Melbourne Instruments DELIA // It's got motorised faders!

video upload by Starsky Carr

"From Superbooth 2024 DELIA is Melburne Instruments latest synth. The Nina was a desktop fuly analog synth, this one is a hybrid with keys.

Just a quick demo from Superbooth, but if I can get my hands on one :).

FYI I spoke with Signal Sounds - the distributor - while I was there so hopefully we can sort something soon."



Additional details and pics via Melbourne Instruments:

Motorized Morphing Polyphonic Synthesizer

49 Key Velocity and Aftertouch Sensitive
DELIA is a bi-timbral polysynth inspired by the motorized control panel and voice architecture of the original Melbourne Instruments’ Nina. Delia introduces a 49-key velocity and aftertouch sensitive keyboard, new multi-mode analog filters, high pass and low pass resonance control, 3-stage overdrive, and even more modulation possibilities.

Analog soul with a computerized brain

Using a combination of true analog filters and virtual analog modelling, DELIA retains the vital sound of massively overdriveable analog ladder filters, while using a digital front end to run modelled VCOs, wavetables, high pass filters and more. The powerful combination of analog plus digital is harnessed by Delia’s unique 12 note mode, using 12 complete oscillator banks into the 6 filters, limiting note stealing without compromising the sound, and fully unleashing Delia’s bi-timbral operation.

Discrete Multi-mode Filters

DELIA’s true analog low pass filter is the heart and soul of the sound engine — warm, full and sweet or fearfully aggressive. It is complemented with a high-pass modelled ladder filter, which can be linked for bandpass and notch operation. With 12 and 24dB slopes and separate high/low pass resonance control there is huge scope when shaping sounds, from the most delicate plucks and pads to the wildest overdriven bass and lead sounds imaginable. Delia is an inspiring creative companion and dependable instrument for musicians and composers, no matter what their level.

Know your Filters! Analog + Digital

DELIA’s filters have an analog and a digital section per voice. The analog filter is the classic discrete transistor ladder filter offering a choice of 24dB or 12dB per octave operation. Prior to this filter is an analog variable overdrive circuit that can push the filter from normal operation to complete distorted collapse of the transistor ladder, adding richness, aggression and body to your sound.

The HP filter is a digital transistor-level mathematical model of a 24dB ladder filter, based on the gold-standard Ebers-Moll transistor equations. This gives an almost perfect match to the response of the analog circuit, including the overdrive response, resonance and natural filter frequency variations.

The High Pass filter is less important sonically, so the choice of digital instead of analog reduces cost without compromise. Having the Low Pass filter second gives true analog character where it counts.

The filter is Multi-mode with 3 ways to configure. The High Pass and Low Pass cut-off frequencies are separately controlled with 2 knobs, so the overall operation can be High Pass, Low Pass or Bandpass. The separate HP and LP resonance controls offer flexibility to shape the sound including vocal-style formants. Delia’s LINK function locks the distance between the Low Pass and High pass knobs, setting a constant width Bandpass for both manual control and sweeps using the VCF envelope or other Modulation Matrix controls.

Total Recall. It’s not a dream!

The motorized journey does not end at Recall and Morph; Delia’s ‘MOD Mode’ automates the Modulation Matrix setup. As you move between the 20 modulation sources, every knob changes position to display its modulation amount. No need to tweak the panel every time you switch sources or destinations, no matter how many modulations or slots are active. Delia gives you a sound design workflow that truly flows - combining the flexibility of a soft synth with the tactile experience of a classic hardware synth.

Morph every parameter, then Mod it!

DELIA’s A/B Morph function lets you explore and sweep through timbres like no other. The A/B Morph sound is an actively calculated change in parameters between the A and B patches including the entire modulation matrix. This provides the ability to instantly create a new preset based on the Morph position that is neither the A or B patch, but instead a totally new sound. Morph is also a ‘MOD destination’, giving you even more creative control via Aftertouch, Mod Wheel and Expression.

Step into an infinite matrix of sound

The motorized journey does not end at Recall and Morph! Just like Nina, Delia’s ‘MOD Mode’ automates the Modulation Matrix setup. As you move between the 20 modulation sources, every knob changes position to display its modulation amount. No need to tweak the panel every time you switch sources or destinations, no matter how many modulations or slots are active. Delia gives you a sound design workflow that truly flows - combining the flexibility of a soft synth with the tactile experience of a classic hardware synth.

Building on innovation

DELIA inherits many of the acclaimed features of Nina, including 4-Quadrant Analog VCAs, Morphing, Digital Effects and Digital Wavetable Oscillator. Adding to these features are the inclusion of Sequencer Phrase Looping and Overdubbing, and the ability to assign your favorite effects parameter to the Effects Macro control.

Under the hood Delia is a beast! Virtual Analog Oscillators model Nina’s discrete circuitry but add cross-modulation, and Delia’s 20 modulation sources and 40+ mod destinations with unlimited slots gives sound designers an almost endless spectrum of sounds. Two digital effects processors paired with classic effects presets and the option to run in series or parallel offers creative freedom. And with the ability to save more than 16,000 presets inspiration and artistry will never be limited by available memory or slots

Waveform, Envelope and Wavetable Visualizers

Delia’s high definition LCD also provides useful Waveform and Wavetable visualizers, as well as instant feedback and display for almost every function as you interact with the control panel.

Vangoa S55 MIDI saxophone / EWI review

video upload by Floyd Steinberg

"Here's a look at the Vangoa S55 EWI / MIDI Saxophone, which was sent to me for review. (Amazon DE | Amazon US ).

Some demos of the internal synth 6:36, using it as a MIDI controller for software plugins 8:20 and a Novation PEAK hardware synthesizer 9:40. Please excuse my lame attempt at humour. ;-)

5% exclusive discount code: 05FloydS55

Official Website: https://www.vangoa.com/

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Vangoa S55 digital wind instrument built-in 13 Tones, including alto saxophone, soprano saxophone, morin khuur, clarinet, flute, hulusi, suona, trumpet, violin, ocarina, bamboo flute, erhu and recorder. MIDI connects to Android, IOS, macOS Windows using APP and DAW to extend endless tones

Electric wind instrument includes 2*removable and washable silicone nozzles, 1*USB cable, and 1* portable cloth case, easy to carry and ready to use, perfect Christmas and birthday gift

Portable digital wind instruments include a speaker output, so you get the same playing experience as traditional instruments, and the headphone connection can ensure a better sound experience, so you don't worry about disturbing others

The mini electronic wind instrument has a built-in 800 mAh rechargeable battery, which allows you to enjoy 4 hours of playing after a full charge, and the compact and portable body ensures you can practice or perform without the restrictions of the venue

The electronic wind instrument is equipped two fingerstyle playing, and the electronic touch sound hole can better capture your playing changes, 3 kinds of adjustable blowing sensitivity, bringing better sound dynamics

Vintage Simmons Digital Clap Trap Handclap Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Classic 1980’s Simmons Clap Trap"

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Stanford CCRMA open house, day 1

video upload by SynthAddict

The above is a walkthrough of a Stanford CCRMA open house from Thursday the 16th by supporing member SynthAddict. Take a look at what he walks into when he enters the building. A Yamaha GS1 with working voice programmer. The GS1 was the first commercial FM synthesizer released in 1980, three years prior to the DX7. John Chowning, discoverer of FM synthesis performed that night. According to SynthAddict: "The Chowning curated show last night was very eye opening - so much cool electronic music even going back to the 60s and it was digital."


And below :) "Today I got a shot of the Yamaha power synth stack in the lobby, with the best baseball cap on top. 😀"

Update: looks like the stream was here: https://ccrma.stanford.edu/live/. It's not working for me at the moment, but feel free to check and comment if it works for you.

Erica Synths LXR-02 Digital Drum Synth w/ Original Box

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional SYNTH CITY Listings

"Gently used LXR-02, includes original box and power supply as pictured.

Two companies - Sonic Potions and Erica Synths joined efforts to develop a drum machine that would stand apart from the masses and the LXR-02 was born. The LXR is a full-fledged digital drum machine with an integrated sequencer. Its sound engine provides 6 different instruments, each with over 30 parameters to tweak, producing sounds from classic analog emulations to crunchy digital mayhem, thus offering some of the most extensive sound design capabilities found on a drum synthesizer. Its compact, durable design and clear user interface make it ideal for live gigs."

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New UDO Super 8 Press Release & Pics

You've seen the SUPERBOOTH videos.

The official press release follows:

The UDO Super 8

The Super 8 is a 16-voice polyphonic, bi-timbral analog-hybrid performance synthesizer. Employing superior hands-on controls, an expressive 61-note weighted keyboard with polyphonic aftertouch and all the powerful, flexible and addictive sound of the UDO Audio family.

Overview

Introducing the next evolution in the Super series. At the core of the Super 8 is two independent binaural analog-hybrid synthesizer signal chains using UDO’s proprietary and proven synthesizer technology. With up to 16 voices of polyphony and two unique timbres each with their own independent effect chain, this instrument is analog reimagined. Like its larger sibling the Super Gemini, voices and timbral layers can be split, dualled, sequenced all at the touch of a single control.

Powered by complex FPGA digital oscillators, the Super 8 is decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and an all-analog signal path to the output, inspired by the analog poysynth heavyweights of lore. Equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, left hand performance controls and 256 performance and patch slots, 32 interchangeable waveforms and 16 sequences, the Super 8 balances power, playability and performance.

Sitting in between the Super 6 and the Super Gemini in size and power, the Super 8 puts the player first using high quality tactile control elements with our user-centric intuitive design philosophy that inspires exploration and sonic play. Adopting a similar true-stereo Binaural signal path with dual FPGAs and twin effects processors like the Gemini, and yet retaining the portability and road-friendly personality of the Super 6. The Super 8 will be a long time friend and partner in your adventures in sound.

Super. Evolved.

As the next evolution in the Super family, the 16-voice Super 8 sits confidently between the Super 6 and the Super Gemini. This synth is the distillation of the UDO philosophy of the power of play — with the dual cores and playability features of it’s bigger cousin, all in a more compact and simplified presentation — it’s the best of both worlds.


Duality in Sound

The Super 8 allows you to effortlessly transition between two independent synth layers, inspiring textural, deep and rich soundscapes at a touch. With UDO’s championed powerful, flexible and immediate sound, this synthesizer is designed to take you on a sonic journey.


Respected Tradition
Meets Cutting-Edge Innovation

Using the tried and tested UDO framework of state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology, the Super 8 is a harmonious meeting of old and new in ideas and techniques. All contained within a no-expense-spared build with the highest quality components, The Super 8 is an instrument for life.

At a Glance

Price (RRP)
€ 3,749
£ 2,995
$ 3,699

Availability
First units shipping July 2024

top-line spec
– 16 voices (8 voice in binaural mode)
– Bi-timbral
– Analog-hybrid
– 61 note semi-weighted polyphonic aftertouch keybed
– High quality control elements

Size and weight

Instrument
1040mm × 400mm × 95mm
13.4kg

Packaged
1150mm × 550mm × 230mm
18.1kg

CLICK FOR MORE »

INTRODUCING THE OBERHEIM TEO-5

video upload by Oberheim Official

"Step up to the legendary warmth and brilliance of classic Oberheim, reborn in the compact, powerful TEO-5. Dive into authentic analog tones, push boundaries with modern modulations and effects, and create like Thomas Elroy Oberheim always dreamed. TEO-5 is more than a synth, it's your sonic legacy, waiting to be written.

Music by Peter Dyer
All sounds from TEO-5

Learn more at
https://oberheim.com/products/teo-5/"

TEO-5 Synthesizer Unboxing & Demo Feat. Tom Oberheim

video upload by Doctor Mix

"Today, I unbox and demo the incredible Oberheim TEO-5 synthesizer. In the video I also discuss TEO-5 with the man himself Tom Oberheim who graciously gave me an intimate introduction to his latest and greatest synthesizer. 🚀"

J3PO reviews the new Oberheim TEO-5 synthesizer

video upload by J3PO

"Today, Oberheim Electronics has just announced the release of their new synthesizer: TEO-5 -- a five-voice analog synthesizer. In this video, Julian "J3PO" Pollack reviews the synth and performs numerous sound examples.

00:00 Introduction
01:04 Sound Examples & Discussion
26:38 Conclusion / Final Thoughts"

OBERHEIM TEO-5 Review // Filter & TZFM explored // Pros & cons vs Take 5 & Oberheim synths

video upload by loopop

"Get access to my exclusive In-Complete Book of Electronic Music Ideas, Tips and Tricks, on my Patreon: / loopop"

TIMELINE:
0:00 Intro
1:10 Overview
3:10 Build & keys
4:05 Low split mode
4:30 I/O
5:05 Oscillators
7:30 Sub & noise
7:55 Sync
8:20 Thru Zero FM
11:20 Misc osc
11:45 Filter
14:05 Overdrive
14:45 Effects
19:55 Unison
20:25 Chord mode
20:35 Envelopes
22:30 LFOs
24:10 Mod matrix
27:10 Vintage
28:05 Arp
29:25 Sequencer
30:50 SoundTower
31:55 Pros & cons
37:45 Preset sounds

Oberheim TEO-5 INHALT Synth Demo

video upload by INHALTVIDEO

"Following up from my work on the beta development and sound design on the Oberheim OB-X8, I was pleasantly surprised to find that the next Oberheim synth would be the TEO-5. Unpacking the beta unit revealed a beautiful and cleverly designed 5 voice analog synth that simply sounds amazing.

The size of the TEO-5 is absolutely perfect for world wide gigging and the sound is a sort of best of Oberheim with a modern twist. That modern twist doesn't exclusively come from the excellent FX processor on board, but also from the interesting modulation options and ranges. While you can push the synth into harmonic and saturated zones, it still, like all Oberheims remains one large sweet spot.

Don't be fooled by the smaller size and voice count, there is nothing small about the sound and capability of the TEO-5. Not to be missed.

Please note this recording is of a beta development unit running an early firmware. The sounds featured here are the patches I made for the shipping factory bank that comes with the synth straight from Oberheim.

Recorded at Infinite Power Studios, Los Angeles. All patches by Matia Simovich/INHALT. Video edited by Grover Greenberg."

SUPERBOOTH 2024: Oberheim - TEO-5

video upload by sonicstate

"At Superbooth 2024 we met up with David Gibbons from Oberheim who introduced us to the new TEO-5 synthesizer. Named after Tom Oberheim with an exclusive reveal of Tom's middle name, the TEO-5 has a SEM filter, two oscillators and a sub giving that classic Oberheim sound, but with lots of features to bring its capabilities right up to date.

Chris Calcutt then stepped up, and gave us a demo of the sound of this synth. TEO-5 gives us 19 mod slots with tons of destinations, both a mono and a poly LFO, two envelopes and a capable twin FX section. Uniquely there is a cross-mod section with thru-zero capabilities, which allows FM modulation that stays in tune up and down the keyboard.

With a similar form factor to the Take 5, the TEO-5 has a 3 and a half octave Fatar keyboard with aftertouch, and is designed to give the Oberheim sound in a more portable and affordable package

TEO-5 Available: July 2024. Price: 1,499 USD

https://oberheim.com/"

Oberheim TEO-5 Demo from Superbooth 2024

video upload by Starsky Carr

"A Quick Look any the new Oberheim TEO-5 - named after Tom Edison Oberheim - there was a leak a few weeks back but it's here in the flesh.. and nice it is too.

Its got the same form factor as there Sequential Take 5. The big addition is obviously the Oberheim filter, and a through zero FM - so it looks like it has the new SSI chip.

Anyway.. just a Quick Look.. enjoy:)"

And the press release with pics:

Introducing the New Oberheim TEO-5 Polyphonic Synthesizer

TEO-5: The Legendary Oberheim Sound Reborn in a Compact Powerhouse

San Francisco, CA – [May 16, 2024] – Oberheim, the venerable brand synonymous with the golden age of synthesizers, proudly announces the TEO-5 polysynth. This powerful instrument features the visionary craftsmanship of Thomas Elroy Oberheim (TEO), offering a perfect blend of classic analog warmth and modern versatility for today's musicians.

“I’m so proud to be able to make a synth like this... compact and affordable, the Oberheim sound for 2024,” says Tom Oberheim, the company’s founder. TEO-5 is designed to make the classic Oberheim tone palette widely accessible, encapsulating decades of analog engineering experience in a forward-thinking and innovative musical instrument.

The TEO-5 boasts a five-voice architecture with genuine analog VCOs and VCFs, capturing the distinctive warmth and depth that defined countless hit records. But TEO-5 isn't just a tribute to the past. Additions like through-zero FM, which adds a contemporary twist to its oscillator X-Mod feature, allow for the exploration of entirely new sonic textures. And the legendary Oberheim SEM filter returns, offering the versatility of morphing between low- pass, notch, and high-pass configurations, along with a switchable band-pass mode for extensive tonal shaping.
Beyond its core synthesis architecture, TEO-5 features a comprehensive modulation matrix, opening a world of possibilities for sculpting and transforming sounds. Digital effects processors provide classic chorus, delay, reverb, and more, alongside faithful recreations of the revered Oberheim Ring Mod and Phasor effects. A 64-step polyphonic sequencer and multimode arpeggiator further fuel creative exploration, while a premium Fatar keybed ensures a responsive and inspiring playing experience.

“There was a huge surge of interest when Oberheim returned in 2022 with the historically inspired OB-X8,” said David Gibbons, CEO of Oberheim. “But Tom and the design team were keen to show that the magic of Oberheim can be within reach for everyone, and can bring a distinctive modern flavor. TEO-5 is an exciting addition to the Oberheim legacy.”
Whether you're a seasoned professional seeking a powerful new sonic tool or a budding artist embarking on your analog adventure, TEO-5 is your gateway to unparalleled musical exploration.

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ASM Introduces Hydrasynth Deluxe in Silver

Six and four octave versions. Interesting flap on the six octave.

Press release follows:

ASM applies celebratory ‘cosmetic facelift’ to Hydrasynth Keyboard and Hydrasynth Deluxe to form 5th Anniversary Silver Edition models

LOS ANGELES, CA, USA/HONG KONG, CHINA: Ashun Sound Machines (ASM) is proud to celebrate its fifth anniversary as a company that is passionate about using technology to create exciting products that spark creativity by introducing two-limited edition models of its Hydrasynth digital wave morphing synthesizer with proprietary ASM Polytouch® technology to provide responsive velocity and expressive polyphonic aftertouch — applying a celebratory ‘cosmetic facelift’ to form the aptly-named Hydrasynth Keyboard 5th Anniversary Silver Edition and Hydrasynth Deluxe 5th Anniversary Silver Edition — at SUPERBOOTH24, May 16-18, FEZ-Berlin, Germany…

Certainly celebrating its fifth anniversary milestone in stunning style, ASM’s Hydrasynth Keyboard 5th Anniversary Silver Edition and Hydrasynth Deluxe 5th Anniversary Silver Edition are each limited to 200-unit runs that will surely become highly-sought- after collector’s items, prized by serious synthesizer aficionados. Appropriately, each limited-edition model boasts a sparkling silver finish with a custom 5TH ANNIVERSARY SILVER EDITION print on the top panel, duly distinguishing them from the ‘standard’ Hydrasynth Keyboard — launched in 2019 to widespread critical acclaim as a digital wave morphing synthesizer featuring an ASM Polytouch® 49-note polyphonic aftertouch keybed and a user-assignable ribbon controller — and Hydrasynth Deluxe — itself offering a dual sound engine setup and the largest (73-note) ASM Polytouch® polyphonic aftertouch keybed to date upon its introduction in 2021 — models that are still going strong today thanks to regular firmware updates; by that same token, Hydrasynth Keyboard 5th Anniversary Silver Edition and Hydrasynth Deluxe 5th Anniversary Silver Edition’s custom-made side panels prominently feature the HYDRASYNTH logo, while both synths ship with a Certificate of Authenticity showing the unit number — not forgetting, of course, the silver sticker that is included in both packages.

Applying a fine finishing touch to the celebratory proceedings, ASM has closely collaborated with a carefully chosen team of specialist sound designers, duly including an exclusive custom patch bank on both limited-edition models to further commemorate its fifth anniversary as a company that is passionate about using technology to create exciting products — products that definitely don’t come much more exciting than Hydrasynth Keyboard 5th Anniversary Silver Edition and Hydrasynth Deluxe 5th Anniversary Silver Edition!

Anyone attending SUPERBOOTH24, May 16-18, FEZ-Berlin, Germany is invited to swing by Booth H205 where ASM is introducing Hydrasynth Keyboard 5th Anniversary Silver Edition and Hydrasynth Deluxe 5th Anniversary Silver Edition, exhibiting them alongside their ‘standard’ synth siblings for all to see and hear. However, anyone wishing to buy a Hydrasynth Keyboard 5th Anniversary Silver Edition and/or Hydrasynth Deluxe 5th Anniversary Silver Edition will have to practice a little patience — but rest assured they will be well worth the wait.

Expected to ship in June 2024, Hydrasynth Keyboard 5th Anniversary Silver Edition and Hydrasynth Deluxe 5th Anniversary Silver Edition will be available to purchase — priced at an MSRP of $1,649.00 USD ($1,449.00 USD MAP)/€2,049.00 EUR/£1,799.00 GBP and an MSRP of $2,149.00 USD ($1,949.00 USD MAP)/ €2,649.00 EUR/£2,299.00 GBP, respectively.

Hydrasynth Keyboard 5th Anniversary Silver Edition shares the same specifications as the ‘standard’ Hydrasynth Keyboard.

Moog - Spectravox - Sound Demos

video upload by NOISEBUG

https://www.noisebug.net

See the announcement post here.

"The long wait is finally over. The Moog Spectravox has finally been released and we couldn't be more excited!

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound."

Hartmann Neuron

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Demo in the listing previously posted here.

"The German-made Hartmann Neuron is a polyphonic synthesizer that broke new ground using a new form of synthesis and sound-modeling they say was based on technology found in neural networks. What the Neuron actually does is it analyzes audio files (samples) and creates digital computer models of these sounds which can then be re-synthesized and processed using the extensive amount of on-board data-wheels and joysticks with control of more 'musical' sonic aspects such as instrument shape, size and acoustic behavior. The joysticks allow for real-time tweaking of up to three parameters at once - 3D modeling in a true 5.1 surround sound environment."

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UVI Introduces Quadra Modular

video uploads by UVI

UVI Quadra Modular | Overview
video upload by UVI


30 modular systems in a multi-instrument and sequence designer

Quadra Modular is a powerful 4-part multi-instrument and sequence designer, ideal for the creation of dynamic, rhythmic, and evolving sequences utilizing an incredible selection of patches created on a wide range of modular synthesizers, from vintage to modern, stand-alone to fully customized and purpose-built systems. We approached recording these beasts as if they were acoustic instruments, creating discrete velocity layers and round-robins in order to capture their organic soul.

Quadra is a versatile instrument, capable of a wide range of sounds and uses from standard fare instrumentation to evolving, complex, and adaptive progressions and harmonizations that can be morphed and performed in numerous ways to suit the needs of your production. With a masterful selection of hundreds of professionally designed presets, Quadra offers incredible sound quality and near endless inspiration on-demand.

Quadra leverages a powerful instrument selection, deep factory library, focused and intuitive workflow, and expressive performance controls to deliver cinematic sound quality and near endless musical inspiration.

Curated Instrument Selection
Quadra provides 4 robust instrument layers that can be used together to create striking and evocative performances. Each layer can be assigned from a selection of 30 multi-sampled sources including massive stand-alone systems like the Colossus, to popular small format systems like eurorack.


At the heart of each of Quadra's instrument layers is a powerful, multimode 64-step sequencer with MIDI effects, allowing you to quickly add rhythmic grooves, create arpeggiator sequences, add harmonies, and even quantize the incoming notes to specific scales. Choose a global rate, gate length, and max velocity, then customize your sequence with per-step velocity, link, harmonization, pitch offset, octave offset, gate, step repeat and panning. Save your patterns to disk as presets to share, or use the handy "copy-to" button to quickly duplicate your finished sequence from one layer to another.

Quadra includes a number of MIDI effect modules that allow you to embellish and augment your sequences in creative ways, including Euclidean Emphasis which adds rhythmic accents, MIDI Delay, Random, and Pitch Drift which enrich your sequence, and a scale quantizer that allows you to snap all notes to a scale of your choosing. You can even drag-and-drop the modified sequences as MIDI into a track of your DAW.

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Superbooth24: Groove Synthesis Debuts Sampling for 3rd Wave Synth

See the demo here.

Press release follows (image via the release):

Orinda, CA, May 15, 2024 — California-based electronic instrument maker Groove Synthesis today announced that they have added high-resolution sampling capability to their critically acclaimed Advanced Wavetable Synthesizer, the 3rd Wave.

This much-requested new feature allows owners to sample up to 30 seconds of 16-bit, 48 kHz, monophonic audio into the synth directly or by importing audio over USB, and use it as a new oscillator type alongside the 3rd Wave’s powerful wavetable and virtual analog sound engines. This significantly expands the sound palette of the synthesizer. Now owners can create custom sounds that feature sampled acoustic instruments, sound effects, and other sources.

The company will preview a new OS that provides this capability at the Superbooth24 music expo in Berlin, Germany from May 16-18 at booth #0246. The upgrade will be available free of charge to 3rd Wave owners as a download from the company’s website upon official release.

“As fans of the original PPG and its ultra-rare Waveterm sampling option, we thought it would

be exciting to add that capability to the 3rd Wave’s existing architecture — if it was technically possible,” said Groove Synthesis founder Bob Coover. “It took some tricky programming, but we did it and we think 3rd Wave owners are going to love it. It’s a dream come true for everyone who wanted the full PPG-plus-Waveterm experience, and now it’s within reach.”

While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes the concept firmly into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and analog filters. It’s hybrid design features 24-voices and 4-part multi-timbral operation, which is the equivalent of having four independent 6-voice synthesizers controlled by a single keyboard. Each of its three oscillators per voice can generate a classic PPG-era wavetable, a modern high-resolution wavetable, an analog modeled waveform — and now multi-sampled audio. With its industry-first WavemakerTM tool, users can create custom wavetables in a single step through proprietary sample-to-wave technology, allowing almost unlimited sound sculpting opportunities.

PERCUSSA INTRODUCES XMX EURORACK MODULE AT SUPERBOOTH 2024

Press release follows:

Los Angeles, CA, May 14th 2024 - PERCUSSA is set to return to Superbooth and is introducing its new eurorack module to the market, the XMX, at Superbooth 2024 in Berlin, this week.

"The XMX is the smaller brother of our succesful SSP (super signal processor) eurorack DSP module, which has found its way into recording studios and live on stage around the world over the past years, enabling eurorack modular synthesists to build compact and powerful systems, for sound design, synthesis, effects processing, recording and live performance", says Bert Schiettecatte, Founder of PERCUSSA.

With the XMX, PERCUSSA aims to make the synthesis and effects modules and features of the SSP available to a wider audience at an affordable price and smaller form factor.

The XMX is available through PERCUSSA's website at an introductory price of $499, starting on May 16th, the first day of Superbooth 2024. PERCUSSA plans to start shipping the XMX in early July. Eurorack dealers wishing to stock the XMX are welcome to contact PERCUSSA for dealer pricing and ordering.

Similarly to the SSP, the XMX combines a number of functions into one module:
* a digital modular synthesizer engine with built in patching system
* a multichannel direct to disk recorder / sampler / playback engine
* a multichannel audio interface via USB
* MIDI-to-CV conversion for USB MIDI controllers
* preset management system

Hardware wise, the XMX has the following specs:
* 28 HP width, less than 30mm deep
* ~500mA @ 12V, ~100mA @ -12V, no 5V supply needed
* aluminium CNC machined and anodized front panel
* 4 aluminium knobs/encoders with push button feature
* 8 audio/CV/trigger inputs, +/-5V
* 2 audio/CV/trigger outputs, +/-5V
* stereo headphone output with analog volume control
* all I/O 24bit resolution and 48/96kHz sample rate
* 10 function keys with soft touch and silent action
* 2.4inch full colour IPS wide angle/visibility display
* quad core ARM Cortex A35 CPU @ 1.3GHz running Linux (64-bit)
* USB 2.0 Host and Device ports for MIDI (including MPE) controllers and multichannel USB audio
* microSD card slot
* expansion connector w/ I2C port

The XMX ships with nearly all of the SSP's factory modules, including:
* 3D wavetable oscillator
* stereo reverb
* simple and stereo delay
* granular
* 8 channel sample player
* step sequencer
* arpeggiator
* quad virtual analog (SVF) filter with HP/BP/LP/PK/NT outputs
* comb filter
* physical modelling drum/membrane
* signal switcher
* quad VCA
* bit crusher
* macro module
* envelope generator
* quad envelope follower
* bus
* USB midi input w/ MPE support
* LFO and audio rate square/sawtooth/triangle/sine oscillators
* input and output including USB audio channels
* variable frequency noise generator
* microtonal quantizer
* DC voltage generator
* waveshaper

The XMX uses the same preset format as the SSP. Users can build and save patches on the XMX and exchange patches with SSP users.

The XMX comes with a fast microSD card and factory firmware and boots from microSD similarly to the SSP. The XMX allows the user to build patches including multiple instances of the above modules in any combination. The XMX runs the same software as the SSP, with an improved and simplified patching system.

The XMX supports the same open source plugin SDK as available for the SSP, which 3rd party developers can use to develop their own plugins. The XMX is a linux platform and just like the SSP, also supports development of standalone software which can replace the factory firmware.

Additionally, The Technobear, one of PERCUSSA's active community members and SSP users, has developed an alternative firmware for the XMX called Trax, which he plans to release over the coming months. He has also adapted his popular plugins for the SSP, to run on the XMX, and will be presenting his work in a video to be released during Superbooth.

With the XMX, PERCUSSA brings the power of the SSP to a wider audience, in a smaller form factor and an affordable price point. Come by the PERCUSSA booth at Superbooth 2024 for a personal explanation and demo from Bert Schiettecatte, Founder of Percussa.

***

Oberheim Xpander Desktop 6-Voice Synthesizer SN Y91907 w/ Star Dust Cover

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Servicing Status: KSR have carried out a service on this Xpander in May 2024.

Remarks: Much has been written on these incredible synthesizers and it's understandable when you use them as they really can deliver a thick analogue wall of sound, and are perfect pad and brass sources just for starters.

The Xpander lineage includes the Matrix 6 and 12 and is a fully midi configured, 6 voice Polysynth - an excellent addition to any analogue set-up and has to be heard to be believed. he Xpander offers a deep programmable architecture for those of you into tweaking but can also be a very user-friendly hands-on preset machine. This means they sit between that digital and analogue medium perfectly and are arguably the best of the hybrid technology of the early to mid-1980s.

About This Xpander:

This example is a USA built unit that works perfectly, and as mentioned above, has just been fully serviced by KSR. The cosmetic condition is all original and absolutely first class, excellent, as you can see from the pictures below, with barely any perceptible marks or signs of use, which is quite remarkable for a 40+ year old music instrument.

The owner purchased a Star Dust cover for it a few years ago and it is supplied with the synth on-sale. The cover is well used and has done a fantastic job protecting the instrument."

CLICK FOR MORE »

Cherry Audio Announces the Rebirth of the Long-Awaited Chroma Synthesizer

Playlist:

1. Cherry Audio | Chroma Synthesizer

2. Cherry Audio | Chroma Classics Preset Pack

Chroma Classics Preset Pack for Chroma features an additional 100 phenomenal presets by Cherry Audio's Director of Sound Design, James Terris, blending vintage tones with a contemporary feel.

https://store.cherryaudio.com/presets...

3. Cherry Audio | The Story of Chroma

"Dive into the captivating history of the Rhodes Chroma synthesizer with "The Story of Chroma," a documentary that traces its revolutionary path from the final days of ARP Instruments to its celebrated release by Rhodes in 1982. This compelling video brings to life the innovative spirit of the Chroma through the firsthand accounts of those who stood at the forefront of its creation. Hear from Dr. Tom Rhea, a renowned electronic music historian, Michael Brigida, a dedicated ARP and Rhodes product specialist, and Mary Lock, the esteemed service manager for both companies, as they recount the synthesizer's development, challenges, and triumphs. Featuring exclusive interviews and insights, this documentary not only explores the technical breakthroughs and musical possibilities the Chroma introduced but also celebrates its enduring legacy and the recent resurgence through Cherry Audio’s efforts. Witness the story of a musical marvel that continues to inspire innovation and creativity in the world of music.

Produced by Daniel Keller
Editing and graphics by Mal Meehan
Music by James Terris"

4. Cherry Audio | Introduction to Chroma Synthesizer

Synth designer Mitchell Sigman of Cherry Audio introduces Chroma, Cherry Audio's virtual instrument that emulates the 1982 Rhodes Chroma polyphonic analog synthesizer and its Expander unit.

Online User Guide at https://docs.cherryaudio.com/cherry-a...

0:10 Introduction
1:18 User Interface Basics
4:44 Voice Architecture and Patch Configuration
9:43 The Chroma Arpeggiator
11:37 Sweep Generators (the LFOs)
17:02 Envelope Generators
19:46 Chroma CPU Usage

Cherry Audio Chroma User Videos


1. Cherry Audio Chroma: A demo + tutorial of an elusive analog synth - CatSynth TV - Patreon

We take a deep dive into Cherry Audio's new Chroma, a meticulous recreation of the legendary and elusive Rhodes Chroma. It was a polyphonic analog synthesizer that came with some unique features, notably the ability to reconfigure the signal path among its oscillators, filters, and VCAs, opening up a wider range of sound possibilities. Cherry Audio's version combines these features with a modern user interface that allows direct manipulation of the parameters (unlike the original with a single data slider), and adds a full-featured effects section. We go over the expansive feature set of this instrument, showing you how each feature works and how to use them to make your own sounds.

00:00 Introduction
00:27 History of the Chroma synthesizer
01:38 Presenting the Cherry Audio Chroma
02:39 Oscillator features
06:56 Filter features
11:17 VCA features
12:42 Dual Layers configuration
16:49 Dual Layers + Oscillator Sync
18:47 Dual Layers + Ring Modulation
21:13 Filter FM
23:54 Parallel Filters
26:09 Parallel Filters + Oscillator Sync
27:04 Series Filters
31:44 Effects section
32:38 Factory Presets
39:41 Conclusion

2. Cherry Audio Chroma Expander Sounds of Chaos Beauty Virtual Synthesizer - Rik Marston Official - AhnyxianSoundDesign

3. Cherry Audio Chroma Expander Sounds of Light & Darkness Virtual Synthesizer VST - Rik Marston Official - AhnyxianSoundDesign

Press release follows:

May 14, 2024: Cherry Audio is excited to unveil Chroma, a groundbreaking virtual instrument that brings the legendary sounds of the 1982 Rhodes Chroma into the digital age.

CLICK FOR MORE »

New Moog Spectravox - Semi-Modular Analog Spectral Processor

Moog Spectravox | Jamie Lidell | Awake & Alive video upload by Moog Music

Follow-up to the previous version.

"Experience a captivating musical performance featuring Jamie Lidell's "Awake and Alive," an original composition showcasing the Moog Spectravox. The performance features Aaron Steele on percussion and Luke Schneider on pedal steel.

The Spectravox, Moog's latest semi-modular addition, is a groundbreaking tool for shaping sound. This analog spectral processor, built around a 10-band filter bank, generates lively drones and colorful tonal sweeps, enhancing external sounds with resonant depth and psychedelic spectral movement. With a microphone connected, Spectravox transforms into a 10-band analog vocoder, featuring innovative integrated modulation across all filters. Pushing the boundaries of vocoder and filter bank technology, Spectravox offers immense flexibility as an instrument and signal processor, complete with a comprehensive patch bay for seamless integration into studios of any size."



Playlist:
The Moog Spectravox is a Vocoder, a Spectral Processor and Much More - Reverb
Moog Spectravox is in production! // Review, tutorial and 10 patch ideas - loopop
Moog Spectravox: Overview + Explorations - Sarah Belle Reid
Spectravox x Subharmonicon - A Brief Explainer - Noir Et Blanc Vie
Moog Spectravox - Accidental Arpeggios feat. Moog Subharmonicon - Noir Et Blanc Vie
Moog Spectravox Sound Demo (Machine Talking) - Limbic Bits
Moog Spectravox Sound Demo (no human talking) - Bonedo Synthesizers



The Newest Member of the Moog Family

Spectravox, the newest member of the Moog semi-modular family, is a groundbreaking tool for sculpting sound. An analog spectral processor based around a 10-band filter bank, Spectravox creates lively drones and colorful tonal sweeps on its own and adds resonant depth and psychedelic spectral movement to any external sound. Hook up a microphone and Spectravox becomes a 10-band analog vocoder with innovative integrated modulation of all of its filters. An exploration and expansion of the topology of the vocoder and filter bank, Spectravox is a highly flexible instrument and signal processor with a comprehensive patch bay for integration into studios of all sizes.

A Groundbreaking Tool for Scultpting Sound

Synthesists have delighted in playing with the spectrum of sound since the Moog 907 Fixed Filter Bank appeared in the 1960s, creating lush vowel tones and multicolored timbral animation with hands-on level control of each frequency band of a sound. Unlike earlier fixed filter banks, however, the unique filters of Spectravox are no longer fixed in place and will jointly shift around the frequency space, allowing for the creation of otherworldly voltage-controlled spectral animation and vibrant phaser-like sweeps. With 10 filters whose variable resonance can morph from soft precision to shimmering choral effects, Spectravox reshapes the sounds you love into surprising new forms and brings a new world of sonic possibilities to your studio.

10-Band Analog Vocoder

Spectravox is a fascinating standalone sculptable synthesizer voice thanks to its built-in carrier sound source of a thick analog Moog oscillator and white noise generator. With its combo XLR/jack program input, Spectravox becomes a fully featured 10-band vocoder with a secondary filter bank for analyzing the spectral makeup of incoming sounds. In VOCODER mode its 10 analysis filters map the timbral characteristics of any external sound onto any other sound you can imagine. Shape the warm analog oscillator of Spectravox with the dynamics of your voice, or use a drum machine to animate guitar chords in a mesmerizing broadband percussive space.

Electronic Instruments for the Musician

Spectravox uses the pioneering vocoding work of Bob Moog and Wendy Carlos in the late 1960s as its inspiration—work which was based on Homer Dudley's original designs from the 1930s and which was used to prominent effect in Stanley Kubrick's 1972 film A Clockwork Orange. Innovating further from these early designs, Spectravox uses 10 state-variable filters for its filter bank, all 10 of which are capable of being shifted with its internal triangle wave LFO or external control voltage. With the ability to emphasize vowel sounds via the Hiss and Buzz functionality of the Moog 16 Channel Vocoder, Spectravox is both a major step forward for analog filter banks and a loving exploration of early music technology history.

Scramble the Frequency Spectrum

Scramble the frequency spectrum and create wonderfully unpredictable textures with patch points for each filter in the filter bank and included patch cables. Add analog warmth and subtle phasing to digital synthesizers and sound sources. Integrate Spectravox with other Moog semi-modular instruments or Eurorack modules with an extensive patch bay providing control over almost all of its parameters. Spectravox is a boundary-pushing instrument that invites you to explore creative new ways of shaping and sculpting sound.

Introducing the Pittsburgh Modular Voltage Lab 2

video upload by Pittsburgh Modular Synthesizers

"Standalone Modern Analog Synthesis Laboratory
Pittsburgh Modular Synthesizers’ long-anticipated successor to the Voltage Research Laboratory is filled to the brim with interesting new inventions, such as several new wave-shaping technologies, an addictive tactile performance controller, and more…"

The New, Experimental Synthesis of the Voltage Lab 2

video upload by Jorb

0:00 Intro
2:27 Hands on Begins
4:58 Oscillator One
11:01 Oscillator Two
16:29 Quick Look at Function Generators
18:26 Quick Look at Dynamics Controllers
19:04 FX
21:02 Chance Sequencer
22:37 Touch Controller Begins
26:56 Step Conditions
28:10 Step Jump Explained

Geek Chic // Sonic Experiments from the Voltage Lab2

video upload by Starsky Carr

"Dusting the cobwebs from my vintage 1950's lab coat - it was all the rage once honest.

Going into lab rat research mode and seeing where the maze takes me..

... and here's the results.

Just a little taster while I open the lab book to record apparatus, method, results, discussion and conclusion.

0:00 Bunsen Burner Big Beats
2:15 Plucking Pipettes (no pipettes were harmed)
3:06 Test Tube Techno (it's not techno)
5:59 She's Alive
7:44 Naked Flame
10:00 Medical Skeleton (its the Bare Bones)"

Pittsburgh Modular Voltage Lab 2 - Just Jammin'

video upload by

"Fascinating new modular system from Pittsburgh with a decidedly West Coast bent. Too soon for a review, but here's half an hour of playing with the rather remarkable sequencer, the timbre of the oscillators and other bits and pieces. I added some reverb via the Chroma Console but otherwise it's all the VL2."

The Sweet Spot: Voltage Lab 2 Semi-Modular Synthesizer
video upload by HAINBACH

"As anyone who has ever tried to assemble a modular synthesizer, it is not easy to create a cohesive instrument, especially if you try to narrow it down to a portable case. In comes The Voltage Lab 2 that Pittsburgh Modular send me to play with (thanks for that!) - it is a semi-modular self contained synthesizer, and to me it hits the sweet spot between functionality and musicality."

Also see The Lab Report Episodes for audio demos.



Press release follows:

May 14th, 2024 - Pittsburgh, PA Pittsburgh Modular Synthesizers today announced Voltage Lab 2, a standalone dual oscillator analog synthesizer synthesis laboratory with a unique integrated touch-sensitive performance controller.

CLICK FOR MORE »

Limited Edition minilogue xd inverted - First Look

video upload by Korg

"Introducing the limited-edition inverted color variant of the top-selling minilogue xd. Enjoy its polyphonic analog engine, versatile open source digital MULTI engine, sequencer, built-in effects, all in a compact, affordable synthesizer.

Music and all sounds in video were made using the minilogue xd inverted by Natalie Chami aka TALsounds."

"Flip your sound with the new minilogue xd inverted

The minilogue xd analog synthesizer, with its true analog circuitry, digital multi-engine and effects combine to help create an extraordinary range of sound, and is now available in a new, limited-edition model with inverted keyboard colors.

Get inspired by its unique coloring, and create your own new soundscapes. The minilogue xd inverted is a stylish and unique addition to any live or studio setup and the limited edition colors will be yours to be proud of for years to come!

*All other specifications are the same as the minilogue xd regular model except for the keyboard color."

CLICK FOR MORE »

NanoSeq-9 Sequencer Synth

video upload by

"A four frequency/note sequencer/rhythm synthesizer.
Four frequency adjustment controls, note pattern changer, Low Pass Filter effect, tempo control.
You can get many different sounds and pulsing beats from the NanoSeq-9.
Standard 1/4" audio output jack, 2.1mm power adapter jack for external 7-9V power supply or 9V battery.

Please see more info at Tronicraft.com"

Another Demo of the NanoSeq-9:

Synthium in Solarium. NanoSeq-9 is a Sequencer Synthesizer in Blue Light Theremin

video upload by TroniCraft Instruments

"This is an improvised demo of some of the things the NanoSeq-9 can do. It has two photo sensors that modify the frequencies.

The NanoSeq-9 is a digital sequencer inspired by LoFi, chip music, circuit-bending and retro video game sounds."

Update: pics via this listing on eBay.

CLICK FOR MORE »

Basimilus Iteritas Alia jam with tons of CV modulation and muting

video upload by Noise Engineering

"This is an extended version of the jam used for the official Basimilus Iteritas Alia demo. [posted here]

Our Ambassador to the Stars, Patrick O’Brien, features the BIA in this all-Noise Engineering case.

Triggers come from the Bin Seq, and CV modulation comes from the Mimetic Digitalis stepped sequencer. The Muta Jovis switches off/on the CV, going into the BIA's inputs throughout the patch. The BIA is then sent to Roucha Legio, our stereo filter, which is activated with the gate coming from one of the Horologic Solum channels into the Bypass input.

More on the BIA here: https://bit.ly/3rPRryZ

Manis provides a nice, bright melodic splash throughout the jam, and Virt Iter Legio provides stereo bass drone sounds.

The BIA is a parameterized digital drum voice with its roots in the analog world. At its heart, the BIA is a simple six-oscillator additive and FM synthesizer with waveform, harmonic spread, and envelope controls. An adjustable noise oscillator and an extreme take on a wavefolder round out its synthesis abilities. Its straightforward controls make sound design fun and performable: create sub-shaking kicks, snares, hats, and unique drum hits with just a few tweaks.

• A go-to for percussion synthesis
• Also excellent at leads and basses
• Additive/FM digital synth with root and inspiration in the analog world.
• CV over every parameter
• Dedicated envelope output
• Encoder tuning

Basimilus Iteritas Alia is the successor to the original Basimilus Iteritas Alter. It was developed to sound nearly identical, with added features and new firmware-swapping capabilities."