Showing posts sorted by relevance for query Knobs. Sort by date Show all posts
Showing posts sorted by relevance for query Knobs. Sort by date Show all posts
Wednesday, January 22, 2014
Alesis Introduces New VI and V Series Keyboard/Pad Controllers
VI49 Advanced USB Midi Pad/Keyboard Controller
49 full-sized, square-front, semi-weighted keys with aftertouch
16 multi-color RGB backlit pads respond to both velocity and pressure
Designed for hands-on control of your DAW as well as plug-ins and instruments
12 assignable knobs, 36 assignable buttons
Pitch & Mod wheels deliver expressive, creative control
Seamless visual feedback; LCD screen and illuminated buttons/knobs
Single USB cable provides both power and MIDI data
Includes Ableton™ Live Lite Alesis Edition & MIDI editor software
VI61 Advanced USB Midi Pad/Keyboard Controller
61 full-sized, square-front, semi-weighted keys with aftertouch
16 multi-color RGB backlit pads respond to both velocity and pressure
Designed for hands-on control of your DAW as well as plug-ins and instruments
16 assignable knobs, 48 assignable buttons
Pitch & Mod wheels deliver expressive, creative control
Seamless visual feedback; LCD screen and illuminated buttons/knobs
Single USB cable provides both power and MIDI data
Includes Ableton™ Live Lite Alesis Edition & MIDI editor software
V25 Expressive USB Pad/Keyboard Controller
25 full-sized, square-front keys
8 LED backlit pads respond to both velocity and pressure
Perfect for controlling plug-ins and virtual instruments
4 assignable knobs; 4 assignable buttons
Pitch & Mod wheels deliver expressive, creative control
Seamless visual feedback via illuminated buttons/knobs
Single USB cable provides both power and MIDI data
Includes Ableton™ Live Lite Alesis Edition & MIDI editor software
V49 Expressive USB Pad/Keyboard Controller
49 full-sized, square-front keys
8 LED backlit pads respond to both velocity and pressure
Perfect for controlling plug-ins and virtual instruments
4 assignable knobs; 4 assignable buttons
Pitch & Mod wheels deliver expressive, creative control
Seamless visual feedback via illuminated buttons/knobs
Single USB cable provides both power and MIDI data
Includes Ableton™ Live Lite Alesis Edition & MIDI editor software
Press release:
"Alesis Introduces New VI and V Series Keyboard/Pad Controllers
New fully integrated keyboard/pad controller series from Alesis targets the musician, music producer and live performer.
Cumberland, RI, USA – January 22, 2014. Alesis (www.alesis.com), the world’s leading manufacturer of instruments and tools for today's musician, announces the new V Series and VI Series of full-size keyboard/pad controllers. The performance-oriented V Series offers expressive hands-on control for the software musician. The step-up VI Series provides increased control for the keyboard performer. Both series include a Software Preset/Parameter utility that makes setup a snap.
The new Alesis V Series (V61, V49, V25) combine velocity-sensitive keys with eight drum/trigger pads, allowing virtual instruments to be played with dynamic expression. Cool blue LEDs illuminate the pads—as well as the four assignable knobs and buttons—for positive visibility. Assignments may be made quickly via the MIDI Learn feature. Octave shift keys provide access to the entire note range. A single USB cable provides both a power and data connection to nearly any computer.
The VI Series (VI61, VI49, VI25) add semi-weighted keys and aftertouch. The pad count has been increased to 16, with multi-color illumination. This layout provides intensive command over the clip trigger workflow of top DAW and compositional software. The internal clock offers drum roll, tempo, and sync capabilities. An optional power supply and a standard MIDI output allow for stand-alone use.
Alesis V Series Highlights:
• Full size, flat-front keys (25, 49, or 61)
• Pitch Bend and Modulation Wheels
• 8 Pads with blue LED illumination
• 4 Assignable knobs and buttons
• Sustain pedal input
• USB MIDI
Alesis VI Series Highlights:
• Full size, flat-front keys (25, 49, or 61)
• Semi-weighted keys with Aftertouch
• Pitch Bend & Modulation Wheels
• 16 Pads with Multi-color LED illumination
• VI25: 8 knobs, 24 buttons
• VI49: 12 knobs, 36 buttons
• VI61: 16 knobs, 48 buttons
• Transport and Present up/down buttons
• Sustain pedal input
• USD MIDI, MIDI Out
Page 1 of 2
• Internal Clock for sync, tempo, rolls, etc.
“Our goal with the new V and VI series keyboards was to focus on live performance and studio workflow in an intuitive yet advanced way,” notes Alesis Product Manager Nate Lane. “The keys, pads, knobs, and buttons have an excellent, player-worthy, high-quality feel, and we developed an accompanying software editor to allow users to take a deep dive into defining preset and parameter configurations if they choose to do so.”
The V and VI Series will have the following respective estimated street prices, V25 ($79.99 USD), V49 ($99.99 USD), V61 ($149.99 USD), VI25 ($169.99 USD), VI49 ($199.99 USD), and VI61 ($249.99 USD).
Alesis will unveil the V and VI Series at the 2014 NAMM Show in Hall A, Booth 6700, January 23-26 in Anaheim, California. For more information, visit: www.alesis.com/WNAMM2014"
Tuesday, April 28, 2015
New ADDAC504 Probabilistic Generator - Overview Videos
ADDAC504 Probabilistic Generator - Part 1 from ADDAC System on Vimeo.
ADDAC504 Probabilistic Generator - Part 2 from ADDAC System on Vimeo.
"This is a complex Gate / CV generator based on probabilities.
Modules Knob Functions
Each of the 5 Knobs have 3 diferent functions, each of these these can be accessed through the Menu/Trigger push-button.
Here’s the functions:
Knob 1:
%1 = Gate 1 Probability
5TG = Fifth Output Type: Trigger/Gate
N1 = Note 1 Tuning
Knob 2:
%2 = Gate 2 Probability
T.SIZE = Trigger Size
N2 = Note 2 Tuning
Knob 3:
%3 = Gate 3 Probability
DIR = LOCK Mode Direction: Backwards/pendulum/forward
N3 = Note 3 Tuning
Knob 4:
%4 = Gate 4 Probability
S.SIZE = LOCK Mode Sequence Size: up to 16 steps
N4 = Note 4 Tuning
Knob 5:
SWING X = Clock Swing X: 1 to 16
Y = Clock Swing Y: 1 to 16
N5 = Note 5 Tuning
Gate Outputs Behaviour
At every clock input, based on the four knobs probability settings, the module will select one active gate out, only one of the five gates will be active at all times. All Gate outputs can also behave as a Trigger instead, Trigger size can also be adjusted.
The knobs set the probabilities of each gate to be chosen, here's an example of how this operates
With all first four knobs at 12 o'clock the first Gate has 50% of being the chosen one, the remaining 50% of the times will be passed through the next knobs. So Gate 2 at 12 o'clock has 50% of the remaining 50% left by setting one, which leaves it with 25% chance of being the chosen one, the remaining 25% will be passed through Knob 3 which will have 12.5% chance of being the chosen one, the remaining 12.5% will be sent to Setting 4 which will have a probability of 6.25%. The remaining percentage left by the 4 Settings will always be the probability of Gate 5, in this case the remaining 6.25%.
Here's a couple more examples.
LABELS/MORE:
ADDAC,
eurorack,
New,
New in 2015,
New Modules,
New Modules in 2015,
synth tutorials,
Video
Wednesday, July 25, 2018
New ALBS Knobs For My Waldorf XTk From Modular Addict
My Waldorf XTk recently suffered from the dreaded knob breakdown. The original silo knobs are made of a soft rubber plastic that gets sticky and breaks down over time. I heard you can use baby powder or corn starch to get rid of the stickiness. I gave it a try and as you can see in the second image below, one of the knobs literally fell apart while rubbing them clean. BTW, I high recommend taking the knobs off the front panel before trying this for obvious reasons.

Note: If you get these knobs, note that they are notched. Make sure you align them correctly before placing them. On my XTk they are nice tight fit. At first they only went about 3/4 of the way in and I thought I was going to end up with a bit of a gap under each knob. I realized this was not normal until I got to the fifth or so knob which went all the way down. I pulled off the first knob and tried putting it back on and it went all the way down. The I did the same for any knob that didn't initially go all the way down on the first try and all was good. I wanted to be careful not to damage anything under the hood of course.
Below you'll find a few pics of my XTk minus the knobs followed with the new ALBS knobs installed. It's a beauty. :)
Big thanks to Modular Addict for ordering them for me! Once they were in, they shipped them out quick!
Monday, July 23, 2018
Hungry Robot Modular - Guitar Pedal Style Stand Alone Modules
Published on Jul 23, 2018 Knobs
Note this is the first post to feature Hungry Robot Modular. We have a new maker in town. As you can see in the video above from Knobs, these are individual modules in stomp-box like format. Know the jacks are on the top face only and there are no pedal switches. These are meant for the desktop and not the floor.
"Today, we do modular synthesis, with pedals.
0:31 - Overview
1:37 - Minimal
2:07 - Not minimal
2:47 - With semi-modular
3:24 - Super-synth
3:50 - Outro
Other synthesizers:
Make Noice 0-Coast
Malekko Manther
If you want to download these sounds and listen to them while you use an elliptical machine, Patreon:
https://www.patreon.com/KNOBs"
Details on the modules via https://www.hungryrobotmodular.com/:
"The Hungry Robot VCO is an all-analog, low cost, workhorse of a VCO. It can output triangle, sawtooth, and square waveforms simultaneously with tremendous bass response. The VCO has exceptional 1V/OCT tracking with FM modulation. The FM modulation input has a built-in CV attenuator as well as an inversion switch. The square wave has PWM with a built-in CV attenuator. As with all Hungry Robot "Modular Boxes" the VCO can be powered with a simple 9V DC, Negative Center power supply.
LABELS/MORE:
DIY,
Hungry Robot,
Make Noise,
Malekko,
New,
New in 2018,
New Makers,
New Makers in 2018
Wednesday, November 30, 2011
Panote ANALOG SYNTHESIZER MODULAR SYNTH 9V
panote09 (RSS)
Update: videos added below.
"This is the analog synth which runs on DC9V or DC12Vand supplies more than 150mA (negative center only such as BOSS PSA-120,240 or others.
VCO1------------------
(KNOBS)
FREQ.=frequency
(JACKS)
CV IN (oct/v can accept +-9V)
(KNOBS)
FREQ.=frequency
(JACKS)
CV IN
VCF---------------------
(KNOBS)
RESON.=RESONANCE adds extra high freq. and oscillation.
FREQ=cut off frequency
(JACKS)
CV IN
MIXER-----------------------------------
VCO1=volume of VCO1
VCO2=volume of VCO2
EXT. IN 1= volume of EXT IN 1
EXT.IN 1
EXT IN.2 = input with the buffer to the MIXER
VCA----------------------
(KNOBS)
INI.GAIN=Gain control.EG level should be controlled with VCA ini.gain.
If you would like to get maximum EG effect,EG level should be maximum and VCA ini.gain should be minimum.
VOLUME
(JACKS)
CV IN
OUT
SAMPLE&HOLD-----------------------
(KNOBS)
LEVEL=OUT LEVEL
RATE
It supplies random voltages to drive VCO,VCF like S.F sounds.
(JACKS)
CV IN
OUT
NOISE GENERATOR--------------------------
(KNOBS)
LEVEL=noise level
(JACKS)
OUT
ENVELOPE GENERATOR----------------------------
(KNOBS)
LEVEL=OUT LEVEL
ATTACK
RELEASE
(SWITCH)
TRIGGER
The push switch supplies trigger signal to EG and ATTACK&RELEASE knobs process it to send it to VCA.
(JACKS)
GATE IN(V TRIGGER) can accept up to +9V
OUT
LFO--------------------------------
(KNOBS)
LEVEL=OUT LEVEL
WAVE=2 waveforms are mixed by this knob.
SPEED
(JACKS)
OUT
6 cables are included in this listing.
I make more cables if you need.(US$6/one)"
ANALOG SYNTHESIZER MODULAR SYNTH 9V
YouTube Uploaded by panote09 on Nov 30, 2011
ANALOG SYNTHESIZER MODULAR SYNTH 9V part.2
Uploaded by panote09 on Nov 30, 2011
ANALOG SYNTHESIZER MODULAR SYNTH 9V part.3
YouTube Uploaded by panote09 on Dec 2, 2011
panote09 on eBay (RSS)
Thursday, April 07, 2011
Panote09 ANALOG SYNTH
videos at the auction and here.
"This is the analog synth which runs on DC9V and supplies more than 250mA (negative center only such as BOSS PSA-120,240.
VCO1------------------
(KNOBS)
FREQ.=frequency
P.ADJ=Pulse width adjust
PULSE=Pulse wave signal is sent to VCF alone.
PWM=VCO2 is put into VCO1 as PWM.
LFO
NG=NOISE GENERATOR
SH=SAMPLE & HOLD
VCO2-------------------
(KNOBS)
FREQ.=frequency
(SWITCHES)
LFO
NG=NOISE GENERATOR
SH=SAMPLE & HOLD
(KNOBS)
RESON.=RESONANCE adds extra high freq. and oscillation.
FREQ=cut off frequency
VCO1=volume of VCO1
VCO2=volume of VCO2
(SWITCHES)
LFO
VCA----------------------
(KNOBS)
INI.GAIN=Gain control.EG level should be controlled with VCA ini.gain.
If you would like to get maximum EG effect,EG level should be maximum and VCA ini.gain should be minimum.
Thursday, September 07, 2023
Viper Synths Robotron MIDI Controller
video upload by Viper Synths
"Watch a presentation of the new Robotron MIDI Controller. A powerful new tool for music producers, giving them the feel of vintage analog synthesizers, with the freedom and flexibility of digital technology and software."
Playlist:
Robotron MIDI Controller Teaser
Robotron MIDI Controller Demo
Taho Live using 2 Robotrons!
5 min track challenge with Robotron, Launchpad mini and Touchable Pro



Note the Robotron is available with Moog or Sequential style knobs.
ROBOTRON is a MIDI controller that looks and feel like an analog synthesizer! It is hand made in France, with the highest quality material, it's very robust and durable, like the vintage machines that made history. Robotron has 26 potentiometers and 6 momentary switches. They are all assignable to any CC you desire. By default the layout of ROBOTRON gives you the essential commands of pretty much every synths that exist.
Robotron comes with a Max for Live plugin that allows you to map your virtual synths on the fly and save the mappings once and for all. You can download it here. A VST version of the plugin is coming in 2024.
Robotron has 9 sections. Oscillators, mixer, filter, 2 enveloppes, a volume, LFO, a MIDI channel selector and the free to assign knobs. Every knobs and buttons are assignable.
It works on all DAWs.
With its 16 MIDI channel selection directly available on its panel, you can quickly switch from one instrument to another, without touching your DAW. You can also control all your hardware synths using the MIDI OUT of your computer.
For those who work without no computer, a very small USB to MIDI DIN converter is coming in 2024 and will be included with Robotron at no extra charge. When you order now you'll receive your converter as soon as it's available.
The assign section has 6 aluminium knobs, the same found on Sequential Circuit synthesizers. The other knobs are made of Bakelite, an extremely solid plastic invented by Leo Baekeland in 1907. Bakelite can resist extreme temperatures and chemicals. Those knobs are the same found on Moog synths.
The top panel is made of anodised aluminium with a beautiful brushing effect to it. The wood sides are made of exotic Sapelli, often used on boats for its robustness and beautiful look. It is particularly prized for its lustrous iridescence. It is also used in the manufacture of furniture, luxury flooring, and musical instruments.
Features:
26 High Quality Potentiometers.
8 Switches.
100% Assignable.
16 MIDI Channel Selection.
OLED Screen.
USB MIDI Compliant Plug & Play.
Specifications:
Dimensions: 39,5*25*7.5cm (15.5*10*3in).
Weight: 2.5kg.
26 High Quality Potentiometers.
8 Switches.
20 Original Bakelite Moog Knobs.
6 Original Prophet 5 Knobs.
USB C Port.
1 High Quality USB Cable (USB-C to USB-A male).
Anodised Blue Aluminium Top Panel.
Black Powder Coated Steel Case.
Friday, January 18, 2019
Panel replacement tutorial on the example of Furthrrrr Generator
Published on Jan 18, 2019 TheEndorphines
"In connection with the release of the newly replaced panels, we made a video for you to help you replace the panel yourself.
We hope you find this video useful.
Here we have a Furthrrrr generator with a classic gold panel which we will convert by replacing the black panel.
1. The first step is to take off the all the knobs from the pots.
You can use different tools like pliers or tweezers.
I am putting the tweezers between the plastic knob and the nut and press lightly to avoid scratches.
Sometimes the knobs are not so easy to remove so be patient and do it gently.
To unscrew two frequency knobs utilize flat screwdriver from the side.
Sunday, January 26, 2014
New Hardware Synth Manufacturer Freaqbox
MURMUX "The initiate" Synthesizer by FREAQBOξ and BLACK SCIENCE
Published on Jan 26, 2014 Freaqboξ·9 videos
I totally missed this at NAMM yesterday. If anyone is going today or tomorrow, you check them out at Hall E 1474. If you take any pics or video, send them in! Contact info is at the bottom right of the site. The also have a number of pedals. Videos for each below.
The Murmux Initiate
"Full Analog Vintage Monophonic Synthesizer
Fat bass sounds
2 Voltage Controlled (VC) oscillators with suboctave
Saw and square wave
4-pole Resonant VC Low Pass Filter
Triangle wave LFO modulation
VC Amp
2 Envelopes - 1 for the Amp & 1 for the Filter
External Audio Input
Controlable via Midi Keyboard or Analog Keyboard (CV Gate)
Completely Handmade, everything crafted by hand, with love
Electronics by Freqbox and enclosure by Black Science
Easy to use
Suitable for beginners in the Analog Synthesis"
The Murmux Semi Modular
"Full Analog Vintage Monophonic Synthesizer
2 Voltage Controlled (VC) oscillators with suboctave
Saw and Square wave with 4 octaves control
White Noise Generator
Patchable
Sample & Hold, Attenuator
Patchable Inputs: Clock In (4 stage mode)
Osc1, Osc2, Filter, Amp, CVs
Patchable Outputs: 4 stage mode, LFO, Envelope Generator
White Noise, Osc1 saw + square
Triangle wave LFO modulation
4 step modulator
VC Amp
2 Envelopes - 1 for the Amp & 1 for the Filter
External Audio Input
Controlable via Midi Keyboard or
Analog Keyboard (CV Gate)
Completely Handmade, everything crafted by hand, with love
Electronics by Freaqbox and enclosure by Black Science"
Published on Jan 26, 2014 Freaqboξ·9 videos
I totally missed this at NAMM yesterday. If anyone is going today or tomorrow, you check them out at Hall E 1474. If you take any pics or video, send them in! Contact info is at the bottom right of the site. The also have a number of pedals. Videos for each below.
The Murmux Initiate
"Full Analog Vintage Monophonic Synthesizer
Fat bass sounds
2 Voltage Controlled (VC) oscillators with suboctave
Saw and square wave
4-pole Resonant VC Low Pass Filter
Triangle wave LFO modulation
VC Amp
2 Envelopes - 1 for the Amp & 1 for the Filter
External Audio Input
Controlable via Midi Keyboard or Analog Keyboard (CV Gate)
Completely Handmade, everything crafted by hand, with love
Electronics by Freqbox and enclosure by Black Science
Easy to use
Suitable for beginners in the Analog Synthesis"
The Murmux Semi Modular

2 Voltage Controlled (VC) oscillators with suboctave
Saw and Square wave with 4 octaves control
White Noise Generator
Patchable
Sample & Hold, Attenuator
Patchable Inputs: Clock In (4 stage mode)
Osc1, Osc2, Filter, Amp, CVs
Patchable Outputs: 4 stage mode, LFO, Envelope Generator
White Noise, Osc1 saw + square
Triangle wave LFO modulation
4 step modulator
VC Amp
2 Envelopes - 1 for the Amp & 1 for the Filter
External Audio Input
Controlable via Midi Keyboard or
Analog Keyboard (CV Gate)
Completely Handmade, everything crafted by hand, with love
Electronics by Freaqbox and enclosure by Black Science"
Tuesday, March 10, 2020
Korg Wavestate Sound Compilation
Published on Mar 10, 2020 Korg
"Here’s a compilation of some of the sounds from the new Wavestate synth by Korg. Below are descriptions of the patches heard in the video:
Audio Spa – Quick twists of the Mod Knobs create immediate and dramatic changes to the Wavesequence.
Candy for Elle’s Shoes – A few twists of the Mod Knobs dramatically change the rhythmic pattern and effects on part one of this two-part Performance, and adds LFO modulation to the pads on the second part.
Chop it Up – A great example of how you can use the Mod Knobs to affect selected parts within the Performance, in addition to the default modulation settings.
Iceland Piano – An eerie, pulsating piano dances harmoniously with a light arpeggio-like Wavesequence, fused with a lush pad. Mod Knobs change the pitch and repetitions of the Arpeggio, as well as the samples, brightness of the piano.
Wasted Hip Hop – A freeform beat exploration with the Mod Knobs yielding realtime variations to the to beat, step repeats, and sample pitches, while the Vector Joystick brings parts in and out.
Rando 1 – Roll the dice to see what happens! The wavestate’s Randomizer, indicated by a “dice” icon, makes sweeping changes to any Performance by modifying parameters. You can also edit modifier % or choose which aspects of the sounds are modified, to refine or completely unleash the randomizations.
Rando 2 – An especially “strange” Randomization; somewhere between Whale song and a post-apocalyptic movie score! Thankfully, you can save Randomization to user locations, of which there are plenty!!
Rando 3 – This Randomization thing is just too cool. Check out this aggressive beat with underlying pad. The Mod Knobs are doing their part also!
Synth Komper Arp – A perfect blend of Wavesequencing and Arpeggiation. Mod Knobs control the master effect wet/dry, Wavesequencing samples, and pitch to create endless variations on the theme."
Monday, June 18, 2012
Reknobbin
YouTube Published on Jun 18, 2012 by ISOTROPOSPHERE
"Took some time to change out some knobs on a few modules more to my liking.
All Blue Lantern module knobs switched to the Din Sync Drum Dokta and DDB (Which arrived the day after this video was shot). Blue Lantern knobs to the custom knobs I ordered years ago.
Center two range knobs on the Make Noise Wogglebug switched with the center two channels on the Maths. Blue to Red and vice versa.
All knobs from the QMMG switched to the Pressure Points. This makes the QMMG look like the generation one versions and the PP with two white rows and a red row in the center. My newest PP showed up late last week and has the new Make Noise knobs.
Close up panning over the modular system. Enjoy."
Thursday, January 15, 2009
NAMM: Akai APC40

The APC40 is the world’s finest Ableton Live control surface. Ableton and Akai Professional worked in a joint partnership to make the APC40 the perfect Ableton Live control surface. Whether you are an electronic-music performance artist and Live is your canvass, a DJ using Live to mix tracks, or a traditional musician using Live on stage or in the studio, the APC40 is designed for intuitive, powerful control.
DIRECT DESIGN
Because Akai Professional and Ableton designed the APC40 for Live, you don’t need to map its controls to talk to the software. Just connect your laptop to the APC40 with its USB cable and you're ready to make magic. The APC40 is class compliant, so you don't even need to install drivers. And if you’re an advanced Live user, the APC40 gives you the ability to remap every one of its controls to suit your own style.
VIRTUAL VIEW
The APC40 talks directly to Live and Live talks directly to the APC40. This exclusive bidirectional communication makes the APC40 an advanced controller in that it can receive feedback from the software and display it on its clip matrix of 40 triggers and on LED rings surrounding each knob. The clip matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays on the matrix in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set. The APC40 has 16 knobs, each surrounded by a ring of LEDs. These LED rings make seeing your settings a breeze on dark stages, indicating the currently selected parameters’ values. This advanced visual feedback makes performing with the APC40 focused more on the music and less on squinting at the computer screen. In fact, you might even forget that the computer is there!
PREMIUM CONTROLS
Ableton selected Akai Professional as a partner because of its leadership position in great-feeling controllers that are rock solid, rugged, and precise. From the legendary MPC series that changed the way music is made to the industry-standard MPD and MPK controllers, Akai Professional is revered by musicians, DJs, and producers everywhere for creating the feel that powers their creativity. The APC40 is built with a rugged, metal chassis and slip-proof rubber detailing. Knobs and faders are solid and precise for pinpoint performance. It even features a high quality, replaceable crossfader.
CREATIVE CONTROL
The APC40 comes with a special edition of Ableton Live Lite so you can use it out of the box even if you’re new to Live. There's also a free patch that upgrades full versions of Live so if you're already a Live user, you can take full advantage of the APC40.
The APC40 has two banks of eight knobs. The first set controls Global parameters so you’ll always have instant access to your main sends, pans, and other essentials. The second bank of eight knobs is dynamically reassigned to the Track you select. You can control eight track parameters at a time, and as you switch channels, the Track knobs follow your focus. You also get special clip-status views and feedback that only the APC40's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling access to an unlimited number of cells.
The APC40 has a wide range of controllers. The eight Global knobs can access four banks of controls; the eight Track knobs control nine different track parameters each. This gives you a massive total of 72 controllers that are dynamically reassigned. Channel faders, bus faders, and a crossfader give you smooth control of key values. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, solo/cues and two assignable footswitch inputs.
Designed in partnership with Ableton, the APC40 is the most advanced Live controller for the most advanced performers.
Ableton and Ableton Live are trademarks of Ableton AG."
http://www.akaipro.com/apc40
Sunday, February 03, 2019
STUDIOLOGIC SLEDGE 2.0 KNOB UPDATE
Published on Feb 3, 2019 TheXcee
"here is my SLEDGE 2.0 with totally new poti knobs.
i changed the original plastic knobs with the moog style knobs out of phenol, the results are amazing!
the sledge feels and looks so much better now with the phenol poti knobs.
the knobs were ordered from a online electronic store.
the axle shaft diameter fits perfect in the knobs which have all 6,4mm inner diameter. the knobs are secured with there screw.
finally i recommend this update for every SLEDGE user.
It´s easy to do and feels and looks so great!"
Tuesday, May 22, 2007
New Knobs for Your Synth

$485 knobs
In the same vein:
$159 cable elevators
$1180 Power cord
Do I really have to warn you on this one? What do you all think?
Monday, May 13, 2024
The MetaModule from 4ms Company
You might remember the MetaModule from this previous post.
Press release follows:

Ships with 165 Modules
The MetaModule is a eurorack module with over 160 built-in modules from 4ms Company, Befaco, HetrickCV, Nonlinearcircuits, and Eightfold, plus clones of popular classics such as the Mutable Instruments modules, fun physical modeling algorithms, and lots of handy utilities.
All of the included modules are also available on the computer using the free program VCV Rack. Whether you make patches on VCV Rack and transfer them to the MetaModule, or if you just create patches directly on the MetaModule, there are plenty of creative modules to inspire new ways to make music.
MetaModule Plugins
If the built-in module aren’t enough, you can load more modules as plugins. Already there are over 200 modules in third-party plugins from Bogaudio, Valley, ChowDSP, NANO Modular, and the list is growing.
We have an SDK available to make it easy for VCV Rack plugin developers to convert their plugin to a MetaModule plugin. Our licensing terms are non-restrictive: developers are welcome to distribute their plugin in any way they wish, commercially or not.
Mapping Knobs and Jacks
The MetaModule has 12 knobs that can be mapped to virtual knobs. Each knob can be mapped to up eight virtual knobs, and each mapping can have a different range and offset. You also can save a group of mappings as a Knob Set and switch between Knob Sets with the encoder. You also can map the 8 inputs and 8 outputs to virtual module jacks.
Also, the MetaModule is a USB MIDI host, so you also can map MIDI CC, note, gate, and other parameters to knobs and jacks.
Expanders
There are lots of ways to customize your MetaModule. A Wifi expander allows you to wirelessly transfer patches from your computer. Add eight more knobs with the Knob expander, or buttons with the Button expander. A CV/Audio expander adds more high-resolution inputs and outputs, and the Gate In/Out expander adds not only gate jacks but also TRS MIDI and I2C.
Under the Hood
There are six CV/Audio inputs, two gate inputs, and six CV/Audio outputs. The CV/Audio jacks are all 24-bit, 48kHz DC-coupled, -10V to +10V. A USB-C jack accepts MIDI devices and thumb drives. Patches and plugins can be loaded via a USB drive or SD Card, and internal flash memory lets you save patches you always want to come back to.
The processor is more advanced than anything 4ms has used yet, and is among the most powerful processors found in Eurorack. It uses a dual-core Cortex-A7 running at 800Mhz, with a Cortex-M4 co-processor. There is 512MB of fast DDR3 RAM. It runs bare-metal without an OS, so startup time and latency are blazingly fast.
Retail availability: August 27, 2024
Price: $649 (USD)
Thursday, January 23, 2025
Melbourne Instruments ROTO-CONTROL: Motorized MIDI Controller for Software and Hardware
video upload by Melbourne Instruments


Press release follows:
Introducing ROTO-CONTROL, motorized MIDI controller for software and hardware
Following the debut success of their revolutionary analog synth NINA in 2023 and the hybrid polysynth DELIA in 2024, Melbourne Instruments announce ROTO-CONTROL, a motorized MIDI controller for software and hardware. Roto-Control brings Melbourne Instruments’ motorized knob technology to a MIDI controller in a powerful, portable, affordable tool for studio and live applications.
Roto-Control is now shipping. [check with dealers on the right for avialability]
Introducing a truly unique motorized MIDI controller, unlike anything seen before. Rethink software and hardware interactions via fully assignable motorized touch-sensitive knobs, user definable haptics for detailed control, high-res screens providing easy-to-read labels for every control, and internal memory with storage for over 8000 assignments. Powerful, compact, and portable, Roto-Control features three main modes of operation: MIX, PLUGIN and MIDI with Motion Recorder.
Thursday, January 31, 2019
Eurorack Mini Modular Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The case is 36hp. It has all the basic modules required for a fully functioning mono Synth with 6 available VCO waveforms, 1 ADSR envelope generator, 2 VCAs, 1 basic LFO with triangle and square wave outputs and 1 clockable LFO with 6 waveforms and control over time division plus 1 Low Pass Filter and a cascading mixer. The power is supplied by a Frequency Central Power supply with a Feedback Modules fixed distribution board giving a total of 9 power headers. The case has Doepfer style rails with sliding nuts - you can easily swap out modules as this is fully modular.
The included modules are available individually:
GMSN VCA - £35 - will come with black Davies Knobs.
GMSN LFO - £30 - will come with black Davies Knobs.
Frequency Central ADSR - £70 - will come with black Davies knobs.
Frequency Central Waverunner LFO - £80 - will come with black Davies knobs.
Fonitronik Cascading mixer - £50 - will come with black Davies knobs.
Intellijel Dixie VCO - £140 - will come with the standard Intellijel knobs.
TipTop Z2040 filter - £120 - will come with standard TipTop knobs."
via this auction

The included modules are available individually:
GMSN VCA - £35 - will come with black Davies Knobs.
GMSN LFO - £30 - will come with black Davies Knobs.
Frequency Central ADSR - £70 - will come with black Davies knobs.
Frequency Central Waverunner LFO - £80 - will come with black Davies knobs.
Fonitronik Cascading mixer - £50 - will come with black Davies knobs.
Intellijel Dixie VCO - £140 - will come with the standard Intellijel knobs.
TipTop Z2040 filter - £120 - will come with standard TipTop knobs."
Friday, October 25, 2024
Arturia Origin Desktop Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this listing
"The Arturia Origin desktop Synth is literally a one of a kind very rare synth. What follows are answers to these iterations and explanations to the complexities and idiosyncrasies of the Origin.
1. In building the synthesizer, Arturia put virtually all their synthesizer and TAE (true analog emulation) technology, making it into both many and one instrument. The Origin not only gives you the latest sounds and sequences, it gives you powerful, easy to use tools for playing, combining, and controlling these dynamic sounds/sequences. All in real time, due to the amazing interface.
via this listing
"The Arturia Origin desktop Synth is literally a one of a kind very rare synth. What follows are answers to these iterations and explanations to the complexities and idiosyncrasies of the Origin.
1. In building the synthesizer, Arturia put virtually all their synthesizer and TAE (true analog emulation) technology, making it into both many and one instrument. The Origin not only gives you the latest sounds and sequences, it gives you powerful, easy to use tools for playing, combining, and controlling these dynamic sounds/sequences. All in real time, due to the amazing interface.
Monday, July 16, 2012
Sequentix P3 Midi Step Sequencer
Note: Auction links are affiliate links for which the site may be compensated.

via this auction
This one is cross posted on MATRIXSYNTH-P.
"I am selling a sequential P3 sequencer designed and built by Colin Fraiser. This is one of around 200 that were built as production units. Many of these were built as kits and don't have the build quality that this one has. Worried about solar flares? This unit sports a heavy duty metal case with rack ears. I also have the wooden sides if you you are going for the retro look over the industrial. The LCD is new, original units had a green LCD that burned out. This P3 also has the MEMX expansion but the unit has an older more stable OS. All of the information you need can be found on the sequentix website.
via this auction
This one is cross posted on MATRIXSYNTH-P.
"I am selling a sequential P3 sequencer designed and built by Colin Fraiser. This is one of around 200 that were built as production units. Many of these were built as kits and don't have the build quality that this one has. Worried about solar flares? This unit sports a heavy duty metal case with rack ears. I also have the wooden sides if you you are going for the retro look over the industrial. The LCD is new, original units had a green LCD that burned out. This P3 also has the MEMX expansion but the unit has an older more stable OS. All of the information you need can be found on the sequentix website.
Sunday, February 17, 2008
Minimoog Change List - Minimoog Versions
via Brian Kehew of The MOOG Cookbook:
"Minimoog MODEL "D" Changes:
At first look, all Minimoogs seem alike. It seems that the Minimoog is something unchanging that we all know and recognize. They are similar to each other, but there are many features that changed over time. You may already be aware of a few differences, but most people will be surprised at how many variations there really are.
One of my main goals for this site was this very page: to show the developments in the main Minimoog design (MODEL D), and give an idea when the changes happened. To my knowledge, this type of listing has not been done for the Minimoog. Once you see it - you should be able to tell what is "original" on a Minimoog. In some cases, you will even be able to guess a Minimoog's serial number quite closely after only a quick glance! Like "trainspotting" (identifying nearly identical trains by small distinguishing features) this is trivial, but fun.
The process was simple - I compiled a database of over 100 Minimoogs. By asking owners detailed questions, I was able to determine the commmon developments. Cross-referencing this data to known dates of production, it becomes easier to see WHEN things might have happened. Note: This is by no means foolproof, and there are individual Mini's that do not fit the pattern. For now, we will assume that they are mutants/modifieds, and simply note the main trends.
The Changes:
Read through these links first, so you will be familiar with the details. Then, I have arranged a timeline of the changes below for clarity. In the future, I will have photos of the changes, a helpful visual reference...
* The Badge
* The Factories
* The Front Panel
* Graphics
* Wheels
* Left-Hand Switches
* Panel Switches
* Oscillators
* Octave Buffer Board
* Rear Cover
* Power Cable
* Pointer Knobs
* The Wood Case
* The Questions used to make the database.
* TIMELINE of Changes
THE BADGE
(This is the "logo plate" above the keyboard that identifies the company)
* R. A. Moog: When the company began making synths (1964/65), this was the name, carried over from Bob's Theremin business. This metal nameplate is only found on the earliest Minimoogs from (late) 1970 through 1971.
* Moog/Musonics: After Waytena bought the R.A.Moog company, it was merged with Musonics (his own company) and the Minimoogs from this brief period (1971) bear this name. A metal plaque.
* Moog Music Inc. After Moog was sold to Norlin/CBS in 1972, this became the name that would remain until the last Minimoogs were made. MOST Minimoogs have this plate, a vinyl material.
THE FACTORIES
(Moog had several plants during Minimoog production, relatively close to each other in upstate New York)
* Trumansburg: The original factory, built Minimoogs from late 1970 through 1971.
* Williamsville: after the Musonics purchase, operated from March 1971 to 1977.
* Buffalo: a much larger plant, made Minimoogs from 1977 to 1981
THE FRONT PANEL
(Construction of the front panel behind the knobs)
* Metal - A thin sheet of smooth aluminum.
* Metal with Plastic - same as above, but with a thin clear sheet of plastic to cover/protect it.
* Plastic - a heavier vinyl/plastic panel, with a textured surface.
GRAPHICS
(This is the silkscreened labelling on the front panel)
* "VOL." - the earliest Minimoogs (metal and metal/plastic panel) have different designs. The time settings are marked in seconds, the Osc.2 & 3 fine tune knobs have cents/100 divisions, and the Volume knobs say "VOL."
* "Volume" - the design used on all vinyl panel Minimoogs: the knobs say "VOLUME", the times are in divisions from 1 to 10, and the Osc. 2 & 3 tunings knobs are incremented from +/-1 to +/-7.
WHEELS
(On the left-hand modulation section, the wheels and switches underwent a few developments)
* Clear Wheels: the earliest design, a beautiful look.
* Solid White Wheels: same shape as before, but in an opaque white plastic.
* Serrated White Wheels: These have ridged, wavy edges for better gripping.
# Clear Lighted Wheels: same shape as early clear wheels, but with internal lights to show them off. Only on the last series of 25 "presentation" Minimoogs.
LEFT-HAND SWITCHES
* Decay/Glide switches are Red Momentary pushbuttons on the earliest R.A.Moog Mini's. This may be to make the instrument more "performance oriented" as the sound can "change" easier with momentary switches.
* White Mini-toggle switches. Some early R.A.Moog instruments have small toggle switches (NOT momentary) for Decay and Glide. On some, this appears to be a retrofit, as it would be more usable than the buttons. On most, this looks like the original factory issue design.
* White Rocker switches; the standard white plastic rocker switches found on almost all Mini's. Begins during the R.A.Moog period and remains until the last.
PANEL SWITCHES
(These are the colored rocker switches used all across the front control panel for modulation, the mixer, etc.)
* Blue and Orange - the most common color scheme - almost all Minimoogs have this setup. In case you never noticed, Blue is for audio routing, Orange is for modulation routing.
* All White - very few Mini's have this, but there are a few known examples, mostly early Mini's. It looks quite good, actually.
* All Black switches - again, another variation that seems to be original. The factory had them around, as the Power Switch is usually Black. This also looks very cool!
* All Blue - there are rumoured Mini's with all-blue switches (makes sense - it would have been EASY to do at the factory). At least one prototype had this.
OSCILLATORS
(This is an important and controversial point for some Minimoog owners. The Oscillators were changed, at least a few times, in order to make the Minimoog more reliable)
* R.A.Moog - these are the Oscillator circuit boards for the earliest Minimoogs. There may be only about 100 made with these boards - they have "RAMOOG" written on the circuit board itself. The do sound different than the later oscillators, but are relatively harder to keep in tune.
* "Old Oscillators" - a term that is somewhat misleading now that we know about the RAMoog boards! However, most people consider these to be the first half of Minimoog production, almost 6,000 of them made, so they are often called "older oscillators". They are relatively stable, except when switching Octave settings.
On the back panel, one can see a set of 7 small calibration holes behind the Oscillators. This is true for most RAMoog and "Older" Oscillators.
* "New Oscillators" - these were specifically designed to keep the Minimoog in tune, a big complaint for the many performers using the older oscillators. The new oscillators have 17 trim holes on the back panel. They allow for especially precise calibration on the high frequencies, and have the Octave Buffer (see below). Moog began these with #10175 to the end, but many earlier ones have had these retrofitted.
OCTAVE BUFFER BOARD
Apparently, not many people know about this. The Octave Buffer Board is a FACTORY modification to correct a design flaw in the original Minimoog: When Oscillators were switched between octaves, they would often go out of tune. This small board was added inside the Minimoog just under the top edge (behind the Oscillator section, and mounted to the metal with two small black screws)
Beginning with serial number #5000, this was done on ALL Minimoogs from the factory. I have seen MANY of the earlier units (before #5000), already retrofitted by the factory or factory-authorized service centers. When the Minimoog was sent in for calibration, new oscillators, repair, etc., it would have been added as a matter of course. It's a very GOOD modification to have done and will not affect the value of your instrument. It will, in fact, increase the value, as your Mini will definitely be better with it. (It is possible that the early RAMoog oscillators do not need this modification - we're looking into it)
REAR COVER
(This is the removable aluminum cover on the back of the Minimoog)
* Bent - on the R.A.Moog Minimoogs, the aluminum is a flat panel bent into a box shape. It has an open seam where the sides join.
* Welded - on all later Minimoogs, this cover was welded at the seams, to prevent dirt from entering the electronics section (a good idea!)
POWER CABLE
(The power cable changed several times during production)
* The R.A.Moog Minimoogs have power cables that enter to the Left of the Accessory jacks (when looking from behind). 2 prongs (no ground) and usually brown.
* When the Minimoog was made with the new "Moog/Musonics" badge, the power cable moves to the Right of the accessory jacks. It was originally brown, 2 prong. This is also true for early "Moog Music" Minimoogs.
* Later, it became 3 prong, in black or gray.
POINTER KNOBS
(An interesting (but rarely noticed) change in the Minimoogs)
* Most Minimoogs have standard pointer knobs - where one end is pointed and the other end is wide.
* There is a specific period in 1974 where Minimoogs have different pointer knobs, where both ends are the same shape. This may be due to a shortage at the factory, or to keep down costs (Note: these same pointer knobs are found later on the Micromoog and Multimoog). However, they ARE original from this period - many people will assume they have been changed.
WOOD CASE
(An obvious difference, very visible. I'm no expert on woods so I'm going to look into this with an expert. There are a LOT of different styles, some just variations on wood stain or color. Here are the basics)
* Early Minimoogs have dark brown walnut casings, rumoured to have been cut from trees on Bob Moog's property. They are not stained or laquered.
* The next series of Minimoogs seem to have a dark Mahogany wood, also unstained.
* Later, the Minimoog came in a "butterscotch" colored stain, over an light-colored unnamed wood.These will be slightly glossy.
* Finally, the Minimoog came in a wood with very dark brown stain, almost as thick as paint. It's not as natural-looking as earlier Minimoogs, but ALL Minimoogs are beautiful!
These are the questions that were asked of Minimoog owners. These are basic changes (mostly external) that help us identify any Minimoog. (I will get into more detail about the internal changes at a later date)
* Serial number ?
* Front plate - RAMoog, Musonics, or Moog Music?
* Casing - unfinished walnut, light maple (butterscotch), or dark stain mahogany?
* Front panel - metal, metal w/ clear plastic coat, smooth plastic, rough plastic?
* Factory - Trumansburg, Williamsville, Buffalo?
* Wheels - clear, smooth white, serrated (rippled) white, lighted clear?
* Panel engraving - "VOL" or "VOLUME"?
* Decay/Glide switches - momentary red buttons, white rocker, (other)?
* Panel switches - orange/blue, all black, or all white?
* On the top edge (behind the wood, just above the Oscillator knobs) are there two small (black) screws?
* Number of calibration holes in back panel? (total)
* Power cable (looking from the REAR) - right or left of Accessory jacks? - brown, grey, or black? - 2 or 3 prong?
* IF there are paper assembly tags inside - what is the date?"
"Minimoog MODEL "D" Changes:
At first look, all Minimoogs seem alike. It seems that the Minimoog is something unchanging that we all know and recognize. They are similar to each other, but there are many features that changed over time. You may already be aware of a few differences, but most people will be surprised at how many variations there really are.
One of my main goals for this site was this very page: to show the developments in the main Minimoog design (MODEL D), and give an idea when the changes happened. To my knowledge, this type of listing has not been done for the Minimoog. Once you see it - you should be able to tell what is "original" on a Minimoog. In some cases, you will even be able to guess a Minimoog's serial number quite closely after only a quick glance! Like "trainspotting" (identifying nearly identical trains by small distinguishing features) this is trivial, but fun.
The process was simple - I compiled a database of over 100 Minimoogs. By asking owners detailed questions, I was able to determine the commmon developments. Cross-referencing this data to known dates of production, it becomes easier to see WHEN things might have happened. Note: This is by no means foolproof, and there are individual Mini's that do not fit the pattern. For now, we will assume that they are mutants/modifieds, and simply note the main trends.
The Changes:
Read through these links first, so you will be familiar with the details. Then, I have arranged a timeline of the changes below for clarity. In the future, I will have photos of the changes, a helpful visual reference...
* The Badge
* The Factories
* The Front Panel
* Graphics
* Wheels
* Left-Hand Switches
* Panel Switches
* Oscillators
* Octave Buffer Board
* Rear Cover
* Power Cable
* Pointer Knobs
* The Wood Case
* The Questions used to make the database.
* TIMELINE of Changes
THE BADGE
(This is the "logo plate" above the keyboard that identifies the company)
* R. A. Moog: When the company began making synths (1964/65), this was the name, carried over from Bob's Theremin business. This metal nameplate is only found on the earliest Minimoogs from (late) 1970 through 1971.
* Moog/Musonics: After Waytena bought the R.A.Moog company, it was merged with Musonics (his own company) and the Minimoogs from this brief period (1971) bear this name. A metal plaque.
* Moog Music Inc. After Moog was sold to Norlin/CBS in 1972, this became the name that would remain until the last Minimoogs were made. MOST Minimoogs have this plate, a vinyl material.
THE FACTORIES
(Moog had several plants during Minimoog production, relatively close to each other in upstate New York)
* Trumansburg: The original factory, built Minimoogs from late 1970 through 1971.
* Williamsville: after the Musonics purchase, operated from March 1971 to 1977.
* Buffalo: a much larger plant, made Minimoogs from 1977 to 1981
THE FRONT PANEL
(Construction of the front panel behind the knobs)
* Metal - A thin sheet of smooth aluminum.
* Metal with Plastic - same as above, but with a thin clear sheet of plastic to cover/protect it.
* Plastic - a heavier vinyl/plastic panel, with a textured surface.
GRAPHICS
(This is the silkscreened labelling on the front panel)
* "VOL." - the earliest Minimoogs (metal and metal/plastic panel) have different designs. The time settings are marked in seconds, the Osc.2 & 3 fine tune knobs have cents/100 divisions, and the Volume knobs say "VOL."
* "Volume" - the design used on all vinyl panel Minimoogs: the knobs say "VOLUME", the times are in divisions from 1 to 10, and the Osc. 2 & 3 tunings knobs are incremented from +/-1 to +/-7.
WHEELS
(On the left-hand modulation section, the wheels and switches underwent a few developments)
* Clear Wheels: the earliest design, a beautiful look.
* Solid White Wheels: same shape as before, but in an opaque white plastic.
* Serrated White Wheels: These have ridged, wavy edges for better gripping.
# Clear Lighted Wheels: same shape as early clear wheels, but with internal lights to show them off. Only on the last series of 25 "presentation" Minimoogs.
LEFT-HAND SWITCHES
* Decay/Glide switches are Red Momentary pushbuttons on the earliest R.A.Moog Mini's. This may be to make the instrument more "performance oriented" as the sound can "change" easier with momentary switches.
* White Mini-toggle switches. Some early R.A.Moog instruments have small toggle switches (NOT momentary) for Decay and Glide. On some, this appears to be a retrofit, as it would be more usable than the buttons. On most, this looks like the original factory issue design.
* White Rocker switches; the standard white plastic rocker switches found on almost all Mini's. Begins during the R.A.Moog period and remains until the last.
PANEL SWITCHES
(These are the colored rocker switches used all across the front control panel for modulation, the mixer, etc.)
* Blue and Orange - the most common color scheme - almost all Minimoogs have this setup. In case you never noticed, Blue is for audio routing, Orange is for modulation routing.
* All White - very few Mini's have this, but there are a few known examples, mostly early Mini's. It looks quite good, actually.
* All Black switches - again, another variation that seems to be original. The factory had them around, as the Power Switch is usually Black. This also looks very cool!
* All Blue - there are rumoured Mini's with all-blue switches (makes sense - it would have been EASY to do at the factory). At least one prototype had this.
OSCILLATORS
(This is an important and controversial point for some Minimoog owners. The Oscillators were changed, at least a few times, in order to make the Minimoog more reliable)
* R.A.Moog - these are the Oscillator circuit boards for the earliest Minimoogs. There may be only about 100 made with these boards - they have "RAMOOG" written on the circuit board itself. The do sound different than the later oscillators, but are relatively harder to keep in tune.
* "Old Oscillators" - a term that is somewhat misleading now that we know about the RAMoog boards! However, most people consider these to be the first half of Minimoog production, almost 6,000 of them made, so they are often called "older oscillators". They are relatively stable, except when switching Octave settings.
On the back panel, one can see a set of 7 small calibration holes behind the Oscillators. This is true for most RAMoog and "Older" Oscillators.
* "New Oscillators" - these were specifically designed to keep the Minimoog in tune, a big complaint for the many performers using the older oscillators. The new oscillators have 17 trim holes on the back panel. They allow for especially precise calibration on the high frequencies, and have the Octave Buffer (see below). Moog began these with #10175 to the end, but many earlier ones have had these retrofitted.
OCTAVE BUFFER BOARD
Apparently, not many people know about this. The Octave Buffer Board is a FACTORY modification to correct a design flaw in the original Minimoog: When Oscillators were switched between octaves, they would often go out of tune. This small board was added inside the Minimoog just under the top edge (behind the Oscillator section, and mounted to the metal with two small black screws)
Beginning with serial number #5000, this was done on ALL Minimoogs from the factory. I have seen MANY of the earlier units (before #5000), already retrofitted by the factory or factory-authorized service centers. When the Minimoog was sent in for calibration, new oscillators, repair, etc., it would have been added as a matter of course. It's a very GOOD modification to have done and will not affect the value of your instrument. It will, in fact, increase the value, as your Mini will definitely be better with it. (It is possible that the early RAMoog oscillators do not need this modification - we're looking into it)
REAR COVER
(This is the removable aluminum cover on the back of the Minimoog)
* Bent - on the R.A.Moog Minimoogs, the aluminum is a flat panel bent into a box shape. It has an open seam where the sides join.
* Welded - on all later Minimoogs, this cover was welded at the seams, to prevent dirt from entering the electronics section (a good idea!)
POWER CABLE
(The power cable changed several times during production)
* The R.A.Moog Minimoogs have power cables that enter to the Left of the Accessory jacks (when looking from behind). 2 prongs (no ground) and usually brown.
* When the Minimoog was made with the new "Moog/Musonics" badge, the power cable moves to the Right of the accessory jacks. It was originally brown, 2 prong. This is also true for early "Moog Music" Minimoogs.
* Later, it became 3 prong, in black or gray.
POINTER KNOBS
(An interesting (but rarely noticed) change in the Minimoogs)
* Most Minimoogs have standard pointer knobs - where one end is pointed and the other end is wide.
* There is a specific period in 1974 where Minimoogs have different pointer knobs, where both ends are the same shape. This may be due to a shortage at the factory, or to keep down costs (Note: these same pointer knobs are found later on the Micromoog and Multimoog). However, they ARE original from this period - many people will assume they have been changed.
WOOD CASE
(An obvious difference, very visible. I'm no expert on woods so I'm going to look into this with an expert. There are a LOT of different styles, some just variations on wood stain or color. Here are the basics)
* Early Minimoogs have dark brown walnut casings, rumoured to have been cut from trees on Bob Moog's property. They are not stained or laquered.
* The next series of Minimoogs seem to have a dark Mahogany wood, also unstained.
* Later, the Minimoog came in a "butterscotch" colored stain, over an light-colored unnamed wood.These will be slightly glossy.
* Finally, the Minimoog came in a wood with very dark brown stain, almost as thick as paint. It's not as natural-looking as earlier Minimoogs, but ALL Minimoogs are beautiful!
These are the questions that were asked of Minimoog owners. These are basic changes (mostly external) that help us identify any Minimoog. (I will get into more detail about the internal changes at a later date)
* Serial number ?
* Front plate - RAMoog, Musonics, or Moog Music?
* Casing - unfinished walnut, light maple (butterscotch), or dark stain mahogany?
* Front panel - metal, metal w/ clear plastic coat, smooth plastic, rough plastic?
* Factory - Trumansburg, Williamsville, Buffalo?
* Wheels - clear, smooth white, serrated (rippled) white, lighted clear?
* Panel engraving - "VOL" or "VOLUME"?
* Decay/Glide switches - momentary red buttons, white rocker, (other)?
* Panel switches - orange/blue, all black, or all white?
* On the top edge (behind the wood, just above the Oscillator knobs) are there two small (black) screws?
* Number of calibration holes in back panel? (total)
* Power cable (looking from the REAR) - right or left of Accessory jacks? - brown, grey, or black? - 2 or 3 prong?
* IF there are paper assembly tags inside - what is the date?"
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH













© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH