by metal sliders to rails that could be screwed to the underside of your piano keyboard - or you could use the Clavioline as a stand-alone instrument on a metal stand. There is a Set of rocker switches underneath the keyboard for tone choice. The tube amplifier and speaker are in a case, which the Clavioline keyboard folds into for transport.
Although the tone is quite variable, the sound is distinctive, and instantly recognizable, due mainly to the simple envelope employed - and maybe also to its monophonic nature, which somehow gave melodies a different feel from exactly the same line played on an organ. It may be the glitches which provide its charm. Gibson licensed the Clavioline design from Constant Martin and made the American Clavioline version in 1954. Al Kooper plays one on BS&T's first album, Child is Father to the Man, and I think the specific tune is 'Meagan's Gypsy Eyes.' Also used on 'Sweet Pea' by Tommy Roe, 'Just a Mirage', Tommy James, and Del Shannon's 'Runaway'. A really cool instrument, it's the big brother to the Clavioline used on 'Telstar'.
Good condition, functional but has issues. Powers up, although the power light on the amplifier does not light. Keys play, but seem to just play one pitch, with a variable pitch underneath, and a quavering quality. The tone switches do change the sound, volume control works, and the octave switch works.
Includes the tube amplifier / speaker, which forms the case that holds the Clavioline, the Clavioline keyboard, 3-legged tripod stand, and power cable with split-off multi-pin cable that powers the Clavioline. Also has the service manual (which appears to be original). And includes the expression knee-lever, which is integral to the sound of the Clavioline.
Full pictures are here, along with a video of the instrument being played:
https://drive.google.com/drive/folders/1rSXB0kPlwqEIRB92uAWtyN6DwBvGPExU?usp=drive_link
Great review at Sound on Sound:
https://www.soundonsound.com/reviews/story-clavioline"
Sunday, March 30, 2025
Sequential Circuits Prophet VS keyboard
Note: Auction links are affiliate links for which the site may be compensated.
via this VEMIA listing
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.
"Very good condition Prophet VS + its very rare original memory Cartridge. This one model is truly in a very very good cosmetic shape as shown on pictures. This prophet VS was serviced in 2018 and works fine thanks to a new bright OLED display, new CEM5530's, new Data Entry Slider, some new switches, ... The Prophet VS is a true 'classic-hybrid' of the early nineties with a very unique sound signature. This synth was the original Sequential's venture into the digital era, combining through vector synthesis, 127 digital wave forms with the famous analog filters and envelopes of the prophet 5 legacy. Add to this excellent recipe, a 'sequencer' allowing to combine and or record the 4 oscillators/wave forms and mix them in real-time with the joystick and you get into seriously creative avenues. The result is a wonderful instrument, covering with ease a vast sonic territory, and allowing to reach both very warm analog sounds, evolving pads and landscapes, as well as very rich metallic and bell-like sounds."
via this VEMIA listing
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

Friday, March 28, 2025
Bluelantern Mu Format Phrogs Analog VCF Poly Patch. Low Pass adventure.
video upload by flavio mireles
"Poly patch on a fully blue lantern modules Mu format system. I use (4) Phrogs filters, (4) VCO's, and a Yarns midi to cv. The fx are done using external behringer racks, connected to the soon to be released 4 channel Mu Mixer. Phrogs analog filter has an on board simple decay envelope generator, and a vca. You can easily make a poly patch. External modules used for control: BLM Active Multiple, BLM Joy rider Euro Format Joystick, and BLM MegaClite Digital LFO.
Low Pass filter output is demonstrated.
Each voice was panned left or right. This is done on the up coming Mu format 4 channel stereo mixer. One the lower (bass) voice, I added a Mu Format ADSR. Gate was daisy chained through the ADSR and into the Phrog's trigger input. In the video it has a large green square led."
Mu Format Phrogs Analog VCF 4 Voice Poly Patch. High Pass saga.
video upload by flavio mireles
"High Pass output is demonstrated. Filter output mixing: band pass, high Pass, low pass is also used.
Each voice was panned left or right. This is done on the up coming Mu format 4 channel stereo mixer."
Update:
Mu Format VCO demo
video upload by flavio mireles
"I use (2) VCO's to demonstrate CV's and the two sync's. An Mu Format ADSR was used for the sync. It has the square green led. The output was patched through the Mu Format 4 channel mixer. There are AC capacitors on the Mixer, this gives some slew to the wave forms. You can see the slew on the scope.You can't hear this distortion by ear to the waveform. Just about all audio gear has AC coupling, no big deal."
Sunday, March 23, 2025
Yamaha Montage M AN-X virtual analog engine walkthrough
video upload by Floyd Steinberg
"Here's me going through all the screens and controls of #Yamaha's #AN-X synth engine (found in the Montage M #synthesizer keyboard). So if you found yourself asking "can I fold that slightly beveled saw wave there?" recently, you will find answers here.
Table of contents:
00:00 intended audience for this video
00:47 user interface basics
01:43 create a new patch
02:16 AN-X architecture
02:42 basic wave forms
03:12 wave shaping
04:09 fm and ring modulation
04:56 pulse width modulation (pwm)
05:31 oscillator sync
06:17 noise
06:47 wave folding
08:25 filters
10:12 filter envelope, lfo, drive, velocity
11:39 amplitude envelopes, lfo and panning
12:30 global effects send
12:57 pitch envelope and lfo, portamento
14:30 modulator modulation
15:03 per-voice effects
15:50 global effects
16:41 per-voice equalizer
17:04 motion sequencer
18:58 polyphonic aftertouch (poly at)
20:24 oscillator drift, aging and spreading
22:01 my thoughts on the AN-X engine
23:22 some favourite sounds (23:53, 24:24, 24:55, 25:26, 25:45, 26:22, 26:53, 27:22, 27:53, 28:17)
28:48 do the youtube thing!
HรLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"
Friday, March 21, 2025
The World's First Programmable Synthesizer and its Pulitzer Prize Winning Music
video upload by ITSPmagazine
"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it.
basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the, uh, ordering of the effects processes. Um, which for its time, uh, essentially like a uh, touring computer. Um, uh, was it You know, one and a half tons, seven feet tall, 14 feet wide, it's quite a behemoth, but now it's a very large paperweight.
Watch the full video:" [The above comes in at 22:41 - vintage Buchla, Serge & more follow. See this post for the red Buchla LSD module]
How Technology is Changing the Way We Make Music | A Conversation with Seth Cluett
video upload by ITSPmagazine
"Guest: Seth Cluett, Director of Columbia University’s Computer Music Center | On LinkedIn: / seth-cluett-7631065 | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/s...
Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/
Show Notes
Music and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center’s rich history, its role in advancing music technology, and how it continues to shape the future of sound.
The Legacy and Mission of the Computer Music Center
The CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world’s oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.
The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett’s leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what’s possible in sound and music.
One of the center’s guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.
Exploring the Labs and Studios
The episode also includes a tour of the labs and studios, showcasing some of the center’s groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world’s first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.
LABELS/MORE:
ARP,
Buchla,
documentaries,
exclusive,
exclusive2025,
Interviews,
mechanical,
RCA,
Serge,
test equipment
Wednesday, March 19, 2025
Crumar Bit 01
Note: Auction links are affiliate links for which the site may be compensated.
via this VEMIA listing
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.
"The Bit-01 is a 6-voice programmable polyphonic analog synthesizer with digital control developed by Crumar. It is essentially a rackmount version of the Bit-99 keyboard synthesizer. It has two analog oscillators per voice that are digitally stabilized and controlled. Also on-board are resonant filters, ADSR envelopes and two LFOs. Fairly easy hands-on editing and a layer/split function make this a very useable poly-synth! The MIDI implementation is basic but useable and there are 99 memory patches. The Bit-01 is well suited for studio use and in all forms of electronic music."
via this VEMIA listing
Click the auction link on top when you get there for additional listings.
VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

"The Bit-01 is a 6-voice programmable polyphonic analog synthesizer with digital control developed by Crumar. It is essentially a rackmount version of the Bit-99 keyboard synthesizer. It has two analog oscillators per voice that are digitally stabilized and controlled. Also on-board are resonant filters, ADSR envelopes and two LFOs. Fairly easy hands-on editing and a layer/split function make this a very useable poly-synth! The MIDI implementation is basic but useable and there are 99 memory patches. The Bit-01 is well suited for studio use and in all forms of electronic music."
Wednesday, February 26, 2025
Ableton MODE ver.5.0 for Generative Electric Piano Ambient
video upload by Akihiko Matsumoto
"Ableton MODE: https://akihikomatsumoto.sellfy.store...
Discover the Sacred Sounds of the Past: A Generative Sequencer Inspired by Medieval Chant
Immerse yourself in a groundbreaking tool designed for creators of ambient, experimental, contemporary music, IDM, and electronica. This Max for Live generative sequencer fuses historical depth with cutting-edge technology, offering a unique journey through time and sound.
Historical Roots, Modern Expression
Developed over a year of intensive research, this device draws from a rich tapestry of medieval chant manuscripts and the intricate patterns of neume notation. Delve into the essence of the Church’s eight modes, enriched with the proto-characteristics of Ionian and Aeolian modes—foretelling the rise of major and minor tonalities.
Infinite Melodic Possibilities
Let the sequencer generate melodies imbued with the organic flow and spiritual resonance of early music, now reimagined for contemporary creativity. Whether sculpting ethereal soundscapes or exploring experimental forms, this device breathes new life into your compositions.
Perfect for music creators exploring:
Ambient soundscapes
Modern classical compositions
Cinematic scores
Experimental electronic productions
Key Features:
1. Generate infinite variations of church-mode-inspired melodies.
2. Adjustable parameters for rhythm, tonal center, and mode.
3. Seamless integration with Ableton Live workflows.
4. Transport your music into a realm of timeless spirituality and creativity."
Sunday, February 23, 2025
Torso S-4 Sculpting Sampler w/ Original Box
Sunday, January 05, 2025
Elektron Machinedrum SPS-1UW MKII
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
"16 tracks with a huge amount of machines to choose from, 808 ish, fm style, physical modeling, rompler ish, raw wave forms, controller tracks that can affect other things—not to mention the ram and rom machines for samples and live sampling manipulation.
I had both this and an octatrack for a while and used this for live sampling because it was way faster and straightforward honestly love the sampling philosophy of this machine."
via this listing
"16 tracks with a huge amount of machines to choose from, 808 ish, fm style, physical modeling, rompler ish, raw wave forms, controller tracks that can affect other things—not to mention the ram and rom machines for samples and live sampling manipulation.
I had both this and an octatrack for a while and used this for live sampling because it was way faster and straightforward honestly love the sampling philosophy of this machine."
Monday, December 23, 2024
LOOPA synth project state 2024
video upload by ferluht
"LOOPA as it is at the end of 2024
slowly moving to release
waitlist https://forms.gle/QZ3VMWCaBACKZPqr6"
Thursday, December 12, 2024
WING PINGER MEETS I'M GIBBER V3
video upload by biyiblip
"This video is just a little taste of what these two awesome instruments can do together.
The Wing Pinger is a cool new analog music instrument that lets you blend melody and noise in perfect harmony.
The original Gibber device was created by Rob Hordijk and Biyi Amez in 2020, when the usual activities at Hordijk Mansions in The Hague were put on hold because of the pandemic lockdown. Biyi, Rob's friend, assistant, and protรฉgรฉ, found a rare and outdated computer voice chip and had the idea to turn it into a synthesizer. Rob was intrigued, and in the following weeks, The Gibber was born.
The 'I'm Gibber' is a generative/self-playing device that can also be somewhat controlled by the user. It's based on Rob's "Rungler," a digital shift register that feeds back into itself. This setup makes the voice chip continuously produce a stream of phonemes, vowels, plosives, and syllables from the English language, but they’re all jumbled together in a stream that never quite forms recognizable language or meaning.
If you're interested in buying an 'I'm Gibber V3,' just shoot an email to biyiblip@gmail.com. Limited units available, so grab one before it's gone forever!
Check out and download the I’m Gibber V3 manual here: https://drive.google.com/file/d/1A8jC..."
See the Biji Amez label below for additional posts.
Sunday, December 08, 2024
Sunday Jam #60 : Drivin' again - with guitar
video upload by MIDI IN
"I've decided to take an existing piece of music, my Music for an Imaginary Driving Game, which I've published a few times in different forms, most recently for dual SIDs, I'll link to that video, and enhance it with real guitar and realistic drums.
The stop-motion driving clip is thanks to Mike Bird:
https://www.pexels.com/video/time-lap...
The most recent pure dual-SID version of this tune is here:"
Latest version of 'Drivin' SID tune, plus new SwinSID design
video upload by MIDI IN
"I've just received these in the post this morning. I was unable to make edits to Tolaemon's 'nano SwinSID b' design and so I made a new board design using the SwinSID schematic. This is a demo, (apart from the looks, and easier manufacture for me, they're the same as the nano SwinSID b)
https://peacockmedia.software/midisid"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH