Noise Engineering Releases Three Free Plugins

You can find demos in previous posts here.

via Noise Engineering

The beta is over! Noise Engineering moves to full release of three free powerful plugins

Los Angeles, CA — Noise Engineering is happy to announce the end of the public beta and move to full release of three free plugins: synths Sinc Vereor and Virt Vereor and distortion Ruina.

Asked why the move from Eurorack to software, the Noise Engineering team said that it was inspired by several things: first, they’d been bombarded with requests for plugins from modular synth users who love the sound but needed portability or repeatability. They were also extremely aware of the barrier to entry to a modular system and really wanted to make their products more widely accessible (which is partly why this release is free, and will remain free). Finally, they have no plans to stop making modules, but a core value for this small team of six self-described nerds is to keep challenging themselves to learn new things, and making plugins fit the bill. They anticipate further plugin releases based on Eurorack favorites (including a VST3/AU release of their currently AAX-only bundle) coming soon.

Sinc Vereor is an intuitive and powerful synthesizer loosely based on Noise Engineering’s beloved Eurorack module Sinc Iter. Sinc Vereor’s wavemorphing/wavefolding Tone control makes sound design a breeze. Blend between familiar waveforms like saw, triangle, and square. Super mode adds 6 phase-offset oscillators. Use Noise mode to generate self-similar noise for percussion, effects, and more.

Virt Vereor is a powerful synthesizer based on a unique set of synthesis algorithms. Bass is a quadrature algorithm described in Bernie Hutchins’ seminal series Electronotes. Sawx is a supersaw-inspired beast. Harm is an additive algorithm with spectral control and distortion of partials. Virt Vereor makes a tremendous amount of unique sounds with an immediate and usable interface.

Some readers will recognize the names of these algorithms, and indeed they come from Noise Engineering’s contribution to Arturia’s Microfreak V3 firmware and the upcoming Virt Iter module.

Both the Sinc and Virt oscillators are paired with Vereor, Noise Engineering’s easily manipulated dynamics section using an ADSR envelope controlling a variable slope and analog-inspired multimode gate/filter. Add to that a vintage-inspired chorus and a over 1000 presets each, and these synths have something for everyone: bridge the gap between traditional subtractive sounds and modern synthesis techniques, or design innovative basses, leads, or whatever your project calls for.

Ruina is a creative stereo distortion plugin built on digital distortion algorithms: no emulations here. Intuitive and fully automatable controls make it easy to get a gentle, nuanced color, to obliviate a signal, or to dial in anything in between. Don’t feel like tweaking the parameters? Ruina comes with over 500 presets to fit any need, a Random button to generate new sounds, and a Nudge option to just give the parameters the tiniest bump.
Ruina has a wavefolder, a multiband saturator, a chaotic suboctave generator, octavizer, and phase shifter. It also features a notch or bandpass filter with adjustable tracking, and a control to set the order of the distortions in the signal flow to further customize your sound. Last but not least, Overdrive adds up to 128x gain for maximal destruction.

Run any sound through Ruina for warm, lush distortion, or crank the sliders to unleash complete ruin. With seven distortion types, it’s easy to turn your sounds into something singular with Ruina.

All three plugins are free to download: just make an account at the Noise Engineering Customer Portal (https://portal.noiseengineering.us/) and download the installer from the Plugins tab. And while they will remain free, the NE team has big plans to keep developing these. They have a substantial roadmap for future features, some of which were suggestions from the beta users, including introducing extensive internal modulation, more advanced randomization, MIDI learn, MPE support, and more.

Notable features:
• AAX, AU, VST3
• 64-bit Intel + M1
• Mac and Windows
• Intuitive interfaces to easily and quickly manipulate sound
• Use the Random button to generate new patches in one click
• Easy to automate, user-friendly controls. No prior synthesis experience needed, but
synth enthusiasts will also be inspired by the simple-yet-powerful interface
• Fully MIDI-mappable
• Tons of presets included
• Three unique synthesis algorithms inspired by little-known synthesis techniques
(quadrature, supersaw beast, and additive)
• Huge number of distortion possibilities with wavefolding, octavizing, multiband
saturation, suboctave generation, phase shifting, and overdrive

Links:
https://noiseengineering.us/products/ruina
https://noiseengineering.us/products/sinc-vereor
https://noiseengineering.us/products/virt-vereor

Availability: Download or update installer at the Noise Engineering Customer Portal Price: Free"

New Superbooth Berlin 2021 Presentation Videos

You can use the controls on the bottom left or upper right of the player to skip around.

Playlist:
1. Joranalogue - SUPERBOOTH21 Gesprächskonzert (lecture concert)

The Belgium Eurorack synth maker Joranalogue presented not one, but three new modules at SUPERBOOTH21: Orbit 3, Enhance 2 and Step 8.

During their Gesprächskonzert at Fuchsbau they not only talked about these new modules, but Alter Fritz also performed a live session with a Joranalogue based Eurorack system.

Driven by an unrelenting passion for analogue circuits, Joranalogue Audio Design offers an expanding series of high-quality Eurorack music synthesizer modules. They're continually introducing new approaches and techniques to the Eurorack platform, making waves in the waters of analogue synthesis. All products are designed and made in Belgium, guided by experiences in both modern hardware engineering and vintage synthesizer servicing.

This year, the Joranalogue crew finally returns to Berlin to present its latest developments. Join designer Joran van Gremberghe and artist Frits Jacobs (Alter Fritz) for a whirlwind ride through the exciting world of these black and silver modules!

2. u-he Wiretap - SUPERBOOTH21 Gesprächskonzert (lecture concert) @SUPERBOOTH21

For this Gesprächskonzert Urs Heckmann, founder of Berlin based company u-he, teamed up with Sebastian Hübert for their performance and presentation at Fuchsbau during SUPERBOOTH21. The former one-man show u-he is now a tightly knit team of employees, active associates and 3rd-party contractors – with ambitious plans.

Famous for very accurate and widely appreciated software synthesizers and effects, u-he showed their first eurorack module at a previous edition of Superbooth – the CVilisation. At SUPERBOOTH21 it was time for another announcement. They took the chance to present their latest development with a Gesprächskonzert, of which you can find the video documentation below.
The module is named Wiretap and it played a major role in creating rhythm during their performance.

Wiretap is a double gate extractor for v/oct signals. It will generate a gate when the voltage goes high, when it goes low, when it's steady, when it moves, when it's higher than the other one and when it's lower. And you can set the gate length and get additional envelope outputs.

3. Bitwig - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Berlin based DAW-makers Bitwig played a Gesprächskonzert on Thursday of SUPERBOOTH21. With the idea of - Less is More - Dave Linnebank showcased Bitwig and its possibilities, concentrating on simple ideas and how to creatively make them more complex. In other words: In this performance Dave starts with some short phrases, and then uses Bitwig Studio to extend them into musical passages. These will then become performance-ready clips by adding Bitwig's Operators for some fuzzy logic, getting the computer to make compositional choices while Dave is busy playing new lines on top.

Dave Linnenbank is a musician, technologist, and teacher. Over the past 20 years, he has crafted musical tools for pop and jazz artists, Broadway musicals, and desktop electronic musicians everywhere. Dave is part of Team Bitwig in Berlin, regularly making YouTube tutorials and more.

4. Verbos Electronics Complete Systems – SUPERBOOTH21 Gesprächskonzert (lecture concert)

During his Gesprächskonzert at SUPERBOOTH21 Mark Verbos is introducing the audience to the newly designed Verbos Electronics System Configurations: Designer Configuration, Performer Configuration, Producer Configuration.

Mark Verbos explains the intended use of each configuration as well as the philosophy behind not only the module selection but also module arrangement. He also plays some examples with all three system to give a musical reference to the explanation of the ideas behind each system. This Gesprächskonzert is a great opportunity to watch and hear all three configurations right next to each other – where else would that be possible? Enjoy the video!

5. Modor DR-2 - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Modor introduced its powerful DR-2 drum machine at SUPERBOOTH21 with a short explanation by Marcel from Modor Music about its most deviant possibilities. This six-channel drum machine is completely digital – a discipline that Modor shines in. The DR- drum synthesizer features a sequencer with 128 steps and a very tidy user interface.

It positively surprised many people when it was introduced, because it is unusual and brings something new to the table. Luckily the DR-2 is not a copy of a classic, but uses modern digital synthesis to create drum sounds. A drum model can be assigned to each of the six channels. You can also assign the same model to several or all channels. The models include: Three bass drum models, three snare models, three cymbal models, claps, two tom models and miscellaneous, the latter divided into three subcategories: rimshot, rattle and cowbell.

This Gesprächskonzert was a very welcome opportunity to hear this rare drum machine in action. Enjoy the video!

6. Polyend Tracker - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Sobutane presents his upcoming album Future Cake using two Trackers and one Medusa durng this Gesprächskonzert at SUPERBOOTH21.

After working with the Yamaha RM1x sequencer for 13 years Sobutane discovered the Tracker by Polyend. Originally bought just for drum parts, it revealed itself to be a great live-oriented tool, making him compose music outside his trusty RM1x for the first time in his life. Although the idea of a tracker is not particularly new, the Tracker still feels fresh and inspirational to many musicians. The Tracker brought Sobutane ideas and a new approach to composing his music, so he bought a second one and a Medusa, also made by Polyend. That was the starting point for the creation of the music you hear in his Gesprächskonzert for Polyend. Enjoy!

7. Ploytec Boom Kick - SUPERBOOTH21 Gesprächskonzert (lecture concert)

This Gesprächskonzert was unusually opened with a steel-guitar performance by DobBroMan, showing the Ploytec Boom Kick (Guitar Pedal).

Ploytec always valued the opportunity of Gesprächskonzerte at Superbooth and so they took the chance to do another one in 2021 this time for a rather unusual product – a guitar pedal that generates a kick drum in sync with the tapped in tempo. Additionally it sends a MIDI clock to other gear. This is useful for simple backing of what the guitarist is playing. The addition of a bass drum completes the otherwise solo guitar and with the MIDI tempo output, other instruments can play in sync – whether these are additional drum machines or synthesizers or whatever.

And there is one special thing to note about the bass drum sound – there are no samples saved to this machine. The drum sound is generated through synthesis and it has a huge range of possible sounds, suitable for pretty much all music genres.

And if you haven’t heard the Superbooth blues yet, watch until the end!

8. LPZW & Tubbutec - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Kai and Tobi (aka LPZW & Tubbutec) probably could have sold every second SUPERBOOTH21 guest a 6mod6, that's how well their first joint product was received. At Fuchsbau the Berlin based manufacturers presented the result of their collaboration: a highly modified homage to the 606.

They were accompanied by an opening performance from Cem Oral a.k.a. Jammin’ Unit in which he used the new module intensively, giving a good idea about what the module sounds like in a musical context.

After the performance Kai and Tobi walked the audience through every sound engine of the module and showed their modifications of the original 606 circuits. Not only with the Gesprächskonzert, they convinced a lot of people that they created a great sounding and very versatile 606 inspired drum module.

Now the wait begins, the first batch of the 6mod6 still has to be built. Let's hope that the chip shortage does not delay the production too much.

9. Erica Synths PĒRKONS - SUPERBOOTH21 Gesprächskonzert (lecture concert)

Erica Synths team of engineers and musicians have been working hard to bring surprise us all with a new instrument that no one expected and everyone wanted. Erica Synths had their booth completely dedicated to their latest product the PĒRKONS HD-01 drum machine.

PĒRKONS features four sonically versatile hybrid voices (digital sound engine + analogue multimode filter with overdrive) and a sequencer with simultaneous control over all four percussion tracks, an internal analogue BBD FX send, parameter automation and much more. This is a modern drum machine with a serious vintage look.

For their Gesprächskonzert they brought not one, but two of these machines and finally explained it and showed what it is capable of. For everyone’s surprise, the demo started with a drone set – yes, it can also do drones. And for the final concert part of this presentation, no other than Kodek entered the stage. Sounds fun? Enjoy the video!

10. Nonlinear Labs C15 – SUPERBOOTH21 Gesprächskonzert (lecture concert)

Stephan Schmitt, the founder of Nonlinear Labs, plays some improvisations on the C15 and shows the enormous tonal possibilities of this instrument and its ability to be played very expressively – with up to four expression pedals and the two large ribbon controllers. The C15 is a puristic and distinct digital synthesizer. Its sounds are generated by elementary algorithms and feedback structures. This opens up new fields for sound design and gives musicians an expressively playable and dynamical behavior, similar to acoustic instruments. The C15 is an instrument that has to be played by hand to unfold its full potential. After the performance Stephan explains what features are new and which special features of the C15 he used.

This isn’t the first Gesprächskonzert by Nonlinear Labs, so be sure to check out the previous editions for more information about this unique instrument.

11. Haken Audio & La Voix du Luthier – SUPERBOOTH21 Gesprächskonzert (lecture concert)

Haken Audio and La Voix du Luthier have been presenting together at Superbooth for several years now, showing how well these two companies and their products fit together. This Gesprächskonzert features a Haken Continuum, the all-new Continuum Eurorack Module and the large Pyramid Resonator.
Watch Edmund Eagan passionately talk about his products and enjoy the demonstration and performance of the Continuum Fingerboard by Rob Schwimmer.

The almighty synthesis engine behind all these sounds is the Eagan Matrix, that now is also featured in the Eurorack module. This is a huge opportunity for sound designers and artists to expand their sound palette with very expressive and unique sounds.

12. UDO Audio Super 6 Desktop - SUPERBOOTH21 Gesprächskonzert (lecture concert)

UDO Audio brought the world one of the most interesting poly-synths of the recent years. Very rarely a company achieves such a success with their first ever product – but the Super 6 made it. Now UDO Audio showed the desktop version of this incredible synth. Great looks, ergonomics and the sound of the original Super 6 make this machine a very interesting option for many musicians and studios on the hunt for a capable poly-synth.

In this video George gives a little insight into the development of the company in general and his view on the past two years, since he presented the Super 6 to the world at SUPERBOOTH19.

ARTURIA Introduces the SQ80 V w/ Added Features

Update: new videos added below. Don't miss them.

"SQ80 V is Ensoniq’s classic ‘80s Cross-Wave synth reborn, weaving hybrid lo-fi character, complex industrial textures, and thousands of unique waveform combinations into a quick-fire softsynth enhanced for modern production. Digital synthesis unraveled.

SQ80 V → https://bit.ly/3tDRnP6 Exclusive launch offer until October 5th, 2021 ⏰"

"What we added

SQ80 V strikes the perfect balance between ‘80s cult classic and modern production workhorse with character. To achieve this, we added hundreds more waveforms and retrofitted its architecture with a number of extra creative features - without compromising its distinct retro charm.

The arpeggiator
Introducing an arpeggiator to SQ80 V’s curious sound equips it for easy performance and melody creation. A classic component with the familiar controls, including arp direction, sync, octave range, and hold. Just turn it on and enjoy free-flowing lo-fi sounds that fit right into your mix.

Unison
SQ80 V offers up to 16-voice polyphony - twice that of the original hardware instrument - but we couldn’t resist adding an 8-voice unison option. Stack up those oscillators for enormous basses, gritty percussion, and ultra-dense lead sounds.

Dispersion
When it comes to classic synths and keyboards, the true charm often lies in the details. We went a step further than emulating the SQ80’s sound and interface by introducing dispersion - meaning subtle variations and inconsistencies in the behavior of its emulated circuitry. No two notes will ever be exactly the same, bringing a truly unmatched organic sound.

Envelopes expanded
To further shape the attack, duration, and evolution of your sounds, we upgraded SQ80 V with 2 additional envelope modes: DADSR and MSEG. The former adds a delay stage to the traditional ADSR for staggered strikes and interesting rhythmic patterns. The latter is a fully-customizable looping function generator for painting envelopes your own way.

The Mod Mixer
Combine any 2 modulation sources, from envelopes to keyboard controls, to distort, mangle, and refract your patches in interesting and unexpected ways. With 6 different modes of modulation mixing, the combination possibilities are enormous - as are the potential sonic results.

MPE compatibility
SQ80 V supports MPE-compatible controllers for an advanced expressivity experience. Create dynamic performance patches and textures that can respond in numerous ways to a single keystroke."

Arturia SQ80 V: A Detailed Demo and Tutorial

video upload by CatSynth TV

Patreon: https://www.patreon.com/catsynth

"We take a close look at the new SQ80 V from Arturia, which recreates the look and sound of Ensoniq's Cross Wave synthesizers, the ESQ-1, SQ-80, and VFX. We explore the main "hardware" panel, look in detail and voice and sound design features, and share a few of the factory presets.

00:31 History the Ensoniq SQ-80
01:15 The Main "Hardware" Interface
03:57 Synthesizer features (Oscillators, Filters, Modulators)
16:09 Effects panel
18:45 Factory Presets"

Arturia SQ80: Ensoniq Reborn! Factory Presets Walkthrough. Sound Demo/No Talking.

video upload by Anton Anru

"Great news from Arturia: a brand new synth is added to their VST Collection. Ensoniq’s classic ‘80s Cross-Wave synth - SQ80 V.
I was glad to tweak it and walk through some factory presets. It's a very deep and a nice sounding plugin."
📺 Presets for Arturia Synths: https://bit.ly/3sAlSVk

Arturia SQ-80 V Synth Demo Song of my Presets for the factory SoundBank.

video upload by

"Hi everyone,
I was lucky enough to be part of the sound-designer team for the new Arturia synth plug-in, the Sq-80 V , here is a little demo i made with some of the presets i created for the sound bank factory included in the synthesizer. For this "Techno" demo I used 13 instances of the synth plus few wav sounds for the drums (kick, snare hh and ride) on my DAW (Cubase from Steinberg) , of course I didn't use any other synths or effects other than a little compression and eq to fine tune the mix and a touch of mastering (also because Mix and mastering is part of my daily job 😉 ) I really liked it when Arturia told me about the Sq80v, having used them in the 90's I really love them and I'm a bit nostagic of the sound of the first hybrid polyphonic synthesizers that mix the coldness and the hardness of the digital oscillators and the warmth of the analog filters. I'm also a big fan of the number of modulations available, the 4 envelopes with 4 bipolar stages, the 3 lfo's and the modulation mixer are a dream for sound designers, without forgetting the Arturia touch with the super simple and hyper inspiring macro management.

Voila :)

Leonard de Leonard"

@Arturia SQ-80v - a software Ensoniq SQ-80 - guided tour and sound demo

video upload by Nu-Trix The Synth Guy

"​@Arturia SQ-80v - a software Ensoniq SQ-80 - guided tour and sound demo
Another Arturia software synth... another great synth to play with. Like all the Arturia soft synth, the SQ80v is a great recreation of a classic (in this case digital ) synth. They do not limit themselves with the limits of the original. They add an easy to use UI for the Synthesis section and extras: Arpeggiator, Unison mode, expanded envelopes, dispersion, mod matrix and MPE.
Using the 8 bit 5503 DOC chip, the original SQ80 was capable of unique organic digital character that is still sought out today.

► TimeLine:
00:00 Introduction
04:43 SQ-80 tour parameters
05:30 Hardware view
08:42 Synthesis view
12:09 Enveloppes
16:48 LFO
18:58 Effects
20:56 Sound demo
26:42 Conclusion"

Plankton Electronics ZAPS Percussion Module Coming to SUPERBOOTH

"ZAPS percussion module. Analog voice from Plankton Electronics and digital control from Winter modular ⁠. Interaction and interface design by Miguel Eedl ⁠

Come to see us at Superbooth (Booth Z195) next week!"

Facebook translation of the image:

May be an image of text that says 'TRIG ~P1 ~P2 FINE COARSE DATA FINE COARSE WINTER ZAPS PLANKTON BNK: LAY ENVI>P1 CV4 ENV2>P2 BANK|LISTEN LAYER ATTACK1 SLOPE1 REL1 HOLD1 FUNC ATTACK2 SLOPE2 REL2 HOLD2 CV5 VCOs RANDOM CV6| SOUND FREEZE MORPH CVASSIGN OUT AM ENV1>AM COPY ENV1>FM XFM- MORPH SNAPSHOT MIXP1 HPF1+2 MIXP2 RANDOM EDITALL EXTRA CONFIG'"

Funny. Didn't realize FB did that.

Oddball As Spherical Velocity Sensing Bouncy Percussion Interface

video upload by Perplex On

"Giving #oddball another spin using some own #maxforlive mapping. Hit strength is mapped to pitch height while velocity is also modulating some physical modeling parameters of #abletonlive #collision. This test just uses the velocity data coming from Oddball but there eventually will be an update which will also utilize gyroscope data. This will hopefully allow for even more versatility in mapping gestures to musical parameters. Audioreactive visuals made with #VisualSynthesizer and Uzu visualizer on iOS."

Virt Vereor, Sinc Vereor, and Ruina VST, AU, and AAX Public Beta | Noise Engineering

video upload by Noise Engineering

"Virt Vereor, Sinc Vereor, and Ruina VST, AU, and AAX Public Beta | Noise Engineering
The Freequel Bundle plugins are officially in public beta, available FREE now at the Noise Engineering Customer Portal. The Freequel bundle includes two beautiful synths and a truly epic multi-distortion.
Learn more at https://www.noiseengineering.us/blog/...

Sinc Vereor packs a powerful punch into a tiny package. The intuitive and inviting controls will make sound design a breeze. Blend between familiar waveforms like saw, triangle, and square. Super mode adds 6 phase-offset oscillators. Use Noise mode to generate self-similar noise for percussion, effects, and more. The Vereor section is our easily manipulated dynamics section using an ADSR envelope controlling a variable slope and analog-inspired multimode gate/filter. Add to that a vintage-inspired chorus and a library of presets. Loosely based on Noise Engineering’s beloved Eurorack module Sinc Iter, Sinc Vereor will astound with its versatility.

Virt Vereor is a powerful synthesizer that is as easy to use as it is unique and fun to play. Choose between a quadrature algorithm, a supersaw-inspired beast, or an additive algorithm with spectral control and distortion of partials. The Virt section is combined with the Vereor envelope/multi-mode gate/filter section and chorus. Virt Vereor makes a tremendous number of unique sounds with an immediate and usable interface.
Ruina is a creative stereo distortion plugin built on digital distortion algorithms. Run any sound through Ruina for warm, lush distortion, or crank the sliders to unleash complete destruction. Ruina has a wavefolder, a multiband saturator, a chaotic suboctave generator, octavizer, and phase shifter. It also features a notch or bandpass filter with adjustable tracking, and a control to set the order of the distortions in the signal flow to further customize your sound. Last but not least, Overdrive adds up to 128x gain for maximal destruction. With seven distortion types and fully automatable controls, it’s easy to turn your sounds into something new and unique with Ruina.

Don’t feel like tweaking the parameters? All our plugins come with tons of presets to fit any need, and a randomize button to play around on the fly.
Whether you need pads, leads, bass, or a distortion unlike any other, the Freequel Bundle has something for you."

New Sonic Potions x Erica Synths LXR-02 Desktop Digital Drum Synthesizer

Priced at $589

Digital Drum Machine with 6 Drum Voices, 16-step Sequencer, Pattern Chaining, FX Section, 4 Mono Outputs, and USB/MIDI Connectivity

Revamped Cult Classic Desktop Drum Synth and Sequencer

Boutique synthmakers Sonic Potions and Erica Synths have teamed up to bring you the Sonic Potions x Erica Synths LXR-02 Digital Drum Synth. A revamped version of Sonic Potions' renowned DIY kit, the LXR-02 is a highly flexible desktop drum machine, which goes far beyond the TR-style drum machines from which it draws its inspiration. Featuring six drum voices (which are optimized for specific drum sounds), a host of modulators, a robust FX section, and a performance-oriented interface, the LXR-02 is an inspiring piece of kit that has enraptured Sweetwater’s synth enthusiasts. With its high-quality 16-bit/44kHz audio, the LXR-02 has a shockingly huge sound. And, its powerful 16-step sequencer provides eight subdivisions per step, for a massive 128 steps per track at 32PPQ resolution. The LXR-02 facilitates sonic exploration, and you can store custom kits on the provided SD card. What’s more, a unique morphing feature allows you to seamlessly crossfade between presets — perfect for spicing up compositions! And while the LXR-02’s Digital Drum Synth features run deep, it’s amazingly intuitive. You’ll be cranking out killer sequences in no time!

A sonic laboratory for beatmakers

CLICK FOR MORE »

nLab Synthesis KOSMO for Reaktor

video by nLab Synthesis

"Kosmo is a 3-track based experimental groovebox and sound generator for Reaktor 6.4. Taking inspiration from the so-called 'West Coast' synthesis and old soviet synthesizers aesthectic, Kosmo employs and simplifies some of their most important features to build a 3-track experimental groove-box and sound generator combining a distinctive and raw sound with a user-friendly interface offering many creative capabilities. To research and explore your sound, you can move through folded triangle oscillators, low pass gates, cycling envelopes, random sequencer, chaotic LFOs, XY pad and a set of effects. In few steps, you can make a chaotic and distorted percussion pattern as well as an evolving and dreamy soundscape.

*Only for the full version of Reaktor 6.4 and later.

more info: https://gumroad.com/nlabsynthesis#scfTD"

K-teck KANDI DEMO

Baghead · KANDI DEMO

"K-teck's Kandi circular sequencer, a Euclidean rhythm and melody fun house. This track is sequencing a Make-Noise 0-Coast thru an Instruo Athru wave folder and then to an H9 Eventide Resonator . Percussion is another instance of KANDI but in percussion mode sequencing Sonic Charge's Microtonic drum synth.

K-teck makes some really nice MAX4LIVE tools, this one, KANDI was especially interesting as the interface was intriguing. Circular, not linear. It also allows locking in 4 notes so you can get percussion drum sounds

The track used 2 instances, 1 for melody, 1 for drums , enjoy"

VERMONA Announces DRM1 MK IV Drum Percussion Synthesizer

via VERMONA:

"We’re excited to launch this brand new update to our classic drum and percussion synthesizer VERMONA DRM1. The DRM1 is a key part in our history. Its first generation, released in the 90s as Syncussion DRM1, caught wide attention. The MKII-version then continued and broadened the success and breathed new life into the VERMONA brand at the turn of the millennium. With the DRM1 MKIII, that we have been building since 2006, we can now look back at a total of 25 years of DRM1! This makes it one of the longest-lived electronic musical instruments. And we’re ready to launch the next quarter-century with this analog drum synthesizer from VERMONA.

DRM1 MKIV: Familiar, yet evolved
At first glance, you may not notice any difference from its predecessor. Indeed, from the outside, there isn’t any! The overall concept and user interface have remained the same: There are eight instrument channels, each with nine knobs for sound shaping, pan and volume control. The DRM1 is a musical instrument, a creative tool that wants to be touched and played.

Instead of trying to reinvent or change an already well-proven external design, with this update to version MKIV we decided to focus on the inside. We took time to thoroughly listen into the circuits and put energy and care into its details: Thoughtfully tweaking frequency ranges, revamping control curves, adjusting levels and redesigning sub-circuits. Our goal was to make the DRM1 MKIV the best drum synthesizer we've ever built!

DRM1 MKIV: Sociable and dynamic
To make integration into your studio more comfortable, we equipped the DRM1 MKIV with USB-MIDI in addition to the standard MIDI connections.

The optional trigger inputs have been significantly upgraded. Beyond gate pulses, they now also accept different voltage levels for triggering the instrument channels dynamically. The DRM1 MKIV with trigger inputs can also convert the analog signals into MIDI notes via USB or the newly added MIDI OUT connector making it an incredibly versatile MIDI interface.

Whether you're controlling the DRM1 MKIV via a DAW, a hardware sequencer, or a modular system, you’ll have the proper connection and further the ability to send the MIDI notes to additional devices.

DRM1 MKIV: More power under the hood
The power supply of the DRM1 MKIV is completely new. It now works anywhere in the world, without having to manually change the mains voltage. This is a huge relief for all of you who use the instrument at live shows. No less important: it works more energy-efficient than the old one!

DRM1 MKIV: Availability
The DRM1 MKIV will be available in March/April 2021. We are looking forward to your feedback, comments and questions.

Your VERMONA crew from the
Elektroakustischen Manufaktur, Erlbach"

Update: short Instagram demo:

View this post on Instagram

A post shared by @vermonagear

Sequential Circuits TOM SN 03064 w/ TAUNEK Expansion & Cartridge Collection

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

This one was spotted and sent in via M Me.

"Sequential Circuits TOM Vintage Drumcomputer MINT Serviced Expanded + Sounds w/ "TAUNEK" Expansion

- Serial #03064
- Made in USA
- fully serviced
- 100% working
- manuals (original) included
- includes 20 cartridges !!!

- Techno Drums
- Hippefex 1
- Atomic Drums
- Brazilian
- Brushes
- Power Drums
- Rock Drums
- Ethnic
- Analog Drums
- Orchestral
- Percussion 1
- Percussion 2
- Percussion 3
- Percussion 4
- Percussion 5
- Percussion 6
- Special Effects
- Contemporary
- Latin Percussion
- Basic Percussion


This wonderful machine has been serviced by our tech and all contact were cleaned or replaced.

Expanding the Sequential TOM to hold 16 "cartridges"

I bought my TOM a few years ago, and had always intended to make some sort of switch-able cartridge for it. I decided recently that it would be nicer to have everything inside the TOM, if possible, and control it using the TOM user interface. There are two advantages to doing it this way:

1) Cartridges can be selected without unplugging and replacing EPROMs, which can get damaged by ESD or bent pins.

2) Both the internal sounds and the cartridge can be swapped out, so all 15 sounds can be changed, not just the top 7. There are two "slots" - internal and cartridge. Any of the 16 "cartridges" can be placed in either slot. If a cartridge has seven sounds in it, and is placed in the internal slot, button 8 will not make a sound. All of the cartridges I have made have 8 sounds. If they are placed in the internal slot, all 8 are available. If they are placed in the cartridge slot, only the first 7 sounds are available.

The board plugs into one of the internal sound ROM IC sockets, after both chips have been removed. It also needs A15b and A16b which are not available in either socket, so two short wires are used. I use A15b and A16b instead of A15 and A16 to avoid connecting to the Wonder chip signals. Luckily there are eyelets on the TOM board right where I needed them to be for these two signals.

Here is a photo showing the newer version of the pcb, which has a third wire. The original two wires are connected exactly as before, while the third wire attaches to the lower end of the 10K resistor near the battery. I have added a small circuit which should allow inserting a cartridge (for testing) into the TOM while the TOM16 is installed. In this case, the only sounds available would be the ones on the cartridge, as the TOM16 EPROM is disabled.

How does it work? I added code to the TOM V1.6 OS firmware (the final SCI version) to allow selecting cartridges using the std user interface. Once the selection is made, these values are sent using the Wonder chip in a special way to a PIC micro-controller on my board. That chip presents the two cartridge select 4-bit codes to a dual 4:1 mux that feeds the correct one to an 8 Mbit EPROM. I do not plan to release the PIC code, or provide the source for my version of the TOM OS at this time. The only changes that I made to the TOM OS firmware were for TOM16 support. No other changes were made.

I am currently offering fully assembled pcb's for $105 including Priority Mail shipping to USA addresses. If you are outside of the USA, please contact me for the additional shipping cost. In order to install the board in your TOM, you will need to upgrade the (socketed) firmware EPROM with one that I supply. You will also need to remove the two (socketed) sound ROM chips I610 and I611. And finally you will need to carefully solder three wires, (which I will supply) into small holes in the TOM pc board and in my board."

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Analog synthesizers live demo 7; feat. Kraftwerk and Vangelis ; please use headphones

video by Synthe_64

"please use headphones: since this is recorded live, the mixing is not very good, but when you use headphones you will hear all extras like bass, wind, phasing, panning etc.
In this demo you can hear the mighty analog synths: Moog minimoog ( 1973 ), Korg MS10, Yamaha CS10 and Roland SH2.
More recent are the Roland U220 and Yamaha FB01 midi modules. The newbies are the Arp Odissey ( Korg ) and Arturia Microbrute. The modulars are Pittsburgh Modular and Doepfer Dark Energy along with the Dark Time.
Rhythm provided by the Akai Rhythm Wolf.
Everything is played live. No prerecording, post editing or mixing."

Analog Synthesizers live demo 8; feat. Pink Floyd; please use headphones for best result

"please use headphones: since this is recorded live, the mixing is not very good, but when you use headphones you will hear all extras like bass, wind, phasing, panning etc.
In this demo, the solo's are played with a Minimoog ( 1973 ) and a Roland SH2. The bass partion is from the Yamaha CS10 and de ARP Odissey. Chords are played with 2 Roland JV1010 modules and a Yamaha FB01.
The modulars are mainly Pittsburgh and Doepfer. Sequencers are Pittsburgh, Doepfer dark time and the Korg SQ1. Additional drum is done by the Korg monotribe and the EMW T-drum module. Finally some FX from Roland, Yamaha and Alesis.
Everything is played live, no post production. I don't use midi , everything is connected trough CV, Gates and clock signals."

Analog synthesizers live demo 9; feat. Jean Michel Jarre; please use headphones for best result

"please use headphones: since this is recorded live, the mixing is not very good, but when you use headphones you will hear all extras like bass, wind, phasing, panning etc.

CLICK FOR MORE »

Glitchmachines - Tactic

Playlist:
1. Glitchmachines - Tactic - 01 Overview
2. Glitchmachines - Tactic - 02 Interface
3. Glitchmachines - Tactic - 03 Sample Slots
4. Glitchmachines - Tactic - 04 Sequencers

via Glitchmachines

8 Sample Slots
4 Flexible Sequencers
Per-Step Parameter Values
Powerful Randomizer Panel
Scalable User Interface
640+ Factory Samples
115 Factory Presets
Win/Mac VST3/AU 64bit

Tactic is a percussive phrase generator geared towards metamorphic rhythms and evolving sequences.

Tactic features a host of sample slots and a master trigger sequencer supported by several modulation sequencers with features such as per-step probability, per-step parameter value designations and per-step randomization, giving you all the tools necessary to create anything from subtle percussive grooves to experimental hyperglitch chaos.

While Tactic can confidently stand on its own, the plugin truly comes to life when paired with our range of signal processing plugins such as Convex, Subvert, Cryogen, Quadrant and Fracture XT. You can of course also load your own samples and pair it with any of your favorite processors and effects chains to fully customize the plugin to your needs.

With its 8 Sample Slots, Trigger Sequencer with Per-Step Probability, Dual Per-Step Parameter Sequencers, Generative Sequencer, Comprehensive Randomizer, 640+ Factory Samples and 115 Factory Presets, Tactic brings a powerful new phrase generator to the world of electronic music production.

To extend Tactic’s onboard functions, virtually every parameter is available as an automation target, maximizing your options to construct incredibly intricate modulation scenarios via your host application’s automation facilities. Tactic also features a comprehensive randomization panel similar to the ones found in Polygon and Palindrome, which allows you to randomize nearly every parameter in the plugin, either individually or in logically organized parameter groups.

Tactic comes with a specially curated factory bank with over 600 percussion samples and sound effects. While this bank includes all of the necessary elements to allow you to take advantage of Tactic’s strengths, you can certainly load your own samples in order to fully customize the plugin to your liking. We also offer a large range of separately available sample packs that cover a broad sonic landscape you can explore to keep Tactic loaded with content for years to come.

Kurzweil Introduces the K2700 Synthesizer Workstation w/ 6-Op FM Synth Engine & More

KurzweilTutorials

"The Kurzweil K2700 – Witness the Evolution of the Legendary K2 Series Workstations!"

Key features:

256 Voices of V.A.S.T. Polyphony!
Over 5x the polyphony of any previous K2 series model!

4.5 Gigabytes of Factory Sounds!
The K2700 serves up a deep sound library of over 1500 factory Programs and over 700 Multi combinations organized into 13 instrument categories ranging from Pianos to Synths to Orchestral sounds and more, featuring our optimized unlooped German D, Japanese C7 and Triple Strike pianos, Classic Tine EPs (’73 & ’77), plus updated sounds from our popular SP6, PC3/4, and KORE64 expansion.

Patented FlashPlay® Technology
Flash-Play® provides the K2700 with a staggering amount of horse-power. Up to 8 GB total capacity with zero-loading time, and ultrafast performance.

3.5 Gigabytes User Sample Memory
Load up to 3.5 GB of your own custom samples into non-volatile flash memory. Supported sample formats: .WAV, .AIF (up to 16 bit / 96kHz) and Kurzweil formats (.FOR, .PC4, .P3K, .KRZ, .K25, .K26).

V.A.S.T. Editing
V.A.S.T. was born in the K2 series. The K2700 expands on Kurzweil’s legendary Variable Architecture Synthesis Technology offering 32-layers per program, deeply customizable signal paths and a host of modular DSP tools including new oscillators, filters, and FX.

6-Operator FM Engine
6 Operator FM Engine with the ability to load original FM SysEx files. FM layers are a new addition to VAST programs and can be combined with VAST features to go far beyond classic FM synthesis.

Virtual Analog
Embedded within the K2700 are powerful anti-aliasing, power-shaped oscillators along with DSP processing from Kurzweil’s mythical VA1 concept synth, capable of delivering authentic analog emulations as well as incredibly complex new sounds.

KB3 ToneReal™ Organs
Modeled after classic organs. A full complement of tonewheel controls are immediately accessible including 9 realistic drawbars, rotary speed, chorus/vibrato, brake, percussion and more.

Powerful FX Engine
Award-winning Reverbs, Delays, Choruses, Flangers, Phasers, Distortions, Rotary Amplifiers, Compressors and more – all fully editable from the user-interface. The K2700 also offers a global Master FX section featuring 3-band EQ and Compression.

K.S.R. – Kurzweil String Resonance
Piano string resonance modeling for enhanced acoustic piano performance!"

This one was spotted and sent in via Soviet Space Child.

Digitakt Solo Performance at Patchwerks

Patchwerks Seattle

"In this video resident expert Rae of Patchwerks performs for us on her trusty Elektron Digitakt!

The Elektron Digitakt is a beat making powerhouse.

Compact, rugged and to the point. Digitakt is a formidable drum machine and sampler. With an astounding feature set and an exquisite digital sound engine, the stage is set for a striking encounter. Digitakt is a compact sampling drum machine from Elektron. It contains all the necessary tools to make people move to the beat. A digital and highly flexible sound engine, sampling capability, a live-friendly sequencer, dedicated tracks for controlling external MIDI gear, and Overbridge support.

The Digitakt is made for heavy use. It features hi res encoders and extremely durable back-lit buttons (rated for 50 million presses). The ultra crisp OLED screen perfectly renders the clear and streamlined user interface. The Digitakt comes pre-loaded with heaps of great electronic and acoustic sounds. Drums, percussion, synths, and FX are all part of the sound palette. The sample collection allows you to start creating, experimenting and producing right away.

Check out the Elektron Digitakt here: http://bit.ly/ele_digitakt

https://patchwerks.com/
Performance by: Rae
Video by: Matthew Piecora (aka EZBOT)
https://www.ezbot.live"

DSC - DIGITAL SOUND CHIPS OPUS MAX BOARD

DSC - DIGITAL SOUND CHIPS

From the creators of the Bluebox synthesizer comes a new project for DIYers. Currently on Kickstarter here.

"A short introduction to the OPUS MAX BOARD music computer and development board for making music gear with the STM32H750 micro controller. https://digitalsoundchips.com It will come with a profession grade synthesizer and audio effects unit to loop sounds through the board externally. And with information on how to make your own music gear like synthesizers and audio effect units."

"Back in 2011 the worlds smallest synthesizer DSC Bluebox was made, but vent by unnoticed. This time Digital Soundchips that made the synthesizer is back, and want to solve the problems that they once went through for you and others.

Now we a ready to present a single-board computer for audio plugins and music gear. And with one profession grade synthesizer plugin, and a multi effects unit to loop audio through. That uses a open plugin standard with plugins on microSD card.

Imagine making professional music hardware gear, based on a super simple audio plugin format. And develop music gear that can use several plugins simultaneously.

We want to make a pre-configured scalable solution, so you can start writing your audio code and run ready-made plugins. And lower the development time for new music gear from years or month's, to weeks.

Lets make it faster and fun to develop commercially viable professional music gear.

CLICK FOR MORE »

Roland Launches Music Creation Platform 808303.studio

via Roland: "Roland Launches Music Creation Platform 808303.studio with the Design Museum in London Featuring Legendary TR-808 Rhythm Composer Drum Machine and TB-303 Bass Line Synthesizer

In response to the global pandemic, museums have been forced to reimagine how visitors interact and engage. Now, Roland and Yuri Suzuki have teamed up with the Design Museum to create 808303.studio, a fun and educational music creation platform and online-learning experience.

The Design Museum is also currently showing its popular ‘Electronic: From Kraftwerk to the Chemical Brothers’ exhibition featuring Roland’s legendary TR-808 Rhythm Composer drum machine and TB-303 Bass Line synthesizer.

808303.studio
The 808303.studio, which features Roland’s innovative step sequencer interface, as well as emulating the sound of the original Roland TR-808 Rhythm Composer drum machine and Roland TB-303 Bass Line bass synthesizer, is a professional-sounding online musical interface. The studio lets users record their masterpieces and allows sharing through social media or as a download. Acid House innovator ‘A Guy Called Gerald’ will also be on board to help visitors find their way around the platform and teach them how to program and play their own electronic dance music using 808303.studio.

‘Electronic: From Kraftwerk to the Chemical Brothers’ exhibition
The ‘Electronic: From Kraftwerk to the Chemical Brothers’ exhibition focuses on innovation in electronic instruments and key moments in the history of electronic subculture. Roland’s TR-808 Rhythm Composer drum machine and its TB-303 Bass Line synthesizer — arguably two of the most groundbreaking inventions in the history of electronic music – will be on display. The unique sounds, along with their interfaces and unique perspectives, will allow visitors to take unexpected and innovative approaches to making music.

Yuri Suzuki
Yuri Suzuki is a sound artist, designer and electronic musician that explores the realms of sound through art and people. His work can be seen in several international museums and has worked with the likes of Google and will.i.am. to bring his collaborations to life.

The Design Museum
Based in Kensington, London, the Design Museum covers product, industrial, graphic, fashion and architectural design. In 2018, the museum was awarded the European Museum of the Year Award.

Roland
For nearly 50 years, Roland’s electronic musical instruments and multimedia products have fueled inspiration with trendsetting gear spanning from pianos, synthesizers, guitar products, and electronic percussion to DJ controllers, audio/video solutions and livestreaming products, providing modern software-based solutions and seamless creative workflows between hardware products, computers, and mobile devices.


Visitors are welcome to enjoy the 808303.studio and ‘Electronic: From Kraftwerk to the Chemical Brothers’ exhibition until February 14, 2021."

4ms Percussion Interface (PI) & Expander - Drum Demo 1

previous posts

4ms Percussion Interface (PI) & Expander - Teaser

4ms Company

Note the Percussion Interface made its first appearance at SUPERBOOTH 2019 and 2020.

"The Percussion Interface (PI) and PI Expander are a pair of Eurorack modules that generate gates and envelopes from acoustic drums, samplers, drum machines and virtually any audio source. Converting microphone, instrument, line and modular signals into CV and clock/gate signals, the PI and PI Expander are suited for synchronizing sequencers or other modules to the rhythm of an audio track or live percussion. The modules can simultaneously be used as a pre-amp for microphones or line-level signals, while generating inverted envelopes useful for side-chaining. The PI module contains all the core functionality and can be used without the Expander to conserve space. The Expander requires the main PI module and adds three gain stage options, a modular-level audio output jack, a 1/4” (6.35mm) input jack, and envelope attenuation capabilities.

------------------

Percussion Interface and PI Expander features:

Sensitivity knob, Low/Medium/High gain switch, and clipping LED
•
Sustain control to prevent misfires, increase gate length, and control the envelope
•
Envelope decay control
•
Non-inverted and inverted envelope outputs, useful for side chaining
•
Four envelope outputs: two attenuated with independent attenuators, and two non-attenuated
•
Envelope following or generation modes
•
Gate output for clocking sequencers or any unit with a clock or trigger input
•
Compatibility with drums, samplers, microphones, drum machines, etc.
•
1/4" input jack (6.35mm)
•
4HP each
•
$165"

Mini Systems 002: SSF ZPO, Rossum Linnaeus, and the Digitakt!

Patchwerks Seattle

"In this video resident expert Jesse Humes takes us on a shuffle trip with his Intellijel Palette case full of excellent modules and the Elektron Digitakt. Featuring the SSF Zero Point Oscillator, Rossum Linnaeus, and the Intellijel Multi-FX 1U.

Rossum LINNAEUS is a stereo state variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter’s natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a “one-knob-per-parameter” interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

Order a Rossum LINAEUS here: http://bit.ly/Rossum_Linnaeus

The Zero Point Oscillator is not your typical analog VCO or even your standard Thru-Zero FM VCO for that matter. The core of the ZPO was developed through countless hours of experimentation involving Through-Zero modulation techniques. Through-Zero FM is a form of frequency modulation that produces much deeper and useful FM tones than a typical VCO can accomplish. New techniques have been discovered that not only improve the performance of TZFM, but also grant additional benefits as will be explained.

Order a SSF Zero Point Oscillator here: http://bit.ly/SSF_ZPO

The Intellijel Multi-FX 1U provides three carefully crafted and highly musical sounding delay based FX in a compact 1U package. Powerful on its own but even more fun as part of a bigger effects chain.

Three FX modes:
DELAY – tap/clock syncable, controls for rate/division, tone (feedback low pass filtering), and feedback amount.
CHORUS – controls for modulation rate, tone (brightness) and modulation depth.
PLATE REVERB – controls for pre-delay, tone (brightness), and decay time.
Stereo Wet/Dry balance for all three FX modes.

Order a Intellijel Multi-FX 1U here: http://bit.ly/Intellijel_multifx_1u

The Elektron Digitakt is a beat making powerhouse.

Compact, rugged and to the point. Digitakt is a formidable drum machine and sampler. With an astounding feature set and an exquisite digital sound engine, the stage is set for a striking encounter. Digitakt is a compact sampling drum machine from Elektron. It contains all the necessary tools to make people move to the beat. A digital and highly flexible sound engine, sampling capability, a live-friendly sequencer, dedicated tracks for controlling external MIDI gear, and Overbridge support. Digitakt is made for heavy use. It features hi res encoders and extremely durable back-lit buttons (rated for 50 million presses). The ultra crisp OLED screen perfectly renders the clear and streamlined user interface. The Digitakt comes pre-loaded with heaps of great electronic and acoustic sounds. Drums, percussion, synths, and FX are all part of the sound palette. The sample collection allows you to start creating, experimenting and producing right away.

Order an Elektron Digitakt here: http://bit.ly/ele_digitakt

https://patchwerks.com/
Performance by: Jesse Humes
Video by: Matthew Piecora (aka EZBOT)
https://www.ezbot.live"