"New Loops presents Avenger Granular Spheres – a new Avenger expansion pack with one hundred granular pad presets. You’ll find a wide selection of ambient pads, atmospheric soundscapes, cinematic ambiances, and pad textures."
New Loops has announced the release of Avenger Granular Spheres (Avenger Expansion).
Here's what they say:
'New Loops presents Avenger Granular Spheres – a new Avenger expansion pack with one hundred granular pad presets. You'll find a wide selection of ambient pads, atmospheric soundscapes, cinematic ambiances, and pad textures.
Each one of these Anvenger presets has 5 macros assigned for amp attack, amp release, granular speed, delay, and reverb. The mod wheel controls the lowpass filter, and aftertouch controls the granular grain size. Avenger Granular Spheres is perfect for lush ambient backing pads, mysterious ambiances, cinematic atmospheres, film score textures, game score atmospheres, ethereal pads, and more.'
Intro Price: £14.99 until December 1st 2022 (Reg. £24.99). You can also get an extra 30% off orders over £39 at newloops.com."
"LIVEN Texture Lab | Granular Synthesizer/Effector
- Sample, slice, transform and reconstruct audio to synthesize completely
new sounds
- Granular synthesizer with granular effects processor mode
- Shimmer reverb for fantastical and majestic sounding spaces
- 128-step sequencer with parameter locking
- World-famous sound designers have provided presets as results of their
experiments
The presets are
01 FL.BK (Flashback) : Yasutake(elfin)
02 DRMR (Dreamer) : Limbic Bits
03 FEAR (Fear) : Chris Lody
04 US.HP (Use Headphones!) : Takashi Matsuura
05 CHOR (nostalgic space choir) : Dr. Endo"
If ou are viewing this post from the front page you will see a more link directly below. Click it before you start to get to the list of videos plus descriptions for each. You can use the controls at the bottom of the player to skip around. You can find Lost Clouds music at https://lostcl0uds.bandcamp.com
"There are a few granular synthesis options both software options and hardware. This is melodic, granular ambient music made with Borderlands Granular. Inspired by the music of Elinch, r benny, ann annie, jogging house"
"Fragment is an online collaborative additive / spectral / granular live-coding web. platform, the spectrum is created by a live GPU script, the generated visual is then converted to audio by an additive/granular/spectral process.
Fragment is a programmable noise-of-all-kinds software and excel at sound design by combining two of the most powerful synthesis process with a live coding aspect, Fragment also excel at visuals.
This is a video of a live additive + granular ambient soundscapes session which demonstrate pixels-based delay and the soon to be released update of the improved granular synthesis/sound engine.
The video also demonstrate some kind of "vector based synthesis" by using a XY widget in Open Stage Control (through OSC) with the 4 channels volume mapped onto the widget axis resulting in cross-fading of the 4 channels.
The sound in this video is produced by 4 audio server instances (distributed synthesis) on a single i7 6700 machine, the overall CPU load can be seen on the top left corner along with number of partials for each channels, the load generally sit around 5% with peak at ~30% @28:00.
Most of the sounds heard in this video has a delay applied with a simple pixels-based delay (4 lines) which mean that the delay come from Fragment, not from the DAW, this delay can be heard on several sections and can be differentiated by its parameters being tweaked, notably around @22:00.
The granular synthesis engine was battle-tested and improved, many bugs were fixed resulting in big improvement on the sound quality, moreover pitch shifting is now implemented with linear resampling.
The audio server was also improved and is now able to drop frames meaning that if the client is too late sending its pixels frames, the audio server compensate by retaining its last state, this improve the audio quality greatly when few frames are dropped, which is to be expected with browser reflow or high load, frames drop can be heard extensively in videos previously released, there is now near zero audio issues due to frames drop.
The update should be released this month.
9 samples are loaded and used in this video, all of them are single sounds of real or virtual instruments.
"Fragment is an online collaborative additive / spectral and soon granular live-coding web. platform, the spectrum is created by a live GPU script, the generated visual is then converted to audio by an additive process (re-synthesis).
Fragment is able to produce high-quality fast additive and granular synthesis simultaneously with re-synthesis support, it has many features making it a bliss to produce any kind of sounds or visuals and is aimed at artists seeking a creative environment with few limitations to experiment with, a programmable noise-of-all-kinds monster.
This is a video of one hour jam on ambient soundscapes made of (simple) granular and additive synthesis patches with live compositing visuals produced from two videos.
This demonstrate granular synthesis features, videos looping/compositing and mixing sound synthesis methods, some new features of the just released one year massive anniversary update.
On this video, i also use the new distributed sound synthesis tool which is able to split sound synthesis computation over multiple machines on the network or cores, 4 Fragment Audio servers were running over multiple core on a i7 CPU to provide polyphonic and multitimbral (4 timbres) additive + granular synthesis with over 150+ grains at the same time.
The code used to produce the granular soundscape and the additive synthesis partials is quite simple this time, this just use envelope, exponential decay of harmonics and pKey."
"STRAYLIGHT is a granular-based instrument, perfect for lush pads, soundscapes, and tones. In this walkthrough we give you an overview of all the main features, and illustrate how you can quickly create and customize evolving sounds, and modulate them so they fit into your scenes and scores with ease."
Playlist:
1. Introducing STRAYLIGHT | Native Instruments
2. STRAYLIGHT Interview with Paul Haslinger | Native Instruments
We talk to Hollywood composer and former Tangerine Dream member Paul Haslinger about his experiences and process creating scores for Hollywood films, and how he implements STRAYLIGHT into his creative process.
3. STRAYLIGHT Walkthrough | Native Instruments
AT A GLANCE
Product type: KOMPLETE Instrument
Instrument type: Real-time cinematic texture instrument
For use with: The latest version of the free KONTAKT PLAYER. Download via KOMPLETE START.
Number of sounds: > 350 master Snapshots
1 NKI that includes: 319 grain source sets
50 sample sets
Sound categories: Atmosphere, Pad, Lead, Transition, Keys, Effects, Subs, Pulses
Download size: 2,47 GB (3,86 GB uncompressed samples)
System requirements: STRAYLIGHT needs a fast CPU to run and requires an Intel i7 processor or higher.
"STRAYLIGHT was built in collaboration with Frank Elting and The most human colors, a boutique instrument and sound design agency. The instrument was also developed in consultation with composer Paul Haslinger (Underworld, Minority Report, Fear The Walking Dead, Rainbow Six: Siege).
Craft unique cinematic soundscapes, transitions, and ambient tones in real-time. Built for sound designers and film, TV, and game composers, STRAYLIGHT is ideal for everything from post-apocalyptic sci-fi to gritty thrillers. It combines specialized grain and sample playback modules with carefully captured sound sources, effects, and a powerful performance-based X-Y modulation matrix, allowing inspirational dynamic performance and sound design, direct to picture.
THE GRANULAR ENGINE
STRAYLIGHT has a bespoke granular engine that places the source audio into a powerful and specialized – yet easy-to-use – interface. Harness lush, organic timbres that can defy time and pitch, yet still retain the pristine character of the source sounds (strings, glass, stone, membranes, and more), and sonically evolve over time (risers and transitions can adapt automatically to project tempo).
Small sounds can be vastly magnified in size and scope without sacrificing their sound quality or character. The granular engine is then paired with a layer from the sample module, offering the same level of editing and modulation.
PERFORM REAL-TIME MODULATION
STRAYLIGHT’s modulation and effects sections ensure a fast, creative workflow. The precise X-Y control enables expressive direct-to-picture performance and detailed control over intensity and timing. Apply and modulate up to 14 different effects – taken from nine different categories: Filters, dynamics, EQs, gaters, drivers, modulation, delays, utilities, and reverbs. STRAYLIGHT even includes specially captured reverb impulse responses, selected to complement its audio content and granular engine.
Easily assign MIDI CC to the XY matrix, and use it in conjunction with master effects to ride intensity, direct to picture.
Both the granular and sample modules offer deep editing possibilities for personalizing the source sounds and intelligent randomization for generating new sounds quickly.
Use tempo-synced grain cursor speeds for creating perfectly timed transitions and risers.
Select up to four different effect types each for the grain and sample layers, plus four additional master effects, and two send effects – and you can assign parameters from all those effects to macros or the X-Y matrix.
Tag based browsing for both presets and sound sources makes it easy to find what you’re looking for. Tags even apply when randomizing the modules."
This one was sent in via Brian Comnes who had the following to say (links will take you to more info):
"Here's some stocking stuffers for Christmas.
Boris Kovalev has been making ambient sound tools for over a decade. Back in 2011 I was messing with his AMBITRON and PSYBOX synths and having a lot of fun. see here
Well lately by chance I came across his latest work at 2MGT and I have to say, these are some nice tools for those of us interested in the ambient side of synthesis. Yes they are software, no real knobs to twist but they do sound really nice. Best part they are donation/freeware. I'd say they are as nice as anything Giorgio SanCristoforo is doing and getting $20 a pop for.
The UIs do take a little bit of initial head scratching to decipher and attain competence, but they offer nice eye candy to work with compared to say the current sparse dials only ones popular today.
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EVOX
EVOX is an Experimental Soundscape Synthesizer (standalone tool application for Windows) that employs two separate and programmable layers each with extensive FX and Modulation Matrix modules
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Nasca
Nasca is an standalone tool application for Windows that employs Wavetable / Granular / Sample-based synthesis in two separate and programmable layers each with extensive FX, Modulation Matrix, Chord Sequencer and two Arpeggiators modules which provide the user with maximum control over sound creation.
With the built-in 16steps Chord Sequencer and two Arpeggiators, long evolving ambient and atmospheric sounds can be created. Also, the Sequencer and Arpeggiators allows for more rhythmic based compositions or patches as well. It is possible to create an entire composition just by creating many layers.
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Modularis / Analog Style Sequencing Tool / is the next instrument in the 2MGT suite of experimental synthesizers (standalone tool application for Windows).
No installation is necessary, and it works without problems in Windows XP...11.
Modularis is Free/Donate (the Free version has some limitations).
Dual 16 step sequencer with a built in synths that also has the ability to control other softsynths via it's MIDI out (will need a virtual MIDI cable).
Dual Layer Random Seed Pad Arpeggiator
Modularis has an extensive range of sound creation possibilities especially for Ambient, Berlin School as well as others genre of electronic music.
Modularis has a built-in Recording module.
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Elumia / Sample Manipulation Tool / is the next instrument in the 2MGT suite of experimental synthesizers.
Elumia is a standalone tool application for Windows. No installation is necessary. Elumia is Free/Donate.
A free sample manipulation synthesizer housed in a simple and intuitive interface, Elumia is based on a granular synthesis method specially designed for creating and experimenting with ambient soundscapes and noise backgrounds with rhythmic elements."
"today I have a little bit of creating cool effects with the granular synthesizer Load Runner from pulse Synthesizers.
basically it's a small game with granulation and length, later I raised the pitch up and then down to say how cool results give you granular synth for creating textures or new ambient sounds and backgrounds.
for showing this I also used a little reverb from Black Hole DSP from Erica Synths.
The Load Runner granular synthesizer allows you to load 16bit WAV files from USB flash drive.
The selected sample is a randomly generated source of information on CV and CV.
Grain length and pitch are also controlled via the front panel or CV. Three pitch modes are selectable via the settings menu. The grain amplitude envelope is selectable from 10 shapes.
Also the term 'granular'refers to small snippets of sound ranging from 10 milliseconds to 1 second; each short section of sound is referred to as grain. An amplitude envelope is applied to different grains and textures. When multiple grains are played together, they can form a continuous sound with different characteristics."
There are few options for granular synthesis in the hardware world. The Tasty Chips GR-1 has the right level of control, via its knobs and faders, and visual feedback, via its generous screen, to make granular synthesis fast, fun, and hands-on. Plus it's got 11-voice polyphony, four different timbres to play all at once, a dedicated filter on each timbre, and some effects for in a pinch. Not only can you create granular synth sounds, but you can also play looped "clouds" of the sample, or just straight sample playback at different rates, pitches, and directions. In short, the GR-1 overcomes all my issues with using software granular on (for example) my iPad, and makes the process just as fun as using subtractive synthesis.
Speaking of subtractive synths, the Take 5 continues to be a gem. Considering it's an introductory synth in the Sequential line-up, it is an amazing sounding synth with an excellent design, a nice keybed, and useable effects. It's rare to find a polysynth with a strong low end, but the Take 5 really can fill out the spectrum. I love it.
This track is the result of my Patreon's holiday collaboration, in which we all sent samples to a recipient, and received samples from a "secret syntha", and made songs from these samples. It culminated in a listening party on New Year's Eve and was a ton of fun. Thanks so much to Som Shankhar (pad sample) and jean-louis proust (drum sample) for the inspiration and the loops here!
Tasty Chips GR-1 - Three granular loops (piano, pad, sparkle) and one playback loop (drums)
Strymon NightSky - Reverb for the GR-1
Sequential Take 5 - Main synth pad
Performed and recorded live, with EQ, compression, and limiting on the master."
1. Quickstart - FX Basics // Empress Effects Zoia Tutorial
This video is intended to show the most basic functioning to start off. It is intended for the absolute beginner. There will be more videos that will progress to more deeper functions so please stay tuned!
Intro 0:00
Audio Input 0:55
Audio Output 1:53
Making Connections 2:20
Disconnecting Modules 2:53
Adding FX 3:24
Connecting FX 3:55
Changing Module Parameters 4:28
Erasing Module 4:59
Adding Different FX 5:11
Chaining FX Modules 5:57
Saving/Renaming Presets 7:02
A Few Factory Presets Demo 7:57
This tutorial is how to apply LFO's to the effects modules on the Empress FX Zoia. If this video seems confusing please watch the previous video to learn the more basic settings.
Intro 0:00
Creating Your Own Tremolo w/ Overdrive 0:44
Copying A Module 1:05
Editing A Module 1:27
Adding VCA 1:38
Connecting modules 2:01
Assigning LFO to VCA 2:36
Changing LFO Waveform 3:37
Clearing Modules 4:03
Adding Lowpass Filter 4:14
Adding another LFO 5:44
Deleting Filter Modules 6:37
Adding Aliaser Module 6:46
Connecting LFO to Aliaser 7:22
Adding Bitcrush Module 7:49
Adding Pitchshifter Module 8:28
Adding a few more LFOs 11:13
Short Novation Circuit Demo with Zoia FX 12:13
"'thanks for more than 500 subscribers. i never expected that. my youtube channel was actually just a personal notebook designed for my eurorack patches. its nice to be a small part of this lovely worldwide modular community. have a nice christmas party and a happy new year!'
in this patch i have played again manually with the granular synthesis of the er-301. intellijel triatt controls the starting points of three granular mashines.
1. Digitakt - Untitled
"Spent about 2 hours with the Elektron Digitakt so far. I love this thing!"
2. Digitakt Improv Late Night Sound Design
"Sampling, detuning, some bit reduction, and random filter tweaking with the Elektron Digitakt."
3. Digitakt Granular Ambient
"Some ambient using chromatic mode from a sampled guitar and granular style playback on the second track. The clap is a sample of wood being chopped for a fire."
4. Tension - Roland JU06 Meets Digitakt
"Sampled a patch from the Elektron Analog 4 to the Digitakt and controlled the Roland JU-06 Boutique with the Digitakt via midi. The Analog 4 went through the Analog Heat while sampling giving it that crunch."
1. water collage /// orthogonal devices er-301 granular mashine
2. seq /// make noise morphagene / start controlled by alm pamelas new workout / into mutable instruments clouds
3. fragment /// orthogonal devices er-301 granular mashine
4. bass /// verbos harmonic oscillator controlled by xaoc batumi / into disting mk4 (delay)
5. pad /// make noise morphagene into mutable instruments clouds
6. seq /// make noise sto & optomix into disting mk4 (delay)
7. fragment /// orthogonal devices er-301 granular mashine
sequenced by malekko voltage block. recorded live with tascam dr 100.
no audio processing. for the best listening experience listen to the video with headphones or good speakers.
"Fragment is an online collaborative additive / spectral / granular / subtractive / PM synthesizer and live-coding web. platform, the spectrum is created by a live GPU script, the generated visual is then converted to audio by an additive/granular/spectral/subtractive/PM process, Fragment is basically a programmable noise-of-all-kinds software.
This is a video of a live jam session featuring all types of synthesis (in order : subtractive / physical modelling / additive-fm / granular) supported by Fragment and the improved subtractive synthesis algorithm (Poly BLEP) which allow fast and anti-aliased subtractive synthesis, this is still WIP (problems with filter resonance) but quite usable as demonstrated with several acid-like patterns!
Renoise DAW is used in the background to output audio + MIDI out and add reverb / delay (Fragment is also used for delay effects).
4 instances of the sound server are used on an Intel i7 7700, 14Gb of RAM and a gtx 970 GPU.
Videos used in this session :
KYKLOP by MFX : https://www.youtube.com/watch?v=qjxZQ...
The butterfly effect - Andromeda Software Development (ASD) : https://www.youtube.com/watch?v=vF-eV...
Shader used & modified : https://www.shadertoy.com/view/XtsBDf
You can try the Fragment synthesizer now at : https://www.fsynth.com
