I have explored the brains of this classic piece of gear and returned with a selection of circuit bends I deem worthy.
10 toggle switches can activate 10 data crushing ROM based hacks one knob acts as a "character" control, panning it left or right changes how the toggle switches behave.
Describing the sounds this thing makes in words is useless, so check out the demo video listed above!
Please note: the battery compartment has been removed to make space for the new switches, it can only be powered by its DC input"
"MKS80 Super Jupiter - All the Sounds from Andy's Session Days!
During the 90s - Andy Whitmore was one the UK's top session keyboard players playing on over 50 hit records including
Boy George Elton John Cathy Dennis Peter Andre Brother Beyond Lemar Atomic Kitten Danni Minogue & many many more!
Here are the sounds he used from the Roland MKS80.
Don't forget to subscribe to our channel for more captivating musical adventures!
The audio is DIRECT, 100% DRY, & IN STEREO - You are hearing the raw audio as it comes directly from the synthesizer. NO post processing (Effects, EQ, or Dynamics) whatsoever.
"Modules featured are from Synthetic Sound Labs, Martin Jan Koehler, Noise Engineering, Free State FX, Moon Modular, Happy Nerding, Grove Audio, cases from Synthesizers.com, and Tendrils Cables. #modularsynth #electronicmusic #5UModular"
"The Synamodec Levitate Expansion will take your noisy distorted synth drones to new heights. Equipped with a bunch of droning oscillators, filters, delay, echo, phaser, distortion, fuzz VCA + LFO and a nice set of ins/outs, this bad boy is ready to get nasty. As a standalone machine The #LevitateExpansion is fully capable of creating novel landscapes of noise and wobbly Karplus-Strong effects. However, as an effects processor for external drum machines/audio sources; the expansion really comes to life. Push the internal oscillators mixed with external sources to the point of saturation and beyond. Feedback is also a main factor here. Thanks to the semi-modular features, you can reroute the signal paths to your hearts content."
"In celebration of the 2023 holiday season and Cherry Audio's fifth year, we've released the FREE Synthesizer Expander Module, a virtual instrument plugin based on a classic 1974 analog synthesizer.
Synthesizer Expander Module is Cherry Audio's free emulation of the classic self‑contained synthesizer module of the same name. Though it was a simple, barebones monosynth, the Synthesizer Expander Module possessed a unique tone quality, courtesy of its 12 dB/oct state-variable filter. With lowpass, bandpass, highpass, and notch modes, this flexible filter was the star of the show. We've precisely recreated it here with a filter section and Phasor effect programmed by award-winning synth designer Mark Barton (MRB).
'Sleigh Ride' by Mitchell Sigman, created with Synthesizer Expander Module"
Press release follows:
December 1, 2023: In celebration of the 2023 holiday season and Cherry Audio's fifth year, the company has released the FREE Synthesizer Expander Module, a virtual instrument plugin based on a classic 1974 analog synthesizer. The plugin is available immediately from Cherry Audio at cherryaudio.com/santa.
Synthesizer Expander Module is Cherry Audio's free emulation of the classic Oberheim® self‑contained synthesizer module of the same name. Though it was a simple, barebones monosynth, the Synthesizer Expander Module possessed a unique tone quality, courtesy of its 12 dB/oct state-variable filter. With lowpass, bandpass, highpass, and notch modes, this flexible filter was the star of the show. We've precisely recreated it with a filter section and Phasor effect programmed by award-winning synth designer Mark Barton (MRB).
And best of all, it's absolutely free! Synthesizer Expander Module joins other free virtual instruments from Cherry Audio, such as the popular Surrealistic MG-1 Plus and the highly acclaimed Voltage Modular Nucleus virtual modular platform. As it celebrates its fifth anniversary in the desktop music production space, Cherry Audio is concluding an astoundingly successful year with this holiday gift to all musicians.
Despite being a free plugin, Synthesizer Expander Module is fully featured. It will delight both vintage synth fans and today's music producers. Synthesizer Expander Module features include: Ultra-accurate dual oscillators Multi-mode filter emulation by award-winning synth designer Mark Barton (MRB) Massive unison mode 100 presets for Basses, Leads, and Percussion Unique "Phasor" effect section emulating the vintage Oberheim stomp box, also replicated by Mark Barton Studio-quality Echo effect with tempo sync Complete MIDI control and DAW automation for all controls, with easy-to-use MIDI learn and mapping (Preset and Global) Highly optimized DSP for optimal performance User-adjustable oversampling control Did we mention totally free? Synthesizer Expander Module is available at no cost exclusively from Cherry Audio and provided in AU, VST, VST3, AAX, and standalone formats for Windows (7 and above) and macOS (10.13 and above), including native support for Apple Silicon. Visit cherryaudio.com for additional product details, system requirements, and sound demos.
"Vintage samplers are capable of great dynamics that were never realized with the old patches. Much material is covered in this video. A brief review of the Vienna Instruments Chamber Violins, how to send samples to the Sy99 and more. Near the end I provide an Oberheim Matrix 12 strings sample to layer with acoustic strings.
0:00 Introduction
1:20 Vienna Instruments Chamber Strings review
3:05 EMU Emulator III Chamber Violins
3:29 How to dump samples to the Yamaha SY99
5:29 Vienna Instruments EG compared to the SY99 EG
6:03 Setting up string samples
7:25 Setting the envelopes.
9:40 New card for SY77
10:12 Oberheim Matrix 12 strings sample
12:53 Closing"
"Prepare your ears for an electrifying synth showdown! In this video, we embark on a journey of pure critical listening as we compare the Korg 2600m and the ARP 2600 Tonus model, one newcomer synthesizer and one Giant of Synthesizers! We'll begin with a mesmerizing solo performance, featuring my original composition played on the Korg 2600m and ARP 2600 Tonus. Next, we'll dive into a comparison of three legendary musical examples on both synthesizers, exposing some intricate details of each sound. Throughout the video, we'll be conducting shootouts to explore various aspects of these synthesizers: Waveforms: Exploring the sonic palette of different waveforms. VCF's (Voltage Controlled Filters): Uncovering the unique filtering capabilities. Envelope Generators: Analyzing the shaping similarities and differences Spring Reverb: Discovering the distinctive character and beauty of the 2600m 2 Voice Mode Capability: Exploring the dual-voice mode and its sonic potential. Finally, we'll wrap up with a comprehensive summary. I'll share my personal opinion on the strengths and characteristics of the Korg 2600m and ARP 2600 Tonus. Join us on this audio adventure where we rely solely on our ears to determine the winner in this epic Korg 2600m vs. ARP 2600 Tonus synth showdown. If you're passionate about synthesizers and critical listening, this video is a must-watch. Don't forget to like, subscribe, and share your thoughts in the comments below!
00:00 Original Music Track 01:57 Introduction 02:32 Korg 2600m Solo 04:08 Michaels Jackson's "Thriller" Bass 04:44 Logan's Run EFX Patch 05:44 Midnight Express "Chase" Bass 06:22 Waveform Shootout 10:26 Listening for subtlety in sounds 11:13 VCF Shootout 15:10 Like & Subscribe 15:28 ADSR Envelope Generator Shootout 19:29 AR Envelope Generator Shootout 22:17 2600m Reverb Demo 23:52 2 Voice Mode 26:11 Summary 27:10 Vibrato Patch 28:34 Original Music Outro ____________________________________ *ABOUT ANTHONY*
Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson's* _*Thriller*_ .
His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.
"Sure, the 52 HP 296T Spectral Processor is very big. And it's deep too. As a physical module and as an instrument. It's also power hungry taking almost 800 mA in total. It doesn't come cheap, but this is not an 'inspired by the 296' module like Fumana, Spectraphon or Sputnik. It has both the name Buchla and the magic numbers on it. And TipTop made it real."
Playlist:
Retro Futurism Demo - Circuit Tracks Sound Pack by A Force Truly Evil
Retro Futurism 2 Demo Circuit Tracks Sound Pack by A Force Truly Evil
Retro Futurism 3 Demo - Circuit Tracks Sound Pack by A Force Truly Evil.mp4
Retro Futurism EX Demo - Circuit Tracks Sound Pack by A Force Truly Evil
"A collection of 384 velocity-sensitive patches (192 original new and original patches + 192 aditionl variations) that brings together some of the best retro polyphonic synthesizers of the 80s with much more contemporary future-oriented sounds. A perfect blend of past and future. This pack combine all three of the previously released Retro Futurism packs from A Force Truly Evil
Covering classics and screaming modern basses, lush and emotional poly-synths, powerful leads and filter sweeps, nostalgic detuned oscillators and shimmering evolving pads.
96 Basses (also usable as leads) 96 Poly-synths 96 Pads 48 Leads 48 Filter sweeps/effects and arpeggios
192 samples covering vintage kicks, gated snares, and classic toms/percussion from vintage drum machines. Contemporary drum sounds and some FX'S have also been added for the perfect balance in any type of production.
72 High quality sessions/projects (40 originals + 32 new ones) including futuristic Cyberpunk passages, emotive nostalgic melodies and Synthwave-inspired soundtracks.
Sessions include several scenes.
All macros follow the parameters assigned on Circuit Tracks.
Macro 1: emulates a pitch bend wheel for pitch inflections. In the center positions the pitch will not be altered, but if you turn left or right this macro will behave like a pitch bend wheel. Macro 2: emulates the mod wheel, in this case it is almost always linked to a vibrato effect, although it can vary depending on the patch. Macro 3: amp envelope release. Macro 4: filter envelope depth (first half for negative modulation, and second half for positive). Macro 5: filter frequency. Macro 6: resonance. Macro 7: portamento. Macro 8: distortion.
ALL A FORCE TRULY EVIL SOUNDPACKS ARE COMPATIBLE WITH OG CIRCUIT INCLUDING SESSIONS
A mini historical timeline of key events by Zoë Blade. It's interesting in that it gives you some of driving forces behind the designs. For an in depth list of electronic music instruments see https://120years.net. If you want read a couple of books on Bob Moog check out Analog Days: The Invention and Impact of the Moog Synthesizer, and Switched On: Bob Moog and the Synthesizer Revolution (Amazon affiliate links). Note: memories can be fuzzy. There are some critiques for Analog Days not being 100% accurate. I haven't heard any on Switched On. That said, both books are interesting reads and will get you closer to some of that history.
Video description:
"After researching a bit about where Bob Moog got his ideas (and rewatching It's Always Sunny in Philadelphia), I finally got around to making my 'crazy board' red wool video (over a year and a half after buying the wool for this specific purpose), before I inevitably forget it all again.
This is my latest attempt at making a 'quick and easy' video, where I ramble on at the camera for three takes then edit the best bits together into something vaguely coherent.
I spent a good while typing out the subtitles for those who need it, which, given how I talk, is probably everyone. 😅
Ewa was created as a partner to the Krait module, a syncable 3-channel modulation source. Paired with Ewa, Krait will get new useful abilities, such as 3 freely routable cv inputs, endless encoder for smooth editing without value jumps, dedicated clock menu button and clock and reset outputs.
Each CV input can be used to record external cv source in Record mode. You can route it to any parameter of the LFO and Random too. With Ewa now it is easy to modulate LFO rate or Random slew for example. CV inputs are bipolar and react to the signals between -5 +5 voltages.
Additionally a dedicated clock menu button and clock output can make Krait as a clock source for other modules in your system that need sync.
To use Ewa, you need to install firmware 2.0 on Krait.
"Portable Production Sampler | SmplTrek V3 is now available!
Anytime Anywhere, Create and Stream Your Music!
● Easy Sampling
● Flexible Song making
● Effortless Music Streaming
● Massive Sample Libraries
● Versatile Connectivity
"Its some big mood synthwave castlevania music, with violins! This is legitimately one of my best covers to date. Huge thank you to Shea for lending her incredible talents and creativity to this incredible track."
"Hey folks, been a minute since my last upload. Life's been throwing its curveballs – between school and work, finding the mojo for videos got a bit tricky. But hey, I cooked up this chill, extended ambient piece on my modular system for you. It's raw, it's real. The channel's not dead – far from it. Big shoutout to the new subscribers holding it down. I'll be dropping in with more jams when I can. Cheers for riding the wave with me! 🤘🎹
I wanted to drop a quick note and express my gratitude for your ongoing support. Lately, I've been juggling a ton with my school commitments, leaving me with little bandwidth for regular posts here. I'm currently knee-deep in the academic grind, and I'm hoping to get back into the swing of things once this chapter wraps up in the spring.
In the meantime, there's a treasure trove of content from my older videos waiting for you on the page – think patch notes, pictures, and even some PDF guides. Your support means the world, and I can't wait to dive back into more Patreon goodness soon. Thanks for your understanding and patience! 🙏🎶 #PatreonFamily
- P.G."
"ASTROGENIC HALLUCINAUTING - late night noiz for late night fiends - for more noiz: https://itunes.apple.com/us/artist/as... website: http://manipulate.net This is a series of live noiz and video noiz performances. A continuation of noiz during the persistence of The Plague and now war.
"The backstory with this instrument is that I bought it used in Feb. 2020, replaced the keybed with the drop in replacement from Techsmechs, and then had it tuned and calibrated by Matt at Futura Electronics. I then traded it to a friend who didn't use it much for the past couple years. Then I got it back over this past summer.
Cosmetically, it's particularly nice and I'd even say a cut above the rest. Very few signs of use at all. This is a higher serial number, made in September of 1983, hence why I had to replace the old membrane keyboard.
Functionally, it's working great and it sounds beautiful. Just give it 30+ minutes to fully warm up just like any other vintage analog synth. All ins and outs are working as they should. Sold AS-IS, as described in vintage working order."
"Welcome to Bad Gear, the show about the world's most hated audio tools. Today we are going to talk about Dreadbox Nymphes. Is this compact polyphonic analog synthesizer a worthy replacement for classics like a Roland Juno or the Sequential Circuits SixTrak it was inspired by? Is it on par with other Dreadbox synths like Erebus and Typhon and is the UI truly a tragedy???"
Chapters: 00:00 Intro tune 01:08 Overview Dreadbox Nymphes 01:39 Polyphony, Oscillator 02:01 Autotune Mode 02:08 Shift Modes: Pulse Width, Detune 02:32 More Polyphony Modes, Chord Mode 02:51 Lack of Multitimbrality and Sequencer 03:00 Filter, Self-Oscillation, HPF 03:12 Envelopes, LFO1 03:28 LFO2, Introduction to Menu Diving 03:36 Recalling a Patch 03:55 Routing Matrix 04:13 Mono Reverb 04:34 Mono Output, Rear Panel 04:48 Pricing 04:58 Hate 05:22 Jam 1 (Techno) 06:14 Jam 2 (Slow Arrangement) 07:09 Finale (Epic Stuff) 07:40 Verdict
"The Museum Is now going to Offer sample packs of its machines,
a couple of sample packs a month to help fund improvement of the running of the museum to be open more often and offer more this coming year after the refurbishment we are doing over the next few months.
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Sample Pack Available here :- https://this-museum-is-not-obsolete.c...
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Johnny is now recording some of the machines at the museum and offering them as sample packs.
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This one is the Music From Outer Space Soundlab Ultimate. recorded with various Effects, Hits, Sound scapes, Drops, Drum sounds, Synth Samples, Space sounds you name it! in the video the song was made with the sample pack! (all except the NASA vocal) .
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It is also available on the look mum no computer patreon. :- https://www.patreon.com/posts/9388936...
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Here is the soundlab ultimate in action :" [2nd video here]
"It's Tech Thursday! In these concise videos, we bring up some overlooked and advanced features of our modules.
Joran is back with a clever feature in one of the Joranalogue modules. We have all been there, you've got an ingenious patch going but you really need an extra filter. You're in luck if you've got an extra slew limiter lying around because this week is all about using Contour 1 as a filter!"
"Here is a demonstration of the sound and functionality of the VCA found on the Pittsburgh Modular Taiga.
To see how the theme was created, watch the theme video in this series. It is comprised of several patches created on the Taiga over drums created with a Korg Triton Studio.
This video was funded by the Patreon supporters of Automatic Gainsay. Support the creation of this video and all of the Automatic Gainsay videos that have helped you by becoming an Automatic Gainsay supporter on Patreon!
http://www.patreon.com/automaticgainsay"
We've been lucky enough to get hold of an Osmose - which is the new keyboard instrument from Expressivee.com .
We've been struck by the way it encourages you to create, the extra expressivity afforded by the per key pressure and lateral movement is a joy. It sort of pushes you to go for notes one might not ordinarily attempt - obviously thats not without risks 😁
Each of the on-board patches that take advantage of the Eagan Matrix - the physical modelling engine at the heart of this instrument are almost like an instrument in their own right, with expressivity allowing for quite drastic timbral changes, whether it be velocity, initial pressure, secondary pressure or lateral movement of each key!
However, its not all good news, the editor for the Eagan Matrix only runs in MaxForLive and frankly is a nightmare, assuming you can actually get it running. We've not managed that yet.
But there are a four macro knobs per patch, plus the additional mod wheel and keyboard modulations for each of these as well as editing of the master FX, EQ, compression and drive - so you can modify a lot.
