Torso S-4 | Pure inspiration (walkthrough)

video upload by Jay Hosking

"A walkthrough of how I'm making songs on the Torso S-4.

00:00 - Song
02:24 - Intro, tape machine
04:38 - Granular
07:36 - Resonator
11:45 - Drive, noise, colour
13:11 - Delay and reverb
15:32 - Drums and performance effects
19:18 - The magic of TEMP
19:56 - Pitched drums
22:43 - Making a pad
27:24 - Fourth track
28:56 - Performing with four tracks
31:14 - Concluding thoughts, USB multitrack out

I bought the Torso S-4 last month, thinking it would be an interesting device for playing with granular ideas with a few loops. As soon as I started playing with it, it was clear I had underestimated just how much more the S-4 is, and how inspiring it is. In fact, I basically never use it as a granular device!

This is probably the single most inspiring piece of hardware I've tried since I discovered the Octatrack. It transforms sounds, it is incredible for performing, and it has that perfect feedback loop between musician and instrument. In just a couple of weeks, I've recorded a whole album with it, which I'll release soon.

This is a walkthrough of how I'm making full songs on the S-4. In reality, four tracks is not quite enough for me to be making full songs, and in the final performances I add extra layers. But as a device to create new sounds, glue tracks together, sketch out a song arrangement, and perform some interesting parameter changes, the S-4 is nothing short of an epiphany for me.

Note that I'm using the 2.0 firmware beta, which is largely the same as the recently released 2.0 firmware. I'm well aware of the internet conversation on the previous firmware of the device, of hardware buttons not having any function and triggering a "coming soon" message, etc. I'm also aware of some quality/build concerns from some S-4 owners. I don't want to discredit any of those complaints, and I'm sure they are valid; but I can only tell you about my individual experience, which was largely flawless aside from a few bugs along the way.

Please also note that this isn't my usual sort of video, but rather one I originally recorded for my Patreon community. I'm having such a good time with the S-4, though, that I really wanted to share it more broadly. I hope you find it useful.

I look forward to sharing the album soon!

https://jayhosking.bandcamp.com"

Dark and gritty modular synth performance by NE's Stephen McCaul

video upload by Noise Engineering

"Here's a high energy modular synth performance by Chief Noisemaker Stephen McCaul.

The bottom case is a six voice case with Incus Iteritas Alia (2), Debel Iteritas Alia, Tymp Legio, Manis Iteritas Alia, Virt Iter Legio + Ampla Legio.

There is a Librae Legio for the percussion submix (paralleling the main mix) and an Electus Versio on a send. The rhythm sequencing is from an experimental prototype that isn't really product worthy.

Pitch sequencing comes from Opp Ned. And the Xer Mixa mixer ties it all together.

The top case is an effects rig for another project but i used a Fala Versio and a Yester Versio in that case for some additional effects.

Join us on Discord! Invite link: / discord"

06.06.2025 Radio Aktivitaet for fun - Take 1

video upload by batchas

"Can't of course beat the original masterpiece by Kraftwerk, but it won't stop me to have some fun playing with all these beautiful machines.
I record only one take, to not spend too much time on settings and fine tuning.
If I had to record a second time, I'd finish the track differently.
I'll prob. do next a video to show the different audio sources / MIDI tracks before moving forward to another tune. For now here's how the differents elements arrive:
00:00 Mellotron
00:12 TR-808
00:18 Minimoog
00:26 Waldorf Q
00:35 Mos-Lab 2500 (oscillator 2 on filter 1)
01:08 Mos-Lab 2500 (white noise on filter 2)
01:10 Roland Juno 60
Effect: Audiothingies Doctor A"

ARP 2500

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

This appears to be the one previously listed on eBay featured here.

This new listing features additional pics and a new description including a list of the modules.

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Ciat Lonbarde Plumbutter2 & Ableton Octa Comb

video upload by Akihiko Matsumoto

Effect: Ableton Octa Comb https://akihikomatsumoto.sellfy.store...
Reverb: Preset Verb: https://akihikomatsumoto.sellfy.store...

Ciat Lonbarde Sample Pack
https://akihikomatsumoto.sellfy.store...

116 Oneshots
30 Drones
Crafted from the Unpredictable
This evolving sample pack is a curated collection of sounds generated entirely with the eccentric modular instruments of Ciat Lonbarde. Featuring raw sessions recorded with Peterlin and Plumbutter 2, it offers a unique sonic palette ranging from fractured noise textures to rich ambient drones and abstract one-shots.

The Handcrafted World of Ciat Lonbarde
Ciat Lonbarde is the creation of instrument builder and sound thinker Peter Blasser. His designs reject conventional synthesis in favor of circuits that behave like living organisms. These instruments respond with tactile irregularity and voltage-driven nuance. This collection is not a digital imitation. It is the real analog, shaped in real time by touch and signal.

For the Forward-Thinking Producer
Whether you’re working in experimental ambient, leftfield techno, cinematic sound design, or simply seeking sonic material that resists the algorithmic polish of modern production, these samples offer tactile character and genuine unpredictability. No two loops are alike. No modulation repeats.

What’s Inside
Atmospheric drones
Textural noise beds
One-shot percussive blips and pulses
Select loopable material with musical intent
Files designed to inspire both immediate use and deep sampling exploration
Free Lifetime Updates
Your purchase is not a one-time transaction. This pack is a growing archive. New recordings are added continuously at no extra cost. Previous buyers already have access to the latest updates. If you haven’t joined yet, now is a perfect time.

Listen or Use
Several pieces included were composed with musical intent. They can be sampled, reshaped, or simply listened to as drone compositions in their own right. Sound as music. Music as sound."

Korg MS-04 Modulation Pedal

Note: Auction links are affiliate links for which the site may be compensated.
video upload by Edward Jones

via this eBay listing

Pics of the inside below.

"For sale we have the very rare Korg MS-04!

These don’t come up for sale very often.

This is a modulation expression pedal.

It features an LFO (Triangle or Square), a noise generator, and a "bender" type control voltage output, controlled by this sturdy foot switch.

The pedal controls the magnitude of the CV output of the LFO, not the frequency of the LFO.

There is an upward facing LED on the pedal body that shows you the speed of the LFO.

This is in honest to goodness as new condition. The internal date stamp indicated manufacture to be the 6th week of 1980 (which matches the manufacturing period).

There is some light dust on the pedal after being in storage for 20 years, and I haven't cleaned it off. The only blemish is on the front plate indicating model number, where a price tag was placed in the late 1990s when it was purchased by the current owner. I haven't attempted to de-goo it.

One side appears to still have the original protective plastic on it.

All components are original! The tested capacitors have held their values, and the pots were all clean. It has been stored with no batteries inside, and the battery bay, as you can see, is clean as a whistle."

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Stylophone CPM DS-2: Dark Atmospheric Sounds. No Talk Demo

video upload by Anton Anru

"Obsidian is a collection of 50 custom presets for the analog synthesizer Stylophone CPM DS-2. In this pack, you’ll find drones, textures, FXs, rhythmical patterns and sequences, and immersive soundscapes.
🔮 I was fascinated by exploring this drone machine, and in this collection, I share the results of that journey. My goal was to extract a broad variety of timbres— dark, noisy, vintage/retro, cold, dull, distorted, metallic, tense, as well as atonal, non-harmonic, FX-like, evolving, moving, and sweeping sounds.

📦 Get the soundset: https://antonanru.sellfy.store/p/cpm-...

📺 The soundset draws inspiration from sci-fi movies, soundtracks, dystopian narratives, urban landscapes, noise ambient albums, experimental modern art, and innovative sound design.

📻 Perfect for genres such as Dark, Noise, Ambient, Cinematic, IDM, Electronica, Dub, Deep, Techno, Industrial, Minimal, Garage, Experimental, and more. These timbres also work exceptionally well for movie soundtracks, games, apps, digital art, live sound art performances, and VR landscapes—anywhere a dark, atmospheric vibe is needed.

📓 The soundset is presented in a PDF document. Each page contains notes explaining how each patch works, which parameters to tweak during playback, and techniques to further develop the timbre during performance. By following these instructions and experimenting with the suggested settings, you’ll deepen your understanding of the synth and unlock its true potential.
🎧 Each patch also includes an audio example to help you grasp the intended sound.

💾 The collection additionally includes 24/41000 WAV samples. You can use these samples as they are, or feel free to resample, edit, and apply effects in your DAW, sampler, or granular synth. They provide versatile material for your sonic experimentation.

🖲 The Stylophone CPM DS-2 is an analog synthesizer highly sensitive to both settings and performance. I’ve done my best to document all parameters precisely; however, expect slight variations, as this is a truly alive, analog instrument. This is especially true for pitch, tuning, and FM settings—and in some cases, on the delay. The PITCH/RATE and LFO DEPTH knobs are extremely responsive— even a slight movement can shift the pitch significantly.
Many presets don’t adhere to a strict tonal center, so feel free to experiment with frequency settings. If you need to hit specific notes, I recommend using a tuner when adjusting pitch and FM."

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Liminal Patch 010 : Dark Ambient Modular Exploration : 10 Minutes of Threshold Invocation

video upload by Botched Creative

"AETHERIS NEXUSis a 10-minute descent into modular tension, where structured performance collides with controlled unpredictability. A convergence of control and surrender. Droning analog oscillators stretch across a dark horizon. Sculpted noise writhes in the aether—each exhale a ghost of resonance. Randomized ostinatos emerge like faulty memories. Pulsing bass figures carve a path agnostic to meter—structured, but answerable only to their own internal logic.

Recorded live to multitrack, each voice was captured in real time—a fleeting convergence of structure and volatility. What emerged was part performance, part algorithmic drift: a mesh of voltages and reactive systems colliding in ways that can’t be precisely reentered.
An improvisation encoded in circuitry and instinct. Once aligned—now gone.

Liminal Patch 010 marks the end of Series One. Liminal Patches Series Two will return after a brief hiatus.

0:00 :: Intro
0:30 :: Synth layer 01 : Moog Subharmonicon
1:21 :: Synth drone 01 : Archae Loki
1:53 :: Texture drone 01 : Maneco Labs Grone 2 Dark Drone Machine
2:15 :: Bell Sequence : Black Corporation Deckard's Voice
2:35 :: Texture drone 02: Forge TME Vhikk X
3:21 :: Bass Synth : Moog Matriarch
3:52 :: Synth drone 02 : Winterbloom Castor & Pollux
04:20 :: The middle bit
09:08 :: The end logo
09:23 :: A subtle hint


Main Synths:
Moog Subharmonicon, Moog Matriarch, Archea Loki, Winterbloom Castor & Pollux. Black Corporation Deckard's Voice, Maneco Labs Grone 2 Dark Drone Machine, Forge TME Vhikk X.

Sequencer:
Qu-Bit Bloom

Processors:
Make Noise Maths, Happy Nerding 3x Mia, ALM Pam's Pro Workout, Xaoc Devices Zadar, Xoac Timiszoara, Expert Sleepers ES-9, Intellijel Quadratt, Thorn Audio VC LFO, Maneco Labs Clusterverb, After Later Audio Cloaks,

Post-Processing:
Abelton Live (tracking), Motu Digital Performer (mixing), Kush Audio, Slate Digital, Valhalla DSP, Waves plugins.

Become the infinite threshold."

Echolocator delay: Tape vs BBD plus weirdness (no talk)

video upload by Richard DeHove

"This video was the result of a comment by @lextron-audio noting that there was no clear comparison of Tape vs BBD mode for the Echolocator. Yes, fair enough I thought, I can fix that. I imagined a snappy three minute video switching between modes as a dry technical comparison. Not exciting, but useful in a nuanced nerdy sort of way, and that's how things started. Yet here we are, 20 minutes of twiddlings co-starring the LXR-02, DB-01 and Acidbox III that gets weirder as it goes along. And everything is unsynced. I wouldn't call it music, I just enjoy the textures and frequencies. That's what comes of spending too many hours playing with shortwave noise as a kid.

'Dirty On' is BBD mode; and 'Dirty Off' is the default Tape mode. I randomly flip between them trying to show the differences in various situations. Sometimes there's not much between them, othertimes especially with pitch shifting on, the differences are huge. In the end though the result is more an experiment in real-time Echolocator playing than a straight mode comparison. Even so I never touched the compressor setting which was at a constant 50. That variable also make a big difference so that's for another day.

Come for the technical comparison stay for the industrio-ambient grit :D

0:00 Basic drums
3:38 Noise drums
5:08 Acidbox weirdness
13:17 Pitchy synth keys
17:33 Sweep effects

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Vintage Classic That's 2 Synths In One // Yamaha CS 15

video upload by Starsky Carr

"A Human League Favourite - You probably never realised you've heard it, but its a super flexible things. The Yamaha CS-15 from 1979 has got 2 state variable VCFs, 2 VCAs, 2 VCOs, 2 ADSR envelopes, 2 Pitch envelopes... and 2 independent routings - you get the gist. The Yamaha CS series isn't as well known as Moogs, Arps and Oberheims, but they can pack quite a punch.

A 12dB filter may have been its future downfall, but its more like a mini modular (like the Kawai 100F I demo'd here ) [posted here]

There's essentially a single 2 VCO monosynth, plus an additional path with noise and one of the VCOs. The additional patch (the upper section) has its own filter, VCA etc. The only real downside is a single LFO for all modulation. The CS30 takes things further but this is a more compact and cheaper unit."

Eventide Harmonizer Model H949 SN A949-2872

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ultralightbeam

"delay, flange, random processing on the H949 of a drum sample, a famous drum break"

Eventide H949 vocal demonstration

video upload by ultralightbeam

"Demonstration of an Eventide H949, fully serviced, of sale and the pitch control you have over audio."

via this Reverb listing

Pics of the inside below.

"This is fully serviced. All power supply large filter caps replaced, the ground connection from the molex a known failure mode has been tied permanently.

For H910 mode hit the 'algo' button and it will remove the 'deglitch'.

Memory chips, brand new, changed to ones that only run on 5v rail and not three different rails, they run much cooler, also when something goes wrong they don't get cooked. The early DRAMS used by eventide, those that were available were failure prone - the Personal Computer revolution quickly led to better DRAMS - which are deployed in this unit.

Electrolytic caps, tested, replaced for low ESR - top quality the best available

Better quality ceramic capacitors around DRAMS to drop noise floor to the lowest possible. They are mil-spec about £3.50 each for a tiny component and there are 10 of them.

Ripple checked for lowest noise performance possible

Tantalum where there should be tantalum - again the best.

Heatsink compound applied

A lot of the character of this unit comes from two factors; one the early digital use of memory chips to store the audio delay line with ultra fast bit slicing AMD bipolar processing chips and two the DBX companding (x3) - these really resolve the noise associated with early digital and improve signal to noise."

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The Space Between What Was - Ambient Electro Jam Novation Peak Perfourmer MKII Oxi One

video upload by Age Of Mat Martigan

"Enter a meditative electronic soundscape shaped by analog warmth and evolving harmonies.
In this ambient live jam, the Vermona Perfourmer MKII and Novation Peak intertwine, sequenced by the Oxi One, to explore slow-moving textures and hypnotic pulses.

🎹 Gear Used
– Novation Peak (atmospheric pads & textures)
– Vermona Perfourmer MKII (polyphonic analog tones)
– Oxi One (main sequencer)
– FX: external reverb & delay With Custom Preset for spatial depth

Perfect for fans of ambient, chill electronic, and analog synth jams.
🌀 Don’t forget to like, share, and subscribe for more sonic explorations.

00:00 — Intro
00:53 — Kick In
01:20 — Full Drums
02:56 — Breakdown
04:54 — Build-Up + Noise
05:17 — Drop / Main Groove
07:10 — Outro"

Arturia Minifreak: Atmo Noisy Techno & Ambient Presets Demo

video upload by Anton Anru

"🔮 Mystic Alloy is a collection of 64 patches for Arturia Minifreak (+ Analog Lab V).
It consists of: 11 Arps, 11 Basses, 10 Leads, 10 Pads, 11 Synths, and 11 Textures.
The bank spans a broad spectrum of timbres: dark, noisy, lo-fi, retro, atmospheric, detuned, huge, bright, distorted, metallic, amped and others.

📦 Get these presets: https://antonanru.sellfy.store/p/mini...

🧿 The sounds have some kind of magical charm, for example, it is alchemy, where a variety of components are combined to obtain the desired sound.
The patches use granular, FM, wave and other types of synthesis in Minifreak, which interact with each other and give a unique, sometimes experimental sound, but still usable.
👤 The author of the soundset is skendi (Arseniy Pushkov).

The soundset is suitable for many genres: ambient, electronica, IDM, trip-hop, lounge, downtempo, chill out, new age, cinematic, trance, deep, progressive, techno, dub, and others.

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Inspiration is All Around You

video upload by MAKEN0ISE

"Pete from the Make Noise Instagram channel here, filling in this week with a 'hangout' video, in which we go exploring Asheville looking for inspiration to patch with.

Record shops! Movie stores! Waterfalls! This one has it all."

Timestamps:
0:00 - introduction
1:40 - surface noise texture exploration
5:30 - VHS tape ribbon controller
7:18 - waterfall tape loop
11:05 - outro

"Here is the New Music article mentioned in the video: https://newmusicusa.org/nmbx/synthesi...

A note about using VHS tapes as ribbon controllers: at some point, it seems that VHS tapes changed formula and the newer tapes just don't work for this sort of thing. Instead, look for older tapes where one of the sides has more of a matte finish— this is the side you want to have facing up (newer tapes tend to have two shiny sides and neither of them will work for this experiment).

Thanks for watching, and happy patching!"

http://www.makenoisemusic.com

New KOMA Sensei, Kassiopeia & More Superbooth!

Via KOMA

"Dear synthusiasts,

long time no hear!

First of all, big THANKS to everyone who made it to our KOMAPARTY 2.0 some weeks ago! We had great fun and were happy to hang out with friends and our community <3

 
Big ups Bertolt Meyer, Teslator, Cate Hops with FridaY and Echosisters!

Here's a few snaps for the vibes:

KOMA BOOTH AT SUPERBOOTH

What's all this??? We're excited to share what we've been working on during the Superbooth preparations, including a few mysterious surprises! You will find us at Booth O400 - same as last year. Just walk up the main big stairs and turn left until you see a bunch of nerds in black dungarees playing weird looking instruments… Probably our best SB drip yet!

This year, we will showcase a handful of brand new designs of upcoming modules to be released later this year including Monoplex - a smaller version of the Komplex sequencer, Bürste - a noise burst generator, a Wavefolder, a Dual Envelope and a KOMA VCO!
Sensei and Kassiopeia, which are both available for pre-order, will also have their space in special installations we’ve prepared especially for this year.

One of them is using your movements or even your heartbeat to generate cool shapes with our new VCO and Sensei sensor modules. You'll be
able to print out the results as a sticker!

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5/3-5/25 (2 patterns) Simmons SDS6 & SDS1 + DR-55 clone + DigiTech HM4 + EML 200 + (in description)

video upload by Cfpp0

"5/3-5/25 (2 patterns) Simmons SDS6 & SDS1 ('flange snare') + Doctor 55 clone + DeltaLab Effectron II + TAMA DS200 + ElectroComp EML 200 + Ace Tone MP-4 + DigiTech HM4 Harmony Machine + Alesis MIDIVERB II + MXR 136 Dual Limiter + DBX 119 + Peavey 1300

This Simmons SDS6 was dead, but it’s been serviced by The Simmons Guy. It got converted from 220v to 115v with a rebuilt PSU, a cloned reset circuit on a custom PCB, traces rerouted on the dead expansion PCB with new caps and trimmer, new RAM ICs, new batteries, plus a MIDI in mod and, due to a lot of corrosion, plenty of new traces, caps, resistors, diodes, and so on. I’m still working my way through the SDS6 manual, but it’s already been a real pleasure to have such a giant sequencer. It makes the Doepfer Trigger Matrix seem microscopic. Considerable noise from the SDS6 is audible through the (always noisy) Doctor 55 clone. Not sure why. Anyways, the SDS6 is triggering the DR-55, which runs through the DeltaLab Effectron II, overloading the preamp limiter, fully wet, full feedback. In the first pattern, the Effectron II is set to Flange Lo (16ms). And then Double (64ms) in the second pattern. The SDS6 also triggers the SDS1, with a “flange Snare” EPROM and with the auto run feature on, and it’s panned a bit right with reverb from the Alesis MIDIVERB II. The SDS6 also triggers the TAMA DS200, which runs through the Ace Tone MP-4 for saturation and spring reverb. The DR-55 is also running through the Peavey 1300, which is panned left and has a lot of reverb from the MIDIVERB II. I did an overdub where I ran the whole first pattern through the DigiTech HM4 harmonizer, but the detuned copy sounded better when placed early, before the high pitched original. So if you are wondering why you can’t see those detuned notes on the SDS6 matrix, that’s why. You can see those notes being leveled by the MXR 136 limiter in the cutaway shots. The second pattern has drones from the EML 200 synthesizers: one is constant, panned left, and getting louder the whole time; the other is four VCOs through two VCAs, modulated by two different master sine waves, with the EML internal spring reverbs and reverb from the MIDIVERB II."

The Buchla Series - Demos by synthemodulaire

video upload by synthemodulaire

Playlist:

1. [The Buchla Series] #0 introduction

"Here is the introduction to a new series of videos about Buchla synthesizers.
I will try to create comprehensive videos on the Buchla 200 series modules"

2. [The Buchla Series] #1 Differences between eurorack and Buchla

Edit. I forgot to mention that Buchla audio levels are line levels, they don't need to be attenuated to be used with external gears like eurorack. Moreover the CV doesn't use the same standards by default, Buchla uses 1.2 V/Oct tracking and 10V Gates.

3. [The Buchla Series] #2 - Buchla 245 Sequential Voltage Source

In this episode, we will focus on the Buchla 245.

00:00 Overview
06:20 Simple sequence
07:40 Random sequence
09:13 Gate sequence
10:49 Analog groove
12:20 Analog preset manager
14:02 One shot mayhem

4. [The Buchla Series] #3 - Buchla 281 Quad Function Generator

In this episode, we will focus on the Buchla 281 (and briefly compare to the Tiptop Audio version features).

00:00 Overview
02:06 Self Cycling Mode
04:08 Trigger Mode
05:00 Gate Mode
05:55 Chaining Functions
08:22 Modulating the Modulator
09:22 Or's
11:45 Quadrature Mode
13:35 Conclusion, a few words about the Tiptop Audio version
14:27 Bonus ! Let's listen to the 281

5. [The Buchla Series] #4 - Buchla 266 Source of Uncertainty

In this episode, we will focus on the Buchla 266, the random generator that inspired so many others (Wogglebug, Noisering, etc.).

00:00 Introduction
01:01 Noise Source
01:43 Fluctuating Random Voltages
03:10 Quantized Random Voltages
08:49 Stored Random Voltages
13:53 Integrator
16:23 Sample and Hold

6. [The Buchla Series] #5 - Buchla 296 Programmable Spectral Processor

In this episode, we will focus on the Buchla 296, Programmable Spectral Processor.

00:00 Introduction
00:41 Manual Mode
04:16 Comb Filter
06:26 Bandpass Filter
10:30 CV Controlled EQ
12:49 Enveloppe Followers
15:15 Vocoder
18:30 Patches Examples

dreadbox Artemis Demo (No Talking) with Presets for Ambient, Electronica and Techno

video upload by Limbic Bits

"dreadbox Artemis – My 2 Cents
Artemis is a polyphonic analog synthesizer with six voices and a comprehensive effects section developed by Sinevibes. Housed in a solid desktop chassis, all potentiometers, faders, and buttons feel great, with just the right amount of resistance. On the rear, you'll find a stereo output, a separate headphone output, plus USB and MIDI connections. It doesn't offer a foot pedal input, but it supports MPE (I still need to try that with my Osmose).

Now to the most important part — the sound. It features that great vintage tone I love so much on other dreadbox devices, largely thanks to its creamy-sounding filters. Both filters offer resonance, and the low-pass filter can be switched between 12dB and 24dB slopes.

But it doesn't stop there: thanks to TZFM and filter FM (yes, noise can be a source here too), it can sound very modern as well, making it great for all sorts of electronic music. Although it offers quite a lot of modulation options, I still found myself wishing for features like key tracking for LFO rate, negative envelope amounts, noise as a modulation source in the menu, or meta-modulations. After reaching out to dreadbox about these features, they told me they are already working on them for a future update and/or will look into them. Based on my past experiences with dreadbox, I’m confident we can expect a nice firmware update for Artemis in the future.

The effects section by Sinevibes is also great — it’s just a shame that there are no external inputs like on the Typhon, as those would have made it a fantastic standalone effects unit as well. You get four effect slots (Lo-Fi/overdrive/shaper, modulation, delay, and reverb), each with several options to further tweak the sound. Here, I would love to see a bit more flexible routing, allowing changes to the effect order. But even without that, the effects section is a great addition that melts perfectly into the internal analog sound engine. I'd only recommend not adding too much, as the effects can quickly become dominant.

TL;DR: dreadbox Artemis is a sweet-spot synth that can also show its teeth when desired. Its intuitive interface and great-sounding effects unit make it an excellent companion for live performances. Definitely a highlight!"

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High energy modular synth performance by Stephen McCaul

video upload by Noise Engineering

"Here's a high energy modular synth performance by Chief Noisemaker Stephen McCaul.

The bottom case is a six voice case with Incus Iteritas Alia (2), Debel Iteritas Alia, Tymp Legio, Manis Iteritas Alia, Virt Iter Legio + Ampla Legio.

There is a Librae Legio for the percussion submix (paralleling the main mix) and an Electus Versio on a send. The rhythm sequencing is from an experimental prototype that isn't really product worthy.

Pitch sequencing comes from Opp Ned. And the Xer Mixa mixer ties it all together.

The top case is an effects rig for another project but i used a Fala Versio and a Yester Versio in that case for some additional effects."

L-Fusion Electronics Introduces Analog Kicks 808+909 Eurorack Module

video upload by LFusion Electronics

"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.

Module is available on Reverb.

808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

808 kick is based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.

909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."



"Introducing new kick drum module with famous 909 and 808 base kick drums based on on original discrete transistor circuits. 808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown Opamps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.

CLICK FOR MORE »