Syntheus 1001: a double-suitcase full of vintage modular synthesis

video upload by manmade madman

"If you could pack everything you ever wanted into a modular synth, and then put it in a suitcase, chances are it would reference the EMS Synthi AKS/VCS from the 1970's. Recently companies have released hardware editions that sound glorious. There's even a monster ultimate reissue called Analogue Solutions Colossus which I'm sure sounds incredible. The original was notorious not only for its clean look and capabilities but weird sounds even Brian Eno said "...great for bug noises" but he used it for decades as an effects processor as well. We've taken issue with this... it CAN be musical!

Here we have the ultimate version: 6 free range oscillators, dual patch panels, vintage spring reverb, a joystick that lets you record motion and play it back, and a snapshot sequencer that gives you your sound-per-step, or bug noises if you'd rather! Vintage circuitry all along the way, down to the opamp modelling. You'll hear the crunch and occasional bleeding of the original 70's wiring. Thanks to our db-cell technology, you'll hear a vintage drift everywhere, but well under control. It's not static-- in fact its always surprising and always different, just like the originals.

Best of all, its actually FUN to use. Drop a pin and watch the patch cable show you the connection! Modulate where you couldn't before. EZ rolls in different sections, including the patch matrix. Make sounds, snap them to the clocked sequencer, and get going.

Make vintage inspired sounds from the future that surprise you. Make something musical.

Prove Eno wrong!

https://store.denversynth.com/syntheu..."

SYNTHEUS 1001

An unobtainable synth that’s a double-briefcase full of awesome.

Famously used by a ’70s producer who called it “great for bug noises.” Prove him wrong!

Two EMS Synthi-style synths strapped together in one case: six oscillators, two 16×16 pin matrices, two diode-ladder filter/oscillators, two envelope shapers, a random voltage generator, ring mods, a spring reverb and an octave filter bank. There are no menus to patch. Push a pin into a hole, and the sound goes there. Pull it out, and it stops.

CLICK FOR MORE »

Dr.Øne: a 4-voice drone machine by DenverSynthLabs

video upload by manmade madman

"Dr.Øne is a fun to play drone machine with 4 independent voices that can rotate, or instantly transpose, to get you someplace fresh and exciting. Instantly, you're taken somewhere new and musical, gently, or even abruptly. It's half concrete, half metal, all luscious tones.

Or, you can just play it.

The voices barely interact, but feed through an all-new spring reverb algorithm and delay, which then feed a micro-cassette that you can freeze, rewind, and half-speed all at the push of a button. You'll find millions of sounds driving into the effects. This will quickly be a center for inspiration, as you discover new paths to strange sounds and chords.

Or, you can just play it.

You can map this to your favorite hardware controller (like a Novation Launch Control XL) and sit back and make chords out of sounds, progressions out of tones. Tying it to hardware is revealing. Suddenly it becomes an instrument that doesn't exist. Don't think for a second that you can save this game and resume, because you cannot. Just like life, there is no going back, only forward.

Or, you can just play it.

Throb button gives you spikes of the voices at their shape-- from sine to pulse and everywhere in between-- that you can use to bounce off the walls, or climb them, if that's your thing.

Melt your past. Forge your future. Make something new without boundaries. Or, you can just play it.

Available now: https://store.denversynth.com/drone.html"

DenverSynthLabs’ easiest synth to lose hours to.

Half of Dr.Øne is concrete. Musique concrète began when people cut, slowed, reversed and looped recorded sound until it stopped being a recording and became an instrument. Dr.Øne is the other half: four voices that hold a chord forever, then rotate or instantly transpose to take you somewhere fresh. Play it by hand, with a hardware controller or the mouse, and don’t be surprised when it’s three hours later.

CLICK FOR MORE »

discoDSP Models the Oberheim TEO-5 In Software with the TED-8

video upload by discoDSP

TED-8 is the Oberheim TEO-5 as a plugin, built from thousands of measurements of a real unit. Every knob, every curve and every effect was recorded, compared and tuned until the plugin and the hardware sounded the same side by side. Then we gave it three more voices, a Poly Unison mode that stacks up to 6 voices on each of 8 notes (48 voices at once), a full modulation matrix and a cable to the real thing, so TED-8 works on its own in your DAW or as the editor and librarian for the TEO-5 on your desk.

HOW WE MODELED IT

TED-8 How we modeled it We started with a TEO-5 on the bench and a lot of patience. One note at a time, one knob step at a time, we recorded what the unit actually does: how far the filter moves per step, how the envelopes curve, how fast each LFO setting runs, how each effect colors the sound. TED-8 follows those recordings rather than a datasheet, so a patch you dial in feels and responds the way it does on the hardware.

The little imperfections came along too. Each voice sits a few cents apart and a touch louder or softer than its neighbour, the way the voices of the unit do, so chords breathe instead of sounding cloned.

CLICK FOR MORE »

Phantom Instruments S49 Universal MIDI Sequencer & C45

video uploads by Phantom Instruments

Playlist:

1. Phantom Instruments S49 - Pitch Overview
2. Phantom Instruments S49 - Mutes Overview
3. Phantom Instruments S49 - Tracks Overview
4. Phantom Instruments S49 - Steps Overview
5. Phantom Instruments S49 | C45 - Short Live Demo Jam


Playlist:

1. Phantom Instruments S49 | C45 - Short Live Demo Jam
2. Phantom Instruments C45 - Short Live Techno Jam
3. Phantom Instruments C45 - Full Techno Jam with Ableton Live
4. Phantom Instruments - C45 (Promo)


S49 | Technical Specifications.

Overview
Universal MIDI sequencer for hardware and software instruments
USB-powered, class-compliant (no drivers required)
Length: 304mm
Width: 109mm
Height (including knobs and feet): 45mm
Weight: 900 grams

Connectivity
USB MIDI
3.5 mm (1/8”) TRS MIDI: In, Out
All TRS connections are Type A / B configurable
CV Out x 8
Gate Out x 8
Clock In & Clock Out

CLICK FOR MORE »

Arturia Introduces the MiniFreak 49

Check with dealers on the right on pricing and availability.

Playlist:

1. MiniFreak 49 | Explore the unconventional | ARTURIA
2. MiniFreak 49 | Playthrough | ARTURIA
3. MiniFreak 49 | Overview | ARTURIA
4. Arturia MINIFREAK 49 is an Absolute BEAST! Sound Demo |No Talking| ⁨@ArturiaOfficial⁩ - Davide Puxeddu and Arturia
5. Arturia MiniFreak 49 - More Control - SonicLAB Presentation - sonicstate
6. MiniFreak 49 vs MiniFreak // There’s nothing mini about it // Review & tutorial - loopop
7. I Called the MiniFreak Synth of the Year in 2023. It Just Grew Up. - Vulture Culture
8. Arturia MINIFREAK 49 — An Almost Perfect Synthesizer - BoBeats
9. The not so Minifreak // Arturia Minifreak 49 - Starsky Carr
10. Arturia MINIFREAK 49 | MUSIC DEMO (No Talking) | Spontaneous SYNTH Patches played by Jalvac 🎹🔥 - FutureMusic.es
11. Arturia MiniFreak 49 Review: Still a Game Changer? - Sineway
12. The New Minifreak 49 Goes Hard! Exploring What Makes it Special - The Midlife Synthesist

Press release follows:

49 full-size semi-weighted keys, expanded panel controls, and a pressure-sensitive XYZ touch matrix bring a new physical dimension to the Freak architecture, while Audio-rate Filter FM and Voice Panning extend its sonic reach - making shaping a patch and playing it feel like the same act.

_Explore the unconventional

Two digital engines. Analog Filters and VCAs per voice. A restless appetite for experimentation. MiniFreak 49 puts the familiar and the unruly within reach, from rich polyphonic textures to fractured rhythms and abrasive harmonics. Play a chord, reach for a control, press into the matrix. Playing a patch is only the beginning.

_Touch, press, transform

The new XYZ touch matrix brings performance, modulation, and navigation onto one surface.

Assign modulation with direct, color-coded feedback, swipe through presets, or watch reactive visualizers follow your playing.

Switch to Freak Control and put the sound under your fingers.

Push a Macro further, tighten the Gate, or use Spice to introduce variation.

Bipolar and vector layouts let you move between contrasting settings and blend across four corners, with pressure adding a third dimension of expression.

_That's not all

Room to play

49 full-size semi-weighted keys with velocity and mono aftertouch give chords, melodic lines, and two-handed performances room to breathe. Aluminum pitch and modulation wheels keep expression under your left hand.

Push every sound further

Audio-rate Filter FM from either engine adds harmonics, grit, and vocal-like textures. Dedicated Type, Wave, Timbre, and Shape controls, plus three selection shortcuts per oscillator, make sound shaping more immediate.

Six voices in stereo

Voice Panning spreads individual voices across the stereo field, adding width to chords and spatial movement to sequences.

MiniFreak 49

Three FX slots, each with a dedicated access button and 13 algorithms, cover everything from chorus and reverb to distortion and vocoder processing.

The Freak architecture

Two digital engines offer 30+ oscillator modes, with algorithms from Arturia, Mutable Instruments and Noise Engineering. Blend their sounds or use Engine 2 to process Engine 1, then shape each voice through its own resonant analog filter.

Shape every step

A 64-step sequencer and four modulation lanes keep notes and timbres in motion. Long-press a step to adjust its length and velocity on the touch matrix. Add arpeggiator ratchets and repeats, or introduce fresh variations with Spice & Dice.

Your Freak in the DAW

Included MiniFreak V brings the hardware’s sound and architecture into your DAW, with preset management and bidirectional control. The MiniFreak 49-compatible version is exclusive to registered MiniFreak 49 hardware owners.

CLICK FOR MORE »

Cyma Forma RN + SOMA Cosmos | Live Generative Ambient

video upload by Andre Bregegere

"Welcome to another live hardware improvisation. In this session, I am exploring the unpredictable and intricate textures of the Cyma Forma RN random synth, processing its generative output directly through the SOMA Laboratory Cosmos for expansive, drifting loops and atmospheres.

There are a total of 53 patches in the video, all of them generated with the push of a button!. Some are allowed to play out for a few minutes, while others are heard only for a few seconds.

--
00:00 - Intro 00:50 - Patch 01 01:31 - Patch 02 02:20 - Patch 03 02:51 - Patch 04 03:10 - Patch 05 03:45 - Patch 06 04:25 - Patch 07

CLICK FOR MORE »

Reliq - Rlx 1.9.0: Build Your Own Hybrid Instrument

video upload by Reliq Instruments

"A single Reliq track can now play four Eurorack oscillators and an FM synth at the same time. Rlx 1.9 adds Custom Track Outputs: each of a track's eight voices can go to a different MIDI output, CV output or gate, so one track becomes an instrument you build out of the gear you already have. It also brings a redesigned Clip page, Sheet navigation, Clip Loops, freely assignable CV modulation and a Scale Detector.

Chapters
0:00 Intro, what's new in Rlx 1.9.0
0:27 Custom Track Outputs
1:10 Routing voices to CV, four Eurorack oscillators
1:55 Adding MIDI voices, an 8 voice hybrid polysynth
3:23 Drum Mode, a hybrid drum machine
5:12 Freely assignable CV for LFOs and Envelopes
6:18 The new Clip page
7:39 Scenes and scene follow-ups
8:09 Sheet navigation
9:08 Clip Loops
10:25 Scale Detector
10:56 Changelog, manual & Discord

CLICK FOR MORE »

The M8 Tracker Continues To Blow His Mind // OS 6.6 Release

video upload by EZBOT

"Today I wanted to take a bit of time to explain my deep love for the Dirtywave M8 Tracker while going over the patch notes for the new OS that was released last week. The new OS brings a slew of upgrades to the device in both sound and presentation. Let's check it out and make some tunes."

EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com

M8 Changelog on github

Makes for an intersting look back on the development history of the M8:

CLICK FOR MORE »

Update on PlayFader 30% Off Sale & Free Worldwide Shipping

Update to this post, via Play All Day:

"Sorry, we had some issues with free shipping not being applied to orders on our webstore over the weekend. We also had a local postal system outage at the end of last week 🙄

But we’re up-to-date with orders today and free shipping is now automatically applied at checkout. Thanks to everyone for the amazing response!!!

Save 30% on PlayFader
Ends 31st January
Plus free worldwide shipping! Guaranteed!

Visit the store

play all day"
video upload by Play All Day

PlayFader PlayMates - Digitakt - Think - Jungle Breaks mash up Pt2

"Watch him first add some random fills with the Random Fun FX. Then he gets really i to it with the Roll Fun Fx to mash up the beat beyond recognition 😎

Is PlayFader the best jungle breaks mash-up sequencer? OK, big claim, and we’re not that bigheaded, but we definitely think PlayFader is one of the most expressive and versatile sequencers out there.

Don’t program your music… play it!

Patch notes:
Playfader controls the first channel of Digitakt in slice mode, with the Think break loaded. Moving the fader enables us to play different slices of the break, and the second channel plays a chord stab sample (but PF can also play lush chords over MIDI).
We add a sprinkle of Random Fun FX at the end of each bar to create some dynamic fills, then we switch to the Roll Fun FX and catch little loops at each press of Play, setting and changing the time division on the fly to mash up the beat pattern and bring the heat 🔥

He’s also using our unique Window Latch function to free up more fingers for playing. With Window Latch you don’t need to keep hold any button combos down along the top row. It’s a powerful performance feature!

PlayFader includes 7 FUN FX modes which allow you to take your patterns to extreme new places and back again at the push of a button… the FUN button!

Learn more and visit https://goplayallday.com

Love and Patches
Play All Day"

Intuitive Instruments Improves Exquis MPE Controller with Firmware 2.2.0 Update

video uploads by Intuitive Instruments



Exquis - Ableton Live integration (feat Primo Taut)

video upload by Intuitive Instruments

Press release follows:

Intuitive Instruments improves Exquis MPE controller with firmware 2.2.0 update alongside Ableton Live, Bitwig Studio, and Cockos Reaper workflow-merging scripts

SAINT-CYPRIEN, FRANCE: Intuitive Instruments is proud to announce improvements to the award-winning Exquis MPE (MIDI Polyphonic Expression) controller with major updates coming courtesy of introducing firmware 2.2.0 alongside software scripts to merge its workflow with Ableton Live, Bitwig Studio, and Cockos Reaper DAWs (Digital Audio Workstations) — wholeheartedly representing several simultaneous steps towards the inspirational solutions for music lovers creator’s goal of ultimately making music-making seamless by turning the flagship instrument itself into the ultimate lightweight and compact creative hub — as of September 8…

Exquis enables seamless and natural interaction with all DAW software, MIDI synthesizers, and modular systems by becoming a direct extension of its user’s creativity as an expressive and intuitive MPE controller comprising a hexagonal matrix of 61 backlit soft silicon keys arranged as consecutive notes (semitones) horizontally and harmonious notes (thirds) vertically — from the lowest at the bottom to the highest at the top — that provide independent gestural control over four different dimensions: velocity (strike force), horizontal tilt (X axis — pitch bend), vertical tilt (Y axis — CC#74), and pressure (Z axis — channel pressure or polyphonic aftertouch). Alongside a namesake companion app — itself optionally offering an experience akin to traditional composition software — available on macOS and Windows with support for VST, VST3, and AUv3 audio plug-in formats, Intuitive Instruments’ flagship instrument is intended to provide musicians of all levels with a fun and intuitive way of creating melodies and progressions, fully exploiting sonic potential in the process of doing so — whether working with third-party software over the USB (Type-C) connection, third-party software or hardware synthesizers through the MIDI IN and OUT (minijack) connections, and modular synthesizers via CV (control voltage) with dedicated 0-5V (minijack) connections for GATE (V-Trigger), PITCH (V/Oct), and MOD (pressure or velocity). These top out a lightweight (600g) and compact — 36 mm (H) x 146 mm (W) x 317 mm (D) — desktop design that also incorporates four rotary/push encoders and a six-zone capacitive touch slider, plus a series of selection, undo/redo, and action buttons, providing precise and intuitive control collectively over any user’s sound while enhancing interaction with the app.

CLICK FOR MORE »

Introducing the Sequential Fourm

video upload by Sequential

Update: the first user videos added below. Note: this post is pinned on top, see below for new posts going up throughout the day.]

"Fourm 4-voice analog synth with polyphonic aftertouch

Fourm is a compact analog synthesizer that invites you to play, shape, and perform with unprecedented expression. With its legendary Sequential tone, hands-on modulation, and uniquely responsive Tactive™ keybed, Fourm is a creative partner helping to bring your musical ideas to life.

Synth sounds and drums exclusively by Fourm. Composed by Peter Dyer."

https://sequential.com

See the dealers on the right of the site for availabily.

User videos:



Playlist:

1. The new Sequential Fourm in 60 seconds! #analogsynth #synth - Available at Signal Sounds
2. Sequential Fourm Analog Synth INHALT Demo & Discussion
3. Sequential FOURM Review — Classic synth sounds in a small package! - BoBeats
4. Introducing the Sequential Fourm Synth | First Look & Demo - Gear4music Synths & Tech
5. Sequential Fourm: Poly aftertouch, stacked waves, expressive arps – First look and sound demo - MusicRadar Tech
6. Sequential Fourm Performances & Overview - Sweetwater Soundcheck
7. SEQUENTIAL FOURM: the synth we’ve ALL been waiting for? - Projet Home Studio

Press release and pics follow:


Sequential Introduces Fourm: A Four-Voice Analog Synth with Polyphonic Aftertouch

A New Fourm of Expression

San Francisco, CA — September 23, 2025 — Sequential has announced the release of its most affordable, synthesizer to date. Fourm is a compact, 100% analog instrument that redefines expressive electronic performance. With its warm, organic tone, hands-on modulation routing, and a uniquely responsive polyphonic aftertouch keyboard, Fourm is ready to bring your musical ideas to life.

At its core, Fourm delivers four analog voices of genuine Sequential sound, derived from the legendary Prophet-5 — complete with dual oscillators, a classic 4-pole lowpass filter, and envelope curves modeled after the 1978 original. The result is unmistakable Sequential warmth and punch, now with overdriven feedback for a performance-ready edge.

For the first time in 40 years, Sequential has returned to polyphonic aftertouch. The team developed the new Tactive™ slim-keys poly AT keybed to work in concert with Fourm’s analog synthesis engine. Every element was co-designed and precisely calibrated to unlock new levels of expression, enabling a deeper connection to our signature sound that no off-the-shelf keybed could deliver. The result is a more expressive bond between player and instrument, energizing new modes of creativity.

“Wowww holy smokes: this thing sounds and feels amazing,” said Bryn Bliska, (keyboards for Chappell Roan, Maggie Rogers, Jacob Collier). “The polyphonic aftertouch is seriously so fun… Sequential nailed it.”

“We’re so excited to bring this innovative all-analog keyboard into the world,” said David Gibbons, Sequential CEO. “At a price-point that most people expect to pay for a monophonic synth, we think this product will invite legions of musicians who have longed for the magic of polyphonic analog sounds to start their journey of discovery with Sequential.”

Notably inspired by the Pro~One, Fourm’s top-panel modulation matrix puts deep sound design at your fingertips—no menu diving required. Modulation sources and destinations are clearly labeled, connections are made with a button press, and color-coded indicators make even complex routings easy to manage.

With its compact footprint, professional-grade build, and a sound engine rooted in Sequential’s most iconic instruments, Fourm is a powerful new voice in analog synthesis.

About Sequential
Sequential has been at the forefront of synthesizer innovation since 1974, creating instruments that inspire musicians and shape the sound of modern music. With a legacy built on the iconic Prophet synthesizers, Sequential continues to push the boundaries of sound design with cutting-edge technology and exceptional craftsmanship.

CLICK FOR MORE »

New Waldorf Q Editor by AURA Plugins

video upload by AURA Plugins

"We are setting up Waldorf Q Editor for Waldorf Q Keyboard and going thru the Global Settings that are recommended. This is all done in Ableton Live, so you can follow up how to setup Audio and MIDI tracks and the Editor itself.

Get full license from https://auraplugins.com/product/waldo... Join our Discord community / discord
Support our work with a cup of coffee https://ko-fi.com/auraplugins"



Waldorf Q Editor & Librarian is designed to control your Waldorf Q right from your DAW. With our Editor, you can work with your Waldorf Q by the same way you use your virtual instrument plug-ins. Our Editor will recall your patch settings when you open your project and the data will be sent to your Q automatically once you open your project. Your synthesizer is always synchronized with your session! The only thing you need to worry, is that you power-up your synthesizer. We also added the ability to load in Waldorf Blofeld and microQ patches! (WHAT? Yes!)

CLICK FOR MORE »

Welson Super-Matic S12

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

You can demos in previous posts here.

"The unit is fully working and in good cosmetical condition for its age with some cosmetical traces of use in the wood case. The only thing to report is that the on/off switch button in this unit is not working. So, to turn the drum machine on and off you simply have to unplug the drum machine! Inside the drum machine there is something that moves (a screw or something else), but - since the drum machine works well - we never decided to remove it. Real vintage gem from Italy: grab a bargain!

DESCRIPTION: The Welson Super-Matic S12 is a vintage Italian analog rhythm box drum machine with 12 preset rhythms. Produced in early 70's, it has 4 pads to trigger 4 sounds: Roll Drum, Claves, Tom 1 and Tom 2. Then it has 12 different rythms: Waltz, Tango, Western, March, Samba, Mambo, Bossa Nova, Swing, Shake, Slow Rock, Rythm and Blues and Metronome.

It has a potentiometer to control the volume and another to control the tempo.

It has 4 push buttons (pads trigger) that allow you to play 4 different types of percussions at any time (Roll drum, Clave, Tom1 and Tom2).

It has a START/STOP and an ON/OFF switch (IMPORTANT: in this unit the ON/OFF button is NOT working: so, to turn the drum machine on and off you simply have to unplug it!).

It also has a light that turns on when you turn on the Super-Matic and that flashes with the frequency of the rhythm (set by the tempo potentiometer).

It also has a tone and impedance control potentiometers in the back!

Welson was the Italian brand that produced many legendary instruments. The Company was based in Castelfidardo (Marche, Italy), in the same area where Eko, Elka, Elgam, Farfisa, Crumar, Jen, Siel, Solton, CRB, etc. were born."

CLICK FOR MORE »

Neuzeit Instruments Introduces DROP - Snapshot-based MIDI Control Center for Live Performance

Details follow:

"Which live performer doesn't know this situation: You build the tension to immeasurable heights, add another filter here, three more effects there, hands go up in the air, everyone's waiting for the big drop... and then you realize: You can't find your way out of the chaos you've created!

The sweat on your forehead drips onto your equipment, and in a firework of spraying sparks, your devices and your fans say goodbye forever...

CLICK FOR MORE »

New Eurorack Modules Coming From Doepfer

Doepfer will be showcasing the above new modules at SUPERBOOTH25. Details on each follow.
Check with dealers on the right for upcoming availability.

Module A-119-2 is kind of a dual version of module A-119 without envelope follower. Instead two amplifiers are available and the module width is 4 HP only.

The module contains two amplifiers with separately adjustable amplification levels. Each channel is equipped with an overload display. The module can be used also for stereo signals, e.g. the stereo output of a smartphone.

Controls and displays:

Level 1/2: manual control of the amplification in the range 0 - about 45.

Overload 1/2: overload LED, begins to light up for output levels beyond about 10Vpp (+/-5V)

In 1: audio input 1 (monophonic or stereophonic, see technical details)

In 2: audio input 2 (monophonic)

Out 1/2: audio output (monophonic)

Technical details:

for higher amplifications the two amplifiers can be daisy-chained

normalling options: the signal applied to socket In 1 can be normalled to socket In 2 in different ways by means of a jumper on the pc board:

socket In 1 is connected via a mono patch cable (standard patch cable) to a monophonic signal and this signal is normalled to socket In 2 (i.e. the same input signal for both sub-units): jumper on pin header JP2 in upper position

socket In 1 is connected via a 3.5 mm stereo TRS cable to a stereophonic signal and the second channel of the stereo signal is normalled to socket In 2: jumper on pin header JP2 in lower position

no normalling: jumper is removed from pin header JP2

all inputs and outputs are DC coupled. Thus the module can be used also for the amplifications of control voltages.

CLICK FOR MORE »

Meet the minichord Benjamin Poilve

video upload by Seeed Studio

"This project made by Benjamin (https://buttondown.com/BenjaminPoilve) is a pocket-sized instrument that allows anybody to create nice sounding chord progressions. While it is very simple in its usage, it has a lot of musical capabilities. There is an online interface to customise the preset sounds.

The repository for the project is there https://github.com/BenjaminPoilve/min...."

"The minichord has :

21 main chord buttons, divided in 7 column of 3 buttons;
1 "sharp" button (on the top left).
Each column of the main chord buttons is associated to a note of the C Major scale. It is indicated by the letter on the first row of buttons.

Each row of the main chord button is associated to a chord type:

the first row will produce major chords;
the second row will produce minor chords;
the third row will produce 7th chords.
By following the row and the column of each button, we can identify the specific chord associated. Here is the full table of the chord available by the push of a single button

The harp touch zone is divided in 12 different section, stacked vertically. Touching each section will trigger a note. Notes can be held by keeping the contact with the section.

This touch zone can be "strummed" by sweeping the finger across all sections, or individual notes can be triggered.

The preset selection buttons can be used to switch between preset. The minichord has 12 internal preset (see "Default presets"), that can be replaced by custom presets (see "Making custom presets"). Going up after the 12th preset will circle back to the first, same as going down before the first will circle back to the 12th.

The main led will shine with a different color for each preset to help you identify the current selected one.

Each of the three potentiometer has one main function, designated by the marking on the enclosure :

The first potentiometer from the top sets up the volume of the chord section;
The second potentiometer from the top sets up the volume of the harp section;
The third potentiometer from the top is assigned to a different function for each preset, depending on what is usefull for it.

The rythm mode button (on the top right) has two basic mode:

discrete: the chord only stays on for as long as you keep the relevant button pushed. In that mode, the indicator led will be off.
continuous: the chord will keep playing until you push a new button, and seamlessly switch to the next chord. In that mode, the indicator led will be on.
Simply push the rythm mode button to switch from one mode to the other. That button may also be used to switch to the arpegiator mode with a long push, but that subject is handled in the "Advanced usage" section.

Charging is done through the mini USB jack available on the buttom right of the minichord. Connection to any USB outlet will do, and it will draw 500ma of current.

When charging, the top right led will shine red.

Full charge should be below 3 hours, and the top right led will shine green once the full charge is attained. Once fully charged, the minichord will play for around 7 hours.

When the battery is getting low, the main led will pulse. Once the pulsing start, the minichord can play for around 15 minutes more. You can play the minichord while plugged in."

Introducing the KORG multi/poly Synthesizer

video upload by Korg

Priced at $899.99 USD. Check with dealers on the right for availability.

"The KORG multi/poly synthesizer, inspired by the legendary Mono/Poly, blends the rich, classic warmth of analog sound with cutting-edge digital flexibility. Powered by KORG's next-generation analog modeling technology, it offers a unique mix-and-match multi-synthesis approach, allowing you to combine parameters from classic analog synths like oscillators, filters, envelopes, and portamentos, providing endless creative possibilities for sound designers and musicians alike.

Its Virtual Voice Cards recreate the nuanced characteristics of analog synths, such as Pitch Drift, while advanced modulation options like Layer Rotate (round-robin with Programs), Kaoss Physics (pad gestures for modulation), and Motion Sequencing 2.0 (complex per-voice motion with multi-lanes) enable deep, immersive sound design. Building on the legacy of the Mono/Poly, the multi/poly delivers big, dynamic sounds with modular-derived experimental features, offering an unmatched sound experience that bridges the best of vintage and modern synthesis, pushing the boundaries of sonic exploration.

Music track featured in this video was created using the multi/poly by Natalie Chami aka TALsounds www.talsounds.com"

KORG MULTIPOLY Review // vs modwave & more // 70 presets // multi/poly tutorial

video upload by loopop





Details follow.
(click the pics for full size shots).

"Amazing analog sounds that only digital can provide

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility.

The original Mono/Poly boasted an unusually rich sound from its four stacked oscillators, as well as unique, experimental features like flexible x-mod and sync routing and round-robin oscillator triggering. Previously only attainable in large modular systems, the Mono/Poly delivered these features in a compact, user-friendly instrument.

CLICK FOR MORE »

ARP Quadra

Note: links to listings are affiliate links for which the site may be compensated.

via this Vemia listing

Click the auction link on top when you get there for additional listings.

"Rare ARP Quadra in near mint condition.Serviced and working perfectly. Runs on 240V power. Arp Quadras were famously used by Tony Banks Genesis and John Carpenter. Im based in Bristol and arrange delivery to UK and Internationally. Heres some info from about this classic synth on Vintage Synth explorer... The Quadra is pretty much a hybrid version of ARP's Omni II and Solus synths. It's a four-section synthesizer consisting of a Bass synth, Poly synth, Lead synth, and String synth. It is quite good at emulating each of these sounds and can function in any of its four modes at a time with the ability of layering the different sections! Sounds you create in any of the four sections are instantly recalled from memory by the push of a button! There are 16 program patches for storing your sounds. Other major features are the incredible phase shifter, tons of balanced audio outputs for each section, dual portamento controls and a superior arpeggiator...that's pretty good for 1978! On the downside, it has a fragile mylar front panel, very limited programability and a weird feature that autotunes the keys to play weird intervals. The Bass synth section is monophonic and can be programmed to occupy the lower two octaves of the Quadra's 5-octave 61-note keyboard. The bass sounds pretty good and has 16' and 8' presets each for Electric and String Bass sections. The string section is based on the Omni II String synth. It sounds excellent and implements a phase-shift effect that is sort-of like a chorusing effect that thickens its already great string sound. In Polyphonic synth mode there are more effects available such as sample-n-hold and the phase-shifter. String and Poly Synth sections have 8' and 4' Polyphonic Waveform Generators each along with a preset called Hollow Waveform. In Lead synth mode the Quadra becomes a two voice screamer with aftertouch sensitivity in the upper octaves of the keyboard! It's duophonic (like the Odyssey). Get a bass sequence going, switch over to another section and play along! The Quadra is a synthesizer well suited to live performance use and has been used by 808 State, ELO, Genesis, The Human League, Pink Floyd, New Order, Nick Rhodes (Duran Duran), Joe Zawinul, and film-maker John Carpenter."

Elektron Introduces New Elektron Digitone II

An Introduction video upload by Elektron

"Machine By Machine"

Introducing Digitone II

video upload by Elektron

"We are delighted to announce the release of Digitone II. Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights. Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machine - Wavetone, Swarmer, FM Tone and FM Drum - or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.

Pricing on elektron.se is 999 USD/1049 EUR." Check with dealers on the right for availability.

Digitone II — At A Glance

video upload by Elektron

"Digitone II is a 16 track, 16 voice polyphonic synth capable of unleashing dimensions of exciting sonic possibilities, all framed in a modular workflow. There are multiple forms of digital synthesis to explore, offering deep sound-sculpting satisfaction. Here, Hissquiet and Jeremiah Chiu take turns guiding your eyes and ears around the awesome new features and exceptional sounds on offer.

Digitone II is available to purchase from the Elektron website or from retailers carrying the Elektron range of products. Pricing on elektron.se is 999 USD/1049 EUR."

Check with dealers on the right for availability.

User videos (use the player controls to skip around):



Playlist:
Digitone II - a look into a Preset Pattern - tubesockor
Elektron Digitone II (it is fun + can get really weird). - Sarah Belle Reid
Review: DIGITONE II vs OG Digitone // Everything new in Elektron's Digitone 2 // Detailed tutorial - loopop
DIGITONE 2 - First Track! - True Cuckoo

Details:


16 track polyphonic digital synthesizer
Pull your sound through the prism and into a spectrum of dazzling tones and timbres. Digitone II unleashes layers of exciting sonic possibilities. Get set for the reimagining of our box of FM Synthesis into a multi-machine, many-realm-reaching wonder, taking the evolution of Digitone synthesis and sequencing to new heights.

Transcend tonal realms
Digitone II is a multitimbral polyphonic synth framed in a modular workflow. Its 16 tracks can be used for any of its synth machines or for MIDI, with 16 voices available across those selectable synth machines. On top of this flexible flavor, there’s also an abundance of filters, an expanded Elektron Sequencer, playability unlocking goodness, a powerful note editor, and a whole bunch more. The rabbit hole is deeper and more magnificent than ever imagined.

Machine by machine
Synth machines are your route to generating sound with Digitone II. There are four synth machines to play with, each with their own character and every single one stuffed with tweakability.

Dive into Wavetone, a fresh take on the classic 2-oscillator synthesizer. Morph between oscillator shapes, add phase distortion and oscillator modulation, or define with precision the flavor of your noise. Take the buzz to the next level with Swarmer. A super saw-in-origin cluster offering lots of waveform control across the swarm. Pick your shape, combine detune and noise modulation controls, and reach rich, complex textures. FM Tone is the original Digitone FM synthesis engine, and still capable of twisting your sound in all manner of delicious directions. Unleash FM Drum, with heaps of percussive flexibility and fine-tuning on offer to craft your own smacks and booms, and everything in between. And despite the name, capable of melodic magic too.

CLICK FOR MORE »

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

CLICK FOR MORE »