The Buchla Series - Demos by synthemodulaire

video upload by synthemodulaire

Playlist:

1. [The Buchla Series] #0 introduction

"Here is the introduction to a new series of videos about Buchla synthesizers.
I will try to create comprehensive videos on the Buchla 200 series modules"

2. [The Buchla Series] #1 Differences between eurorack and Buchla

Edit. I forgot to mention that Buchla audio levels are line levels, they don't need to be attenuated to be used with external gears like eurorack. Moreover the CV doesn't use the same standards by default, Buchla uses 1.2 V/Oct tracking and 10V Gates.

3. [The Buchla Series] #2 - Buchla 245 Sequential Voltage Source

In this episode, we will focus on the Buchla 245.

00:00 Overview
06:20 Simple sequence
07:40 Random sequence
09:13 Gate sequence
10:49 Analog groove
12:20 Analog preset manager
14:02 One shot mayhem

4. [The Buchla Series] #3 - Buchla 281 Quad Function Generator

In this episode, we will focus on the Buchla 281 (and briefly compare to the Tiptop Audio version features).

00:00 Overview
02:06 Self Cycling Mode
04:08 Trigger Mode
05:00 Gate Mode
05:55 Chaining Functions
08:22 Modulating the Modulator
09:22 Or's
11:45 Quadrature Mode
13:35 Conclusion, a few words about the Tiptop Audio version
14:27 Bonus ! Let's listen to the 281

5. [The Buchla Series] #4 - Buchla 266 Source of Uncertainty

In this episode, we will focus on the Buchla 266, the random generator that inspired so many others (Wogglebug, Noisering, etc.).

00:00 Introduction
01:01 Noise Source
01:43 Fluctuating Random Voltages
03:10 Quantized Random Voltages
08:49 Stored Random Voltages
13:53 Integrator
16:23 Sample and Hold

6. [The Buchla Series] #5 - Buchla 296 Programmable Spectral Processor

In this episode, we will focus on the Buchla 296, Programmable Spectral Processor.

00:00 Introduction
00:41 Manual Mode
04:16 Comb Filter
06:26 Bandpass Filter
10:30 CV Controlled EQ
12:49 Enveloppe Followers
15:15 Vocoder
18:30 Patches Examples

dreadbox Artemis Demo (No Talking) with Presets for Ambient, Electronica and Techno

video upload by Limbic Bits

"dreadbox Artemis – My 2 Cents
Artemis is a polyphonic analog synthesizer with six voices and a comprehensive effects section developed by Sinevibes. Housed in a solid desktop chassis, all potentiometers, faders, and buttons feel great, with just the right amount of resistance. On the rear, you'll find a stereo output, a separate headphone output, plus USB and MIDI connections. It doesn't offer a foot pedal input, but it supports MPE (I still need to try that with my Osmose).

Now to the most important part — the sound. It features that great vintage tone I love so much on other dreadbox devices, largely thanks to its creamy-sounding filters. Both filters offer resonance, and the low-pass filter can be switched between 12dB and 24dB slopes.

But it doesn't stop there: thanks to TZFM and filter FM (yes, noise can be a source here too), it can sound very modern as well, making it great for all sorts of electronic music. Although it offers quite a lot of modulation options, I still found myself wishing for features like key tracking for LFO rate, negative envelope amounts, noise as a modulation source in the menu, or meta-modulations. After reaching out to dreadbox about these features, they told me they are already working on them for a future update and/or will look into them. Based on my past experiences with dreadbox, I’m confident we can expect a nice firmware update for Artemis in the future.

The effects section by Sinevibes is also great — it’s just a shame that there are no external inputs like on the Typhon, as those would have made it a fantastic standalone effects unit as well. You get four effect slots (Lo-Fi/overdrive/shaper, modulation, delay, and reverb), each with several options to further tweak the sound. Here, I would love to see a bit more flexible routing, allowing changes to the effect order. But even without that, the effects section is a great addition that melts perfectly into the internal analog sound engine. I'd only recommend not adding too much, as the effects can quickly become dominant.

TL;DR: dreadbox Artemis is a sweet-spot synth that can also show its teeth when desired. Its intuitive interface and great-sounding effects unit make it an excellent companion for live performances. Definitely a highlight!"

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High energy modular synth performance by Stephen McCaul

video upload by Noise Engineering

"Here's a high energy modular synth performance by Chief Noisemaker Stephen McCaul.

The bottom case is a six voice case with Incus Iteritas Alia (2), Debel Iteritas Alia, Tymp Legio, Manis Iteritas Alia, Virt Iter Legio + Ampla Legio.

There is a Librae Legio for the percussion submix (paralleling the main mix) and an Electus Versio on a send. The rhythm sequencing is from an experimental prototype that isn't really product worthy.

Pitch sequencing comes from Opp Ned. And the Xer Mixa mixer ties it all together.

The top case is an effects rig for another project but i used a Fala Versio and a Yester Versio in that case for some additional effects."

L-Fusion Electronics Introduces Analog Kicks 808+909 Eurorack Module

video upload by LFusion Electronics

"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.

Module is available on Reverb.

808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

808 kick is based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.

909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."



"Introducing new kick drum module with famous 909 and 808 base kick drums based on on original discrete transistor circuits. 808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown Opamps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

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Updated L-Fusion Analog Kicks Eurorack module demo

video upload by LFusion Electronics

"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.

Module is available on Reverb.

808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

808 section outputs classic boomy kick based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.

909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."

Ocean Swift Updates Porphyra Hybrid Synthesizer to Version 1.2

video upload by Ocean Swift / Faxi Nadu

"Ocean Swift updates Porphyra Hybrid synthesizer to version 1.2: New filters, new synth features, new presets"



via Ocean Swift

"Ocean Swift has updated their Porphyra Hybrid synthesizer for Kontakt 8.3.0 to version 1.2.

The update is available for free for all Porphyra Hybrid customers and brings lots of new additions, like new filters, wavetables and presets.

This isn't just a touch up - It's full on expansion!

New features:
.Added: Monark filter lowpass and bandpass flavors.
.Added: 85 New wavetables.
.Added: 107 additional snapshots by Fernando Abreu.
.Added: 25 additional snapshots by Yaron Eshkar.
.Added: 30 Combined Patterns Tool Multis.
.Added: 12 Combined layered Multis.
.Added: Blend mode in the wavetable mod oscillator.
.Added: White, pink, red and tuned noise in the wavetable mod oscillator.

Fixes:
.Wavetable mod tune was not displaying correct NKS2 polarity on load.
.A number of bipolar parameters were displayed as unipolar in NKS2.

If you want to get Porphyra Hybrid the best way would be to get the Purple Wave Bundle, that's on discount at the moment for 60% Off, limited time offer.

With Purple Wave Bundle you not only get to enjoy the cutting edge Kontakt 8 Synth, but also a Giant Wavetable Pack with 1000 new wavetables and Wavetable Creator software.

Purple Wave bundle 60% Off for 75€ (reg 189€) Until 20th April. https://oceanswift.net"

URSA MAJOR SST-282 SPACE STATION + KORG POLYSIX

video upload by Synth Tailor Electronics

"Here’s a URSA MAJOR SPACE STATION SST-282 that was just restored here at the shop. These sound so amazing and I hope I find one for my studio someday. They’re like having a Roland space echo without the tape/noise and sound incredible!

When it arrived, it wasn’t outputting any delay/reverb signals at all.

Repairs done:
-Found 3 blown Tantalum caps, replaced with new Tantalum caps.
-Rebuilt PSU (had leaking Filter capacitors)
-Replaced stuck/broken Power Switch
-Replaced all bad electrolytic capacitors and tantalum’s throughout.
-Replaced a bad RED square LED
-Replaced faulty/old ribbon connector and installed a machined 16 dip socket"

DELLA - This Tiny Expander Turns Scrooge Into a Modular Powerhouse

video upload by Cinematic Laboratory

"The Scrooge drum module was already a dirty, lo-fi monster. But with the forthcoming expander, it becomes something else entirely — a modular brain of your Eurorack system, dedicated to beats, beeps, pops and all kinds of moving parts. More CV control, more flexibility, more madness.

In this video, I show how this tiny add-on takes Scrooge from a simple noise-maker to a full performance-ready rhythm engine — perfect for hard techno, industrial, and experimental electronic setups.

However, Neutral Labs was planning to offer it as a DIY little module only.
Please comment if NL needs to change their mind! It doesn't work for the desktop version with the wooden box, but IMHO it should always be included with the Eurorack version."

Creating sounds on the Modor DR-2: A detailed expedition

video upload by Richard DeHove

"In the latest instalment of my "If You Want A Short, Splashy, Gotcha Video This Isn't For You" series I noodle about in lengthy detail with sounds on the Modor DR-2. The idea here isn't a quick showcase of wondrous sounds, it's to give you a genuine feel for what it's like to use the DR-2. That means transiting through hundreds of gradations and flavors of a sound. No doubt sometimes you'll hear your preferred sound pass by as I adjust a parameter too far or wind back something too hard. Watching this back I can see points at which I should have stopped but instead kept tweaking. The filtered clap for example sounded pretty good after about 10 seconds but I kept flogging it death :D But that's the essence of this video - as the old saying goes it's the journey not the destination.

A quick note on the audio track: The Modor's buttons are very loud and clicky. It gives them a satisfying sureness in the studio but means they're quite intrusive on video. I did my best to EQ them out, gate them out, and manually mute them when possible. The result in headphones may sound slightly choppy (and somewhat mangled my voice) but I wanted to make sure you could hear the Modor's sounds properly rather than being mixed with room noise and button clicks.

I hope here I've got across the fact that the DR-2 is beautifully crafted to deliver a massive range of customizable sound. It's easy to dial in the basics of an excellent sound, and then have the controls you need to zoom in on what you want. The main problem is when to stop noodling.

Despite the length of this video I only touched on a tiny fraction of the Modor's sounds. If you're interested in hearing more, or any particular types of sound, please let me know.

Finally, Mr Modor if you're reading this: Please make an all-black version with second-layer subtext on the knobs.

0:00 Basic info
2:01 Drum models
2:34 Noise bass drum
7:10 Basic snare
11:42 Filtered clap
18:49 Square bass drum
24:37 Snare adventure
29:55 A tom?
30:38 Crash cymbal
34:48 Electro snare / tom

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Acid Bassline : Future Retro Revolution, Roland TR-606.

video upload by David Noise

"Step 1:
Make a bassline using live recording on digitone so you can funk better than step programming, don’t forget slides and accents.
Step 2:
Make 4 bars of breakbeat on 606.
Step 3:
Use some reverb and little chorus."

https://future-retro.com

Moog Minimoog Model D | The archetype for a reason

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Exploring the classic.

00:00 - Intro
00:50 - One oscillator, then two, then three
03:58 - Ghost lead
04:24 - Triangle beauty
05:14 - High fifth bass
05:58 - Noise and glide
08:33 - Oscillator 3 drone 1
09:45 - Oscillator 3 drone 2
10:25 - Oscillator 3 drone 3
13:00 - Subdued single square
13:58 - Fifth arp with key tracking
15:31 - LFO finale

This is an exploration of the Moog Minimoog Model D, no goals other than to have fun. The Walrus Slöer adds reverb and sounds beautiful. There was no additional processing to the sound. And what a beautiful sound it is.

The Minimoog Model D is one of the two main instruments that started my love of synths in the first place. I've long wanted one, and the reissue's wood looked especially beautiful, but I had to wait until I saw it at the right price. That happened last week, and here we are.

Yes, I know there are clones, and I know those clones can sound very very good. I'm not telling you that this is somehow magically better; it probably isn't. But I can tell you it feels like an instrument, it's beautiful to the touch, it has a heft to it, and the wood makes it feel like an installation piece or furniture or something that occupies physical space in the environment. I feel like I'm sharing the room with it, a creative environment, and that's a harder thing to quantify.

Some full songs will be coming with it at some point. How could they not? It's just incredible.

Thanks for listening."

Modular synth performance by Stephen McCaul with Incus, Debel, Manis, and more!

video upload by Noise Engineering

"Here's an intense modular synth performance by Chief Noisemaker Stephen McCaul.

The bottom case is a six voice case with Incus Iteritas Alia (2), Debel Iteritas Alia, Tymp Legio, Manis Iteritas Alia, Virt Iter Legio + Ampla Legio.

There is a Librae Legio for the percussion submix (paralleling the main mix) and an Electus Versio on a send. The rhythm sequencing is from an experimental prototype that isn't really product worthy.

Pitch sequencing comes from Opp Ned. And the Xer Mixa mixer ties it all together.

The top case is an effects rig for another project but i used a Fala Versio and a Yester Versio in that case for some additional effects."

http://www.noiseengineering.us
Noise Engineering | Get Out Of The Box

Euclid (Waldorf M + H90 // 0Coast + Timeline // Nymphes + Julianna // TR6S // Hapax)

video upload by 2-Minute Warning

"I am continuing my deeper exploration of the vast possibilities offered by the Hapax 🤩

In this jam I loaded on the Hapax, the "definition files" for the Nymphes and TR-6S, and I have to say that it really opens up the possibilities to easily automate or modulate parameters on the synths (used for example here to modulate the pitch of some drum sounds or to add the noise oscillator of the Nymphes on some notes only etc.)

0:00 - The track starts with the 0-Coast playing a syncopated bass line thanks to the EUCLID MIDI effect of the Hapax, and with the M playing the main RIFF.

0:36 - I then fade in the Nymphes playing the pulsating (thanks to an EUCLID MIDI effect too) detuned CHORDS thru the Julianna analog chorus pedal (adding the wide stereo effect).

0:55 - The drum parts are played by the TR-6S using only the Analog Circuit Behavior engine (i.e. no samples used) for the drum sounds, with its VINYL SIM effect on the master bus squashing the DRUMS! 🤘 Also, I didn't use the TR-6S' sequencer here but the Hapax, in order to be able to swap between different patterns on only one machine (Hapax) + to use the FILL button on the Hapax to add breaks on the DRUM track too + I used 2 LFOs on the Hapax to control parameters on the TR-6S (as the TR-6S only has 1 LFO 😅)

1:40 - Bridge (only M synth)

1:55 - 4 to the floor part

2:38 - Outro

All the transposition are done in real-time on the Hapax (using Track 16)."

Future Retro revolution. (Tb-303 clone).

video upload by David Noise

"The famous TB-303..

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Warthog by Adamsynths (The first modular synthesizer with Total Recall and DAW Integration)

video upload by Adamsynths

"Adamsynths created a brand new modular synthesizer with TOTAL RECALL and DAW integration called 'Warthog'"

Press release follows:

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Mystery Vintage Matrix Pump, Tim Smith DIY & Vintage EML

Pictured are a few interesting items for sale from Mike Berman. You can find them here.

I asked him if it would be OK to capture the pictures here as I've never seen the "matrix pump" before. He gave me the all clear. Note this is the first post to feature one. This is a rare piece of synth history.

All Mike knows about it follows: "For me, the nature of the Matrix pump and its affiliation with EML is pure speculation. I always assumed it to be, at best, an unfinished one-off. If you magnify the photo you can read the labels on the controls and they are intriguing. The multi-pin socket on the left side of the MP accepts the same plug that EML sequencers use. That section is labeled 'Synto Interface'. I experimented with various patches and found some functionality in a few of the controls but I don't recall specifics beyond that. "

Below that you can see The Tim Smith box featuring the following section: Explonental Amp, Noise Generator, Lag Processor, and ENV/Gate Generator. I asked Mike is Tim Smith the same Tim Smith that was the Western Regional Tech Rep for Sequential Circuits , Arp, Moog and also contributed to the famous Vintage Synthesizers book and articles in Keyboard Magazine. He's not sure but believes it is.

Further below you'll find the MODEL EML-200, MANUAL CONTROLLER EML-300, multi-pin cables, EML 400 : EML 401, EML 500, EML POLY-BOX, X-Y CONTROLLER

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Anyware Instruments Tinysizer SN 134

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Like a mini German tank. Super rare these days & so badass…

comes with 230 Volt to 12 Volt DC adapter, light, stand & mini patch cables and a aluminium case for safe transport to the next Gig .

A self-contained, analog modular synthesizer from Germany, made by Anyware Instruments:

Their aim was to be as small as possible, while also offering a lot of features and of course having a great sound. They were fully modular without any internal routings, so connections had to be made with the patch wires in order to make a sound. unfortunately discontinued and therefore VERY RARE !

HERES THE CHANCE TO GET ONE !

serial number: 134

Tinysizer:

2 X voltage controlled oscillator VCO - Oberheim SEM style
3 X suboscillators
1 X waveformprocessor/waveshaper
1 X voltage controlled filter, state variable VCF - Oberheim SEM style (with 4-input mixer)
3 X low frequency oscillator LFOs (with switchable frequency ranges)
4 X CV, 6x Gate, MIDI-CV interface
2 X mixer & inverter & overload - distortion
3 X multiples
1 X white noise & pink noise
1 X ringmodulator
1 X sample & hold s+h
4 X VCAs linear
1 X envelope follower & audio gate & microphone preamp
2 X ADSR envelope generator (fast & slow)
1 X control voltage CV - source
1 X DSP effect, reverb & delay (digital)
11 X patchable auxiliary in & outputs, bi - directional (to connect external gear)

The housing was made of metal with super sturdy, panel-mounted potentiometers. The synth came with a monitor stand to prop it up at an angle and a BNC gooseneck lamp, which could be attached to shine some light for patching. Patch leads came from Conrad and the patch sockets were the kind you'd find on floppy disk drive cables. Surprisingly, even after years of patching, I still haven't worn out any sockets."

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MotorSynth MK2 | By Gamechanger Audio

video upload by Cinematic Laboratory

"When the first Motor Synth was introduced back in 2019, the synth community unanimously agreed to disagree. For some the MOTOR Synth appeared to be a completely ridiculous, overengineered and limited instrument - at one point the phrase “pure embodiment of evil hipster trash” was used, while others called it one of the most innovative and exciting instrument designs the industry had seen in years. The truth lies somewhere in the middle and I feel it's MUCH better and cooler than people think it is.

However, spending 3K on it doesn't make it yours. It's packed with so many features you'll need to find your own gemstones buried in the trash. After spending four days with this unit (on loan, not mine) I realized theirs true magic when it's limitations are starting to work against it. It excels when it fails. Please note, this unit makes a LOT of noise even when it's not connected to any amp or audio interface. Still, the mechanical noise is an essential part of the final experience and you should always record it, even when you decide not to use it later. Most of my recordings in this video has the camera audio, attenuated at -10 dB. It's really loud, but it's not a motor synth without it.

The synth is simply too expensive to make this a review, and I don't do reviews anyway. I try to focus on production value. If you're a pro composer for films and games, this thing is a highly recommended no brainer. The same applies for evil hipsters. If not, try to borrow one from an evil hipster and sample the hell out of it.

Big thanks to Gamechanger Audio for letting me borrow it. This video is sponsored by me, no money changed hands and I can't keep it.

00:00 Introduction
03:04 Day 1 - First patch with the Linnstrument (MIDI)
06:47 Day 2 - Using the V1 and V2 Sends for stereo.
08:23 Randomizing presets
10:01 Day 3 - Adding external modular FX
13:22 Motion REC
14:39 Dark Ambient with slowed down audio (50%)
16:24 Vocoder
17:50 Day 4 - Driven my Marbles CV and Triggers"

KORG Mono/Poly with MIDI Retrofit SN 372797

Note: Auction links are affiliate links for which the site may be compensated.

via this VEMIA listing

Click the auction link on top when you get there for additional listings.

VEMIA is Peter Forrest's auction house. He is the author of The A-Z of Analogue Synthesizer Books.

"KORG Mono-Poly & Kovari Midipoly retrofit 372767 Original Korg Mono/Poly with Kovari MIDI retrofit - specifications available online New baseboard and custom plywood side panels Very tidy - camera shows every speck of dust Front panel Excellent All pots clean and noise free Voices fully functioning but will require calibration to ensure optimal output

DESCRIPTION: I acquired this fully functioning MonoPoly some years ago, but the case was in terrible condition. I cut a new baseboard from MDF, and then cut and installed new marine grade plywood side panels. The front panel is in great condition, but there is a slight defect on the mod wheel assembly panel as per the condition I acquired. All pots are noise free, as are the outputs. She sounds amazing in Poly Unison mode, but the individual voices do drift a little. She would benefit from a comprehensive voice calibration, but I don't have the instruments required to do so. Once she is fully calibrated, she will sound even more awesome. She comes with the Kovari MIDI retrofit, which allows her to integrate in to any modern MIDI studio. Very sorry to see her go, but I just don't have the space for my full hardware studio any more."

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Liminal Patch 005 : Semi-Generative Ambient Modular Synthesizer Exploration | Tempus Vacuus

video upload by Botched Creative

"7 Minutes of semi-generative ambient modular synthesizer exploration. Recorded live to multitrack.

Main Synths:
Archaea Loki, Winterbloom Castor & Pollux, Black Corp Deckard's Voice, Maneco Labs Grone 2 Dark Drone Machine, Forge TME Vhikk X.

Patching Notes:
0:00 :: Intro
0:14 :: Layer 01 : Forge TME Vhikk X
0:43 :: Layer 02 : Maneco Labs Grone 2
1:55 :: Layer 03 : Black Corp. Deckard's Voice
2:35 :: Layer 04 : Winterbloom Castor & Pollux
3:26 :: Layer 05 : Archaea Loki
3:45 :: The Rest of the Video

Sequencer:
QuBit Bloom Fractal Sequencer.

Processors:
Make Noise Maths, Happy Nerding 3x Mia, ALM Pam's Pro Workout, Xaoc Devices Zadar, Erica Synths Black Low-Pass VCF, Doepfer A-140-2V Envelope Generator, Expert Sleepers ES-9, Intellijel Quadratt, Thorn Audio VC LFO, Maneco Labs Clusterverb, Endorphines Ghost, Xaoc Timiszoara.

Post-Processing:
Abelton Live (tracking), Motu Digital Performer (mixing), Kush Audio, Slate Digital, Valhalla DSP, Waves plugins.

Full disclosure: The video portion was recorded after recording the audio (I don't have ten hands).

Enjoy the in-between world."