"This was built to order by GRP in 2013. They make a limited somewhat annual run with about a 6-9 month wait.
3 VCO analog mono beast of a semi modular. Dual filters, Rich ladder VCF, cool Berlin School step sequencer with all the bells and whistles, like step repeat, back and forth, odds and evens for counter point type sequences."
"Vermona synthesizer produced in the GDR, was popular in the Soviet Union in the 80s. This fully analog synthesizer, with seeming simplicity, allows you to include several registers at the same time, which allows you to make the timbre richer and inaccessible to simple monophonic synthesizers with 2 voz, this is possible due to the nonstandard scheme of the wco generators + frequency frequency dividers, the same sawtooth wave Because of the generators, it consists of square waves and has a stepped form, it also has a very reliable system, it also has a moog filter, 1 envelope on the VCF and VCA, crossed on the VCF and VCA, LFO only with sinus wave also includes a delay function lfo. The sound is very clear, unusual, perfectly punches any mix, bass fat. The state of the synthesizer is perfect, all the nodes are in good condition."
"It can be a wavetable synth, multi osc Monosynth, Grain synth, sequencer, 8-bit drum machine with 4 parts and mod automation, and other firmware modes from Groovesizer
Fully functional
Delta fw currently loaded which is kind of like having a 32 step gameboy classic sequencer
The Groovesizer Delta mode is a PWM lo-fi granular monosynth attached to a 32-Step sequencer with parameter automation, transposition and other controls"
Whiteface is based on the legendary ARP 4023 VCF module often found in “whiteface” Odyssey Mk1.
Whiteface is available both fully assembled and as a PCB/panel set.
Whiteface PCB set, and panel: £30 GBP
"Pennies from Heaven, a collaboration between Control and Bánh Mì Verlag, is a series focused on contemporary experimental culture with an emphasis on the liminal and the underrepresented.
Sound artist and musician Ben Kudler’s (b. 1967) story began in the London Nightclub scene. This early period was labeled by critics and detractors as evocative of cryogenic freezing and ruptured stasis. Notable during this period is Kudler volunteering to be placed into cryotasis.
This evening, the artist will present a new work: Piece For Channa Horwitz (Sonakinatography I Movement #III) In Four Parts.
Kudler has released music on Unifactor, Salon and Bahn Mi Verlag, to name a few.
Please note that seating is limited. After 7pm, reserved tickets may be distributed to standbys. Performance will promptly start at 7:15; once the performance begins no entry will be permitted. Do not be late. Suggested donation is on a sliding scale from $7 - $15."
Stumbled on this little sketch while I was taking a break from scoring (finishing up 'Apollo 11' which will premiere on opening night of the 2019 Sundance Film Festival on January 24, and then hit theaters and TV in the spring/summer of 2019) and I was playing around with my Q963 trigger busses. Seems like the really fun ideas usually come when you're not looking for them too hard.
Gear used: Moog Synthesizer IIIc reissue, Soundgas modified Binson Echorec 2 (with varispeed and wet-only out), Synthesizers.com Q960 sequencers, trigger bus, signal selector, and foot control for filter cutoff, BAE 1073MPF mic preamps, Radial JDI direct boxes and ReAmp feeding the Binson (via RME Fireface 800)
2. Moog IIIc and valve varispeed Binson Echorec 2 T7E
This is me improvising on my 2017 Moog Synthesizer IIIc reissue, fed into a Soundgas Ltd. valve Binson Echorec 2 T7E (with varispeed and wet-only mods). The kick is a mixture of two sources: a kick I synthesized on the Moog using sine and triangle waves, and a kick I recorded from my 1967 Ace Tone Rhythm Ace. The eighth note bass line is coming from my Minimoog Model D reissue. For the main part (that you see me doing live), the dry signal is panned hard right, and the Binson's wet-only output (thanks Soundgas!) is panned hard left. I captured them with BAE 1073 MPF preamps and Radial JDI Jensen-equipped DIs. Also, the Moog-style sequencers (along with most of the other non-Moog modules I'm using) are by Synthesizers.com.
3. Matt Morton on Moog IIIc Modular Synth
This is a quick sketch on my 2017 Moog IIIc Modular Synthesizer Reissue (serial number 19 of 25 made). I'm also using modules by Synthesizers.com (including two Q960 sequencers) and STG Soundlabs (Post-Lawsuit Filter on the non-sequenced bass voice).
"The highly-acclaimed film (currently rated 100% on Rotten Tomatoes) features a score by composer Matt Morton, who chose to score it using an expanded palette of orchestra + electronics – but only using instruments that would have been available in 1969.
Morton says that every instrument and effect used in the score existed at the time of the mission in 1969 including the Moog modular Synthesizer IIIc, the Binson Echorec 2 tube echo, the Mellotron sample playback keyboard and the instruments of the orchestra."
"Improvising on the Skulpt & NI Maverick piano with a generative patch I built. Main sound sources are Make Noise DPO and Noise Engineering Cursus Iteritas - Teletype & branches doing the note selection
Video a bit ropey than usual - I'm trying to get the hang of Adobe Premiere"
"IK Multimedia UNO Analog Bass Monster!
Synthesizer Demo by Rik Marston
**Watch in HD!!** **TURN IT UP!!**
Very nice, very sweet! Mean as a junk yard dog!
I love it's sound, a mix of Moog, ARP and Roland mono synths!
Need any Synthesizer Samples for your next track and want to save a TON of money? Here are only a few of my HQ synthesizer sample collections in .WAV format able to load into ANY device that reads .WAV files!
"Matrixbrute as both accomp and lead on the same patch. VCO 3 is assigned to the arpeggiation sequence, which I wrote in 13/16 time. VCO's 1&2 are assigned to the upper (i.e lead) voice. Pitch wheel is set to an octave; you'll notice it only alters the lead part.
This improv is intentionally a small nod to Vai/Zappa - hence the odd use of the pitch wheel i.e as of how Vai commonly uses the whammy bar/whammy pedal on the guitar.
FX added = TC 2290 rack for delay, and PCM 96 rack for reverb. The distant sound/effect at the end is the fading in of the MxB's onboard reverb (to full wet).
"The ARP AXXE is the younger sibling to the better known Odyssey, to which it features a very similar layout. The main difference being that it only has one VCO so there are no duophonic capabilities or ring modulator. That doesn't take away from the fact that its still a really great sounding monosynth with that beloved ARP bite!
This synth is in great shape for its age with no cosmetic wear out of the ordinary for a 70s synthesizer!"
"Hey Synth fans! a limited edition Arp embroidred patch in lew of Arp's creator Alan R. Pearlman dying recently... RIP))) Edition of 50 made for a retrospective get together in Los Angeles. 3" wide. great addition to a coat, gig bag or protective case . few left... thanks for looking)))"
Via the listing: "A hard to find cover for the andromeda, I bought it from Alexis before they went under and I paid more than the starting price.
Use it to replace a damaged or scratched face or what I was going to do is put some led Christmas lights in the holes and display it on the wall or make a cool coffee table out of it.
It’s not brand new there are a couple spots where the laminate is bent on the corner you can see in the pictures everything is there."
"This fabulous Korg Mono/Poly has had MIDI In & Out ports professionally fitted!
The Mono/Poly is famous for its excellent arpeggiator, which has the ability to cycle through each of its 4 VCOs, creating weaving and evolving rhythms. With MIDI installed into this Mono/Poly, you can easily sync the arpeggiator to tempo, opening all sorts of possibilities. 😻
This Mono/Poly also has had an IEC (standard kettle cord) power supply fitted. (Most of the Mo/Pos you can get on ebay are spec'd for Japanese Voltage and require a step-down transformer to use in Australia and elsewhere)"
"Rageshree short name: RAGE number of notes: 7 notes (in cents): 0, 203.9, 385.9, 497.7, 702.3, 884.4, 996.1
Upper Ribbon 2x Two59
Lower Ribbon Model D and Tunefish Modular 2x μBraids
bass by Roland 512 to E 440 Filter
chords by ARC Serge TKB,
Ornament and Crime Quantermain to 4x μBraids,
quadrature panning by Tides 2018 and 2x Vails"
"The Elektron Digitakt is a wonderful sampler, sequencer, groovebox... thing! But what if I told you that it's also a monster mono-synth? The rantings of a mad-man? Well maybe! But when you consider that each of its eight sampler tracks can be set up to act as a highly configurable oscillator by looping short, single-cycle wave-forms, the prospect of an 8 oscillator mono-synth starts to sound somewhat appealing!
In this video I take a look at setting up the Digitakt to act like a mono-synth and walk through building an 8-oscillator mono-synth patch from scratch."
"Quick demo of my Behringer Model D playing from Guitar!
Sonicsmith Coverter+ converts the audiosignal from my guitar to pitch and gate for my Model D. The tracking is pretty fast. Model D behaves like my guitar :-)
The final sound is 100% Behringer Model D. On one patch I fed the Audio Controlled Oscillator ACO of the Converter+ into the Model D mixer as additional Sound source. And I used the LFO of the A1 Module for the Model Ds filter.
In the past I used a Midi-based guitarsynthesizer from Roland with my Godin LGX.-SA with build-in Piezo pickups for MIDI tracking. But the Sonicsmith Converter+ tracks faster. Of course you have to play very accurate (not like me) to get results without glitch.
No MIDI has been used for these recordings!
PAD:
Oberheim Matrix 1000
FX:
OTO BAM / revereb
Pigtronix Echolution Pro / delay"
Via the listing: "A hard to find cover for the andromeda, I bought it from Alexis before they went under and I paid more than the starting price.
