Minimal Audio Current 50 Atmospheric Arp Presets. Sound Demo

video upload by Anton Anru

✨ "Dreaming Motion" is a bank of 50 Arp Presets for Minimal Audio Current 2, combining warm analog-inspired sounds with soft and airy atmospheres.
The collection moves between retro synth character, subtle analog imperfections, dreamy textures, and spacious evolving arpeggios, giving the bank both nostalgic and modern sides.

📦 The download link: https://antonanru.sellfy.store/p/curr...
👤 The author of the soundset is Ilian.

🎛️ Each preset features 4 Macros for shaping the sound, while the Modwheel adds additional movement and expression.
The macros are a significant part of the soundset. They can change tone, stereo width, modulation depth and rate, noise level, distortion, detuning, space/echo/reverb, effects mix, envelope parameters, and others.
You may control them via MIDI controller, use them for automation, or map the macros to your DAW modulators like LFO, Shaper, and others.

📻 The patches are perfect for Electronica, Synthwave, Ambient, IDM, Downtempo, Melodic Techno, Chillout, and experimental electronic music.

🎹 All Arps are designed in either C Major or C Minor, following Current 2’s tonal Arp system. This makes the presets easy to use while keeping their harmonic character consistent. You can change the Scale in the lower right corner of the synthesizer to the one used in your track.

CLICK FOR MORE »

Introducing the Pittsburgh Modular Lifeforms SV-2

video upload by Pittsburgh Modular Synthesizers

Pics and details via Perfect Circuit.

[You can find additional demos by Starsky Carr, BoBeats, and Molten Music Technology further below.]

Pittsburgh Modular Lifeforms SV-2
Lifeforms SV-2 from Pittsburgh Modular is a duophonic analog semi-modular keyboard synthesizer that honors classic East Coast subtractive architecture while packing a punch of flavorful twists afforded by modern technology. A full-blown revamp of the SV-1, it features updates to nearly every aspect of the instrument: new oscillator core, classic PGH filters updated with new character modes and overdrive stages, new spring reverb, new response curves and range modes on the ADSR envelopes, a custom 37-key keyboard with pitch-bend and mod wheels, and a redesigned interface with eighty-four patch points along the top. Moreover, a 24hp Eurorack expansion bay with three power headers sits alongside them, so external modules of your choosing can be dropped into the signal path at any point.

CLICK FOR MORE »

External MIDI Amiga Synth? Wait, what?!

video upload by Jeremy Parker

"A few years ago I restored my childhood Amiga 500, and only recently found a way to use a soft synth, Aegis Sonix V2, with external MIDI control. I saw ‪@magicalsynthadventure3216‬ video on the topic a while back, and on a whim decided to revisit the idea of using my Amiga as a synth. Thanks to an Amibay.com forum thread, I learned that it's pretty easy to get Aegis Sonix V2 to respond to incoming MIDI, and so I was off to the races. Enjoy!

Magical Synth Adventures video: • Commodore Amiga Music Production: Modern S... [below]
Amibay thread: https://www.amibay.com/threads/aegis-...
Stone OakValley Studios info on Aegis Sonix: https://www.stone-oakvalley-studios.c...
OctaMED info: https://chipmusic.org/forums/topic/10...

00:00 Intro
02:28 The Solution
03:33 Sonix Demo
05:31 Sonix & Reaper
07:33 Amiga Groove

Commodore Amiga Music Production: Modern Sound Design on Retro Hardware

video upload by Magical Synth Adventure

"A delve into obscure software instruments on the Commodore Amiga. Here I look into both realtime & non-realtime varieties, covering a staggering array of synthesis types!

Additional attributions:

I forgot to give a shout out to uncle Brian! Sorry uncle Brian!
Endless Tunnel Animation: KRITRIMVAULT
Syndicate Intro: BullFrog Productions

Links:
SOFTWARE
http://old.exotica.org.uk/websites/dr...
http://ftp2.grandis.nu/turransearch/"

Update: An interesting side note is that Sonix was released in 1987 with a beta in 1986. That's 10 years earlier than Dave Smith's Seer Systems Reality, which was released in 1997. Seer Systems Reality is often credited as the world's first soft synth. Curious if the distinction was between an editor/interface for the existing Amiga sound chip vs. a self contained software synthesizer.  

I asked Google AI just to see what it would say. Here it is:

CLICK FOR MORE »

Kepra - Circuit-Modeled Rhythm (demo)

video upload by Hügelton Instruments

"Kepra is a rhythm instrument developed through detailed analysis of an original Japanese vintage programmable rhythm machine.

Rather than relying on sampled sounds, Kepra recreates each instrument by studying the original analog circuits, measuring waveforms, analyzing spectral content, and reproducing their behavior in software.

Features

• Circuit-inspired drum synthesis
• 12 drum voices
• 16-step sequencer
• NOTE / FLAM / ACC layers
• 8 pattern banks
• Stereo mixer
• Drive and character section
• Internal, host, and external MIDI clock

Available for macOS (AUv2 / VST3) and Windows (VST3).

https://hugelton.itch.io/kepra"


"Hardware Archaeology

Developing Kepra felt less like sampling a drum machine and more like studying an archaeological artifact.

Every instrument was investigated through circuit analysis, waveform measurements, timing analysis, and spectral comparison to better understand how the original hardware produced its sound.

Rather than reproducing recordings, Kepra attempts to reconstruct the behavior behind them.

The Missing Instrument

One voice in Kepra did not exist on the original hardware.

The Shaker was designed as an 'imaginary expansion'—a voice inspired by the architecture and character of the original instrument.

Instead of adding a modern sample-based shaker, it was developed by asking a simple question:

'If the original designers had decided to include a shaker, how might they have built it using the same technology?'

The result is not a historical reproduction, but a speculative reconstruction that aims to remain faithful to the design philosophy of the original machine.

Not an Emulator

Kepra is not intended to be a museum piece.

It is a modern rhythm instrument built from careful hardware analysis, extending the ideas of a classic Japanese drum machine into new creative territory."

XpandrLink, a native Mac/Windows editor and DAW plugin for Xpander/Matrix-12 (beta)

This one came in on the xpantastic Oberheim Matrix-12 and Xpander list. Details from the creator follow:

"I'm Jake, a Matrix-12 & Xpander owner and synth repair tech. For the past few months I've been building something that has gotten a lot of use in my studio: XpandrLink, a from-scratch C++/JUCE editor for these synths built using XplorerEditor's protocol and design as reference, with standalone, AU, and VST3 builds for both macOS and Windows. I've been really enjoying having this tool for my own purposes and wanted to share it with the community if anyone else might also find it useful.

First, the part that matters most to me. Like many of you, I've used XplorerEditor for years. It's a big reason these synths are still practical to own and play, and this project only exists because of the groundwork it laid. I started down this road after reading a note more than a year ago in the XplorerEditor README: the developer had no time to add new features but welcomed forks and PRs, and recommended a long-term JUCE port for a more modern cross-platform foundation.

CLICK FOR MORE »

Ocean Swift releases DevOcean Modular - 145+ modules, fresh DSP, unique ideas

video uploads by Ocean Swift / Faxi Nadu

Playlist:

1. DevOcean Modular | OUT NOW | Fast forward modular synthesis #modularsynth #sounddesign #synthesiser
2. DevOcean Modular - Artificial Echo Book - Patch Example #modularsynth #sounddesign #synthesiser
3. DevOcean Modular - Create A 3 Osc Synth Patch From Scratch #modularsynth #sounddesign #synthesiser

"Ocean Swift releases DevOcean Modular - a modern modular synthesis and sound design platform. Offering a growing collection of 145 modules which include dozens of nods to the open source DSP community, DSP and MIDI scripting, an educational and UX mindset and more.

The developer quotes:

'It sounds compelling. The DSP is written from scratch, in the way that shows - filters with weight and bite, effects that behave like hardware, an oscillator section with real dynamic range.' - Yaron, Product Manager @ Ocean Swift.

'It is a system built for discovery. Complex where you want it, inviting from the first minute, and generous with what it teaches you as you go. Thousands of patches, presets and snapshots to pull apart and learn from. It doesn't ask you to move in - it offers.' - Fernando, Sound/UX Designer @ Ocean Swift.

On intro for €129.99, 35% off €199 MSRP until September 1 2026.

Grab it here: https://oceanswift.net/product/devocean/

CLICK FOR MORE »

KORG Introduces NTS-4 Compact Performance Mixer Kit for Hardware Setups

Overview video upload by KORG

"The NTS-4 is a compact performance mixer kit designed for modern hardware setups. With six channels (two mono and four stereo), built-in effects, USB-C connectivity, and support for up to 10 audio signals, the NTS-4 makes it easy to bring together volca units, NTS instruments, modular gear, grooveboxes, and desktop synths into one streamlined setup.

In this overview, Fess Grandiose walks through the NTS-4’s flexible channel architecture, Eurorack-compatible mono inputs, dual stereo effects engines, per-channel CUE and MUTE controls, USB-C audio and MIDI connectivity, and the hands-on Nu:Tekt DIY assembly experience.

Features:
• Compact 6-channel performance mixer
• 2 mono + 4 stereo 3.5 mm channels
• Supports up to 10 audio signals
• Eurorack-compatible mono inputs
• Standard 1/4" main outputs
• Per-channel CUE, MUTE, and FX send
• Dual stereo effects engines
• SEND FX + TOTAL FX processing
• Stereo send/return loop
• USB-C audio + MIDI
• Record directly to computers & mobile devices
• Rugged steel chassis
• Nu:Tekt DIY kit assembly

Learn more about the NTS-4: https://bit.ly/4w0QxLQ"

And a user video from supporting member Knobs & Switches:

KORG NTS-4 Performance Mixer Kit
video upload by Knobs & Switches

"Here is my review about the new Korg NTS-4 Performance Mixer Kit together with loads of other Korg gear: MS20m, Drumlogue, SQ-1, 700Sm, Harmonic Distortion, Opsix, Sigma, Minipops-7, ISE-NIN Single Voice, Ryk M185 Sequencer and of course the NTS-4. The Nu:Tekt Mixer will be released today! Have fun

https://www.korg.com/de/

For Pedal Power i used the MyVolts CrazyChain MkII: https://myvolts.com/CrazyChainMKII/?a...

The fancy Audio Cables are the MyVolts Candycords: https://myvolts.com/CandyCords/?a=kas

CV and Clock Cables are MyVolts Halos: https://myvolts.de/Halo/?a=kas

00:00:00 Intro
00:00:037 Title Track (only the NTS-4’s FX were used)
00:03:04 Epilogue
00:04:41 NTS-4 Run Down
00:08:58 NTS-4 Send FX
00:14:56 NTS-4 Send/Return
00:15:58 NTS-4 Total FX
00:21:19 Conclusion
00:22:47 Outro (only the NTS-4’s FX were used)

Used Equipment: Apple iPhone 14 Pro Max, Apple iPhone 12, Sony ZV-1, Rode Wireless ME, Universal Audio Apollo Twin Solo, Yamaha MG-06, Steinberg Cubase 15 and Final Cut Pro X"



A compact performance mixer for modern hardware setups

Build the perfect bridge for your music. The NTS-4 brings the flexibility of the Nu:Tekt series to a compact performance mixer kit designed for today’s hardware setups. With six channels (two mono and four stereo minijacks), built-in effects, and USB connectivity, the NTS-4 makes it easy to mix and perform with volca units, NTS instruments, modular gear, and other desktop synths in one place, supporting up to 10 audio signals in a single setup.

From the integrated effects to the steel chassis, every part of the NTS-4 is designed to turn your collection of instruments and gadgets into a professional-grade creative hub.

Small Footprint. Massive Control.

CLICK FOR MORE »

Cyclone Analogic - TT-78 Beat Bot

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional NOISEBUG Listings

"An analog drum machine clone of the famous CR78, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

The design of the analog circuit and the sequencer gives it a warm and groovy sound as its elder with much more varied sound possibilities.

The very intuitive sequencer takes on the original spirit while bringing new and unique features and allows you to quickly create complex patterns and grooves while offering great flexibility for live jam and more sound variations.

Among the highlight and new features we find:

- A new, ergonomic design that is very elegant and modern.

- New pots / knobs, bigger, more flexible and very pleasant.

- Carrying bag and decksaver (dust cover) included.

- Numerous possibilities for customizing the LEDs colors to better identify your patterns and more.

CLICK FOR MORE »

ST Modular - DII·ONE → USB Interface and MIDI Controller with CV Clock

video upload by ST Modular (Stefan)

"DII·ONE is a compact MIDI controller and routing hub designed for modern hybrid music setups. It combines USB MIDI, hardware MIDI, and a CV clock output in a single device, allowing all functions to operate simultaneously without compromises.

For more information please visit st-modular.de!

00:00 Functions & Features
01:17 Midi Learn with Elektron Model:Samples
04:35 Controlling Torso S-4
05:36 Ableton Live Setup and Control
07:06 Controlling Waldorf Iridium with a single USB cable
07:47 DII ONE Configurator"

key features
Compact USB MIDI controller with hardware MIDI I/O and CV clock output
4 programmable buttons (CC or Note, momentary or latching)
4 programmable knobs (assignable to any MIDI CC)
USB MIDI to and from computer
TRS MIDI In and Out (5-pin DIN compatible via adapter cable Type-A)
CV Clock output for modular synthesizers (0–5 V)
Hardware-based MIDI Learn
Clock division directly from the device
All functions usable at the same time

You can find addtional details at ST Modular.

knob.monster: A Browser-Native Cloud SysEx Librarian for Vintage Synths

via https://knob.monster

"knob.monster is a modern, zero-driver web application designed to backup, edit, and organize patches on vintage hardware synthesizers directly from a web browser. Leveraging the Web MIDI API, the platform eliminates the need for legacy desktop software, custom USB-MIDI drivers, or manual command-line SysEx utilities.

Key Features:

Zero Installation: Runs directly in any Chromium-based browser (Chrome, Edge, Opera).

Instant Cloud Backup: Safely store your custom patch banks in a secure cloud vault.

Automatic Parsing: Upload SysEx files to instantly view, rename, and sort individual patches inside the bank.

Supported Hardware: Launching with full support for the Yamaha DX7, Roland Juno-106, and Korg M1, with Casio CZ, Prophet-5, and Matrix-1000 in active beta."

EEH / SSB Banana 6-voice Analog Polyphonic Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Ad scan below.

"In near mint condition, with factory MIDI. Voice boards and PSU recapped, calibrated. The autotune function has been deactivated because we have calibrated the filters to be able to self-oscillate and apparently that is incompatible with the autotune check on startup, but the synth is fully tuned. Copy of user manual (in german), schematics and docs included. 220V version.


The Banana is a 6-voice polyphonic synthesizer that, in terms of design, strongly resembles the famous Oberheim OB-Xa, but it is not an OB-Xa clone. It features an OB-Xa-like voice architecture with two CEM3340 VCOs, a switchable 24dB lowpass/highpass filter based on the SSM2044 chip, and CEM3360 VCAs and CEM3310 Envelope Generators for the six voices. This provides a rich, warm analog sound that is still relevant in modern music productions. The Banana allows for sound editing with the versatile 2 ENVs (envelopes), similar to those found in the OB-Xa, making it a powerful instrument for both complex soundscapes and powerful leads and basslines.

The Banana was produced in West Germany by Electronic Engineering Hoffmann (EEH), in collaboration with Synthesizer Studio Bonn (SSB), and it is the only synthesizer ever released by EEH and distributed by SSB. In 1983, Electronic Engineering Hoffmann (EEH) completed the development of the Banana in collaboration with Synthesizer Studio Bonn (SSB), the world’s first specialized synthesizer store, located in West Germany. SSB had already made a name for itself by creating custom sequencers, including the Synthorama, which was used by Kraftwerk to control their Minimoogs on the legendary Trans-Europe Express.

Production of the Banana ran from 1983 to approximately 1985, after which the synth was discontinued. Only 100 to 300 units were made. This makes it a particularly rare model for collectors or musicians looking for a unique synth.

This model offers a unique opportunity for the serious synthesizer enthusiast or collector who is searching for a rare instrument with historical value.

Don’t miss out on the chance to own a piece of synthesizer history!"

CLICK FOR MORE »

MOOG Memorymoog Plus Keyboard Synthesizer SN 3320

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

CLICK FOR MORE »

Cherry Audio | Expressive Sound Design with Andrew Longhurst

video upload by Cherry Audio

"More expressive performance can be achieved through various technologies and techniques such as velocity, channel aftertouch (pressure), polyphonic aftertouch, and MIDI Polyphonic Expression (MPE). These features allow compatible synthesizer instruments and controllers to mimic the subtle dynamics of acoustic instruments.

In this video, musician, producer, and sound designer ‪@AndrewLonghurst‬ demonstrates his approach to expressive sound design, showcased through his collection of presets for Ensoniq ESQ-1 by Cherry Audio. He provides demonstrations of each technique using the new Expressive E Osmose CE MIDI controller and discusses his choices for setting up these advanced modulations in a preset.

These techniques can be widely applied to other Cherry Audio virtual instruments. Be sure to check the product feature listings and documentation to determine which instruments specifically support some or all of these methods. Additionally, consult your MIDI controller documentation, as compatibility for channel aftertouch, polyphonic aftertouch, and especially MPE can vary significantly in this evolving market.

Ensoniq ESQ-1 by Cherry Audio User Guide - https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
03:16 - First Principals
05:28 - Velocity & Channel Aftertouch
09:28 - Polyphonic Aftertouch
15:16 - MIDI Polyphonic Expression (MPE)
22:28 - Notes About Compatibility

CLICK FOR MORE »

ANNULUS (FREE physical modeling synth)

video upload by DATABROTH

"Read my review (with link to download) here: www.databroth.com/blog/annulus-review"

00:00 MORPHOSIS
00:53 SYMPATHEIA
01:42 BATHMOS
02:39 ANOMALIA
03:24 DONISIS
04:28 ANTRON

check out my wavetables and presets at https://gumroad.com/databroth
join my Patreon https://www.patreon.com/databroth"

Playlist from the creator Jonas Eriksson:

video uploads by Jonas Eriksson

"Annulus is a six-mode resonator instrument for the modern music producer who treats sound like material. Modal, FM, string, and sympathetic voices feed directly into tape delay, shimmer reverb, and analog drive — a full sounddesign chain in one plugin, shaped by four expressive macros. At home in any musictech setup: fast to sketch a melody, deep enough to lose hours in texture.

The engine

Annulus routes your signal through four linked processors:

Rings: a MIDI-driven polyphonic resonator based on Mutable Instruments' Rings, running six distinct physical modeling algorithms. Eight voices spread across the stereo field with velocity and position randomization for organic variation on every hit.

Spiral: a stereo tape delay with tempo sync, ping-pong routing, wobble modulation, and saturated feedback.

Velvet: an algorithmic reverb with shimmer, diffusion, ducking, and a four-second tail.

Distortion: twelve waveshaping models at 2× oversampling, from soft tube warmth to asymmetric fuzz.

Four macro knobs: Morphe, Aigle, Nothros, Topos. Reach across the entire chain simultaneously. One gesture shapes the resonator, the delay, the reverb, and the drive at once. Topos also integrates into the visualizer's rotation, tying the image to the physics of the sound."

Voidcontrol MIDI Releases OB-6 Unofficial Editor: DAW Integration for the Oberheim OB-6

OB-6 Unofficial Editor - VST3 Demo video upload by Voidcontrol MIDI



"Voidcontrol MIDI has released the OB-6 Unofficial Editor, a Windows VST3 plugin that lets you control and automate the Oberheim OB-6 from within a DAW, just like a software instrument.

The OB-6 is a beloved analog polysynth, and the Unofficial Editor makes it straightforward to integrate into a modern DAW session. Every parameter is on screen, organized by section, with real DAW automation on every control rather than just MIDI learn. A standalone version is also included.

Features include:

Full parameter control, organized by section
Real DAW automation lanes for every parameter (VST3 version)
A patch library with naming, categories, search, and sharing
A polyphonic sequencer that plays back on the OB-6 itself
A/B snapshots with an automatable morph slider
Editing of the OB-6's global settings
A resizable interface (50% to 300%)

The editor has been tested in Ableton Live, Bitwig, Cubase, Reaper, Studio One, and Waveform, and works in the Windows 11 MIDI 2.0 environment.

'I built it because I wanted my OB-6 to fit into my DAW the way my soft synths do, and I designed it to be something I'd want to use myself every day,' said Dave of Voidcontrol MIDI.

Voidcontrol MIDI is a small US-based developer making editors for boutique and classic hardware synths. The OB-6 Unofficial Editor is its second release.

The OB-6 Unofficial Editor is available now at voidcontrolmidi.com for an introductory $30 USD through June 16, 2026, after which it returns to its regular price of $40 USD.

For more information: https://voidcontrolmidi.gumroad.com/l/mqbtla

The OB-6 Unofficial Editor is a third-party tool and is not affiliated with or endorsed by Sequential or Oberheim. 'OB-6' is a trademark of its respective owner."

Freshwater Announces Modern CPU Card for Fairlight CMI Series I, II & IIx

Press Release follows:

Freshwater announces the new FI50A Card

Freshwater writes a new chapter for the legendary Fairlight CMI

Today Freshwater announces a milestone event with the release of the FI50A card for existing Fairlight CMIs series I, II and IIx. We’ve spent over a year perfecting this project and now offer CMI users a unique opportunity to extend, preserve and enhance these remarkable and era-defining machines.

Installed in an original Fairlight CMI, the FI50A makes the instrument faster, more reliable and more convenient to operate whilst bringing the legendary CMI sound into the 21st century music production environment. We are currently focused on getting these cards into the hands of users and continuing to optimise the enhanced software bundled with them.

What is the FI50A?

The Freshwater FI50A is a complete modern replacement for the original CMI computer section, including CPU, graphics display, memory and library storage. It is compatible with Fairlight CMI Series I, II and IIx systems. The FI50A preserves the character, workflow and hardware experience of the original instrument while dramatically improving speed, reliability, storage and usability. It runs enhanced software derived from the original source code keeping the instrument recognisably and operationally a Fairlight CMI.

The card arrives pre-installed with a fully licensed original CMI sound library and adds practical modern ways to expand it, including enhanced 10-bit sampling, waveform upload over Wi-Fi, SD card and USB memory support. It also adds DisplayPort output, USB, Bluetooth and Wi-Fi while retaining support for legacy CMI keyboards, CRT/light pen operation, floppy disks, MIDI interfaces and Series I/II channel cards.

Installation is straightforward and fully reversible. Using the supplied user manual and online video guide, the original CPU and peripheral cards can be removed and preserved, the FI50A installed in their place, and the original peripherals reconnected.

For owners familiar with the CMI, the result is not a different instrument, but a transformed one: faster, easier to maintain and ready for contemporary studio use while remaining true to the original machine.

For more information, please follow the link below:

https://www.freshwaterinstruments.au/fi50a

“I once said ‘one day the whole CMI will fit on one chip’. We all had a laugh at that. Fast forward 40 years and that’s the reality. By making this new board compatible with the original CMI channel cards, the bits that make the CMI sound so unique are still there, while the digital part is a zillion times more powerful, smaller, cheaper and reliable.” —Peter Vogel

Walkthrough : creating a chiptune track, rendered by dual SIDs

video upload by MIDI IN

"This week I've made this tune, which I'm very happy with. Rather than just post the music I thought I'd break it down and explain this particular technique for creating this kind of music using my DAW. The music is rendered using two modern replacement SIDs in my MIDISID."

DIY USB MIDI adaptor solves dropped note problems:
• DIY USB MIDI adaptor solves dropped note p... [posted here]

MIDISID:
https://peacockmedia.software/midisid

0:00 teaser
0:13 intro
1:07 using 'external MIDI' tracks
2:32 drums
3:42 bass
6:13 arpeggiation
6:38 embedding MIDI control messages
6:57 pad
7:52 the lead and pitch bend
9:32 the tune

Pro A5 - Prophet 5 for your iPad

video upload by Red Sky Lullaby

"Pro A5 for iPad and iPhone by Audiokit Pro
Modeled on Sequential Circuits classic Prophet 5 analog synth first released in 1978"

PRO-A5 Poly Synth App: Tutorial & Walkthrough

video upload by MATTHEW FECHER

"Download app & Learn more:
https://audiokitpro.com/proa5
App Store Link:
https://apps.apple.com/us/app/pro-a5/..."




PRO-A5: ANALOG SYNTH

A new 10-voice analog-style synth for iPhone and iPad. Inspired by a legendary Poly Synthesizer.

PRO-A5 captures the warm and organic sound of the most iconic analog poly synth ever made. From lush brass, silky pads, screaming resonance and punchy basses to soaring leads, this is the sound that defined MUSIC ICONS from the ’80s to today. Be inspired by the same synth sounds used on thousands of records you already love.

JAM PACKED

Features 400+ Presets by Moby Pixel, Analog Matthew, Doug Woods (The Sound Test Room), Bri Kup, DMT Cymatics, Red Sky Lullaby, Joe Zeno, and more!

FEATURES:

New Sound Engine with advanced DSP

Professionally Modeled Filter, with Self Oscillation

2 Filters: Classic “REV 3” with Stepping & Modern Smooth

10 voices! Each note can have 5 unison voices. Almost a P-50?!

500+ Exclusive Handmade Presets!

Vintage Poly Mod with per-voice modulation

Raw, gritty Oscillator Sync

Magic “Tune Rez” button to instantly tune the self-oscillation!

Bonus Filter panel with Filter Slopes, Env Inversions, and other goodies

Per-Voice Analog Panning

Single Note Polyphony for mono & poly

Accurate PWM engine, with the Hardware’s unique Poly-Mod behavior

2x oversampling for more analog-style lows and highs

NEW Reverb, cascading and beautiful

FX: NEW Rage Limiter, Analog Tape Delay, Chorus, Crush, and more.

3 LFOs, over 60+ possible destinations, almost everything can be modulated! LFOs can even modify other LFOs

Aftertouch! Control any of the Parameters

Dual Assignable Touch Pads, manipulate FX in real time!

Classic Arpeggiator & Vintage Style Step Sequencer

Control it with a MIDI Keyboard, MIDI Learn to map your controls to the app

Works as a Plug-in Instrument in GarageBand, Logic for iPad, AUM, ett

Universal: For one low price you get iPhone, iPad, and iOS AUv3 versions

Korg USA Mourns the Passing of Jack Hotop, Legendary Sound Designer and Innovator

Some sad news in via Korg.

You can find posts on MATRIXSYNTH featuring Jack Hotop here for a look back on his influence in the synthesizer community. The first post was a simple pic back in 2006.

Press release from Korg follows:

Over a 40-Year Career, the Influential Synthesist and Accomplished Touring Keyboardist Shaped the Sonic Architecture of More Than 100 Landmark Instruments, Including the Historic M1 Workstation

MELVILLE, N.Y. - Korg USA announces with deep sadness the passing of longtime employee, celebrated sound designer, and musical instrument industry icon Jack Hotop. Joining Korg USA (then Unicord) in 1983, Hotop started as Senior Voicing Manager and spent over four decades driving the development, sound design, programming, voicing, and product demonstrations for more than 100 Korg products. As a pioneering engineer and exceptionally skilled performer, his extensive contributions helped guide the evolution of synthesizers and digital workstations from the early 1980s through the modern era, leaving an indelible imprint on instruments used by musicians around the world and for generations to come.

Hotop’s foundational expertise was anchored in a rigorous musical and technical background. Raised in a musical family, he began piano lessons at age seven, inspired by his father, a musician featured on several Broadway cast recordings, and numerous pianists on his mother’s side. By age 14, he was actively performing in local bands on a Gibson 101 organ. He pursued formal training at the Berklee College of Music, majoring in arranging, composition, and accompaniment, before expanding into emerging music technology at the Boston School of Electronic Music under Roger Powell. It was there that Hotop established his core synthesis fundamentals using early hardware including the ARP Odyssey, 2600, 2500, and EMS Synthi, building a deep understanding of waveforms, envelopes, low-frequency oscillators, and modulators.

CLICK FOR MORE »

16 Music Lab Custom MIDI Interfaces for Yamaha CS Series

via 16 Music Lab:

Hello MatrixSynth readers,

I am Thierry Gerardeaux from 16 Music Lab, and I want to announce that my custom MIDI interfaces for the Yamaha CS series (covering everything from the CS-15 up to the legendary CS-80) are currently available.

To maintain the highest standard of quality and ensure these kits end up in the right hands (rather than with speculators), I operate strictly on a small-batch, built-to-order basis. I limit production to a maximum of 5 units per CS model at any given time. This is true boutique hardware designed for purists and demanding technicians.

The CS-80 Flagship Interface & MIDI OUT Capabilities

While I proudly cater to the entire CS line, I want to specifically highlight the interface designed for the Yamaha CS-80. Given the immense complexity and uncompromising architecture of this legendary synthesizer, retrofitting it requires absolute precision.

Crucially, this specific MIDI kit goes beyond basic connectivity by featuring a comprehensive and highly responsive MIDI OUT. It flawlessly transmits all 8 voices of polyphony, including velocity and the CS-80's signature polyphonic aftertouch, alongside real-time data from the iconic ribbon controller. This allows you to harness the CS-80's legendary expressive keyboard to control your modern DAW or other hardware seamlessly.

How it works:

Technical Validation: Before any transaction, I require a few macro photos of your synthesizer’s internals (connectors, board revisions). I personally evaluate these remotely to guarantee 100% compatibility with your specific machine.

Shipping / DIY Install: If you or your trusted local tech are handling the installation, a dedicated and highly trusted partner of mine takes care of the ultra-secure packing and worldwide shipping.

Custom Installation: For those who want absolute peace of mind, I also offer a complete, personalized installation service myself (for an additional fee).

These kits are built with uncompromising attention to detail to respect the original circuitry of these vintage masterpieces.

If you are looking to bring your Yamaha CS into the modern studio environment with a reliable, high-end MIDI retrofit, please feel free to reach out to me directly at: 16musiclab@gmail.com or visit www.16musiclab.fr

Musically,

Thierry Gerardeaux 16 Music Lab