Bigkik - Model Wave 1 (Elektron Model:Samples)

video upload by bigkik

"I got recently a 2nd hand Model:Samples and really enjoy it.

For this track, I was deeply inspired by one of my favorite artist : 'The Toxic Avenger' and especially his latest track 'Acid Machine'. I especially loved its bassline.

Again i only used the provided sounds but played extensively with the sequencer, the conditional trigs and the lfo.

I hope you will enjoy it as much as I did composing it !"

DVRST - Close Eyes (Elektron Model:Samples instrumental cover)

video upload by bigkik

"Despite its 64 steps limit, you are not stuck with 4 bars by adjusting the "duration" of each step a little bit like the Roland J-6 sequencer. And with the conditional trigs, you can easily program variations in a single pattern.

I only used the samples provided in the unit."

Sequential Circuits Model 64 Sequencer for the Commodore 64 w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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ELKA EK-44 + Full Expansion Set (5 Cards)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Superb ELKA EK-44 in near mint conditions. The synth comes with all the 5 expansion cartridge featuring 32 patches each, for a total of 224 sounds (including the 64 internal ones). Here you will get 5 ROM card (expansions 1->4) and 1 RAM card (expansion 5). The machine is in perfect working conditions and just looks great. Professional packing and UPS Express Saver shipping guarantee.

History

The 80s saw Yamaha dominate the synthesizer industry with its groundbreaking FM synthesis. The release of the DX7 in 1983 caused a deep crisis for manufacturers specialized in analog synthesizers. Yamaha not only patented the new synthesis model but also produced cost-effective and reliable chips for digital sound generation making these new keyboards more powerful and reliable, more cost-effective and easily industrialized. The blow to Italian companies was severe, even for those that had long invested and innovated by introducing digital systems into their projects. They faced significant challenges because the 'core' of their equipment remained anchored to traditional analog generation, which was no longer competitive.

Italian FM

But some companies, despite suffering a setback, managed to reorganize and respond with some interesting proposals after a few years of hardship. Specifically, ELKA, the company that designed and marketed the glorious ELKA SYNTEX just a few years earlier, successfully acquired a series of ICs capable of generating sounds and waveforms using FM technology. With these components, ELKA created a range of highly interesting products for that era. Although the chips used (the YM2203) were manufactured by Yamaha and primarily intended for the video game and arcade console sector, ELKA's creative engineers successfully integrated them into their musical instruments, creating a new FM product line.

EK-44 : The flagship FM Synth

The top-of-the-line synthesizer created with these new chips was the EK-44, a multi-timbral 4-OP FM synthesizer with 18 voices of polyphony and 8 oscillators. Inside, it houses two identical sound generators named DCG1 and DCG2, each employing 6 YM2203 chips (4 operators with 8 different FM algorithms), making it capable of generating multiple sounds simultaneously — a remarkable feat for its time. The 2 voice processors can be split, layered or played as 8 independent parts with own Midi channels and mix volume.

Usability

The EK-44 operates in a similar manner to the Yamaha DX7, except that the its LCD display is a little more informative, although some information (the equivalent of the DX7's algorithm charts) is hidden from the user so you don't have to worry about it. So, when we go through the basic parameters, keep in mind that most of them are represented in the LCD display by an eight-section bar chart. Whether we're talking about oscillator volumes, frequencies, envelope levels or whatever, eight little columns in the display give you a good visual indication of the current state of affairs, while the first eight of the sixteen Performance Registration buttons directly beneath the display allow you to choose which of the available levels you're editing.

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Analogue Solutions Colossus Quartz Synthesizer Expanders

video upload by Analogue Solutions

Press release follows:

Analogue Solutions ‘splits’ Colossus AS200 Slim synth into ‘quarters’ to create Colossus AS250 Quartz range of expanders with possible piecemeal purchase

SHATTERFORD, UK: having shed some pounds off its ‘against-all-odds-created’ Colossus AS100 Classic super-synth (that took its inspirational design cues from the colossal classic personified by the rarefied Seventies-vintage Synthi 100, bravely built by British trailblazing entity EMS as one of the largest and most expensive examples ever birthed by anyone anywhere) to create Colossus AS200 Slim as a comparatively slimline version pitched as being a perfect fit for those with a little less studio space to spare or more restricted access for installation, British boutique electronic instruments innovator Analogue Solutions is proud to announce availability of Colossus AS250 Quartz as a range of add-on expanders — effectively ‘splitting’ Colossus AS200 Slim into ‘quarters’ to enhance existing Colossus systems or other modular synthesisers while also allowing for piecemeal purchase benefitting those wishing to build a complete Colossus system over time to spread the cost — as of May 2…

As a range of add-on synth expanders, each Colossus AS250 Quartz ‘quarter’ has a specific set of general features and is named accordingly: AS250-VCO — comprising a bank of 12 voltage-controlled oscillators (OSCILLATOR 1 through to OSCILLATOR 12), plus two noise generators (NOISE GENERATOR 1 and NOISE GENERATOR 2), RANDOM VOLTAGE GENERATOR, SAMPLE AND HOLD, and a 31 x 15 ANALOGUE PIN MATRIX ROUTING panel; AS250-Scope — comprising four discrete voltage-controlled amplifiers (VCA 1 through to VCA 4), four envelopes (ENVELOPE SHAPER 1 through to ENVELOPE SHAPER 4), two low frequency oscillators (LFO 1 and LFO 2), LCD (Liquid Crystal Display) OSCILLOSCOPE as standard or CRT (Cathode Ray Tube) OSCILLOSCOPE optionally available, and TOUCH KEYBOARD CONTROL / SEQUENCER; AS250-VCF — comprising eight voltage-controlled filters (with FILTER 1 through to FILTER 4 each of a SEM-type 12dB multimode design and FILTER 5 through to FILTER 8 each of a Moog-type 24dB low-pass design) with an associated VCA each, four envelopes (ENVELOPE SHAPER 1 through to ENVELOPE SHAPER 4), two spring reverbs (REVERBERATIONS 1 and REVERBERATIONS 2) with three real mechanical springs each, two RING MODULATORS, two SLEW LIMITERS, and a 31 x 15 ANALOGUE PIN MATRIX ROUTING panel; and AS250-Seq — comprising a 64-step analogue SEQUENCER (capable of operating in four different playback modes), four backlit moving-coil SIGNAL METERS, two JOYSTICKS, two MULTIPLES, MAIN MIXER, and two SUB MIXERS.

Modular by nature, it goes without saying, though, that each expander in the Colossus AS250 Quartz range features extensive patching capabilities with almost all parameters connectable via dedicated 3.5mm jack sockets, which when used in combination with those 31 x 15 ANALOGUE PIN MATRIX ROUTING panels — patch using (included) 3.5mm mono mini-jack leads to/from the synth circuits themselves to any matrix channels to be used, then patch using (included) red (10 kΩ) and black (0 Ω) pins accordingly — allow signals to be easily split and sent to multiple destinations with minimal cabling. “It is impossible to test every combination of patch,” proclaims Analogue Solutions Founder Tom Carpenter, before adding: “Some patches might produce unusual but still interesting results, or you could get something not mixing or buffering in quite the way you expect — just remember this is a living analogue synth, not a giant software controller that has clinical ‘perfection’.”

Put it this way: all voice and modulation circuits involved in Colossus construction are 100% analogue; in fact, Analogue Solutions steered purposefully away from digital technology to the extent of avoiding any MIDI (Musical Instrument Digital Interface) connections — those in need can, after all, always turn to third-party MIDI-to-CV boxes or Eurorack modules — though there are, of course, digital elements to the sequencer control involved in the aforesaid AS250-Seq expander that are unavoidable. As a brief aside, it is worth noting here that classic analogue sequencers like ARP’s advanced-for- its-time Model 1601 (launched in 1976) deployed digital logic chips while the colossal EMS Synthi 100 — itself inspiring Analogue Solutions’ Colossus concept from the get-go — even featured a digital sequencer that was truly ahead of its time.

Each expander in the Colossus AS250 Quartz range is — in keeping with that Colossus concept — large scale... think large knobs controlling metal shaft potentiometers, multi-turn vernier-VCOs, and panel-dominating pin matrixes constructed from eye-wateringly expensive Swiss-made broadcast-quality signal routers. Reality has it that the Colossus concept is a no-expense-spared super-synth. Indeed, it is fair to say that high-quality-constructed synthesisers such as the ‘complete’ Colossus AS100 Classic or Colossus AS200 Slim — also art and architecture incarnate, incorporating beautifully engraved wood cabinetry creating exquisite studio furniture in itself — only come around once in a decade, or, possibly, a generation. It is, of course, also fair to say that this comes at a cost. Thanks to the timely introduction of Colossus AS250 Quartz — effectively ‘splitting’ Colossus AS200 Slim into ‘quarters’ to create a range of add-on expanders enhancing existing Colossus systems or other modular synthesisers, piecemeal purchase benefitting those wishing to build a complete Colossus system over time to spread the cost is now an option.

Limited quantities of the Colossus AS250 Quartz expander range are available to order — priced (excluding VAT and delivery) at £6,900.00 GBP (AS250-VCO); £5,500.00 GBP (AS250-Scope); £6,900.00 GBP (AS250-VCF); and £5,500.00 GBP (AS250-Seq) — directly from Analogue Solutions’ dedicated webpage here: https://www.analoguesolutions.com/colossus-quartz"

1010 Music New Product Announcement - The World’s Juiciest Groovebox - nanobox razzmatazz

video upload by 1010music

Update:

Introducing nanobox | razzmatazz


Razz Unboxing + 120 Preset Preview



1010Music Razzmatazz Demo SuperStepper Tutorial

video upload by Dj Puzzle

"Today 1010Music announced Razzmatazz a digital drum synth. Really excited to announce that I did some sound design work for this awesome new drum synth by 1010music. This video shows how easy it is to change a snare sound and use the sequencer. I also show how fun it is to use Razzmatazz to expand your existing electronic drums and tabletop setup. PLUS bonus interview with Aaron Higgins of 1010Music at the end."

The World’s Juiciest Groovebox

Create the juiciest beats and tastiest rhythms with nanobox | razzmatazz, a mini drum sequencer that combines powerful FM synthesis and sampling. Featuring advanced voice architecture, razzmatazz puts a huge range of percussive sounds at your fingertips—from deep and gritty kick drums to searing snare hits and crisp hi-hats. Perform using 8 touchscreen pads or your favorite midi controller, and craft up to 16 rhythms using an innovative visual sequencer that allows you to see all pad states and steps simultaneously. Shape the sound of each pad by combining any variation of two FM oscillators and a WAV file—plus two filters, two envelopes, a resonator, a snap generator, and three additional effects. You can even choose from four unique types of distortion to create incredibly distinct and powerful drum sounds. Enjoy massive analog drum sounds and an innovative feature set, all in a compact package that goes anywhere.

Perform with 8 drum and percussion pads using MIDI pads or the intuitive touch screen
Make beats right out of the box using 120 preset kits and sequences
Explore a huge range of presets and sounds from world-class sound designers—including dub, techno, IDM, classic rock, soul, and more
Tap or swipe to create rhythms using the new super stepper visual sequencer, and see the state of all 8 pads across 16 steps simultaneously
Record long sequences up to 64 steps, with steps sizes from 1/64 to 8 bars
Adjust primary parameters for each drum model using macro controls
Design your own percussion sounds by combining FM synthesis and WAV samples
Sculpt and fine tune the sound of each drum pad using filters, envelopes, distortion, a resonator, snap transient generation, bit crushing, and rate crushing
Add depth and color to your drum sounds using delay, reverb, and a cabinet distortion
Record via line input to craft new pad sounds and create samples up to 30 seconds long
Load your own WAV files via micro-SD
Integrate razzmatazz seamlessly with other synths, drum machines, and audio devices
Quickly and easily map MIDI controls to macro parameters and mixer settings
Get into the groove with a fast, fluid, and intuitive workflow
Make music anywhere thanks to a compact and nearly indestructible design
Flexible power options from USB C connector
Mini TRS connections for MIDI in and out, clock in, line in and line out
2″ touch screen, 2 knobs and 4 buttons in a 3.75″ x 3″ x 1.5″ package

Magerit Eurorack Modules

Magerit LANIAKEA - A "cosmic" oscillator - New Release video upload by Magerit

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Introducing drumlogue, the first hybrid drum machine from Korg

video upload by Korg

Update: two new user videos by Honeysmack and Marcus Schmahl added below.

"Combining the rich power of analog with the flexibility of digital, drumlogue provides the ultimate analog sound for your beats.

Featuring newly developed analog circuitry, drumlogue builds a solid foundation for your track; it also helps you stand out with an elevated harmonic richness and thick low end.

Important parameters for each part have dedicated controls on the front panel for quick and intuitive changes – without diving into menus. For even more creative potential, each part has a wealth of further parameters accessible through a powerful onboard editing suite. Even mixing is simple, with dedicated volume controls for the analogue and digital parts.

The track you hear in this video is by Dean Forrest"

Korg Drumlogue: New Hybrid Drum Machine - First Look- Just Sounds video upload by Korg Australia


New Korg Hybrid Drum Machine Drumlogue - Honeysmack's first encounter video upload by Honeysmack



"Get ready for a super nerd session, no talking just me tinkering with the Korg drumlogue for the very first time. Korg Australia were kind enough to give me a play with a sneak preview pre-production model of the drumlogue. Unfortunately I had no manual at the time, so please excuse me in advance. Hopefully this video provides some context to its sound. I feel this will be a winner for Korg, well done! Great sound, neat size, this could be a monster of a machine.

All the sounds and effects in this video are from the drumlogue, there are no external sounds or effects. Simple stereo output from the drum machine. No other drum machines were hurt in the making of this video.

0:00 Does this suit me? Oh what does this do?
2:23 Omph omph omph, ah I see, me likey the kick drum
5:59 Electro ratchets - why not take your time and build a track
9:30 Start with speed carnivale - exploring more latin percussion then I try to break the machine!"

Korg drumlogue drum machine & synthesizer demo - no talking - video upload by Marcus Schmahl

00:00 building drum sounds & a pattern
06:13 switching through preset patterns & sounds

Korg Drumlogue Sound Demo (no talking) video upload by Bonedo Synthesizers


Korg Drumlogue Sound Demo No Talking - no external effects or processing video upload by Limbic Bits


Korg DRUMLOGUE Review // Top Pros & Cons and All 64 Factory Patterns // Full Tutorial video upload by loopop


TIMELINE:
0:00 Intro
1:20 Overview
6:15 Connectivity
7:15 Sample parts
11:40 Analog parts
14:25 Multi engine
15:05 VPM
17:15 Noise
17:55 Nano
21:30 Sequencing
22:10 Live rec
22:50 Motion rec
24:45 Step seq
25:10 Groove
26:10 Probability
27:10 Ratchets
28:00 Ties
28:30 Motion seq
30:20 Shift buttons
31:00 Polymeters
31:35 Send FX
33:35 Master FX
34:45 Sidechain
36:25 Loop
37:10 Select
38:25 Randomize
39:00 Chains
39:35 Audio in and out
41:50 Misc settings
43:45 Pros & cons
49:10 All 64 patterns



Details and pics:

A paradigm shift in drum machines.

drumlogue marks a paradigm shift in drum machines. It offers the raw power and rich sounds of Analog, the flexibility of Digital voices, and drumlogue’s SDK for fully customizable User Custom Synthesizers.

On top of that, its heavy-duty, dynamic sequencer, customizable effects, and intuitive controls will make drumlogue a must-have in your studio to create music for any genre or style.

It’s time to take your beats and entire musical process to a whole new creative level with incredible sounds, effects, customization, and sequencing. Let drumlogue support your craft on your musical journey!

Raw Analog Power

drumlogue was conceived to provide the ultimate analog sound for your beats, and delivers fantastically; featuring completely newly developed analog circuits by legendary Korg analog synth team engineer Junichi Ikeuchi (ARP 2600 M, MS-20 mini, ARP Odyssey…) , the depth and richness of its sound is on a whole new level.

These new analog circuits - (Bass Drum, Snare Drum, Low Tom and High Tom) - will not just provide a solid foundation for your track, but make it stand out with an elevated harmonic richness and a thick low end.

Blending simplicity and ease of use, the most important controls for each of these parts have dedicated knobs on the front panel that can be tweaked at any time without any menu diving necessary, so you can quickly and intuitively fine tune your sound on the fly.
For further sound exploration, each part provides many more parameters accessible through the powerful onboard sound editing system.

Last but not least, each part on drumlogue - analog or digital - has a dedicated volume knob that will make your mixing process incredibly smooth and easy.

Digital Flexibility

As the perfect partner for its analog section, drumlogue provides 7 digital parts; 6 sample based and 1 synthesis based (Multi-Engine). The sample based parts can play any of the preloaded PCM banks on drumlogue. You can also import your own User Samples to its memory, making drumlogue an extremely versatile machine with virtually limitless sonic possibilities.

To start with, the 64 preloaded drum kits of drumlogue will provide you with a wide variety of sounds spanning several genres so you can easily kick-start your tracks.

For additional sounds, samples can easily be easily loaded into the drumlogue just by connecting your drumlogue to your computer via USB and simply drag-dropping your samples onto the main memory.

Multi-Engine and logue SDK

The popular Multi Engine from prologue and minilogue xd is now more powerful than ever. In addition to the Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine features a new User Custom slot that can play full-fledged synth voices that provide vast sonic possibilities, never before heard on a drum machine.

Custom Synths

drumlogue’s synth voices are not simply static waveforms. Custom synths can be built to not only generate sound, even implementing built in filters, LFOs, MIDI controlled polyphony or other parameters is now possible The only restriction for third party developers is their creativity (and CPU usage!), giving you unbound sound exploration.

Exclusive Sinevibes Synth Plugin “Nano”

Korg has collaborated with popular logueSDK plugin developer “Sinevibes” to include a brand new synth plugin “Nano” as a factory preset on drumlogue. This exclusive plugin explores the power behind the expanded Multi Engine and will give all drumlogue users a taste of this new platform.

“Nano” is a full-fledged virtual analog synth with a wide array of features and plenty of customizable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Leads, basses, percussive sounds or cinematic effects, you decide how to use this incredible sonic potential!

A True Sequencing Powerhouse

drumlogue harnesses all of its sonic power to an extremely powerful internal sequencer that is flexible and easy to use.

Tired of the same old beats? drumlogue's heavy duty 64 step sequencer makes it easy and intuitive to create complex rhythm patterns and polyrhythms that elevate your music creation process with innovative features such as per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more.

Thanks to its clear OLED display, it is also very easy to visually follow and edit your sequences.

drumlogue is both great in the studio and playing live. With its Chain mode, creating long and interesting patterns is straightforward and clearly displayed. In Loop mode you can switch between several variations to play your sequence in new and interesting ways. The Motion and Accent recording functions are intuitive and fast and if you want to try new things on your track, the Randomization function is there to help you. These functions and many more on the drumlogue will support and spice up your live performances!

Effects and customization

drumlogue includes several high-quality effects across three categories that can be used simultaneously: Delay, Reverb and Master effects.

The send amounts for delay and reverb effects can be set independently for each part, and multiple return points are available.
The master effects allow you to add that final polish to your sound and bring it all together. Master effects can be bypassed on a per-part basis, making it possible to send the effect to specific audio parts. A sidechain bus is also available to master effects which can make use of it.

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White Model Philips PMC 100 Synthesizer Composer SN 0033020 w/ Original Box & Manuals

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"From the designer of the SFX peripherals for the Commodore 64, came this curious little box — the Personal Media Composer (PMC) 100. It's got a Yamaha two-operator FM chip, a membrane keyboard (flat, but not capacitive like the EDP Wasp) and its most striking feature, the built-in cassette deck. This allowed you to save your compositions as either sound or data, or it could function as a Walkman or dictaphone. The PMC 100 came in black or (a much rarer) white.

The main voice is monophonic, with simple preset accompaniment rhythms (with 15 options for the rhythm's voice) controlled by the 'Gling' safe-note system. This heavily limits its potential as a solo instrument, not only because the beats are laughably thin but because the accompanying voices are fixed in their patterns.

There are 100 preset melody voices, mostly the standard Yamaha PortaSound two-op noises, but there's also a surprising amount of useable sound effects and slow, evolving (but moving in very obvious digital steps) pads. It's charming in its own incredibly lo-fi way.

The real area where it shines, though, is the step sequencer. It's visualized on an LCD screen in full stave notation with rock-steady tempo, adjustable to insane degrees! Notes can be edited in or out of the sequence at will. If this thing had MIDI out it would have become a cult classic.

Sadly, though, it was a flop in terms of sales. It's not that hard to understand why; even by the mid-eighties this thing would have been considered comical and there's little hope of understanding the architecture without a manual. Still, it's a great curio to have in any synth collection and can even be useful for some styles or when buried in a mix."

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New OODA Sequencer for iOS

OODA Sequencer Testdrive video upload by Perplex On

"First little run with #oodasequencer going into a couple of #decentsampler instances and #purepiano. Served with particles. Enjoy. 😊"

OODA - Portable MIDI Sequencer by Ryan Robinson

video upload by e y l v y

OODA - NEW - Portable MIDI Step Sequencer - With Wormholes - Featuring SynthMaster 1 & 2 - For iOS
video upload by The Sound Test Room

And a few tutorials by the developer followed by full details:

Launch Party! Take 50% off OODA and ZOA for 72 hours.

OODA is a fresh take on the classic MIDI step sequencer with interactive and semi-generative enhancements.

What makes OODA unique is that you can connect arbitrary steps together using conditional “wormholes” to add structured (or random) variation to your sequences. Another unique feature is that OODA’s underlying model is decoupled from its voices. This allows you to interact with your sequences and create melodic variations in real time without affecting your groove.

OODA’s open-ended sequence grid can be easily configured for almost any use case. Anything from simple melodies and bass parts to semi-generative chords and arpeggios, OODA can do it all with a little creativity!

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Elektron Officially Introduces the New Syntakt 12 Track Drum Computer and Synthesizer

video upload by Elektron

This post is developing. Check back for new videos and updates below.

Street price appears to be $999. See dealers on the right for availability. In via Alex Timchak.

"We are delighted to announce the release of Syntakt – the 12 track drum computer and synthesizer that fuses digital and analog synthesis together in one music megabox.

Enter this sonic metropolis and experience epic sounds from the past, while pulling others into existence from the future. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too, giving you a musical melting pot with dozens of machines at your disposal.

Affect the sound of each machine with the intuitive and playful graphics. Add analog distortion and filtering to your mix or separate tracks, using the FX block. Run wild and free with the four expressive modifiers. Access a variety of different scales via the keyboard mode. And create dynamic soundscapes with its phenomenal sequencer.

The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds."


video upload by Elektron

"Syntakt is a sonic metropolis of machines, fusing digital and analog synthesis together in one drum and melody megabox. A 12 track drum computer & synthesizer melting pot like Syntakt needs a majestic guide. Let the intrepid Elin Piel show you around the many features at your disposal."

Baseck Plays : Elektron Syntakt : 12 Track Analog & Digital Synthesizer / Drum Computer

video upload by Perfect Circuit

"Elektron's newest device is finally here : The Syntakt ! A 12 Track Synthesizer and Drum Computer!
Let's see how far our friend Baseck can push this new machine.
Grab one NOW : https://bit.ly/3EEzgOE

Read our Signal article dissecting the Syntakt : https://bit.ly/37Cj446

0:00 - TUFF ACID TECHNOLOGY
1:19 - GLITCHIN' N FINGER RIPPIN'
2:24 - DETUNED DRUM DESTROYER
4:39 - SYNTAKT STEPPPPUHH
6:10 - THE ENCHIRIDION LIVE"

Elektron Syntakt : Analog & Digital Synthesizer and Drum Computer : Walkthrough with Mario !

video upload by Perfect Circuit

"Our pal Mario from Elektron came down to the Perfect Circuit HQ and walked us through the ins and outs of their newest Synthesizer and Drum Computer : Syntakt

0:00 - Intro & overview
1:30 - Machines & Visual Language
3:27 - Beats To Melt Brains To
3:59 - Modifiers
7:40 - FX Track
11:50 - Outro Jams

Elektron Syntakt Analog & Digital Drum Machine

video upload by Reverb

"Elektron's new instrument, the Syntakt, is a powerful combination of analog drum sounds, digital synthesis, and new performance features not seen on any other Elektron product. In partnership with Elektron, watch as our host Fess breaks down these features."

Getting Started With The Syntakt

video upload by EZBOT

"In this video I show you how to use the Elektron Syntakt. This tutorial requires no prior experience with an Elektron product.

Get yourself a Syntakt here and help support the channel at no extra cost to you: https://shrsl.com/3hm0m

Step up your game with 1 on 1 lessons: https://www.ezbot.live/"

Syntakt and Octatrack Performance - The Ultimate Duo

video upload by EZBOT

"In this video I perform one of my new tracks using the Elektron Syntakt and the Octatrack MK2. All the sounds in this video are from the Syntakt, I am using the Octatrack with my performance template.

Get my Octatrack performance template (among other rewards) by joining my Patreon: https://www.patreon.com/ezbot"

Syntakt Demo and Overview

video upload by Patchwerks

Learn more about the Elektron Syntakt here: https://bit.ly/pw_syntakt

Elektron Syntakt. Techno and Electro Patterns

video upload by Adam Jay

"Some patterns I’ve made with Syntakt. No processing.

Things I love: The machines! The flexibility!

It can be so many things.
8 tracks of Model cycles chord machines with deeper control, 2x LFO per track, full envelopes, dual filters, p-lockable FX track. Or half a Rytm , plus new digital drum synth and bass/lead synth machines.

Or a mix between.

All with a tasty chunk of analog Heat drive, filter, and EG, but p-lockable!

There is an inverted envelope shape in the analog fx that I use as a master compressor. The drive is lovely. I also love using some of the analog kicks with a bandpass filter for textures. Can even get kinda of vinyl pops and clicks out of these.

Can have up to 3 simultaneous analog DVCO machines."


video upload by loopop

TIMELINE:
0:00 Intro
1:35 Overview
4:35 Connectivity
5:30 Project scope
7:05 Panel layout
10:10 Digital machines
17:45 Analog machines
23:10 Analog FX Block
25:15 FX sequencing
26:45 Trig mods
28:50 Sequencing
29:30 Patterns & scales
30:50 Grid rec
31:30 Live rec
31:50 Step rec
32:45 Param locks
34:20 Conditional trigs
35:40 Filters
37:05 LFOs
38:45 Digital FX
39:55 Mixer
40:10 MIDI sequencing
42:00 Sound banks
42:35 Expression
43:20 Misc combos
44:05 Pattern chains
44:45 Pros & cons
48:05 Factory patterns

Elektron Syntakt : Live remake of "The Last V8" - C64 SID chiptune

video upload by tubesockor

"The brand new Elektron Syntakt is here!
I'm doing a brief overview, followed by a SID emulation rendition of Rob Hubbard's theme music for the C64 game 'The Last V8' from 1985. Then it grows into a live jam, using all the 12 digital and analog tracks of the Syntakt, including the features such as analog distortion.

0:00 Intro
1:50 Song starts
3:57 Live jam!"

Full details:


12 Track Drum Computer & Synthesizer

Enter a sonic metropolis with Syntakt. Analog and Digital synthesis. Drum and melody. In full fusion.

All your sound crafting, sequencing, and performance needs are fulfilled, in an all-round music mega box that fits in your lap. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too. Experience epic sounds from the past, pulling others into existence from the future.

The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds. Adore now. Explore forever.

Meet the machines
There are 35 sound-generating machines to call on, covering a wide range of drum and melodic sounds. Some machines have been reimagined from Analog Rytm and Model:Cycles, with deeper sound control for the latter, while others are entirely new to the world.

For you to create and personalize your sound, we’ve made sure you’ve got a set of parameter controls tailor-made for each machine. They let you quickly tweak the nature of each type of sound, showing you just the relevant options. Comprehensive without being overwhelming. Let loose with analog or digital overdrive, depending on the tracks you’re playing with.

The graphics more than play their part too, with plenty of animated icons offering visual guidance and extra clarity on how each parameter affects the sound. The joys of tweaking shouldn’t only be for the ears after all.

Special effects
Syntakt lets you route any of your synth tracks or external audio sources through the FX block. This gives you analog distortion and filtering, and a couple of LFOs to go to town with. Additionally, you can also call on Delay and Reverb as powerhouse send effects.

And all of the above effects can be sequenced with the FX track. Have them kick in at just the right moment. Add accents and dramatic changes to the selected tracks or external audio. Or use it as a master track for ducking and gating effects.

Modify the moment
Wield a little extra trig craft using the four modifiers, offering four varied levels of expression. Configure the first two modifiers to give you the retrig or velocity behavior you desire, and use the other two to access custom intensities of other parameters. They’re ready for action regardless of which synth track you’re using.

And the best bit is that they don’t just give you that extra playability fun in the here and now, you can also capture the moment by recording to the sequencer.

The keys to the city
Syntakt’s keyboard mode gives you a whole bunch of different scales to play with.

There are some familiar faces and some maybe a little less familiar for you to try out, helping you discover new places and taking things to another level.

Play across a single octave like on a piano keyboard. Or use fold, and have several octaves laid out in front of you.

Deep sound-shaping
Syntakt comes full of filter and envelope goodness. All tracks have a Multimode filter to put to use allowing you to emphasize different parts of your sound, with the digital tracks also able to call on Parametric EQ and a Base-width filter – an additional filter giving you even more sonic control.

Choose from two amplitude envelope types to define the ideal contour of your sound. Try out the ADSR envelope – for your wicked synth lines – or the simpler AHD envelope – perfect for transient percussive sounds.

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Aodyo Instruments Anyma Phi: Version 1.0 Sneak Peek

video upload by Aodyo Instruments

"This trailer shows some of the new features of the upcoming version 1.0 update for the Anyma Phi, the physical modelling synthesizer by Aodyo Instruments. Among the new features, you will find: drum trigger and timbre follower modulators, tools for paraphonic patches, granular processor, three exciters, snare drum resonator, internal arpeggiator, MIDI clock sync, microtuning support with onboard editor, patch randomizer, and much more.

Read more about the new features and download the public beta here: https://community.aodyo.com/topic/114... [captured below]

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modeling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal."

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IK Multimedia Introduces Syntronik 2

"Syntronik 2 sets the new standard in modern virtual synthesizers. IK’s advanced sampling techniques, combined with a hybrid sample and modeling synthesis engine, power a comprehensive collection of rare and sought-after synths with stunning sonic accuracy and the deepest editing.

This is a massive update to the previous release, adding 11 new synths, exciting new, advanced, and much-requested functionality, and a huge number of all-new presets for the 22 original synths taking advantage of all these new features."

"Syntronik 2 features

33 powerful synths with familiar panel designs and easy-to-use controls

A collection of 54 iconic hardware synthesizers and string machines

Multi-sampled oscillators for ultimate authenticity

4 classic types of circuit-modeled filters to shape sounds

DRIFT™ technology for realism of subtle oscillator variations

Mix and match oscillators with filters for new original sounds

True 4-part synth to create rich sounds with Multis and splits

4 dynamic arpeggiators and new step sequencer for complex rhythmic textures

71 high-quality effects derived from T-RackS, MixBox and AmpliTube

More than 200 GB of sounds with disk streaming and over 5,500 presets

Browser search by category or keyword to find sounds in seconds

Optimized resizable interface and “lunchbox-style” effects panel

Load Syntronik sounds into SampleTank 4* for more expandability

Works as a 64-bit plug-in or standalone instrument for Mac/PC

Fully functional free Syntronik CS version also available"

New models.


The CATO captures the distinctive analog sounds of the Octave Cat SRM and its SSM filter. The pure-analog tonality of this synth is huge, and its modulation capabilities allow for truly unique and stylized timbres. Able to create gigantic Moog-style basses, the CAT can also go in its own sonic direction with its clever oscillator sync implementation.

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Roland Announces JX-08 and JD-08 Sound Modules

video upload by RolandChannel

"The compact-yet-powerful JD-08 Boutique updates the iconic JD-800 synthesizer for your modern workflow. Known for its extensive hands-on controls and an unapologetically electronic sound palette, the JD-800 helped define the sounds of the ‘90s and beyond. The JD-08 faithfully recreates the vintage instrument using the 108 original waveforms and advanced modeling techniques to deliver the signature JD sound design workflow. Plus, modern upgrades, including expanded polyphony and a two-part polyphonic sequencer, give you deeper music creation and editing freedom.

The compact JD-08 fits just about anywhere, and with updated USB-C audio/MIDI and full-sized MIDI jacks, you can play and synchronize with almost any piece of gear. There’s also an external clock input to sync to vintage analog instruments or modern Eurorack systems.

Add the legendary JD-800 experience to your modern studio with the JD-08 Boutique model.

More Details:
• Four-part tone structure, multi-phase time variant envelopes, and palette sliders
• Includes the original 64 presets plus 21 new presets
• Detailed recreation of the JD-800’s unique two-stage multi-effects section
• Editable distortion, phaser, spectrum, enhancer, delay, chorus, and reverb
• 64-step, two-part polyphonic sequencer with random pattern generator
• Onboard arpeggiator  
• Two-part multitimbral with expanded polyphony
• EXT CLOCK IN to drive the internal sequencer and arpeggiator

In this video:
0:00 – Intro
1:19 – Sound Demos
2:51 – Real-Time Control
3:47 – Sequencing
6:46 – Triggering"

Roland Boutique JX-08 Synthesizer: Overview and Demo

video upload by RolandChannel

"The JX-08 Boutique reacquaints you with the unique voice of the classic JX-8P synthesizer, with some major upgrades. A staple of the ‘80s, the JX-8P was famous for its warm pads, shimmery chorus, and crystalline tones. Now, you can add this iconic synth experience to your modern studio with the JX-08 Boutique model.

The JX-08 offers a range of powerful new effects, expanded presets, and a polyphonic sequencer. Explore over 100 new patches for a more contemporary sound or use the hands-on editing functions, included on the unit and ported over from the original companion PG-800 programmer, for the ultimate JX experience.

The compact JX-08 fits just about anywhere, and with updated USB-C audio/MIDI and full-sized MIDI jacks, you can play and synchronize with almost any piece of gear. There’s also an external clock input, so you can sync to vintage analog instruments or modern Eurorack systems.

More Details:
• 32 original presets, plus 111 new presets
• 17 new effect types including JUNO-106 chorus, LO-FI Comp, and Pitch Shifter
• 64-step, two-part polyphonic sequencer with random pattern generator
• Onboard arpeggiator
• Two-part multitimbral for playing multiple patches with dual and split capabilities
• Expanded polyphony compared to the original hardware
• EXT CLOCK IN to drive the internal sequencer and arpeggiator

In this video:
0:00 – Intro
1:44 – Sound Demos
2:46 – Real-Time Control
3:32 – Sequencing
5:17 – Triggering"

And the press release:

"The Roland Boutique lineup expands with new modules based on the vintage JX-8P and JD-800 synthesizers

Los Angeles, CA, November 9, 2021 — Roland announces the JX-08 and JD-08 Sound Modules, the latest additions to the award-winning Roland Boutique lineup of compact electronic instruments. The JX-08 offers a scaled-down recreation of the JX-8P, one of the last analog synthesizers produced by Roland in the 1980s and a highly sought-after piece for vintage synth fans. The JD-08 is a compact reproduction of Roland’s JD-800 synthesizer, an influential digital instrument from the early 1990s loved for its complex, gleaming sound and comprehensive hands-on control.

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Rare White Model PHILIPS PMC 100

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Made from 1986 to 1988. From the designer of the SFX peripherals for the Commodore 64, came this curious little box — the Personal Media Composer (PMC) 100. It's got a Yamaha two-operator FM chip, a membrane keyboard (flat, but not capacitive like the EDP Wasp) and its most striking feature, the built-in cassette deck. This allowed you to save your compositions as either sound or data, or it could function as a Walkman or dictaphone. The PMC 100 came in black or (a much rarer) white.

The main voice is monophonic, with simple preset accompaniment rhythms (with 15 options for the rhythm's voice) controlled by the 'Gling' safe-note system. This heavily limits its potential as a solo instrument, not only because the beats are laughably thin but because the accompanying voices are fixed in their patterns.

There are 100 preset melody voices, mostly the standard Yamaha PortaSound two-op noises, but there's also a surprising amount of useable sound effects and slow, evolving (but moving in very obvious digital steps) pads. It's charming in its own incredibly lo-fi way.

The real area where it shines, though, is the step sequencer. It's visualized on an LCD screen in full stave notation with rock-steady tempo, adjustable to insane degrees! Notes can be edited in or out of the sequence at will. If this thing had MIDI out it would have become a cult classic.

Sadly, though, it was a flop in terms of sales. It's not that hard to understand why; even by the mid-eighties this thing would have been considered comical and there's little hope of understanding the architecture without a manual. Still, it's a great curio to have in any synth collection and can even be useful for some styles or when buried in a mix."

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MFB's Manfred Fricke Has Passed Away

Left: Manfred Fricke (via Amazona.de) back in the day with his first creations, the MFB-501 drum machine (right), and MFB-601 digital sequencer (left).

2nd image is Manfred Fricke with the MFB SYNTH II at SUPERBOOTH (unknown source).

We lost another legend in the synth world. Sad news in via STROMKULT: "'On June, 17th around 11am Manfred Fricke from Berlin alias MFB sadly passed away after having had a hard time with cancer for a while already. He left his wife Gloria and his son Jean-Marcel behind, we are all very sad having lost this partner, friend and father.'
HerrSchneider

Manfred Fricke was one of Berlins pioneers of analog synth and drum machine makers. He has been the weapon of choice for many (not only) starting musicians. Let’s be honest, who didn’t have one of his creations early in his or hers journey into electronic musical instruments – or at least thought about getting one – and why shouldn’t you? Manfred Fricke's machines always brought something unique to the table, they were mostly analog, affordable, in small plastic housings and just did the job. Manfred always focused on keeping his products affordable for his clients and the instruments quite often made their way to professional use later on, and the musicians often kept their first units as something almost holy, because it were these machines that paved the way into analog electronic music making.

But it would be too short-sighted to associate MFB only with budget entry-level products. Especially the drum machines Tanzbär and Tanzbär II, or the great Dominion 1 show that Manfred Fricke also built machines that met higher demands. The Tanzbär, in particular, is considered by many to be their favorite drum machine of the last few years, especially in terms of its amazing sound.

We hope that MFB will continue to exist and that it will continue to make it easier for many generations of musicians to enter the world of electronic sound production.

We wish Manfred Fricke's son Jean-Marcel continued success for the future of MFB and extend our condolences to him and his family. And lets hope that Manfred will finally meet up with all the other good guys on the other side.

Rest In Peace."

MFB TANZBAR 2 pic via STROMKULT.


video upload by 7V-STUDIO

MFB's Manfred Fricke's first procuct, the Fricke MFB-501 drum machine.

Description via this video:
"This little analog beatbox was developed in 1980 1979 by Manfred Fricke. It was offered at 380 DM. As a low-cost model on the market for analog rhythm generators the small black and white "Switch Box" quickly found a lot of friends, because its configuration could be compared to its expensive far east competitors: 64 patterns and as many fill-ins switchable via micro switches, speed ​​control via potentiometer, 10 analog percussion instruments (activated by means of micro switches), combined mono/stereo outputs (jack), In & Out (5 Vss) and trigger footswitch inputs (jack) for start and fill-in
(retail price for the switch at 16 DM). An external wall power supply provides 12 volts.

Approx. 5000 units of the MFB-501 had been sold. Not so bad for a one-man company. So this drum machine is one of the top-selling devices in the history of the Berlin engineer offices M. Fricke . If you're lucky, this iconic device can still be found on the relevant internet sales platforms.

Today, maintenance of this tiny noise machine is still easily feasible, because Fricke employed only commercially available components. Therefore, 'presumedly dead 501's' can be reanimated without major problems."

MFB 601 Vintage Digital Sequencer, Teardown, Repair and partial analysis


Published on Feb 2, 2015 FPV Electronics

Note this video is FPV Electronics of course, and not Manfred Fricke.
"This device is exclusively built from 7400 and 4000 series basic logic ICs. Making it must have been so much more difficult than just programming a generic µController as we would do today."

Timeline via http://mfberlin.de/en/about-us/:

1976: MFB was founded by engineer Manfred Fricke. So far there were more than some hundred products constructed and distributed. The first developments and products were primarly video games for industrial playmachines.

1979: A lowcost drummachine was introduced in 1979. (98 DM for the self construction kit). The legendary drumcomputer MFB-501 was finished and sold. Although it was not the most prominent drumcomputer of that time it surely was one of the best selling drum units in Germany. Some shops sold ten times more MFB-501s than Roland TR-808s. More products for the musician followed, such as the Digital-Sequencer MFB-601 and the digital drum machine MFB-512. All of these featured rich products were offered at exceptional low prices.

1984: The E-Drum module series 1000 and 2000 followed with corresponding pads.

1986: A new construction period started in 1986 with product launches of the MIDI-CV converter MFB-201 and the MIDI drummer MFB-SYNTH was finished in 1997, although its development dates back to the eighties. The machine never went into production since 2001, the year of the company´s 25th anniversary because of decreased interest in analogue synthesizer technology especially in the sales channels.

From 1986 Manfred Fricke specialized in products for video applications. Alone 20 different framegrabbers for the Apple II, C-64 und IBM compatible PCs were constructed. A very high percentage of these framegrabbers were and are still in use for special industrial purposes. Custom development is still done here, so these specialized tools are not available for other customers.

1994: MFB introduced the world´s first videomixer below 1.000 DM, the MFB-901. Its successor MFB-902 was available in 1995. Another important development in the video section was the model MFB-912, a digital video memory. This 1998 product was highly acclaimed by the press.

1999: The successor MFB-915 added sound and higher picture resolution. It´s available since October 1999. Another successor is the model MFB-920 with an integrated harddrive offering better options for nonlinear cutting and post processing of the recorded material.

2001: During this year, Manfred Fricke also developed another new MIDI drum-module. MFB-KULT, includes most of the famous sounds of the older machines. Both MFB-SYNTH and MFB-KULT are availabale since December 2001. Because of constant requests for the digital sequencer MFB-601 a successor MFB-602. was introduced in May 2002.

2002: Since August 2002 there´s also a little brother of the MFB-SYNTH, the MFB-SYNTH LITE

And of course the MFB DOMINION series and the MFB SYNTH PRO.

There have been 1747 MFB posts on the site prior to this one. MFB has been a mainstay on the site and Manfred Fricke will be greatly missed.

Home Bake Instruments Gadget Synths

Note: Auction links are affiliate links for which the site may be compensated.

Note this is the first pot to feature Home Bake Instruments.

via this auction

Chips, Acid, and FM Kitchen.


And details on the full product line:

CHIPS CHIP_TUNE SYNTHESIZER

KNOBs
NOISE 1 bit NOISE GENERATOR

MIX MIX OF OSC & NOISE

LFO LFO AMOUNT to TUNE

MOD LFO FREQ

DECAY DECAY OF VCA

SYNC INPUT/OUTPUT JACK of SYNC. (UP TO 5v SIGNAL)

OUTPUT AUDIO OUTPUT (MONO)

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Korg | Monologue * No Talking * Stock Preset Sequences 1-80

video by Here On Earth Studio

"This is a demo of all the stock patches & sequences of the amazing Korg Monologue | Monophonic Analog Synthesizer / Sequencer

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MISC Sequential Circuits Brochures

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Brochures for the Sequential Circuits Pro-Fx, Model 64 MIDI Sequencer Cart, Prophet 2000/2002 Memory Expansion, Sound Disks, and Prophet-5 Remote Keyboard.

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VIRTUAL ROLAND SOUND CANVAS PROGRAMMER - for APPLE LOGIC v4 > vX

Avialable on Reverb here.

"FOR USE WITH Roland SC-88 PRO, SC-88, SC-55 MKII, SC-55, SC-8850*, CM-64, etc. (*partial support only)


*Dust off and unleash the programming power of your venerable Roland SOUND CANVAS
*Press into service those fat and juicy Roland resonant filters
*Tweak all those pesky hidden effects parameters
*Easily dial in all those eminently routable continuous controllers for maximum expression and creativity
*Program unique sounds starting with the basic building blocks of the well-honed Roland GM sound sets
*Play all those old SMF files with a unique twist to your sounds, programmed by you
*These are just some of the things you can do with this new comprehensive Roland SOUND CANVAS programmer for Apple’s LOGIC DAW


This software is a virtual Roland Sound Canvas programmer for use with various Roland Sound Canvas synthesizers. It simulates a hardware programmer in a software environment within the APPLE LOGIC audio / sequencer program (formerly Emagic LOGIC). To use this software you MUST have a valid copy of LOGIC on your computer (see below) as well as a MIDI interface which connects your computer via MIDI cable to your hardware synthesizer (or you can use the built-in serial interface on some of these units). This software CANNOT be used as a stand alone application under any circumstances. It will not run in Reason, Ableton, AU, VST or any other plug-in format. It is created and presented through use of the LOGIC “environment” architecture.

This programmer is compatible with many different Roland SOUND CANVAS models to varying degrees. Completely optimized for Roland SC-88 PRO, it handles all possible editing duties in that unit with the single exception of micro-tuning, and the same for the SC-88. It will also support the earlier SOUND CANVAS models such as the SC-55 Mk II, SC-55, and a host of others using the GM standard and extras to the degree supported by your particular model’s architecture. This includes Roland’s PC computer products, Virtual Sound Canvas and many others - about 40 different units in all. Check this WIKI page if you want too see if your unit may be supported: https://en.wikipedia.org/wiki/Roland_Sound_Canvas

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Oops They Did it Again - Behringer Introduces the Swing USB MIDI Controller Keyboard

Update: see Arturia's & interface designer Axel Hartman's response further below.

Look familiar?

"32-Key USB MIDI Controller Keyboard with 64 Step Polyphonic Sequencing, Chord and Arpeggiator Modes

The Behringer SWING gives you full control over any synthesizer or virtual instrument in your DAW via USB or MIDI. Featuring a 64-step sequencer with an 8-note polyphonic sequence combined with 32 compact-sized keys and pitch and modulation touch-strips provide unlimited ways to express yourself in a compact and portable package.

The SWING’s 32-compact-sized keys create a perfect balance between size and playability. The keys give you the ability to create more nuanced and colorful passages with velocity and after-touch functionality. Use the Pitch and Modulation touch-strips to add even more character to your music. Chord Play Mode allows you to play a chord with up to 16 notes with one single key for some really enchanting Trance music. The SWING also features a 64-step polyphonic sequencer so you can create any progression imaginable and even play over it. Switch to Arpeggiator mode and create an amazing string of notes that can sync to the clock of any device the SWING is connected to.

The Mode knob on the SWING can select up to 8 saved programs in Sequencer mode, while in Arpeggiator mode, you can select different playing orders such as up, down, inclusive, exclusive, random, note order, double up and double down modes. Select from 8 different time signatures with the Scale knob and adjust the tempo with the Tempo knob or the Tap button. Press the Record button to start recording a sequence. This also doubles as an Append button when holding down Shift. Use this along with the Stop/Clear Last button and you can edit your sequences and arpeggios on the fly.

Update: And a response from Arturia followed by Axel Hartman who designed the physical look of the Keystep:

Arturia:

"Hello everyone,

We have been informed on Sunday November the 22nd of the upcoming release of a new product called Swing, by Behringer. This product is in no way the result of a partnership between Arturia and Behringer.

We have worked hard to create the _Step range. We have invested time and money to imagine, specify, develop, test and market the KeyStep. Along our distributors we have been evangelizing this product, placing it in stores, explaining it, servicing it.

Of course we accept competition, and would absolutely understand that Berhinger give their own interpretation of a small and smart controller that would also be a sequencer. Others do, we have no problem with that and see good for the customer, as well as for the industry, in fair competition.

But this is not fair competition here.

Coco Chanel once said: “If you want to be original, be ready to be copied”. So we could in a way consider the Swing as a compliment.


We could.

In any case, thank you, everyone who came out and supported us these past 36 hours! It's been very helpful, very much appreciated.

Frédéric Brun
Co-founder and CEO, Arturia"

Axel Hartman:

"I do feel the need to comment on the many postings I can find here @ Facebook in several places regarding my thoughts, feelings, but also the truth about the blunt Behringer copy of the Arturia key step.

Arturia and myself, aka my company design box are designing instruments, synthesizers, controllers, interfaces since many years. As industrial designer, I contribute mostly my services on the asthetical side of a product. This is true for almost all hardware products that you know from Arturia. In all cases, Arturia is buying my services - I never licensed any of the designs. Arturia always pays, and naturally owns the output of my work, that - by the way - is alway the result of an in-depth cooperation with their internal team of specialists.

Arturia and myself are working together since many years, and we share the deep desire of designing innovative products. I could never share any of the designs, that came out of that cooperation with any body else, legally not, and not from my personal high attitude in that regards. So anything, pointing in that direction is simply fake information. Neither the company Behringer, nor Uli himself have ever approached me with a request like that. And I would also never ever do something like that - I can not license anything that is not in my possession.

Personally, I feel sad, and am also upset about that sheer copy of a design, that I once created for, and together with Arturia, the team around Frederic Brun. These people have spent lots of efforts and great energy in building a brand and all that belongs to a brands assets. It is simply not right, somebody else is taking advantage of that hard work (which is not only true for Arturia, but for all great brands, that must see their most successful products being copied) I do not understand (Uli) Behringer - with his huge company and the power of many great R&D teams - some of the best and most respected and innovative companies we know in our business, that Uli was able to simply buy in the past with his money. A product like that copy simply can not represent the core values of the people, he could convince to be part of his company. It is simply sad, and I can not understand that move (like many, it seems)."

And then there's the following mock-up from Atomic Shadow that pretty much sums it up:

Update via Wikipedia: "Music Tribe, formerly Music Group, is a holding company based in the City of Makati, Metro Manila, Philippines.[2] It is chaired by Uli Behringer, founder of Behringer. Music Group rebranded to Music Tribe in December 2017.[3]...

In 2015, Music Group's portfolio included Midas, Klark Teknik, Behringer, Bugera, Eurocom, Turbosound, TC Electronic, TC-Helicon, Lake, Lab.gruppen, Tannoy, TC Applied Technologies and CoolAudio[6]"

Update: And Behringer's response via Musictribe:

"Since various magazines and Arturia have publicly called us out over the launch of our Swing MIDI Controller, we would like to respond and share some facts around the principles of competition and clear up some misconceptions.


Competition is a highly effective tool to drive innovation by empowering Customers to make their best choices and force manufacturers to constantly reinvent themselves. Innovation means progress and this happens on many levels, whether it relates to customer experience, functionality or cost efficiencies etc.
There are 4 established marketing strategies: market leader, market challenger, market follower and market nichers. Here is a great article: https://aytm.com/blog/brand-positioning-for-a-competitive-edge-part-3/


The competition law was designed to avoid companies creating a market monopoly and stifle innovation, which would be detrimental to the rights of the Customers to expect better offerings. The law was specifically designed to encourage everyone to fiercely compete, even when it means over the same functionality and design, provided intellectual property such as utility (functional) and design patents as well as trademarks etc. are respected.


How many Fender Stratocaster or Gibson Les Paul clones are out there in the guitar world and how many SM58 clones are available? How many cars or mobile phones look alike? It is not surprising that Gibson recently lost a substantial legal case trying to prevent others from making V-shape guitars or Fender, who lost all trademark cases related to their Stratocaster design.
The reason is simple: the law encourages competition and provides maximum freedom for companies to engage head-on, all for the benefit of the Customer.


We are spending large amounts of resources on innovation, which is reflected in products such as X32, XR18, Flow, DDM4000, etc. This made us the global market leader for analog and digital mixers and over the years we have built an extensive patent portfolio:
https://community.musictribe.com/pages/intellectual-property
However, we also clearly choose to follow successful brands and products, while adding more features and/or competing on price. Much of our innovation is invisible to the Customer as it relates to our highly advanced and automated design and manufacturing processes and for that we are spending hundreds of millions of US$.
For this reason, we have become strategic partners with Microsoft, Siemens, Adobe and many other Tier 1 companies as we are pushing for extreme digitization and automation.


The follower marketing strategy is a very common business model in any industry, which is enabled by law to encourage competition. With our new Swing MIDI Controller, we followed an established concept, but of course wrote our own firmware with added functionality. However, these unique features will only come to life when we launch our free DAW.


The free Music Tribe DAW will form the heart of an incredible eco-system, where all our controllers, synthesizers and drum machines etc. will integrate seamlessly, thus dramatically improve connectivity and workflow. This will make it incredibly easy for our Customers to create, edit and share their music.
Only our upcoming controllers will feature total integration with our synthesizers, drum machines, digital mixers and other Music Tribe equipment, while also offering standard functionality with all 3rd party products.


For anyone familiar with the industry landscape, Arturia has been cloned for years (Worlde MiniMidi, etc.), while the company has also been “borrowing” from others with their VST replicas of legendary hardware synths, open-source code from Mutable Instruments, the “Expressive Touche” controller or the registration of known “DX7” and “Synthi” marks. Equally, our own analog Xenyx mixers and many other products have been widely cloned.
¬We will absolutely continue to deliver innovative products but also follow our competitors as we expect our products to be cloned - fair play.


We are very cautious when it comes to our follower approach and employ expert intellectual property firms to ensure our products stay within the boundaries of the law; we are committed to never intentionally infringe on other companies’ intellectual property.


Many years ago, we were entangled in bitter lawsuits with Mackie and Pioneer, which we all won. But we also recently lost a case against Yamaha in China related to a simple fader knob design that involved a design patent we were unfortunately not aware of. We changed the design, we will pay the fees and move on. Notably, Yamaha themselves were sued by Dr. Dre over their headphone designs (https://www.cnet.com/news/dr-dre-sues-yamaha-over-headphones/) or entangled in other legal matters (https://www.gov.uk/government/news/musical-instrument-firms-to-pay-millions-after-breaking-competition-law), which clearly shows how competitive business is. The heated Apple versus Samsung disputes are a prime example.


It is our Purpose and Mission to empower Customers who don’t have deep pockets and provide them with the best possible equipment at fair prices. We do understand that we are a fierce competitor and at times controversial as we’re relentlessly push the envelope.


We would like to thank all our Customers who have supported us over the past 30 years. We are absolutely committed to continue to deliver the best possible products at the lowest possible cost."